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flowercrowngods · 11 months

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@steddie-week

part 1 (bc this is one big 7 part story)

day 02: bittersweet & angst

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eddie The Problem munson: engagement party on saturday babyyyy 🥳🥸🕺

Steve’s been staring at the message for two days now. It's sitting in his notifications, staring at him like a painful reminder of what happened exactly seven days ago. A week. It's only been a week, and Steve somehow it feels like it was both only one day or seven months ago.

It's an almost liminal experience, walking through life without texting Eddie every second of the day – because texting him would mean opening his message. It would make this real.

And that's the last thing Steve wants.

"I'm not going," Robin declares as they're cuddling on the couch, wallowing in their misery as Mayday Parade's Oh Well, Oh Well is playing for the eighth time on repeat. "Tell me you're not going, Stevie."

"Robbie," he sighs, squeezing her tighter as she tries to wriggle out of his arms to glare at him.

"Steve."

"I can't not go."

"Yes you can." She pokes him in the ribs, but he doesn't budge. She pokes him again. "Not going to things is literally the easiest thing in the world. It's a hundred times easier than going to things. You should try it sometime, trust me. You go to too many things, and–"

"Bee," he hums to get her out of the rambling spiral before she can get lost in it.

"What I'm saying," he interrupts herself dramatically, "is that you can't do this to yourself. They're engaged. They're getting married. We're going to keep our distance until our brains and hearts and the traitorous little chemicals in our bodies catch up to reality, and then we get over them, and then we can go back and see them ever again. That's the logical thing to do, Steve. But you can't... You can't just go and get your heart broken and talk yourself into thinking it's the right thing to do. It's not."

Steve sighs into her hair and buries his face in her neck. He knows that. Technically, logically, he does.

But not going feels wrong. Wronger than anything else that's been hollowing out his chest and leaving nothing but emptiness and the ghosts of every smile, every touch, every baby, love, sweetheart, sunshine. Every imaginary future, every scenario where Eddie meant it. Meant those words, meant those smiles, meant it when he took Steve's hand to hold it.

But Eddie did mean it. Every time, he meant it; because he calls Argyle and Jeff and Gareth baby and sunshine and sweetheart, too. He takes their hands, too, leans in to kiss their cheeks and just holds them when he needs to. That's just the kind of person Eddie is. Always has been.

To go and assume he never meant it would be unfair.

To go and hope it could ever mean more when Chrissy has always been right there would just be stupid.

Well, good thing Steve has that kind of reputation with a few people anyway, so it's not even a statistical outlier, that one. It's not even worth a side note.

"I know," he rasps, his eyes beginning to sting as the next lyrics are carved into the empty space of where his heart used to be.

Oh well, oh well I can't live with myself As I'm climbing in your window to get to your bed.

And I'll be what you need, You can call me anything. Just as long as we're still friends.

Tears prickle in his eyes and he doesn't bother to hold them back. Not now, not with Robin. They've both been crying on and off all week, even though Robin took it better than him.

"I know," he sobs, wrapping his arms around her even tighter as she lets herself be held because she knows that's what he needs. "I know, I know, I know. But I have to. I can't just... I can't just stop, Bee."

"I know," she sighs, climbing out of his hold eventually to wrap her arms around him in return as he cries into her shoulder.

The world (read: his Spotify playlist) makes it worse by playing Sum 41's With Me next, ripping out even the newly carved words.

Robin holds him for the rest of the night, even as he finally opens Eddie's message and types out a reply.

—I'll come!

And especially when there's a new message immediately.

—hot 🥵❤️

He leaves Eddie on read after that.

~*~

Saturday rolls around in a haze, and suddenly Steve finds himself looking at the front door of the little house Chrissy inherited after her mother passed a few years ago. It's a nice little house. Quaint. Perfect. Everything Steve could ever dream of, actually. And she deserves it. All of this and more.

There's noise coming from the garden, where people are laughing and having a great time. A happy time, celebrating their friends and all the good things in life that come with a love well placed.

God, what is he doing here? He can't do this. There is no way.

He's just about to pull out his phone and call Robin, tell her he's coming home, or ask her to tell him everything's gonna be alright, when–

"Steve!" Chrissy hurries towards him, throwing her arms around him in a tight, warm, perfect hug. God, he loves her so much. He melts right into the embrace, wrapping his arms around her middle to spin her around with a grin.

She giggles in delight and tells him to let her down again, which only makes him spin for another round, his grin turning into a genuine laugh.

"No, I hate you!" she laughs, but still doesn't step away from him when he puts her down again. Instead, she leans up and brushes a kiss to his cheek. "Hi, asshole."

