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#edwardian england
morrieandlicky · 1 year
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Saw a few comments on YouTube from someone who ships Clive x Maurice and who hates Alec along the lines of “servant work is not actual work” (in referring to George Merrill who lived with Edward carpenter as his servant), and also “poor people can’t find lasting love and happiness because of poverty”… I was speechless
And they got like 7 likes—not a big number but damn I didn’t realize we’re still in Edwardian England.
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booksrockmyface · 1 year
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NaNoWriMo 2022!!!!
Y’all! I wasn’t sure if I was going to even try this year. I have so much going on. But I decided to just give it a shot. I’m very excited to share this with y’all. Remember, it’s very rough! Because, of course it is!!!!
The MCs are a transgender man and the husband he left to be able to make his transition. This takes place in England in the 1920s. This isn’t the era I usually write in, so it will be fun! I’ll be writing lots of notes for later research for myself.
If you want to be in the taglist for updates, let me know. I’m posting here first, but will move all further updates to @daniwritessometimes.
So, without further ado:
1920s
Phillip picked up the phone. He had used it to talk with Susan exactly once when he had settled into the rooms he was letting for the month. He was in pain and could barely raise his hand enough to place the receiver [look up phones] to his ear.
He gave the information to the operator and waited for the connection. It was just across London. God, it felt like forever. It had only been five years.
When the line connected, it was answered by Anthony. “Yes, hello?”
“I’d like to speak to Susan Osborne, please.” Phillip worked to keep his voice in the girlish range. He hated it.
“And who should I say in calling?”
Phillip let out a deep breath. “Pippa.”
“Pippa?”
Phillip heard a sharp, “That’s for me.”
“Pippa?” Anthony asked again.
“We’ll talk when I’m done.” Susan’s voice came through. “Hello, are you all right?”
“No.” He swallowed. He’d put off making this call for several days. But the discomfort was just too much. And he needed a familiar face now that he was home. “Can you come?”
“Give me the address and I’ll be right there.”
Phillip rattled it off and then ended the call. He made his way back to the room and got into his bed. His chest throbbed and the front of his shirt was red with blood. The dressing needed changed. “Damn.” He closed his eyes and was asleep in seconds.
He awoke to the smell of coffee and something cooking on the little stove in the corner. He tried to sit up, but there was a firm hand on his shoulder.
“No, sir.” Susan said gently.
He smiled. “Sue, you came.”
“Of course I did.” She looked him over and tsked. “You should have called me sooner.”
“The doctor sent me home yesterday.”
“You should have called me when the surgery was happening.” Susan scolded. “Now, let me have a look and put new dressing on.”
Phillip stayed lying down while Susan unbuttoned his shirt and then gently cut through the bandaging. She sighed and it made him look down. “It looks very red.”
“It hurts like hell.”
“I expect it would. You got your tits chopped off, for crying out loud. And you had a substantial bosom.”
“Of course you noticed.” The remark was meant to be a jest, but Phillip groaned. “The doctor gave me some medicine.” He pointed to a vial by the bed.
She eyed it. “Looks like you’ve taken quite a bit.” She helped him sit up and gave him a dose of the medicine before she put new dressing on his chest. “Anthony and Zoe are furious. And I have no doubt one or the other of them has already got to their brother.”
“It’s why I came back anyway.”
“You didn’t have to tell him that name.”
“I wanted him to know.” Phillip was quiet as Susan finished the bandages. Then he said softly, “I knew he’d tell Jason. I can’t tell Jay myself. He’s going to hate me Sue.”
Susan took his face gently between her hands. “He could never hate you, Phill. You are exactly the same person that left. He loves you so dearly. He and Michael have missed you every day you’ve been gone.”
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greypetrel · 2 years
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Rune 101: Learn to make your eggs undestructable and prank your cryptid friends! Now on Webtoon!
It’s been ages since I posted here too, sorry! But anyway, I upped this comic too, probably you’ll have some reading to catch up if you only follow me here, buuuut... If you’re up for Edwardian shenanigans, here you go!
