#element materials technology

[nnctales]

An In-Depth Analysis of Brick Typology: Composition, Characteristics, and Technical Applications

Bricks, a fundamental component in construction, have traversed millennia of evolution, transforming from rudimentary structures to a diverse spectrum of sophisticated building blocks. This discourse will meticulously unravel the technical intricacies of various brick types, elucidating their compositional nuances, inherent characteristics, and precise applications in contemporary…

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#aesthetic bricks #Architectural Elements #brick applications #brick design #brick manufacturing #brick technology #Bricks #building industry advancements #common burnt clay bricks #concrete bricks #Construction materials #eco-friendly bricks #engineering bricks #environmental impact of bricks #facing bricks #fire bricks #fly ash bricks #hempcrete bricks #innovative construction materials #Load-Bearing Capacity #modern construction materials #paving bricks #perforated bricks #structural bricks #sustainable building materials #thermal properties of bricks #types of bricks

[foone]

why are printers so hated? it's simple:

computers are good at computering. they are not good at the real world.

the biggest problems in computers, the ones that have had to change the most over the time they've existed, are the parts that deal with the real world. The keyboard, the mouse, the screen. every computer needs these, but they involve interacting with the real world. that's a problem. that's why they get replaced so much.

now, printers: printers have some of the most complex real-world interaction. they need to deposit ink on paper in 2 dimensions, and that results in at least three ways it can go on right from the start. (this is why 3D printers are just 2D printers that can go wrong in another whole dimension)

scanners fall into many of the same problems printers have, but fewer people have scanners, and they're not as cost-optimized. But they are nearly as annoying.

This is also why you can make a printer better by cutting down on the number of moving elements: laser printers are better than inkjets, because they only need to move in one dimension, and their ink is a powder, not a liquid. and the best-behaved printers of all are thermal printers: no ink and the head doesn't move. That's why every receipt printer is a thermal printer, because they need that shit to work all the time so they can sell shit. And thermal is the most reliable way to do that.

But yeah, cost-optimization is also a big part of why printers are such finicky unreliable bastards: you don't want to pay much for them. Who is excited for all the printing they're gonna be doing? basically nobody. But people get forced to have a printer because they gotta print something, for school or work or the government or whatever. So they want the cheapest thing that'll work. They're not shopping on features and functionality and design, they want something that costs barely anything, and can fucking PRINT. anything else is an optional bonus.

And here's the thing: there's a fundamental limit of how much you can optimize an inkjet printer, and we got near to it in like the late 90s. Every printer since then has just been a tad smaller, a tad faster, and added some gimmicks like printing from WIFI or bluetooth instead of needing to plug in a cable.

And that's the worst place to be in, for a computer component. The "I don't care how fancy it is, just give me one that works" zone. This is why you can buy a keyboard for 20$ and a mouse for 10$ and they both work plenty fine for 90% of users. They're objectively shit compared to the ones in the 60-150$ range, but do they work? yep. So that's what people get.

Printers fell into that zone long, long ago, when people stopped getting excited about "desktop publishing". So with printers shoved into the "make them as cheap as possible" zone, they have gotten exponentially shittier. Can you cut costs by 5$ a printer by making them jam more often? good. make them only last a couple years to save a buck or two per unit? absolutely. Can you make the printer cost 10$ less and make that back on the proprietary ink cartridges? oh, they've been doing that since Billy Clinton was in office.

It's the same place floppy disks were in in about 2000. CD-burners were not yet cheap enough, USB flash drives didn't exist yet (but were coming), modems weren't fast enough yet to copy stuff over the internet, superfloppies hadn't taken over like some hoped, and memory cards were too expensive and not everyone had a drive for them. So we still needed floppy disks, but at the same time this was a technology that hadn't changed in nearly 20 years. So people were tired of paying out the nose for them... the only solution? cut corners. I have floppy disks from 1984 that read perfectly, but a shrinkwrapped box of disks from 1999 will have over half the disks failed. They cut corners on the material quality, the QA process, the cleaning cloth inside the disk, everything they could. And the disks were shit as a result.

So, printers are in that particular note of the death-spiral where they've reached the point of "no one likes or cares about this technology, but it's still required so it's gone to shit". That's why they are so annoying, so unreliable, so fucking crap.

So, here's the good news:

You can still buy a better printer, and it will work far better. Laser printers still exist, and LED printers work the same way but even cheaper. They're still more expensive than inkjets (especially if you need color), but if you have to print stuff, they're a godsend. Way more reliable.

This is not a stable equilibrium. Printers cannot limp along in this terrible state forever. You know why I brought up floppy disk there? (besides the fact I'm a giant floppy disk nerd) because floppy disks GOT REPLACED. Have you used one this decade? CD-Rs and USB drives and internet sharing came along and ate the lunch of floppy disks, so much so that it's been over a decade since any more have been made. The same will happen to (inkjet) printers, eventually. This kind of clearly-broken situation cannot hold. It'll push people to go paperless, for companies to build cheaper alternatives to take over from the inkjets, or someone will come up with a new, more reliable printer based on some new technology that's now cheap enough to use in printers. Yeah, it sucks right now, but it can't last.

So, in conclusion: Printers suck, but this is both an innate problem caused by them having to deal with so much fucking Real World, and a local minimum of reliability that we're currently stuck in. Eventually we'll get out of this valley on the graph and printers will bother people a lot less.

Random fun facts about printing of the past and their local minimums:

in the hot metal type era, not only would the whole printing process expose you to lead, the most common method of printing text was the linotype, which could go wrong in a very fun way: if the next for a line wasn't properly justified (filling out the whole row), it could "squirt", and lead would escape through gaps in the type matrix. This would result in molten lead squirting out of the machine, possibly onto the operator. Anecdotally, linotype operators would sometimes recognize each other on the street because of the telltale spots on their forearms where they had white splotches where no hair grew, because they got bad lead burns. This type of printing remained in use until the 80s.

Another fun type of now-retired printers are drum printers, a type of line printer. These work something like a typewriter or dot-matrix printer, except the elements extend across the entire width of the paper. So instead of printing a character at time by smacking it into the paper, the whole line got smacked nearly at once. The problem is that if the paper jammed and the printer continued to try to print, that line of the paper would be repeatedly struck at high speed, creating a lot of heat. This worry created the now-infamous Linux error: "lp0 on fire". This was displayed when the error signals from a parallel printer didn't make sense... and it was a real worry. A high speed printer could definitely set the paper on fire, though this was rare.

So... one thing to be grateful about current shitty inkjet printers: they are very unlikely to burn anything, especially you.

(because before they could do that they'd have to work, at least a little, first, and that's very unlikely)

#printers #my writing

[nasa]

Let's Explore a Metal-Rich Asteroid 🤘

Between Mars and Jupiter, there lies a unique, metal-rich asteroid named Psyche. Psyche’s special because it looks like it is part or all of the metallic interior of a planetesimal—an early planetary building block of our solar system. For the first time, we have the chance to visit a planetary core and possibly learn more about the turbulent history that created terrestrial planets.

Here are six things to know about the mission that’s a journey into the past: Psyche.

1. Psyche could help us learn more about the origins of our solar system.

After studying data from Earth-based radar and optical telescopes, scientists believe that Psyche collided with other large bodies in space and lost its outer rocky shell. This leads scientists to think that Psyche could have a metal-rich interior, which is a building block of a rocky planet. Since we can’t pierce the core of rocky planets like Mercury, Venus, Mars, and our home planet, Earth, Psyche offers us a window into how other planets are formed.

2. Psyche might be different than other objects in the solar system.

Rocks on Mars, Mercury, Venus, and Earth contain iron oxides. From afar, Psyche doesn’t seem to feature these chemical compounds, so it might have a different history of formation than other planets.

If the Psyche asteroid is leftover material from a planetary formation, scientists are excited to learn about the similarities and differences from other rocky planets. The asteroid might instead prove to be a never-before-seen solar system object. Either way, we’re prepared for the possibility of the unexpected!

3. Three science instruments and a gravity science investigation will be aboard the spacecraft.

The three instruments aboard will be a magnetometer, a gamma-ray and neutron spectrometer, and a multispectral imager. Here’s what each of them will do:

Magnetometer: Detect evidence of a magnetic field, which will tell us whether the asteroid formed from a planetary body

Gamma-ray and neutron spectrometer: Help us figure out what chemical elements Psyche is made of, and how it was formed

Multispectral imager: Gather and share information about the topography and mineral composition of Psyche

The gravity science investigation will allow scientists to determine the asteroid’s rotation, mass, and gravity field and to gain insight into the interior by analyzing the radio waves it communicates with. Then, scientists can measure how Psyche affects the spacecraft’s orbit.

4. The Psyche spacecraft will use a super-efficient propulsion system.

Psyche’s solar electric propulsion system harnesses energy from large solar arrays that convert sunlight into electricity, creating thrust. For the first time ever, we will be using Hall-effect thrusters in deep space.

5. This mission runs on collaboration.

To make this mission happen, we work together with universities, and industry and NASA to draw in resources and expertise.

NASA’s Jet Propulsion Laboratory manages the mission and is responsible for system engineering, integration, and mission operations, while NASA’s Kennedy Space Center’s Launch Services Program manages launch operations and procured the SpaceX Falcon Heavy rocket.

Working with Arizona State University (ASU) offers opportunities for students to train as future instrument or mission leads. Mission leader and Principal Investigator Lindy Elkins-Tanton is also based at ASU.

Finally, Maxar Technologies is a key commercial participant and delivered the main body of the spacecraft, as well as most of its engineering hardware systems.

6. You can be a part of the journey.

Everyone can find activities to get involved on the mission’s webpage. There's an annual internship to interpret the mission, capstone courses for undergraduate projects, and age-appropriate lessons, craft projects, and videos.

You can join us for a virtual launch experience, and, of course, you can watch the launch with us on Oct. 12, 2023, at 10:16 a.m. EDT!

For official news on the mission, follow us on social media and check out NASA’s and ASU’s Psyche websites.

Make sure to follow us on Tumblr for your regular dose of space!

#Psyche #Mission to Psyche #asteroid #NASA #exploration #technology #tech #spaceblr #solar system #space #not exactly #metalcore #but close?

