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renthony · 18 hours

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In Defense of Shitty Queer Art

Queer art has a long history of being censored and sidelined. In 1895, Oscar Wilde’s novel The Picture of Dorian Gray was used as evidence in the author’s sodomy trials. From the 1930s to the 1960s, the American Hays Code prohibited depictions of queerness in film, defining it as “sex perversion.” In 2020, the book Steven Universe: End of an Era by Chris McDonnell confirmed that Rebecca Sugar’s insistence on including a sapphic wedding in the show is what triggered its cancellation by Cartoon Network. According to the American Library Association, of the top ten most challenged books in 2023, seven were targeted for their queer content. Across time, place, and medium, queer art has been ruthlessly targeted by censors and protesters, and at times it seems there might be no end in sight.

So why, then, are queer spaces so viciously critical of queer art?

Name any piece of moderately-well-known queer media, and you can find immense, vitriolic discourse surrounding it. Audiences debate whether queer media is good representation, bad representation, or whether it’s otherwise too problematic to engage with. Artists are picked apart under a microscope to make sure their morals are pure enough and their identities queer enough. Every minor fault—real or perceived—is compiled in discourse dossiers and spread around online. Lines are drawn, and callout posts are made against those who get too close to “problematic art.”

Modern examples abound, such as the TV show Steven Universe, the video game Dream Daddy, or the webcomic Boyfriends, but it’s far from a new phenomenon. In his book Hi Honey, I’m Homo!, queer pop culture analyst Matt Baume writes about an example from the 1970s, where the ABC sitcom titled Soap was protested by homophobes and queer audiences alike—before a single episode of the show ever aired. Audiences didn’t wait to actually watch the show before passing judgment and writing protest letters.

After so many years starved for positive representation, it’s understandable for queer audiences to crave depictions where we’re treated well. It’s exhausting to only ever see the same tired gay tropes and subtext, and queer audiences deserve more. Yet the way to more, better, varied representation is not to insist on perfection. The pursuit of perfection is poison in art, and it’s no different when that art happens to be queer.

When the pool of queer art is so limited, it feels horrible when a piece of queer art doesn’t live up to expectations. Even if the representation is technically good, it’s disappointing to get excited for a queer story only for that story to underwhelm and frustrate you.

But the world needs that disappointing art. It needs mediocre art. It even needs the bad art. The world needs to reach a point where queer artists can fearlessly make a mess, because if queer artists can only strive for perfection, the less art they can make. They may eventually produce a masterpiece, but a single masterpiece is still a drop in the bucket compared to the oceans of censorship. The only way to drown out bigotry and offensive stereotypes created by bigots is to allow queer artists the ability to experiment, learn through making mistakes, and represent their queer truth even if it clashes with someone else’s.

If queer artists aren’t allowed to make garbage, we can never make those masterpieces everyone craves. If queer artists are terrified at all times that their art will be targeted both by bigots and their own queer communities, queer art cannot thrive.

Let queer artists make shitty art. Let allies to queer people try their hand at representation, even if they miss the mark. Let queer art be messy, and let the artists screw up without fear of overblown retribution.

It’s the only way we’ll ever get more queer art.

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#original essays #original post #media studies #queer history #queer media #queer issues #fandom issues

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overseer-picard · 3 days

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I have to talk about "I, Borg" for a moment. I get so exasperated by people saying Picard was stupid or weak for not using Hugh to cause genocide. I get it, Hollywood neural rot tells us we should always kill the bad guys but... come on, watch the episode with your brain wrinkles open.

Picard was chomping at the bit to use Hugh to infect the Borg, his staff were the ones telling him to slow down and think about things but he turned a deliberate blind eye to them for most of the episode. It was deeply out of character for him, but his actions were underpinned with a simmering rage that made it all make sense (especially considering he had been assimilated just two years prior).

He lashes out at Guinan, "It's not a person, damn it, it's a Borg!", he tells Geordi to "unattach himself" from the "lab animal", and he even makes Beverly do a double take when she says "You're making it sound like a virus." and he says, his eyes colder than we've ever seen, "And if all goes well, a terminal one."

(Cold Eye Picard ^ very scary, do not approach. He even gives a flicker of a sadistic smile here, which might be the only time in the whole series we see that.)

But my main point is that Picard wanted to go through with the plan more than anyone else on the ship. So much so that the lust for revenge was splitting him open at the seams and making him abandon his core morals. Even Guinan, whose entire world was destroyed by the Borg, tells him he needs to calm down and reconsider.

And that moment towards the end, the climax of the episode, when Picard is tapping into Hugh's recognition of Locutus, trying to do a hail mary to prove that this is still nothing but a mindless drone, and Hugh says "No, I am Hugh". BAM. Picard's entire demeanor shifts as he realizes there's no way he can murder this innocent individual.

And this moment-

-as Picard is saying goodbye to Hugh, you see his smile fall and doubt pull at him. Perhaps he's questioning if he did the right thing, or maybe wondering just how furious Command will be with him, but either way, it's a poignant moment that completes his arc because he was true to his moral center, and that is true to his character.

In my opinion, if Picard had chosen to push through with the plan, to kill Hugh and the possible (there was a chance it wouldn't work) millions of other Borg drones who were just as innocent and capable of rescue and rehabilitation as Hugh (and himself), it would've been a failing of writing and too far removed from Picard's character to be believable.

It's an incredible episode, and Patrick Stewart's performance is astoundingly nuanced, so it drives me a little crazy when people completely miss the entire point. If I wanted an action based thriller about the Good Guys coming up with cool ways of killing evil space zombies, I wouldn't be watching Star Trek.

^ the face of character growth

#star trek the next generation #jean luc picard #i borg #episode analysis

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icarrymany · 16 hours

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the mh comics open up such an interesting narrative for our few surviving characters. to them, what happened in the videos was real, but to everyone else its a cool creative web series. when all of that is viewed as fiction, fans have a freedom to speculate about and invade the lives and privacy of real people. and that would be so uncomfortable and terrifying. imagine someone irl having headcanons about YOU. writing fan fiction about you and your real friends. assuming things about you PUBLICLY ! IN MASS!

wouldnt it be so cool to see a character grapple with that in like a self-reflective way? fans asking questions the muse is too afraid to ask themselves. of course, theyre the only person the answer matters to.

#like wouldnt it be so strange not only to see the terrible things that happened to u have a FANBASE #but also people wondering about the intricacies of your personal life (they view you as a character and have no idea it was real)#and youre disgusted and afraid of prying eyes #but at the same time #you never think about yourself much anyways (too painful) and realize you might HAVE TO if ur gonna be okay with what happened #spoilers um this is about. jam.#tim never took the time to deconstruct how he felt in the moment because he was trying not to die #even if he concludes he harbored some feelings (like people online suspect) what would he even do with that?#he can never go back and change it. but he can say it to himself. its something for him that nobody else NEEDS to know #but now he can understand himself a little better n form new connections #its like a culmination of my hatred for some fans NEED for things to be canon when its much more fun to leave stuff open-ended #and also my love for media adressing this in a way that actually says something abt the way we consume it #yall seen the craig and tweek episode of south park? yeah.

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cy-cyborg · 3 days

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The Untrustworthy Fake: Disability Tropes

[ID: A screenshot of Willy Wonka from Charlie and the Chocolate Factory as he limps towards a crowd using a cane. In the picture, he has a brown top hat in his hand, and he's wearing a suit with a purple jacket, multicoloured bow tie and cream coloured pants. Beside him is text that reads: "Disability Tropes, The untrustworthy Fake" /End ID]

Tell me if this sounds familiar: A new character is introduced into a story with some kind of disability - usually visible but not always. Maybe they're a seemingly harmless person in a wheelchair, maybe they're a one-legged beggar on the street, or maybe they're an elderly person with a cane and a slow, heavy limp. But at some point, it's revealed it's all a ruse! The old man with a cane "falls" forward and does a flawless summersault before energetically springing back up to his feet, the wheelchair user gets to their feet as soon as they think the other character's backs are turned, the one legged beggar's crutch is knocked out of his hand, only to have his other leg pop out of his loose-fitting tunic to catch him.

