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#every story has its end
starry-bi-sky · 7 months
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Childhood Friends Au: Danny's in Gotham Again
when the wool is off your eyes you'll stop counting sheep at night cause you'll eat your fill of them during the daytime
A few weeks after Danny’s visit to Gotham, he buys an apartment in the city. It’s this little thing, a studio apartment on the same street he grew up in. In Crime Alley. When he tells his parents, they protest heavily. They don’t think it's safe. They think he should reconsider. There were plenty of apartments and places to live somewhere else. And what about college? 
Danny doesn’t think he’ll go to college. He isn’t sure what he wants to do, now that being an astronaut is off the table. It’d be a waste of money to go without a goal in mind, he thinks. He says he’ll take a gap year and apply at one of the community colleges funded by the Wayne Corporation, possibly. It just wasn’t in the cards right now. 
“If things get tough,” He says at dinner that night, “then I can talk to the Waynes. I’m friends with the family, remember?” He ended up getting Bruce’s number in his phone again before he left, and in the process got Tim’s as well. They don’t talk much, Danny isn’t sure what to say. But he sends Tim memes whenever he comes across one and thinks he’ll like. Tim sends memes back in return.   
His parents do remember. They remember. They also remember the horrified shriek that echoed through the house when Danny learned of Jason’s passing. They remember running up the stairs and bursting into their son’s room and finding him sobbing into his bed, curled up like a little kid, like he was in pain. He lost his voice that day, stuck between screaming out his grief and sobbing it. 
They’re still not sure if they should let him go. 
In the end, Danny wins them out, and he lets them help him search for an apartment. They take a break from their lab work to help search for cheap furniture to buy. They may have more money than when they were in Gotham, but that frugal part of you never fully goes away. They all agree that they don’t want Danny to be seen carrying in nice-looking furniture when he moves in. 
He ends up with a basic furniture set, all mismatched, and in the warm summer of June, his parents rent out a u-haul and drive him down to Gotham to move in. They meet the landlord when they arrive, a skinny and frail old man with wispy white hair and a wrinkled face. He gives Danny the keys and tells him what apartment number he is, and then he leaves. 
His parents help him move in. They help him carry his heavy furniture up to the second floor, where his apartment is. Danny isn’t sure if he wants them to help. His mom and dad are strong, but they are getting old, closer to their fifties now that their children are grown. His dad’s hair is slowly beginning to thin, and rather than the white eating at the sides of his head, it now streaks through his hair like salt-and-pepper. His mom’s hair is graying out too, and there are more lines in their faces than he remembers there being. 
When he voices his concerns, his mom laughs spiritedly and says that they may be getting old, but they are still as spry as when they were in their twenties. Danny isn’t sure if he believes them or not. He can see his dad struggle a bit when they return to get his bed frame, and they have to take a break before they go back down for the rest of their things. 
Five years ago, his dad could do this without breaking a sweat. It forces a heavy thing in the back of Danny’s throat. (He is less afraid of his own death than he is of his loved ones, and while he has always felt rocky with his parents, he still loves them more than anything else.) 
Danny’s apartment is exactly as he would have expected it to be: shabby and worn through. The entire room smells like stale cigarette smoke and weed, nicotine stains the wall with poorly covered bullet holes, and stains in the carpet that are a color he can’t discern. The fridge has a broken light and when he tries to turn on the gas stove, it click-click-clicks before lighting, fire fwooshing out while the smell of gas fills the air. There’s rat droppings in the cupboards and the closet-like bathroom is just as bad. 
The ghostly part of him can sense the heavy stench of death in the room; people have died in this room. People have died in every room of this building, he thinks. They have died on the streets outside and in the alleys squeezed between them. He can feel it like a heavy fog in the air. 
It is painfully nostalgic, a bittersweet feeling in his chest that he grimaces to. 
When the last box is placed in his apartment, his parents offer to help unpack. They are hesitant to leave and Danny knows it, although he doesn’t know if it’s from empty nest syndrome or because it's Gotham. He thinks it might be both. He is their youngest child finally leaving home to a city known for its danger. 
“Are you sure you don’t want us to stay behind, sweetie?” His mother asks, a frown she tries to hide settled in the creases of her face. She fiddles with her hands, a nervous habit Danny has since noticed when she feels truly unsure and doesn’t need to hide it. Hesitancy looms over her like a heavy cloud. 
His dad jumps in hastily, splaying his hands and smiling painfully wide to hide the glistening in his eyes. “You’re mother’s right! We can help you get everything set up, champ. I could probably do something with that stove of yours to make it faster!” He says, his voice still booming like it always does even if there’s a stumble in his words. 
It makes his heart squeeze, knowing just how much they care. It was hard last summer, telling him that he was the Phantom. Terrifying, actually. They couldn’t comprehend it. He hadn’t felt his heart beat that fast in years when he stood in front of them at the kitchen table and told them he was a halfa, begging them to believe that ghosts weren’t inherently evil. 
His parents were people of science, however, and after much, much shock, they slowly came to terms with it. How could they not? The evidence was right in front of them. Their son was dead-alive, alive-dead. Somewhere stuck in the between. The tears they shed that night could fill a river, moving from the kitchen to the living room as Danny explains how he died. 
(When Danny tells them that he died after a week Jason did, his mom and dad look horrified. His mom covers her mouth when he adds that it was his idea to go inside it, his dad looks ashy pale, gripping his pant legs so tight that his knuckles turn white. There is a conclusion coming to their minds that he can tell they don’t like.) 
(“You’ve always hated our inventions, Danny.” Mom says in a hushed voice, and Danny winces at the wording, sinking into the back of the cushions in shame. He never thought that his parents noticed. Mom quickly grabs his arm, “No, no, there’s nothing to be ashamed of Danny. We were… perhaps too careless with our inventions, too enthusiastic. You had every right to hate the things we made when they had a tendency to… to malfunction.”) 
(Malfunction is a delicate way of putting it, when Danny remembers every time they had to evacuate their old apartment complex because whatever half-baked creation his parents made inevitably blew up into ash and smoke. There were soot marks permanently stained into the ceiling.) 
(Her hand slides down and grabs his, and she cups it in both of her hands, squeezing tightly. He forces himself to look up, and there is a look like her heart breaking when he looks into his mother’s eyes. “You’ve always avoided the lab after we moved, Danny. And you had every right to, so why on Earth did you ever think about going into the portal?”)
(Danny struggles to come up with an adequate answer, a way to verbalize what came over him that day five years ago. The answer is there, hanging in the air like a knot in a noose. He opens his mouth, and then closes it.)