[lunarlianna]

Pluto generations

Aries (1823 - 1851)

The presence of Pluto in Aries defines a generation marked by a pioneering and assertive spirit, reflecting a profound longing for independence. Those influenced by this placement often take on key roles in instigating social change and revolutionizing established systems. Historical events from 1823 to 1852, such as the Wars for Latin American Independence, the First Opium War, and the Women's Rights Convention, exemplify the transformative impact of this astrological configuration.

Taurus (1852 - 1881)

Pluto's position in Taurus defines a generation characterized by unwavering perseverance, determination, and a profound connection to the material realm. These individuals prioritize stability, security, and the sustainable use of resources, leaving a lasting imprint on economic systems and environmental consciousness. Notably, during Pluto's transit in Taurus, the Industrial Revolution surged forward, marked by the rise of corporate structures in industries like railroads and steam engines.

Gemini (1882 – 1913)

The generation under the influence of Pluto in Gemini witnessed the dawn of the Second Industrial Revolution, aptly named the Technological Revolution. These individuals, marked by intellectual curiosity and adaptability, excelled in communication and media, significantly shaping cultural and technological progress. The era marked the birth of influential figures like John Maynard Keynes and Benito Mussolini, along with German scientist Robert Koch's identification of the tuberculosis bacterium. Notably, the First World War occurred during this period, bringing significant changes in all areas of life.

Cancer (1914 -1938)

Pluto in Cancer signifies a generation characterized by deep emotional sensitivity, nurturing instincts, and strong family values. Living through World War I, the Spanish flu pandemic, and the Great Depression, they grew up in a challenging era that shaped their conservative outlook. This generation, often referred to as the "Greatest Generation," prioritized family, spirituality, and adherence to societal norms. While their emphasis on politeness and chivalry had positive aspects, it also gave rise to dark elements such as sexist gender roles, racial segregation, and cultural supremacy.

Leo (1939 – 1958)

Pluto in Leo defines a generation marked by a quest for self-expression, creativity, and a hunger for recognition. Born during historical events like the Nazi invasion of Poland and the Battle of Stalingrad, these individuals challenged authority, imprinting their influence on art, entertainment, and leadership styles. Ruled by the Sun, Pluto in Leo symbolizes a fresh start after periods of war and chaos, fostering a sense of self-value and confidence. This prideful, generous, and naturally leadership-oriented generation, however, tends to resist change and stands firm in their philosophies as a fixed sign.

Virgo (1957 – 1971)

Pluto in Virgo defines a generation marked by a robust work ethic, practicality, and an innate drive for perfection. Born during pivotal events such as the first documented AIDS cases and Martin Luther King Jr.'s iconic "I Have a Dream" speech, these individuals contribute to societal shifts in health, wellness, and environmental consciousness. Ruled by Mercury, Pluto in Virgo emphasizes efficiency and hard work, fostering reliability, trustworthiness, and empathy. This generation focuses on rebuilding and technology, epitomizing an era of research and preparation, notably during the Cold War.

Libra (1972 – 1983)

Pluto in Libra defines a generation marked by a profound yearning for harmony, justice, and equality. With Venusian qualities, these individuals are inherently social, compassionate, and value connections with others. The events during their time, such as the end of the Vietnam War, the introduction of VHS, and the rise of personal computers, align with their commitment to justice and duty for the collective. This generation, while not necessarily seeking radical societal reshaping, is more focused on preserving law and order, offering assistance to those in need, and rectifying wrongs through the pursuit of justice.

Scorpio (1984 – 1995)

Pluto in Scorpio defines a generation marked by intensity, depth, and profound transformation, playing a pivotal role in societal shifts related to power dynamics, sexuality, and psychological exploration. While the preceding Pluto in Libra generation advocated for balance, Pluto in Scorpio pushed the limits, ushering in events like the Gulf War, the end of the Cold War, and the advent of the World Wide Web. Resilient and empowered, they navigated constant transformations, developing a keen ability to adapt and thrive through each metamorphosis. This generation also contributed to a shifting cultural perspective on sexuality.

Sagittarius (1996 – 2008)

Pluto in Sagittarius shapes a generation marked by a thirst for knowledge, cultural exchange, and a global perspective, contributing significantly to societal shifts in education, philosophy, and belief systems. This generation, embodies the archer's bravery and fearlessness, fostering a spirit of rebellion and outspokenness. Sagittarius' affinity for networking and socializing with individuals from various nations aligns with the rise of the internet, a tool that facilitates global connectivity. Key events during this period include the successful cloning of Dolly the sheep, the introduction of the Euro to financial markets, and the groundbreaking launch of the iPhone in 2007.

Capricorn (2008 – 2023)

Pluto in Capricorn defines a generation marked by ambition, pragmatism, and a distinct focus on challenging traditional structures, leading to transformative changes in politics, business, and governance. Ruled by Saturn, this era, encompassing events such as the launch of Bitcoin, the Syrian civil war, Edward Snowden's revelations on mass surveillance, and the COVID-19 pandemic, unfolded amidst the Great Recession and the rise of social media. The influence of Saturn instils a commitment to rules, regulations, and social changes that align with a desire for structure and order.

Aquarius (2024 – 2044)

Pluto in Aquarius heralds a generation marked by innovation, individuality, and an impassioned pursuit of freedom and social progress. The current era unfolds amid a new global order, carrying both anticipation and uncertainty. Emerging from the constraining Capricorn era, Aquarius brings a promise of hope, healing, and a future-focused mindset.

Pisces (2044 – 2067)

Pluto in Pisces gives rise to a generation marked by empathy, spirituality, and a deepening of the collective consciousness, contributing to societal shifts in compassion, art, and transcendence. As one era concludes and another begins, this period signals the resurgence of spirituality, with people connecting profoundly to the universe through meditation and prayer. Anticipated as a peaceful time with minimal conflict, technological progress may temporarily slow after the Aquarius era's boom. This wise generation is poised to challenge traditional norms, potentially leading to the disappearance of gender roles, marking a significant chapter in human evolution.

#astro observations #astro community #astro placements #all signs #astrology #astro notes #astrologer #for you #zodiac placements #pluto #planets #predictive astrology #astrology notes

[sobwh]

Sixaluminium - Devasa+

Aluminum extrusion is a process used to create parts with specific cross-sectional profiles by pushing heated alloy material through a die. This process allows for the creation of various shapes and sizes, making it a versatile method for manufacturing aluminum profiles. Despite its importance, many people may not even notice the prevalence of aluminum extrusions in their homes. In Turkey aluminium manufacturer, companies like Aluminance Aluminum Industry and Trade Inc. and Ş. are leading manufacturers of aluminum extrusion profiles and composite panels. These companies play a crucial role in providing high-quality aluminum extrusion products for various industries, including construction. The construction industry greatly benefits from the use of aluminum extrusion profiles. Aluminum construction are lightweight, strong, and corrosion-resistant, making them ideal for construction applications. They are commonly used in windows, doors, and other architectural elements due to their structural integrity and cost benefits. Additionally, aluminum extrusions offer sustainability advantages as they are recyclable and can be repurposed for other projects . The use of aluminum extrusions in construction also contributes to faster construction timelines, as they can be easily fabricated and installed. Overall, aluminium systems profiles have become an essential component in the construction industry, offering a range of benefits for architects, builders, and homeowners alike. In Turkey aluminium extrusion manufacturers like Ş. have played a significant role in supplying the construction industry with high-quality aluminum profiles. These profiles are used in various applications, including aluminum systems for windows, doors, and facades . The 40-Series Aluminium Extrusion Profile produced in the EU is a popular choice for construction pr aluminium veranda ojects due to its quality and durability. The use of aluminum extrusion profiles in construction not only enhances the aesthetics of buildings but also provides structural stability and longevity. With the continued advancements in aluminum extrusion technology, the construction industry can expect further innovation and development in the utilization of aluminum profiles for various architectural and structural applications.

[solarpunks]

Invisible Solar

Invisible Solar is a new PV technology that take on the appearance of any building material. Each Invisible Solar module is more than a photovoltaic panel, it also is an active architectural element with various functionality.

Disguising solar panels as ancient Roman tiles in Pompeii

"They look exactly like the terracotta tiles used by the Romans, but they produce the electricity that we need to light the frescoes," says Gabriel Zuchtriegel, Director of the Archaeological Park of Pompeii. This solution is part of a more comprehensive strategy to turn costs into savings opportunities and to embrace sustainable development.

Technically called "traditional PV tiles", the invisible solar panels used in Pompeii come from Camisano Vicentino, a little Italian town with slightly more than 10 000 inhabitants, halfway between Padua and Vicenza. They were created and patented by the family business Dyaqua.

How They Work

Operating of Invisible Solar modules is based on the low molecular density. Each module is composed of a non-toxic and recyclable polymeric compound we properly developed to encourage the photon absorption.

Inside the module there are incorporated standard monocrystalline silicon cells. The surface, that is opaque at the sight but translucent to sun rays, allows the light to enter and feed the cells.

Oh my goodness. 

Solar voltaic’s designed for historic contexts that offers architectural and aesthetic integration? 

AND they are already installed in Pompeii and not marketing vapourware?

AND they are made by a small Italian family business? 

Be still my beating solarpunk heart 🥰 ☀️

via @stml​ in a forum.

#solarpunk #solar punk #solar power #voltaics #solar panels #terracotta #pompeii #renewables #solar energy #Aesthetic #Architecture

[raven-at-the-writing-desk]

Steal Your Heart (Part 1)

When the calling card of the infamous Knave of Hearts arrives, he’ll rob his victims blind of their most treasured items on the appointed date. Enter ace detective Yuu accompanied by rookie cop Deuce Spade, both seeking to apprehend the Knave and bring him to justice.

Will they succeed, or will the phantom thief steal their valuables--and their hearts--first?

This was originally meant to be one fic, but it was getting to be WAY too long. I decided to split it in half and release this part now and the second part (which I am still working on!) later. This first part focuses more on Yuu and Deuce; the second part will be more Yuu and Ace.