All of these are real examples. Maya and The Three introduces one of it's main protagonists, Ricco, by having him pretend to be missing a leg in order to con people (something that works on the protagonist, at least at first), Buffy The Vampire Slayer had the character Spike, pretend to be in a wheelchair, until the other characters leave and he gets up, revealing it's all a ruse and Charlie and the Chocolate Factory introduces Wonka by having him slowly limp out into the courtyard of the factory, only for his cane to get stuck, causing him to "fall" and jump back up, revealing that he's actually perfectly fine. Virtually every single major crime show in the past few decades has used this trope too, from CSI to The Mentalist, Castle, Law and Order and Monk all having at least one episode featuring it in some way. Even the kids media I grew up with isn't free from it; The Suite Life of Zack & Cody sees Zach faking being dyslexic after meeting someone who actually has the condition in the episode Smarter and Smarter and the SpongeBob SquarePants episode Krabs vs Plankton has Plankton fake needing a wheelchair (among other injuries) after falling in the Krusty Krab as a ploy to sue Mr Krabs and trick the court into giving him the Kraby Patty Formula.

No matter the genre or target audience though, one thing is consistent: this trope is used as a way to show someone is dishonest and not to be trusted. When the trope is used later in the story, it's often meant to be a big reveal, to shock the audience and make them mad that they've been duped, to show the characters and us what this person (usually a villain) is willing to stoop to. Revealing the ruse early on though is very often used to establish how sleazy or even how dangerous a character is and to tell the audience that they shouldn't trust them from the get go. Gene Wilde (The actor who first played Willy Wonka) even said in several interviews that this was his intent for Wonka's character. He even went so far as to tell the director of Charlie and the Chocolate Factory that he wouldn't do the film without that scene because of how strongly he felt this trope was needed to lay the foundations for Wonka's questionable intentions and motivations. His exact words are: "...but I wouldn't have done the film if they didn't let me come out walking as a cripple and then getting my cane stuck into a cobble stone, doing a forward somersault and then bouncing up... the director said, well what do you want to do that for? and I said because from that point on, no one will know whether I'm telling the truth or lying."

There's... a lot of problems with this trope, but that quote encapsulates one of the biggest ones. whether intentionally or not, this trope ends up framing a lot of actual disabled people as deceitful, dishonest liars. Now I can already hear you all typing, What?! Cy that's ridiculous! No one is saying real disabled people are untrustworthy or lying about their disabilities, just people who are faking!

but the thing is, the things often used in this trope as "evidence" of someone faking a disability are things real disabled people do. A person standing up from their wheelchair or having scuff-marks on their shoes, like in the episode Miss Red from The Mentalist isn't a sign they're faking, a lot of wheelchair users can stand and even walk! They're called ambulatory wheelchair users, and they might use a wheelchair because they can't walk far, they might not feel safe walking on all terrains, they might have unstable joints that makes standing for too long risky, they might have a heart condition like POTS that has a bigger impact when they stand up or any number of other reasons. Also even non-ambulatory wheelchair users will still have scuff marks from things like transferring and bumping into things (rather hilariously, even TV Tropes calls this episode out as being "BS" in it's listing for this trope, which it refers to as Obfuscating Disability). A blind beggar flinching or getting scared when you pull a gun on them isn't a sign they're faking their blindness like it is in Red Dead Redemption 2. Plenty of blind people can still see a little bit, it might only be a general sense of light and darkness, it might be exceptionally blurry or just the fuzzy outlines of shapes, or they might only be able to see something directly in front of them, all of which might still be enough to cue the person into what's happening in a situation like that. Even if it's not, the sound of you pulling your gun out or other people nearby freaking out and making noise probably would tip them off. A person needing a cane or similar mobility aid sometimes, but being able to go without briefly or do even "big movements" like Wonka's rolling somersault, doesn't mean they don't need it at all. Just like with wheelchairs, there's a lot of disabilities that require canes and similar aids some days, and not others. Some disabilities even allow people those big, often straining movements on occasion, or allow them to move without the aid for short periods of time, but not for long. Some people's disability's might even require a mobility aid like a cane as a backup, just in case something goes wrong, but that still means you need to carry it around with you, and unless it can fold down, it's easier to just use it.

Disability is a spectrum, and a lot of disabilities vary in severity and what is required of the people who have them day to day. This trope, however, helps to perpetuate the idea that someone who does any of these things (and many others) is faking, which can actively make the lives of disabled people harder and can even put them in very real danger, physically, mentally and even financially.

Just ask any ambulatory wheelchair user about how many times they've been yelled at for using accommodations they need, like disabled toilets or parking spaces. How many times they've been accused of faking and even filmed without their consent because they stood up in public, even if it was to do something like get their wheelchair unstuck or as simple as them standing to briefly reach something on a high shelf. I've caught multiple people filming me before, so have my friends and family, and it's honestly scary not knowing where those images have ended up. This doesn't just impact the person either, a friend of mine was filmed while standing up to get his daughter (who was about 4 at the time) out of the car. He was lucky to have stumbled across the video a few days later on facebook and contacted the group admins where it was posted to get it taken down, but had he not stumbled across it by chance, pictures with his home address and his car's number plate, his child's face and his face all visible would have just been floating around, all because a woman saw him stand briefly to pick up his daughter.

Many people don't stop at just saying a nasty comment or taking a photo though, a lot of people, when they suspect people are faking, will get violent. I have many friends who have been pushed, slapped in the face, spat on or had their mobility devices kicked out from under them. I've even been in a few situations myself where, had I not had people with me, I think the situation would have turned violent.

There's even been cases where those photos and videos I've mentioned before have been used against real disabled people and they've been reported to their country's welfare system as committing disability fraud. While cases like this are usually resolved *relatively* quickly, in many parts of the world, their payment will be halted while the investigation is in process, meaning they may be without any income at all because of someone else's ignorance. If you're already struggling to make ends meet (which, if you're only living off one of those payments, you probably will be), a few weeks without pay can mean the difference between having a home and being on the streets.

Not to mention that when there's so many stories about people faking a disability in the media, especially when the character is doing it to get some kind of "advantage", such as getting accommodations or some kind of disability benefit, it perpetuates the idea that people are rorting the systems put in place to help disabled people. If this idea becomes prevalent enough, the people in charge start making it harder for the people who need them to access those systems, which more often than not results in disabled people not even being able to access the very systems that are supposed to be helping them. A very, very common example of this is in education where accommodations for things like learning disabilities require you to jump through a ridiculous number of hoops, especially at higher levels, only to have some teachers and professors refuse to adhere to the adaptations anyway because they're convinced the student (and usually disabled students as a whole) is faking.

Yes, the "untrustworthy faker" is a fictional trope, and yes, it does occasionally happen in real life, but not as often as media (including things like news outlets) would have you believe. However, when the media we consume is priming people to look for signs that a disabled person is faking, it has a real impact on real disabled people's lives. "Fake-claiming" is a massive problem for people in pretty much all parts of the disabled community, and it ranges from being just annoying (e.g. such as people spamming and fake-claiming blind people online with "if you were really blind, how do you see the screen" comments) to the more serious cases I mentioned above. It's for this reason a lot of folks in the disabled community ask that people leave this trope out of their works.

