Idk if I already sent this in or if it glitches out and didn’t send but I found this on pinterest:
OH MY FUCKING GOD STORYTIME REAL QUICK EVERYONE SIT DOWN. OKAY SO I SAW THIS ALREADY LIKE A WEEK AGO SO I WENT INTO THIS PERSONS DMS TO ASK THEM TO TAKE IT DOWN BC I LITERALLY DONT ALLOW REPOSTS AT ALL. AND THEN THEY ACCEPTED THE REQUEST. SO I WAS LIKE OK GOOD THEYRE CIVILIZED. WE'RE GONNA SORT THIS OUT. BUT THEN THEY LEFT ME ON READ. AND THEN THEY FUCKING BLOCKED ME??????????????????????? LIKE?????????????????????? THE FUCKING AUDACITY????????????????????????
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I’m dead serious when I say I don’t give a SHIT how much it cost Martin Scorsese to make one of the last movies he will make on this earth and neither should anyone else if they aren’t pushing studio exec propaganda that their artists are greedy and out of control. What are you? The head of accounting at Paramount and Apple? You gonna wipe Tim Apple’s ass for him too? Pathetic.
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'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
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When Carole Lombard tackled anything it was with all her heart and soul — and that's the way she fell for Clark Gable, in a way that could have been worked only by the miracle that makes hearts beat faster on Valentine's Day. Everyone who knew Carole loved her; everyone loved Gable, too — and when they loved each other it was a romance fit for the gods. - Hedda Hopper, "Three Loves That Thrilled the World" (Modern Screen, February 1949)
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february has blessed me with The Sickness (i'm down with it) so apologies for not posting much these past couple days
anyway i'm still waiting for someone to write that alenoaheather fake dating au where both heather and alejandro pretend to date noah- the least intolerable person on the plane besides each other- to make the other jealous and noah Lets It Happen because it's funny and he has nothing better to do (he's read all of his books and now he's bored)
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Rewatched Princess and the Frog today and honestly it feels more like a celebration of Disney's 100 years than Wish. A classic fairy tale respun in interesting ways while still being undeniably Disney? Check. A traditional story with modern twists and a (narratively) strong female protagonist? Check. A return to 2D animation in a time when the medium was dying out? Check. Hell, it even takes place in the same time period (1920s) that Walt Disney released the first animated feature film and started a hundred years of magic. There are multiple references to older Disney movies, from classics like Pinocchio and Sword in the Stone to (then) recent films like Aladdin and The Little Mermaid. It features the fucking wishing star! In a more narratively sound manner than Disney's actual 100th year celebration!
And even beyond that, Princess and the Frog feels like it pays tribute to the magic of magic - the power of believing in stories, of having a dream, of working hard to reach your happy ending while never losing sight of what's really important. There is so much effort put into this movie and it shows: the animation is gorgeous, the story is creative and structurally sound, and behind the scenes reveals that the producers put their backs into making sure both the African American aspect and the New Orleans cultural aspect were accurately depicted. It was the first Disney movie in over a decade to return to the Broadway musical format, and they literally had to dust off the abandoned 2D art tools because the company hadn't used them since 2004.
Princess and the Frog was a labor of love through and through, a heartfelt tip of the hat to Disney's legacy while still being its own story. I don't know what could be more celebratory of Walt Disney's dream than that.
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The Birth of Copia
Way back in January, I hurt my right hand and I couldn’t draw - or do much in general without pain - with it. Then a friend’s recommendation got me into Ghost and their music really helped me through a time when I felt quite down and restless as I thought I wouldn’t be able to pursue any of my hobbies for quite some time (which was mostly true). But then I bought tickets to a Re-Imperatour ritual and spent the next two months working on this shirt design with my left hand instead. Needless to say, it tested my patience a lot at times, but my left-handed drawing improved quite a bit and I had a lot of fun, which was something I greatly needed at that time. My right hand is better - although not fully healed yet - and I’m seeing Ghost next week (!!!) and I shall be wearing my self-made shirt. <3
@thebandghostofficial
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Viens-y! by Paul Gavarni (Yale University Art Gallery)
Happy Eighteen-Forties Friday, my friends!
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