(Please note: there are slight romantic implications in the form of an Ace/Yuu/Deuce love triangle, but those elements could also be interpreted as platonic or as just playful teasing with no additional meaning. It’s all in the eyes of the reader!)

Imagine this...

The police station’s waiting room was a familiar sight.

With time, the shiny checkered floor had grown matte, marred with scratches and scuffs from the boots that crossed it on a daily basis. Someone had taken to attempt to pretty up the otherwise dull space by hanging out abstract paintings on the cream-colored walls, and a vase of white roses dripping with red paint at the check-in desk. There was as even a glass tank which housed a small family of colorful hedgehogs.

Maybe they were meant to be welcoming—but really, they were more clashing than anything. Certainly not a fit for the stiff atmosphere of the station.

Still the fluorescent lightbulbs buzzed faintly, flickering in and out on occasion. The sound distracted from the old television mounted in a corner to entertain guests. It seemed to play commercials on a loop more often than it played actual shows. Currently, an Olympus Corp. branded tablet was being toted as the next big technological marvel—though the TV’s audio was fuzzy at best, and the image half static.

A coffee table pushed to the wall, stacked with a new stash of magazines. Whoever updated the reading materials—most likely the friendly senior officer with orange waves for hair—was into the latest trends, often selecting fashion magazines with high gloss finishes. A dangerously beautiful man graced the covers of many of them, dressed in the hottest summertime styles while looking the part of an untouchable ice queen.

As usual, the station was scented with coffee and tea, the beverages of choice for many officers burning the midnight oil or working overtime. The chief demanded it at times to meet deadlines and goals—he was such a stickler for them—and the caffeine helped those under him stay sane as they went about their duties.

In the afternoons, most were either out on lunch or on patrol, lessening the foot traffic at HQ. There was only one man in uniform, seated behind the desk and filing some papers.

Yuu shifted in their own chair, adjusting the rim of the baseball cap upon their head. They were suited in an inconspicuous jacket and sneakers, fingers toying with a badge in a pocket, hidden out of view. To the common man, they were a jogger--but one flash of their lilac gemstone bound to a black and white striped ribbon, and there would be no doubt as to what their true identity was.

The smell of coffee and tea grew stronger, and Yuu glanced up from behind the bill of their hat.

The bespectacled man from behind the fro

nt desk had approached. He had a sheepish smile, bearing a paper cup filled with hot brown liquid and a napkin with a donut laid upon it. Bright pink icing dusted with sugared violet petals crowned the golden fried pastry.

“Detective.”

“Mr. Clover.” Yuu nodded—a terse, polite greeting. “It’s been a while, hasn’t it?”

“Please, just ‘Trey’ is fine.” He offered the treats, which they readily accepted. “Sorry for calling you in on such short notice. I’m sure you’re busy juggling your other cases—but I think I speak for the entire department when I say we’re thankful that you were able to make it.”

“No worries, I’m used to it in this line of work,” Yuu replied. “It must be something pretty urgent this time around. The Chief sounded frantic over the phone.”

Trey rubbed at his chin, grasping for the right words. “Let’s just say he’s not in the best of moods right now. You’ll need that sugar to get through this in one piece.”

“That’s very thoughtful of you.”

“Just trying to avoid any trouble. You’d better finish them before you step into his office. You know how he hates it when there are crumbs or spills in there.”

“Aye, aye, sir.” Yuu gave a joking salute before starting to pack away at their snack. The drink was the instant kind, and practically scalding, but it was easy to tell that the donut was homemade. The pastry, flaky on the outside and fluffy on the inside, dusted with sugar granules and sweet icing. “Wouldn’t want the Chief to be blowing a fuse again.”

“No, definitely not. He’s done too much of that lately.” Trey carefully eyed Yuu’s donut, now only half of it left. “Oh, but be sure to brush your teeth a thorough cleaning tonight, or I might have some problems with you. Cavities and staining are real dangers, you know.”

“Are you Assistant Chief of Police or my dental hygienist?” Yuu took a generous swig, then a bite just as big. “You worry too much about everything.”

“Ahahah… Do I? It’s a habit, I guess. Comes with the job.”

“That stressful, huh?”

“Well, I do what I can to smooth things over. Hopefully you can too. It’s been difficult on our department with the Chief all rattled up about the… situation.” He stopped himself. “I’m sure you’ll hear all about it from him.”

So the case is top-secret, Yuu concluded with the last of their donut. Not to be discussed in the public.

They ran their tongue across the length of their mouth, lapping up the remains of sugary residue. “I understand. The details are not to leave his office.”

“You catch on quickly. No wonder why the Chief thinks so highly of your abilities.”

“Flattery’s a part of your tool kit as well, Trey?”

He raised his eyebrows. “… You’ve worked long enough with us to figure these things out. Nothing gets by you, it seems.”

“UGIGIGIGIGGGGHHHH!!”

The remainder of Yuu’s drink sloshed around in its cup, set into motion by the bloodcurdling scream.

A familiar man with orange waves erupted from the chief’s office, hurriedly slamming the door shut behind him. His typically relaxed features were arranged in panic, his hair frazzled.

“How did trying to calm him work out, Cater?” Trey inquired half-heartedly. It was a courtesy more than genuine curiosity.

“What do you think?” the senior officer groaned, sinking where he stood.

Yuu quickly finished their drink, tossing their trash—the evidence they had been there—away and then stood, adjusting their jacket. “That sounds like it’s my cue.”

“Yeah, it is.” Trey sighed, frowning. “He’s in a tough spot right. Be kind to him, will you? That’s all I ask.”

“You got it.” Yuu tipped their baseball cap as they passed the officer. “Thank you for the pick-me-up. I’ll be seeing you, then. Officer Diamond—get some rest.”

“Good luck.”

“You’ll need it, Yuu-chan! Brace yourself.”

The Police Chief was a small but serious man.

His character came through in his office space: books on law and order neatly arranged on shelves, papers and files alphabetically organized in their cabinets, and pens evenly spaced apart and arranged in rows. A crystal vase with deep red roses was poised beside his writing implements. A plate polished to a fine shine was propped up at his desk, reading: Riddle Rosehearts, Chief of Police.

Perched imposingly despite his short stature in his seat, he impatiently tapped a finger on an arm. Riddle’s face was a telltale red and veiny, proof of his earlier outburst, but was beginning to cool into a faint, smooth pink.

There was already another man in the office, sitting across from the Police Chief. He was pale and jittery in a suit the color of the night and sewn with blue sequins and glitter. A top hat rested upon his raven locks, the brim of it shading his hauntingly golden eyes.

Yuu removed their hat and, keeping it to their chest, gave a shallow bow as they entered. “Sir.”

One move out of line, one hair out of place, and they suspected he, in his volatile and vulnerable state, would explode anew.

“Welcome, Detective. I’m glad you could join us today.” Every word was a gruff puff of air, a leash with which to wrest control of his rage. Riddle gestured to the empty chair beside the nervous man. “Sit.”

Yuu obeyed, sinking into the seat offered. They casted a glance at the stranger adjacent to them, who was fiddling with his velvet-lined gloves.

“Mr. Crowley, this is the independent detective from Stray Cat Investigations that I had previously mentioned to you. The force has collaborated with them for a number of difficult cases in the past. Their wit and strategic skills have made them an invaluable asset. I thought it prudent to have them return to join us for your case as well.

“Yuu, meet Dire Crowley. He is the esteemed director and curator for the Sage’s Island Museum, and he’s come to us with his woes.”

“Hello, Mr. Crowley,” Yuu said politely. “It’s nice to meet you.”

He responded with a tired attempt at a smile. “Yes, you too.”

“Now that we’re all acquainted with one another...” Riddle produced a file from beneath his desk and placed it before himself. “Do you care to explain, or shall I?”

“I-I’ll elaborate!” Crowley crowed. He picked at a collection of keys belted to his waist, glistening gold under artificial lights. “The Sage’s Island Museum is planning a new exhibition on the Great Seven. As part of the exhibit, we are having many priceless artifacts flown in from all over Twisted Wonderland. We have donations from even Briar Valley’s royal family!!

“There will also be a great number of important VIP guests present for the grand opening of the exhibit. Royalty, wealthy benefactors, important diplomats, businessmen, celebrities... All individuals who wish to see their history on display! This is very important, you see!! M-My reputation--er, I mean, the museum’s reputation--is on the line here!!”

“Right.” Yuu nodded as they parsed through the information. “I’m following what you’re putting down. And where does your problem arise, Mr. Crowley?”

“Ah, now that,” Riddle smirked, “is the question of the hour.”

He opened his file, pulling out...

A single playing card, its back facing Yuu.

“I trust you’ve been keeping up with the news?”

“As any good detective would. There have been several robberies lately. Terrible, really.” Yuu’s expression clouded with concentration. “Hmm... but if it’s a potential robbery that you’re concerned about, Mr. Crowley... Doesn’t the Sage’s Island Museum boast a state-of-the-art security system from Olympus Corp.? I doubt the average thief would be able to bypass it.”

“That’s just the trouble,” Crowley loudly lamented.

“We are dealing with no ordinary thief,” Riddle clarified.

“It’s not?”

“No. Far from it.” The Police Chief exhaled sharply. “The string of robberies from before--they’re connected by a single thread, perpetuated by the same lone culprit. And now that scoundrel intends to continue his crime spree.”

“I’ve never heard of this before.”

“You shouldn’t have. It was a top-secret operation within my force since the first of its kind.”

“Why am I being told of it now?”

“Because, loathe as I am to admit it, the culprit has managed to outwit us and elude capture each and every time, He employs a bag of cheap parlor tricks and smoke and mirrors like the coward he is,” Riddle confessed begrudgingly. The blue-grey of his eyes were steely and stubborn. “A case as important as this needs the additional man—and brain—power, Detective.”

He placed the playing card down and slid it toward the detective. “This arrived in the morning at Mr. Crowley’s desk, the same as all the prior robberies. It gave him quite the fright. He rushed all the way to the station to beg for our assistance.”

“This is...” Yuu gingerly turned the card over, revealing a message scrawled on the other side in bright red gel ink. Each letter was big and bubbly, bursting with cheek and pomp.

Their heart jumped.

