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#experimentalanimation
ollyisonit · 2 months
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IT'S DONE! After 16 absolutely INSANE months of production I finally finished my thesis film Whittled Down, a mixed 2D/3D short horror film about a wolf trapped in a cabin with a clock. I'll be posting behind-the-scenes sneak peeks as I get closer to releasing this crazy thing, so stay tuned!
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dr-mindset · 4 months
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Some imagery made for the Media Art Nexus screen at the North Spine Plaza NTU, Singapore #ntumuseum #ntu_sg
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circlepatch · 1 year
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Self-portrait head rotation rotoscope.
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beatrizshiro · 1 year
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Lapinhos
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mauricioramirezv · 1 year
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Esta exposición busca mostrar un breve panorama de los cruces existentes entre la animación como disciplina audiovisual y el arte contemporáneo. El enfoque para abordar esta cuestión, más allá de las relaciones entre las técnicas clásicas de las bellas artes (la pintura, el dibujo, la escultura), ha sido cómo los artistas hacen del tiempo un material consciente: el tiempo de presente continuo, donde experimentamos la ilusión de movimiento; el tiempo fallido, detenido; el tiempo político revelado en los objetos y relaciones entre ellos y sus representaciones; el tiempo personal, íntimo y el tiempo fragmentado, presentado en fotogramas, un tiempo acumulado, desplegado. Las obras que hacen parte de esta muestra han llegado a definir de forma plástica varios tiempos artificiales, convirtiéndolos en material poético mediante experiencias particulares que van desde la propia consciencia sobre la duración y su papel en la psique, hasta la representación de ficciones y realidades mediatizadas, reinterpretadas por las visiones particulares, críticas y fantásticas de cada artista.
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fieldsandwaves · 2 years
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To promote my online exhibition ‘A Low Resolution Resonance’ at thewrong.tv I'm posting some loops of my work from the last 10 years.
This loop is from States (2014). Although I don’t remember a great about making it, I can see many elements from previous works such as Describing a Space and future pieces such as Austerity Cycle, present in it. During this period I would create much of the video material in my Tachyons+ video synth, isolate any textures I found interesting then composite them in After Effects to create a tableu, generally without any traditional narrative arc.
I’m not a story teller, so I find the question of how to temporally construct an animation a challenge. I would often use a kind of entropic framework in which to place the work. That is, over time slowly build up a series of images, allow them to exist and interact for a period, then slowly begin to deconstruct them. I was also fascinated with the idea of constructing a 3D image in 2D space which I think is why I chose to make the image slowly recede. 
In its composition the work tries to illustrate the idea of a chain of information or perception filters, something I later took into work such as Figure Study II in an attempt to describe how the mind and external spaces interact.
More of my work can be seen from 15th Oct online at the excellent  thewrong.tv
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dirtybarn · 3 months
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El after del mundo: Crossing paths of two souls
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Humanity ended on the planet Earth and there are nothing but ruins everywhere. El after del Mundo (The World's After) is an animated short film created by Florentina González. After everything was destroyed, there weren't many living creatures around there. The story starts with a soul seeking a stable wifi connection. His luck isn't in his favor but he's persistent. Eventually, he meets with another ghost, we begin to realize their relationship and similar sides as well as opposites. While their environment changes the story develops. The animation and character design are spectacular, the story hooks the viewer to other aspects. In some moments I felt the same vibe with Midnight Gospel, a Netflix-produced animated series. In some ways, the similarity is out there and that also gave me comfort and let me into the story. El after del Mundo does not need any praise from anyone because the awards they get from festivals show its value. You can check Florentina González's Instagram and Vimeo profiles for more information. You can also watch the short film from Vimeo with close captions as well. https://www.youtube.com/watch?v=RRMnwjmSNH0
El after del Mundo - Credits:
Script: Florentina Gonzalez and Luz Marquez Art: Florentina Gonzalez and "Same" Daniela Barella Layouts: Florentina Gonzalez and Florencia Ponticelli Music: Juana Molina Animation: Autour de Minuit Compo: Florentina Gonzalez and Pablo Kondratas
