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vasito-de-leche · 2 months

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;R1999 - Self-Aware AU

Headcanons about an Alternate Universe in which everyone knows they're living inside a videogame. However, Vertin is the only one aware of the entity inhabiting her own mind, the real conductor - the "Player".

this is one of my favorite AUs to slap on whatever media I'm into so here we are <3 not sure if anyone's done this already, but PLEASE PLEASE PRETTY PLEASE link me if you've seen any other ppl write for this AU! this one and any actor AUs are my absolute fave

this is just a word vomit introduction for fun, to get the basic ideas out of my head, so I can start writing for characters individually!

Okay, okay! First of all, some context for the AU before I go deranged overexplaining my HCs!

Aside from the "Storm", there is something else that haunts the people of this world: the fact that their lives are nothing but a simulacrum, part of a game.

The requirements to obtain this "self-awareness" is unknown. Those within the Foundation believe it's related to their respective "roles", that only the main and relevant characters are given the chance to fully open their eyes to the truth. Those within Manus Vindictae claim that one must be strong enough to break through the fog of complacency and their assigned scripts, to have their full potential unleashed and obtain true liberation. Either way, similar to the "Storm", this is a well-kept secret for a very good reason - everyone wants to have the upperhand.

There is one outlier to this whole system. Vertin is not only aware of the truth of this world, but also of her duty as the eyes and hands of the "Player". She must experience it all for their sake. Or rather, whatever she experiences will be the story that the Player will see.

This applies to her suitcase, the place where the Player's influence increases tenfold, bending everything and everyone to their will through her own body and voice. The longer one stays within her suitcase - or within her general vicinity - the easier it is for them to become self-aware.

How does one become "self-aware" and what does it entail?

The requirements and the catalyst for a character to become self-aware are still a mystery. But that's mostly because I specifically wanted to keep them as vague as possible, to allow some flexibility for NPCs and other characters outside of Vertin's suitcase.

The whole process of gaining sentience or self-awareness is mostly described as waking up from a nightmare, or a very, very realistic dream. It's like a switch, something that happens in a second without any warnings whatsoever.

I like to think that most of the people who wake up are easy to spot, because it's a jarring experience and panicking is the most normal reaction - but that they're often taken care of by the Foundation or recruited by Manus Vindictae.

The levels of awareness also depend heavily on each individual - some only know that nothing is truly real, that everything they've done up until that point was just a carefully scripted lie, the most basic realization. Others can understand the rules that govern this game and use them to their advantage, either through observation and study or just inherently.

Overall, the experience of being sentient varies as well, with some describing a disconnect from their body, while others feel exactly the opposite. Again, keeping it pretty vague so that people can fill in with their own ideas!

I'll talk about Vertin's case in detail when we get to her specific bullet point, but the same way the Player is able to experience the "story" through her eyes, she's able to see the same things they do - this includes the UI, the menus and everything you can interact with in-game.

Vertin as a character and a vessel for the Player.

The most common thing I've seen in self-aware AUs in my years of fandom is to turn the player stand-in (the main character that serves for the player to experience the story through and/or project onto, depending on the genre of the game) into an obstacle, one that keeps the characters from truly interacting with the Player, capital P.

The second most common thing I've seen is to simply ignore the existence of this player stand-in and replace it with the Player themself, either through isekai methods or thanks to the customization the game allows, etc etc.

When it comes to Vertin in this AU, I know I want her to retain her role as the center of everything, instead of being sidelined by the Player. She's THE Timekeeper, after all.

There's still some details I'm trying to iron out, like whether she's always been self-aware or if she became self-aware at some point during her childhood at the St. Pavlov Foundation. But I like to think that her relationship to the Player is a parallel to her immunity to the "Storm" - neither of these two things are inherently good nor bad. Surviving the "Storm" is helpful, sure, but it's painful for her. Having an entity like the "Player" haunting her is scary, sure, but it can be an advantage. It's a matter of how she utilizes the assets she was given, since her adaptability and determination are big aspects of her character. Vertin makes up for her mediocre arcane skills with unconventional plans and strategies.

But this isn't to say that Vertin isn't affected by the presence of the Player. Ironically, she's the one person whose freedom is limited. During battles, her skills and Tuning are available to you, they can also prove to be vital to win a fight, but in the end you're still the one calling the shots and choosing when her friends get to attack. You're the one choosing the layout of the Wilderness. You're the one picking which one of her friends deserves to become stronger.

In the last bullet point I mentioned that some characters can understand the rules of the game - Vertin is the most extreme case, as she can see the same UI as you do. She learns the way you like to fight your battles, your own strategies, she can see this and more.

Overall it's a very complex dynamic. It's not as easy as saying that she likes or dislikes you, that she considers you a friend or foe. You're part of her, you influence each other in many aspects and are stuck together for reasons she can't even fathom. While you may be able to read her thoughts most of the time, she becomes invisible once you enter the suitcase - the main menu of the game. Sure, the character you selected to greet you every day is actually talking to her, not you, but she's out of your view and therefore, out of our range. That's when Vertin wonders the sort of person that you are, if you care about her friends as much as she does. Are you playing just to be entertained? Are you invested in these events? Will you be there for her until the end of her story?

Another detail I like to think about is that Vertin is the only one who knows your name. Because at the very beginning, you were asked to input a name and she was there.

[screenshot was taken from this video, since it's the first one I could find that showed this specific part of the game lol]

Well, "your name" not quite right - she knows that whatever you wrote there is the name linked to your account, at least. And that's the name she knows you as.

Those who take residence in Vertin's suitcase or spend prolonged amounts of time with her, growing closer to her and all, end up becoming self-aware. This is a direct side-effect of your presence.

I like to think that characters who reach the 100% Bond can begin to sense the Player, to see the world in a similar way as Vertin does. Maybe even feel their presence EXACTLY like Vertin does whenever there's a battle. There is someone else on the other side of this screen, the fourth wall, who watches over them.

To some, it's hard to differentiate Vertin from the Player, as they just go hand in hand - but Sonetto, for example, has the easiest time telling the two apart.

On the subject of freedom and acting out of script.

The Foundation, Manus Vindictae, Laplace... It doesn't matter if they're self-aware and acting outside of what their script dictates, because they're missing one key ingredient: you. No one else but Vertin and her group knows about your existence, after all.

They don't know that the only story that matters is the one that Vertin is part of. The one that the Player gets to see and read and experience. And because the game gives you a very limited view into the lives of these characters, you don't know what neither Arcana nor Constantine do behind the scenes. You and Vertin don't see that, therefore, it never truly mattered.

Those most likely to start "acting out" are the troublemakers within Vertin's suitcase. Characters who are too curious for their own good, who are more susceptible to supernatural entities, who are just too impulsive - they would start to test the limits and see how far they can go, how much they can interact with the Player. Can the game be broken should they end up shattering the fourth wall? Is there a way for the Player to communicate with them? What will happen to Vertin?

I like to think that Vertin probably supports this, as she's rather curious herself, prone to questioning everything. She would also like to learn more about the Player, to truly tear into the game and see the full extent of your influence and her freedom.

Sometimes, Regulus and X will change their usual voicelines, just enough to be noticeable if one pays enough attention. Characters like Sotheby or Leilani might slip up and address the Player, rather than Vertin. Lilya, Pavia, Bkornblume have new animations and different expressions, ones you've never seen before - they stare ahead, as if searching for something, and then smirk or hum to themselves, deep in thought, like they realized something you're not privy of.

Sometimes, if you leave them as your selected assistant on the main menu, you can catch them muttering to themselves - idle quotes you never heard enough, about the outside world. Diggers does this the most, it's almost embarassing how easy it is to catch him talking nonsense, followed by Sonetto. If you leave Medicine Pocket alone for too long, you might come back to a screen covered in weird scratch marks.

