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#from jack kerouac on the road
boyobjectifier · 2 years
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i’ve never been so excited to be making my way through some classic books
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theaskew · 4 months
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"...the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time..." -- Jack Kerouac
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derangedrhythms · 6 months
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We agreed to love each other madly.
Jack Kerouac, from 'On the Road'
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drchucktingle · 1 month
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Would I be able to understand Camp Damascus as someone who wasn't raised Christian?
i was not raised christian and i heckin wrote it, so yes.
ENJOY BUCKAROO. LOVE IS REAL.
i have talked about this a lot in interviews but most of camp damascus is based on christian buds that chuck had while traveling around in my young buckaroo days (chuck went around the country for many years from place to place like a dang jack kerouac novel. literally LIVED ON THE ROAD for over a decade)
anyway during this time i spent some time with some christian buds. i told them i do not believe this way but lets talk about it. many scenes from camp damascus come from this (like root beer kegger chuck really went to a few of those)
i think this is why CAMP DAMASCUS is so written from a place of love and not hate. the book is not 'anti religion' it is 'anti religion as an excuse for hate'
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stevegasnsip · 2 years
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i do think it's funny on some level that a a not insignificant part of why the 4th of july is trending is steve rogers birthday, like that is funny to me
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postnuclearophelia · 6 months
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“Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever?” ― Jack Kerouac, Desolation Angels
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scoobydoodean · 11 months
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From On The Road: The Original Scroll by Jack Kerouac, (insp)
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dykeinthedark · 6 months
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this road will never end.
Shots from My Own Private Idaho (1991) dir. Gus Van Sant || Quote from On The Road (1957) by Jack Kerouac || "Road Music" from Crush (2005) by Richard Siken || "Born to Run" (1975) by Bruce Springsteen
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mystic-writings · 7 months
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almost perfect | jess mariano
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PAIRING — jess mariano x fem!gilmore!reader
REQUEST — Anon - Where Emily and Richard have a kid a year older than Rory (they had her before Lorelai got pregnant with her) and she’s sent to love with Lorelai around the same the same time jess moves to town? And they meet all cutesy and shit 🤭
SUMMARY — you move to stars hollow to live with your sister, lorelai, and end up falling for the one person who understands you - and the one person your sister doesn't like
WARNINGS — angst, familiy arguments, odd family dynamics, confessions, fluff
WORD COUNT — 3,461
NOTES — this idea has had me in a chokehold fr thank you anon
masterlist | navigation
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Moving to a new town and starting your life at a new high school with only two years left before graduation was difficult. But moving into your sister’s town, and going to a school where her daughter was a former student, and everyone already knows who you are, is infinitely worse. 
You supposed that being semi-close to Rory as kids was a good thing, because if it weren’t for knowing her and, by extension, knowing Lane, you’d be wandering these halls completely alone, and doubly more confused. 
Dean and Lane were angels, helping you with every piece of much needed information on what teachers were good or bad, who to avoid at every chance, and where to not sit during lunch. They promised to do their best to help, but Lane’s mother was as strict as a dictator, and Dean often worked after school, so beyond sitting with them in the classes you happened to share, there wasn’t much they could do. 
Still, Rory walked you to the doors before heading off to catch the bus to Chilton, taking extra care to make sure you were okay before leaving. It was nice, the relationship you had with her despite everything. 
Lorelai wasn’t too happy that you were staying at theirs, but she understood why you had to leave your parents behind. Or, more realistically, why you were forced to walk out. It’s why she left them 17 years ago. 
Despite the age gap between you and your sister, Lorelai was all too aware of why you were born. Of how your parents treated the both of you, and the fact that no child should’ve been raised under the Gilmore name. She was never really close with you, considering you were only a few months older than Rory, but you understood. No 16 year old should be raising a kid while her parents are raising a baby themselves. 
But, she was kind enough to open her arms, and redecorate her spare bedroom, to fit you in. She got you a place at Stars Hollow High, settled you in with the townspeople, and did anything in her power to help. 
However, there was no helping the bundle of anxiety in your chest as you headed from your locker to homeroom. The school was small, of course. Not small enough to have a graduating class size of under 70 kids, but small enough that people knew who was attached to your last name. Small enough for people to start asking questions. 
