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#fantasy series that *aren't* set around teenagers for a change
best-underrated-anime · 3 months
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Best Underrated Anime Group D Round 2: #D6 vs #D4
#D6: Villainess dating game isekai
#D4: Two kids join in hunting monsters and uncovering secrets
Details and poll under the cut!
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#D6: My Next Life as a Villainess: All Routes Lead to Doom! (Otome Game no Hametsu Flag shika Nai Akuyaku Reijou ni Tensei shiteshimatta…)
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Summary:
Most people would prefer being the protagonist of a world full of adventure, be it in a game or in another world. But, unfortunately, a certain girl is not so lucky. Regaining the memories of her past life, she realizes that she was reborn in the world of Fortune Lover—one of the games she used to play.
Unfortunately, the character she was reincarnated into—Catarina Claes—is the game's main antagonist, who faces utter doom in every ending. Using her extensive knowledge of the game, she takes it upon herself to escape from the chains of this accursed destiny.
However, this will not be an easy feat, especially since she needs to be cautious as to not set off death flags that may speed up the impending doom she is trying to avoid. Even so, to make a change that will affect the lives of everyone around her, she strives—not as the heroine—but as the villainess.
Propaganda:
This show is so much fun. The protagonist is a lovable girl himbo, who is completely oblivious to everyone around falling in love with her. It’s a bit of a harem anime, but with equal opportunities: the girls are just as enamored with the main character as the guys are. The increasingly dumber ways in which she thinks she’s going to meet her doom (she is supposed to be the villain of the story, after all) are a delight to behold.
Trigger Warnings: Incest, Rape/Non-Con. The main character gets assaulted like two or three times, but it’s not graphic. One of these instances, where a kiss is forced on her, is by her adoptive brother, who is also her cousin, who is one of her main love interests.
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#D4: Karneval
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Summary:
While in search of his precious friend, a young boy named Nai falls captive to a beautiful woman, whose looks are matched only by her taste for human flesh. Meanwhile Gareki, a clever thief, is in the midst of robbing her luxurious home. After causing a distraction, Gareki agrees to help Nai escape, but they are discovered upon the woman's return. As she transforms into a ghoulish monster, the boys flee.
On the run, Nai and Gareki are found by “Circus,” a government defense agency that deals with criminal activity too difficult for the police to handle and protects civilians from “varuga”—terrible monsters that devour humans for sustenance. In the hope that it will lead Nai to his missing friend, he and Gareki decide to join Circus. On their perilous journey, they face dangerous varuga and begin to uncover the secrets behind a shadowy organization known as Kafka.
Propaganda:
Karneval has two of the best protagonists I’ve ever seen. Gareki is superior to every other teenage boy protagonist in anime. His character arc, even in this one season that covers just a fraction of the manga, is so well-developed. I like that his arc is an emotionally driven coming-of-age and not a power fantasy.
Along with the main characters, Karneval has fantastic characters across the board. There is not a single supporting character I don't love (even the ones who annoy me). None of the female characters are reduced to love interests and are all unique and interesting, which can be hard to find sometimes in anime.
It is made by a female writer, which is always great to see, and for people who aren't really interested in romance, the anime is extremely friendship and found family driven. The found family aspect is really at the forefront of the series as Circus is not a glorified group and they don't get to have families which makes the bond between members so important.
The tone balance is amazing. In one episode, you can go on an emotional journey from laughing to crying in seconds. The plot is engaging with wild reveals and compelling mysteries to follow. The fantastical world is unique with the contrast of the dark monsters in a bright and colorful world. If you watch it in Japanese, the voice cast is so good and the soundtrack is also really good.
TL;DR it’s an interesting story with amazing characters to whom you will get attached.
Trigger Warnings: Graphic Depictions of Cruelty/Violence/Gore, Misrepresentation of Dissociative Identity Disorder (DID)
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When reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.
If you want to criticize one of the shows above to give the one you’re rooting for an advantage, then do so constructively. I do not tolerate groundless hate or slander on this blog. If I catch you doing such a thing in the notes, be it in the tags or reblogs, I will block you.
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Know one of the shows above and not satisfied with how they’re presented in this tournament? Just fill up this form, where you can submit revisions for taglines, propaganda, trigger warnings, and/or video.
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sweetchcolate · 19 days
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I'm curious. What are your top 10 favorite shoujos of all time? (LN, Anime, Manga) Can you rank them from: I'll always love them and I'm very invested with them; to I like them, but I'm not very invested?