(Finally, with a tongue made of lead, he shrugs lamely and looks away. “I didn’t know there was an on button inside it.” He mumbles, and despite being the truth it feels like a lie. But that is the truth. He didn’t know there was an on button inside it. So he didn’t care what happened.)
(Something dulls in mom’s eyes, like she thought of something else that Danny hadn’t said. Her eyes shimmer, and she squeezes them shut, breathing in so deep that it shakes. And then she pulls him into a hug, a hand burying into his hair and pressing him close. “It must have hurt so much, sweetheart. I’m so sorry.”)
(It is something that Danny doesn’t expect her to say, like missing the last step of the stairs. It startles him so much he laughs this short, bark of a thing. He feels his dad press against his back and wrap his big arms around them, his nose pushed into his hair.) 
(Because yeah. Yeah, it did hurt. It hurt more than anything else he’s ever felt before. It had torn him apart and sewn him back together again, only to rinse and repeat. The pain was nothing he ever spoke to Sam or Tucker about, and it was something they never brought up. No, that’s not true. If they ever brought it up, Tucker would call it a zap. As if Danny only experienced a mild static shock. Like it was painless. It’s a pretty lie that Danny lets him and Sam believe.)
(His eyes sting and water immediately wobbles into his vision, coming up with such a force that he doesn’t even need to blink before it spills over. “Yeah.” He forces out, voice unexpectedly rough and cracking. “Yeah, it- it hurt. A lot.”)
He tells them about fighting the Lunch Lady a month later. He tells them about finding Jason. It comes spilling out like a waterfall. “I found him, mom.” He says, holding onto her tight while she keeps him tucked under his chin like a little kid. The secret of Jason being Robin stays hidden under his tongue, it is not his secret to tell. Not his identity to expose. He grips her tighter. “I found him, mom. Right there in the Ghost Zone, and he was my Jason. He wasn’t an echo or a— an imprint of him.”
Mom is silent; quiet and attentive, and so is dad, who rubs his large hands up and down Danny’s spine in an attempt to soothe him. It only works a little. Danny breathes in like a gasp as the urge to cry overcomes him again. He always avoids talking about Jason, his grief is like a never-healing scab that can be picked off at any time. It is ingrained into his core. 
“And then I lost him.” He forces out, a sob layering under his words that he chokes on and swallows. The hand on his back stills, and he can feel mom and dad breathe in like a question. He turns his head and pushes it into mom’s shoulder. “He disappeared, mom. Just— just gone.”
“And he didn’t move on.” He says, voice snarling like teeth biting before his mom can ask, because he knows that’s what she was going to ask. It’s what Sam and Tucker asked when he came to them in tears hours after he found Jason gone. It’s what Jazz said when he finally told her about it. It’s what every one of his ghosts asked when he told them about it and begged for their help. 
Danny grits his teeth and tries not to dig his nails into mom’s clothes as a fresh wave of tears run down his face. “His haunt is still there. If Jason really moved on it would have disappeared with him. That’s how it works. But it’s still in the zone, so Jason’s out there I just don’t know where.” 
(Sam once asks him why Danny didn’t just move on from it a year after Jason’s disappearance. She asked him why he didn’t give it up. Danny nearly saw red, and nearly bit her head off for it. It was incomprehensible to him to just stop looking for Jason, to give up. Not when he was out in the zone somewhere. Because he had to be in the zone.)
(Danny once tried to take Jason through the portal with him, and much like what happened to Kitty, it didn’t work. Jason was too tied to the ghost zone to leave.) 
(Some bonds are just unbreakable, he thinks. Bonds forged through blood and time and trust, and when you’re on the streets of Gotham, you hoard what little trust you have in someone like a dragon with its gold. It is scarcely given and fiercely kept.) 
“I’ve been looking for him.” Danny whispers when talking becomes too hard for him, when it runs the risk of him crying. “When- when I’m not fighting ghosts or, or in school or with my friends, I’ve been looking for him.” He has explored the Ghost Zone in every reach he can. He has met so many people. He’s met the ghosts of aliens from planets in every corner of the galaxy. He has met gods or god-like beings and their disciples. 
He’s met famous scholars and writers (he’s gotten the autographs of all of Jason’s favorite writers). He has found entire cities that have so much life in it that it's been permanently etched into the ghost zone, like a mirror version of itself. 
He’s visited the ghostly vision of Gotham so many times, and he avoids the imprint of Wayne Manor like the plague. There are ghostly newspapers that he reads. There are the ghosts of Martha and Thomas Wayne in many of them. 
Jason’s haunt connects to Wayne Manor, but it is also the street they grew up in. It is a small brick building with a door that leads to Jason’s room. A ghost knows when someone enters their haunt, it alerts them like a doorbell in the back of their mind. A foreign ecto-signature in a place drenched in your own. 
Danny visits it every time he goes into the Ghost Zone. It’s always his first stop. 
He tells his parents all of it. He tells them of the ghosts he’s met, of the places he’s seen. And when he feels brave, he tells them about Rath and the terror that his future self brings him. He keeps some details hidden, the ones that he can afford to keep without muddling up the story. 
(Rath is a tall, spindly thing, like a funhouse mirror version of Danny himself. He has arms that are much too long and legs that are much too tall, with skinny fingers that extend into claws.He wears his suit the same as Danny does, with it partially undone and the sleeves wrapped around his waist.)
(There is a black hole in his chest that is much bigger than Danny’s own. It takes up his chest cavity and drips the same, viscous black liquid as the tears falling from his eyes. Danny never forgets his voice; a scraping, quiet thing like he’s screamed himself hoarse. Rath has a voice like goosebumps, and it haunts Danny like a bump in the night.) 
Danny speaks and speaks and speaks until he can’t think of anything else to speak of. He is tired and sad, and it feels like his heart has been ripped out and rubbed raw again. And yet, he also feels so much better. Like a long heavy weight has been taken off his chest. 
Yeah, last summer was hard. His parents walked on eggshells around him, and they forced themselves to unlearn their bias of ghosts. It was more than Danny could have ever dreamed of, and when they felt ready for it, they asked him more about the ghost zone.
He smiles sadly at his dad, “I think fixing the stove can be a priority another time, dad.” He says, watching him wilt and his smile fall. Jack Fenton was always so good at making himself look like a kicked puppy. “I can handle unpacking by myself, I promise.” 
His parents still look so unsure, like they want to argue. Danny watches his mom purse her lips tightly, confliction running across her face like a datastream. She takes dad’s hand, squeezing their fingers together despite the droop in her shoulders. 
“Oh, alright then, I suppose.” She relents, her hand placing on Jack’s arm. “I guess we could go, we’re just going to miss you so much, Danny.” 