On the subject of these characters being curious about the outside world and all, I think that a good chunk of them are generally content with the way things are?

We have to remember that in-universe, they're arcanists displaced from their respective eras. Their best chance at surviving is siding with Vertin, and if Vertin is content with the way things are, then there's no point in trying to disrupt what they have right now. They're curious enough to prod, but only as far as Vertin allows it.

And I think that's it for the word vomit!

There are some details I didn't know where to fit in, like the possibility of the fourth wall slowly dissipating the more time the Player invests in the game, leading to some characters being able to directly hear you if you talk while playing and whatnot. Or what would happen should someone outside of Vertin's suitcase figure out the existence of the Player, let alone interact with you in some way.

Or the concept of death being meaningless, unless it was pre-established by the game itself.

In Borderlands, there's this game mechanic where you can just be revived over and over and pay a percentage of your money as a fee, even though the canon that's established is that you play through the whole story without dying a SINGLE time - because the revival mechanics aren't canon. There's the divide between story and gameplay. That's pretty much the standard. But what about the deaths in battles in R1999? The amount of times I died to 1.3's UTTU's Flash Gathering is insane. How do self-aware characters feel about this, now that they know that they're bound to die over and over and be brought back because you have to do your Pneuma Analysis or reach the final stage of Limbo?

But that's pretty much it for now, I think I got most thoughts out of my system! Thank you for reading!

#reverse 1999 #reverse: 1999 #reverse 1999 x reader #self aware au #'mod six what are you going to do with this AU?'#probably write more reader inserts for FMN and pavia lmfao #i just wanted it out of my brain and onto a post #i like to think about things in-depth but thats it #and just like the hanahaki nsr au. feel free to fuck around with this concept! discuss it or make up your own HCs!#tag me if you wanna bc i love to read. but no need to credit me

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lil-shiro · 5 months

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Lance Stroll Driving Style/Preference Analysis

I’ve seen a lot of videos and posts online about different driver’s driving styles, so I wanted to do a bit of in depth analysis for Lance since

I haven’t really seen a lot about his and

I think his is very interesting and differs from a large portion of rest of the grid

Disclaimer: I’m no expert or professional at this :)) It’s very much out of personal interest and looking at his growth as a driver. Be aware that styles can change depending on the car, and I could even argue that there are no true “styles”, which is why I like using the word “preferences” as well.

Introduction

Some things that I’ve seen being discussed when it comes to driver’s preferences include:

Early vs. late breaking into turns

Agressive vs. smooth steering

Preference of Understeer vs. oversteer

Just to name a few but it all plays a part in how fast you exit a corner, tire degradation, and possibility of getting overtaken.

Lance’s “Style”

On the grid, there are a lot of drivers who vary in their approach to how they take corners, such as Checo who always anticipates the best line to take, or Fernando who drives aggressively and uses a braking area to go into a corner without losing speed exiting it.

Lance differs because he’s always been a true reactive driver, meaning he relies more on instinctive feel. You can see it on his onboards, how he’s constantly adjusting the wheel and makes very erratic inputs while driving.

This is in contrast to other drivers who we see handle the steering wheel in a smoother way that doesn’t make it look like they’re wrestling with their car. In his first year of F1 especially, he was significantly overdriving the car.

He uses very deep braking and carries a lot of speed into the corner because of this. From the outside, it seems like he only plans up to the middle of the corner and somehow fights his way from there to the straight, but his reaction time is amazing, therefore he doesn’t completely lose the car. You can see how his approach is unorthodox.

Quali

If you’ve been following Lance for a bit, you probably know that quali has never been his strong suit, he’s definitely more of a Sunday driver. And this correlates directly to his style.

No two laps from him are exactly the same, and since it’s not very smooth, his one-lap pace suffers.

“Rainmaster”

Lance’s driving is far from ideal for a dry quali, but this is why he reacts very well to unforeseen events and changing conditions. On a wet track, drivers have to constantly correct themselves, but he’s already doing that normally.

After his pole position in the wet, he said, “In these conditions you can’t think about everything. You just have to focus on the next corner”. This just highlights how he literally takes it one corner at a time, acting on instinct, as opposed to forecasting what he’s gonna do in the next corner. Ironically, people have said that this instinctive driving reminds them of Gilles Villeneuve.

Adding on, his frantic steering style is really good for heating up cold tires in the wet.

Growth

I would say that over the years, he’s definitely learned how to tone down the way he handles the car. For example, his tire management used to be very bad as his steering would just overwork them.

But even just looking at recent races such as Brazil and Las Vegas, he manages to go on long stints, even exceeding the predicted tire life which would be impossible if he still drove as aggressively as before. His reaction time has only gotten better as well, often gaining places at the start.

However, if you look at his onboards, you can still tell his driving apart from anyone else’s, and I don’t think his way of driving will ever change.

He has such a natural talent for feel and being able to quickly react in the most extreme conditions, but that has forced him to work on other aspects of racing such as tire management and one-lap race pace.

One reason why it might have taken him longer to develop his racing may be his jump from F3 straight to F1. Lower series cars have less grip overall, which suits his style, as opposed to F1 cars that have good grip. So you can probably see why he struggled in the beginning.

Conclusion

As you can see, his driving is quite different, and it shows through his strengths and weaknesses. Reactive driving was more the norm back F1 from the 70’s to early 2000’s, but went away as cars became smoother. I actually think he’d be really good at rally driving…

But I dunno I guess this makes me like him even more because of all the work he’s had to put in to make his unconventional driving work in modern F1.

Extra Onboard from 2017 His Suzuka start in the wet Onboard from LVGP

#lord help me i can't believe i just wrote this #feel free to add your discussions or talk to me about it!#lancey is such a rough gem to me #lance stroll #f1 analysis #f1 meta

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ragazza-paradiso · 11 months

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okay, my personal thoughts on the jury vote/televote drama (as unbiased as possible):

i understand people’s disappointment when their favourite doesn’t win. i also understand how that disappointment can turn into frustration when it turns out that was the most popular entry with the general public, yet it didn’t result in victory.

for me, the presence of juries in the contest is non-negotiable. i think they help to recognise aspects of the songs that very often get overlooked by the viewing public - composition and vocal ability being the two most important. i think of estonia from this year, a song and performance that most definitely deserved the love they got from the juries to push them up the scoreboard. i think of albania 2018, switzerland 2021, portugal 2022 - all entries that deserved to be recognised, and were not given that by the televote.

all of that is not to say the jury is faultless. i agree with most, that the criteria the jury is told to judge upon should be modified/expanded. i think they should drop the focus on commercially successful songs to help level the playing field for songs in languages other than english (or popular languages like italian or spanish). they should also include people from more diverse musical backgrounds to appreciate alternative forms of music like rock, jazz, folk and music with ethnic elements etc. they could also make the juries larger (i think just doubling the size to 10 people would already make such a huge difference).

i think the biggest change the EBU needs to make regarding the juries is to be much more transparent. the general public has no idea why the juries exist, or what they are even judging on. each show the presenters should explain the criteria the juries judge on. because i’ve seen so many comments on social media over the past 12 hours which seem to fundamentally miss the fact that the juries judge based on criteria which is given to them by the EBU. they do not simply sit down and make a ranking of their favourite to least favourite.

the big point for me is that the jury vote is NOT supposed to be representative of the public vote. there would literally be no point to it if it were. therefore the jury having different scores, and ultimately a different winner than the televote, does not in itself mean that there is a problem with the juries. if you ask me, it means that the juries are doing exactly what they are supposed to do. they recognised the song which best fit the criteria they were asked to judge upon… tattoo.