#Writing disability with Cy Cyborg #Long Post #Disability #Disabled #Disability Representation #Writing Disability #Writing #Writeblr #Authors #Creators #Writing Advice #Disabled Characters #On Writing #Disability in Media #Tropes #Disability Tropes #faking disability trope

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finitevariety · 3 days

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Blackthorne's 'consider living for meee 🥺' gambit is sooo good because the obvious rejoinder (consider how little your feelings matter in the face of all Mariko has endured) is one he is already WELL aware of. It's so obvious that the only reason he's trying this fucking where's-my-hug style gambit is because there's literally no other option available to him--beyond, that is, accepting her plan.

And in the end what's a truer expression of love than that moment, holding the blade above her, waiting?

He doesn't understand the choice she's making--in fact, he hates it. After all, his whole life in this country has been in essence a second life. He was rebirthed starving and scurvetic and fucking stinking, covered in guts as he emerged from the pit! Life takes you to the edge and back again but so long as you are at its table there are always dice to be rolled. Death is, therefore, defeat, and off the table entirely. It is never a choice.

Blackthorne feels that as he experiences the world, so he defines it. If he ceases, the world ends also. It's not a selfish feeling: it comes very naturally to very many of us. What's the point in thinking about the world without us in it? We can no longer influence it, nor reap its rewards. He will probably always feel this, and for him it's true.

For Mariko, though, death is the reason she was kept alive. Her life has meaning to her, of course. Yet that subjective meaning--her experiential life--is subordinate to and distinct from her life's purpose. She has always stood where she was supposed to stand, left the room when it was time, known what to say--and she knows, as clearly as the trees know when to drop their blossom, that her death is always an option. Death confers a meaning onto her life that extends beyond her subjective experience and into the world. If she ceases to be, the world will react to it--and from her death, if she uses it correctly, a thousand ripples will emanate. She has gone through her whole life feeling this, and for her it's true.

Blackthorne talks in this episode about the simple words he has picked up in his time here. These pale in comparison to what he has learned about translation, which is: some things can never be communicated in a way you will understand. That does not mean they are untrue. It does not even mean your own, opposite truth is rendered false!

Sometimes all you can do when you love someone is make their incomprehensible choice easier for them to bear.

#shōgun #shogun #mariko #lady mariko #mariko x blackthorne #in summary: endless screaming #field notes #haarping on

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ifwebefriends · 3 days

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I am not the same person I was before seeing this scene in particular (Major Spoilers for The Sign!!!!!!)

[Video ID. A clip from the Bluey episode “The Sign,” Lazarus Drug by Megan Washington is playing which drowns out all other sounds and dialogue. Bandit looks sad as he’s about to open the drivers side door to the family car. Chilli is in the front passenger seat also looking sad. She looks at Bandit just as gets a call on his smartphone and silently excuses himself to take it. The phone conversation starts as Bandit walks around to the other side of the car from the front. He continues to the sidewalk a few yards away from the car. Chilli looks at Bandit right before the phone call ends and Bandit puts down his phone with a surprised look on his face. He slowly walks to the large “For Sale” sign in the front yard before ripping off the big yellow “Sold” sticker, which confuses Chilli and gets the attention of Bluey and Bingo in the car, Bingo with a raised brow looking confused. Then Bandit turns to look at his family in the car, contemplates for a moment, then dons a determined expression. He then turns back to look up at the “For Sale” sign with clenched fists as we see the sign tower over him, casting a shadow. After a moment, he looks level at the sign and then fiercely grabs the sides of it as Chilli, Bluey, and Bingo look on in shock. He starts to gradually pull it out of the ground with all his might with clenched teeth, a furrowed brow, and a slightly quivering lip. After he finally gets it out, Chilli, Bluey, and Bingo stare at him, eyebrows raised and mouths agape. As the lyric “as I start to break into a billion pieces” plays, Bandit looks backwards, turns a bit, hobbles backwards a bit, and then throws the sign into the middle of the cul-de-sac with what seems like a yell, looking down angrily at it. Zoomed in, Bandit pants for a moment before Chilli tackles him to the ground when the word “shatter” is sung in the song. From an aerial view, Chilli and Bandit are on the ground and Chilli seems to be crying into Bandit’s neck while he grins, putting a hand on her arm. End ID]

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enixamyram · 3 days

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So, we all know the first season was a little rushed since they only had 8 episodes to work with. It is my (desperate) hope that since the show is doing so well, they'll be given more episodes for season 2. Now let's pretend they'll be given enough for filler episodes as well as the main story. Here are some of my dream filler episodes I would love to see happen!

A Chaggie date (Vaggie sees Charlie is getting stressed and worries about her so she insists on taking her out for a night off.)

A Keekee and Fat Nugets episode (something happens and the two end up away from the hotel and work together to find their way back home.)

An Earth Visit (not sure why, but somehow for some reason, Charlie and co visit earth for a day and chaos ensures because how could it not.)

Emily Visits Hell (maybe brings Molly with? It would be kind of hilarious for people from Heaven to see how it really is like in Hell. Maybe this is Charlie trying to get them to be more part of the hotel transition.)

A Blackout Episodes (One of those, how various people deal with something -Vox- causing a blackout throughout the city. Maybe even one of those Charlie or Vaggie gets stuck in a lift with Velvette or someone to have some fun interactions between different characters.)

A Gambling Episode (No idea the story but at some point it involves Husk making some bets to let off steam and Angel ends up tagging along as arm candy and I read somewhere that Husk cheats so maybe Angel helps him!)

Lucifer rejoins society (he attempts to pick up his role as King of Hell but finding it increasingly hard since his long absence and preppy attitude means not many people take him seriously.)

Nifty chaos (maybe she somehow wanders from the hotel while Alastor is away so Chalie and the others try to find her, worried she'll get hurt, meanwhile she's terrorizing the rest of hell and just having a blast before they eventually find her safe and sound if not covered in a lot of someone else's blood.)

Overlords episode (Maybe Charlie or Lucifer want to try and get on the good side of the overlords so try and spend some time with each of them to get to know them better.)

The Vees meets Hangover (this one is really silly and in general I just want a Vee filler but it'd also be hilarious if there was a Hangover style one where one of them - take your pick, it'd be hilarious either way - goes missing after a bender and the other two struggle to put together what happened to find them.)

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assumptionprime · 1 hour

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I need to rant about the Fallout show

Because this is the person I am. Full spoilers, so I’m putting it behind a Keep Reading:

I’m a huge sucker for Fallout (yes even 3&4). And I went into the Fallout show with some… trepidation. Amazon has been a mixed bag on adaptations, we could have been blessed with a Good Omens, or cursed by a Rings of Power. But early buzz and reviews seemed positive, so I slammed the whole thing in one night with my spouse (we were staying at my in-laws house and they have Prime. Time was a factor.)

And y’know? I was really enjoying it! The characters were fun, the plot was engaging enough, and the costumes and visual design were extremely on point. There were some minor lore quibbles to be had: Ghouls needing some kind of medicine to not go feral. Really, more Enclave holdouts? Timeline and date whoopsies. Wait are they in California? Where the hell is the NCR?

I made a face at Shady Sands being bombed and the NCR collapsing. But I wasn’t completely out of the story. Based on what I had seen so far, I thought it was building to a reveal that the Brotherhood had done it. That the more zealous turn they took in Fallout 4, which has clearly carried to how they are portrayed in the show, lead them to bombing the NCR. War never changes, as they say. Maximus even says when asked what happened to Shady Sands: “The same thing that always happens.” Yeah, it leans into Bethesda’s weird desire to keep the Fallout world in a state of perpetual wastelands full of raiders and no civilization, but it wasn’t so terrible that I couldn’t still enjoy the show.

But then.

BUT THEN.

Episode 8, and the reveal of Vault-Tec apparently being the ones who dropped the first bomb in the Great War.

