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#emotional code
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dazai making up a whole language with fyodor that no one else can understand is amazing but imagine him using codes that, very objectively speaking, you could crack, it's just that no normal person would ever make the insane leaps in logic that it requires. except for someone familiar with dazai's weird thinking patterns, that is.
i just love the idea of dazai's unhinged antics being dialed up to an eleven when he was in the port mafia, and oda being the only one who simply wouldn't bat an eye at it but chuuya was the only one who would actually get it.
like imagine ango at the end of the jailbreak, his boss saying he should allow himself to sigh and lean back and maybe indulge himself, pat him on the shoulder, tell him what he pulled off reading heart rates wasn't easy and he should be proud for being able to keep up with such a plan
but ango i-drank-with-teenage-dazai-and-also-had-the-records-for-every-soukoku-mission sakaguchi can only remember the time dazai was like using greek sign language through his breathing patterns to communicate from a submarine from beneath the pacific ocean or something, and chuuya could not fathom how no one else could understand him.
and that was the day mori signed off on skk being exclusive partners because every subordinate in the room was crying tears of blood by the time chuuya finished explaining which blood pressure level was warning them about a bomb, which blinking sequence was him conveying the vault password and which series of inhales was just him calling mori a bitch.
(ango also pointedly did not want to think about how smug dazai had looked after the mission when mori confirmed skk would only be each others' partners for efficiency and to maintain everyone else's sanity
or about how when he called chuuya to tell him about dazai's prison break scheme he could only get like 3 out of 276 steps into the plan before chuuya rolled his eyes, said "got it" then hung up and pulled the whole thing off without a hitch.)
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sofiaruelle · 2 months
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Happy Valentines Day!
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jojotier · 9 months
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The reason why Dirk is the way he is is because there was never an episode where he gets split into 5 color coded dopplegangers each only capable of exhibiting a single highly intense emotion who all the other kids have to find and reunite together so they can get back The Full Dirk, who is now fully emotionally actualized and is ready to share his emotions with others
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theelmoarchive · 2 months
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Guys I swear it's not Jay again I swear it's not-
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*this drops out of my pocket*
😨😨😨
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robinwithay · 3 months
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i think a lot of people in the fandom have a bad habit of acting as if aziraphale should know everything we, the audience, know about crowley, and that he should therefore be more sympathetic to feelings that aziraphale literally doesn't even know crowley has, because crowley hasn't told him.
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reds-skull · 5 months
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Not pictured is Price dragging Ghost to medical and having to explain how his lieutenant got burns while making tea.
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juniemunie · 3 months
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If we're not giving up, don't give up wherever you are.
That's a promise.
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dewinabsentia · 2 months
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i had a vision
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asoftepiloguemylove · 3 months
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DOESN'T MATTER 'CAUSE IT'S ENOUGH TO BE YOUNG AND IN LOVE
Mitski My Love Mine All Mine // Blade Runner 2049 (2017) dir. Denis Villeneuve // E.E. Cummings Collected Poems // Jane Eyre (2011) dir. Cary Joji Fukunaga // &TEAM FIREWORK // Joan Tierney The Elektra Complex // pinterest // 怪物 Monster (2023) dir. Hirokazu Kore-eda // pinterest // Taylor Swift invisible string // unknown // 刻在你心底的名字 Your Name Engraved Herein (2020) dir. Patrick Kuang-Hui Liu // Frank Ocean End/Golden Girl
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katewritesss · 4 months
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pete "you're on your own, kid. you always have been" mitchell
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laundrybiscuits · 1 year
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Eddie’s doing some dumb trick with a couple of wooden spoons, clever hands making them move through the air in improbable ways, and Steve’s about to bite his whisk in half. 
He’d thought for sure that Eddie would be going home the first week; Edward Munson, 29, bartender/musician from Brighton with mismatched tattoos and wild hair, seemed like exactly the kind of pretentious asshole who would flame out early with some ill-advised hipster experimentation. If Steve (28, social worker from Indiana, USA) had been a complete asshole, he’d have said that Eddie didn’t have the fundamentals. That he was all sizzle, no steak. 
It’s a good thing Steve’s not a complete asshole, because Eddie’s been blowing the technicals out of the water so consistently it’s actually pretty fucking embarrassing. His signatures and showstoppers are making a very respectable showing too, except for the time he tried to incorporate some fresh pandan extract and fucked up the liquid ratio, leaving him with a dripping mess that Mary’d declined to even try. 
Afterwards, Steve had seen him leaning against a tree and struggling to light a cigarette. Steve went over for no particular reason, flicking on his lighter and holding it out like a peace offering. Eddie looked at him warily, but bent over the offered flame. 
“Can’t believe I made it through this one,” Eddie said after a moment, white smoke curling out of his mouth.