El after del Mundo - Awards:
2022 1. Fantasia International Film Festival - Montréal - Canada 2. Bucheon International Animation Festival - South Korea >> Special Distinction Prize 3. Weird Market - Segovia - Spain 4. Catalonia Fantastic International Film Festival - Sitges - Spain 5. Anima - Cordoba Int. Animation Festival - Córdoba - Argentina >> 3rd Prize for the Best Argentinian Animation + Audience Award 6. Strasbourg European Fantastic Film Festival - France 7. Bit Bang - Buenos Aires - Argentina >> Best Latin American Short Film Award 8. Anim'est International Animation Film Festival - Bucharest - Romania 9. Innsbruck Nature Film Festival - Austria 10. New Chitose Airport International Animation Festival - Japan 11. Armagnac Short Film Festival - Condom - France 12. Uppsala International Short Film Festival - Sweden 13. Etiuda&Anima - Krakow - Poland 14. Alcine - Alcalá de Henares - Spain 15. CutOut Fest, International Animation Film Festival - Querétaro - Mexico 16. Curta Cinema International Short Film Festival - Rio de Janeiro - Brazil 2023 1. Festival Premiers Plans - Angers - France 2. Clermont-Ferrand International Short Film Festival - France 3. Rennes French Animation Film Festival - France 4. Anima - Brussels Animation Film Festival - Belgium 5. Film Maudit 2.0 - Los Angeles - USA 6. African, Asian and Latin American Film Festival - Milano - Italy 7. Tricky Women Animation Film Festival - Vienna - Austria >> Tricky Women/Tricky Realities Award 8. Stuttgart International Festival of Animated Film (ITFS) - Germany 9. Animac - Mostra Internacional de Cinema d'Animació de Catalunya - Lleida - Spain 10. Go Short - Int. Short Film Festival - Nijmegen - The Netherlands 11. Animocje International Animated Films Festival - Bydgoszcz - Poland 12. Regard Saguenay International Short Film Festival - Chicoutimi - Canada 13. Bordeaux European Short Film Festival - France 14. Ciné Filou Festival / Festival Trois Jours Trop Courts - Castres & Albi les Cordeliers - France 15. Tout Court ! - Gisors - France 16. Animafest - Zagreb - Croatia >> Special Award 17. Festival 2ANNAS, Riga International Short Film Festival - Latvia 18. Cinema Jove - Valencia - Spain 19. Los Angeles Latino International Film Festival (LALIFF) - USA 20. Euganea Film Festival - Monselice (Padova) - Italy 21. Short Shorts Film Festival & Asia - Tokyo - Japan 22. Imaxinaria - A Coruña - Spain 23. Baixada Animada, Mostra Ibero-Americana de Cinema de Animação - Rio de Janeiro - Brazil >> Best international film 24. Mecal Pro, the Barcelona International Short and Animation Festival - Barcelone - Spain 25. Contis Film Festival - Contis - France 26. São Paulo Int. Short Film Festival - São Paulo - Brazil 27. Festival du film merveilleux & imaginaire - Paris - France 28. Fantoche - Baden - Switzerland 29. Pixelatl - Guadalajara - Mexico 30. Festival Internacional Jóvenes Realizadores de Granada - Grenade - Spain 31. Auch Short Film Festival - France Images: Screengrabs from the short film Read the full article
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igortsvetkov · 1 year
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The Rapture” (2021) Episode 04. The series is based on the work of psychoanalysts working with the dreams of soldiers during the Second World War. Independently, many therapists have discovered patterns of soldiers ' dreams. All of them dreamed of aliens who kidnapped men, moved into their bodies and came to earth to terrorize the population and make various evil and nasty things///. Available as NFT on @withfoundation https://foundation.app/@IgorTsvetkov/foundation/36498 
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moriceramirez · 1 year
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zapatos (2018). Parte del proyecto "La realidad es una masas que se arrastra".
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sftwtrnmist · 1 year
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DIGITAL ANIMATION | USING MOBILE APPS | DESIGN PROCESS
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barbara-anna-husar · 1 year
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RITUAL FOR EARTH - #animation #stills Gestern wurde in Savognin in der Sala Segantini die Ausstellung SHARING WATER eröffnet. Die Dokumentation vom RITUAL FÜR DIE ERDE wurde hier ganz nahe zum Pass Lunghin erstmals gezeigt. Hier sind ein paar #filmstills von den Animationen. #experimentalanimation #sharingwater #onebodyofwaterassociation #flyingudder #ritualforearth #ritualfuerdieerde (hier: Passo Lunghin) https://www.instagram.com/p/CmSKtI-McLm/?igshid=NGJjMDIxMWI=
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ollyisonit · 16 days
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Hey y'all! I'm super excited to announce that Whittled Down will be having its world premiere at the LA Student Film Fest on 4/13 🎉! It'll be screening at the Let Live Theater in Los Angeles at 5:00 pm. I can't wait to see my weird little movie on the big screen, and I'm looking forward to seeing everyone else's films! You can check out the Whittled Down trailer at https://whittleddownfilm.ollyglenn.com.
The full event runs from 4/12-4/14, check out @lafilmfestivals at www.lafilmfestivals.com for all the details.