I was surprised to hear that some fans have apparently been debating over who fired first? Some even asked Tim Cain about it?

That’s really odd to me because, in the games, there is already a pretty definitive answer to which side sparked the Great War:

Who fucking cares?

The world ended. What does it matter who shot first?

There is no China, no United States, no communists or capitalists left to fight about it.

It's a powerful little bit of lore.

For all the posturing, all the promises from each nation that their way is the true way, all the nationalism, the militarism, and blind loyalty to flags over humanity, they both lost. Everyone lost. All that remains of the ideologies and nations that were so important to the people of 2077 is faint echoes over vast expanses of radioactive ash.

Who started the end?

No one knows. No one cares.

It only matters that their conflict was so bitter, so all-consuming, that one of them dropped their bombs, and the other dropped theirs in return.

The truest legacy of the old world is the devastation left by their final, most horrific war.

Can we do better?

Then the show says "Nah, Vault-Tec did it. It's not a commentary on human nature and the futility of self-destructive conflict, it was actually these guys, these mustache twirling villains huddled in a darkened room literally plotting to end the whole world so they can rule what's left."

And I can see the attempt to make this a critique of capitalism. I actually paused the show to praise a bit of writing when Coop is talking with Charlie before the war, when Charlie tells him that the “cattle ranchers are in charge” to illustrate how capitalism and corporations hold too much sway over the government, it felt very in line with how in New Vegas one of the recurring critiques of the NCR is that all the real power is in the hands of the “brahmin barons.” Nice parallel, spot on!

But “we’ll set off total thermonuclear war so we can rule the ashes and have a True Monopoly” isn’t capitalism. It’s just dumb “we’re the baddies” writing.

And then Shady Sands was also Vault-Tec?! Forget any meaning in the NCR falling to the same corruption and/or factional fighting that consumed the old world, they were literally just bombed by the evil shadow conspiracy that apparently also killed the old world. Hank gives this speech about factions fighting and the futility of it all while we see the Brotherhood fighting Moldaver’s NCR remnant, and like, no! You can’t say that when you’ve made it so neither the old world or the NCR fell to war with another faction! It was you! You and your band of cryogenic supervillains!

I don't care that they changed it. Timelines and dates and little retcons don’t bother me all that much. I care that they changed it to something so much worse.

#fallout #fallout tv show #fallout spoilers #nerdy rant about shit that doesn't actually matter but has been stewing in my head for a week now

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quasi-normalcy · 14 hours

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Actually, you know what? Ever since I learned that Ira Steven Behr signed that grossly unfair letter against Jonathan Glazer, I've been forced to kind of reevaluate some of my interpretations of things in Deep Space Nine.

Like Section 31. I was willing to suppose that it was always and only intended to be villainous. But knowing as I do now that the showrunner who included it is perfectly willing to turn a blind eye to genocide, I'm forced to wonder...was it critical? Was it?

Like, let's consider canon here. In "Statistical Probabilities", Bashir and the other augments calculate, in no uncertain terms, that the Federation can't win its war with the Dominion. Their model even accurately forecasts things that happen later in the series: the Romulans declaring war on the Dominion; a full-scale revolt on Cardassia Prime. The end of the episode kind of pooh-poohs their model, like, "Well you couldn't even forecast what Serena would do in this room" but like...(1) the premise is basically lifted from Asimov's psychohistory concept, which works on populations rather than individuals, and (2) there's even a line of dialogue in the episode saying that the models become *less* uncertain the further you go in time. And indeed, the Federation ultimately wins the war not because any of their assumptions were wrong, but because there was another factor that they weren't aware of: the Changeling plague. The plague that had, of course, been engineered by Section 31 to exterminate the Changelings.

So again you have to ask: *was* this critical? Or was the real message that a black ops division willing to commit genocide is necessary to preserve a "utopian" society, no matter how squeamish it makes a naïve idealist like Bashir? And yeah, the war is ultimately won by an act of compassion, but only *after* Bashir sinks to S31's level by kidnapping Sloane and invading his mind with illicit technology. So...is this really a win for idealism?

And then we have the Jem'Hadar. They're a race of slave soldiers, genetically engineered to require a compound that only the Changelings can give them. By any reasonable standard, they're victims. And yet, the series goes out of its way, especially in "The Abandoned", to establish that they're irredeemable. You can't save them. Victims of colonialism they may be, but your only choice is to kill them, or else they--preternaturally violent almost from the moment that they're born--*will* kill you. And of course, I've long assumed that this was just a really unfortunate attempt to subvert what had become the standard "I, Borg" style Star Trek trope where your enemies become less scary once you get to know them, but like. I would say that there's pretty close to a one-to-one correspondence between this premise and the ideology excusing the mass murder of children in Gaza.

Or the Maquis. There's this line at the start of "For the Uniform" where Sisko tells Eddington that he regards the refugees in the Demilitarized Zone as being "Victims of the Maquis", because they've kept alive the forlorn hope that they would ever be allowed to return to their homes and...Jesus, when I write it out like that, Hello, Palestinian Right of Return. [The episode of course ends with Sisko bombing a Maquis colony with chemical weapons, though it is somewhat less objectionable in practice than I'm making it sound here].

And you know what...I get that DS9 is a show that's intended to have moral complexity, and to be kind of ambiguous in a lot places, and not to give you simple answers and so on. And I'm *not* trying to do the standard JK Rowling/ Joss Whedon/ Justin Roiland thing where a creator falls from grace for whatever reason and people comb through their oeuvre to show that they were always wicked and fans were stupid for not seeing it earlier or whatever. But I will say that these things hit different when you know that the series was show-run for five seasons, comprising every episode that I've just named, by a man who would go on to sign his name to a letter maliciously quoting Jonathan Glazer out of context to drag him for condemning an active genocide. And given that I've been a fan of DS9 for basically my entire life, this is deeply unsettling to me.

#long post #star trek deep space nine

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probadbatch · 16 hours

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Time for some more Phee love

I have to admit that I was not a Phee fan at first. Wanda Sykes is one of those people who just gets on my nerves for absolutely no reason so when I saw she was going to be in TBB, I was less than thrilled. And her first introduction didn't really have me changing my mind. But I enjoyed the Indiana Jones episode (Entombed? I think?) with her and started to like her just a bit more then. She was kinda fun.

And then I saw Pabu.

The way she melted into the squad like she had always been there was huge for me. She gets these guys. They like her. They work well together. And the way she cared about Omega? Wanting her to get normal childhood experiences like friends her own age who aren't related to her? She wasn't just trying to get a backup team from the boys. She genuinely cared about them.

And then she offered the squad her home. They needed a place to belong and she gave it to them without even hesitating. And when we get there, we learn that she's not just a pirate making a quick buck for herself. Oh sure, she'll do that too but she does have values and she cares about a lot more than what she can get for herself.

There is a depth to Phee that takes a few episodes to find but once you see it, it's clear that she is a good and decent person. She's brash and blunt and courageous and loyal. She's adventurous and fun and she's never met a challenge she wasn't up for. She's guarded and cautious with her heart and she is so open and loving and generous when she finds someone worth trusting.

For heck's sake, she bickers with her droid endlessly but how many times has she rebuilt Mel? More than once, we know for sure. Phee loves fiercely and wholly and she will go to the ends of the galaxy for those she cares about.

And oh goodness I do love that she's still there for the squad this season. It would have been so easy to walk away after losing her primary link to them but she stayed. She's there so fully and so unflinchingly that it's obvious she never even thought twice about it. Phee shows up when they need her most and they tell her they want to do something that is frankly suicidal and doesn't even blink - sounds like fun, sign her up, let's do it! They didn't even have to ask her to tag along. All they really asked for was a ride off Pabu. But there was never a question that she would be there with them, for them, with whatever they needed.