(why is it that the second someone asks me for anime recs or listing my fave series, I suddenly forget every series i ever read/watched lmao it is a curse)
Just as a reminder, these are series I either watched recently or remember at the top of my mind because of sheer popularity. Also, my bad in advance if it turns out some of these aren't shojo but shonen (reason I didn't include Skip&Loafer, for example).
With that out of the way, my top 10 fave shojos in order (that I would and have rewatched multiple times):
Revolutionary Girl Utena. A classic. It's got it all: the esthetics, the slightly surreal aspect of the world, the trope deconstruction, tackling rarely addressed issues (such as patriarchy, heteronormativity, the changes puberty brings to a teenage girl, etc.) as well as some... more sensitive ones (there's a reason there's so many trigger warning lists for RGU). Also, the music SLAPS.
SAFT (both anime and LN). Just look at my Sugar Apple Fairy Tale tag. I've liveblogged every episode of this show since I learned of its existence. I was looking forward to the previews. I fell into this head first and it was some of the best experience I had with a series! It was right up my alley: sunshine hardworking girl winning over the people around her thanks to her kindness and optimism + grumpy stoic traumatized man who becomes softer and grows thanks to her set in a semi-fantasy Europe-based world. I liked that both Anne and Shall had to deal with discrimination (Anne as a girl in a male-dominated industry, Shall as a fairy in a human-led society) and how the later LN volumes address those issues (instead of fairy slavery and sexism being just background lore). The show can be really pretty when it wants to, and the music is also very nice.
7th Time Loop (both anime and LN). Just like with SAFT, I'm obsessed. The anime is doing such a good job adapting the source material at a good pace, the quality is great, and the VAs are killing it. The LN also has very tight writing: the author has an eye for adding details that seem unassuming/offhanded at first, but end up being crucial. Rishe's and Arnold's characters and dynamic are phenomenal. Just look at my 7th time loop tag
Akatsuki no Yona (the anime/early corresponding manga arcs).
My Love Story with Yamada-kun at LVL 999.
Ouran High School Host Club (the anime). I'm a sucker for romance, but where OHSHC got me is with its humor. The first episode is a classic, and I will always love the light bulbs scene as each member of the host club figures out Haruhi is a girl. Tamaki is a riot, the perfect blend of goofy, perceptive, and introspective. He deals with some serious issues, but he never lets them drag him down or, at the very least, affect his precious ones. What's great about OHSHC too is the character growth in the second half of the show. The series lures you in thinking it's just a comedic slice of life high school romance only to hit you with some real feels when it reveals its characters' backstories, fears, and reflections.
My Happy Marriage.
Kimi ni Todoke.
Ones for a cute ride: Lovely Complex, Kamisama Hajimemashita, Akagami no Shirayukhime, Donten Ni Warau
Ones I've watched that were good, but lost interest in (mostly due to being too long or me catching up the latest release and not keeping up after): Skip Beat, Fruits Basket, Sailor Moon (the 1990s anime), Niehime
Ones I remember watching but won't ever watch again because I've outgrown the target demographic: Special A, Shugo Chara, Tokyo Mew Mew, Fushigi Yugi, Itazura Kiss
Ones I heard good praise for and want to check someday: Rose of Versailles, Basara, Colette Decides to Die
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jessenigma · 3 months
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My Favorite New Manga Reads of 2023
For the past few years on twitter, I've made threads of some of my favorite manga and light novel reads from the past year. This year, I decided I would move it over to two tumblr posts.
After the cut are some of my favorite titles that I picked up for the first time in 2023.
Talk to My Back, Yamada Murasaki
I like to pick up something a little more unusual at least once a year and so at the beginning of this year, I picked up this 1980s alt-manga title about the life of a Tokyo housewife played out in short vignettes. It's a frustrating read because of how real it feels and how much it feels like things haven't changed as much in the last 40 years as I'd like, but it's all the more fascinating for it. The essay at the end discussing Yamada Murasaki's work and placing it in context was a nice bonus too.
When a Cat Faces West, Yuki Urushibara
I love Yuki Urushibara's Mushishi (slow though I have been to actually finish it), so when Kodansha announced a license for Urushibara's much shorter series, I was there for it. It has a cool concept - there are areas of "flow" that will pop up out of nowhere and shift people and places out of time and space and one guy has tasked himself with helping people fix issues caused by it - but mostly it feels like Mushishi but set in the present day. I love a series that's just vibes all the way down.
