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#fitz
whumpsoda · 2 days
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Finally drew Fitz from @oliversrarebooks series, The Rare Bookseller! I love this guy so much he’s so silly and dramatic!!! :3
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I loveee him. Actually can’t get enough of this guy! And God am I obsessed with the series too. Will never get over how much it’s inspired me and my work! Here’s the goofy guy :)
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wow-youre-so-pretty · 4 hours
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I drew lava cake because they were banging on the door of my brain someone help
Tagging people who expressed an interest in lava cake (those I know of) (Ask to be added/removed <33)
@autistic-daydreamer @swans-chirping-in-the-distance @myfairkatiecat @thatrandomlemononyourcounter1 @ahoyimlosingmymind @jeannefostergoriot @sacrificialloving
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ilovebylersblog · 3 days
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scared of my guitar by olivia rodrigo is soooo sophie and fitz
“ ican't lie to it the same way that I lie to you”
I'm so scared of my guitar
If I play it, then I'll think too hard
“so I lay in your arms and pretend that it's love”
If I was brave and noble like you
“i’d have the nerve to just stop stringin' you along”
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medievalthymes · 1 month
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I love reading! It’s my favourite hobby!! It’s so relaxing!! great for your mental health!!!
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aosedit · 1 month
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AGENTS OF S.H.I.E.L.D. (2013-2020) | S05E05 'Rewind'
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spunkzoid · 1 year
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*rotates him in my mind*
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blue-sparrow · 2 months
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Tell me a rhyme, Fitzy-Fitz
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annot8 · 1 month
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creatureofsunandsky · 10 months
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-The Iliad of Homer, BOOK XVIII
-Fool's Fate, Robin Hobb
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hexadonis · 8 months
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finished farseer trilogy SOBS gonna start the next trilogy soon so no spoilers in tags pls fufufu
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The Fool as things ive found on Pinterest
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hijklab · 4 months
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What I love about Fitz is he’s literally not an assassin. His entire character is designed to be a berserker, then forced into the assassin role. And it doesn’t fit, because nothing in his social status quite fits. So he does his best, but when shit hits the fan he’s going apeshit.
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oliversrarebooks · 1 month
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The Rare Bookseller Part 40: The Maestro's Mark
Prev > Masterlist > Next
June 1905
TW: mind control, body control, captivity, human auction, abuse, burning, branding, mouth whump, forced self-harm, dissociation, this one's kind of a doozy isn't it
"Sir -- " Fitz's voice had returned to him, and he was dismayed to find it shaky and weak, much like his knees. Beside him, Miss Lily was gripping his chain so hard he thought she might crumble it to dust. "Sir -- who was -- "
"The Maestro, an old and powerful vampire lord. My sire, and Alexander's sire as well. The one responsible for turning us into vampires," Miss Lily said, picking him up into a princess carry. "I wasn't expecting him to be here. He normally does not purchase his thralls."
"Is he --" Fitz faltered with the amount of questions he wanted to ask, before settling on the most important one. "Is he cruel, sir?"
She hesitated to answer as she carried him backstage and out into the hallway. "...Yes," she finally said. "Yes, he is cruel. I'm sorry."
She sounded like she meant the apology, and Fitz's too-short life flashed before his eyes.
"What should I do, sir?"
"There's nothing you can do now. Nothing you can do but be obedient. Try to find the private places in your mind to retreat to, places where he can't reach. Eat whatever you're offered when you can. Sleep as much as possible. And never be defiant, even for the smallest matter. The price will never be worth it."
"...You seem as though you know what you're talking about, sir."
"I was his thrall, once."
It was a colorful and loud nightmare as Fitz was carried through the bustling hallway filled with vampires and their newly purchased thralls, talking and laughing and showing off their fashions. He squeezed his eyes shut, hoping that when he would open them, he'd be somewhere else. The lumpy couch in his drafty, shared apartment. His dressing room backstage. Even the opulent prison of his bedroom back at his family's home.
He'd found that unbearably oppressive at the time. Perhaps he'd been a fool to leave, after all.
When he opened his eyes again, he was in a small room primarily occupied by a desk and a few chairs. A vampire in a fashionable black dress, her neck and ears dripping with jewels, entered the room. "Oh my, Lily, your expression is better suited for a funeral. You've sold your little project for an extravagant amount of cash. Whatever could be the problem?"
Miss Lily's face was sour as a lemon. "You know very well how I feel about my sire, Colette."
"His money will spend as good as everyone else's. If you ask me, you were a little too attached to this thrall."
"I don't care one iota about this thrall," she said, her grip tightening on Fitz's shoulders. "I just think that no one, not even a thrall, deserves the displeasure of serving my sire."
"And yet, I assume you'll want your share of the earnings."
"And yet."
The door opened, and Fitz's new owner entered the room. Perhaps it was Fitz's fevered imagination, but even the gas lamps seemed to flicker in response to the foreboding aura. He gave Miss Lily a small nod, and Fitz felt her fingers dig in tighter, painful.
"It's truly an honor to do business with you, Maestro, sir,"  said Miss Colette, settling behind the desk. "Now, then, sir, you'll owe eleven thousand dollars, unless you require any additional services..."