"Hi."

He grins and takes her hands in his, just smiling at her for another moment before his eyes trail down to a ring he's never seen her wear before. Ah. Right.

"Oh shit! That it?"

"That's it," Chrissy says, looking down at her hand to look at the ring with a fond, happy little smile, her cheeks flushing red. It breaks Steve a little, but it also fixes something inside him to see her so truly, genuinely happy. "Pretty huh?"

"Very," Steve breathes, hiding the lump in his throat with a sound of awe.

Chrissy hugs him again for good measure and then takes his hand to drag him into the backyard the same way she just came out front, through a little gate off to the side instead of through the house.

Steve loves their backyard because it's always covered in sheerly endless colourful strings of light that are wrapped around decorative arches or poles, framing the back doors and the canopy swing set on the lawn, and just give it the most homey and comfortable atmosphere.

"Stevie!" Eddie exclaims immediately and jumps off from his chair, interrupting a conversation he's apparently been having with Argyle and Nancy to run up to him with such a giddy expression that Steve wants to cry. His heart leaps in his chest, coming back to life and saying one last goodbye at the same time.

"Hi," he says, hugging Eddie close before he can so much as think about what he's doing. But no matter how hurt he is, there will never be a world in which he won't want to hug Eddie Munson. "Sorry I'm late."

"No sorries, it's fine," Eddie murmurs into his neck, staying in the embrace endlessly, and Steve takes the chance to breathe him in. He smells so good. So, so good. It clogs his lungs and renders him unable to speak.

But who needs to speak when they have Eddie in their arms? Who needs to speak when all they have to do is never let go?

Eddie squeezes him a little tighter, and Steve wants to cry. He slowly, gently pushes away from the hug and turns towards the other guests, greeting them with a grin, a hug, or a handshake if they're not familiar.

When he gets to Wayne, the man eyes him with a look that Steve doesn't want to read too much, and his embrace is just a little longer, just a little stronger than usual.

“You look tired, son,” he says by way of greeting, and Steve can’t help but snort and shake his head a little.

“Good to see you again, too, old man.”

Wayne eyes him for one moment longer, then breaks into a small smile and pats Steve’s shoulder before stepping around him to go grab another drink.

After that, the night passes in a blur of talking to his friends, trying to understand what the hell it is that has Nancy and Argyle arguing so profusely, but with smiles on their faces. He fails. But it’s good to see them again, so he just basks in it for a while.

Or, he tries, because every second that he’s not talking or listening to someone, his eyes flick back to Eddie. Eddie, who’s lifting Chrissy from behind and smacking a loud, wet kiss to her neck, her jaw and her cheek, accompanied by her delighted squeals and laughter.

Eddie, who’s looking larger than life, a happy grin permanently plastered on his face as he reminds their guests that Chrissy was his bisexual awakening.

“I swear, she just swept me off my feet after years of thinking I was only into dudes. Knew I had to marry her, but man, I don’t know why she said yes.”

“I’m settling, honey,” Chrissy calls from the other end of the table they’re sitting around. “Only in it for that rockstar money and all.”

The whole table laughs at that.

“Hear, hear,” Eddie snorts, lifting his glass in a toast. Steve and the others lift theirs, too, even though Steve’s hand and arm and whole body feels numb and he’s not entirely sure he’s breathing.

A while later, he grabs a drink and retreats to the canopy swing, illuminated in the soft pink flow of the fairy lights wrapped around it. Eddie’s eyes land on him for a second and Steve thinks that he’ll come over and join him — but then one of Chrissy’s friends says something that distracts him and seemingly makes him fall into a monologue of sorts.

Steve watches, feeling only loss and longing as he does. Eddie is a force of nature. A spectacle. Something beautiful, something powerful, something secret that only a select few get to witness. To know. To appreciate.

Staring as he is, blind to the rest of the world, he startles a little when the swing jostles with another weight settling on it. He didn’t see Wayne coming to join him, and he’s not quite sure whether he should be grateful for the company or apprehensive of what the man who’s like a father to him might have to say.

“How are you doing, son?”

He frowns. “I’m alright.”

Wayne only hums, and Steve’s frown deepens. There’s a nagging feeling in the back of his mind that tells him Wayne knows something. That he knows.

“Y’know,” he continues after a while, not looking at Steve but rather at his nephew and his fiancée. “I always figured it would be you.”

