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#especially The Fellowship of The Ring
kindlythevoid · 8 months
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One of the best parts of Fellowship of the Ring is finding out about Aragorn and Bilbo’s friendship. Like I’ve seen people talk about how they collaborated on the song together, but I have yet to see people talk about this:
“[Bilbo] turned to Strider. ‘Where have you been, my friend? Why weren’t you at the feast? The Lady Arwen was there.’”
Bilbo Baggins, The Fellowship of the Ring pg. 261
Like. Bilbo was definitely one of Aragorn/Arwen’s chief shippers and no one can change my mind about that.
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corvidcall · 4 months
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im gonna be honest with you guys. gonna be perfectly candid. im fucking livid that lord of the rings is as good as it is. imo it should have been bad to retroactively justify why i was so hostile about it. but instead its really good and now i have to be the dipshit being like "wow have you guys heard about this thing i just discovered???? its called lord of the rings" like yeah bitch everyone knows about lord of the rings. how did you manage to go 22 years never learning the actual plot of lord of the rings.
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vivitalks · 4 months
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settle a debate between me and my roommate
(whatever your vote please explain your answers)
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trashyshrew · 2 years
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tragedykery · 10 months
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it’s sooo fucked up that boromir’s last words were “I’ve failed.” literally sooososo fucked up
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heckin-music-dork · 2 years
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"We hobbits ought to stick together- and we will."
Have I mentioned that I love the hobbits more than life itself? Because I do. ❤️
These designs are heavily inspired by @saltseashark's, which I'm absolutely in love with!
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sam-is-here96 · 1 year
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Glorfindel was tall and straight; his hair was of shining gold, his face fair and young and fearless and full of joy; his eyes were bright and keen, and his voice like music; on his brow sat wisdom, and in his hand was strength.
Fellowship of The Ring
Part two, ch. 1
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lesbienneanarchiste · 11 months
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I'm basically an influencer now bc after 2.5 years of watching me use mine, my mom has finally started a book/reading journal 💅
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recents · 5 months
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idk i think what is interesting about astarion to me is the fact that you have a guy who started out an asshole (normal type) and then spent two hundred years in a very carefully and specifically crafted (by the writers of the game) Become A Terrible Person Or Die nexus. like it wasn’t just a Torment Nexus, he wasn’t just in hell, i feel like this is very important not to forget, he was in hell but it was specifically a hell designed to, over time, kill the empathy of anyone trapped in it, kill their brain’s ability to prioritize other peoples’ survival, to numb one’s conscience.
and then he gets yanked directly out of that nexus and despite that the fact that he spent, again, two hundred years in a situation that was sort of a rock tumbler for the human soul, there’s still a pebble left in there. and it’s a pebble that can be grown if placed in the right environment and provided with a support network.
so i think it becomes interesting because it really does i think force you to start thinking about the limits of free will even on as basic a level as the human personality. i think the fact that he becomes such a different character based on player choice, that his end morality is so hugely dependent on player choice, is uhhh. a big part of what the devs were going for probably.
it makes a lot of people really uncomfortable to acknowledge some bad people would be good people if literally nothing changed except they had a good support network and different circumstances. especially because it means the opposite is also true. which is even more uncomfortable.
you know that part in the beginning of fellowship of the ring where gandalf is talking about how gollum is ultimately only like that because of the ring and gandalf thinks his story is sad? astarion is kinda like if they sexualized gollum.
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f4nta5y-f4n · 9 months
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LotR will never not make me sob.
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themoonking · 1 year
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i think more tolkien fanartists should give the elves little hats fr
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astronicht · 16 days
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Incomplete list of stuff that made me go apeshit reading Fellowship for the first time, medievalist edition (part II)
Part I here. Disclaimer: this is for fun!
Love that people keep stressing that they are going to the ELVES for COUNCIL. Old English names, especially among the rulers of Wessex, Northumbria, Mercia, etc, were often Elf Theme Names, one of the most famous and enduring of which is Alfred. Written the old way, Ælfræd or Ælfred (as in Alfred the Great), means Elf-Council, aka "counseled by elves". In their hearts... everyone wants to be Alfred... possibly this is only funny 2 me.
Tom Bombadil doing a training montage in the fucking magic system of Middle Earth?? He teaches Frodo to recite a poem that will summon him, Tom Bombadil, in times of need! Frodo gets kidnapped by undead wights in a barrow (like many a good young person in an Old Norse saga before him) and dutifully recites this magic poem. Frodo learned Recite Magic Poem! TOM BOMBADIL SMASHES THRU THE WALL OF THE BARROW LIKE THE KOOL-ADE MAN AND RECITES A BIGGER, STRONGER POEM??
At this point I gave up on trying to be normal about anything. As such, I'm pausing on Tom Bombadil again.