and i would also add that tattoo was immensely popular with the public as well, it came second in the televote. and the juries placed televote winner cha cha cha in fourth position. so the argument that the juries are out of touch with the european public (at least when it comes to the top spots) just doesn’t add up.

since the juries were reintroduced in 2009 we’ve had 4 types of victories

• where the televote and jury vote agree on a winner (2009, 2010, 2012, 2013, 2014, 2017)

• where the televote winner has won overall despite not winning the jury vote (2011, 2018, 2021, 2022)

• where the jury vote winner has won overall despite not winning the televote (2015, 2023)

• where the winning song has won neither the jury vote nor the televote (2016, 2019)

so, in the 14 contests with the 50/50 jury televote system, only twice has the jury overridden the televote to decide the winner. the televote has overridden the jury vote double as much. in fact, the majority of times (8 times, if you include the 4th category since on both those occasions the winner came 2nd with both televote and jury vote) both have agreed on the winner. overall, the televote has gotten their winner to win the overall contest 10 times out of the 14 contests since the reintroduction of the jury.

therefore i find the conclusion that the jury is tainting the results of the contests’ winners not based in reality.

now, all of that is simply the opinion of one girl who likes eurovision. you can take it or leave it. i don’t think this will change anyone’s mind if they are dead set on the juries needing to perish in hell fire to atone for their sins against euro pop music. but more so i wanted to explain my reasoning behind still valuing the juries as an important part of the contest.

and, two last very important notes:

• käärijä not winning the contest doesn’t mean that he’s lost. it doesn’t mean that you can’t go back and watch his performance a thousand times and revel in the joy it gives you. it will always be there. music is subjective, just because a certain song wins a certain contest doesn’t mean it’s necessarily the best. he has thousands more fans now and you can always support his future career.

• being disappointed with the results of the contest however does not give you the right to send abusive messages and hate towards other contestants. käärijä himself said after the final yesterday that he cannot complain about the rules and he was happy for loreen. this is the same guy who was so distraught when he received one hate comment that he deleted all his accounts on social media. he wouldn’t want anyone to be doing the same towards his fellow artists. the contest was about being united through music, and sending hate won’t change the results, and it won’t make you feel better either.

#i may add some more onto this later but yeah this is my more coherent thoughts #if anyone wants to discuss more about this feel free to message me :)

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poetrysmackdown · 8 months

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hi hiii i wanted to say that your account is so refreshing to see, esp with the passion you have for the arts. as someone who's been meaning to read (and write) more poetry, do you have any recommendations? some classics that everyone and their mothers know? perhaps some underrated pieces that changed you? or even just authors you like, I'm very open to suggestions :]]

Hi! Thank you so much for this kind ask :) So exciting that you’re looking to delve deeper into reading and writing! I had to take a little time to answer this because my thoughts were all over the place lol.

For a review of notable/classic poems/poets, I honestly just recommend looking at lists online or, hell, just binging Wikipedia pages for different countries’ poetry if that’s something you’re into, just to get a sense of the chronology. I read one of those little Oxford Very Short Introductions on American Poetry and thought it was pretty good, but online is quicker if you’re just searching for poets or movements to hone in on. Poetry Foundation also has lots of resources, in addition to all the poems in their database. I guess my one big classic recommendation would have to be Emily Dickinson (<3), but really the best move is just to find a poet you already enjoy and then look around to see who their peers were/are, who they were inspired by, who they’ve maybe translated here and there, etc. and follow it down the line as far as you can.

For some personal recs, here are some collections I’ve really enjoyed over the past two years or so. Bolded favorites, and linking where select poems from the book have been published online. But also, if you want a preview of a couple poems from another of the books to see if they interest you, DM me and I can send them over! You can also feel free to pilfer through my poetry tag for more stuff lol

Autobiography of Death by Kim Hyesoon trans. Don Mee Choi

Conflict Resolution for Holy Beings by Joy Harjo

DMZ Colony by Don Mee Choi

Hardly War by Don Mee Choi

Whereas by Layli Long Soldier

Geography III by Elizabeth Bishop

Dictee by Theresa Hak Kyung Cha

Don’t Let Me Be Lonely: An American Lyric by Claudia Rankine

Mouth: Eats Color—Sagawa Chika Translations, Anti-Translations, & Originals by Sawako Nakayasu

The Selected Poems of Osip Mandelstam trans. W.S. Merwin and Clarence Brown

The Branch Will Not Break by James Wright

This Journey by James Wright

God’s Silence by Franz Wright

Duino Elegies by Rainer Maria Rilke (the translation I read was by Alfred Corn—I thought it was great, but idk if there are better ones out there!)

DMZ Colony, Hardly War, Dictee, Don’t Let Me Be Lonely, and partially Whereas are all book-length poems with some prose poetry and varying levels of weirdness/denseness/multilingualism—if you were to pick one to start with, I’d say do Don’t Let Me Be Lonely or Whereas. Mouth: Eats Color is some experimental translations of Japanese modernist poet Chika Sagawa, with other translations and some of Nakayasu’s original stuff mixed in—it's definitely a bit disorienting but ultimately I remember having such fun with it, as much fun as Nakayasu probably had making it. It’s a book that emphasizes co-creation and a spirit of play, and completely changed my attitude towards translation.

If you’re less interested in that kind of formal fuckery stuff though (I get it), can’t go wrong with the other books! Conflict Resolution for Holy Beings is the one I read most recently, and it’s great—Harjo also featured in Round 1! Franz Wright also featured, and God's Silence is the collection which "Night Walk" comes from. James Wright (father of Franz) is one of my favorite poets of all time, though his poetry isn’t perfect. Even so, I’m honestly surprised he’s not doing numbers on Tumblr—Mary Oliver was a big fan of his, even wrote her "Three Poems for James Wright" after his death.

I mentioned in another post that one of my favorite poets is Paul Celan, so I’ll also recommend him here. I read Memory Rose into Threshold Speech which is a translated collection of his earlier poems, but it’s quite long if you’re just getting to know him as a poet—fortunately, both Poetry Foundation and Poets.org have a ton of his poems in their collections. There’s also an article by Ilya Kaminsky about him titled “Of Strangeness That Wakes Us” (!!!!!) that’s a great place to start, and is honestly kind of my whole mission statement when I’m reading and writing poetry. Looking at the books I’ve recommended above, a lot of them share feelings of separateness or alienation—from others, from oneself, from one’s country, from language—that breed strange, private modes of expression. That tends to be what I’m drawn to personally, and that’s some of what Kaminsky talks about.

Sorry of the length of this—I hope it's useful as a jumping-off point! And if you or anyone ends up exploring any of these poets, let me know what you think! If folks wanna reply with recommendations themselves too that'd be great :)

#ask #not a poll #i originally was going to link to previews of the books directly on this post but for some reason I suddenly feel very paranoid about #copyright LMAO. ik this blog is already like copyright infringement central but I feel like I can at least make an argument for the polls #being fair use lol. in the way that i could not for the pdf previews I made. (i also have a full pdf of hardly war if anyone wants lol)#and i know it's not entirely rational bc this is tumblr and nobody looks on tumblr. but i'm not used to having this many followers lol so i #admittedly just getting anxious about silly things #but please please feel free to DM me! or send an ask off anon #discussion

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justanotherwriter140 · 1 month

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Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

#kung fu panda 4 #kung fu panda #dreamworks animation #kfp #kfp 4 #movie review #i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality #my time has come #it wasn't THAT bad #i didn't love it #but it is what it is #it's a tentative 6/10 all things considered #free the five #perhaps i treated kfp3 too harshly #don't get me wrong the movie had good qualities and i can tell a lot of work went into it #a lot of missed potential imo #a lot of characters done dirty #i didn't even mention the score but i thought it was just okay #i wasn't wowed #i know close to nothing about composing though so i should probably just not even go there #credits were the best part both cinematically and musically #i feel mean but i'm not going to be dishonest #bc obviously you all simply must know how i feel about the silly panda movie #a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested #as well as my thoughts on bringing back old villains #might make some edits to this in the future but this is all i have to say for now