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dr-mindset · 3 months
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Created with ComfyUI and Stable Diffusion
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linmad · 4 years
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視觸:當代動畫的觸覺性Haptic Visuality: Contemporary Animation’s Tactility
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本論文旨在分析具實驗性的當代動畫作品是如何以觸覺性的特質展現自身,透過視觸的觀看方式從加速變形的外觀底下進行解碼,再從感知中進行記憶編碼,以將潛藏的訊息予以揭示。藉由「視」、「觸」進展到「視觸」的作品創作思考,交互比較游移在影展、電子藝術節及威尼斯雙年展中的動畫作品。除此之外,從立體視覺的雙目錯視探討透過觀看回到肉身性的存在,並從由立體視鏡衍伸而來的虛擬實境,比較在介面上通過延伸的感官義肢與肉眼觀看所產生的觸覺感知,在動畫中形塑出的樣態與特質。 藉由從物理到視覺生理的研究與探討,追溯自物質媒材的實驗,進而轉變至觀看與空間上的處理。當代動畫除了給出單頻道電影式的固定觀看之外,如何重新思考對於結合裝置、多螢幕投影、互動表演、建築投影或是虛擬實境等方式,跨出電影院之外的動畫?透過研討自身創作與相關創作者們的作品表現,反思所處的影像擴展世代,並從不同於經典動畫的概念,探究動畫如何以實驗性的方式,回應「當動畫已經不再只是動畫」之後的新人文與藝術價值。從視覺到觸覺影像,自影像內容中的材質肌理、影格速度、鏡頭調度等可描述的基礎元素,引發觀者身體整體的聯動之外,關於聲音的觸覺性又是如何與身體感知進行共鳴與共振?除了影像內容本身可引發出的觸覺感知之外,從外部的觀看方式上是何以更實質地影響感官與經驗? 透過視覺裝置學、機具式的影像發展史,自觸覺認識論、光學機器發展脈絡與現當代具前衛性的動畫擴延現象,綜合思考並探究觀看與觸覺影像在動畫實驗中的交錯演進。動畫不斷產生自我轉變、換形的實驗過程中,又如何可能撼動既存於藝術與科技之間的思維。 中文關鍵詞:實驗動畫、觸覺性、視觸、立體視覺 Abstract
This dissertation aims to analyze how contemporary animation which has experimental qualities express itself with the tactility. In order to reveal the hidden message from the experimental animation, through the "Haptic Visuality" way of looking, may decode the complex appearance and encode memory in the senses . Furthermore, the use of binocular disparity asked to refocus the embodied existence, it also produce the tactile sense within two slightly differences images during experiencing animation. To track down the material experiment that is based on the research and discussion from physics to visual physiology, and the further transformation form of looking and space. In addition to the setting of cinematic single-channel, how can contemporary animations rethink those animations that are beyond cinemas, such as installation, multi-projection, interactive performance, projection mapping, or virtual reality? Through the research of the works by the author herself and other relevant artists, this study aims to reflect on the current generation of extended imagery, and explores how animation in an experimental way responds to the new humanities and artistic value when “animation is no longer just animation”. From visual to haptic images, the descriptive basic elements such as texture, frame speed, and mise-en-scene in the image content can be related to the viewer's multi-sense bodily. However, how does the tactility of sound resonate with bodily perception? Also, besides the tactile perception that the image content itself can elicit, how does the external viewing setting affect the senses and experiences in a more substantial way? In the image development history of visual installation and machinery, this research begins with tactile epistemology and the developmental context of optical devices, further comprehensively explores the interlaced evolution of viewing and haptic images in experimental animations. To see how animation could move the cogitations existing between art and technology by its experimental process of continuous self-transformation. keyword: Experimental Animation、Tactility、Haptic Visuality、Stereopsis https://hdl.handle.net/11296/5kgyv2
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unportalable · 2 years
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Un-Portalable! Has been officially selected for the Midwest Sci-Fi Short Film Fest August 2022 lineup!
🎉🎉🎉
#unportalable #animation #studentfilm #experimentalanimation #multimedia
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fieldsandwaves · 1 year
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Rounding up my week promoting ‘A Low Resolution Resonance’. This work is called Figure Studies (2016). After some time ignoring the figure in my work, this was an early experiment in addressing how to illustrate it. Although I often cite the painting Petra Im Rosenhag by David Jones as an initial influence. During the period of making Figure Studies, I was looking at Middle Eastern traditional dress and the sovereign veils and jewellery of Tunisia as a way of disrupting the figurative image.
Some traditional dress I found particularly interesting. Often it allows for a recognisable silhouette of the figure, whilst at the same time highlighting a non corporeal space of sound, gesture and ideally, thought, which exists around the form. The space around the body and our interaction with it, is central to my current interest in working figuratively. 
More of my work can be seen in the online exhibition ‘A Low Resolution Resonance’ at the excellent thewrong.tv  
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