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bixels · 2 months

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Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.

Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.

Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.

Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.

There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.

What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.

Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.

#long #personal #rant #splatoon #side order #it's a shame too because I got SO FUCKING HYPED at the title drop #when I realized that the entire first 30 minutes of the game was JUST THE OPENING TUTORIAL and they hit you with the music #and the “nintendo presents” and the title drop to a slow mo explosion. I thought “holy shit this is gonna be huge”#alas it wasn't because it turns out i'm better at roguelikes than the devs anticipated so i beat it in 3 hours lol #octo expansion was a cultural reset. it did something to my brain. the entire rising action part of the story; the reveals the twists the #boss fights the upward climb. it was so incredibly hype and just upped the stakes over and over. nothing's come close

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kraviolis · 11 months

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i told y’all. i told y’all i was gonna go crazy over this post made by @gummy-goat-galaxy

full disclosure i drew literally all of this before looking into the details of the AU so this is 70% my interpretation of his original post but i need to explain my thought process so. here’s the post explaining the details of the actual AU!!! and below is what my brain made up on the spot

ok so belos finds tiny child luz and is like “fuck everyone. this is mine now” and treats her like a goddamn princess. to him, she is a Gift From God to remind him to stay on his Righteous Path. an innocent little girl who is just so bubbly and always tries to see the good in everything, including him. she is a reminder of how Pure and Good humanity is, and seeing as though she’s the literal only human he’s had any contact with besides caleb in 400 fucking years, he is never letting the demon realm corrupt her like it did to him.

she’s basically his Lamb and he the Shepherd, and because he’s so desperate to keep her “““pure”““ he strictly keeps her within the castle and even then not all of the castle is available to her. he keeps her contact with witches to an absolute bare minimum.

he entrusts her protection specifically to hunter, despite the fact he’s only 2 years older. his reasoning is “caleb did a pretty good job raising me so this’ll be fine probably.” when belos himself cannot keep an eye on her, it’s hunter’s job. luz and hunter end up being raised in a sorta similar situation to catra & adora from she-ra but they are actually siblings and not just best friends.

(if u havent seen she-ra, basically its their abusive caretaker creating a golden child + scapegoat dynamic, where one kid can do absolutely no wrong (which doesnt mean they cant still be abused/manipulated!!) while the other kid is blamed for literally everything that goes wrong. the caretaker also regularly pits them against each other to encourage competition & keep the all power in the caretaker’s hands.)

similar to catra & adora, the whole competition thing doesnt really work. luz is just too damn kind and too damn good for hunter to ever resent her, and she’s all he really has. because hunter is the scapegoat, he grows wise to belos’s manipulations WAY sooner. it’s easier to figure out when you’re being mistreated when you literally watch ur guardian treating ur sibling so much better than how they treat u.

unfortunately, because luz cannot help but see the good in absolutely everyone and can be empathetic to a fault, she doesnt realize belos’s game until she ends up sneaking out of the castle. she actually really loves belos and is thankful for him taking her in for a long time. she calls him uncle like hunter, despite belos nudging her towards seeing him as a father bcus he sees her as a pseudo-daughter. (but luz remembers her dad, and has no desire to replace him with someone else no matter how much she cares for belos)

belos does love & adore luz, he would do almost anything to keep her happy and “innocent” and “pure”, but not to the extent that he could still end up redeemed. he still manipulates & subtly emotionally abuses her to keep her in line, but it’s only when she sneaks out and meets eda the owl lady does she start getting clued into this. and once luz learns what belos has done to hunter it’s all fucking over.

hunter loves luz. she is his sister and always will be. but while he’s stuck to belos because of his duties as golden guard, she sees how green the grass is on the other side and doesn’t even hesitate to hop over there. watching her slowly grow more and more distant while she keeps sneaking out to visit with her new friends (eda, king, willow, gus, amity, etc.) is one of the most painful things hunter has had to deal with.

he feels betrayed at first, as if luz is replacing him with other people who arent broken like he is, and when luz actually leaves for good- belos lies to the public and says she was kidnapped- hunter is the one who leads the hunt to find her and bring her back home safely. when they confront each other, luz tries to do her whole dramatic speech about how wrong belos is and how he’s been lying their whole lives, but hunter already knows. the only reason he stayed was for luz, but she couldnt even stay from him? it fuckin hurts man.

they end up on opposite sides for a minute. hunter gains no satisfaction from trying to ruin this new life she’s found for herself but goddamnit, he has a job to do. he cant just defect. and then he defects after watching belos try to kill luz because she’s let herself become corrupted by the witches.

thats about all my brain got for this so far. TL;DR basically just listen to the “first time in forever” and “mother knows best reprise” and “broken crown” by mumford & sons and thats pretty much the gist of it.