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mishapen-dear · 5 months

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OH. okay so normally i dont touch discourse with a 20 ft pole, but this has been niggling at my brain tonight and i finally realized why

the people who are mad at qbbh for the memory loss and “dodging consequences” dont understand that he doesnt want to dodge consequences. Like they cant know that, they werent focused on him when he was literally feeding himself to the soul vultures and planning his eventual imprisonment and also. The Many Many Many hints he made towards suicide/sacrifice/Just Fucking Dying.

ccbbh is a subtle roleplayer, he’s been building this shit up for two whole months- it was day FIVE of the eggs going missing that he resolved to do whatever it took (hurting his friends) to get the eggs back. It was day three that he followed in dapper’s footsteps and started feeding himself to the soul vultures (and gaining a Massive headwound beneath his hood in the process- you can only see it if you go on namemc and remove the layers). He’s got impaired judgement. Even the memory issues arent a new thing- i cant remember exactly when they started, but one of the first big moments i remmeber was september 30th where he spent an hour falling into a delusional frenzy searching his base for cameras that he forgot he asked aypierre to plant.

The super murder of purgatory and the memory loss afterwards probably all feels very sudden for people who havent been following his story, but as someone who has been- all of this has been true to character. The only cheap swings he’s made have been combat-based in purgatory, and even the motive for those was built up in rp.

People are calling for consequences, but he has alrwady been experiencing self-inflicted consequences for months. The blue on his usual outfit is blood. This recent memory loss isnt a restart to get away with the atrocities - it is yet another consequence of his egg-protecting complexes and the ways he punishes himself for failing them.

he is NOT a moral character. he’s a demon hiding in plain site. he has eaten people. he has killed people. he understands the cruelty of his actions, and the consequences of them for the loved ones of his victims. but it matters when that harm is being done to his loved ones. he’ll still do it, because he will do anything for the eggs, but it matters, and that means that he has already started the process of self-inflicting those much-demanded consequences

#anyone who isnt a qbbh makn please extend some sympathy for us. our guy is being misunderstood again #so if people seem twitchier than usual that probbaly plays a factor #but if it ever gets annoying be rest assured he is doing his very best to train us in media literacy #and also the block and filter buttons are your friends #and qbbh mains join me in the genuinely freeing revelation that they have just. strawmanned him yet again #i feel like youve gotta be able to understand a character to truly hate them #and no one (not even us oh my fucking god) really understand him #and thus the vitrol means nothing and i am free of all woes #anyway tho genuinely if you want to know more about this cube im willing to talk about him #i have Credentials #one of my posts was dono’d to the cc almost word for word and he called me a know it all #qsmp #qsmp badboyhalo #discourse #<- mentioned #an interestinf discussion could be had too about xyz character Deserving xyz thing #and really people in general Deserving xyz thing #but i think that is a wasp nest i dont know enough about to join swatting #i ngeed. to go to bed

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incorrect-jojolands-quotes · 1 month

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Hot take but I think what we saw in chapter 13 was necessary.

I don't think a lot of people realize how important it is for Araki to portray what he did, even if it extremely difficult to take in. Let me explain.

Araki has discussed about topics like racial and class disparity through both Steel Ball Run and Jojolion, but JOJOLands is different because the discussions are now very direct. We had Chapter 1 open up with police brutality and Chapter 13 open with intense bullying; both acts were committed by people of higher social standing/power and seemingly White (or white passing) and both are harming a dark-skinned queer individual. Not only that, remember that Hawai'i is an island stolen and colonized by the US and many indigenous individuals who were supposed to live and maintain kapu are being forced to endure housing problems, loss of culture, etc. due to gentrification and exploitation of its lands. 2020 was when we saw global protest towards the deaths of George Floyd and Breonna Taylor due to police brutality, which has spread as far as Japan in terms of demonstrations and rallies. Araki has made it clear that he tries to take real world experience into his writing, and this is no different. He is also no stranger to portraying law enforcement throughout his parts without glorifying or downplaying their behavior.

As a mutual of mine (who themselves identify as a black GNC individual based in US) has put it, those who identify or even appear as Black while identifying as trans-femme or women are subjected to some of the worse kinds of oppression possible in America. Queer women of Color are one of the most susceptible to sexual violence-- especially when they are young, and the darkness of their skin really plays into it. This is transmisogynoir; it is a hard pill to swallow and acknowledge, even if it feels excessive, and its a multilayer of oppression that connects a person's racial identity, gender, and sexuality as targets of discrimination. It's the fact that one is POC, a woman, AND queer that makes one a target--- not just one or the other. You can’t turn a blind eye to this because it happen constantly throughout America's history and American society even today, but you can't simply water it down or downplay it. In fact, many victims of transmisogynoir have no choice but to downplay their experiences because of their Black identities or because they appear too dark to be taken seriously; when they, especially if they are Black, try to hold people in power accountable, these individuals are suddenly labeled aggressive, indignant, etc. and they are further discriminated for attempting to speak up. Dragona downplaying the bullying isn't them just trying to avoid further conflict but a reflection of how many who were in similar situations like Dragona are forced to simply forgive and forget the trauma they have to endure. To downplay it ourselves is reinforcing the narrative that individuals like Dragona in real life should remain silent and endure their harassment rather than rightfully protect themselves and others from it.

Another thing to add is that the way Japan portrays and treats the LGBTQ community, particularly the trans community. In Japan, the process to legally change your gender is complicated and requires a lot of steps that include, but not limited to, being diagnosed with gender identity disorder, proving you have no kids/guardianships, and sterilization. This causes a lot of individuals to be forced to quickly transition as a means of getting their gender recognized, which takes away the time to let them explore at their own pace, and this is due to how the process can lead to hindering career and life opportunities that wouldn't be hindered had they already transitioned or stayed closeted. Many Japanese trans individuals unable to go through the process quickly either remain closeted or move away from Japan to transition at their own pace. So, as a result, the trans community and its struggles is not as noticed compared to outside of Japan. Another thing to add is that the trans community in Japanese media is often portrayed as comedic relief or a gag. Oftentimes, the trans character or character who diverts from gender conformity (i.e cross-dressing, acting more flamboyant) is the butt of the jokes. Some thing to note is that, when Dragona was first introduced, a lot of people thought that Araki put Dragona in simply for comedic purposes. I had people joke about how Dragona is just there because they believed Araki is trolling. Not only that, the racial issues that Japan has often results in jokes towards non-Japanese individuals in media, especially if they are of darker skin color.

So, Araki putting Dragona in these difficult situations is also meant to subvert expectations that his Japanese, and possibly Western, audience may be expecting. The expectation was to laugh and toss Dragona aside as a single-dimensional character, but Araki instead forced us to face the trauma through Dragona's experience head-on. We are made aware of Dragona's situation, how real and difficult the struggle is, and we end up emphasizing with it rather than laughing at it. Through this, we get a glimpse into real life experiences of trans POCs without it being downplayed and have it show how Dragona is a fleshed-out character with importance to the series. As some have put it, this chapter proved that Dragona isn't just a side character but arguably a complex individual on the same level of importance as Jodio. I don't think it would have been easy to have the same impact if another approach was taken.

While talking to others who identify as trans and/or GNC about their thoughts on the chapter, I was told by many of them that, while Dragona's experience hits close to home and was hard to digest, they appreciate seeing it being expressed and hope it will help other people understand their struggles. One noted how the introduction of Smooth Operators with the backstory as empowering, seeing the Stand as a symbol of surviving the trauma that comes with trans discrimination. I do find this a bit telling with how many people online who are against Araki's portrayal barely mention what trans/GNC people have said about it.