Tears seem to have won over his dad, and Jack Fenton sniffs back before he can cry properly. “Our little boy, all grown up.” He says, voice wobbling. It makes Danny laugh, and it makes his heart pang. His smile grows impossibly wider and so much fonder. “You’ve become such a kind, wonderful young man, Danno. We’re so proud of you.” 
Danny laughs again, and it cracks. “You’re gonna make me cry, dad.” (He feels a welling of guilt in his gut that he ignores — he doesn’t feel like a kind man. He doesn’t feel like a good one either. Not with what he plans to do.) 
His father holds out his arms in hopefulness, “One last hug for your old man before we head out?” He asks, mustering up a smile on his face. 
Danny barrels into him, nearly knocking his dad over with an oomph. He’s as tall as him now, but he still feels little in his bear hugs. With arms wrapping around his middle, Danny hugs his father tight and breathes him in one last time. 
“Careful there, Danno.” He laughs, patting Danny’s back roughly. “You’ll break my ribs with that ghostly strength of yours!” But he holds on just as tight.
Out of spite, Danny bends back and lifts him off his feet, laughing when Jack tenses up and nearly scrambles out of surprise. His mom laughs with him, stepping back to give them room for the few seconds that dad is in the air. 
When it’s his mom’s turn, Danny has to hunch to hug her. Something bittersweet to him as she plants a kiss on his forehead and says that he’ll always be her baby. “Even if you do have that horrid smoking habit.” She adds on with a disapproving eyebrow raise. 
Danny turns red in embarrassment, and walks them back to the GAV. Gothamites of all kinds slow to stop and boggle at the monstrous, road-illegal thing that is parallel-parked next to the curbside. In the past, Danny would have died with mortification to be seen with it. Now it just makes him laugh. Before he goes back into the apartment building, he buys a newspaper from a nearby convenience store.  
The first thing he does when he gets back up to his room is one: make a mental note to buy a bicycle chain lock for the door. The locks jiggle and there are splinters along the side that show signs of it being broken into in the past. The second thing he does is pull his cigarettes out of his pocket and light one. 
Danny starts to unpack with a cigarette hanging from his mouth, placing the newspaper he bought onto the counter. He has a cheap loveseat that he pushes off to the side, and he moves the boxes into the kitchen. It’s a matter of organization that Danny has to think about before he does anything. 
It’s as he’s pushing the sofa up against the wall facing the windows that his phone rings a familiar tune: Sam. The phone is fished out before he can think about it and when he stares down at the screen, he realizes it's a facetime call. 
He presses answer and walks over to prop his phone up onto the counter. The smiling faces of Sam and Tucker greet him, rather than just Sam. Immediately, Danny grins. “Hey Danny.” Sam greets, smiling a dark-painted lazy thing. From the background it looks like they’re in Tucker’s room. Sam is in Tucker’s desk chair, and Tucker is behind her, leaning against it. “Have you moved in yet?” 
Danny pulls the cigarette from his mouth and huffs, a cloud of smoke following his breath. “Yeah! It’s a shithole.” He grins lopsidedly, and his feet carry him off to the side to allow Sam and Tucker view of his apartment. He lets thirty seconds pass, allowing the both of them to really see the rest of the room. And then he steps back into frame. 
Sam and Tucker both look like they’re trying not to look judgemental, like they’re trying to hide a grimace that Danny sees anyway with the small turns at the corner of their mouths. He grins wider, mirth filling his lungs. “I know, it looks awful doesn’t it?”
“It’s— it’s not so bad.” Sam says with a strain in her voice, a forced smile on her face that tries to be reassuring. Tucker nods along readily, and he looks just as unsure as Sam does. Danny stifles laughter behind his teeth. 
“No, no, it looks bad,” He takes a drag of his cigarette, shaking his head. “You can say it, I won’t get offended. It’s a fucking apartment in crime alley. Of course it looks bad.” 
Sam remains silent, a rearing of her stubbornness showing itself. Tucker takes a different approach, and heaves a dramatic sigh of relief, slumping like a weight. “Okay, you’re right. It looks bad.” He frowns, “Sorry, man.” 
While Danny snorts, Sam sighs. “Yeah, it looks bad. What even are those stains?” She asks, and both she and Tucker lean closer in tandem to the screen, eyes squinting at the floor behind him. Danny glances at the floor, and shrugs. 
“Blood, probably.” He says, and while years in Amity Park have accustomed him to a clean environment, the desensitization of Gotham still remains. Tucker and Sam both make faces and lean away, as if the stain itself was capable of passing through to them. “Yeah, there are bullet holes in the walls.” 
“Are you sure it’s safe to be there?” Tucker asks, a furrow appearing between his brows. He adjusts his glasses and leans against the chair. Sam is frowning heavily, and Danny can already see her thinking up of a new way to fix the problem. 
“Oh, I never said this place was safe.” Danny tells him cheerily, taking a last hit of his cigarette before placing the dead stick onto the counter. He itches for another one. Instead he walks over to the shelf his parents brought in and starts moving it. “It’s Crime Alley, Tuck. Safe isn’t even in its vocabulary.” 
Tucker and Sam look like they’ve both swallowed a lemon.
“But it’s where I want to be right now.” He says, grunting quietly when the shelf is against the wall he wants it to be, near the short hallway leading to the front door. He can push it in front of it if someone tries to break in. “And Crime Alley’s apartments are the only ones I can really afford right now without mooching off my parents, and I’d rather not depend on them.” 
He can hear the disapproving hesitance from where he stands. And he ignores it. 
Danny walks back into frame, lifting up a box onto the counter. He hums lightly, fingers run over the tape keeping it shut. “Why do you even want to be in Gotham, Danny?” Sam asks, and she sounds genuinely perplexed. Danny stills. “I thought this place only had bad memories for you.” 
His blood turns cold, and like a dime being flipped his slow heartbeat fills his ears. “It does.” He replies automatically, before he can think. Shit, shit. He knows that Sam or Tucker would ask that question, and yet he still feels unprepared for it. His heart pulses quickly against his ribcage, knocking, asking him what he’s going to tell them that isn’t the truth. 
Danny stammers, “I mean— I just— I guess I felt nostalgic.” He says, and it sounds like a weak defense. He looks away, finding himself instinctively scratching his jaw. A new tick of his when he’s nervous. From the corner of his eye, he sees Sam and Tucker both narrow their eyes at him. 
He cannot tell them the real reason why he’s moved back to Gotham. He can’t tell them of the little secret and vow he told himself five years ago, the one that’s been left to fester and burn like an open wound close to his core. The one that, if he thinks too much about it, sends a searing hot electricity through him, filling him from crown to toe top-full of direst wrath.  