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vumigumi · 2 years

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put agent 8 in splatoon3 or we riot

#splatoon #agent 8 #agent 3 #agent 24 #octo expansion #guys is the ship name 38 or 24 #i thought we agreed back in 2019 that it was 24

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iridescentmirrorsgenshin · 1 month

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An analysis of Alhaitham's egoism in relation to Kaveh

(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.

Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).

In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.

As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.

In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".

With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).

In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:

“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not… sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185

It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:

“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186

The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.

Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.

By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.

In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.

This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.

This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.

In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.

Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.

Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.

#i realised i hadn't actually discussed their philosophies in a post so here's an snippet from The Essay #kaveh's altruism is brushed over here but i didn't want this post getting too expansive oops #since their differences are the basis of the essay it's hard to filter that down into one post?#basically i'm aware that this reads as incomplete but i promise there is more where this came from!!!#also im reading that line: the two cannot reach a consensus even to this day #and im going insane because isn't that the resolution of their conflict? to find middle ground?#gee i wonder if that line is thematically crucial to their characters #also kaveh reads page 185 of the unique and its property and fights off a blush before denying everything #can they talk. please. im sick of them #the essay is coming along btw!!! thank you for all your thoughts and encouragement!!#haikaveh #alhaitham #kaveh #kavetham #haikaveh meta #genshin meta

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brotherconstant · 10 months

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THE EXPANSE ♦ The Monster and the Rocket (2.12)

Any shit hits the fan out here, I expect you two to get me out of it.

#none of my thoughts is legal #theexpanseedit #the expanse #chrisjen avasarala #cotyar ghazi #bobbie draper #shohreh aghdashloo #nick tarabay #frankie adams #beegifs

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alackofghosts · 20 days

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i let my thoughts wander / [he] is quiet and just breathes / for a little while

#i started this with the coloured pencil brushies on a whim but i haven't found a good way to colour big expanses of skin with it #so i spent like 3 hours just trying to course correct lol #maybe i should rescale the texture... or work smaller... food for thought #anyway.#Ardbert #warrior of light #fanart #speedpaint #i draw sometimes #Final Fantasy XIV

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bat-belliez · 5 months

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cruel preds whose smug laughter is suddenly broken by a huge burp 😵‍💫

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lunathewafflelord · 2 months

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she/her they/them cool hat but it’s all the same character

#Side order #Splatoon #Splatoon meme #Acht #Acht Splatoon #Acht is exclusively referred to by they/them in Side Order and related material but is referred to by she/her in Splatoon 2 media #one of said media was released after Side Order’s announcements #I suppose it’s up to interpretation if Acht transitioned between the events of Octo Expansion and Side Order #or it could be that Acht goes by she/they #I hope someday Nintendo gives confirmation on if Acht is nonbinary or is a demigirl or other similar gender #I have lots of friends who go by she/they so I’d love she/they demigirl rep but ofc it’s great for they/them characters to exist!#I just thought this meme fit Acht #she her they them cool hat

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somebluemelodies · 3 months

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@atthebell's SPIDERBIT WEEK DAY SIX: it couple | enigma revisiting the coffee shop au for this one, which you can read here! consider this a couple months or so post first date :> featuring: qroier being hopelessly in love and qcellbit being a total fucking nerd (/affectionate. and also hopelessly in love) this is a little lengthy like the last one my apologies-

"Roier, I can hear you thinking from here, man."

Roier abruptly stands from his spot leaning against the counter. "Perdón."

"Keep thinking that hard and you're going to destroy your last functioning brain cell." Mariana eyes his best friend. "Are you still trying to ask that guy out?"

"Yes," he answers, exasperated. "I don't know what the fuck to do."

"Just fucking ask him, man! It's not hard."

"I don't want to just ask, man! I want to do something cool for him, you know? He deserves it." Roier eyes Mariana right back. "Besides, I don't think you're allowed to offer relationship advice. You and Slime just started making out every day and eventually slapped a label on it."

Mariana looks smug and punchable. "And we're engaged now."

Roier only flips him off, leaning back against the counter and returning to his moping pondering. The other barista huffs after a few seconds, finally attempting to make himself useful. "Well, what does he like?"

"He's an investigator," is how Roier answers, "he—"

It's like a flip is switched in his brain, and he shoots back upright. "That's it! I know!" And before Mariana can question it, he's rushing out back to grab his phone.

When he returns, he's near-silent for the next several minutes upon grabbing a pen and napkin, save for occasional mumbling to himself as he studies intently whatever is on his phone screen.