Homeroom itself was fine. Lane and Dean had different homeroom classes, and people whispered when your name was called during attendance, but everything else was fine. The boy you sat next to seemed entirely unbothered by the environment around him, clutching a pen as he wrote in the margins of the book he carried - On The Road, by Jack Kerouac. Rory had lent the book to you not even two weeks ago, and you mentally appraised him for his literary taste. 
Of course, you should’ve known that trouble would’ve found you not long after your first day. 
Between second and third period, you’d been standing at your locker, supposedly the one Rory used to inhabit - and one you’d already decorated with stickers of bands and movie references - switching out your books when three girls approached you. You were already not prepared for any unexpected interactions, but these girls spelled trouble, just from the way they were all blonde, pretty and primped at 9am, in a small town high school. You expected it from the Chilton girls, sure, but not here. 
“You’re Y/n Gilmore, right?” The one in the middle said, her mouth upturned in something like a grimace. 
“Yeah, why?”
“Well we saw you during homeroom and we were wondering,” the girl on the left spoke, her gum popping annoyingly as she chewed on it. “If you’re, like, a Gilmore, does that make you Rory’s sister?”
“Yeah, we didn’t know Rory had a sister.” 
“How come we’ve never seen you before? I mean, you both should’ve gone to the same school, right?”
“Oh, my God, are you not her sister? Or were you just like, in rehab or something?”
“Oh my God, are you a drug addict?”
The girls continued to chirp at you, and among themselves, endlessly thinking up possibilities of how you could be Rory’s sister and still not go to Stars Hollow High until now. You didn’t even know they had that much brain power, let alone that they could jump to that far of a conclusion so fast. 
Suddenly, from behind you, someone spoke. “Why don’t you girls leave her alone, huh?” 
They stopped, almost freakishly in sync, and grimaced at the person behind you. 
“Seriously, Barbie, why don’t you go fix your makeup or something.” He scoffed, stepping up to stand beside you. “And honestly, if she was a tweaker, do you really think she’d even be allowed in the school?”
“I-”
“Just go away,” he complained, and the girl in the middle scoffed. 
“Whatever, Jess. Just trying to get to know the new girl.” She rolled her eyes.
You didn’t stop yourself from looking at the trio in disbelief. “You sure have a funny way of doing it, then. Why don’t you make up rumours about someone else and leave me the hell out of it. Or have you gotten bored of doing it to everyone else?”
It was amusing, watching the shock make their jaws drop before they managed to saunter away. When you turned to look at the boy who helped save you from that awful experience, you found the person who sat next to you in homeroom. 
“Thanks.”
“No problem,” he shrugged, a slight smirk playing on his lips, and you noticed that his hands were shoved in his front pockets. “Trust me, those girls do that to everyone. Y/n, right?”
“That’s me. And you’re Jess.” 
“Yep.” 
You stood silently for a few moments, staring awkwardly at one another. Just as you opened your mouth to speak, the warning bell rang, and the noise level around you picked up as students rushed to their next classes. 
“See you around, Y/n.” And just like that, Jess disappeared into the crowd of students, leaving you to gather your things and head to calculus, one of the few classes you shared with Lane. 
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It’s been almost two months since you moved to Stars Hollow, and you found that adjusting was a lot easier than you first thought it would be. Despite having Lane and Dean at your side, you also seemed to be one of the lucky few to catch and retain Jess Mariano’s attention. He was, to everyone else, the loner who barely came to class and had no interest in being in the town in the first place; but he seemed to take a liking to you, the reason for which was still unknown to everyone but him. 
He was quick to become your best friend, and the only person in town who you gave a detailed description of your family background to. Somehow, the rumours that the girls who forced you into conversation never made it outside of their circle, but at some point the truth about your relationship with the Gilmore girls was spread around town, as you assumed would happen at some point. 
Still, no one minded that much, and found that your closeness to Rory and Lorelai meant that you were close to everyone in Stars Hollow. The welcoming warmth and sense of community was something that you had never felt in Hartford. 