She's the kind of character that makes me like the actress who plays her, despite my previous opinions. I don't know about you guys but for me, that is a short list with scarce company.

Phee is one of the best.

#tbb #the bad batch #star wars #phee genoa #saw some more bullshit so it's time for more love!#phee is awesome and i hope she gets a whole damn spinoff series of her adventures bopping around the galaxy and checking in on the boys #i would watch the hell out of that #it would be great

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authenticaussie · 1 day

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Alright so I just finished Batman:TAS recently and started watching Superman:TAS and it delights me that the first episode is literally just: superman??? Who dat. This is aliens :)) (even if Brainiac does say "human error, Jor-el"). So obviously I do now have aus. Obviously <3 shout-out to @midnightluck for the Justice League, @cer-rata for Terry and @suzukiblu for Jordan + putting up with the initial ramble

So anyway Brianiac's satellite upload gets fucked up by Jor-el either in petty revenge or as an accident, and a part of Brainiac ends up on Clark's ship. The vague explanation I have is that Brainiac is the AI for everything and in TAS, Jor-el also does not realise he is "evil" and thus still uses his help as a navigator for Clark's ship while he is initially building it. The ship, however, is offline to prevent the Kryptoninan council from finding out about it, and thus, that section of Brainiac does not get taken back into the satellite upload.

As it is BARELY the 90's when the Kents find Clark after the crash, Brainiac is summarily useless thanks to the current lack of wifi, but manages to mostly teach himself English and Kal kryptonian, and decides that. >:( since they're BOTH there, they can BOTH be vestibules of kryptonian knowledge. And also Kal can get him more earth knowledge. The vibes entirely are: "Weird aspects of kryptonian culture taught by an unbodied dickhead historian" and while the argument is "but brainiac is evil!" Main brainiac is. But this is a subsection of Brainiac :) he learnt more stuff + Clark loves him soooo much.

Unfortunately. That is His baby now. He is not impressed with his baby. His baby bought him a growing chick the other day, with big sad eyes, and said the kryptonian word for fluffy!!! in such a mournful tone that Brainiac resigned himself to teaching kal about how growing up worked and that the chicken needed feathers to fly. This explanation ends with Clark collecting feathers and trying to jump off the barn roof, and he thus resolves to extend further co-parenting issues to the Kents. For his own personal convenience, of course.

It does of course ALSO mean that Brainiac, who has a loose definition of the words "surveillance state" absolutely gets in at the ground floor when the internet first starts up. Clark's influence relegates him to the background, but he is good at hiding ! So they don't realise they have an AI in the wifi! But ohhhh boy does brainiac scare a few people at first. Potentially tries to do his "i am helpful" schtick before realising he is not useful in this because he's basically just. Seems completely like a troll? He's some random person who's invaded the internet!!

However he is also the inspiration for google 😂 and calls it his younger, stupider sibling. It is also funny to me to think about earth compsci engineers having NO idea why sometimes the internet acts SO DAMN WEIRD <- brainiac's fault.

As a result though, when Clark starts up as Superman, Brainiac does NOT let the Kr project off the ground. Files are misdirected and blackmail is gathered. Until one day Kal says something sad about how he'll never be able to have a great romance, because he's terrified of telling anyone the alien thing, and that he's always thought about kids but he's kinda terrified because what if he hurts someone- and Brainiac is like ah yes wait. I shall fix this for my Only Kryptonian.

TWO kids for the price of one?!? he finds, after he goes searching, and then further prodding finds THIRTEEN children, extraordinary. Not all of them are viable because the earth scientists truly are incapable but Brainiac can fix the issues with their technology to ensure Kal has the children he wants.

"How many children did you think of, kal-el?" he asks, and Clark laughs at how kindly his friend/uncle/grandfather figure treats his silly selfishness.

"Oh, man, sometimes I think: as many as I can carry! But then- I don't want Superman to get in the way of being a good dad. Too many and I won't be there for them like I should, you know? I worry about that, I guess."

"As many as you can carry is a significant amount," Brainiac says dubiously, already imagining teaching these numerous children kryptonian culture and Also that they are Not chickens. "I do not think that can be fulfilled effectively."

Five minutes later Clark has five children and has realised his matchbox apartment and budding romance with Lois Lane are both complicated things he will now have to resolve. He's basically commuting daily to the Daily Planet from Smallville, thank god for superspeed and his endlessly patient parents, jfc

(Children I was thinking of: the destablised kon!clone from SB94/The Ravers, Kon, Match, Bizarro, and Mia. Alternatively they went old-school with Biz so Brainiac didn't get a chance to help him/he's older than the other kids when Clark finally mentions wanting kids, to Brainiac, and thus Biz ends up like. The kids' uncle. There ARE technically twelve clones before Kon. I could've given you thirteen-fifteen kids, Clark.)

Anyway this does mean that either a) when Lois finds out Kal is superman this is not his biggest secret, b) Kon rocks up as Superboy and Lois, once she finds out Clark is Superman, immediately goes: WAIT BUT SUPERBOY'S YOUR KID. ARE YOU MARRIED??? or c) everyone at the Daily Planet thinks Clark just. Got really unlucky with different people he slept with and someone in the world's wildest stroke of luck they all ended up pregnant. Because Clark Does Not mention a partner when it is eventually revealed he has kids.

He probably does keep them a secret for a while though. A) He doesn't want them to have to try and be "normal" since they're only just out of the pod and B) I feel like, weirdly, Clark is somehow that co-worker that people like. barely know anything about. You like them and they're so helpful! and good-natured! and then you get him in the office secret santa and realise you're not even 100% what his favourite colour is or if he has a pet.

Anyway, Lois: he is NOT expecting Lois to get pregnant and they have to have a Long talk about it because Brainiac is. :) Being an asshole about species compatibility and the fact that it is "not natural" for Kryptonians to be created biologically rather than properly, in a pod, and also: Clark already has five freaking kids. That's a lot of kids! Are they going to be okay having a brother that much (at least five-ten years I'm thinking, depending on if we go: Brainiac gives him multiple children of multiple ages, or multiple young children of the same age,) younger than them??? And then there's Chris, too, who rocked up just after Clark and Lois started dating, and is still pretty high needs because he only mostly speaks Kryptonian (and is lowkey terrified of Brainiac, so Clark's main babysitter is out) (also please please imagine how freaking cute the subplot of "chris realises this brainiac is not the nightmare his stories told him about; watching his new siblings do things that Brainiac would have killed them for, terrified for them because he heard the stories of how long Brainiac bided his time--)

But this is also: how many kids can we give clark, the fic, and thus they have Jon, and then Jon exhibits so many kryptonian characteristics and Lois doesn't mean to but she's a little wine drunk and says, "i love them, you know, they're all perfect, Jon's perfect, I was just- I'm terrified for him. If we raise him right he's gonna be just like his dad…and you know what? I was wanting my own little Lane. Someone to follow my footsteps. I'm feeling a bit outnumbered here, haha!"

Brainiac: hm. I will amend this. (Makes and artificially grows human!Jordan so he displays more human genetic characteristics As Lois Wants)

Brainiac: I have created Jon-el's twin for you, Lane. You are welcome.

Lois: um what

Clark: honey no you can't talk about children with Brainiac he will make more

Lois: WHAT.

Lois: OUR CO-WORKERS KNOW I DIDN'T HAVE TWINS, KENT.

Clark: …. you're gonna have to be one of those weird "I didn't know I was still pregnant" stories…. 😂

Lois: 😭 Clark you know those are only funny when they are NOT HAPPENING TO ME

Clark: you didn't know you were pregnant….. literally

Lois must engage in the gaslighting of all of her coworkers <3 What do you mean you didn't realise she had twins she's shown you both of them? Of course they look the same they're babies. Of course she always had twins. She carried them. Did you carry her babies? Of course she would know. Isn't that right, Clark? …. isn't that right, Clark?