My main concern, as well as what I see people have rightfully critiqued, is the excessive trauma reinforcing the fetishization and violent voyeurism towards trans individuals; it also reinforces the problematic narrative that dysmorphia can only happen as a result of trauma and the trans experience can only be full of pain. There's also the issue that Dragona's experience also happened while they were under age and their harassment is similar to that of Lucy. It's a common trope in Western media to put marginalized people into these situations while upping the ante simply for clicks and pleasure, and even worse when the character portrayed is a minor. As I reiterate, it is a very uncomfortable chapter to read and I don't find it enjoyable at the slightest. Just because I understand why it is necessary doesn't mean I condone the approach done. I also understand Araki as a Japanese man can only relate and portray a queer American's experience to an extent. But, at the same time, the exposure was necessary because it gives us the awareness and a voice to trans people that is lacking within media even today. We need to be aware and acknowledge what our BIPOC trans community goes through as a means of being better humans--- and especially our younger community members. We need to make our society safer for them so they can thrive and have the respect they deserve. Oftentimes, that starts with how they are portrayed and how their experiences are portrayed. While it is still a journey and not every representation will be perfect, we can't simply toss it aside and bash those who try to show something realistic just because it is uncomfortable.

I only hope that Araki wrote Dragona and these scenes as a result of doing extensive research and reaching out to actual POC queer individuals, particularly transfemmes/women, to understand their experiences and have their blessings to use their words to shape Dragona. I feel like that would show that Araki was serious about discussing these issues through his characters rather than simply using Dragona's traumatic experience it for entertainment. I have higher expectations for Araki now, knowing that it may not be the last time he shows a character experience harassment and possibly have Dragona be harassed again, so I will keep my eyes open for this.

#the jojolands #this is my first time making a long ass serious post about this so i hope my message is well put #i understand that not everyone will agree and that my view is limited due to experiences so i do apologize if my message was incorrect #i wrote this after discussing this with trans/gnc individuals about their thoughts of chapter 13 and noticed how there's discourse on it #obviously please listen to BIPOC voices especially from those who also identify as queer. many told me they appreciate chapter 13's rawness #i'm also going to use this time to read up and learn more about the trans community and BIPOC community #so feel free to send me stuff to read up on as well #but yea my two cents

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pixel-cherry-pie · 1 year

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Speculative evolution side of tumblr I’m in need of your constructive criticism! I tried to speculate some dragons based on synapsids instead of more “regular” reptiles. But do they make any sense???? Pls halp! They’re loosly based on gorgonopsyds but I gave them wings in convergent evolution with the pterosaurs. I guess they shouldn’t be able to fly without air sacs in their body and hollow bones so I’m also guessing they conveniently evolved those as well.

I’m not entirely sure about the horns in general, because I don’t know wether or not they would make sense (I thought maybe could be an adaptation to protect the nose from cold winds and grew to be a communication display? Idk idk anything!). Should they actually be more scaly? More horned? I already know I’ll try with manes, cuz they might look nice in them!

Another thing that looks weird to me are the Feets. I can’t place myself where they look wrong. Please feel free to give me a heads up! I tried with a semi-plantigrade stance and took inspo from thylacines but clearly it ain’t it. (is it even a thing actually?) For the marine dragon I went with sturdier constitution and small wings, for water propelling (should they be even smaller???) and big, hollow horns for (possible?) echolocation. Strong limbs to climb cliffsides and find nice safe spots to nest and from where to dive for food. (on this note... would these dragons lay eggs or... what???)

Let me know what you think about it, I’ll be more than happy to discuss these very incomplete stages of speculation!

#dragons #summoning fellow biology nerds very hard #feel free to interact #speculative zoology #speculative evolution #synapsid #help me!#discussion #speculative evolution discourse #these will very likely be the dragons in my next dnd oneshot #d&d #Dungeons and Dragons #paleoart

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balgur · 5 months

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some thoughts on mystra's relationship with gale

idk if this will be considered a hot take or whatever but i'd been thinking about the dynamic between the two for a while and i'd like to imagine i have a perspective on it that could add to the discussion (or not, lmao) and i'm too annoying not to put it down into words

i'll start by saying i'm a teacher and have been teaching for a while. i'm looking at mystra from a teacher's perspective - a teacher of magic, not just a 'mother' per se but solely as a figure of education. a lot of times, people really don't realise how much influence teachers have over their pupils. we have so so so so much influence, so much authority and implicit trust placed in us from our students, regardless of how young/old a student is.

additionally, as a teacher i cannot state how incredibly weird and uncomfortable it would be and is for any student to take a personal interest in me even platonically - it's so easy to take that boundary and abuse it. if a teacher wanted to cause emotional harm to a student, they could do so with a disturbing amount of ease. it's genuinely very important that teachers recognise this.

so with mystra as gale's personal teacher and mentor, it creeps me the fuck out that mystra entirely overstepped the boundary of teacher into that of lover. she took an implicit and complete trust in her as an authority figure to pursue a romantic interest in a student that had been in her sights since he was underage. that is so unfathomably creepy and wrong to do that it just makes me so repulsed.

this isn't even getting into the other components of mystra's reputation among wizards as a literal goddess, but even in this dynamic it's so gross and morally wrong

#bg3 #baldur's gate 3 #gale dekarios #gale of waterdeep #mystra #pls feel free to reblog or reply if you have any comments ab it #let me discuss my things at u all

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true-blue-sonic · 3 months

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How would you describe Silver's personality?

Let's see... There's a few aspects of Silver's personality that I think strongly characterise who he is as a person.

Silver is determined. He has a strong desire to protect the future, to the point where he's made multiple trips to the past to stop disasters from occurring there and ensure the safety of his own time in turn. Related to this, Silver has an optimistic attitude and generally doesn't lose hope easily, as conveyed in multiple bios such as his one from Generations. Notably, he shoots down Infinite's statements about how he'll show the rabble that "there is no hope" immediately, asking "Does anyone but you believe your lies?!". However, this is not infallible: in both Rivals 1 and 2 there's moments wherein Silver loses his hope ("No! I'm too late!" in Rivals 1 when Eggman Nega goes to space to take a picture of the whole planet; "It's too late. I knew there was way for me to change the future…" in Rivals 2 when the portal to the Ifrit's dimension opens despite his efforts). However, it also takes little for him to get this hope back again: the very instance there's the slightest indication things can turn around, he's back on it again. This is seen in both Rivals games and also '06, where Elise pointing out she feels Sonic's presence in the wind makes Silver give her a rousing speech with the idea she can use the Emeralds to bring Sonic back again.

Silver is sassy, rude, and blunt. In Colours DS, he's got a clear opinion on Eggman's Experience the Future ride that is conveyed in quite a sarcastic manner ("They think THAT is what the future is like? Please." and saying Sonic should give it a pass), and he similarly expresses rather abrasive statements about people who are not his allies. Notably, even Sonic remarked once that Silver is getting on his nerves (in Rivals 1). He mocks Sonic in '06 after their first battle ("Hmpf! Is this a joke? How could someone like you cause the destruction of our world?"), and immediately rudely regards Knuckles after getting the information he wants out of him in Rivals 1 ("Got no time to explain it to someone like you… See ya!" followed by "Like I said before, I don't have time to deal with you right now. See ya!"). In Forces, he bluntly tells Knuckles "Who cares what it's called?" about Operation Big Wave, stressing the fact that a good strategy is more important than a good name. Overall, Silver also has a temper: especially in the Rivals games, he quickly goes to throwing hands when someone expresses scepticism about his mission or makes fun of him as a person. It certainly doesn't seem like he is okay with letting people walk over him!