It helped (?? not psychologically) that Tom Bombadil recited something that felt a bit familiar, when he banished the wights. It's not anything like a direct translation, if indeed it bears any purposeful resemblance to the actual recorded medieval galdor called Against a Wen. Regardless, Against a Wen is an okay?? example of what a spoken word magic poem would look like, and why it's similar to what Tom Bombadil (and later Gandalf and others) do. Left screenshot is Bombadil against a barrow-wight. Right is Against a Wen, in English translation. (a wen was possibly a skin ailment, like a mole or a cancer). Banishing to/beyond the hills and shrivelling are the apparent themes. You don't have to follow me on this one, much less agree. Frankly this is the point I went off the deep end, probably.
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Galdor can also protect! This just happens to be a banishment.
Gollum got exiled (the worst thing the early medieval and apparently proto-hobbit law could do to you) but not even for murder. No one found out about the murder. He just sucked.
ALSO Gollum lied and said that his matriarch (who exiled him) gave him the Ring. This implies it was plausible she'd give out rings, implying female ring-giver (standard role of a king). This is mentioned once and never again. ok!!
One last fun fact about galdor: it is the word at the end of "nightingale" isn't that lovely? Luthien's name in-universe means nightingale. This is fine!
I spent a lot of time researching Aragorn's favorite rock. I love these books. If I recall correctly it's a real rock! but possibly. just a cool rock.
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tossawary · 7 months
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The last time that I rewatched "The Fellowship of the Ring" (extended edition, of course), my favorite new detail that I noticed is that the characters, once they set out on their journey, are pretty much always traveling from screen-left to screen-right.
It had been a few years since I'd seen the films and I'd learned more about filmmaking in that time. I'm completely biased regarding the LOTR films; they're not perfect, but I grew up on them, I love them. I was trying to take notes on all of the little details that made the world of the films seem so rich and so enchanting to me. The camerawork, character staging, and editing is one of the many things that just happened to jump out at me at this time.
When Frodo and Sam are leaving the Shire, the camera is set up in such a way that they start on the left side of the screen (<- that side) and travel across it to the right side of the screen (-> that side).
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This way to go the farthest you've ever been from home. ->
As the hobbits travel from Bree to Rivendell, as the Fellowship travels from Rivendell to the Misty Mountains, all of those gorgeous scenic shots of the Nine Walkers show them moving from screen-left to screen-right. I haven't rewatched the entire trilogy lately, but in "The Fellowship of the Ring", it is so beautifully consistent.
There are a handful of reasons why this is done. In staging and editing, consistency regarding where the characters are placed on the screen is a storytelling tool. For example: the "180 degrees rule" says to generally keep the camera on one side of the characters within a scene, so that the audience can mentally keep track of the characters within the environment and focus on the action/dialogue. If we're watching two characters talking in a diner, even in the close-ups, one character will usually be kept on screen-left and be shown facing screen-right, and the other will be kept on screen-right and be shown facing screen-left. It feels stable. (People will sometimes choose to break the "180 degrees rule". It can be a tool to create a sense of disorientation and/or instability in the audience.)
In "The Fellowship of the Ring", the maps that the audience is shown of Middle Earth tell us that the Shire is located in the West (left side of the map) and everything else of relevance (Rivendell, Moria, Rohan, Gondor, Mordor) is East (right side of the map). As the characters consistently travel screen-right, the audience builds up a firmer mental map of Middle Earth and can better keep track of the characters' progress on their long journey. With every step that Frodo takes towards screen-right (->), we know that he is traveling East, taking another step towards Mordor.
Left to right may also instinctively feel like the way forward in a culture that writes and reads from left to right. Regardless of which way you write: if your film establishes extremely consistently that one direction is forward, then this visual language can be used to tell the audience that something is wrong if the characters start traveling from right to left. They might be lost! It builds suspense in the visual depiction of the characters going backwards and undoing progress! This all suits the lengthy hero's journey of LOTR very well, in my opinion.
There's an old joke that knowing how anything is made ruins the magic, and another old joke that knowing anything about filmmaking makes you insufferable to watch movies with, but I've never felt that way, especially not here. How does that quote go? It's still magic even if you know how it's done. (GNU Terry Pratchett.)
I find it enchanting, honestly, that so many people can work so hard for an effect that can seem so simple. Actors, directors, camera operators, editors, storyboarders, and so many others on the crew of the films consistently placed characters, sets, and props just so! So that the audience could more easily keep track of where everyone was and lose themselves a little more deeply in the story.
It's such a simple rule! And it works so well! Left -> Right. West -> East. Shire -> Mordor. Home -> Adventure. Known -> Unknown.
I personally recommend trying to keep track of character movement across the screen in films, especially if you have any interest in visual storytelling (films or illustration or something else). It's fun! It's impossible for me to unsee, watching "The Fellowship of the Ring" now, and I think it's a wonderful piece of movie magic.
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notinusesworld · 6 months
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Legolas as your boyfriend head cannons!
synopsis: as the title says, g!n reader
a/n: new writer here! looking to improve my writing skills so please feel free to send me some requests. i’m only writing for lotr for the time being, and no smut and no hardcore angst. i’ll do pretty much any short story requests or head cannons otherwise. thank you!