To the Old Crow that safeguards the Museum,

Heyo~

Your pockets look a lil’ heavy there, so I’ll help you out. (Aren’t I so kind?) Three days from now, I’ll claim one of your most prized treasures at the stroke of midnight.

Stand back and watch as I perform the greatest magic trick you’ll ever see... and make the portrait of the Queen of Hearts vanish before your very eyes. It’ll be a show-stopper!!

Until then,

Phantom Thief Knave of Hearts <3

P.S. Send the cops my regards, they can’t catch me lol (especially when their teapot tyrant’s patience is in SHORT supply geddit)

“They’re just flat-out announcing what their intentions are,” Yuu realized. They were half impressed, half shocked at the gall. “You said all of the victims received messages like this?”

“Calling cards, yes.” The fury had returned to Riddle’s features, causing his voice to spike and strain. “It’s infuriating!! What does he get off on, misappropriating magic as cheap parlor tricks for crime, writing notes in such a cocksure manner, taunting us to pursue him?!

“Not only is he poking fun at my height and committing a crime, but for mere SPORT?! For the THRILL of it?! He’s making a mockery of the good people of this island and of my men and our efforts to secure the peace!!”

The Police Chief slammed a fist down on his desk, rattling his glass vase and setting his perfectly straight pens askew. Crowley shrunk back in fear. “That Knave of Hearts...!! He must be stopped at all costs!!”

“Y-Yes, absolutely!!” Crowley chimed in. “For my--er, I mean, for the museum’s sake, this criminal must be put behind bars!! That’s why I’ve come to you, my good people!

“My taxpayer dollars help fund the police force, so I’ve come to collect on what its promise to protect and to serve the community!! Well, here’s the community at your doorstep asking you to protect and to serve!!”

“That’s why you want to put me on this case,” Yuu concluded, clasping the calling card to their racing heart. “To prevent this from going down tonight.”

“And furthermore,” Riddle added, “to investigate the identity of this so-called phantom thief once the museum is safely secured.”

“That’s a tall order, sir.”

“You’ll have access to our force’s resources, and to my officers. You will assist in overseeing this operation, with maps and outlines of the museum’s security detail from Mr. Crowley. We’ll cooperate to create a plan of attack to apprehend the Knave.”

“You misunderstand me. I never said I wouldn’t take the job,” Yuu coolly informed the Chief. Their mouth cocked upwards with confidence. “I’m always up for a challenge.”

“Oh, blessed day!! From the very bottom of my oh-so-generous heart, thank you very much!!” Crowley cried tearfully.

For the first time the entire briefing, Riddle smiled back at Yuu. “Hmph. That’s what I like to hear. Happy to be working with you again, Detective.”

“Likewise, Chief.”

The sun had already set when Yuu exited the station, the stars blinking into existence. Several hours had been spent picking the museum curator’s brain with a fine-toothed comb, looking over layouts, and memorizing security detail. The information had been well-stocked, and now came the time to let it marinate and bloom into plans.

Stuffing their hands in their pockets, Yuu shuffled down the sidewalk and past rows of parked vehicles. Ahead, neon lights flashed in and out, and the trains rattled on their well-worn tracks, buses and cars honking at each other, the chatter of street vendors filling the air.

And something different than the usual tonight.

The city never slept, always buzzed with energy. Yuu had become accustomed to its sights and sounds, finding them even comforting. Their best ideas were conceived against the hum of the cityscape. It was just soft enough to not fully distract, but just noticeable enough to tug at their thoughts for long enough to stray into new territories and concepts.

Light from lonely streetlamps created tears in the darkness, illuminating the path to their favorite downtown thinking spot: the Mostro Lounge. A good (albeit overpriced) drink would chase away their tiredness.

Yuu continued with that promise in mind, every step catlike. First quick, next slow, then quick, moderate, slow, quick, slow, quick, moderate. Their speed, ever alternating.

Their ears strained against the sounds of the city, slowly parsing through the individual elements.

Trains, buses, cars, chatter… and the soft footsteps masked by them. Footsteps which matched Yuu’s pace.

There was no mistaking it now.

I’m being followed.

They didn’t look to see who it was—the first rule of tailing a target was to never alert them to your awareness. Yuu would know (as oftentimes they were the one in the position of tailer).

They cast their eyes across the street, which was busy with bodies. Once Yuu merged with the crowd, they could easily shake off their stalker.

Their feet picked up their pace again, hurrying to the crosswalk. It was a glaring red, advising pedestrians to stop.

Shoot, Yuu cursed.

They felt a presence step up beside them. From the corner of their eye, they could make out a dark form--clothes. Yuu pretended to check the time on their phone, and glimpsed him in the reflection.

He was in a hoodie, with the hood pulled up and head down to conceal his features. His hands, too, were out of sight, a sea of baggy fabric hiding identifying features, save for his frame. Lanky, but reasonably packed with muscle to keep up with Yuu.

The man shifted, and his sight grazed theirs. His eyes were hard and icy, a silent threat.

Yuu quickly focused on the crosswalk light. Their heartbeat became as loud as the surrounding sounds. Screeching above the vehicles, shouting from the rooftops. THA-THUMP, THA-THUMP, THA-THUMP.

At last, the light turned from red to white.

Walk.

They started--and so did he.

“Excuse me.” A hand came upon their shoulder. The other pulled at something with a sinister glint. “Do you have a second?”

No walking, Yuu corrected themselves. Run!!

They sprinted down the crosswalk, jostling pedestrians with a hasty “sorry!” thrown back at them. As Yuu weaved through the crowd as fast as they could, they could not completely shunt out the man after them.

“Hey, please wait!! Where are you going?! C-Come back, I need to talk to you!”

His voice carried above the others. People jolted back, the crowd parting to make way for the man to charge forth. His volume swelled louder and louder as he gained on them.

Towering apartments seemed to bear down on Yuu. Their windows, glaring.

A shop. Find a shop and get inside!!

Yuu pumped their arms, pleaded for their legs to move more efficiently.

Again, a weight fell upon their shoulder. It was a clamp, fingers biting Yuu’s skin through their jacket as they dug in and held firm.

The other hand wielded the same shining object that it had before. Yuu looked more closely this time, and the unease in them dissipated. It was not the pointed tip of a knife, but the glint of a familiar officer’s badge wreathed in golden roses.

The man tore off his hood with a sigh--though Yuu noticed that he wasn’t one bit out of breath. Navy bangs fell across his forehead, his eyes a peacock green-blue, much friendlier under the streetlamps than the crosswalk signs.

He smiled at Yuu as though he were greeting an old friend. His grip turned into a tender squeeze. “I finally caught up with you!”

The detective awkwardly pulled away, confusion scrawled on their face. “Um... Sorry, who are you? I don’t believe we’ve met before.”

“Oh! Uh...” The man jumped, retracting his hand. “That’s because we haven’t! Er, not officially anyway, but I’ve heard a lot about you!!”

Yuu pointed to his badge. “That. You’re an officer?”

“Yessir!” The man offered the proof of his identity and stiffly saluted. “Officer Deuce Spade, sir!! I’m a new recruit...!! I just joined the force a few weeks ago!”

Yuu mustered a faint smile. The darned fool was going to give them away. “... Am I in trouble, officer?”

“Nossir! Not at all!” His entire face shone with eagerness, earnest, and a slightly nervous energy. Maybe Yuu would have found it adorable (in the same way that a child trying hard was adorable), were he not blasting your occupation to the public. “Why would you be in trouble, sir?! You’re working with...”

“Okaaay, that’s enough out of you!” Yuu slapped a hand over Deuce’s mouth, silencing him.

Curious onlookers murmured amongst themselves. Some had taken to halt and full-on gawk. Children pointed, adult narrowing their eyes with suspicion.

Yuu frowned, removing their hand to shoo pedestrians away. “Nothing to see here, folks. Just a misunderstanding. Move along, Wonder Boy and I can settle this ourselves.”

“Wonder Boy?” Deuce, in a daze, pointed to himself. “Is that... me?”

“Who else would I be talking about?” Yuu folded their arms. “I assume you’re free now?”

“I am, sir! I was just let off my shift a little while ago, sir!”

“First, drop the ‘sir’. It’s giving me a headache,” Yuu instructed. “Second, if you’re free, then you’ll be joining me for a drink and a chat. We have things to discuss--chief among them being why you were following me.”

Ring-a-ling!

A bell sounded as the door to the Mostro Lounge swung open. Deuce stepped into a new world, Yuu at his side.

The interior itself was dim, but glass lights fastened in the shape of jellyfish projected swimming incandescent lights in purple, blue, and pink. Velvet booths lined one half of the eatery, the other, a glossy bar with tall, narrow stools, the shelves behind it healthily stocked with bottles in jeweled tones. Strangers poised with drink took residence in most of the seats.

The entire back wall had been repurposed into a massive aquarium teeming with aquatic plants and exotic creatures. Seaweed and coral gently swayed to the rhythm of the smooth jazz floating through the lounge, fish frolicking among them.

“Whoooa,” Deuce gasped, craning his head to drink in every detail. “I’ve never been to a place as classy as this. It looks so expensive. You think my salary’s enough to cover at least an appetizer?”

“Hang on tight to your wallet,” Yuu warned. “This place will squeeze you for every thaumark you’re worth and then some—and they won’t feel a bit of remorse about it.”

The detective raised an arm, flagging a nearby waiter.

Their uniform was simple yet sleek: dark dress pants, a white bow tie, spotless gloves, and a cummerbund and suspenders over a lavender button-up shirt. It allowed for slight variation—one waiter skidded by with his shirt buttoned as low as food safety regulations deemed safe. Another jotted down orders with a jacket thrown over his shoulders and a pair of glasses tucked into the crevice of his buttons.

The waiter Yuu called out to approached like a shark fin cutting through still water, neatly bowing to greet their waiting customers. He was prim and proper compared to the other servers, not a button out of place.

When he raised his head, Deuce marveled at his mismatched olive and gold irises, the teal of his hair marred by a stripe of black. Three diamond-shaped scales dangled from his left ear, as sharp as his eyes.

“I bid you welcome to the Mostro Lounge, honored guests,” the waiter said smoothly. He gaze immediately cut to Deuce. “I see you’ve brought a friend with you, today, Yuu-san. How delightfully rare.”