In an interesting contrast to the above point, Silver is also kind and cherishes his friends dearly. In '06, he puts his entire mission to defeat the Iblis Trigger on hold when deciding to help Amy find her person she was looking for first. I am not actually sure why he does so: I think the fact the past is so beautiful and the people are happy there helped inspire him to spread that kindness to the girl who's been kind to him in turn so far? But Silver clearly cares for his friends and allies: in '06, he is distraught by the fact he'll lose Blaze to save the world, he is similarly seen with a hurt expression when Sonic's alleged death is brought up in Forces, and in Rivals 2, he is genuinely grateful to Espio for the help Espio gave him in stopping the Ifrit from destroying the world.

Silver is honest, to the point of being blunt also... and this thus means that he is not always taken seriously. In a Sonic Channel story, he tells a group of Soleannan officials that he is from the future and gives that as reason why he knows calamity will befall a specific place in Soleanna; this is precisely why he is not believed. In Rivals 2, he is very clear about needing the Chao to save the world: Knuckles and Rouge promptly determine that this is something highly unlikely and that his psychic powers must have made Silver "a bit goofy", despite the fact Silver is entirely correct.

Silver is not always correct in his thinking, but it is difficult to change his mind. It also seems that once he gets encouragement that he is perchance doing the right thing, he goes right back to his earlier ideas: seen in '06 with Blaze's statements about what must be done to change the future, where it took an intervention by Shadow and a trip to the past to change Silver's mind about Sonic in full. However, Silver does show the ability to be introspective. After his fallout with Amy in '06, he is sitting quietly by himself, entirely unengaged with his mission to destroy the Iblis Trigger and instead wondering if hurting one person to help many others is "right". In Rivals 2 he is the one who figures that just endlessly fighting is actually against his goal of collecting Chao, and thus he turns that very goal around into a battle with Sonic wherein the victory conditions are to collect the most Chao. And in Colours DS, he is the one taking note of the fact it feels like he and Blaze have fought together before, after Sonic points out they were in perfect sync.

Silver seems to like fighting and has a bit of a Blood Knight mentality. In Generations, he expresses happiness at brawling with Sonic again in a rematch (stating that it should be fun), and in Colours DS he is intrigued to find out what the robots in Sonic's era can do (but unfortunately has to face Orbot and Cubot, making him lament that there was no challenge). Similarly, in the Triumph cutscene of mission 2-3 in Colours DS, he almost begins one-upping Blaze about how he could easily have handled the likes of Orbot and Cubot by himself, to Blaze's displeasure. He thus also seems confident in his own abilities, helped by the fact his powers are tremendously strong and can do amazing feats.

Silver is sharp and takes note of small, almost insignificant details to come to correct conclusions. In Rivals 1, he notices "Eggman" is actually Eggman Nega due to his speech and mannerisms, as well as a small slip of Nega about how there'd be nobody to stand in his way in the past and future. He is also only shown as gullible in '06: in Generations, he originally fights Sonic because he's not sure if the real deal is asking him for the Chaos Emerald (thus not blindly trusting that someone who looks like Sonic actually is Sonic), and in Team Sonic Racing he is right on top of Eggman's plans with the Ultimate Energy Engine. In Rivals 2, he immediately determines at the first appearance of "Eggman" that it is actually Eggman Nega trying to pull the same trick as before, where he is shown to be correct as well.

This got very long, and I am certain I am missing some (or perhaps even many) things. I've written multiple posts about parts of Silver's personality before, but leave it to Tumblr to not return those to me, haha. But I think these are some of the most important aspects of Silver's personality! Lastly, there's also some things that are not explicitly stated but that I think do fit his personality well:

Silver appreciates the small things, things that other people might not notice so easily. His favourite thing is noted to be the blue sky in the Mario & Sonic games which is also shown with him stating that "the sky [of the past] is gorgeous" in '06, he marvels at the desert area of that game (that Amy notably shows more disregard for, asking him "What? You mean this desert?"), and he is multiple times noted to have awareness of the happiness of a whole world: the above quote is followed with "and everyone's happy", and in Colours DS he says "The sky is blue, and everyone's got a smile". A blue sky and the fact the people of the world all have a smile are not extremely noteworthy things, but they're clearly important enough for Silver to mention them both in two games.

Silver doesn't care much about what others think of him. The only time I can recall wherein he reacted crabby to someone poking fun at him is in Rivals 2, where Knuckles calls him crazy for thinking the Chao will be necessary to stop the world from being destroyed (here Silver's response is "I'll show you how crazy I am"). What he is doing furthermore also directly relates to him wanting to save the world, which could explain his annoyance at Knuckles not believing him. The only time wherein Silver has gotten anything akin to flustered in the games is, at the top of my head, '06 wherein Amy gets the jump on him and doesn't let him get a word inbetween her spiel before she drags him off to go find Sonic.

#silver the hedgehog #long post #Silver is a character that is ripe with alleged contradictions to me #he's rude and does what he wants but he's also a sweetheart with a heart of gold who'll drop everything to help you #he's sharp and not easily deceived but also entirely wrapped up in what *he* thinks is right and acting according to that mentality #if there's any characteristics or examples I have missed‚ feel free to let me know!#I know there's been discussions about how insecure he actually is in '06 but that seems to have been added mostly in the English script #and that also doesn't seem to have carried over to any other games‚ like his gullibility #but I could be entirely incorrect here!

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winchestersickness · 8 months

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Season 2 + csa interpretation

2x05 // 2x10 // 2x21

#I know there's a lot more but I'm wine drunk and making these on random website is hell #Anyway. Special stomachache tailored for me. “you're my favorite” / “you ruined my life”#I thought I was gonna watch a show about ghosts not about. You know. Ghosts.#Supernatural #Csa tw #Sam #Spn #m #Simon said #Hunted #all hell breaks loose #2x05 #2x10 #2x21 #Feel free to add stuff cos I'm not sure I want to #Also i know this is a wildly discussed topic!!! I'm just new here so I don't know a lot of other people's interpretations #Csa interpretation #*

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greyscale-enthusiast · 5 months

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chapter 17 thoughts

You’ve forgotten about our promise.

Shut up.

I’m not your toy, Reo!

Nagi is a genius, in every sense of the word. We have been told this so many time. Of course he’s going to know the rich ‘i get what i want’ kid has taken an interest in him as a tool for getting whatever recognition he’s looking for. But it’s also the first time he was told he was fun to hang out with, that he’s been made the center of someone else’s world if only for a couple hours a day (we have not been told his background yet).

Nagi knew he was a ‘tool’ for Reo, and he was okay with it. In a way, Reo was also a ‘tool’ for him, with the way the promise to feel alive was dangled by Reo over his head. He thought a friendship could be maintained like that, probably. And Reo had only had friendships like that, so they were both in for an unpleasant surprise once they started wanting more: wanting to be more vulnerable, more authentic. They wanted real connection. And boy they really are teenagers cause the way they seek it is so gut wrenching i had to stop reading for a bit :(

Reo is showing Nagi through his actions he has forgotten the promise to -become the best- together. Reo, before, was kind of okay with the idea of telling Nagi they’see each other on the future. It was a show of good sportsmanship, he’d get across how he was strong enough to not fear what the future departs. Yet he couldn’t say the words because it wasn’t about only football anymore. It was about attachment.

Now, Reo doesn’t want Nagis kind words. He doesn’t want Nagi to look down on him here, because he gave it his best and it still wasn’t enough. Twice. Here, the possibility of Nagi leaving him became a reality to him. So he did what his ego needed him to do to survive and changed tactics. He made Nagi mad enough to ‘properly abandon’ him (still controlling Nagi which Nagi probably knew in some level), maybe to have a reason to leave soccer or to actually force himself to find another way to fight for himself, like he explicitly wanted to do in the MSC vs BM.