Jess, of course, found it annoying, but you liked to tease him about it, and you knew he meant well. No one else seemed to want to care about him like you did, like Luke did. Including Lorelai, who was less than pleased that you chose to befriend him out of all the other supposedly stand-up kids in town. 
It wasn’t uncommon for you to have Jess over while Lorelai and Rory went to Hartford for Friday night dinners. In fact, it was what you had in mind for your plans as you watched the mother-daughter duo scramble around the house to get ready. 
Rory was, as usual, ready to leave exceptionally early, and had bid you a cheerful goodbye as she headed out to the car to wait for her mom, who was marching her way down the stairs while struggling to put in earrings. 
Lorelai caught sight of you on the couch, curled up and channel surfing, and smiled. “So, what are your plans for tonight? Partying hard, I hope. Remember my rule, no bikers and no drugs past 8pm.”
“Funny, Lorelai,” you smiled, craning your neck to look at her as she shoved items from the side table into her purse. “I’ll probably just order in and call Jess. He’s never doing anything on Fridays, and it’s better than being alone all night.” 
Your sister paused in the hallway, fidgeting movements indicating that she was contemplating something. 
“Can I ask you something?”
“Sure, what’s up?”
Lorelai turned fully, and took a few tentative steps toward you. Her iconic awkwardly polite smile stretched across her features, and you looked her up and down. “Why do you hang out with Jess so much? Sweetie, I mean, you’ve gotta see how bad of an influence he is.” 
“He’s not a bad influence, Lor. If anything, I’m being a good influence on him.” You said, sitting up straighter, leaning on the arm of the couch to properly face your sister. “Besides, he’s nice. He just doesn’t like a lot of other people in town.” 
“So you’re trying to tell me that he’s nice to everyone but you?”
“Yes, and I don’t exactly see what’s wrong with that.” 
“Well, hon, I mean, don’t you think that maybe that’s a little, I dunno, odd?” Lorelai suggested, her fluster clearly underlining her tone. 
You shrugged. “I don’t think so, no. He’s my best friend.” 
“Yes, I know that, but-” Lorelai tapped her foot, trying to find the right words to say. “I think you’re spending too much time with him, Y/n, and I just think it’s gonna end up with you getting hurt somehow.” 
“Hurt?” You scoffed. “Lorelai, how in the world would Jess be able to hurt me?”
Lorelai sighed, stepping closer to you. “I think you like him, Y/n. I think you have a crush on him, and I don’t think he likes you back. I just don’t want you to do anything and then end up being heartbroken and losing Jess as a friend.” 
You? Having feelings for Jess? It was something you could barely wrap your mind around. Lorelai’s accusations, even if out of some sort of motherly-type concern, were out of line. There was no way you liked Jess like that, right? And besides, even if you did, she didn’t have the right to try to stop you from doing or not doing anything about it. 
“Why are you so concerned about this all of a sudden?” You asked, furrowing your brow. “I mean, I’ve been hanging out with Jess one on one for a while, it’s not like all of a sudden I’ll catch feelings for him or something.”
“I understand that, but I’m saying that it seems like you caught feelings a while ago, Y/n.” Lorelai said, exasperation clear in the speed at which she was talking. 
You resisted the urge to roll your eyes. Why won’t she just drop it? “I’ve got it handled, Lorelai, please, just leave it be and go to dinner. You’re gonna be late, and you know how much mom hates that. Especially when you’re late.”
Lorelai scoffed. “I have plenty of time before we have to go. Now will you please tell me why you have such an attitude about this? I’m just trying to look out for you. Jess isn’t good for you, and I just want to-” 
“I get that Lorelai but I don’t need you to.” You snapped, swiftly getting to your feet. “I don’t need you to protect me, or look out for my best interest, or be motherly toward me. I get that you’re trying to make up for the fact that you couldn’t protect me as a kid and I ended up getting kicked out or whatever, but you’re not my mother.” Your blood was boiling. You didn’t know why, but it seemed that something within you just… snapped. “I don’t need you, Lorelai.” Your words pierced Lorelai’s heart with every bit of enunciation you placed on them. 
“And it doesn’t matter what kind of influence Jess is on me, because our mother made sure to ruin me beforehand. You of all people should understand that.” 