“Acquaintance. We just met outside under… less than ideal circumstances.”

“Oya, how quick you were to seize on that chance encounter. I may even deem you a bigger opportunist than our dear manager.”

“… Is that a good thing or a bad thing?” Deuce inquired.

“Perhaps you will find the answer to your question, should you act as a patron at our establishment for long enough.”

“Quit toying with him, Jade. You know what we’re here for,” Yuu grumbled. “My usual.”

“If that is what you wish. And for this gentleman acquaintance of yours?”

“Just ice water is fine, sir!”

Jade maintained his polite smile. “Very well. One glass of ice cold water for you. I will bring you a menu as well, in case you begin to feel peckish late into the night.”

“Oh, thanks!”

“Right this way then.” Jade gestured for the two to follow him.

“He’s upselling you, you know,” Yuu pointed out under their breath. “Hoping that you’ll buy something when presented with the opportunity to spend.”

“E-Eh, he is?! I didn’t even realize…”

“Fufufu. Please, do not let your worries consume you. You have come to relax, correct? We at the Mostro Lounge ask that you put your fins and your feet up and enjoy yourself while the night is still young.”

They were escorted to two empty stools in a (relatively) quiet corner of the bar. The glass jellyfish lights were clustered in the center of the main dining area, leaving the corner like a slice of dark, uncharted waters. Jass music and conversation filtered into a muffled melody.

Yuu plopped down with relief, followed by an apprehensive Deuce. He slowly sank into the cushy seat.

“I will be right back with your drinks. If you will excuse me.” With another bow, Jade rounded the bar and rolled up his sleeves—the transition from waiter to bartender. Presenting his back to the duo, he set to plucking bottles off of the shelves.

Deuce blinked. He still hadn’t taken to fully processing his new surroundings. “Are we really going kick back and have drinks when there’s a serial thief on the loose?”

“We can’t talk about that in public, or risk blowing my cover. It’s safe to talk here,” Yuu reassured him. “What happens in the Mostro Lounge stays in the Mostro Lounge. Say what you want about the slimy staff, but they know how to keep their patrons’ secrets. Client confidentiality and all.”

The young officer brightened. “Ooooh, I get it!”

“… You’re not the sharpest tool in the shed,” Yuu remarked bluntly. They slipped off their baseball cap, letting loose their hair. “So? Let’s have it.”

“Have what?”

“Your reason for following me.”

“Oh!! That.” Deuce nervously scratched at the back of his neck. “That’s kind of…”

The detective drummed their fingers on the polished counter. Methodical, deliberate. “You mentioned that you recently joined the force. However, only senior officials in the police department and myself were privy to this operation. How did you come to learn about it?”

Deuce stiffened, thrown off his beat (if he had any to begin with). “Th-That’s…!”

“I’m asking you a question, Mr. Spade. Please answer me truthfully.”

“I… um… Truth is, I…” Deuce stared at his lap, unable to meet the detective’s eyes. “I might have eavesdropped when I returned from my patrol shift…”

“Go on,” Yuu coaxed.

“There was a report I had to submit to the Chief, but it sounded like he was busy in his office. It’s hard to not notice him when he raises his voice, sir. I decided to wait outside until he was done, and… well, I got curious.”

“Wasn’t Assistant Chief Clover also present? He just let you do that without a single protest?”

“Assistant Chief Clover was very nice to me! He laughed a little and said ‘make sure you don’t get caught with your hand in the cookie jar’!”

Darn it, Trey!! You could’ve been a LITTLE stricter with this guy…! Yuu groaned, massaging the bridge of their nose. “Okay, I think I’m starting to get a better picture of what went down. You followed me wanting to learn more about the operation.”

Like a curious child chasing after a white rabbit. Still immature, still wondering, and still way over their head.

“Yes, but that’s not all!” Deuce insisted. He abruptly stood from the table. “There’s an even more important reason than just satisfying my curiosity, sir!”

Yuu quirked an eyebrow. “And what’s that?”

“I had to talk to you—without the Chief around. I had to. That’s why I followed you in secret.” The officer nibbled his lower lip, as if biting back something harsh and bitter from coming up.

“Out with it, Mr. Spade.”

“Pardon the intrusion,” Jade coolly interjected. His tone was nonchalant but his bemused smile was a telltale sign that he was relishing in every second of the hot gossip. “Your beverages.”

He slid two glasses between Yuu and Deuce before departing. One was tall and slim—a highball—loaded with carbonated water and fruity gummies. Yellow for jeweled pineapples, red for ruby berries, green for frozen mint, black for floral cacao, and blue from pure azure salt. It was Yuu’s usual, the famed Mystery Drink. The other glass was, by comparison, an ordinary drink of water, a single large, clear cube of ice floating in it.

A bead of sweat ran down Deuce’s jawline. Condensation forming and racing on his glass of water.

Suddenly, the officer slapped both hands on the counter, slamming his face down upon its surface. His navy hair splayed, forehead touching the table in a display of humility.

Yuu almost spilled their drink. “What are you doing?”

“I’m begging you, sir!! P-Please put me on the mission!!” Deuce pleaded, his voice shaky but resolute. “I… I want to help catch the Knave of Hearts too!!”

“If that’s all you wanted, why ask me? Go through the proper channels to…”

“I can’t!! The Chief would never allow it.” His expression creased with shame. “He says rookies need to work their way up from meter maid to working on cases.”

“He’s right. You need to grow into these things, not rush in head-first in a burst of passion.” Yuu made to take a sip of their drink—but the officer’s fist collided with the counter, the liquid inside the glass sloshing overboard. Seltzer water splashed onto their pant leg, leaving a sticky wet spot on a thigh.

“P-Please reconsider! I know how to handle myself in a fight! I’m fast, I could easily catch up with him if it’s a race on foot!”

“Look,” the detective said irritably, “I don’t know what you’re hoping to accomplish here. Fact is, no matter how much you ask, I wouldn’t want to take you on for this case. You’re too green behind the ears—and sorry, but I just don’t see you as an asset.

“You may be strong and quick on your feet, but it’ll take more than strength and speed to catch the Knave of Hearts. There’s a reason he hasn’t been caught yet.” Yuu tapped at their temple. “It’s this. He’s got smarts, and we need to combat that with smarts of our own.”

“I-I can be smart!! I can try to, at least! Please, just let me try…!!”

Frustrated, Yuu scrutinized the young man again. Their eyes roaming, searching, for detail wrong, a hair out of place.

Years of sleuthing had built up a great amount of cynicism and distrust in the detective. How many times had they pulled back the curtain, revealing the ugly truths hidden out of plain sight? How many bruised egos--both clients and coworkers--had they encountered? People seeking status or to feed their own pride.

Yet when they looked at Deuce, none of that ugliness or ego came through. Here was someone who stubbornly stared right back at Yuu, unwilling to back down, even when his dignity lay in tatters on the floor the instant he prostrated himself.

Another selfish bid for recognition? They ventured, toying with the idea. Maybe personal ambition, looking to climb up in the world.

“... One reason,” Yuu said, holding up an index finger. “Give me one good reason why I should take you on. Convince me.”

Deuce recoiled--as though even he hadn’t expected to have made it this far, or to be taken seriously at all. His brows creased with effort as he racked the recesses of his mind to find the right phrasing.

A second later, he let out a piercing shout.

“GAAAAAAAAH!!”

With a grunt, Deuce grasped his cup of ice water and lifted it to his lips. He hammered the drink in a single swig, releasing a satisfied hoot. The liquid courage had revived the man, returning the spark to him.

In a voice as clear as the drink he had just downed, Deuce said, “It’s for my mom. She’s just about the sweetest, most hard-working person I know.”

He hung his head and slammed his empty cup down, shaking the entire table.

“She raised me as a single parent. Mom never once complained, only wanted the best life for me.” Deuce glared into his glass, speaking with scorn and anger--not at others, but for himself. “And how did I repay her? I... turned to delinquency.

“I acted out because I wasn’t man enough to do the mature thing and work on myself!! She blamed herself for my stupid decisions! I made mom worry for me so, so much...”

Plip, plip.

Deuce faltered, letting quiet tears dribble down his cheeks and landing on the cube of ice left in his glass. Once they made contact with the frozen block, it was impossible to tell what was water and what was salt.

“I swore to myself that I would turn my life around... to show mom that it’s not her fault, that she did all she could to raised someone who could contribute to society!! So I studied really hard at the police academy, and even though my grades were crappy, I managed to graduate...!!”

He choked up, a concoction of fiery passion infused in his stuttering words. “I can finally be that model officer and make a change in the community! But I haven’t done a damn thing...! I just play meter maid while bad guys are out there running free, when I could be out there making this city a safer place for mom and everyone that lives here...!!”

The noises of the lounge seemed to fade into a stoic silence around Deuce. His declaration reverberated loudly. “I have to do this. I need to do this.”

He bowed again, his forehead pressed hard against the surface of the table. The single word he uttered was hoarse, desperate.

“Please.”

Deuce pried himself up almost painfully. The eyes were aquamarine, wet with hot tears. Something shone through them in shades of blue and green, priceless as any treasure: an honesty that burned like an eternal flame.

Yuu startled, striken by a single, haunting revelation: He’s telling the truth.

“... I don’t think I’ve met someone like you before,” they said cryptically. “I don’t doubt your story—but as touching as it is, I don’t know if...”

Hesitation reared its head, and Yuu forced themselves to look away. Couldn’t bear to see him, that wide-eyed sincerity.

Emotion clashing with their sound logic. Two things that shouldn’t have belonged together colliding. 

Wait... things that don’t belong together? Things I didn’t expect, surprises and twists to the tale...

A ex-delinquent turned into a policeman. A selfishness turned selfless. An anticipated lie turned into a truth. Something there that hadn’t been before.

The detective’s mind raced, quickly outpacing the words leaving their mouth. A solution which subverted expectations, a trap laced with honey for a man with sticky fingers.

That’s it. We’ll pull a trick of our own.

“Okay, I’ve changed my mind,” Yuu abruptly announced. “You’re in on this operation, Mr. Spade.”