Steve crumbles. Yeah, me too, he wants to say, but that would be a lie. Watching the way Chrissy sits on Eddie’s lap with his arms around her, his chin on her shoulder as he tells her something that makes her laugh that cute, pretty, adorable laugh that Eddie then can’t help but join — that’s just something Steve would never compare to. Nothing he’d ever want to come in between.

Eddie and Chrissy are perfect. They’re happy. They fit, they match, they work. They worked so hard and treat each other so right.

They look giddy and serene at the same time, and it makes Steve’s eyes sting. Because he can never make Eddie look like that. He can never make Eddie look at him like that.

I always figured it would be you.

But he couldn’t. That bubbly kind of love, the sunshine kind of love. He knows that’s not for him. Steve’s too much for that. He would never be enough for Eddie — even if without Eddie, there’s nothing left of him.

“Don’t get me wrong,” Wayne continues, unaware of Steve’s thought spiral. “I love that girl, I do. Always will. I think she’s too good for Eddie. Don’t tell him I said that,” he adds hastily, and Steve smiles through the tears that threaten to fall again.

“They’re perfect,” he rasps, laughing wetly as Chrissy starts chasing Eddie, who’s hiding behind a very distressed Argyle, who just wants his brochachos to chill!

Maybe it’s a laugh, maybe it’s a sob. He doesn’t have it in him to find out or care.

“They are. Doesn’t mean they’re right, son.”

Steve sighs and tears his eyes away from Eddie. “Wayne.”

“I know, I know.” He lifts his hands in defence. “Shutting up.” After a long pause of holding Steve’s eyes, he asks, “Will you be okay?”

No, he thinks immediately, the lump in his throat too big to say anything. So he just shrugs and swallows. “Sure.”

Maybe. Hardly. Probably not. Definitely not.

"No matter what happens, you'll always be a son to me. You’ll always have a home with an open door with me, you hear me?"

"I’m not going anywhere, wayne," Steve says, though for the first time ever he doesn't really believe that. Maybe he needs to leave. To leave Eddie behind. Get over him. Cut out his heart and leave it here, run away to heal somewhere else, come back as a new person, or just stay away forever.

The thought makes a tear spill as an empty kind of desperation spreads it’s ugly wings inside his chest, and he's too frozen to wipe it away.

"You hear me?" Wayne repeats, gentler this time, but no less urgent for it.

"Yeah," steve rasps. "Thanks."

Another tear falls as Eddie gently pulls Chrissy closer to him and kisses her in the soft glow of the fairy lights above and around them. Their friends cheer. Steve wants to cry his heart out again.

“I—“ he swallows, wiping at his eyes and pinching the bridge of his nose. I can’t do this, he wants to say. For the first time, that’s what he wants to say. “I think I’m gonna head home soon.”

“You bring your car?”

He shakes his head, feeling foggy and dazed and empty and endlessly, endlessly sad. “Was gonna, uh—“

“Let me drive you.” There’s no room for debate or argument there, and Steve wants to crumble again, but still he shakes his head.

“Wayne, no—“

“I’m taking you, son. Make sure you get home safe, or I won’t be able to sleep tonight. Don’t wanna keep your old man up all night, do ya?”

Steve concedes with a fond eye roll and a grateful smile. “Wouldn’t dream of it.”

“That’s what I thought.”

They sit like that for another ten minutes — and if Steve leans into Wayne’s side a little, then that’s nobody’s business but theirs.

The car ride is quiet, but it feels weighted even as Wayne pretends not to see the way Steve keeps wiping at his cheeks as the silent tears keep falling, leaving him powerless to stop them.

I can’t do this, he keeps thinking over and over again.

“Just a little warning,” Wayne speaks up again as he pulls up to Steve’s building. “I think he’s going to ask you to be his best man, Stevie. Don’t do anything you’re not ready for, okay?”

I can’t do this.

He nods, numb again.

“I’ll do anything for him,” he breathes.

“That’s what I’m afraid of, yeah.”

He gets out of the car before he can find out what exactly Wayne means by that. The car stays where it is until the front door closes behind him, until he’s up in his bedroom and finds Robin already asleep.

Ten minutes later, he cuddles close to her and tries hard not to cry, but tonight’s memories have burned themselves into his mind. And he shouldn’t have gone. He knows. He knows.

I’ll do anything. I can’t do this. I’ll do anything. I can’t do this.

He can’t breathe, and Robin holds him through it, whispering sleepily to him as he cries himself to sleep, wishing for a world where he’s not absolutely and utterly in love with Eddie Munson, but failing to imagine one.