(Danny was always the angrier one in the duo of Jason and Danny. He was always the one with glass in his mouth, cutting his teeth and tongue so that he could spit blood at the world around them. His knuckles had more blood and bruises on it than skin, once upon a time. All because he couldn’t keep his mouth shut. He has grown from it, that fury has turned to a small simmering candle.) (But sometimes, sometimes it rears its head, and electricity will buzz under Danny’s skin. There is lightning before the thunder, the second before a fist pulled to punch lands, the spark before it becomes a blaze.) 
He stumbles over his words, and then sighs long and low, drooping his head. “I… was thinking that I can’t avoid this place forever.” He says, and the best lies always have the truth in it. Because it’s not a lie, not completely. But it’s not close enough to the truth either. “And that maybe if I came back, I’d be able to do something about those bad memories. Make them better or make it hurt less.” 
Like wool over their eyes, it fools Sam and Tucker. Their narrowed eyes soften, and Danny feels like a snake is in his lungs as they both adopt their own versions of gentleness on their faces. “Oh, Danny.” Sam breathes out, and the snake squeezes, “Of course, we understand.”
Tucker nods, smiling at him. “Yeah, bro, that’s really brave of you. I know it can’t be easy coming back.” He says, “Maybe you can reconnect with the Waynes again, you always thought well of Mister Wayne whenever you came back from visiting.”
Danny smiles weakly, the gesture cutting into his cheeks like a knife. Perhaps he could. He was still upset with Bruce for hiding Jason’s killer from him. But he doesn’t hate him. Maybe five years ago, he did, when the death of Jason was still fresh in his mind and freshly bleeding in his heart. Now he just doesn’t know what to think of him. He was Batman. Jason was Robin, and the Joker killed Robin. 
It would need to be something he’d have to speak to Bruce about in person, he thinks, in order to resolve it. To hear his judgment on it and make an opinion from there. Danny has learned in the last five years, much to Jazz’s smug delight, that talking to people about something he was upset about did make him feel better. 
The conversation slips on from there into something more light, more breathable. And while they talk, Danny unpacks. He sets up his bed in the corner of the room, adjacent to the windows, and unpacks his cheap TV and table stand. It’s directly across from the couch, in front of the windows. He puts up knicks and knacks he’s collected over the years on the shelves.
When he puts up the curtains, he notices that more than one frame jiggles loosely. Sam makes a comment on the musty stains permanently dyed into the glass, and Danny talks about getting something to fix the cracks. Gotham winters can get brutal, and even if he can withstand the cold, doesn’t mean everything else in his apartment can. 
“Oh, watch this.” He says halfway through unpacking, and pulls out a stick of thick white chalk from a box. “This is something I learned from Clockwork a while back; I think he knew I was going to move to Gotham.” He grins sillily, popping into the camera frame to show them. “I wonder how?” 
Sam rolls her eyes, smiling while Tucker huffs. “It’s not like he’s the Master of Time and can see all past, present, and future.” Tucker snarks. 
Danny hums lightly, curt like he isn’t sure he believes Tucker, and walks to a piece of bare wall not yet blocked by furniture. He starts to draw on it. The chalk shimmers with faint ectoplasm on the wall. 
“Uhh…” Tucker’s voice cuts through, “Are you sure you should be doing that? Won’t you get in trouble for that?”
“There are bullet holes in the plaster, Tucker.” Danny retorts dryly, arching his hand to make a big circle. “I don’t think the landlord is gonna care if I get washable chalk on his walls.” Inside the circle, he inscribes the symbols of the Infinite Realms. “I don’t think he’d be able to see it anyways, he was really old.” 
When he is done, Danny steps back to admire his work. It’s not bad, he thinks, for a lack of practice. He tosses the chalk off to the side, it lands on the couch and rolls back into the cushions. Ectoplasm heats under his hand, slowly glowing from his fingertips before stretching down the rest of his palm. 
Danny’s fingers press against the wall, into the center of the circle. The result is immediate, ectoplasm is siphoned off his hand and into the circle. It glows, and then swirls. He steps off to the side for Sam and Tucker to watch its transformation. The circle fills with a swirling pool of ectoplasm, like a smaller version of the basement portal, and then it warps and stretches. 
It fills out a rectangular shape, shifting like taffy being pulled this way and that, before settling into a solid shape. It solidifies, and instead of a wall there is a glowing purple door, warped in nature and seemingly shifting like a trick of the eyes. He can hear the gentle hum of the zone standing next to it, and can see the carving of the circle in the wood. 
He gestures dramatically, grinning from ear to ear. “Ta-da~” He sings, “A door to my haunt! For whenever I feel like visiting it.” He pats the wood, making a strange thunk-thunk sound. “And then watch this.” 
Danny touches the circle again, and the door twists and recedes like water going down a drain. The circle flashes bright green, and then fades into nothing on the wall, invisible to the naked eye. “I can hide it whenever I want! So if I ever invite someone over—” which he doubts, “—I won’t have to worry about them asking, ‘Hey Danny? Why is there a creepy fucking door in your studio apartment?’”
He gets a pair of laughs for his efforts, and Danny grins wider. 
Sam and Tucker have to end the call when Danny is nearly done unpacking, leaving him alone with only his thoughts and the Gotham ambience outside. There were only a few boxes left, and they promise to call him tomorrow. He tells them that they better keep that promise. 
The silence that follows after they leave feels somberly, as if the reality of moving in has finally set in and filled the air with its loneliness. With its change. Finally, Danny lets the strangeness of moving back to Gotham hit him when he reaches the last box, and he stops to take another smoke break to let it settle. 
It feels so strange to be back in Gotham, he thinks. He’s all grown up, or almost grown up. He can vote and pay taxes, but he doesn’t feel much older than he was at fourteen. There’s a disconnect that makes him feel sad. 
There are cars running outside, driving by. He can only catch glimpses of them, his apartment faces an alleyway. There are dogs barking in the distance, strays he bets. It’s already dark out, and he wonders if he looks out the window he would see the bat-signal shining through the night and staining the permanent cloud that hangs over Gotham. 
Bruce would be so disappointed if he learned the reason for Danny’s return to Gotham. But Danny’s not here for him. He’s here for someone far more important. And like that, the simmering anger that has tucked itself into the furthest corners of his heart starts slipping through. His heart has teeth, ready to strike and snarl and bite. 
He crushes the cigarette in his hand and throws it away. When he opens the last box, it is with hands that tremble and with a face of stone. With a delicateness he does not feel, he reaches in and pulls a corkboard from the box. On the corner frame is a small, near inconspicuous carving of another ghost rune. 