“R-Really?!” Deuce’s face nearly tore in half, his volume revving up like a motorcycle engine. “You mean it?!”

“I do.”

Yuu took a cool sip of their Mystery Drink. Flavors from all over Twisted Wonderland cascaded over their tongue—a triumphant, fleeting pleasure.

They set their glass down and bent over, gripping Deuce by the strings of his hoodie. Yuu tugged, bringing the policeman lurching forward.

His clammy forehead against theirs. Centimeters away, his eyes widened. A flushed heat climbed to his cheeks, his voice set in a stammer.

“S-Sir, what are we...”

“You’ll have to follow my instructions very carefully,” Yuu replied with a devious grin. “Listen up, rookie: cuz you’re going to be the star of this show. Here’s the plan...”

The ambience of the lounge drowned out Yuu’s whispers. From afar, their words could only be read through the shapes of their mouth, the increasingly confused and alarmed expressions that Deuce pulled.

Jade observed them patiently, chuckling to himself. “My, my, it seems like our genius detective has found yet another solution.”

CLATTER, CLATTER!!

A tray piled high with empty plates and dishes was slammed down. Jade’s twin peered around the stack, leaning lazily against the bar.

“Eeeh, but I bet against them this time.”

“Playing the contrarian runs its risks.” Jade picked up a glass, staring at his brother through it. The golden orb called his left eye was clear as a topaz. “As for myself, I’m excited to see how this plays out.”

PLAP.

A notepad came down on the table as a third waiter joined them.

“Both of you need to stop gossiping and get back to work,” their manager chided, sliding the notepad—scrawled with fresh orders—to Jade. “Leave the customers to tend to their own business. We’ll soon know the outcome.”

[To be continued...]

#twst #twisted wonderland #Ace Trappola #twst x reader #twst imagines #twisted wonderland imagines #Deuce Spade #twst scenarios #twisted wonderland scenarios #disney twisted wonderland #Ace Trappola x Reader #Deuce Spade x Reader #Dire Crowley #twst AU #twisted wonderland AU #Riddle Rosehearts #AU #beyond the looking glass #Octavinelle #Heartslabyul #Yuu #Ace Trappola x Yuu #Deuce Spade x Yuu #Trey Clover #Cater Diamond #Azul Ashengrotto #Jade Leech #Floyd Leech #Tweels

[nnctales]

Understanding the Key Differences between High Performance and High Strength Concrete

Concrete, one of the most widely used construction materials, has undergone significant advancements over the years. Among these innovations are high performance concrete (HPC) and high strength concrete (HSC). While they may sound similar, these two types of concrete serve distinct purposes and exhibit contrasting properties. In this article, we will delve into the differences between high…

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#Admixtures in Concrete #Architectural Elements #building materials #Compressive Strength #Concrete Applications #Concrete Properties #Concrete Strength #construction industry #Construction materials #Construction Projects #Construction Technology #Durability #Environmental Resistance #High Performance Concrete #High Strength Concrete #High Strength vs High Performance Concrete #Infrastructure Repair #Load-Bearing Capacity #structural integrity #Sustainable Construction #Versatile Concrete #Workability

[astrojulia]

Astro Observations from the Deep Sea #1

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Mars in the 11th house is all about being curious about space and NASA. They're the ones who are interested in exploring the latest technology and having the newest gadgets, like the coolest cell phone or cutting-edge tech.

People with Saturn Rx seriously struggle to say "no" to others. Saturn is the planet of limits, and when it's in retrograde, it makes everything even more internal. So, Saturn Rx brings a lack of internal limits, which means no boundaries.

Air Venus are all about those stimulating conversations and valuing intelligence. But here's the thing nobody mentions—they absolutely adore people with an attractive voice and those who smell amazing. Yeah, they're all about that fragrance!

You know why Virgo are obsessed with cleanliness? It's because they willingly take on tasks that no one else wants to do. They're like the superheroes of necessary chores, always looking out for the betterment of those around them.

Aries Dominant have a hard time trusting their own intuition. It's like they struggle to listen to their gut, even when it's screaming at them. It's a challenge for them to follow advice, even if it's coming from their own minds.

Moon-Jupiter aspects are often associated with a big appetite. But let me tell you the real deal: people with this combo turn to food for comfort during tough times.

Saturn Aries are total lone wolves. They rely less on others and take care of things themselves. It's like they're invisible or something. And hey, the same goes for people with a Stellium in the first house—they're independent warriors, handling things solo.

Aquarius or Pisces rising are masters at escaping reality. They love diving into unconventional realms and exploring beyond the ordinary. They're like the dreamers and the wanderers, always seeking something more.

Being away from someone with a stellium in the 1st house for a long time can be freaky because they go through crazy changes over the years. It's like they're constantly transforming right before your eyes.

Moon in the 9th/12th house tend to lean towards vegetarianism. They're super sensitive to energies, including the vibes in their food.

If you're missing an element in your chart (like a big fat zero), you might become dependent on others for certain things. It's like asking for help is your kryptonite.

Mars is not only about action but also about agriculture. So, if you've got Mars in the 1st or 10th house, you might secretly have a green thumb. You could be a farmer at heart, my friend.

Pluto in the 11th house turns people into hardcore fanatics when comes to their games. They get obsessed with specific video games or series. They might have other interests too, but they'll always come back to their beloved favorite. It's like they're stuck in a loop!

People with the same rising sign as you (and the same houses) tend to complain about the hidden stuff happening in the 12th house of others. But here's the kicker—they do the same exact thing without even realizing it. Like Taurus ascendants, they can be a bit rude without noticing, and then they complain about it when someone else does it. Classic case of "do as I say, not as I do."

3rd house - 6h house aspects can indicate someone having a really hard time with routine because their mind is always elsewhere.

Pisces - Taurus aspects can bring a really strong imagination and artistic sensibility, which they channel into practical endeavors that manifest in the material world and can make them great artists

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#astrology #astrojulia #all about astrology #witchblr #astroblr #astro community #astro observations #astrology notes #witch community #mars in 11th house #saturn rx #stellium 1st house #aquarius rising #pisces rising #astrology aspects #pluto 11th house #mars in 10th house #mars in 1st house #moon in 9th house #moon in 12th house #Saturn Aries

[mindblowingscience]

Transforming base materials into gold was one of the elusive goals of the alchemists of yore. Now Professor Raffaele Mezzenga from the Department of Health Sciences and Technology at ETH Zurich has accomplished something in that vein. He has not of course transformed another chemical element into gold, as the alchemists sought to do. But he has managed to recover gold from electronic waste using a byproduct of the cheesemaking process. Electronic waste contains a variety of valuable metals, including copper, cobalt, and even significant amounts of gold. Recovering this gold from disused smartphones and computers is an attractive proposition in view of the rising demand for the precious metal.

Continue Reading.

#Science #Enviroment #Chemistry #Materials Science #Recycling #Electronic Waste #Gold

[visit-new-york]

Chrysler Building - Influence on Architecture

Global Inspiration: The Chrysler Building's influence extended far beyond New York City, inspiring architects and designers worldwide to incorporate elements of its Art Deco style into their own work.

Skyscraper Competition: The building's construction added excitement to the height race with the Empire State Building, further shaping New York City's skyline.

Seamless Design: While visitors may not access the upper floors, the building's design seamlessly marries the machine age with elegance, capturing the era's fascination with progress.

Terraced Majesty: At night, the Chrysler Building's spire comes alive with illumination, transforming it into a mesmerizing spectacle that can be seen from various parts of the city.

Engineering Marvel: The construction of the Chrysler Building was an engineering feat, requiring the use of advanced techniques and materials to achieve its unprecedented height.

Enduring Legacy

Architectural Masterpiece: The building is often celebrated as one of the finest examples of the Art Deco architectural style, with its sleek lines and ornate decorations capturing the essence of the movement.

Machine Age Inspiration: The design of the building reflects the era's fascination with technology and innovation, showcasing the influence of the machine age on art and architecture.

Industrial Design Elements: Its exterior materials were chosen for their durability and aesthetic appeal, drawing inspiration from the industrial materials of the time.

Riveting Details: The building required an astounding 391,881 rivets and 3,826,000 bricks during its construction.

Distinctive Silhouette: The setbacks in the building's design contribute to its visual interest, breaking up the verticality and creating a dynamic silhouette against the sky.

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#Chrysler Building #new york city #new york #newyork #new-york #manhattan #nyc #ny #urban #city #usa #United States #buildings #travel #journey #outdoors #street #architecture #visit-new-york.tumblr.com

[cultivating-saplings]

In honour of 4/13x15 I'm posting (a very slightly edited version of) the paper I wrote on the Unofficial Homestuck Collection for one of my classes last term. The language/tone is a bit more academic than what I would usually put up on here, but it's exam season so... 

Don’t Turn Your Back on the Body:

The Resurrection of Homestuck After the Death of Flash

Digital media is, broadly speaking, very difficult to preserve. The rapid pace of technological development means that obsolescence and decay present a consistent threat to the availability of natively digital works. Most computers produced in 2023 no longer have built in CD drives, and I feel fairly confident in asserting that none are being produced with floppy disk readers outside of hobbyist spaces. Issues with the accessibility of physically stored digital media can be mitigated (at least for now) by the use of external readers, but the preservation of fully digital media, born and hosted in its entirety on the Internet, is a different beast entirely.

This is, in part, an issue of pure volume; no one organization could ever hope to archive the vast amounts of stuff that the Internet is constantly producing, let alone organize it into a resource that could be used effectively. Like Borges’ cartographers who created “a Map of the Empire whose size was that of the Empire,” to fully archive the Internet would be to replicate it in its entirety. Thus scope becomes a central question of fully digital archiving. 

The Internet Archive, which also operates the Wayback Machine, answers that question with a resounding and all-encompassing ‘yes’ — their stated goal is to “provide Universal Access to All Knowledge,” but even this comes with caveats. The organization freely permits members of the public to upload files to the archive and save pages on the Wayback Machine, but the work carried out by its official volunteers is more curated, and prioritizes webpages which have been identified as particularly important.