Skip and Loafer, Misaki Takamatsu
I was absolutely smitten with the Skip and Loafer anime, so when it ended with what felt like a pretty definitive "we are not making a second season of this" final episode, I started the manga. A high school slice of life series lives by its characters and Mitsumi is the more adorable dork ever. The other characters are equally delightful, even when I don't necessarily like them, and I'm so eager to dive deeper into their lives.
Associate Professor Akira Takatsuki's Conjecture (light novel), Mikage Sawamura
This series feels a bit like what you'd get if you crossed The Case Files of Jeweler Richard and The Night Beyond the Tricornered Window: a college student with a supernatural ability to hear lies that alienates him from everyone meets a folklore professor with a mysterious past fascinated by mysteries, and together they investigate possibly-supernatural events. It's a bit silly, but the relationship between the leads is interesting and there's a lot of fun urban legends in the mix. There's also a manga adaptation that I haven't yet picked up, but maybe one day...
March Comes in Like a Lion, Chica Umino
I was curious about this one from the second Denpa announced the license just because of how much I'd heard about the series for years now, and it did not disappoint. I love a good story about a depressed and lonely teenage boy sublimating his feelings into an obsession with a uniquely Japanese pastime, especially when there's so many people around him wanting to help him stop being alone. Now I just wish that the release wasn't quite as slow as it has been, even if I know the many reasons why...though at least I still have the anime to rewatch while I wait.
Don't Call It Mystery, Yumi Tamura
After reading Basara and Wild Com, I was eager to get my hands on a newer series by Yumi Tamura, and the fact that it's a modern-day non-fantasy series made it all the more interesting. Totonou's incessant observations about the things going on around him are delightful, especially when they lead him straight into all kinds of dangers or even just leave everyone around him wishing he'd stop talking for about five seconds. I just want to pat him on the head and ask him to make me some curry.
After the Rain, Jun Mayuzuki
I got a card for the Japan Foundation's ebook library not too long ago, which has been great for picking up a lot of books that aren't available in my local library's collection, including this series. I had heard about it but was a bit hesitant because it's about a teenage girl who gets a crush on her much older boss...but hey, why not give it a try from the library? I'm glad I did because there was such a sweet relationship between them that ultimately helped them both out of the ruts they were in with their personal lives and dreams.
River's Edge, Kyoko Okazaki
I still can't decide if I actually enjoy Kyoko Okazaki's work or not, but I got a little closer to it with River's Edge. It's a harsh story about disaffected teenagers who find a dead body, but somehow it feels less depressing than the other works of hers I've read because they're teenagers and there's still the possibility that they can escape the lives that are dragging them down. I will say this - Okazaki's stories are never boring, whether I enjoy them or not.
Her, Tomoko Yamashita
I got a little overambitious this year and ordered the Italian release of a Tomoko Yamashita title I've been wanting to read for years. Can I read Italian? No. Did I think maybe I could figure it out kinda okay because I've studied French and Spanish? Yes. Did I end up reading everything through a translation app? Also yes. But this collection of interconnected stories about women and relationships was excellent despite the language barrier. I was thrilled to finally see the context for the kiss between a younger woman and an elderly woman that I so admired in Yamashita's 15th anniversary artbook, and its story was a touching exploration of what "normal" means. I would love to see this in English, but unfortunately I can't see it getting picked up.
Glitch, Shima Shinya
I was thrilled that Yen Press decided to pick up another title from Shima Shinya after Lost Lad London, and Glitch has been well worth my time. While it is a fantasy story about a town full of glitches in reality that I'm excited to see play out fully, what really caught my eye is the sheer amount of diversity in the characters - one of the leads is nonbinary, there are mixed race characters, there's a lesbian couple, etc. It's all part of the story but not in a didactic way, which I appreciate immensely. Shinya's art also makes me so happy, and I hope Yen continues to get more of their work.
Lilies and Voices Born Upon the Wind, Renmei
Speaking of diversity in characters, I enjoyed this series not only because it was a nice yuri with a motorcycle lesbian (always a bonus in my book, the motorcycle) but because it had some really thoughtful discussion of asexuality in multiple forms. I wish I could've gotten one of the printed copies that were available for purchase at one con, but alas.
Witch Hat Atelier Kitchen, Hiromi Sato & Kamome Shirahama
Did we really need a cooking series spinoff of Witch Hat Atelier? Probably not. Am I glad we got it in English anyway? Absolutely. This is basically an Olruggio/Qifrey slowburn domestic au fanfic and I adore it. And I love that they keep up the conceit about magical ingredients in each chapter's recipe, even though they are legit recipes you can actually make with the real ingredients recommended as substitutions. What Did You Eat Yesterday? but with witches, clearly an ideal combination.