Lorelai stood, shocked at your outburst. She’d never seen more of herself in someone before, and still, she was heartbroken. Tears brimmed her eyes as she realized that, despite what you just said was more than likely teenage hormones kicking into gear, it was the truth. She tried, as hard as she could, to protect you as a kid. Harder than she tried to get herself out of that house. But she failed, because Rory came first, always. You didn’t need her anymore, not to raise or protect you. 
“You’re right,” Lorelai nodded, clearing her throat before blinking away her tears. “You’re too grown up to need me anymore. I just… wanted to make sure you knew I cared. That I was worried. But you don’t need me, so go ahead and make whatever decisions you want to. It’s not on me.” 
You watched Lorelai turn and walk out of the house, the door rattling the house as it swung shut. And suddenly, the silence pressed in on you, weighted with the realization of what you’d just done. Months of trying desperately to repair your relationship with Lorelai, of further building your relationship with Rory, only to have it torn down in seconds by your stupid teenage denial and anger. 
The weight of your actions came crashing down, and soon you were sitting back on the couch, sobbing into your hands. 
You don’t know how long you spent stuck in that spot until the house rattled again, and Jess was calling out to you, telling you what he forced Luke to make for the both of you to eat during your hangout tonight. 
Jess barely heard you crying on the couch until the food was on the table and he turned to find you there, back to him, curled into yourself as you sobbed. His voice faded instantly, his legs making long, quick strides in order to reach you as fast as he could. Jess’ mind was a flurry of confusion and worry - you sounded fine when he called you an hour ago. 
As soon as you were within reach, Jess’ hand gripped your shoulder, refusing to let himself lose the grasp he had on you even after he manoeuvred himself to sit next to you. He shuffled as close as he could get, and it was those movements that forced your head up from where it rested on your knees, enclosed by your arms wrapping around your legs. 
“Hey,” he said, trying his best to soothe you, but Jess wasn’t one to do that sort of thing often. “What’s wrong?”
“I am,” you croaked, followed by a sniffle and a shaking breath. “I’m so stupid, Jess.” 
Jess’ hand moved down your shoulder, until it squeezed your forearm comfortingly. “No, you’re not. And you’re obviously not okay. Tell me what happened.” 
As soon as the words left his mouth, you shook your head. Telling Jess that you argued with Lorelai over him would just make things worse with her, and telling him it was about your feelings for him would ruin things altogether.
“I can’t.” You said quietly. “It’s nothing you need to worry about, okay, Jess? I was just stupid and it’s my fault, I don’t wanna drag you into this.”
“No, I do have to worry about it, Y/n.” Jess said, his words firm. You could see his brows furrowing, eyes darkening. His emotions were brewing, and you knew you wouldn’t be able to stop it. “You’re my best friend. Hell, you’re my only friend, and I don’t know how you managed to do it, but I care about you. I actually care about someone for once in my life, and it’s you. So tell me what happened, drag me into it, because I… I care.” 
You couldn’t help but chuckle a little bit. Sniffling once again, you moved yourself to wipe some tears from your cheeks and put your hand on top of the hand Jess laid on your forearm. You stared at your hands and soaked in his warmth as you spoke. “It was Lorelai, we fought and-”
“Of course it was,” Jess scoffed.
You rolled your eyes. “Jess, just let me-” 
“No, she always has something to say about- about everything.” He said.
“Let me finish, please.” When Jess didn’t speak again, you continued. “I told her you and I were gonna hang out for the night and she sort of… well, she mentioned a few things and I got angry and we fought. I was an idiot and I yelled at her for trying to be my mother because she didn’t protect me as a kid and it just… it was a disaster.” 
Jess scoffed again, pulling his hand back and scrubbing his face, leaning into the couch. “Of course, she had to say something about you being with me. What, does she think we’re gonna rob a bank as a fun casual activity? I mean, seriously, she’s had it out for me since day one.”
You leaned forward, re-initiating the touch by resting your arm on his shoulder, your hand just barely grazing the back of his neck. “She doesn’t think we’re good for each other. At all. But she’s wrong, I know she is.” 
“Me too,” Jess sighed, looking over at you. 