Danny hangs it up on an empty space on the wall, out of sight from the window. It’s plain, and he has nothing to pin to it. He presses the small rune on the corner, pushing ectoplasm into it. Unlike the door, it does not twist and warp and shape itself into something new. Instead it bursts into green flame, eating away at the board and revealing the same thing underneath it, just in dark blue-black-purple. 
Now this board, this board Danny has something to pin to it. The newspaper he bought earlier sits abandoned on the counter, and Danny unrolls it with something like viciousness in his chest. On the front page is an image of a damaged street, and above it is titled: “JOKER STRIKES AGAIN, 3 DEAD AND 27 INJURED”
Danny rips out the first page, he rips out every mention of him. His hands shake and threaten to crumple the paper as he turns back to the board, there is hot blood pounding in his ears. There is an impending sense of finally in his chest, like a setting sun giving the stage to a starless night. There is a stern set in his jaw, five years of festering rage rushing forth like a tidal wave, threatening to make his vision swim. 
It would be so easy, he thinks, to go out as Phantom right now and hunt the clown down. It would only take a night. All it would take is a night, and then he could sink his hands into the Joker’s chest and rip out his heart where he stood. It would be so easy. 
The thought alone forces Danny to stop as he is hit with another rush of fury, really making his head and vision swim. Thorny vines wrap around his throat, making it hard to breathe. He stares at a spot on the wall until the shaking passes. 
If he wants to be discreet about this, then he can’t do it now. Even if he wants to. He doesn’t want witnesses. He doesn’t want an audience. He made a mistake, telling Red Hood about his plan. He wasn’t sure what he was thinking. Perhaps he wasn’t thinking at all. But he can only hope that the Hood hasn’t mentioned it to Bruce. He knows it hasn’t been long since they started working together. He hopes that the Hood has already forgotten about it. 
He pins the newspaper clippings onto the black-blue-board, and stands back. It’s bare now, but it won’t be forever. 
He presses the circle again, and the pinboard reverts back to its original blank state. 
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Was I expecting to make a third part?? No. No I was not. I was also not expecting to make an entire google doc filled with summaries for short story ideas about this au that all tie into each other so that way if i DO continue this i have a skeleton pathway to follow rather than making everything up from scratch and potentially cornering myself
you can find this on ao3 or on tumblr 1 2 :)
#dp x dc#dpxdc#dp x dc crossover#danny fenton is not the ghost king#dpxdc crossover#childhood friends au#cw swearing#cw smoking#im calling them short stories bc if i call them chapters i might intimidate myself#fun fact every single chapter will have a crane wives lyric on it i am DETERMINED#i hope yall are subscribed to this on ao3 bc i almost didnt post this on tumblr#the fentons being good parents were a surprise to me too but also i never really planned on them being BAD parents#okay so they appear as negligent in the first post but we'll just call that a plothole#i had the idea that danny was the angrier one out of the duo earlier today and it felt like an epiphany#there's no guarantee of a next part but yk immm kinda hoping there is#on the docs the ending bullet point for this chapter was#'make it feel like a tv show where the seemingly inconspicuous and friendly character has something sinister up their sleeve'#WE know that danny's not inconspicuous in the least he's been thinking of this murder for the last five years. but nobody but red hood know#i had to come up with a in-story reason why danny doesnt kill the joker NOW but my out-of-story excuse is: there'd be no tension otherwise#its about the BUILD UP. Its about the RISING TENSION. Its about KNOWING that danny is planning to kill the Joker but you dont know WHEN#its about knowing that something is going to explode but never knowing when#i made the doc yesterday and spent my entire pluralism for educators class going thru the crane wives albums and looking up the lyrics and#matching them to the *checks doc* 18 short story prompts i have prepared#i am still missing one :((#its the tim and danny story and i have NOTHING PLANNED FOR THEM. i cant think of a thing for them to bond over :(( so i cant match a CW son#even DICK has a story and that was also a surprise#my favorite lines: He was always the one with glass in his mouth cutting his teeth and tongue so that he could spit blood at the world#aND danny slapping his door like a used car salesman and going 'now people wont ask why i have a creepy fucking door in my studio aptm :)'
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r7inyz · 2 months
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kinda made my own alec + hazel from lonely freddy!!! designs loosely based on the book descriptions (or the ones in the wiki idk) I LOVE THIS STORY HELP
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silly doodles I did last night
this story man,,,,
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bitchfitch · 7 months
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I have the general rule that I just, don't let myself give a shit about other people's dumbass opinions but I have one pet peeve that I just. Can Not let go of. and it's posts that go
How to write [Minority Group]!
Step 1: Make sure all your characters are exactly like me the op, or are exactly what I like to see in media.
Aside: Anything else is impossible, unrealistic, bigoted and you'll go to hell forever.
Step 2: They also have to use the exact language I do to describe themselves btw, no matter the time period or setting. See the above aside for further explanation.
Step 3: you should never ever even think about the actual mechanics of what makes a trope problematic in its impact in the real world. J ust memorize this list of things that should be banned in all fiction (for being problematic because I don't like them/someone else I agree with said they should be banned)
Step 4: Nuances in identity don't exist <3
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hold on i need to get a thought and emotions out. so with Welcome Home, there seems to be a before and an after. obviously, we're in the after. the website is the after. and if it turns out that the story we see, the one where shit hits the fan and the show is practically erased, then... that already happened. whatever horrors we see, we'll know that there is no saving them. there is no happy ending - it happened, and it's tragic. the show is doomed to end and be scrubbed away. if any of the characters are revealed to be dead/gone by the website, then when/if we see them at an earlier point, we'll Know
and there's a special kind of dread and horror in that for us, the audience.