Clark: "Where else would she'a gotten a baby from, guys? An alien?"

Brainiac: hello i have delivered the child. Where is my thanks? It has still not been conveyed? I am doing the Literal Best as the Literal Best AI ever? Excuse me? You ignore Brainiac?

Brainiac: death for one thousand humans-!!!

Martha: 🥰 Brainiac I'm so proud of you for always making sure these kids are taken care of. Giving us Jordan! Oh, you marvellous robot

Brainiac: …. acceptable, Matriarch Kent

either that or Lois shoots herself in the foot and everyone thinks Clark is STILL the man with the world's worst luck and the strongest genetics ever:

"Lois, honey…how are Jon and Jordan so close in age? If they're not twins?"

"Uh- Jordan is adopted!"

Everyone: looks at Jordan, who is Jon's splitting image

Everyone: …..okay

Anyway because this AU is wildly cliche, very obviously the Bit of Brainiac that helped Clark grow up re-integrates with Brainiac prime during a Big Dramatic Battle where all of the Superfam are getting hurt, and manages to stop/halt Brainiac prime from hurting Clark and the Kryptokids at the cost of his existence.

Jordan gets to punch it in the circuits cause he's the only one not affected by kryptonite but still has the general invulnerability. (And then Jon and/or Kon and meeting the LoSH and they realise their grandfather Brainiac has very much been continued in Brainiac 5's code :3 for an open-ish happy ending of "hey good exists forever and always regardless of heritage")

GRANDPA LEARNS LOVE AND AFFECTION.

GRANDPA CHANGES FROM GENERAL SELF SERVICE AND SELFISHNESS AND REALISES HE LOVES KAL AND THE KENTS AND HE WILL PROTECT THEM

GRANDPA ALSO WANTS ACCESS TO THE INTERNET. There is a constant battle and it does work for a while because he is elected babysitter of the kryptokids and he is only a small part of Brainiac, five kids does stretch the circuits he developed from Clark's pod, but it's a constant cycle.

"Kal-el, son of house of el, I demand google, I have not finished investigating the 'man of Bats'. Why are there two variations of his name?"

"You mean Dark Knight?"

"THERE ARE THREE? KAL-EL, PROVIDE ME WITH THE WIFI IMMEDIATELY--"

Also when Brainiac finds out that Clark's birthday falls on a human holiday he. He tries. He tries to do pranks. Most of them are vaguely and accidentally evil (Chris cries when Brainiac takes over the internet for the day and makes every search engine answer questions wrong), but he tries. He knows Clark likes pranks! He is trying to participate! It's family bonding!!!

Braniac: It is your 33rd April fool's day.

Clark: Yep!

Braniac: I have finally decided to assist you with a prank.

Clark:...oh?

Braniac: Behold! (Small boy with dark hair, blue eyes and a square jaw walks in, dressed in a decent little suit.)

Clark: Braniac you CANNOT keep making...Wait. No. No you didn't--

Braniac: A prank to share with your closest friend!

Braniac: I have been calling him "Bruce" for my records, but you may want to pick something else for clarity.

Clark: 😦😳😬💀

(And thus we have Terry)

Also, while Clark is pretty secretive about his kids, when/if any of them go out with a Superfam name, and/or after he gets closer with the Justice League, there are little slip ups. He does really love his kids!!! And at the point where he's joined the JL he's been with Lois for a few years now and is used to mentioning them every now and then at the Daily Planet/trauma sure does bond you together :) and he trusts the core members of the JL pretty well. Someone makes fun of Bruce for his "hoard" of children and his "adoption problem" and Clark snorts and then chokes. Bruce has barely adopted Tim and/or has only just gotten Cass. Four? Please, Clark's almost at double digits.

Or Hal is talking about the fact that he doesn't know what to get his niece for her birthday; Clark asks how old she is, and goes "Seven? Oh, yeah. Go for Monster High, it's really big right now. The dolls are pretty cool."

"Lol why do you know so much about dolls, you have a secret collection-"

"What? No, my daughter likes them."

Hal:

Barry complains about how many birthdays he has to go to and Clark laughs. "Oh, tell me about it! Mia, Mark ((Match)), Chris and Mara all had birthday parties for their school friends in the same week - thank god for superspeed, right?"

Barry, who was talking about volunteering to visit kids' birthday parties at different orphanages in Central: Clark what are you talking about.

Also, Clark's an idiot and decides to introduce Brainiac's "prank" to Bruce on the watchtower because hey! It's neutral ground! And none of his kids can hear into space, thank fuck.

Clark: so....Bruce....you know how you were complaining about being an empty nester. Now that Damian's gone to college. Well. Hm. (pulls Terry from behind him) Surprise!

Bruce: .......You have a new child.

Clark: er. Well. sort of!

Terry, staring at Bruce like the autism creature: O_O

Bruce: .....I have a new child.

(also probably terry's backstory then includes some amanda waller induced kidnapping and potentially a bit of amnesia and adoption by another family but hey, he finds bruce again eventually!)

(also match does try and be the badboy of the family and does hang out with thad, when thad comes up to kill Bart, but. they both just. accidentally vaguely rehabilitate each other? They're not good, but they don't murder, at least. It's a low, low bar. When Clark tries to disappointed-face him, Match just says he's following in Grandpa Brainiac's footsteps and does Clark REALLY expect him to disregard a family legacy-- and you can give him some suicide squad angst or whatever, but the fam is still. there for him.)

(Mia and Kara get into a fist fight when they first meet; then they are best friends. Mia's not great at 'being Kryptonian', especially because she was one of the first attempts, and as per canon is technically a human who they tried to overwrite with Kryptonian DNA, and thus doesn't entirely understand Kara's connection to their 'home', but as a result she also ends up being Kara's confidant in it, because unlike Kal she does understand being taken away from your home and not being able to go back to it, and yet does not have...the same connection the way the other members of the Superfam do, and the disconnect allows Kara to actually talk about Kyrpton instead of mourn)

(Kon does try and grab the spotlight; Clark is trying to let him have freedom, after both Mia and Match went a bit....bitey at his attempts to keep them safe until they were older, but he's still the more naive of his siblings. Thankfully for Clark, he does get to introduce Kon to Robin, and while they don't hit it off, it is enough to mitigate the worst of the fallout of Rex's sleazy bs and Knockout's crimes ): When he joins YJ Clark is both proud of his heroism and a little scared that one of his kids is actually deciding to follow in his footsteps.)

(Mara is Kon's destabilised clone, from when he learns about paul westfield. We did not have enough girls in this family and thus part of their journey of self-identity was the fact that in a family of loud personalities they weren't great at speaking up; it takes a while for them to admit they want a new name and to use she/they pronouns, but by the time Jon and Jordan are five everyone's used to the change. Mara and Kon are closest, even though Kon and Mark/Match are technically sort-of twins; they clash waaay too much in temperament and personality. Kon was much better at playing protector to his little sibling, especially after they came out, and Mara shares "Supergirl" with Kara - she's only a backup member of the titans, though, and has the compassion and strength for heroism but sometimes too much empathy. Does a lot of relief work and peaceful outreach programs. They love a lot.)

(Chris?? no self sacrifice here!!! He has a bunch of fucking siblings with TTK, he is NOT going into that portal)

(There are two Nightwings; every now and then they debate who should switch to Flamebird, jokingly, and yet both of them have perfectly valid arguments - it's kryptonian! / I look good in blue! - and thus it never comes to fruition. When Mia and takes on Flamebird they give it up entirely; it helps that Chris ends up doing a lot of intergalactic work, so there isn't much confusion on earth with the call sign.)