I’ll do anything. Anything but this.

tagging: @sexymothmanincarnate @mcneen come back tomorrow for idk which prompt | read part 3 here

#steddie fic #steddie #steddieweek2023 #dio words #listen i barely got any sleep last night and it’s almost 2am again and i’m SO tired so if this doesn’t make sense if it’s too repetitive or #anything??? then that’s just how it is (wap bap)#they all love each other so much it’s a whole mess #would love to give you hurt/comfort tomorrow but that would be rather soon huh #also please nobody be mean to/about chrissy i swear to god #everyone who’s commented and/or reblogged the first part: HI HELLO MWAH!! 🤍🌷

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justaz · 2 months

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thinking about klance.

keith who is always left behind and abandoned, either voluntarily or not. keith who has trouble trusting people and talking to people and getting along with people and-…keith having trouble with people in general. keith who is used to fending for himself and not relying on anyone bc the two (2) times he’s done that, his parents and shiro (died, left, disappeared), didn’t end well. keith who despite finding shiro again couldn’t help the gap forming between them as his brain and heart insist that something will happen again and shiro being here isn’t permanent. keith being proven right in season 2/3 and being left alone again.

lance who is SO trusting that he comes across as a bit naive. lance who worked hard to get where he is, who studied and practiced day and night to be at the top of the class. lance who always fell short and just missed the cut and ended up a cargo pilot. lance who only excelled once keith was gone but was stuck living in his shadow. despite the fact that iverson was mean to keith, keith was his favorite student and iverson always held a grudge for lance taking his place and was downright cruel to him at times. lance who started a rivalry w keith in his head bc he was determined to prove that he could be better than keith. lance who was moved from blue to red paladin, following after keith yet again. lance who worked hard to prove that he was worthy of being red paladin but always failing bc he was never keith, he was never good enough.

klance who found what they lacked in each other. lance who was there for keith when it seemed like the universe was crumbling down around him. lance who stood by keith’s side and told him what he needed to hear, supporting him being leader and helping lead the team together. keith seeing lance as an equal and relying on him the way lance relied on him. keith who was loved and supported by someone who never left, lance who was seen for who he was and who never doubted him or his place on the team. klance who turned on each other.

keith who turned into what he hated and leaving lance behind. lance who saw keith as weak and selfish for leaving him the team behind. keith who came back to a lance who was so angry and upset, but who never left his side bc lance was just Like That. lance who was so hurt and upset, who said cruel things in the vacuum of space, but keith never saw him as less for it, who never got angry enough to hurt lance back.

at the end of everything, lance searching for keith to sit at his side as they watched the sunset bc lance will always be at keith’s side. keith who told lance how relieved he was and hopeful bc he knows what lance is capable of and how much he needs him. klance being what the other needs, holding each other’s heart in their hands but never taking the opportunities to crush each other. lance who never left keith behind, keith who never saw lance as less despite the vitriol he spat at times.

#soulmates #idk if i articulated my thought well enough #but it is what it is #i just wanted to get this down #they are exactly what the other needs #they could be each others downfall but they love each other too much to do so #lance who could prove to keith that his mind is right - that keith is doomed to be alone. that everyone will always leave him.#keith who could prove to lance that his mind is right - that lance will NEVER be good enough for anyone. that hes unworthy of veneration #klance who could utterly destroy one another and have enough reason to but never doing so #theyre on like a dangerous precipace but their love for one another is enough to keep them from falling to their doom #does this make them two sides of the same coin? kinda right?#lance mcclain #keith kogane #klance #vld #voltron #voltron legendary defender #chracter analysis #does this make sense #angst #klangst #but also not #but also yes #keith angst #lance angst

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st4rking · 8 months

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tfw you, as a mind reader, have to team up with a man who thinks too much

Slight spoilers in tags

#wednesday spoilers #marvel spoilers #your honor they're my emotional support dysfunctional couple #as everyone should know #i love tony stark #hes baby girl (derogatory)#and I also love emma #I feel like they're great foils to each other but I dont want to talk about that #theres so much controversy around their wedding #however #people do not realize how funny their friendship could be #tony “i think a mile a minute” stark #Emma “Worst time to be a telepath” Frost #you could not tell me the shenanigans that would happen if the situation was not so dire.#if it was not life or death #emma would be flooded with Tonys nonsensical ideas against her will #she is being held hostage send help #yes i know emma wont read his mind without consent but also mindreading would be smart now #especially since they're kind of alone in this #I have so many thoughts on them #AND THEY SAID MRS. AND MR. EMMA FROST #Literally called Tony malewife #Also Feilong is terrifying as an Iron Man villain #The Invincible Iron Man (2023)#I know this isnt how Tony looked in the comic but this is how I draw my tony #tony stark #marvel 616 #diddlydoo #emma frost #irondiamond

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loveinhawkins · 1 year

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Eddie quietly falling more and more in love with Steve with every car ride—every time it’s raining, and he watches as Steve does a stupid little run with an umbrella to the front porch so Robin won’t mess up her hair before a marching band concert.