#im not articulating this the way i want to...#it's like going to see a tragic play. like romeo and juliet for instance.#we go into it knowing the end. they die. no matter what they die. every step they take leads to That End#every happy moment is undercut by the knowledge that it won't last#thinking about this makes me think that at some point learning more about the story/characters is gonna feel like digging up a grave#AGH I LOVE IT THOUGH I LOVE IT. IT HURTS SO MUCH BUT I LOVE IT#its a special feeling of dread/nostalgia/bittersweetness/resignation#and that is sensation in the chest that doesnt feel good but it also does somehow? it hurts but just enough to not be unbearable?#welcome home#welcome home speculation#welcome home puppet show#man i am so so so so scared for the puppets lmfao#i have some theories on the ways shit might go down. like little things. souring relationships and such#i also have a feeling that the story is really gonna hit home (ha) for me in Big Ways#like as soon as i saw clown say that it's kinda about 'when does a home become a house' and stuff#OOF. YIKES. WHEN DOES IT INDEED. i mean i know. ive lived it. im Living it.#this is gonna get unintentionally personal Real Fast in Several Fun And Festive Ways for me huh#i wonder if the story is gonna be uncovered linearly or not...#chewing on it chewing on it chewing on it#i can't wait to Understand the world/characters so that i can write fanfic. i want to so badly. i want to Explore#i want to hop into that grave and keep digging
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good-beans · 7 months
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I know most of our focus goes (rightfully) to the trial songs, but I genuinely believe Baptism of Fire is equally a masterpiece of meaningful writing and intense vocal acting
Incoming tag rant because I need to yell about this, feel free to yell back
#milgram#fuuta kajiyama#like the other vds have good writing about the character and whatever social issue their crime focuses on#but this one is very pointedly about YOU#its about the audience. its about the milgram project. its about self reflection. its about self-appointed roles. its about you#even if you didnt vote t1 or anything the whole things is calling on you to reflect on your own judgements of others#how you treat people who come off rougher. how you treat people who have made a (bad but) common mistake.#do you also find entertainment in seeing people dragged down and suffering because it would 'serve them right?'#but es always remains in control of the situation. the drama doesnt end with 'and fuuta was right - you guys suck!'#its clarified that situations are different and have nuance. we are reminded to look at things with nuance.#then we are smoothly re-immersed in the story#and then!! the acting itself!!!#arthur lounsbery put his whole fussy into that performance (<- fuuta pussy) and i am in his debt every day for it#in both his vds hes just super expressive and fun to listen to#i dont understand japanese but he packs so much interesting intonation and emotion into every word -- im obsessed listening to him#he nails all the subtle emotions fuuta has: the pouts and outrage as well as underlying fear grief insecurity and immaturity#and then baptism of fire hes just... Wailing#like mahiru has her innocent and pathetic cries of pain in her sweet voice that works for her character but fuutas pain feels much more raw#the way hes practically sobbing at the end -- his voice cracking and screeching throughout -- the whimper of pain#its so unbearably intense!! it hurts!! and its supposed to!! but hes just so raw with it#and dont even get me started on his pained hysteric laughter omg....#its just. a masterpiece.#i always appreciate the vds but i dont think ive enjoyed/relistened to one as much as this one#okay WAIT im back to add one more thing because im obsessed with ths idea of intentions#specifically in milgram i think the intention behind the murders are very important to consider#so i love love love the huge focus on 'i didnt expect/mean for this to happen'#plus as a general theme in fiction i think its sooo juicy when good intentions get fucked up#so i loved the repetition of that#fuuta is such a special case because he genuinely had no desire or expectation for his victim to die#(maybe kazui too? but he doesn't say so in his vd like fuuta does)
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3l!grian is frequently depicted as a tragic figure and sometimes i wonder if we even watched the same series
#like yes he is tragic. every character in the series is tragic but i think hes easily the least tragic of the winners#(except maybe cleo. i have my own thoughts about how cleos victory plays into her core themes and why its not as joyous or triumphant as#cleo the players and the fandom at large make it seem that i will have to make a real post about at some point)#grian dies Laughing. he smiles and calls it a dual victory before the final fight. his last words are “its been amazing.”#to me Grians arc is about how he came in with this sense of mirth. had it ripled away by the reality when his joke gets Scar killed.#and then rediscovers it as he learns that the horror of their circumstances doesn't need to keep him from delight#plus also ive never seen a man more delighted to explode three of his friends#ill also bring up that Martyns lore has Grian involved in the games explicitly to COMBAT the angst#that Grians inherent silliness and joy makes the players less hopeless as they meet their endings#and theres obviously parts of martyns lore i can take or leave but this is one area where Eyes and Ears lines up very well with what actions#the characters take and so im happy to bring it up#unlike other parts such as “limlife pearl and cleo retained more trauma between seasons than any player has before”#which i do directly refute as it doesn't seem to line up with the way the characters act and the story plays out#thats for another post though#my point here is 3l grian was having the time of his life and i think there are some fanon interpretationd that disregard that#which theyre free to do im definitely someone who has ignored canon plenty of times in the past (glances at worm)#but i think this is the sort of thing that makes the canon more interesting and compelling#anyway. um. rambled longer than i meant to there#grian#trafficblr#3rd life#3rd life smp#3lsmp
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reel-fear · 1 month
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MIKE BLOCKED ME ON TWITTER FOR ROASTING HIS DUMBASS RESPONSE TO THE GRAPHIC NOVEL STUFF!!
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grown ass man scared of the 19-year-old queer being mean to him over his public meltdown more at 8.
#ramblez#little white boy sad? U sad bc nobody likes you? Bc u constantly make a fool of urself and show off ur distaste for ur fans? lmao#this is one of the greatest things to ever happen to me imagine how mad he'll be when he finds out the fangame Im making has queers in it#hes gonna have a whole other white boy meltdown on main KJSNFDGKJHFGKJHGKJHSDFGSD#hes so fucking sensitive maybe just get off of social media Mike this never ends well for you#batim#batdr#bendy and the ink machine#bendy and the dark revival#and look Im joking around about this but it really is sad that the bendy devs cant handle this kind of critique towards their decisions#it seems despite the backlash once again they are choosing to ignore their fans which is yknow upsetting#But hey ig if the devs being awful was a dealbreaker for this fandom I wouldve left a long time ago and I havent#dw Im not going anywhere <3#also if anyone else here was also criticizing Mike maybe check his acct to make sure ur not blocked now since apparently#old habits die hard and this is certainly a pattern with him KJHDSFKGJHSDKFGJHDFGSD#also look before anyone asks yes I was kinda mean to him over this but to put bluntly if hes gonna be this dismissive to his fans concerns#he deserves it. Theres this persistent attitude esp in bendy fanspaces of being defensive of the devs#and I dont know why they have been extremely horrible people every single chance they get#and its very hurtful to see how many people would rather tell me to be kinder to the people who broke the heart of a child me when they#dismissed any ideas of putting queers like me in their stories than to realize Mike n Meatly bring this bad attention to themselves#to put bluntly I dont owe them kindness not until they at least apologize for the shit they did which they still havent#mike hasnt even addressed his vent poem in the code of BATDR let alone the other shit he said n did#so no I will not be kind to him ever hope this helps!