Scribbles, Kaoru Mori
I am not actually a diehard fan of Kaoru Mori's work - I drifted away from A Bride's Story when I ran out of volumes at the library - but I do unabashedly adore her art. Scribbles is just perfect for me with its pages from her sketchbooks and her commentary about things like the ideal skirt tightness. I bought this in hardcover and all and will continue to get the other volumes in hardcover even though I almost always get Yen Press titles digitally because it's so much cheaper that way, that's how much I like it.
Innocent, Shin'ichi Sakamoto
I've had my eye on Shin'ichi Sakamoto's work for a while because I saw a bunch of panels from Innocent on here and fell in love with the art. What I did not expect was that the violently erotic story about a French executioner would actually get an English license. It's gorgeous and violent and weird and I am so here for it. Now, if I could just be sure that Dark Horse actually plans on releasing the whole thing...
Barbarities, Tsuta Suzuki
Much like with Innocent, I saw panels from Barbarities on here ages ago and wished I could read it without much hope, given the lack of other licenses for Tsuta Suzuki's bl since SuBLime's relicense of A Strange & Mystifying Story ages ago. But thankfully I am getting to read this nebulously historical drama with all of its social machinations and pretty men getting flustered by other flirtatious pretty men. And such nice clothes!
A Home Far Away, Teki Yatsuda
Kuma really gets some stellar licenses and A Home Far Away was especially good. Set in 1990s America, it reminded me of nothing so much as My Own Private Idaho crossed with Banana Fish and made me weep absolute buckets in the end. I don't think it's for everyone, but if you were ever an aficionado of depressing 90s queer cinema like I once was, this might be one for you.
À vos cotés [Tonari ni], Basso
I was shocked when the announcement for the French release of this title crossed my twitter timeline earlier this year - France has even less by Natsume Ono than the US does, but one of their publishers managed to get one of her actual bl titles published under her bl penname? So naturally, I had to get it. It's super sweet, about a young man who likes to take photos of horses at a racetrack who meets a much older man, and I swear reading it was just like reading her non-bl work only this time the two characters actually got to say their feelings out loud. This would be a perfect addition to several mainstream US publishers' bl lineup, and I would be the first in line to buy it if they did license it in English.
Dear, My God, Nemui Asada
More by Nemui Asada in English! I love Asada's work for its unique storylines and this one didn't disappoint, with a story about a priest having sex with a cult member to help save him and another story about a guy who ends up with a talking plant. It's a bit disappointing that it's only available on futekiya - when will we get some of these titles in print already?
Ikigami & Donor, Hiko Yamanaka
Hiko Yamanaka is another one whose work is always a bit outside the mold, and Ikigami & Donor is an interesting sci-fi bl about powerful "living gods" who have tremendous abilities but can't heal from injuries without blood, bodily fluids, or tissues from one specific donor. It's a fascinating concept and the way the relationship between one ikigami and his donor played out made for an interesting story. I hope to see more from Yamanaka one day.
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flipflopflying · 5 years
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CARIBOU DELUXE (EDICIÓN DE LUJO)
This drawing is called Caribou Deluxe. The other images in this post make it the edición de lujo, the deluxe edition; kinda like when a band does a special version of their new album. I wanted to do a drawing that was more than "a" drawing. I wanted to do something that could be explored, something that was more than just a series of close-up details of the main drawing. So the main drawing is kinda like the cover of a magazine, showing you what is inside.
CONTENTS
1. Caribou Deluxe. The actual drawing.
2. The initial quick notebook sketch.
3. Another sketch done a couple of days later, after the digital process had begun and the general idea became clearer in my head.
4. Top view.
5. Three new Minipops and two redrawn Minipops. The new Minipops: No. 1,380 - Beastie Boys (Fight for Your Right). No. 1,381 - Elijah Wood, Seth Rogen, and Danny McBride as the Beastie Boys. No. 1,382 - Will Ferrell, John C. Reilly, and Jack Black as the Beastie Boys. The redrawn Minipops: No. 38b - Beastie Boys (Intergalactic), originally drawn in 1999. No. 1,383 - Beastie Boys (Ch-Check It Out). The latter was done for a client (MTV Europe) in 2004, and was never given a Minipop number at the time, thus it being No. 1,383. I, as you may well imagine, am slightly irritated by this chronological mess-up.