"No, thank you." He was staring at Fitz now, and it felt like icicles sliding down his back. Fitz couldn't help the impulse to look away -- and realized that he couldn't. He was caught hopelessly in the web of power once more.
His master, as soon as the money was handed over. His master forever. There would be no escaping a man like this.
Never be defiant. The price will never be worth it.
Never be himself ever again.
No, he had to snap out of it. There had to be a way out of this. Some way to charm him, to appeal, to get them both on the same side. There had to be. Weaseling out of bad situations was one of his specialties.
The Maestro was reaching into his coat and pulling out a pouch of what looked to be actual golden coins, as if he were some kind of royalty. Miss Colette didn't seem to regard this as strange, taking the coins from the pouch and weighing them on a small scale. Satisfied with the amount, she handed him a contract to sign.
"Now, if the transaction is complete," he said, "please leave so I can discipline my spawn and my thrall."
"Of course, sir." Miss Colette filed out of the room immediately.
Fitz's protests and his screams died in his throat, along with his desperate impulses to flee anywhere. He was under his new master's power again, frozen in time. He'd never escape, of course, but it still hurt to not even be allowed to try first, to be trapped in a treacherous body that wouldn't obey even his smallest commands.
"Lily," he said, approaching her, and Fitz realized that Miss Lily was holding him in front of her as though Fitz could shield her from her sire. "This thrall has an excellent bloodline and potential. Why did you train him improperly and allow him to make an embarrassment of you?"
"He's a performer by nature, sire, as I'm sure you can see," said Miss Lily, and she sounded as subdued and fearful as Fitz was, a far cry from her confident nature when enthralling him. "He is fully trained and obedient. I simply thought it was amusing to allow him to continue to perform, sire. Plenty of vampires would desire a thrall for entertainment. I don't think he's an embarrassment. It took skill to render him obedient while keeping his personality intact."
If Fitz could move, he would be nodding vigorously, appreciative of Miss Lily's defense.
"Yes. Performance is his nature, that much is true just by looking at him. But you need to be in better control of the thralls in your care, not allow them to preen and pose on the auction block." He reached past Fitz to touch Lily's hair, tucking loose strands of her hair into her bun. Fitz could feel her hands tremble. "Oh, child, I worry that I am too lenient on your soft heart. I don't understand what I did to be cursed with two spawn so gifted and yet so foolish."
"Thank you for your patience with us, sire."
"Indeed. And because you do often delight me, I will allow the punishment to be light."
"Yes, sire. Thank you, sire."
"Here. Take my knife." The Maestro held out a silver knife in a white-gloved hand, and Lily let go of Fitz's arm to take it. "You will find an unoccupied bathroom. You will remove your dress so that you do not bloody it. You will cut out your tongue. You will clean yourself and your surroundings thoroughly. You will then put your dress back on and join my other wayward spawn in the parlor."
Fitz's eyes widened at the description of the punishment, the only movement he could manage. He wanted to run. He wanted to scream. He couldn't do either. Miss Lily let go of his arms, and as she exited the room, head bowed low, he had the desperate, irrational impulse to stop her. True to her advice, she showed no sign of defiance, even when her sire was asking her to do the unthinkable -- as a "light" punishment. From the hard look in her eyes, he had no doubt that she was going to do it.
The door clicked shut. And Fitz was alone with his master.
The strange power forced Fitz's head up to look into the Maestro's eyes as he drew near, like a puppet on strings. With a surprisingly gentle touch, a gloved hand reached out and ruffled his hair, then hooked a finger under his chin and inspected his face from each angle. A soft finger traced down his neck and exposed collarbone, but there was no indication from his heavy aura that the vampire wanted to feed. There was no indication of any desire at all. Just control. Pure control.
What could he do to sway a man like this? He recognized his look, the man who was used to being the most powerful in the room, the kind who couldn't spare a scrap of tolerance for anyone else. No humor, no imagination. The kind of person Fitz usually avoided, or brought up on stage only to tease and get a response from the audience. On stage, Fitz held the power.
His new owner was center stage, now, and not one to relinquish the spotlight easily.
"Fitzwilliam de Hastings," said the Maestro in that musical voice. "You will answer my questions honestly. First -- do you fear me?"
Fitz felt his tongue loosen. This, at least, was an easy question. "Yes, Master."
"You are correct to. At least you are not that sort of fool. Now, tell me -- did you wish for my spawn Alexander to purchase you?"
He recalled the pathetic, fleeting hope he'd had when he'd flirted with Mr. Alexander in the showroom. Yes, yes he had, but he suspected that was the wrong answer. What had worked on Mr. Alexander wouldn't work here -- he needed to work a new angle. "I did think that at first, Master, but then you made that impeccable entrance. You're clearly the vampire all other vampires respect -- it's an honor to have been purchased by you."
The Maestro nodded, then removed one of his gloves.
A percussive crack rang through Fitz's ears, and it took his brain a moment to catch up and realize that he had been slapped hard across the face.