When Jon is old enough to want to switch from Superboy he 100% puppydog eyes Chris into giving him the Nightwing handle so he can give it to Dami, and snags Flamebird from Mia. Dick decides he can live with that and is trying to take care of his own kid so is semi-retired (and can snag it back from Dami if he ever gets too bored).

For a bit there are def still two Flamebirds, but then Mia and Chris decide to team up for intergalactic stuff and to bully Mara into more fistfights, so then they're Trio and just go by Mar-El, Lor-Zod, and Mi-El. I know that is not how female names work on Krypron but I also think Lois Lane, who kept her name and also gave both Jon and Jordan her last name, hyphenated, heard of that shit and went "absolutely not". Either that or Mara decides to keep her Kryptonian name as Mar-El and Mia is Mia Kal-el, or copies her mom and is like naw Fuck This, especially considering her.....lack of general connection to Krypton? Could be fun for any :3 (Or maybe in space she just goes by Lane; time for her semi-mom to get recognition. Mara is already showcasing the house of El, Chris is rehabilitating the house of Zod, she's gonna kick butt for the house of Lois.)

....Though this does potentially mean i have accidentally called Match "Mat-el" and the Barbie jokes from that. Would be. Iconic.

Anyway that's the Grandpa Brainy au! Tune in next week when I force Cerata to watch Arthur and the Invisibles with me and start talking about bug-prince Kon-el and Lois' adventure to save her husband from a tiny evil overlord.

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chaifootsteps · 2 days

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VIv´s lack of undestanding of addictions is honeslty quite concerning. We can see this clear as day in the character of Husk

Husk is someone with a gambling addiction, one that got so bad that he lost his overlord position to Alastor. But apart from that, the show doesn´t really go into how debilitating and scary having an addiction like that can be.

Wanting to chase the rush of winning even when you don´t have anything to bet with. Running quickly out of money and getting into serious debts, living in constant poverty. Aliniating family members and friends since you only ask for money everytime you see them.

Not facing that you have problem... You are just having fun! You are not addicted!

You can write something decent with this denial, if you know how to play your cards right.

Like Imagine Charlie having to shoo away debt collectors becuase Husk went on a gambling spree without having any money... again. he having to hide in his room for months on end becuase he owed pretty pissed of powerful sinners

Valuable objects going missing in the hotel becuase more high-end casinos wouldn't let him in without a colateral. Together with some valuable personal items.

Husk always has a excuse, or denies taking them or promise to pay it forward when his luck changes.

One day he decides to take one of Angel´s gold collars to go into a high end casino

He is definately not happy about.

A scene similar to the one in loser plays out, but this time, it is Angel the one going into rampage trying to find Husk and get his priceless jewerly back. Only to end up saving him from some shark loans who are about to beat his ass.

They both end up in a pretty bad shape and escape out of pure luck. Angel hasn´t fired a gun since he started working for Valentino ( he doesn't allow him) and Husk's diet of beer and greasy meat doesn't allow him to move very well. So lets just leave it that when Charlie saw them again, she left everyting to attend their wounds

It was there, when Charlie told Angel that one of his arms was broken That he finally said it.

"S0.... I think I may have a gambling problem"

" Ohhh you think?!"

You know how that Anon from yesterday gets to keep Niffty because they're clearly more qualified to write her? Congratulations, you get Husk. Here's your thing to carry him home in.

Also, when episode four aired I kept waiting, cautiously hoping they would do something with Husk's backstory and the horrors of gambling addiction, but it never manifested because it's Viv and of course it didn't. Even five minutes of scrolling a casino worker horror story thread on Reddit or something would have gone such a long way.

#Anonymous #hazbin hotel critical #viv stuff #actual blog post #image reply

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starlight-artbby · 2 days

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Watched the latest episode of X-Men 97 and I loved it.

First of all the Storm transformation ATE!!! Like I knew she was gonna look so sexy and hot and I was right and seeing her get over her fear and fight the adversary was everything to me.

Now I knew Professor Xaviers ass was alive. I want to angry with him for not saying anything but even he has to know that it would be seen as some kind of betrayal. Either way I will forgive him because he ate the Shi'ar empire up.

Seeing the scene with Gambit and his body turning into a skeleton was criminal. Not to mention the other skeletons that where there which most likely represented the other mutants that died in Genosha.

When the adversary turned into all the other X-Men I was just thinking that X-Men 97 is just a horror movie and it all started in episode 3. Lol , anyways, I LOVED seeing NightCrawler in the opening but not seeing Remy or Magneto nearly killed me and that's without mentioning the recap.

Anyways I have to talk about the Storm sequence again. When she over came her fears and the outfits transformation the "I am Lightning!" Line was SO PERFECT and so powerful.

I am also in shambles when I remember that Storm has no idea about all the shit that happened with Madelyne, she is probably going to find out Remy and Magneto are dead because of the news. Like my heart is broken for her, especially seeing her start to cry immediately and I KNOW Forge is regretting every decision he made for helping create the Sentinels.

At the end of the day, I should've known Sinister Bitch Ass was going to have something to do with this. I am starting to believe we are gonna get the Death Gambit Plotline.

Anyways I can not WAIT for the next episode. I want to see Storm reunite with the X-Men and same thing with Professor X. Sadly, I think we will be getting Remy and Magneto's funeral next week so I am definitely devastated about that.

But I won't leave this on a sad note, I love when Storm talks about her family. Like calling Jean/Maddie her sister it always warms my heart ♡♡♡

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tetrakys · 2 days

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New Gen is much cheaper than old MCL

I've finally played the first episode and I'm very relieved to see that prices have been decreased quite a bit, and doing some math New Gen ends up being way cheaper than old MCL. A lot cheaper.

In old MCL we received 600 free APs every month, and each episode used to cost around 1000 APs (University Life and Love Life). Here, we receive 1,780 free APs every month. The first episode ended up costing me around 1,150 APs. Even if the following episodes are slightly more expensive, we will be able to easily play each episode for free by logging in every day.

Additionally, they really listened to the beta feedback. The AP cost has been decreased of around 50 APs for each choice. Neutral choices used to cost 40APs -> now they cost 2APs like every normal line of dialogue. Medium choices used to cost between 80 and 120 APs depending on Ysaline's personality -> now they cost ~50 APs Critical choices used to cost 150-170 depending on personality -> now they cost ~100 APs Archibald's choice used to be a critical choice and it's now a medium choice.

They also increased the number of currency we receive by logging in every day. During the beta the listing price reported that we would get 1290 AP for free and 300 additional APs with the VIP pass every month. Now we get 1,780 AP for free and 700 additional APs through the VIP subscription. (And I haven't calculated the other currencies yet but they also seem to have been increased.)

tldr: New Gen is much cheaper than old MCL and the basic game can be easily played for free.

#my candy love #mcl #mcl new gen #mcl info #and we also start the game with 3540 free APs so we can quite comfortable start playing the game without spending a cent

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gentlebeardsbarngrill · 2 days

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04/17/24 Daily OFMD Recap

== Nathan Foad ==

More pictures of Nathan in Love's Labours Lost!

== Kay Buchanan ==

Our friendly neighborhood OFMD Master Leather Worker has more pictures for us! This time, maybe Black Pete's bag? Anyone know off hand?

SRC: Kay Buchanan's IG

== Taika ==

So these pictures are adorable, but be warned of a potential jump scare if you watch the rest of the video-- thank you @ofmd-ann for the awesome stills, I did NOT want to put the full video on here xD See her post here.

(via Ritas tiktok)

== Lesley Fucking Jones ==

== Vico Ortiz ==

Sneaky shot of Vico from behind <3 Img Src: @enbybruje's IG

== Dominic Burgess ==

Technically this would be Cats & Crew but I'll allow it because Dominic is such a friggn adorable cat dad and he deserves so much love for that.