Till Queendom Come is a project about an Indian Rakshasi who's trying to find her lost heart after the East India Company stole it, a Jotunn who didn't feel like going back to Norway after the Vikings invasions, and the youngest granddaughter of the last druid of St. Ives who's now trying to keep on the family tradition on her own in spite of being the wrong gender to do so. Started as a project set in Edwardian England, born in a urge of sudden irritation about seeing Victoria being romanticised everywhere by a  cynical comic artist who majored in English. You can read it here on the hashtag #oscarpoppins (which was its unofficial title until now and in my mind will always be), or on Webtoon.
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blueheartbooks · 2 months
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"A Breath of Fresh Air: E. M. Forster's 'A Room with a View'"
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E. M. Forster's "A Room with a View" is a delightful exploration of love, freedom, and self-discovery set against the backdrop of Edwardian England and Italy. Published in 1908, the novel follows the journey of Lucy Honeychurch, a young woman torn between societal expectations and her own desires for independence and fulfillment.
At its heart, "A Room with a View" is a coming-of-age story that resonates with timeless themes of identity and personal growth. From the picturesque hills of Florence to the genteel drawing rooms of England, Forster paints a vivid portrait of a young woman's awakening to the possibilities of life and love. Lucy's journey towards self-realization is both poignant and humorous, as she navigates the complexities of societal norms and her own inner turmoil.
Forster's prose is both elegant and accessible, imbuing the narrative with a sense of warmth and intimacy. The novel is filled with memorable characters, from the eccentric Emersons to the prim and proper Charlotte Bartlett. Through their interactions, Forster explores themes of class, gender, and cultural differences, challenging readers to question the arbitrary boundaries that divide society.
Central to the narrative is Lucy's evolving relationship with George Emerson, a free-spirited young man whose unconventional views on love and life challenge Lucy's preconceived notions. Their burgeoning romance unfolds with a delicate blend of humor and tenderness, as Lucy grapples with her feelings of attraction and the expectations placed upon her by society.
The novel's title itself serves as a metaphor for the dichotomy between convention and liberation. A "room with a view" symbolizes the desire for openness and freedom, a longing to break free from the constraints of societal expectations and embrace life's possibilities. For Lucy, it represents not only physical space but also the emotional and spiritual freedom she seeks to attain.
Throughout the novel, Forster skillfully juxtaposes the idyllic landscapes of Italy with the stifling propriety of Edwardian England, highlighting the contrast between spontaneity and restraint, passion and repression. Italy, with its vibrant culture and sense of vitality, serves as a catalyst for Lucy's transformation, while England represents the suffocating conformity of bourgeois society.
At its core, "A Room with a View" is a celebration of the human spirit and the power of love to transcend social barriers. Forster's timeless tale reminds us of the importance of staying true to ourselves and following our hearts, even in the face of societal pressure and expectations. With its charming characters, evocative settings, and poignant themes, "A Room with a View" remains a captivating and resonant work that continues to enchant readers more than a century after its publication.
E. M. Forster's "A Room with a View" is available in Amazon in paperback 18.99$ and hardcover 25.99$ editions.
Number of pages: 494
Language: English
Rating: 9/10                                           
Link of the book!
Review By: King's Cat
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blueheartbookclub · 2 months
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"A Breath of Fresh Air: E. M. Forster's 'A Room with a View'"
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E. M. Forster's "A Room with a View" is a delightful exploration of love, freedom, and self-discovery set against the backdrop of Edwardian England and Italy. Published in 1908, the novel follows the journey of Lucy Honeychurch, a young woman torn between societal expectations and her own desires for independence and fulfillment.
At its heart, "A Room with a View" is a coming-of-age story that resonates with timeless themes of identity and personal growth. From the picturesque hills of Florence to the genteel drawing rooms of England, Forster paints a vivid portrait of a young woman's awakening to the possibilities of life and love. Lucy's journey towards self-realization is both poignant and humorous, as she navigates the complexities of societal norms and her own inner turmoil.