“Yeah, I feel like that every week.” Steve leaned against the tree next to Eddie. It was a big tree, the kind that’s probably been growing in this field since before England was even England. 
“Nah, but—c’mon, you know what I mean.”
“You had some bad luck with your showstopper. Happens to the best of us, man. Your signature hand pies looked sick as hell.” Steve’s own hand pies had turned out pretty well, so he was feeling generous. It had only been the third week; plenty of time for Steve to snag Star Baker, though even by that point, Steve had been getting the creeping feeling that he was being a little too American about the whole thing. Everyone else seemed to think competitiveness was some kind of deadly sin. It was—actually kind of nice, to get the same kind of nerves he’d always gotten before high school basketball games, but know that he wasn’t really fighting against anyone except himself in the tent.
Anyway, the very next week, Eddie had done some kind of kickass gothic castle with a shiny chocolate dragon and gotten Star Baker for the second time. Steve had clapped him on the back, appropriately manly. Eddie had pulled Steve into a real hug, arms tight around Steve’s shoulders and his whole lean body pressed up close and warm. It had only lasted a moment, and then Eddie had bounded over to Mel and Sue, both of whom he’s been thoroughly charming since the get-go. 
Steve thinks that when this season—or, uh, series—airs, no matter where Eddie places, the entire country is going to be just as charmed. Eddie’s going to get whatever kind of cookbook deal or streaming show he wants. Sponsors will take one look at that handsome face and charismatic grin, and a whole world of possibilities is going to open up for Eddie. 
Steve’s not in it for any of that, of course. He’s here kind of by accident, because Robin pushed him to apply, and it’s a goddamn miracle he’s been holding his own. Hell, it’s a miracle he’s in this country at all. When Robin had started looking at the Cambridge MPhil program in linguistics, she’d said wouldn’t it be great if and he’d snorted, yeah right, like I could ever get whatever job I’d need to move to another freaking country, but then—well. Things had happened the way they’d happened, and now Robin’s almost finished with her degree and Steve is taking time off from the London charity he works at in order to be on Bake Off. 
He’s told all this to the cameras, plus the stuff about how baking started as a way for him to connect with the kids he used to babysit in Indiana, blah blah blah. He thinks it’s probably too boring for them to air, but he gets that they have to try to get a story anyway. 
Eddie Munson, on the other hand, is probably going to be featured in all the series promos. Steve is rabidly curious about what Eddie’s story is, but he hasn’t worked up the nerve to just ask. It should be the easiest thing in the world. They’ve got kind of a camaraderie going, the two of them; a bit of a bromance, as Mel’s put it more than once. 
It’s true they get along pretty well, and the cameras have been picking up on it: on the way Eddie’ll wander over to Steve’s bench like a stray cat whenever they get some downtime, how they wind up horsing around sometimes, working off leftover adrenaline from the frantic rush of caramelization or whatever. There’s the time Eddie had hopped up on a stool to deliver some kind of speech from Macbeth, of all things, and overbalanced right onto Steve, who had barely managed to keep them both from careening into a stand mixer. Sue had patted Eddie on the shoulder and said, “Well, boys, that’ll be going in the episode for sure.”
They both get along with the other contestants just fine, of course, but they’re two guys of about the same age with no wife and kids waiting at home. It’s only natural that they’re gravitating together, becoming something like friends, Steve figures. It’s pretty great that he’s getting at least one real friend out of this whole thing.
It would be even greater if Steve could stop thinking about Eddie’s hands in decidedly non-friendly ways. With all the paperwork he’s signed, he can’t even complain to Robin about how Eddie looks with his sleeves pushed up to show off the tattoos on his forearms, kneading dough and grunting a little under his breath with effort. Steve had almost forgotten to pre-heat his oven that day. 
Two benches away, Eddie fumbles the spoons he’s been juggling with a clatter, and he bursts out laughing, glancing over at Steve like Steve’s in on the joke. Steve grins back, heart twanging painfully in his chest, and thinks: well, fuck. Guess this is happening.
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have some kinitoPET content, 'cause why not
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a version with YOU
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+ a thing and a few YOU doodles
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poorly-drawn-mdzs · 9 months
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I'm sorry I let down my guard.
