Egon Schiele. Lovers, 1909.
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‘The Embrace’ (detail) by Egon Schiele, c. 1917.
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Egon Schiele, The Green Hand, 1910
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I must see new things and investigate them. I want to taste dark water and see crackling trees and wild winds. I want to gaze with astonishment at moldy garden fences, I want to experience them all, to hear young birch plantations and trembling leaves, to see light and sun, enjoy wet, green-blue valleys in the evening, sense goldfish glinting, see white clouds building up in the sky, to speak to flowers. I want to look intently at grasses and pink people, old venerable churches, to know what little cathedrals say, to run without stopping along curving meadowy slopes across vast plains, kiss the earth and smell soft warm marshland flowers. And then I shall shape things so beautifully: fields of colour…
Egon Schiele, from a letter to Anton Peschka written 1910
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Egon Schiele, Portrait Of The Painter Anton Peschka, 1909
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Totte Mutter I, Egon Schiele, 1910
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@dreams-of-mutiny
Egon Schiele, The Embrace (Lovers II, my edit) 1917.
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‘Dead Mother’ by Egon Schiele, c. 1910.
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Egon Schiele
Liebende (Lovers)
signed with the monogram (lower right)
pencil and coloured crayon on paper
31.5 by 29.5cm., 12 3/8 by 11 5/8 in.
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Egon Schiele. Standing Female Nude Torso with Gray Shirt, 1913. Pencil, gouache on paper.
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Egon Schiele - House with Drying Laundry (1917)
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