The Internet Archive is very effective within its own space, yes, but it has its limits. When the piece of work you are trying to archive is composed of not just static text and images, but longform animations and complex browser-based games, where do you put it? What do you do when the software necessary to access these elements of the work has been taken offline? And what happens if the people who were supposed to safeguard it fail to do so?

These were the issues that the fans of Homestuck faced in 2020 as the impending deactivation of Flash loomed on the horizon.

But first, before I properly explain what the Unofficial Homestuck Collection really is and why it is so effective as a digital archive, let me tell you about Homestuck. 

Frustrated with the poorly implemented official preservation of the comic, and with a lot of free time on his hands, one fan began the Unofficial Homestuck Collection as a personal project during lockdown, during the “depths of 2020.” As the project changed hands and more fans became involved over the following years, its true scope came into focus: the Collection would preserve not only Homestuck itself, in its entirety and with its Flash-dependent pages intact, but also as much of its contextual material as possible, thus making it a prime example of the effectiveness of fan-driven digital archiving and preservation. Because the people who created the Collection are long standing fans of Homestuck, they know which pieces of peripheral material will provide the context the comic demands. The Collection preserves Homestuck as a text in a way that would be impossible in an analogue format, creating an archive both of the work and of the experience of reading it in a serialized format.

Andrew Hussie began* Homestuck on April 13th of 2009, and published it serially on mspaintadventures.com, his personal website at the time, until its conclusion on April 13th, 2016. Prior to beginning Homestuck, Hussie had been publishing short webcomics and pieces of fiction for several years on his older website, Team Special Olympics, since 2004, which had gained him a small but very loyal following. This following was centered mostly around the forum attached to the TSO website, which hosted the first of Hussie’s ‘MS Paint Adventures,’ Jailbreak, in September of 2006. Jailbreak was a short comic which Hussie produced as a collaborative writing game on these forums, in the style of early text adventures.

Beginning with the prompt, “You wake up locked in a deserted jail cell, completely alone. There is nothing at all in your cell, useful or otherwise,” Hussie then wrote the rest of the comic according to the first comment posted after every page. This, perhaps predictably, resulted in a barely coherent mess of a story.

Following the conclusion of Jailbreak after a short 134 pages, Hussie would produce two more comics prior to beginning Homestuck: the unfinished Bard Quest (June-July 2007) and Problem Sleuth (March 2008-April 2009), which was his longest work so far at the time of its conclusion. Problem Sleuth in particular represented a substantial increase in production quality and general coherency over Jailbreak, as Hussie gained experience using the MSPA forums as tools for collaborative storytelling, reigning in the meandering narrative by allowing himself to be more selective about which forum responses he followed.

Hussie would continue this more controlled style of forum collaboration throughout the first three Acts of Homestuck, which followed a much more focused story than any of his prior work, thanks to his decision to use reader input only in specific parts of the comic. In the introduction to the print edition of the first Act, Hussie described his own role during the production of these first Acts as “dungeon master, a game engine responding to input, and an improv comic all in one.” During the process of writing Act 4, Hussie stopped taking prompts from readers entirely, and would construct the rest of the comic ostensibly as its sole author.

‘Okay,’ you might now be thinking, ‘you’ve given me the context, but what the hell is Homestuck? And what’s it about?’ Well, to wildly oversimplify a very complex piece of media, Homestuck is a webcomic about four young online friends who play a video game that causes the end of their universe and grants them the power to create a new one as they see fit. It is a story about growing up and realizing you’ve been forever changed by your experiences, a story about leaving behind the life you knew and constructing a new one. It is also a story about time travel and paradoxes, genetics and cloning, a large number of aliens, a possibly larger number of puppets (at least one of which is sentient), and an unfortunate amount of clowns. 

This story slowly unfolds over the course of 8126 pages, 817,929 words, and 166 animated panels, 95 of which contained some degree of interactivity and all of which total over four hours in length. Most of the comic’s pages consist of a main image, usually a short looping gif, accompanied by a text description or dialogue, which is almost always written in the format and style of online chat-logs between characters. As mentioned previously, however, these simpler gif-and-description pages are interspersed with longer videos, animated in Flash and soundtracked by one of Hussie’s several collaborators.

The first of these animated panels was uploaded a few weeks into Homestuck’s publication — an animated opening title-card for the comic, scored ominously with sounds of howling wind and windchimes. This first Flash panel was relatively simple, but the next would introduce a bespoke soundtrack (“Harlequin” by Mark Hadley), and the third would include simple interactivity. These soundtracked animations and interactive segments increased in scope and complexity over the course of the comic’s run; the final animated page in the comic, “[S] Collide,” comes in at nearly twenty minutes in length, and some of the larger interactive segments can take upwards of two hours to fully explore. 

While some of the later interactive pages were developed in an engine based on HTML5, most of Homestuck would be built using Adobe Flash, and would depend on the program for basic functionality. This would prove disastrous for the comic’s long term preservation. Flash was very popular, and had become ubiquitous by the early 2010s, but it had security issues which were easy to exploit, its range was fairly limited in terms of what kinds of animations it could produce, and, as its most fatal flaw, it couldn’t run on mobile. Thus with the expanding use of smartphones and tablets, Flash became less and less practical as a tool for web developers, and Adobe began slowly preparing to kill it. On December 31st, 2020, Adobe sent Flash off to the farm where it could frolic and play in the digital sunshine, leaving many online communities facing a crisis. How do you preserve a text when its foundations have crumbled?

With Homestuck using Flash in such an integral way, the issue of preservation was an important one. After the finale, Hussie would post some short post-credits stories to Snapchat from October 2016 to August 2017, as well as a longer epilogue in April 2019, before stepping away from any formal involvement with the comic in 2020. In 2018, Hussie had given the distribution rights for Homestuck to VIZ Media, which primarily handled the English-language publication of several manga series, and had left the rights to the IP and the freedom to produce new work to former collaborators. Thus it was VIZ who took on the task of officially preserving Homestuck against the death of Flash.

To say their efforts were unsatisfactory would, I think, be paying them too great a compliment. The complex and highly detailed Flash animations were replaced with embedded YouTube links to low-quality screen-captures of the originals. The hours-long walkaround games were not translated at all, replaced with ‘choose your own adventure’ style pages of text and links. The official version of Homestuck as it currently exists fails to capture a lot of what made the comic work, because it removes a lot of the gamified elements of the comic that are so integral to its storytelling.

There are many snapshots of the website from before the walkaround games were taken down on the Wayback Machine, but the Flash emulator that archive.org uses is very inconsistent, frequently becoming stuck on looping loading screens or failing to process assets correctly. While the dubious preservation of the long Flash animations is a real issue on its own, the lack of any attempt to replicate the format of these longform games represents the loss of something essential to the comic. Homestuck is, throughout the whole of its story, intertwined with the visual and cultural language of video games. The loss of the complex interactivity of these panels fundamentally changes how the reader is permitted to engage with them and, by extension, with Homestuck’s narrative as a whole. The official version of Homestuck that exists online is no longer complete. 

This incredibly poor preservation was the impetus behind the creation of the Unofficial Homestuck Collection. In its most basic form, the Collection is simply a preserved and restored version of Homestuck, intact and in high quality, accessible through a downloadable client, rather than online — reducing the Collection down to this basic description does it a disservice. The Unofficial Homestuck Collection includes not just Homestuck, but all of Hussie’s prior work: Jailbreak, Bard Quest, and Problem Sleuth are in there, but so are the full contents of his first website, Team Special Olympics, alongside archived versions of his now-deleted accounts on various social media platforms, and copies of threads from the MSPA forums that he would later reference in the main comic. The Collection also includes material that Hussie released alongside Homestuck, like the in-fiction blog of one of the main characters, various short comics written by guest authors, and a full episode of an in-universe childrens’ cartoon.

These peripheral materials are interesting and provide context for some of the more obscure references throughout Homestuck, but many of them were not produced until well into the comic’s run, and assume an audience that is caught up with the most recent update, making them dangerously full of spoilers for the unaware new reader. This issue is solved by the appropriately named ‘new reader mode.’ One of a variety of useful accessibility tools included in the Collection, the new reader mode tracks which page a user has reached, and implements a universal spoiler cloak over the whole program, hiding all materials that were released after their most recent page’s publication. This tool is what transforms the Unofficial Homestuck Collection from an archive of a text, into an archive of an experience.

De Kosnik argues that fan-driven archiving serves as a way for fans to mediate their own temporal experience of a text, describing websites hosting fanworks as mechanisms which “maintain the possibility of individuals joining fandoms… long after a media text has ceased to air.” While De Kosnik’s focus is on archives of fanworks and their function in ongoing fan spaces, I would argue that this framework, which centers the impact of serialization on the dynamics of fan communities, fits extremely well when applied to the Unofficial Homestuck Collection. Homestuck was published serially over the course of seven years, accompanied by blog posts, side comics, music, and other pieces of peripheral media that were released in tandem with the comic itself.

Updates were highly anticipated events, and fan communities were structured around them — one user on Tumblr found an unlisted part of the MSPA forums where Hussie posted new pages before they were published, and this “MSPA Prophet” became a fixture of the fandom for their ability to predict when the next update would come. The event that was an update (or upd8, after the typing style of a popular character) was a central aspect of the experience of reading Homestuck during its publication, and it is one that is very difficult to recover now that the comic exists as a static, completed work. The Unofficial Homestuck Collection, through its new reader mode, functions as a solution to that absence. It does more than safeguard the reader against unwanted spoilers: it temporarily transforms Homestuck back into an incomplete text. 

Homestuck makes use of the assumed preexisting knowledge of the reader, and their “intuitive familiarity” with various types of digital media and culture, especially ones which are inherently participatory. The story’s use of narrative motifs and referential easter-eggs allows Homestuck to function, in Hussie’s own words, as “both a story and a puzzle,” but that “There [are] a range of ways to interface with it[…] Failing to grasp everything shouldn’t preclude basic enjoyment, nor is it a symptom of failure by either the reader or the story.” In the most frequent example of repeated symbology in Homestuck, Hussie peppers the text with references to the number ‘413,’ simplified from April 13th, the day the comic began.