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#poorly drawn mdzs#mdzs#xue yang#xiao xingchen#God DAMN this scene was brutal. Season 2 episode 2 is almost nothing but misery and anguish#Helena by Nickle Creek does not quite fit the comic's vibe but it is absolutely a Xue Yang song so I linked it.#The change from “Helena don't walk away...(gentle)” to “HELENA. DON'T WALK AWAY (threat)” is fantastic.#And “Don't waste your pretty sympathy - I'll always be just fine”. Xue Yang core.#Okay now for the real meat. Disclaimer first: *I really like XY.* I think he's a great character. I think his actions consistently-#come from a place of deep trauma. While his reactions and actions put him in a villainous role he is still human about his hurt#and what I'm about to say is NOT intended to be a statement of causality or villianize a group of misunderstood people.#So with that said...Man oh man does Xue Yang have a lot of BPD traits. More that just 'character who is chronically manipulative'.#The impulsivity and emotional reactions and seeking stability makes him feel like he needs that control. What other choice is there?#The part that really gets me is how he *wants* to be safe and happy. But his past experiences tell him how thats impossible#He's the kind of person who goes 'if you don't like me then you better hate me for something substantial". All (pos) or All (neg)#''Love me entirely or Hate me. But don't you dare leave me or forget about me.''#Not at all comfortable saying 'BPD coded'. Im not a psychiatrist. Just that he has TRAITS. Feel free to disagree or add your thoughts.#ppl with bpd also are not a monolith and everyone has very different experiences. Xue yang is very complex. People more so.
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vforvielka · 3 months
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Deliver me from everything I’ve put off and all that we’ve lost
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franklespine · 5 months
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You know I think you guys might be on to something when you call Sam woman coded cause - genuinely - how do you, as writers of a show, be so misogynistic as to not include any female characters asides from damsels and hookups (specifically referring to the early seasons), and yet need so desperately to have a outlet for macho masculine patriarchy power dynamics that you have an adult male character experience misogyny?? How do you mess up that badly??
It's like, although they thought that putting female characters in the narrative other than to exist as sexy distressed lamps wouldn't appeal to the true blooded 2000s American audience. But yet it was completely necessary for there to be a bottom rung in the masculinity pyramid because - well how else can we as a society function!!
Anyway, ik reading too far into things is my special talent, and in most circumstances all of this stuff is just a joke in the show but wow they really had Dean poking fun of any of Sam's characteristics that don't fit into this Hyper True Blooded American Masculinity ideology as a butt of jokes for 15 years. The fact that he has longer hair, that he cares about his hair, that he's tidy, that he likes salads and isn't a big meat eater, that he's sympathetic, that he's a bitch. And of course these are just silly little jabs that Dean makes in sibling-like fashion but like wow 15 years. Damn.
And of course it's not only this that leads to the rather odd interpretation of a woman-coded Sam, but also the way he is treated directly by the narrative. Like, for example, being the family's possession, rather than an equal member. Dean has seen it as his job to look out for his little brother since he pulled him from the fire and the wellbeing of this infant was thrown onto his shoulders at age 4, and this has created a lot of ricocheting effects on both of them. This isn't to say that Dean doesn't love, care, respect, and value Sam, but it does mean that sometimes he treats him like a possession rather than a person. He makes a lot of crazy decisions in the show that he justifies as being for Sam's own good, even if it goes directly against Sam's wishes. After Sam leaves a note to Dean telling him he's going out for a bit to handle a case, Dean weasels his way in, not trusting him to handle it due to the mental issues Sam is facing at the time, and kills Amy, despite Sam begging him not to. Even though Dean knows Sam would never consent to an angle possessing him, he tricks him into it anyway. He does these things, and many others because he believes that he is acting in Sam's best interests, totally disregarding the fact that Sam has capacity to make judgements and handle the consequences himself, even going so far as to oppose what he directly knows or Sam tells him he wants.
Then of course there is the fact that the fear integral to his character - a loss of autonomy (bodily autonomy, but also autonomy to make his own decisions about his future, to be good, to be pure and faithful), is an explicitly feminine one. Then there is the strong subtext in his story of SA themes, I think in s4 a demon even refers to Sam as a 'whore' or that he's 'whoring it up' (with respect to Ruby), and the interesting prevalent idea of Sam questioning or going against the ideals/ideology of the masculine figure head (which would be Dean I guess) and getting punished for it. Sam suggests that maybe they take a more humanitarian approach with the cow blood drinking vampires in s2 and Dean punches him, Sam tries to get him to talk about their Dad and Dean punches him, Sam tries to get him to talk about Lisa and Ben and Dean punches him, Sam gets caught simply using his abilities and Dean punches him - twice. I think you get the picture.
Anyway. This post comes off as rather critical of Dean, which wasn't really my intention. It's more sort of a broader criticism of the rampant sexism that had its part in shaping the show - being one to come out of the early 2000s. Ideas such as this - you could really go on for hours as its fascinating how ideological frameworks are presented certain ways in media - and the way masculine and feminine social dynamics, to list only one, is presented in supernatural is definitely a can of worms.
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qsmprambling · 10 months
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Headcanon that q!Bad is just going to pass out asleep for several days after 40 days straight of no rest all stress island living.
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