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#fiction that is
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People used to comment on web comics.
People used to comment on fanfiction.
People used to comment on fanart.
People used to comment on OCs.
I hate "content" culture.
I hate "consuming content" and scrolling immediately to the next thing.
People used to be excited about the art that other people created.
People used to want to share that excitement with creators.
I hate this future.
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fluorescentbrains · 27 days
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me reading straight up pornography: hmm… this one just doesn’t have enough accurate character psychoanalysis to get me off
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charliejaneanders · 3 months
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Random writing thought: the best stories are often the ones that only you could have written — but also the ones that you could only write at this one moment.
I couldn't write All the Birds in the Sky from scratch now if I tried. But the me of 2013 couldn't have written The Prodigal Mother either.
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nakakabaliw · 2 months
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trying to get through the day.
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hexgirling · 9 months
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“that character is a war criminal” that character is from a fictional fantasy world and did not attend the geneva convention
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ekingston · 1 year
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sometimes i say things on twitter and then make a little graph about it
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dndspellgifs · 6 months
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look, I know I've talked about this essay (?) before but like,
If you ever needed a good demonstration of the quote "Any sufficiently advanced technology is indistinguishable from magic", have I got an exercise for you.
Somebody made a small article explaining the basics of atomic theory but it's written in Anglish. Anglish is basically a made-up version of English where they remove any elements (words, prefixes, etc) that were originally borrowed from romance languages like french and latin, as well as greek and other foreign loanwords, keeping only those of germanic origin.
What happens is an english which is for the most part intelligible, but since a lot everyday english, and especially the scientific vocabulary, has has heavy latin and greek influence, they have to make up new words from the existing germanic-english vocabulary. For me it kind of reads super viking-ey.
Anyway when you read this article on atomic theory, in Anglish called Uncleftish Beholding, you get this text which kind of reads like a fantasy novel. Like in my mind it feels like it recontextualizes advanced scientific concepts to explain it to a viking audience from ancient times.
Even though you're familiar with the scientific ideas, because it bypasses the normal language we use for these concepts, you get a chance to examine these ideas as if you were a visitor from another civilization - and guess what, it does feel like it's about magic. It has a mythical quality to it, like it feels like a book about magic written during viking times. For me this has the same vibe as reading deep magic lore from a Robert Jordan book.
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daily-prompts · 6 months
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I need everyone’s best character advice. STAT.
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let-them-fight · 3 months
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can we stop doing this trope
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bluejay757 · 6 months
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blackheartbiohazards · 2 months
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➡️ Content warnings on fiction are a courtesy. 
➡️ Not every medium of fiction and storytelling has or is expected to have content warnings or extensive tagging.
➡️ Print novels do not traditionally warn for content in any way.
➡️ Until AO3 came along, fanfiction did not traditionally warn for content in any significant way.
➡️ An author is only obligated to warn for content to the degree mandated by the format they publish their fiction on.
➡️ Content warnings beyond the minimum are a courtesy, not an obligation.
➡️ 'Creator chose not to warn' is a valid tag that authors are allowed to use on AO3. It means there could be anything in there and you have accepted the risk. 'May contain peanuts!'
➡️ Writers are allowed to use 'Creator chose not to warn' for any reason, including to maintain surprise and avoid spoilers.
➡️ 'Creator chose not to warn' is not the same thing as 'no archive warnings apply'.
➡️ It is your responsibility to protect yourself and close a book, or hit the back button if you find something in fiction that you're reading that upsets you.
➡️ You are responsible for protecting yourself from fiction that causes you discomfort.
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elftwink · 3 months
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if you're about to get top surgery, you may hear a voice in your head telling you to make a joke about getting something off your chest even though it's overplayed. im here to let you know it's your imperative and sacred duty to not only make the joke but to tell it to every person you talk to. and that you are right it would be funny as fuck. this is not sarcastic if you tell enough people one of them will have never heard it before and also it's still funny to every person who has heard it listen to me this is a once in a life time opportunity— [i start getting dragged out by the palace guards] commit to the bit!!! if you don't you'll forever wish you had!! heed my warning or forever suffer the cons— [castle door slams shut behind us]
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emptyblissdotmp3 · 4 months
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can we make some noise for miserable fictional women
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hey if you like miserable fictional women you should play this crazy game its called slay the princess its about a princess
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depizan · 9 months
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I see posts go by periodically about how modern audiences are impatient or unwilling to trust the creator. And I agree that that's true. What the posts almost never mention, though, is that this didn't happen in a vacuum. Audiences have had their patience and trust beaten out of them by the popular media of the past few decades.
J J Abrams is famous for making stories that raise questions he never figures out how to answer. He's also the guy with some weird story about a present he never opened and how that's better than presents you open--failing to see that there's a difference between choosing not to open a present and being forbidden from opening one.
You've got lengthy media franchises where installments undo character development or satisfying resolutions from previous installments. Worse, there are media franchises with "trilogies" that are weird slap fights between the makers of each installment.
You've got wildly popular TV shows that end so poorly and unsatisfyingly that no one speaks of them again.
On top of that, a lot of the media actively punishes people for engaging thoughtfully with it. Creators panic and change their stories if the audience properly reacts to foreshadowing. Emotional parts of storytelling are trampled by jokes. Shocking the audience has become the go to, rather than providing a solid story.
Of course audiences have gotten cynical and untrusting! Of course they're unwilling to form their own expectations of what's coming! Of course they make the worst assumptions based on what's in front of them! The media they've been consuming has trained them well.
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thestuffedalligator · 4 months
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"We call it vff," said the alien. "It's - it's hard to describe to a species without vffsense. Imagine trying to describe light to a species that never evolved eyes. But there are forms of life that are only perceptible with vffsense, and they've visited Earth and fed on life as long as it's existed here."
There was a pause.
Then the human said, "That's the worst thing you've ever said."
"Don't worry about it."
"I think I have to, now."
"No, because - well - you have a species of spider which pretends to be an ant, correct? It's not capable of understanding the fact that it's mimicking an ant, but it instinctually mimics an ant in order to deter predators."
"Sure?"
"Humans produce a vff to mimic varths, predators only perceptible through vffsense. The organisms that would like to feed on you are terrified of varths, and so they leave you alone. You aren't aware you do it, you don't have the capacity to understand you're doing it, but you evolved to instinctually do it to deter predators you can't see."
There was a pause.
Then the human said in a very soft and thoughtful voice, "And are there varths on Earth?"
"Yes," said the alien. "Everywhere. But don't worry about it."
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braxiatel · 1 month
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I honestly and truly believe all good AUs should be a little “”””ooc”””” in the sense that good characterisation involves understanding that changes a characters backstory and circumstances will have an effect on how they respond to the world around them
Good characterisation isn’t about creating a perfect 1:1 canon replica it’s about understanding why a character is different in your work and about grounding the changes you do deliberately choose to make in canon character traits
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