Mariana doesn't bother stepping over yet, watching as Roier eventually starts writing something down on the napkin. Only when the pen has been capped, and Roier sighs to himself, seemingly satisfied, does he finally question the other again. "Happy now?"

Roier nods, smiling. "Sí."

(And so it goes.)

...

“And someone left this on one of the tables?”

Roier nodded. “Sí. Shortly before my shift ended.”

Cellbit seems mildly skeptical, but he doesn’t question it. Besides, who would he be to pass up solving a jumbled mess of letters?

“Well, it’s not a Caesar cipher. Doesn’t make sense. But…” He leans down, reaching for his satchel and rummaging through its contents before he finds a piece of paper, placing it on the coffee table alongside the napkin.

Intrigued, Roier scoots closer from their spot on his couch, hooking his chin over Cellbit’s shoulder. It looks like a table, but it’s full of letters instead of numbers. “What is that?”

(It’s just to get a closer look.)

(Cellbit wills his cheeks to cool down.)

“It’s for a Vigenère cipher. The letters in the middle are for all the encrypted letters. The left-hand column is the alphabet for whatever the key is, and the top row is the plaintext, or the 'normal' letters, if you will. In this case, it's what we're going to solve for."

(Cellbit explaining is leagues better than reading a bunch of words on a screen.)

(He could listen to Cellbit talk all day.)

“So how exactly do you solve it?” Roier asks. He has somewhat of an idea, but it was mostly him filling out the criteria on the website to encrypt it for him.

“I want to try and figure out the key first. I’m guessing the little coffee cup in the corner here has something to do it.” Cellbit points to the little doodle in the bottom right-hand corner, thinking for a moment. “It might not work, but let’s say the key is the word café. Vigenères are polyalphabetic ciphers; it utilizes multiple Caesar ciphers inside of itself, but the increments depend on whatever the key is— sorry, not important— polyalphabetic just means that they—"

“Use multiple alphabets?”

Cellbit smiles, and warmth blooms in Roier’s chest. “Yes!”

He pulls a pen from his chest jacket pocket. “We’re going to repeat café until it matches the length of the message.” He starts writing the letters underneath the cipher, continuing to talk. “We’re only going to be using the C, A, F, and E letters on the left-hand column, none of the others. Let me just finish this…”

Roier waits patiently until Cellbit gets to the last letter. When he does, he reaches for the table he’d pulled out. “Okay! So, now, to actually decipher it, we’re going to take the first letter of the key, C, and we’re going to locate the first letter of the cryptic message, Y, in C's row.” Cellbit’s pen lands on the letter Y. “Next, we’re going to follow that up to the top row for the plaintext.” The pen travels up. “W. So, the first letter of the decrypted message is W. Does that make sense?"

The barista nods as the investigator glances over to check. "Yeah. You're very smart, gatinho, you know that?"

Cellbit chuckles. "Gracias, guapito."

With that, he starts to work on decoding the rest of the cipher. Roier can't help but marvel at the speed he's able to work at - and doing it manually at that, not just putting it through online like he did. But Cellbit solving it fast is doing nothing for his nerves, his heartbeat starting to pick up.

He lets the other work quietly, trying not to shuffle and shift too much from his place leaning against him. He can't tell if he's regretting this or not, with the way the anticipation is killing him.

(But he also knows shit like this makes Cellbit happy, so maybe it won't be the complete end of the world.)

When Cellbit gets to the last word, though, he starts to slow down, processing exactly what the message is in front of him. He becomes acutely aware of Roier's head on his shoulder, the way his dark eyes are flitting back and forth between him and the papers, and pieces start clicking into place.

But he finishes it, because he knows Roier made it. Because he's stunned someone would go to this length for him. And so, the decoded cipher stares back up at him.

(WILL YOU BE MY BOYFRIEND)

Cellbit reads it back over to himself, once, twice, heart hammering in his chest as a haziness washes over him. He feels Roier lift his head, momentarily mourning the loss of contact, but wills his voice to work. "Roier..?"

"Well?" Roier asks after a moment, and Cellbit feels brave enough to glance over at him. They lock eyes, and he looks just as nervous as Cellbit feels, if not more. "Will you?"

For a moment, Cellbit doesn't move, expression unreadable, and Roier wonders if maybe this was a mistake after all. But then he sits upright, and orients to face him. "Cellbo—?"

He's effectively cut off by lips pressing against his, one of Cellbit's hands cupping his face as the other rests against the back of his neck.

Roier's eyes close immediately, melting into it as one arm wraps around the investigator's neck. His other hand goes up, threading through Cellbit's hair and subconsciously deepening the kiss.