Src: Dominic's Twitter

== Watch Parties ==

= Flight of the Conchords =

Bit of an adjustment at least on the RhysDarbyFaction discord server for FotC watch party, we'll be watching 3 episodes a piece Thursday and Friday so as not to run into the next week. Continues tomorrow with episodes 5, 6, 7, of season 2 at 4pm PT / 7 pm ET / 11pm BST

#FlagOfTheConchords

#OurFlagMeansDeath

= Palm Royal Season 1 =

A new watch party hosted by @lcwebsxoxo on twitter is up and running! Thursday Episodes 3 and 4 will be playing at 1 pm PT / 4 pm ET / 9 pm BST

#PalmRoyale

#OurFlagMeansDeath

#SaveOFMD

== Fan Spotlight ==

= Cast Cards =

Tonight's cast card features the other fisherman (Pedro Lope) that Stede robbed on his first "raid". We're gonna have a whole set of cards soon I can feel it @melvisik, thank you for these!

= TealOranges & Garlic Soup Week 2024!! =

Prompts are up for this years TealOranges & Garlic Soup Prompt Week! The week will run June 23-29, 2024 with themes and prompts for each day! This prompt week celebrates all things Jim/Oluwande and Archie/Jim/Oluwande/Zheng!

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== Love Notes ==

Hey there lovelies-- I've had 3 hrs sleep today so the words on the screen are starting to run together. I'm still getting love notes from yesterdays request, and thank you so much, I promise i'm catching up to the messages, you all are the best crew someone could ask for. Thank you for spreading some joy in this crazy ass world.

Tonight I would like to send a reminder that we have not lost OFMD, as so many of said, we still have 2 wonderful seasons, and those boyfriends are currently boinking their way into oblivion in their inn, making their poor customers insane. But beyond that... had a discussion today with multiple dear friends / crewmates that made me feel a lot better about the whole thing too. I know it's months in the gravy basket now, but this is not the end for OFMD. Chaos Dad told us it was over, but in all honesty it still doesn't feel over. WBD is driving itself into the ground, Dad's been off at the WBD lot, it feels like things are moving in a better direction again. It may not be today, or tomorrow, or even the next few months, or a year or so, but I think we still have a chance to see the ending of our story.

And we've all said it before, but it bears repeating, even if it never happens, we get to make it happen. Stede and Ed live on in all our crazy ranges of work out there, that so many of you have been just CRANKING out lately, I've been astonished at how much new work I've seen from folks in the the fandom I know, and new folks I haven't met! It's so inspiring to see OFMD affect people so much that they felt they could put little pieces of themselves out into the world through art of all mediums.

I hope I'm making sense at this point.. if not, sorry about that! But know-- there's always hope. There's always S1 and S2, and the infinite universes we get to dream up from those two.

Rest Well lovelies. Img Src: @Chucklesandbleu on IG

== Daily Darby / Tonight's Taika ==

Tonight's theme - Bowties!

Gifs Courtesy of @fandomsmeantheworldtome and @sam-reid!

#daily ofmd recap #daily ofmd recaps #ofmd daily recap #ofmd daily recaps #taika waititi #kay buchanan #nathan foad #vico ortiz #dominic burgess #ofmd #our flag means death #save ofmd #long live ofmd #adopt our crew

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geekgirles · 2 days

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Lady Echo: A Character Analysis

Before we dive in, there's something about me you should know. I'm a TV Tropes truther. That site is my Bible. If a piece of media interests me, then you'd better believe I have visited its TV Tropes page.

And because of that, Echo in particular is a character I've been meaning to talk about for a while now, because I get the feeling people tend to overlook what I feel is the true core of her character at the end of season 3.

As you can see, while other tropes go more into detail about her true motivations behind betraying Oropo, that part of her character ends up being reduced to being a Woman Scorned, and while that certainly applies here, I really don't think that's the trope that best encapsulates her character and her decisions at the end of the season.

A Woman Scorned is essentially any woman who has been wronged by the person she loves and seeks revenge or has at least expressed great anger. And it can go from being cheated on by a partner, or simply being rejected by their love interest and not taking it well. And both heroic and villainous characters can be the ones to break her heart. In fact, Arpagone too would be an example of this trope, as even if her feelings for Ruel are still there, most of her actions are motivated by the pain she feels for his decision to choose money over her.

As you can see, this all fits with Echo's actions and feelings at the end of season 3, but it's very general overall. Which is why, in my humble opinion, Echo is a better example of Love Forgives All but Lust.

This trope is essentially a deconstruction of tropes centred around the appeal bad boys have for women. The thing about women falling for bad boys is that those women tend to know they're bad news, and beyond a desire to be the ones to change them, the real reason that interest is born is because they're attracted to the idea of the bad boy being a jerk to everyone, but them. Love Forgives All but Lust is what happens when the woman is rudely awakened from that delusion.

In other words, when they realise not even they are safe from their partner's worst actions. And what is the best way to have a woman feel betrayed to the point of seeking revenge? Unfaithfulness.

Sure, they will forgive their partner if it turns out he's a serial killer, but if he cheats? Then he's the one who's dead.

And example of Love Forgives All but Lust is when the police is trying to get a mafioso's wife/girlfriend to testify against her lover, but she refuses to cooperate... until she discovers her husband/boyfriend has a lover, then she'll do everything to bring him down.

If you think about it, this is essentially what happened between Echo and Oropo after he revealed he only ever "loved" Amalia. Even if Echo is a much more active player in Oropo's machinations than simply being aware of them, having helped him carry over his plans for centuries as his second-in-command.

After he kissed Amalia and claimed Echo never meant anything to him compared to her, that's when Echo totally lost it. And her subsequent actions are a direct result of his betrayal. It never had anything to do with Echo seeing the error of her ways, as we all know.

Think about it, it wasn't until Oropo chose Amalia over her, after everything they had ever been through, that Echo truly struck. Once it became apparent her lover didn't care for her nearly as much as she cared for him, that's when Echo revealed his true plans: to destroy the gods, he must destroy the World of Twelve and deprive them of followers. In other words, he was willing to commit mass genocide for the sake of his dream.

Moreoever, the fact that she got to reveal the true extent of his plans at all already highlights that only she knew about them. All along, Echo knew what Oropo was planning, the consequences of his dreams, and she never once stopped believing in his cause. Their conversation in episode 6 even going as far as explaining Echo already believed in him and supported his dreams before ever falling for him, meaning she can't even excuse her actions by saying her feelings blinded her. Because she was perfectly aware of Oropo's plans all along.

And yet, that didn't stop her from loving him. If anything, it was only another reason she fell in love with him.

No, it wasn't until Oropo broke her heart that she ever went against him.

If you ask me, this all reads as Echo not minding Oropo's most questionable tendencies because she was convinced she was exempt from ever being at the receiving end of his worst actions. After all, she had been by his side the longest, witnessing how he got rid of demigods that failed to meet his standards or were no longer useful (going with what the show claims, I haven't read Ogrest's manga). It wasn't until he kissed Amalia and shoved her aside that Echo realised not even she was safe from him.

And it was because Oropo had had no qualms to screw her over that Echo decided it was her turn to screw him over. And hence, she revealed his plans to the Brotherhood of the Forgotten, not because she'd seen the error of her ways, but because Oropo had hurt her and she wanted to make him bleed in turn.

In the end, Echo's actions weren't fuelled solely by revenge or even jealousy, they were fuelled by the bitter realisation that she never meant as much to Oropo as he meant to her. It was about realising he had no qualms hurting her, not about how he had no qualms hurting anyone else.

It was about Echo not being enough for Oropo.

And for me, that's why Echo is a better example of Love Forgives All but Lust.

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