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todayisafridaynight · 11 days
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what makes minedai even sadder is that we never rlly see daigo try to build a bond with anyone else like he did with mine it rlly shows how badly it effected him like yeah he reached out to shinada in y5 but that’s rlly it and he probably would wanna leave him alone after that and not involve him in any yakuza stuff so i don’t think they would’ve hung out or anything like that afterwards. All he rlly had were saejima and majima but they were more like babysitters than anything, wish we saw more of their dynamic tho like we did with majima and daigo in dead souls since that was fun and we were lowkey robbed but in canon he’s just as lonely as he was before majimas promise to kiryu. And mine is the only person he really had a meaningful relationship with romantic or not they were still really close and we don’t see that again with daigo ever (from what i recall after y3) ok sorry for rambling LMFAO
even with shinada, he reached out to him more so out of 'duty' and trying to make up for the misfortune that befell him because of yakuza than wanting to rekindle any kind of friendship they might have had in high school (though it sounds more like they were just acquaintances if shinada needing a second to remember who daigo was is anything), so yah i doubt they really had any kind of bond afterwards
dead souls really was the only time after Y3 where we got to see daigo be more sociable with someone, but its as you say majima and saejima are more like retainers than close friends
#snap chats#you can tell i was into fire emblem when the first term that comes to my mind to call majima and saejima was 'retainers' omfg#but yeah ..... depressing ....#does make me wonder who daigo was on the phone with during the rggo story though. like clearly daigo has friends#apparently. we just never see or hear of them. tho ig it is implied those were his friends from the y2 era. as mine said flarkjla#REGARDLESS yeah after y3 daigo just feels depressing to watch#i think its just because he really has to do everything on his own now#but not even have a friend to just chill with at the end of the day- like the technical work is whatever. for the most part#THATS stressful obvi so to not have anyone to really be personable with thats probably the dire part. imo.#cause yk the world could suck but as long as you have that One Person to just relax with then its ok but with mine gone. 🧍‍♂️#probably doesnt help that like. during the 'flashback' segment of y3 where we get to see daigo sitting with kiryu and nakahara#we see him all cheery and bein a lil jokester and just. A Happy Dude#granted this is barely a year or two into being chairman so The Horrors Havent Set In relatively but still ... i miss his smile ..#every time i think of daigo post-mine i think of those like. tragedies or accounts of people where its like#'after X's friend/lover died they never found another again' like thats the vibe i always get#he really packed it up and never got close with anyone else again and it makes me want to throw up#y4 widow arc still good tho it makes me chortle
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baeshijima · 4 months
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it is now officially the 25th which means...
merry christmas everyone !!! regardless of whether u celebrate or not, i hope u all have a lovely day with whoever u spend it with or with urself <33
#sophie's idle chatter#this is scheduled so im HOPING it posts at 12 am.... prays....#i havent been super active in the past month or two bc life is kicking my ass (<- has said this countless times already but its still true)#also !! i see asks and ill try and answer them when i actually have the time and energy 😭 ik i say this a lot but ive been drained good god#(not so) mini life updates :#the new lovebrush chronicles main story update has made me weep so much... ive done both clarence and ayns routes and....#my god.... this story is darker and honestly im loving it AND i love how they did the chara roles in this world (alkaid... ourgh...)#my tear glands arent tho bc ayn ending 3.... what the fuck was that i couldnt sleep after doing that ending??? ITS WAS SO SAD AND FOR WHATF#currently having to wait until the 27th so i can do lars route 😔#the recent ep of apothecary diaries.... ourgh my heart.... jinshi and maomao beloveds :((#oh !! and ive gotten back into my ace of diamonds/daiya no ace phase and have been rewatching the series...#sobbing chris and yuki and miyuki my beloveds.... kissing ur foreheads and holding u gently.....#the way i got back into it bc im catching up on s2 of a clean sweep (a korean baseball variety show that i love with all my heart ;w;)#my mum is a traitor tho bc she watched every new ep that came out on tuesdays while i was in uni 🧍‍♀️ so now im catching up on the 30 eps#on my own 🧍‍♀️#OMG AND ALSO DR STONE S3??? WHY WAS I NOT NOTIFIED THAT PART 1 CAME OUT MONTHS AGO AND PART 2 WAS MORE RECENT???#i havent been doing that much writing recently tho bc the fingers wont type but the brain is exploding with ideas i cannot handle this#i do want to get back to the haitham sxf series tho.... and also my oc various x reader series.......#tbh ive been contemplating abt publishing the haitham series on ao3 once i write more chapters before publishing them#idk i feel like the series would be nice to have on ao3 as well as tumblr JHDG#thats abt it i think?#anywho if u read this far then know i am giving u a warm cookie as a condolence prize for getting through this life dump <33#ill leave it off here but i hope u all have a lovely day !! mwah mwah merry chrysler everyone 🎄🫶#queue... ueueue
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daisyachain · 5 months
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There are works which are not [genre] but works made that have read a lot of [genre]. YJ is not an anime but it is a cartoon that has watched a lot of anime. MTMTE is not a comedy but it is a space opera that has watched a lot of sitcoms. I’d like to learn the term for a work that is deep in conversation with a genre without belonging to that genre even as a hybrid. Specifically works that address, lampshade, satirize, employ genre signposts without obeying genre conventions.
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no-nightingalez · 5 months
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not to bring down the mood but is 14 still immortal orrrr-
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youssefguedira · 5 months
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someday i'll write a long and in depth letterboxd review detailing Why, exactly, le otto montagne hit me the way it did but until that day comes. the thing i feel like i keep coming back to with this movie is specifically the ending and the way it COULD show us all ice and snow and winter, i.e. it's over, it's dead. and i think if the movie were more tragic, which it isn't really to me, it would work, but the thing is we see the ice melting, we see new life, we see things growing again. and part of this is to give us the last shot with the birds, but another part to me is the idea that things will still go on, nothing has changed really, spring will come and then summer and then fall and there will be another winter, and the house will fall into ruin again and it will all continue. but at the same time there is the dead tree, which is dead and isn't coming back. there are some mountains you can't return to etc etc
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So I don't know if it was ever revealed how Duncan felt when we killed Malistaire all three times but I'm wondering if maybe some part of him could hate us for that too. Like you hear that and you go "but why. Malistaire was terrible and even Duncan knew that(?). Why would he hate you for getting rid of him."
But like I think it's so....... interesting in a very, very, very sad way how Duncan so easily latches onto anyone who directly feeds into his delusions of grandeur. And that's no fault of his own that he was manipulated by the nasty Schism but when you think about how desperately clung to the idea that Malistaire, easily one of the greatest necromancers any of us had ever heard of (at that time), somehow actually recognized Duncan's talents (even when canon supports that Duncan wasn't all that talented, at least no more than the next necromancer) and then praised him for it so often that Duncan believed that he would be the next Death Professor is. I mean ☹️
So like with that mindset I unfortunately feel like it would be quite easy to twist even Malistaire's death as something that's horrible and awful and all our fault. ESPECIALLY if the Schism was feeding into Duncan's already broken mind and shattered ego and was constantly telling him that everything bad that ever happened to him ever in his life was Our Fault. That's like a realistic conclusion that someone like Duncan could come to
And like, at this point in time, are Malistaire's crimes even a factor in how he thinks????? Was Duncan ever able to separate Malistaire's talent and skills and prowess from the terrible and awful things he did? If Duncan wasn't able to consciously tell that distinction in the first place I can't imagine it would be any better during the years he was being manipulated and isolated and lied to
Like in Duncan's mind it probably isn't, "maybe I shouldn't idolize a national criminal, or idolize anyone at all for that matter, and aspire to be like someone so harmful when I can recognize my own talent and build from there" it's probably more like, "you (the wizard) permanently got rid of a brilliant mind, an innocent person who just made a few mistakes, and someone who believed in me no matter what just so that you could be the better than me and loved by everyone else" and that's! very sad actually!