(It feels warm, it feels right.)

They only pull apart when their lungs demand oxygen, foreheads resting together.

"Does that answer your question, guapito?" Cellbit breathes out.

Roier grins. "I think I need a little more clarification, gatinho."

Cellbit can't help but laugh. "Let me try again, then."

"By all means."

And somehow, the second kiss is almost better than the first.

(Enigma solved.)

#i think a lot about how qroier has said he wants to make an enigma for qcellbit #and while i was trying to think of something to write today i remembered that #and sure i could've done a canon divergence sorta thing #but upon further thinking #i thought it could be such a cute expansion to the coffee shop/modern spiderbit au #i think this is comprehensive. is this comprehensive?#i researched ciphers for this i'm pretty proud of myself #qsmp roier #qsmp cellbit #spiderbit #qsmp #blue writes qsmp #atthebell's spiderbit week

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senoleaf · 1 year

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yooo happy Valentine's Day everyone!!

here's a blushing Three just because!

...

the actual culprit:

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rocicrew · 7 months

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Steven Strait as James Holden and Anna Hopkins as Monica Stuart in The Expanse: One Ship, Episode 5 Remember the Cant

#the expanse #james holden #monica stuart #theexpanseedit #mine : gifs.#remember when people thought monica liked holden yknow how #abusdgf #she's keeping close ties for another interview and to get bobbie's number #..............same with avasarala

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smolljester · 11 days

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Tartar: you... INSIGNIFICANT FUCK. THIS IS NOT OVER.

Pearl: Sounds like someone has daddy issues

Tartar: I DO NOT HAVE DADDY ISSUES. I AM PAPA'S SPECIAL FUCKING BOY.

#splatoon #splatoon 2 #splatoon 2 octo expansion #splatoon tartar #commander tartar #splatoon pearl #pearl houzuki #pearl splatoon #ultrakill #gabriel ultrakill #ifykyk #welcome back to jester's random thoughts #splatoon 3

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fandomibatrix · 9 months

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Camina Drummer, S06E05

Something about Drummer makes you want to commit to her..fiercely

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brotherconstant · 11 months

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BLACK SAILS • XIX. THE EXPANSE • Delta-V

#blacksailsedit #theexpanseedit #black sails #the expanse #james flint #john silver #amos burton #monica stuart #silverflint #beegifs #yeah yeah silver would never consciously seduce flint the mere thought would make him explode. still #you're on a ship with an insane redhead and you think you're about to get railed. but you're not

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rustchild · 4 months

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one of the wild things about people’s stubborn insistence on misunderstanding The Ones Who Walk Away From Omelas is that the narrator anticipates an audience that won’t engage with the text, just in the opposite direction. Throughout the story are little asides asking what the reader is willing to believe in. Can you believe in a utopia? What if I told you this? What about this? Can you believe in the festivals? The towers by the sea? Can we believe that they have no king? Can we believe that they are joyful? Does your utopia have technology, luxury, sex, temples, drugs? The story is consulting you as it’s being told, framed as a dialogue. It literally asks you directly: do you only believe joy is possible with suffering? And, implicitly, why?

the question isn’t just “what would you personally do about the kid.” It isn’t just an intricate trolley problem. It’s an interrogation of the limits of imagination. How do we make suffering compulsory? Why? What futures (or pasts) are we capable of imagining? How do we rationalize suffering as necessary? And so on. In all of the conversations I’ve seen or had about this story, no one has mentioned the fact that it’s actively breaking the fourth wall. The narrator is building a world in front of your eyes and challenging you to participate. “I would free the kid” and then what? What does the Omelas you’ve constructed look like, and why? And what does that say about the worlds you’re building in real life?

#ursula k le guin #omelas #There are so many ideas in this story that simply do not get engaged with!#I’ve heard it argued that a central element of anarchism #as a political philosophy #is the expansion of the imagination: what is truly possible if we forget the structures we are raised in?#if we forget what we have been told is or is not possible?#le guin wasn’t an anarchist but her work is heavily inspired by anarchist thought #Also the idea that the compassion of citizens of omelas is possible only because they are able to see themselves in relation and contrast t #the kid #very interesting stuff there #arguably a searing critique of moderate liberals #who feel compassion from on high but rationalize the ways in which those who suffer cosmically deserve it #in order to maintain structures of suffering #This short story is breaking the fourth wall Constantly to grab you by the collar and ask #what do you think is possible in the world and what do you think is good and what do you think is necessary #If you want to free the kid then what! What does that mean!#ALSO if omelas is a place being constructed as an idea #are the ones who walk away meant to be literally deserting a place #or are they rejecting an idea #hmmm much to think about

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