6. Beastie Dots: No Sleep Till Brooklyn. Data visualisation of who raps what on the song.
7. Beastie Boys album timeline.
8. One pixel Beastie Boys sleeves. Plus previous one pixel sleeves by the Beatles and Depeche Mode.
9. A full version of the Berliner Fernsehturm that is reflected in copper-coloured mirror glass windows at the top of the octagon "head."
10. All the graffiti on the pyramid.
ABOUT CARIBOU DELUXE
A brief explanation: I wanted to draw something that relates to where my brain is at right now, in January 2019.
The Fernsehturm reflected in the brown windows (inspired by the old Palast der Republik) is there because Berlin will always be in my head. It's the place where I've spent the most time in my adult life, and the place that feels closest to a home town (even though I wasn't born here).
The pyramid base is a Mesoamerican thing, and that—combined with the food stalls and the rooftop laundry cages—is for Mexico, the other place that feels like home, the place where my heart is.
I'm trying to be a better person as I get older, and trying to get rid of elements of grumpiness, bad moods, etc. Trying not to be a person that automatically assumes young people aren't doing life the right way. That's where the graffiti comes in. For quite a while I thought of it purely as vandalism, but something clicked in my brain recently: it is a part of every city—specifically the cities I love—and it's not gonna ever go away. I covered the pyramid in graffiti to remind myself of that. (The graffiti names, btw, are either random words that came into my head, or are related to things or people in my life. I also wanted to show the range of graffiti styles I see around Berlin every day. If I have used a real graffiti artist's name here, it is purely a coincidence. Indeed, after finishing the pixel graffiti, I saw some graffiti in my neighbourhood that said "Queso." Apologies to the real-life Queso for borrowing his/her name.)
I've been listening to the Beastie Boys quite a bit recently and thinking about how they are only a few years older than me. I was a teenager when the tabloids were getting the vapours about their behaviour when they were touring in the UK for the first time. I remember every Volkswagen car in my (actual) home town suddenly missing its badge. A band getting older, changing as people and artistically, seemed to fit with the whole idea of examining my own life. Plus, y'know, people (friends, artists, musicians...) can do wonderful things, but life isn't always wonderful. Sometimes people you love die.
There are four separate parts to the Beastie Boys stuff here. The coloured dots in the centre of the top and bottom thirds of the octagonal head represent the lyrics of No Sleep Till Brooklyn. Each dot is a word. The colours of the dots show who rapped the words: red dots are Ad-Rock, blue dots are Mike D, green dots are MCA. Above the eyes there's a timeline of their studio albums, showing the year of release, and the height shows the US chart peak positions. The eight little squares beneath the blue eye (each of the eyes are the colour of the members of the band, and the ring around the eyes acts as a key to aforementioned No Sleep Till Brooklyn dots) are the colours one gets when the sleeves of the albums are resized to be one pixel in size.
You may be wondering why I've drawn Minipops of the Fight for Your Right version of the Beastie Boys and the coloured dots are for No Sleep Till Brooklyn. The drawing is because I wanted to draw the other two versions of the band played by actors in Fight for Your Right Revisited. I liked the idea of drawing them three times, as I'd already included three versions of me in the drawing (a younger version of me on the left balcony at the top, a version from a couple of years ago on the roof, and the current me spraying graffiti on the pyramid which, it should be noted, is the closest I will ever get to actually doing any graffiti). Plus, I already did a graphic for Fight for Your Right in 2012 (look for "Beastie Dots" on flipflopflyin.com), and wanted to do something new for this piece.
Another thing that I should probably note is the unrealistic-ness of certain parts. The sky hints at the sun setting behind the structure, yet the reflection of the Fernsehturm (and the way shadows fall on other things) mean that the sun would be over the left shoulder of you, the viewer. Similarly, there's no reflection of the structure and bushes on the water. I have done 14 drawings in this vein over the last year, with pyramid-y or octagonal structures on the shore of a lagoon, and have yet to do a proper reflection in the water. I always think I should try it, and I did try it with this drawing, but it didn't look "right". I'm okay with this unrealistic element contributing to the fantasy of the landscapes. I'm similarly okay with drawing things that aren't correct while striving for getting other parts, other details as accurate as possible. I kinda like that it reenforces that this is MY landscape, not a drawing of a specific place.
As a whole, I had a desire to do something cool with pixels, to draw things that are a challenge, fun, and packed full of details. And to represent all of the shit that floats around my brain. To bring together different things I like doing: putting Minipops in non-Minipop-themed pixel drawings, and making the organisation of information (that would normally only occur as infographics) a part of something bigger. I hope you enjoy it x
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