(Then Isagi had to come and, not content with being the catalyst to their separation, had to go and make Reo overthink even more his ego survival tactics and further humiliate him in front of his person. Isagi ur so funny.)

What i really like with Nagi fighting back against the idea of being Reo’s toy is how they both had this perspective of their relationship. Because BOTH WERE DOING THE SAME THING. Both Wet Cat Reo and MSC Nagi were trying to make the other behave ‘out of character’, thus controlling them like toys. But that’s a really cold way of seeing normal friendship interactions. In a healthy friendship you change your friends and they change you, allowing each other to safely explore the aspects of their personalities in a safe space. And Future Nagi, who had probably the least ‘materialistic and exchange-focused’ interactions through his life in the basis of having the least interactions out of the two, will see this, and think ‘i never wanted that but i can sense why you’d think that’. Not like that but in his body, if that even makes sense.

TLDR Reo wanted to be the best and got stuck on the ‘together’ part and Nagi made Reo promise to stay together while getting distracted by the ‘best in the world’ part.

Also TLDR2 Nagi saw Eternal Sunshine and manifested it perfectly in his life. Really the epitome of born to shojo forced to shonen, these two.

#hopefully we never get his backstory he’s a creature to me <3 #more like vent post but for the sake of discussion #i suspected this was the case with these two but i didn’t wanna risk projecting before BUT #sorry if this barely makes sense i am getting my ass kicked at the gym #feel free to add!!!!!#blue lock #bllk #nagi seishiro #mikage reo #epinagi #bllk analysis

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nc-vb · 10 months

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𝐌𝐚𝐧𝐠𝐚, 𝐌𝐚𝐧𝐡𝐰𝐚, & 𝐌𝐚𝐧𝐡𝐮𝐚 𝐑𝐞𝐜𝐬

a long time coming that I've meant to compile a list, but it just kept growing and growing and growing...

the webtoon list includes my very personal & important in-my-heart recommendations. aaaaand the rest are mostly smutty, kinky, and even a little dark.......... do not perceive, just enjoy. and support the official author's work and translations if you can!!

if there are any in this list you'd like a heads up about before reading, feel free to drop me an ask and I'll give you my honest opinion/review.

if you're having trouble locating anything, shoot me an ask (because i have most, if not all, of the links saved).

and feel free to gush to me if you liked any of them!! i'm always happy to talk about mmm's.

[updated july 3rd, 2023] - newly added titles are in green.

𝐵𝐿 = boy's love genre 𝐆𝐋 = girl's love genre 𝟏+ = includes harems & poly relationships ❤ = absolute masterpieces, highly recommended! ! = proceed with extreme caution/heed all warnings

please heed all warnings and tags found within each of these recommendations, as well as my own warnings from the symbol legend above and found throughout this post.

some of these are sfw and some aren't. some of these aren't for the faint of heart and will be marked to be read at your own risk. additionally, not all are translated into English. 𝐵𝐿/𝐆𝐋 are separate from the general list.

𝐖𝐄𝐁𝐓𝐎𝐎𝐍

A Messy Fairy Tale 𝟏+

A Summer Night's Dream

Age Matters ❤

Back to You

Bailin and Li Yun BL❤

Bitten Contract

Boyfriend of the Dead

Castle Swimmer BL

City of Blank

Dating With a Tail

Daytime Star

Devil Number 4 ❤

Devilish Romance

Down to Earth

Dreaming Freedom

Ghost Wife

Ghostly Buddie

Half-Ghost

Harem of LuuAnh

Hello Baby ❤

I'm the Grim Reaper

I Love Yoo ❤

It's Mine

Jeff's Disorders

Kind of Confidential

Little Rain

Lore Olympus ❤

Love Advice from the Great Duke of Hell ❤

Mage & Demon Queen GL

Marry Me!

Maybe Meant to Be

Meow Man

Midnight Poppy Land

Midnight Rain

Mom, I'm Sorry

Morgana and Oz

Muse on Fame

My Beloved Emperor

My Dear Cold-Blooded King

My Four Husbands 𝟏+

My In-Laws are Obsessed with Me ❤

My Lovely Bodyguard

Nice to Meet You

Not Even Bones

Operation: True Love ❤

Pastel-colored Pages

Phase

Scorching Romance

See You in My 19th Life ❤

Selina ~ Moon Bride ~

Siren's Lament ❤

Soleil

Space Boy

Strange and Wild

SubZero

Swimming Lessons for a Mermaid ❤

Take Off BL

The Devil is a Handsome Man

The First Night With the Duke ❤

The Guy Upstairs

The Newlywed Diary of a Witch and a Dragon ❤

The RUNWAY

There Must Be Happy Endings

To the Stars and Back BL

Trapped ❤

Unlovable Replacement

When Jasy Whistles ❤❤

Winter Woods

Your Smile is a Trap ❤

𝐒𝐅𝐖

Abe-kun's Got Me Now! (Abe-kun ni Nerawaretemasu)

A Master, Who Woke Up As a Concubine ❤

And Yet, You Are So Sweet (Na no ni, Chigira-kun amasugiru)

Beloved in-Laws (poor transl.)

Bon Appétit ❤

Don't Blush, Sekime

Forget My Husband, I'll Go Make Money (Aug 2023)

Golden Forest !

I, My, Me, Mine ❤ (アイマイミーマイン)

I Became the Male Lead's Adopted Daughter

I Can't Keep Up With My Stallion Duke ❤❤

I Will Change the Genre

I Will Rewrite the Dead End Novel

In the Clear Moonlit Dusk ❤ (Uruwashi no Yoi no Tsuki)

It's My Destiny to Be the Hero's Saviour !

Kubo Won't Let Me Be Invisible

Love's in Sight!

Loving Yamada at Lv 999 ❤❤❤

Male Lead, I'll Respect Your Taste !

Ookami no Musume ❤❤

Pink and Habanero ❤ (Pink to Habanero)

Protected by My Dragon Knight (Seijo wa Ryuukishi-sama ni Mamorarete)

Scary Faced High Schooler and Miss Plain Jane

Second Life of a Trash Princess

Sinking too deep in your rabbit hole, now I'm drowning in your love

Stella Next to Me ❤ (Tonari no Stella)

The Cunning Princess and the Shark ❤

The Fragrant Flower Blooms With Dignity ❤ (Kaoru Hana wa Rin to Saku)

The Muscle Girl Next Door

The Obsessive Second Male Lead Has Gone Wild

The Reasons We Fall in Love ❤ (Watashi-tachi ga koisuru riyuu)

The Tyrant's Comfort Doll !

To the Dear F-Phantom of the Opera (Shinai naru F e: Opera-za no Kaijin)

Toilet-Bound Hanako-kun ❤ (Jibaku Shounen Hanako-kun)

Vampire Lord's Greatest Wife ❤

Welcome to the Yandere Cafe (rating subject to change)

Yojouhan no Ibara Hime

𝐍𝐎𝐓 𝐒𝐅𝐖

あざと可愛い✕くんの執着サド交尾は本物です x!!!

無能力巫女は狛犬の淫紋快楽漬け x❤!

2LDK IKEMEN Tsuki Bukken Arimasu !!

A Dream Between the Sheets ❤❤

A Gentle Sea Monster and a Lonely Girl !

A Predator in a Skirt !

A Sip of Poison !

Boy's Abyss (subject to change, new read) !!

Childhood Friend's Secret Massage !

Consort to the Fox Spirit Lord

Dark Fall !

Depths of Malice !

Devoured by a Bookworm Girl !

Fire in His Fingertips ❤

Former Delinquent Farmer's Sex Appeal is Dangerous!