The silence that filled the space between you, and your stomach was churning. Lorelai’s words came back to you, and as much as you didn’t want her in your head right now, you knew, deep down, that what she’d said about your feelings for Jess were true. 
Before you could stop yourself, you pulled away and the words came tumbling out, awkward and choppy and full of anxiety. “She was right about one thing, though.” 
Again, Jess scoffed an almost playful smirk lifting the corners of his lips. “Oh yeah, and what was that?”
“That I… have feelings for you.” You said, following it with an awkward and bashful smile. It was now or never, you supposed. “I mean, I didn’t even realize it until just now so don’t yell at me for keeping it a secret or something but she is right. You’re the only other person besides her and Rory and Luke that I care about and even then I care more about you than them and all I almost ever think or talk about is you and it sucks and I don’t want to keep it to myself. If you don’t want to be friends anymore I understand because it’s weird to have a friend who has feelings for you, trust me, so you can just leave now if you want-”
Jess’ lips crashing onto your own cut off the breathless ramble you had found yourself in. Your brain nearly completely shut down, complete peace silencing all the anxious thoughts in your head as you closed your eyes. By the time you registered that you needed to kiss back, Jess was pulling away, but you refused to let the moment end. He barely made it inches away before you were chasing his lips, placing a hand on his jaw to guide him back to you. 
The kiss was simple, but it was as if it sparked something within you, and every nerve in your body felt the emotion within you. You never imagined you’d be kissing a guy like Jess. Hell, you never imagined you’d find someone like him, someone so damn near perfect for you, in your lifetime. But you did, and he was kissing you, and you couldn’t give a damn about what anyone else would think when they found out. Because right now, it was just you and Jess, and no one else knew, and things were almost perfect, and that was what was important. 
You’d fix things with Lorelai tomorrow, and you weren’t sure you’d ever truly fix things with your parents; one day you’d try, just not yet. But for right now, all that mattered was yourself and Jess.
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forever taglist: @just-here-to-escape-from-reality @mazerunnerrose @theboldandthebootyful @miraclesoflove @queen-asteria04 @heliads
jess mariano taglist: open!
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wasabidottie · 7 months
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a change in attitude (Jess Mariano)
A/n: im trying something new?!?! in honor of gilmore season :) and my 3rd fave gilmore boy (first is dave then tristain)
The bell above the door of Luke's Diner jingled, announcing the arrival of another customer. Jess Mariano, clad in his usual leather jacket and with an air of snark about him, was in the midst of one of his classic, snarky arguments with Luke Danes. The two of them had a unique way of communicating – mostly through grunts, eye rolls, and sarcastic comments.
"You can't just change the entire menu, Luke. People come here for the same thing every day," Jess argued, leaning against the counter.
Luke shot back, his voice gruff, "I can do whatever I want with my own diner. If you don't like it, go somewhere else."
Before Jess could fire off another retort, the door opened once more, and the chime sounded again. Both men turned their attention to the newcomer, a young woman with a hesitant smile. She scanned the diner, looking for an available seat.
Jess went momentarily silent, and Luke couldn't help but raise an eyebrow at his nephew's uncharacteristic behavior.
The girl, auburn-haired and carrying a worn copy of a book, finally spotted an empty stool at the counter. She made her way over, and as she climbed onto the stool, her eyes met Jess's for a brief moment.
"Hey, Jess, take care of this customer, will ya?" Luke grumbled, slightly bewildered by his nephew's sudden change in attitude.
Jess nodded in response and moved to stand in front of the girl, a small but genuine smile on his face. "What can I get you?"
The girl blushed at the unexpected attention from the usually aloof Jess Mariano. "Um, just a coffee, please."
Jess nodded again and turned to prepare the coffee, his focus entirely on the task. Luke watched with growing curiosity as Jess meticulously brewed the coffee and placed it in front of the girl.
"Here you go, one coffee," Jess said, his tone unusually polite.
"Thanks," the girl replied, a surprised but grateful smile on her face.
Luke couldn't resist the opportunity to tease Jess. "Well, well, Jess, I've never seen you act so… courteous."
Jess shot Luke an annoyed look but didn't take the bait. Instead, he leaned in slightly closer to the girl and asked, "So, what's the book you're reading?"
