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#fabric folds are hard :(
improvapocalyps · 1 month
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I was listenin' to the ocean I saw a face in the sand But when I picked it up Then it vanished away from my hands, down...
My Darling (The Devil Knows My Name), by @simple-seranade
In participation of the Hermitshipping Big Bang 2023 hosted by @hermitshippingbigbang!
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(^ rough reference sheet, emphasis on the rough. i also did not notice the difference in lineart color until saving this as an image file.)
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parisoonic · 3 months
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I love how you portray some of the mercinaries in your work and I love how expressive you make them! Its very shapely if thats the right word.
Do you have any main inspirations when drawing?
thank you!!! your work rules btw ;; i place a big personal empahasis on shape-e-ness and try to pay a lot of attention to silhouette and posing...i'm eternally jealous of people who can maintain good posing (BONUS if it's naturalistic), good simplification of forms, sexy lineart AND keep their characters lively and animated! i think mine get very stiff sometimes but urghh...we try we try UMMM if we're talking about characters...it feels kinda lame to say as it's so 'generic', but Disney! the design work and simplication of forms are so perfect in certain films that I think it's really worth studying as a masterclass on posing and clarification. Some of my favourites are 101 Dalmatians and The Sword in the Stone although big shout-outs to Atlantis, Emperor's New Groove and Herclues. I really love mid-century modern too so that influence creeps in a lot, especially if I'm doing toonier stuff. I'll revisit UPA films or their descendents (Dexter's Lab / Powerpuff Girls / Johnny Bravo) quite often. I really like the clean lines, graphic shapes, strong poses and recycling of colour palettes that define these guys. Of course, there's a tonne of modern/contemporary artists I really like - some I've had the pleasure of working with (crazy ;;) ... I reccomend checking out Juliaon Roels, Julien Rossire, Meg Park, James Woods and Ami Thompson ...ah the list really could go on!! Recently I've been reading original Asterix et Obelix and Marsupilami to study the linework. I'm really enjoying the thick-to-thin, the gag?...oriented posing and acting and the simplification of fabric and hands.
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millenniummmbop · 2 years
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I love when ygo artists give kaiba's turtleneck puffy little princess sleeves it really amps up the bastard child prince energy
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duck-noises · 8 months
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Mimir in a kilt
but i couldn’t decide on a colour so here’s 6
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sysig · 11 months
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This is a very serious story about a man named Stanley (Patreon)
#Doodles#The Stanley Parable#TSP#Just kidding I tricked you it's more silly fluff! But it is still about Stanley haha#Starting off with just some general doodles because Fun To Draw <3#I was trying to draw Stanley pursing his lips from a side angle 'cause lip expressions are something I struggle with and yup! That tracks#He does look cute tho haha spacey boy thinking in emoticons#More Narra floof - trying to even out his hair but it's harder than I thought! Hm!#The ''long side'' (really just the side opposite of his part) has more volume so it's hard to get them to convincingly ''match'' lol#Doesn't help when he has it all mussed haha#Sleepy lads <3 Sleeping together but so grumpily barely touching! No snuggles! Protect the chest and don't get cozy!#Yeah that lasted all of like five minutes once they were both asleep lol Stanley must cuddle the warm spot on his mattress haha#I'm quite pleased with that one especially haha ♫ Sin looks so open and unbothered and relaxed and his hand ah <3#Narra's so put out (but he does secretly like to be snuggled. He's never admit it tho!)#You might notice I also tried a different eyelid fold style for funsies in the first Stanley-solo and them sleeping together#It was in fact funsies! Haha#I still like the simple dot-folds but every once in a while it's fun >:3c#Capping off with more size silliness hehe - if he can go very big why not very small! Put a Narrator in your pocket and walk around with him#He'll complain the whole time that your pocket is cramped and you did a bad job in picking fabric haha#Oh but he'd be especially cute in Stanley's breast pocket <3#Also he's not speaking in that one I just didn't know how else to express that thought about Narra being So y'know? Lol#Cute lads <3
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malachite834 · 7 months
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Sweater season has begun to make its triumphant return
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lapipupi · 1 year
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poorlittlevampire · 3 months
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im never gonna finish this have a bad little sketchy thing
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First up in my lil sketch/ask game is Ochaco Uraraka requested by @joz-stankovich !
Her hair is a tad bit longer here simply because the bob was frustrating the hell out of me
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kasper-k · 5 months
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Trying to learn how to make plushies and i just realized i accidentally sewed the fabric the wrong way 😐
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WOOO
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wlw-cryptid · 2 years
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You made a skirt yourself 👀 that's so cool 😍
yes i did !! its all the way down to my ankles and black with little tiny lavender flowers + tiny little leaves . i made it a wrap skirt so i can have a lil bow w the ties on one side
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snowydawn17 · 2 years
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As much as my brain fixates on p5 I just. God. Igor in p3. Everything after the finale battle. It’s not an excessively difficult fight but it’s a DRAINING one, and the first thing Igor tells you is everything is okay. There’s no need to worry. And everyone makes jokes about needing a save point STAT, Igor, but you’re still relieved!! Even as you’re nervous about what’s coming, because you KNOW Nyx proper is still looming. Just. (Clenches fist) The inherent safety and comfort of the velvet room
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fabulouslygaybean · 2 years
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okay i was working on a full doodle page with the intent of posting it later but i liked this particular one so it's going on here early
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hamletthedane · 2 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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intra-normal · 13 days
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Listen I'm not great at clothing but I'd like to think I'm getting better
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