Forster's prose is both elegant and accessible, imbuing the narrative with a sense of warmth and intimacy. The novel is filled with memorable characters, from the eccentric Emersons to the prim and proper Charlotte Bartlett. Through their interactions, Forster explores themes of class, gender, and cultural differences, challenging readers to question the arbitrary boundaries that divide society.
Central to the narrative is Lucy's evolving relationship with George Emerson, a free-spirited young man whose unconventional views on love and life challenge Lucy's preconceived notions. Their burgeoning romance unfolds with a delicate blend of humor and tenderness, as Lucy grapples with her feelings of attraction and the expectations placed upon her by society.
The novel's title itself serves as a metaphor for the dichotomy between convention and liberation. A "room with a view" symbolizes the desire for openness and freedom, a longing to break free from the constraints of societal expectations and embrace life's possibilities. For Lucy, it represents not only physical space but also the emotional and spiritual freedom she seeks to attain.
Throughout the novel, Forster skillfully juxtaposes the idyllic landscapes of Italy with the stifling propriety of Edwardian England, highlighting the contrast between spontaneity and restraint, passion and repression. Italy, with its vibrant culture and sense of vitality, serves as a catalyst for Lucy's transformation, while England represents the suffocating conformity of bourgeois society.
At its core, "A Room with a View" is a celebration of the human spirit and the power of love to transcend social barriers. Forster's timeless tale reminds us of the importance of staying true to ourselves and following our hearts, even in the face of societal pressure and expectations. With its charming characters, evocative settings, and poignant themes, "A Room with a View" remains a captivating and resonant work that continues to enchant readers more than a century after its publication.
E. M. Forster's "A Room with a View" is available in Amazon in paperback 18.99$ and hardcover 25.99$ editions.
Number of pages: 494
Language: English
Rating: 9/10                                           
Link of the book!
Review By: King's Cat
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When a story is set in the Victorian or Edwardian age, the writers tend to have little trouble creating characters
with pro-Empire beliefs, even when it ultimately undermines their own standing in their time and society.
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Midnight in Everwood
A review of my Christmassy read from 2022
Over the last year, I’ve been reading a lot of retellings. I’ve enjoyed the different ways the authors take already known stories in different directions. I find it fascinating how the stories form and spin off from the original into something different that still retains some of the vibes and feelings of the original. Midnight in Everwood is a Nutcracker retelling which made me a little unsure…
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I really liked this book, I’m highly entertained by all the old time-y swears. It reads like a strange cross between Agatha Christie and Nancy Drew somehow. (Leaning towards Agatha Christie). I’d give it an 8/10
I’ve never read a murder mystery set in the 1910s
I would definitely recommend it, I think it was a fun read and I’m glad I stumbled upon it.
Some amazing swears that Gertie was immediately reprimanded for 😂
“I didn’t take the blinking brooch, and miss hoity toity blinking knows it!”
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fashionsfromhistory · 5 months
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Evening Dress
c.1913
England or France
Victoria & Albert Museum (Accession Number: T.33-1947)
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escapismsworld · 7 months
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Wisteria Hysteria💜
Gardens at Iford Manor in Wiltshire, near Bath. Created by Edwardian designer Harold Peto when Iford was his home from 1899-1933.
📸Photo by @wordyelaine
📍Iford Manor Gardens, Wiltshire
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belle-primrose · 5 months
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♡ Pictures ♡ decorated with fabrics
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greypetrel · 2 years
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New episode up! (Click to read)
Or: how an English Lit major has her funsies shitposting about Romantic poets that totally deserve a good-aimed punch.
Who’s your favourite vampire and why is that Lestat?
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fawnvelveteen · 2 years
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Black and white photograph postcard of a cat wearing a straw hat holding up a sign with the slogan "Votes for Women."