The story follows four friends who are all thirteen years old, many of the songs on the comic’s soundtrack are exactly four minutes and thirteen seconds long, and the timestamps on chat-logs show that characters frequently begin important conversations at precisely 4:13, to name just a few of the number’s appearances. The combination of puzzle and story in Homestuck extends beyond these kinds of motifs, however, and into the way Hussie employs referential humour.

Some of these references are fairly easy to catch; in Act 4, one of the main characters is gifted the Warhammer of Zillyhoo — a brightly coloured weapon which originally appeared in Problem Sleuth. Others, however, are much more obscure. The older brother of another main character runs a business creating bizarre, semi-ironic puppet pornography. Most of the audience read this as an absurdist joke about the internet’s love for offputting porn; the subset of fans who had been following Hussie for several years, or those who looked into Hussie’s early activity on the MSPA forums, however, would find themselves with new understanding of a long-running joke. This element of the experience of reading Homestuck is something that the Unofficial Homestuck Collection not only preserves, but makes readily accessible to the comic’s readers in a way that would not have been possible during the comic’s publication.

On a purely theoretical basis, I would argue that the Unofficial Homestuck Collection is valuable not just in the context of contemporary fan activity, but as a potentially valuable resource for future research. Homestuck is a foundational piece of the current cultural landscape, its influences permeating both digital and analog media in subtle (and sometimes not so subtle) ways.

Undertale, titan of online culture that it is, was created by Toby Fox, who was the composer behind a large amount of the music in Homestuck and was, during the game’s production, living in Andrew Hussie’s basement. Tamsyn Muir, author of the Locked Tomb tetralogy, began her writing career as a prominent figure in the Homestuck fandom on Tumblr and Archive of Our Own. Although the reach of her original work has thoroughly outgrown her fandom roots, Muir includes sly references to Homestuck in several places in her books. Hell, one of the animators working on Bluey, a cartoon aimed at very young children, included references to Homestuck in the backgrounds of episodes they worked on, as easter-eggs for the benefit of parents in the know. All of this is to say that Homestuck has its hooks deep within the culture of the Internet, and its impacts will, I think, be felt for a long time yet.

The Unofficial Homestuck Collection is certainly not immune to digital decay or link rot, but it is resistant to them, since it is hosted on a large and well established website (GitHub), and, once downloaded, can be accessed without an internet connection, and shared freely. For the hypothetical future researcher, the Collection contains resources to mitigate the frustration of trying to hunt down pieces of contextual or peripheral material by packaging them with the text itself — it functions like a sourcebook. 

Bibliography

Bamboshu, and GiovanH. The Unofficial Homestuck Collection. 2020. https://bambosh.dev/unofficial-homestuck-collection/ 

De Kosnik, Abigail. Rogue Archives: Digital Cultural Memory and Media Fandom. Cambridge, Massachusetts: The MIT Press, 2016. https://doi.org/10.7551/mitpress/10248.001.0001.

Glaser, Tim. “Homestuck as a Game: A Webcomic between Playful Participation, Digital Technostalgia, and Irritating Inventory Systems.” In Comics and Videogames. Edited by Andreas Rauscher, Daniel Stein, and Jan-Noel Thon. 96–112. Routledge, 2021. https://doi.org/10.4324/9781003035466-8.

Hussie, Andrew. Homestuck. MS Paint Adventures, 2009-2016. https://homestuck.com. 

Nakhaie, FS. “Reproduce and Adapt: Homestuck in Print and Digital (Re)Incarnations.” Convergence, 2022. https://doi.org/10.1177/13548565221141961.

Read MS Paint Adventures. “Statistics.” Last modified April 7, 2018. http://readmspa.org/stats/.

Veale, Kevin. “‘Friendship Isn’t an Emotion Fucknuts’: Manipulating Affective Materiality to Shape the Experience of Homestuck’s Story.” Convergence 25, no. 5-6 (2019): 1027–43. https://doi.org/10.1177/1354856517714954. 

#ray speaks #homestuck #413 #the unofficial homestuck collection #andrew hussie #uhhhh #homestuck studies #i fucking guess #if you notice any errors in this don't hesitate to let me know! i always try to keep living versions of all my old essays #so that if something new comes along i can add it for future reference or easier editing if i ever want to get it published #also this is Fucking Long and i will not apologize

[bonefall]

Better Bones AU Masterpost

Last Update: 8/23/23, Version 1.0

"What is the Better Bones AU?"

I'm so glad you asked, convenient question-speaker!

Better Bones (BB) is a full-series rewrite project that seeks to have a more conclusive stance on anti-authoritarianism, revamp the bonds and beliefs of individual characters to make more interesting drama and politics, and overhaul the progression of morality and history throughout the timeline to make the society of the Clans into a living, changing culture.

To do that, we've got 5 goals;

Fix the tangled family tree and give it clearer rules, expanding on kinship between cats while not neglecting friendships

Make the environment accurate to northwestern England, including education on how different biomes are managed and lists of local flora and fauna, to understand how environment has impacted Clan culture.

Build out technology by giving the Clans tool use and food preparation, additional traditions and customs, their own language, and medicinal treatment guides from sniffles up to HRT.

Change the themes of canon by addressing its problematic elements, giving the cats consistent politics and making the narrative conclusively anti-authoritarian.

Be cool as fuck, with wilder deaths, more clanborn villains, bloodier battles, and even MORE complicated innerClan drama

BB is told in notes and outlines, with the "end point" being a full skeleton for the entire series complete with chapter-by-chapter notes, which anyone would be able to write out fully, just as if they were a ghostwriter being handed a draft.

This project is open-source. I encourage you to take any inspiration from this AU that you'd like, or use the Clan culture expansions for your own projects. They don't HAVE to be warriors-related, we have a few folks who like to apply parts of this project to Rainworld! Go bananas.

I only ask that you don't steal any drawn art (as seen in the fanart, character summaries, and culture expansions) to pass it off as your own. Please respect the contributions of these artists.

"Boy howdy! Where do I start?"

WOWZERS another perfectly timed question I'm proud of you

HISTORY LESSON. This is a "brief" summary of the ENTIRE history of BB, breaking down each block of history into Periods, divided into Eras. It sprawls from the founding to the most recently completed arc. NOTE: BB does not cover arcs until they are complete. ASC has not been completed at the time of this post.

Character Summaries Every character gets a redesign and a summary, covering who they are, their role in the story, and their connections to everyone around them. NOTE: You are encouraged to put your own spin on the designs if you'd like! I do not design with genetic accuracy or MAP-friendliness in mind, so you have my blessing to alter them or request a modification for an animation.

Clan Culture Expansions Crafts, Herb Guides, the flora and fauna they encounter on a regular basis, and the Clanmew conlanguage is all in here.

Family Tree Overhauls This is almost done i swear

Fragment Bin This is where I'm going to eventually be putting everything still "WIP" material. I call these "fragments" because the full story isn't planned yet, but I talk about the little 'pieces' that I want to shuffle around. If you're new around here, basically I just sorta babble about a wishlist and then work through it with ask/reply suggestions.

FAQ I'll need this too at some point im sure

#better bones au #clan culture #Better bones au masterpost #hOKAY that should be fine as a master-masterpost for now and i can make the Fragment Bin without being worried it's too messy #ADHD is like living with a bridge troll in your mind who makes dumb rules and your whole life becomes a game to outsmart it

[transgenderer]

i think "therapist" as an occupation that exists is a useful social technology but also it would have a lot less potential for harm if the pseudo-medical elements were dropped. therapists are good to have as an option because sometimes people dont have anyone unrelated to their problems/feelings with whom they can talk about those problems/feelings, and talking about your problems/feelings can often help with them, but 1) according institutional power to the therapist over the "patient" makes them actually *less* able to fulfill this role, because you have to lie to them sometimes to keep them from using that power in ways you dont want 2) therapists are just like, people, they havent solved the philosophy of the best way to live your life, or even the science of the best way to achieve certain material outcomes with your life, and it can lead to obvious problems if you pretend that they have

it would be cool if we had psyche doctors the same way we have body doctors but the science isnt there yet.

[communist-ojou-sama]

See I think that one reason why it's important not to get bogged down in seeing capitalism as a moral system rather than an economic one is that it warps in very fundamental ways what people's concept of communism is.

When one understands capitalism as bad-ism, as the transhistorical avatar of everything alienating about organized class society and about global imperialist capital expansion exemplified in capitalist labor relations and the indolent lifestyle of the upper classes, respectively, you get wrongheaded moralistic systems like FALC on the one end, and the twitter morons who like to say "If you're not excited to do hard labor you're not a communist" on the other. Both are perspectives built upon ressentiment aimed at the moral failures of capitalist society, when the moral failures of capitalist society are Not The Problem With Capitalism.

Capitalism has fundamental material contradictions. It has progressive elements unique from any previous societal organization, and it has regressive elements grandfathered in from previous societies in order to maintain the social hierarchy that makes capitalist development possible. These material contradictions lead to ideological contradictions. This is Why the result of the fall of capitalism is inevitably either fascism or communism (of which only communism may stand the test of time). Fascism is the sum-total of the regressive elements of capitalist society realized through the capitalist technologies of production, surveillance, measurement, et-cetera. And this helps us to understand what communism actually is: it is the societal organization by which we finally break ties with the vestigial regressive elements of the class societies of old and bring the progressive fruits of capitalist society into the future. Point being, tendencies like the measurement and standardization of production, the replacement of labor by capital, the large-scale organization of capital, these are all things that are by nature morally neutral and-- when not being used to engage in labor arbitrage and drive people into destitution-- good things actually. The job of a communist society is to make use of them correctly, not to reject any of them out of some abstract moral precept.

[skinks]

Use of various visual signifiers typical to the utopian scholastic aesthetic in Chicago’s Field Museum store. The neoclassical elements of the pillars and Greco-Roman mosaic floor, depicting nature and humans in harmony, are contrasted against the use of natural materials, wood, leaves, and photographs of real animals. This design definitely exemplifies the principles of the utopian scholastic aesthetic as described by CARI researchers, i.e. the championing of optimistic education about science, technology, and the natural world. All scans uploaded to the are.na database by Evan Collins

#utopian scholastic #frasurbane #field museum of natural history #architecture #utopian virtual