The girl's eyes lit up as she held up the book for him to see. "It's 'On the Road' by Jack Kerouac. Have you read it?"
Jess nodded, genuine interest in his eyes. "Yeah, it's a classic. Kerouac's a great writer."
The girl smiled, and a conversation between them began to flow naturally. Luke observed from a distance, his confusion giving way to understanding. Jess wasn't just being courteous; he was genuinely interested in the girl.
As the girl and Jess continued to chat, Luke couldn't help but smile to himself. Maybe his nephew was growing up, and perhaps this unexpected encounter was the start of something new for Jess Mariano – a little romance amidst the usual snark and sarcasm.
Luke retreated to his counter, content to watch the interaction between Jess and the girl, knowing that sometimes, life could throw pleasant surprises when you least expected them.
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fizzyorange-v2 · 9 months
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what could’ve been & what is
“…you and me, what do you say?”
1 - Jennifer Saint, Elektra // 2 - Sue Zhao // 3 - Richard Siken, Snow and Dirty Rain & Maria Petrovykh, Love Me. I Am Pitch Black // 4 - art by @ratsandlilies on twitter // 5 - @/laniyng & @/orpheuslament // 6 - Keane, Better Than This // 7 - Mitski, Stay Soft // 8 - @/kedreeva & Margaret Atwood, ‘He shifts from east to west’, Power Politics & Clarice Lispector, The Stream of Life & Anais Nin, Henry and June // 9 - Molly McAdams, Stealing Harper & Jack Kerouac, On the Road // 10 - Henri Cole, Nothing to Declare: Poems; ‘Sphere’ & ??? // 11 - @/obeliskandmetronome // 12 - Michael Cunningham, The Hours & Marion Wheeler, There Is No Antimemetics Division // 13 - Lucia LoTempio, Hot with the Bad Things // 14 - Gail Hareven, The Confessions of Noa Weber & Flannery O'Connor, The Violent Bear It Away // 15 - p.d., there is no absolution for the fallen, only the dying // 16 - art by c.b. (@/archbudzar)
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lilacpaperbird · 9 months
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do you ever think about the fact that sam and dean are directly inspired by sal paradise and dean moriarty from jack kerouac's on the road and that the story of that book is actually based on the real-life experiences of jack kerouac and neal cassady and kerouac was head over heels in love with cassady and in on the road kerouac became sal and cassady became dean and then he had to erase almost all of the homosexual content originally present in the first manuscript but even then the vibes between them remained too intense and definitely not normal under the guise of a purely brotherly bond ?
sam and dean never got a chance to be normal brothers because on every level of meta analysis you can think of, they were doomed from the start
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charlottan · 5 months
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every book i read at least a good chunk of in 2023 ranked under the cut grin😁
1. American Gods (2001)  by Neil Gaiman (currently reading) - simply a terrific book. Neil Gaiman at what I believe to be his best. Classic novel
2. Dhalgren (1975) by Samuel R. Delaney (currently reading) - monolithic 70s postmodern book that touches on issues of gender and race. very very good
3. Shantaram (2003) by Gregory David Roberts (currently reading) - very loveable and long book about the true story of an Australian man, arrested on heroin charges, who escapes prison to India and gets involved in arms trading. I'm only on like page 70 out of 900 but I'm deeply in love.