Falling in love with the constancy of it, with every little routine Steve does. It takes a few weeks of listening for Eddie to figure out that when Steve first half-sings, “Good mornin’,” as everyone clambers into the car that he’s imitating the song from Singin’ in the Rain.

Falling in love with how Steve always, always either has the radio on or a tape playing something that he can sing along to, drumming his fingers on the steering wheel. How the car’s always this chaotic space but always, always brimming with love and joy—Steve snapping his fingers every few minutes, like, “Oh, Rob, this is our song! You know, when the—yeah, the shift when—no, not that one, the other time that—” (Eddie discovers with fond amusement that many, many songs share the title of ‘Robin and Steve’s song.’)

Steve singing along to the chorus of Mr. Blue Sky whenever Dustin’s called shotgun in the front, and Eddie soon realises, his heart fit to burst, that it’s because Steve must associate the song with Dustin; that he does the same thing with everyone he gives rides to, like it comes so naturally to him, his love for each person intertwined with each song, like he’s making the melody anew every time.

Eddie, tipsy from ‘Graduation Champagne’ courtesy of Nancy, asks Steve once if he has a song tied to him.

“Ah,” Steve says, smiling and bright-eyed in his role as the designated driver, “you have a whole damn catalogue, Eddie.”

And… oh.

Well, Eddie reasons, heart skipping a beat, he doesn’t need to know all of them at once, then. He doesn’t mind waiting, letting each one unfold, like unwrapping an expensive chocolate.

One night the two of them are driving back to Hawkins alone, having spent the day at a mall shopping for Robin’s birthday. They really didn’t need to spend the whole day, had already got her presents within the first couple of hours, but they dawdled, messed around, tried on increasingly ridiculous hats and sunglasses to make the other laugh.

And Steve fiddles with the radio until he finds an obscure station that just plays songs from musicals. And yeah, he sings along, but his voice is a little restrained, almost like he’s shy. Eddie looks at him with a soft smile, suddenly knows he’s seeing something precious, something Steve perhaps reserves for car rides alone. That Steve is letting him into a private moment.

“You have a real pretty voice, man,” he murmurs, quiet enough that they could pretend it goes unheard under the noise of the car driving along.

But as Steve looks ahead, he smiles, and his ears turn red.

He goes for it for the rest of the ride, voice back to its normal volume. He plays it up, trying to make Eddie laugh while they’re waiting for traffic lights to change. Catches his eye and damn near trills, “I feel fizzy and funny and fine, and so pretty, Miss America can just resign.”

And of course, Eddie laughs. Feels his stomach swoop. He knows what this feeling is. Oh, he knows.

As the West Side Story tribute ends, Steve’s voice drops back to his normal register. Turns gentle and sincere as he glances at his wing mirror and sings, almost to himself, “For I’m loved by a pretty wonderful boy.”

Yes, Eddie thinks, you are, you are, you are.

#have a little something before 1) next emotional chapter of nbtdad (an idea from here kinda related to it)#& 2) upcoming emotionally devastating dustin pov fic #steddie #steddie ficlet #steddie fic #steve x eddie #steve and robin #steve and dustin #everyone loves each other so damn much & Steve’s love is like the sun & Eddie is so gone for him ❤️

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kiingbiing · 1 year

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dollypopup · 28 days

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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

#polin #colin bridgerton #penelope featherington #Bridgerton #i love them #but honestly? i think i read too deeply into them #this is the only post about them i'll keep up #but after everything i've seen in this fandom and the promos and the synopsis- i don't think these two are friends #and i think i have given them more nuance and depth than they actually will get #and so i guess they're my dream #this version of them #the version of them that loves each other deeply and sees one another and has tenderness for each other #but everyone else in the fandom was right- we won't get this #we will get penelope needing external validation through the ton's opinion and we won't get colin being a full character #we will get a story based on suffering and holding scorecards against each other #we will get groveling and cold shoulders and drama in place of real growth #i suppose it's just sad for me #because i read so much of what i've thought of these two and i *see* the love i have for them #but bton and this fandom don't have that same love #so i have to let go of that dream #and that's for the best #but as a memento: have this #i've written a lot of love letters to this pairing- consider this one of them

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