"Do not ever lie to me, child, and do not insult me with your cheap flattery. This is your only warning," his master said, in precisely the same tone as before, not betraying anger or disappointment or any emotion at all. "Try again. Did you wish for my spawn Alexander to purchase you?"
"Yes, Master," said Fitz immediately, praying that he wouldn't incur any further punishment. His tongue. He'd ordered Miss Lily to cut out her own tongue. And if his master wanted to do the same to him, there'd be nothing he could do about it, his very body out of his control.The thought of being permanently rendered mute, unable to joke and flirt and tease and perform --
It hadn't settled in before, had it? What it truly meant to be in thrall to a vampire. Between Miss Lily's mesmerism and his own hubris, he'd imagined himself getting out of this by charming the vampire, carving himself a better life through wit and charisma, as he'd always managed. But these vampires were so much more powerful than him and always would be. What good is wit against a creature who can control your body on a whim, or take your mind away with a word?
He couldn't save himself. No one was coming to save him. There was only him and his cruel new master, and he was unable even to express the despair bubbling up within him. A fate so much worse than death, inescapable.
The re-gloved hand stroked Fitz's cheek gently in the place that was still stinging from the slap. "Despite your ill manners, you have potential, Fitzwilliam. My darling Lily saw that in you, no doubt. A born performer with a compelling presence. Sharp minded. And so, so beautiful. A pity about your headstrong nature," he said. "But you needn't concern yourself. I only need to patiently carve away your imperfections. And I am a very patient vampire."
"Thank you, Master," said Fitz, who had never been more frightened of so-called praise in his life.
"More importantly, I believe you are the key to finally breaking my Alexander's will."
"...I don't understand, sir."
"Thralls aren't meant to understand, child. Thralls are meant to obey. And I have decided what young Alexander's lesson will be." He drew his hand away. "I will give you to Alexander."
Fitz couldn't help but furrow his brow, confused. That couldn't be right. 
"It will be a test for him. One that he will fail."
The Maestro pulled a small metal cylinder from his coat. He carefully lifted the glass from the lamp sitting on Miss Colette's desk, beckoning Fitz forward. Fitz felt himself sleepwalking towards his master, even as the Maestro dipped the metal object in the lamp's flame, even as Fitz realized with growing dread what was about to happen.
"He will forget you belong to me. He will desire to possess you, cherish you, perhaps even love you. He will believe he can rescue you from me. He will be incorrect. I will allow him to believe this, then I will take you from him, and I will break you, and suffering will be a teacher to you both."
Fitz's heart pounded.
"Kneel."
His puppeted body gracefully knelt upon the carpet, the crushed red velvet of his dress cushioning his legs, as he looked up in terror.
With a calm, unreadable expression, the Maestro pulled down the neckline of his ball gown and pressed the burning metal to Fitz's flesh, just below his collarbone.
He couldn't scream. He couldn't flinch. He couldn't fight or back away. He couldn't do anything but feel his eyes filling with tears as the white hot pain seared through his body.
Fitz barely even noticed when the brand was pulled away, because the pain hardly lessened. His master was examining his handiwork, and, seemingly satisfied, made Fitz's body stand.
There was no way Fitz could be standing through the shock and the pain, but the puppet strings controlling his every move made it so, forcing him to walk on weak and shaky legs.
"Now show your gratitude for my precious gift."
Fitz's body curtsied low. 
But Fitz's mind, flooded with pain and endorphins and magic, was traveling far away. Away from here, anywhere but here, anything but this. Anything but an inescapable descent into hell.
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Well, wasn't that fun.
@d-cs @latenightcupsofcoffee @thecyrulik @dismemberment-on-a-tuesday-night @wanderinggoblin @whumpyourdamnpears @only-shadows-dwell-where-we-are @pressedpenn @pigeonwhumps @amusedmuralist @xx-adam-xx @ivycloak @irregular-book @whumpsoda @mj-or-say10 @pokemaniacgemini @sowhumpshaped @whumpsday @morning-star-whump @shinyotachi @silly-scroimblo-skrunkl @steh-lar-uh-nuhs @pirefyrelight @theauthorintraining @whump-me-all-night-long @anonfromcanada @typewrittenfangs @tessellated-sunl1ght @cleverinsidejoke @abirbable @ichorousambrosia @a-formless-entity @gobbo-king @writinggremlin @the-agency-archives @just-a-whumping-racoon-with-wifi @enigmawriteswhump @foresttheblep @bottlecapreader @whump-on-a-string @whumpinthepot @cinnamoncandycanes @avvail-whumps
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acmeoop · 5 months
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“Who Found Roger Rabbit” Early Development Art For A Prequel Idea That Ended Up In Limbo Alongside “Toon Platoon” & “Who Discovered Roger Rabbit”…(80s-90s)
Source: https://comics.ha.com/itm/animation-art/concept-art/who-found-roger-rabbit-early-development-story-sketch-walt-disney-1988-/a/7268-17274.s
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strangerlittlethings · 2 months
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I'm only now reading the farseer trilogy and I can't believe we got a main character who's like "I like this dude because he mocks me and insults me idk it makes me feel important" like be frrrrrr
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aosedit · 10 months
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Leo Fitz | Agents of Shield (2013 - 2020)
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