4. Going Postal (2004) by Terry Pratchett (currently reading) - discworld’s postal service! Plenty of hijinks. excellent book
5. Catch-22 (1961) by Joseph Heller (currently reading) - classic anti war satire, what can you say. Still ridiculously funny, the humor really doesnt age at all. it’s very screwball in a way that holds up. Such a joy to read
6. Sirens of Titan (1959) by Kurt Vonnegut - beautiful book, definitely my favorite of the three Vonnys that i finished this year. you can feel his love, as always
7. Cloud Cuckoo Land (2021) by Anthony Doerr- Charming book that spans multiple characters and time periods, all concerned with an ancient codex that symbolizes a sense of faith. I don't really remember this one much but I know I had a lot of fun reading it. Would recommend to anybody
8. Hell’s Angels (1967) by Hunter S. Thompson (currently reading) - very interesting book about, of course, the Hell’s Angels motorcycle club. Thompson becomes a fly on the wall, giving the reader a very, very, perhaps almost too close look at the bikers’ ways and rituals. Very good book if you’re into that sort of thing
9. Infinite Jest (1996) by David Foster Wallace (currently reading)- not much to say about the old Jest. classic annoying book. i read a good chunk this year :thumbsup:
10. Bag of Bones (1998) by Stephen King - average 90s era King. still just as gripping as his 70s and 80s work but with a more comfortable writing style i think. pretty good
11. Detransition, Baby (2021) by Torrey Peters (currently reading) - not much to say about this one really. Its pretty good so far though, pretty classic transfem lit
12. The Dead Zone (1979) by Stephen King - this book had a terrifically gripping second act but then it kindof goes off in a different direction in act 3. Or rather, it feels like act 3 could have been its own decent short story, with the first two acts together being their own novel.
13. Equal Rites (1987) by Terry Pratchett - transmasc king. Girl wants to be a wizard instead of a witch, average discworld novel, nothing memorable but still pretty good
14. Galapagos (1985) by Kurt Vonnegut - Ok vonny book. It definitely had some strong Vonny moments but overall felt a little Different from the rest of his stuff. But maybe in a good way
15. Deadeye Dick (1982) by Kurt Vonnegut - middling vonnegut novel. It was ok. But an ok kurt vonnegut book is still a really good book
16. On the Road (1957) by Jack Kerouac - classic beat novel. pretty good if you're into slice of life 1940s/50s stuff, which you probably arent, but if you are and you haven’t checked this out, go for it!
17. Nevada (2013) by Imogen Binnie - Decent, however it felt very bare bones in a way that, for instance, Detransition, Baby makes up for.
18. The Rum Diary (1998) by Hunter S. Thompson - To be honest I don’t remember this one At All but i know i read it in like 3 days so its gotta be good. Still cant put it too high in the ranking though sorry hunter
19. And the Hippos Were Boiled in Their Tanks (1945) by Jack Kerouac and William Burroughs - first ever book written by either of them, and it’s ok. It’s supposed to be a murder mystery but the murder doesnt happen until like the last 20 pages so idk
20. The Colour of Magic (1983) by Terry Pratchett - first discworld. Not that memorable but i wouldnt say it was bad either
21. 1Q84 (2009) by Haruki Murakami (dropped) - I really wanted to like this one. And i did, *mostly*. However, Murakami has this writing style that is obsessively technical and formal and makes for incredibly unnatural monologues, for one thing. This is just a personal preference though; I know it's very acclaimed. I'm honestly sad I couldn't make it past the writing style to enjoy it at least enough to make it through.
22. The Road (2006) by Cormac McCarthy (dropped) - too edgy
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derangedrhythms · 2 years
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[...] we understood each other on other levels of madness [...]
Jack Kerouac, from 'On the Road'
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NOTHING BEHIND ME, EVERYTHING AHEAD ME
Nothing behind me, everything ahead of me, 
as is ever so on the road... 
(Jack Kerouac, from: “On the Road”)
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abiiors · 1 year
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Book
So excited to do (write) anything that you want to! week with prompts from @imightgetbetter. Adding all of these to my Series Masterlist
Monday - early matty (pre-notes/bfiafl)
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In a small corner of a dusty, second-hand bookstore, two hands reach for the same book at the same time. Fingers brush against each other, electricity zings, all the usual ingredients of a meet-cute, except the boy is on a mission. 
‘I’m going to sound like a twat here,’ he shuts his eyes tightly then opens them with a sigh, ‘but I need that book more than you.’
You feel a bit dumbfounded. At least, he has the decency to look embarrassed but the fact remains that he still hasn’t let go of the book. 
‘Oh?’ you ask, still gathering your bearings, ‘you don’t even know what I need it for?’
‘I knowww,’ he groans, ‘but please! I need it back.’
You look at the boy properly. He truly does look desperate for the book. His face is all pouty and his eyes big, his hair sits like a curly, poofy mop on his head. You wonder if this look is supposed to work on people, if it has worked on people in the past. 