From Him to Who? ~Sex With My Body-Snatched Husband ❤

Gokudou to Omega - Mukidashi no Katsuai

Hana's Demons of Lust !

Hare-kon 𝟏+

Heat 200 Meters Away (200 M Saki no Netsu)

Honey, I'm Going On a Strike!

How to Make a Frigid Girl Cum

I'm in Love With Mr. Hanabusa

Lady K and the Sick Man ❤❤

Last Order wa Ojou-san de Dekiai Jouren Kyaku ni Kyuuai saretemasu

Junai - Pure Wet Love

Kuma to Tora ~Taikakusa Osananajimi no Hajimete kara, Kemono ni Naru 2-kakan made~ x

Madoka Exorcist ❤!

Mede Little Roy !

Mr. Tada is a Top Performer

Muttsuri Akazukin-kun kara wa nige rarenai

My Cold Co-worker Obsessively Loves Me

Pet Baby Doll

Pygmalion's Savior is a Big But Immature Love Monster !❤

Red Hot Proposal: Surrounded by His Tanned Body

Sadistic Beauty !!!!

Sakaki the Lazybones Shows His Talents at Night ❤❤

Sapphire Dew ~ Infatuated Gentlemanly Boyfriend Seizes the Initiative !

Seishun no Hekireki

Seriously can't pass this up. - Kohai's passionate sex won't stop until morning

Sinful Nun Pays Penitence to the Serpent ❤❤

Spring Amidst My Wintertide ❤

Superstitious Nine ❤

Sweet Lies Layered Like a Mille Feuille ❤

Tadano Renai Nanka de Kikkonai ❤❤

The Golden Forest !

The Goldfish’s Corpse Lies at the Bottom of the Swamp !!!!!!!!

The Greengrocer is a Carnivore in Bed!?

The Man Who Saved Me in My Isekai Trip Was a Killer!!!!!!!

The Neighbor in Room 203 Disappeared Leaving a Key Behind !!!!!!!

The Reincarnated Saint Falls for the Demon Lord

The Tainted Half !

The Virgin Witch

The Weird Senior in the Seat Next to Me ❤❤❤! (Tonari Senpai)

Toshishita Osananajimi ga Watashi o Shibatte Hanasa nai! x

Totem's Realm

Touching is Better Than Looking

Under the Oak Tree

Until the Obedient Bodyguard Exposes the Body and the Lie of the Fake Lady ❤

"Wanna Cum?" The Pure Taiga Advances Slow and Sweet ❤❤

Welcome to the Muscle Salon ❤❤❤

When Beauty Meets Beasts

When You Are Reincarnated As The villain NPC's Girl And Be Loved By The Strongest Prince Who Is Not A Capture Target !!

Wild Eyes

Will You Pledge Your Love to an Incubus?

Wish Upon a Husband

Yaba Ai Instructor !

You're Too Cute for Me to Be Gentle

𝐁𝐋 𝐍𝐎𝐓 𝐒𝐅𝐖 𝐑𝐄𝐂𝐒

4 Week Lovers BL

A Handless Day BL!

A Hot Wet Job for Three -Adult Toy Tester- BL, 𝟏+

A Kiss for You, My Shinobi BL

A Tree Without Roots BL❤!

Angel Buddy BL❤❤

Bidou Wakadanna Koi Shitau Wa Koushoku Otoko BL❤

Bitten by Moonlight BL

Black Mirror BL!!!

Blind Play BL!!

Can't Think Straight BL

Cherry Blossoms After Winter BL

Confession Night BL

Dangerous Convenience Store BL

Dawn of the Dragon BL

Dear Door BL

DEATH or LOVE BL

Delinquent Omega Belongs to the Beast King BL

Demon of Lustful Hell BL

Desharow Merman BL❤

Die If You Aren't a Virgin BL

Eat Me Up, My Husband BL!

Ennead

Eunsoo's Good Day BL

Eye Contact BL

Fake Fact Lips BL

Frenemies: Thicker Than Blood BL❤

Friends, Engaged

Fucking in the Dorms BL!

Ghost Gate BL!!!!!

Healing Paradox BL❤

He's a Better Top Than Me?! BL

Home Far Away BL❤!!!

Horeta Otoko wa Shin'yuu de BL!

Housekeeper's Love Affair BL

How to convince your best friend to sleep with you BL

Hyperventilation BL❤❤❤

I Didn't Ask You to Eat Me!

I Love You, Nothing Else Matters BL❤

In an Empty Classroom BL

Indigo BL

I Ship My Rival x Me BL

It's Just a Dream... Right? BL❤❤❤

Jinx BL!

Kabukicho Bad Trip BL

Kiss de Egaku Ittousei BL❤

Kiss Me, Liar BL!

Lala no Kekkon BL!

Liveta BL

Love in Kitsch BL

Love is an Illusion BL!

Love Jinx BL❤

Low Tide in Twilight BL!!

Mad Dog BL❤❤

Miscreants and Mayhem BL

Missing Love BL!!!!!!!!!!!!!!!!!!! (<I cannot express this enough.)

My Delicious Dream Boy BL❤

My Demon Crybaby, Maria BL

My Partner Suddenly Got Younger - An Omega Caretaker Plays Alpha BL!

Natsu no Teppen ni Saku BL

Old-Fashioned Cupcake BL❤❤ (has a j-drama)

Pain, Sweet Pain BL

Passion BL

Payback BL❤❤❤

Pearl Boy BL❤!!!!!!

Pink Heart Jam BL❤❤

Please, Candy! BL!

Roses and Champagne BL!

Sadistic Beauty: Side Story BL!!!!!!

Secret Inside My Head BL❤❤❤

Semantic Error BL (has a j-drama)

Sensei wa Nekketsu ga Areba Juubunda! BL!

Sick BL

Sign BL❤❤❤

Sketch BL❤

Speak of the Devil BL

Steel Under Silk BL❤

Surge Looking for You BL❤

Sweet Trap BL

Tabetemo Oishiku Arimasen BL

Tentacle Recipe BL(?)❤

The Blessed Life of a Retired Nian Monster BL

The Crybaby's at the Mean Devil's Mercy BL❤

The Foxy Mouse's Romance BL

The Origin of Species BL!

The Pizza Delivery Man and the Gold Palace BL

The Pure-Hearted Puppy and the Erotic Tattoo BL❤

The Silent Concubine BL!

The Unquenchable Mr. Kim BL❤

The Words in Your Snare BL❤❤❤

To Take An Enemy's Heart BL!

Tomodachi Engagement BL

Trick Turned Into a Threesome With the Tachibana Brother BL

Under the Greenlight BL

Unexpectedly Naughty Fukami BL❤

Unromantic Romance BL❤

Young Lover BL!!

Your Wish is My Command BL❤

Yours to Claim BL

Zenryaku, Onii-chan wa Seijo ni Narimashita BL!

more recommendations will likely be added as time goes on! feel free to copy these recs for your own checklist of 'to reads'.

hope you enjoy them like i did! :)

#manga recommendation #manhwa recommendation #manhua recommendation #bl manga #bl manhwa #bl manhua #manga recs #manhwa recs #manhua recs #PLEASE HEED THE WARNINGS FOR THE EXCLAMATION TAGGED RECS OKAY??? I'M NOT JOKING ABOUT THEM.#i've read some pretty awful things over the past few years... like really awful.#... a lot of them did not make this list.#'Missing Love' has that many !!! and is bolded in red for a REASON-- i've never cried so hard for a MC than i did for Lee Geom.#seriously... it's so awful. and i hate that i found it because i need to know that he eventually has something good happen for him.#i don't really want to discuss it but for anyone's curiosities... i mean... feel free to ask me in dms so i can warn you...#✦ nc vb.

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