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- He’s very gentle, his touches are always very soft and almost never rough
- It’s cannon that elves are very in tune with their emotions and freely show them outwardly, he will constantly tell you how he feels about you and he can seem quite dramatic about it at times
- On the same note, he likes to write poetry and songs about you, extremely cheesy ones but they mean a lot to him
- An enjoyer of things. He just likes things. While out on duty or adventures he likes to just pick up things he finds on the way. Nuts, rocks, leafs, ones that he finds particularly cool and interesting he likes to give to you. And if you don’t give it the appropriate amount of admiration then he will sulk
- He likes flowers, he’s forever picking them and putting them in his hair, he started to it for you too as he began to fall in love with you
- He has a staring problem, he doesn’t seem to understand that it makes people uncomfortable. You’ve caught him staring at you as if in a trance a few times, and he will continue to do so even after you’ve noticed
- If you joined the fellowship of the Ring along side him, then during the whole journey he will make sure you never get separated, especially during battles. He does believe that you’re strong enough to fight for yourself, he just doesn’t want to risk being away from you, or not being able to help incase of an emergency
- He’s very physically affectionate, he likes to hold you any chance he gets, even if it’s just your hand as you walk together. He likes making the most of the time you have together, whether you’re an elf or a mortal, he will do the same and never get tired of it
- He likes to wake you up by peppering your face with kisses
- He likes to talk about you a lot to his friends, while he will talk about pretty much anything that pops into his mind, you seem to be on it the most. He will shower you with praise and talk about how amazing of a partner you are
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retellingthehobbit · 7 months
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Retelling The Hobbit Chapter 15: Unattached First chapter / Previous / Next Read full comic on: Webtoon/A03 
Other blogs : Instagram/Tumblr Sideblog
Thank you for reading! The next chapter of this comic adaptation of The Hobbit will be titled (drumroll)....The Song of the Lonely Mountain!
Check under the cut for notes on the callbacks to previous chapters of this comic, and to Tolkien stories like the Unfinished Tales! —-
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One of my guiding ideas for this comic is that the story is being written/drawn by Bilbo Baggins, an  “unreliable narrator,” who has a biased way of recounting events. As the comic goes on, parts of the story get retold through new perspectives (or through the eyes of other characters), and you realize the initial version you read was incomplete. 
A lot of you probably noticed that this chapter features a ton of callbacks to the earliest chapters of this comic! We saw child Bilbo and Gandalf's friendship told from Bilbo's POV in Chapter 3.....but in this chapter we see it retold from Gandalf's POV. However, Belladonna Took is our biggest instance of that!   Not to overexplain my own writing, but Chapter 1 is an older Bilbo painting an idealized happily-ever-after fairytale picture of Belladonna, while Chapter 15 features a younger Bilbo telling a far less optimistic version of her life.  While there's truth to both of them, neither of them is the full truth.
In the Fellowship of the Ring, Bilbo tells Frodo that ‘books need to have good endings,' like endings where everyone "lives happily ever after." If I were to continue this comic to the end of the novel, Bilbo’s habit of “rewriting things to be happier" would become a whole Thing. 
Second: Much of this chapter is taken directly from “The Unfinished Tales: The Quest For Erebor.” That story was Tolkien’s attempt to unite the tone of The Hobbit with LOTR, by having Gandalf explain what The Hobbit looked like from *his* perspective. The gay line about Bilbo feeling incapable of settling down into a Traditional Marriage with a Wife And Kids is taken almost directly from the Unfinished Tales. So are all the lines where Gandalf reflects on what Bilbo was like as a child, and the moment where Bilbo reflects that all of his desire for adventure has dwindled to a private dream.
Third: Obviously, the other big influence on this chapter (outside the original novel) was a similar scene in the PJ film. The little bit where Gandalf reveals the lore behind Bullroarer took monologue is the only dialogue I’ve directly lifted from that scene. ;3
Fourth: some of you may have caught that I used a quote describing Frodo’s wanderlust in the Fellowship of the Ring to describe Bilbo. The bit describing "the maps that only show white spaces beyond their borders" is also why I emphasized Bilbo’s canonical nerdiness around  maps in earlier chapters (chapter 5 especially, but also in Chapter 6, Chapter 7, and a blink-and-you-miss-it moment in chapter 14.) 
Fifth: one of my favorite things in the original book are all the scenes where Gandalf does fun Whimsical things with smoke/smoke rings. In the book he usually makes them change color or race around; in my comic he usually makes them turn into butterflies (he also does this in chapters 3 and 11.) you may have noticed that Butterfly Symbolism is a big thing in this comic.  But yeah, in another callback: Gandalf finally had time to blow smoke-rings with Bilbo, which he said he 'had no time for' in Chapter 2!
Thanks again for reading! I tentatively plan for the next chapter to arrive on November 13th.
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estethell · 29 days
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When the Fellowship of the Ring was formed in Rivendell, Gloin met with Bilbo and they chatted for a long time remembering the old times and especially those who were no longer there. After that meeting, Bilbo cried all night remembering his lost love
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