Ann Lewis Women's Suffrage Collection
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blackswaneuroparedux · 9 months
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London is a city where everyone is reaching out to create a future.
George Gissing, The Private Papers of Henry Ryecroft (1903)
Piccadilly Circus, London, 1910.
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morrieandlicky · 1 year
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I realized something rather unsettling about E.M. Forster’s Maurice: it would’ve never happened at all—in fact it was so close to never having been written. 
Why? Because the novel is a direct result of Forster's visit to Edward Carpenter and George Merril in 1913—specifically, a direct result of a Merril’s touch on Forster’s backside, but broadly of Carpenter’s philosophy and the life he had with his lover, the lower-class Merrill. But here’s the thing: Edward Carpenter and George Merril were almost charged, arrested, and/or imprisoned because of their sexuality and relationship. 
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Having published his controversial The Intermediate Sex which sought to justify homosexual love, Edward Carpenter came under fire and faced a large public reaction. Someone named D O’Brien, a member of a right-wing group instigated his own large-scale campaign against Carpenter. He printed out pamphlets and wrote letters accusing Carpenter, even sent them to the Home Office and the police who then started investigating Carpenter. The authorities evaluated Carpenter’s published books on homosexuality to determine merits of persecuting him.
However, the Director of Public Persecution at the time, Charles, decided not to open any legal proceeding. Because with the shadow of Oscar Wilde’s infamous trial still palpably felt in the society, he did not want to stir any public discussion about sex or homosexuality through Carpenter or his books. As such, no proceeding against Carpenter happened, and his books were not banned. This ended in 1909. 
But the investigation did not stop there. The Derbyshire police was concerned with—and anxious about—getting a case against Carpenter and Merrill as two homosexuals. I think that since Carpenter was upper-class and had a solid reputation, the police went after Merrill instead, especially because O’Brien’s letters mentioned names of several people who knew about Merrill’s "indecencies". But these people were of no avail. Hence, no incriminating evidence was found against Carpenter “beyond strong suspicion”, and before 1911, the whole thing was thus, finally, dropped. 
And Forster’s visit to the two men living together in Millthorpe happened in 1913. 
(Below: a 1911 census showing Edward Carpenter, the head of house, living together with George Merrill, the housekeeper)
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Imagine: had Carpenter and Merril been caught—and imprisonment was most certain for Merril due to his lower station—they wouldn’t have been together at where they were in 1913. Forster probably wouldn’t have visited Carpenter at their cottage at all, and thus, Maurice and its happy ending would’ve never been formed. The lives of the real life Maurice Hall and Alec Scudder could’ve been destroyed before their fictional counterparts had been conceived—and Forster would’ve never seen the happy gay couple he knew to write a gay romance novel with a happy ending. 
(Forster could’ve written and even published another version of Maurice—albeit one with tragic ending and deaths of gay characters.)
I used to think Carpenter and Merrill evaded the laws and got through it all because they were smart and brave and discreet, but now I know they were also incredibly lucky, in the sense that it’s almost like Carpenter and Merrill were destined by some higher power to be together and live in an Edwardian gay fairy tale of happily ever after; they were meant to survive as outlaws and to welcome Forster into their home and inspire him to write a gay novel with a happy ending. “Fate has mated it perfectly,” might I quote from Forster himself. 
(Below: a 1921 census showing Carpenter and Merrill living together still)
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Probably in an alternate universe, Carpenter and Merrill were indeed arrested. Merrill went to prison and suffered the same as Wilde did; Carpenter however was let off due to his status (just like Forster had imagined for Maurice and Alec in real life his terminal notes). I don't want to wonder or ponder too much on that because for now, I'm just glad that I live in this timeline where a homosexual happy ending indeed happened in real life as well as in fiction, in the most impossible times.
Source: https://blog.nationalarchives.gov.uk/edward-carpenter-free-love-advocate-and-lgbtq-rights-pioneer/
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frogteethblogteeth · 1 year
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Golf Costume designed by Frederick Bosworth, ca. 1908
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