#this is all speculation btw idk if any of this is canon. how duncan feels about all this#i know i keep saying the exact same shit over and over but.... really not a fan of how the game handled duncan! sorry!#i know wizard101 isnt supposed to be about every single character gets a satisfying ending to their arc-#-meaning not everyone in the story will face consequences and/or find a happy ending and like thats fine they dont need to#but idkkkk its just imo really sad how essentially a kid suffers frrom something he cant control by himself (his ego)-#and then instead of getting help he is instead ignored (ambrose) and then manipulated and brought up by a cult#and then when it becomes super apparent how... TERRIBLE his life really is and we defeat him he just... goes back??????#we.... we LET him go back???? i mean we're not responsible for other people's bad decisions or mental health but bro....#and then when we tell ambrose he's just like “oh. too bad. well anyways-” AND IM LIKE WELL THATS THE REASON!!!!! NO WONDER HE'S FUCKED UP#NONE OF THIS IS ADDRESSED. NONE OF IT. WE KICK DUNCAN'S ASS AND THEN HE.... GOES BACK TO THE CABAL#i literally just got so desolate when (wallaru spoilers) because. okay. all that for nothing i guess#this isnt me being mad btw LMAO i know the tone probably reads as angry but im not im just disappointed#and tired. what is it with wizard101 in particular and just people suffering with no end. (me as i make my main suffer with no end)#but anyways yeah duncan has been in my head for a while. he's one of the guys that i love a lot BDKSNSKAJ#he's like a son to me and HE NEEDS A HEALTHY PARENT. HE NEEDS IT#not excusing his actions btw. he still committed crimes JRKDJSIEJ#i just have a soft spot for those villains in media who are doomed from the start yknow. (stares tearfully at morganthe and gf spider)#wizard101#wiz101#w101#text posts#duncan grimwater#im not normal about duncan at all he's probably the wozard oc i feel for the most other than malorn and us
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blueskittlesart · 1 year
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me, thinking that i have at least a base level understanding of botw: :)
blue, about to write a 1,000+ word essay that is going to completely revamp my understanding of the game and interpretation of its events: bada bing bada boom
i dont know how you do it. i am incredibly impressed and using all of this for fic inspiration. keep writing
every time someone asks me how i do this shit i have to regrettably inform them that the real genuine answer is that i am fucking insane. my 2 passions in life are writing and video games and the place where the 2 converge fascinates me to no end and i am that special kind of crazy that is capable of latching onto something and not thinking about anything else for 10 years. so. the only thing i have cared about deeply for the last several years of my life has been the way video games are written and constructed. and zelda is one of the most interestingly constructed franchises i have found to date. these games are just like. the absolute perfect story for my brain to work with and i truly do not know who i would be without them. and i am genuinely incredibly grateful that ive been able to build a platform where people like. CARE about what i have to say and take the time to ask me to think about the games because like. i would be doing it ANYWAY but knowing that there are people who actually read my analysis and appreciate the amount of thought i put into this stuff makes me really happy lol
#i sincerely think video games are an art form and that so many stories benefit from being told interactively via video games#and i'm especially fascinated with the way loz chooses to tell its stories because the games are almost always designed so that the player#actively makes every decision in the storyline even though every game only has one preset ending. that's SO COOL.#ive found myself frustrated recently by rpgs that are super cutscene heavy and i was struggling to articulate why until i went back and#looked critically at the way zelda games are designed and i realized that there isn't a single cutscene in loz that openly takes away the#player's autonomy. cutscenes are almost always reserved for dialog or the beginnings of fight scenes but link almost never makes choices#without the player's input and that's a huge part of what keeps the games engaging! YOU are link. he's not a vessel you occasionally#control. he is you. his decisions are always yours.#and that's generally easier to do with a less complex storyline but the way botw kept that autonomy despite its complex story is SO clever#by making the cinematic cutscenes MEMORIES there's never any percieved loss of autonomy because the player understands that this is#something that has already happened so obviously there's no way they can alter link's choices. that's SO SMART#ANYWAY. i didn't mean for this to be a tag essay about video game mechanics sorry but tldr i am so so so passionate about this LOL#if you cant tell. very few people irl will listen to me talk for this long. this is why i love tumblr#asks
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drbtinglecannon · 2 years
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There's so much to say about the Amphibia finale, but one thing I want to touch on is it means so much to me that Andrias didn't die.
Not even necessarily for him as a character himself, but for the message of you can always be better. You can always grow and change and maybe people won't ever forgive you and maybe you can't ever fix what you did, but you can always start to do good things and become a better person than you were before.
So often characters like Andrias (sympathetic antagonists) get killed off for their "redemption" and it usually feels so damn cheap because it's not a real redemption it's just death, but it also just sends a bad message that you can't ever become a better person. Sure maybe no one will ever forgive you or even like you no matter what you do, but that doesn't mean any work you do to improve or do good in the world is forever negated. You don't have to die, you can always become better.
I was fully expecting him to die in some kind of sacrifice move so to see him in the end, wearing the pins & using the hammer of his old friends, smiling and slowly working to fix the unmeasurable amount of damage he caused his world, was really heartwarming. It's also a nice twist given how in the semi-finale he broke down crying about how he couldn't ever undo the harm he caused, but no, he was given the chance to, even if by only a little bit.
He got to live and he got work to be better, and I hope we can see that kind of ending more often.
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iamnmbr3 · 7 months
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Wow. Just saw a critique of a story that deals with the topic of ableism saying that it is ableist since it depicts the central character being persecuted because of a disability but never has any of the other characters say that the ableism is wrong.
Like the argument is literally that because the sympathetic main character is persecuted due to a disability but none of the other characters turn to the metaphorical camera and are like "oh this is actually ableist and bad" somehow the creator is condoning that behavior instead of critiquing it. Even though that CLEARLY was not the intent.
Critical thinking skills really are dead huh? When will people learn that depicting something is not the same as condoning it?!
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