Maybe, maybe not. And as much as you don’t want to admit it, it is working on you a little bit. Okay, maybe a lot!
‘You need it…back?’ you give him a quizzical look. 
‘I need it back,’ he confirms. 
‘You see,’ he continues like he’s about to start a soliloquy, ‘my roommate got really drunk or really high, it doesn’t matter, my roommate got fucked up and decided to sell my books for some extra cash. Yes, yes I know, messed up but now I’m here to try to get as many of them back as possible.’
You open your mouth, about to say something, but he’s not done speaking. 
‘Please, I’ll buy you a new copy of this but not this one. This one has some…annotations.’
His face turns pink. His eyes wander a bit, unable to meet yours. And you have to admit, he has almost won you over. 
‘What’s your name?’ You bite your lip, hold back a smile.
‘Matt,’ he says, clearing his throat, ‘Matty.’
‘I don’t need a new copy, Matty. I just needed to check a few passages, that’s all.’ 
‘Oh.’ It’s a soft sound like he’s contemplating. ‘Well, in that case…’ he trails off and holds the copy in front of you. 
His copy of On The Road by Jack Kerouac is old and a bit wrinkled. The pages are yellowing and the spine is cracked but you have to admit, it looks well read. Well loved, even. 
‘I just need to jot down a few things,’ you tell him and he nods. 
When you settle down on the floor, a notebook and pen in hand, he does the same. You wonder if this is to snatch the book away if you stumble upon any of his annotations. He could wander around the bookstore while you did your thing but he wraps his hands around his knees and rest his chin on them. He’s not exactly subtle when he lets his eyes roam over you with barely concealed interest. 
‘What’s this for?’ he tilts his head to one side, and then as an afterthought, adds, ‘if I may ask.’
‘A paper on road trip novels,’ you answer distractedly as you flip through the page to find what you need. 
There are a few pencil scribblings here and there, quotes that are underlined and circled over and over again. There are doodles—few and far in between—but they make you smile a bit. You so badly want to stop and read the annotations but not when he’s sitting right there, watching you like a hawk. 
While you note down the things you need to, Matty gets restless. He picks up a pen and twirls it between his fingers effortlessly, picks up a second one and bangs them on his shins like drumsticks. The boy truly can’t sit still even when he lets you work in peace…for the most part. 
But you’re surprised that you don’t find it annoying. If anything, his fidgety restlessness is amusing. The way he stops every time you turn pages, the way his fingers twitch at his sides, ready to hide anything embarrassing. You feel tempted to linger on one of his notes just to watch how he’d react but they seem to have petered out as the book slowly comes to an end. 
You want to imagine this boy, in his bedroom or in a cafe or in a park, reading the book. His hands clutching it tightly, his face scrunched in concentration. He would be so absorbed that he forgets to note down any more of his thoughts. But something catches your eye as you turn to the penultimate page. 
Black ink has bled through. Until now, everything was in pencil, smudged, messy script but with a touch of gentleness. But this is much harsher, written in pen. 
His eyes widen, his hands freeze in place. Quicker than expected, he drops the pens and flips the page. 
‘What…’ he grabs the book in confusion and you let him take it away from you. His face changes from confusion to irritation, to gloom, to, finally, curiosity. 
His eyes dart over the dark scribblings. A crease forms between his eyebrows as he tries to make sense of the words. 
‘Wow, these are mental,’ he mumbles to himself. ‘God, these make no sense.’
‘I thought they were yours,’ you raise an eyebrow. 
‘No, someone else must have... Mine are much tamer compared to these.'
The curiosity gets the better of you and you have to ask, ‘can I see?’
‘Mmm, sure.’ He extends the book in your direction still holding onto one half of it. 
So you scoot closer, hold onto the other side. Your thighs touch momentarily, your heads are bent over it as both of you try to decipher the script. 
‘1 June, The 1975,’ you read aloud, trace the words with your fingers. ‘That’s a bit of a weird way of writing it.’
‘It is, isn’t it!’ He taps the space under the words, then tips his head back onto the shelves behind him. 
‘The 1975…’ he repeats and his voice has gone all soft and full of awe. ‘Has a nice ring to it, wouldn’t you say?’
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