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#dusted
0xeyedaisy · 6 months
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bops you on the head gently with a feather duster
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ericmuriedas · 8 months
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GD EVAN COMIC ORIGIN (Page 3, 4, 5, 6, 7, And 8)
Comic, Artwork, Au Gd Evan By @ericmuriedas
Undertale By TobyFox
START PREVIOUS NEXT
Specific Aus That Appeared In This Part Of The Comic
Core Frisk By @dokudoki / @corefrisk
Poppy By @fmsdraws / @ut-poppy-fangame / @ut-poppy-askblog
Dusted By Dihze @ut-impulse-break
Off Frisk By @kolbiewa
Underswap Sans By Au Community
Delta Sans/Ultra!Tale By Animated Zorox
Some Are Just Random Undertale Characters I drew just for the background and stuff
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williammarksommer · 10 months
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The poster for my Solo Exhibition “On The Road” with the Chalk Hill Artist Residency Gallery. 
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screamingvikings · 19 days
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I just paid off my student loan
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imathers · 25 days
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Jason Mantzoukas, who is both very funny and the subject of one of the best What's in My Bag? episodes, lists a bunch of places where he finds new music and shouts out Dusted around 32:30 in: "they do new music reviews that are terrific." Very cool! We're even in the graphic:
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Now, if you click through and look at all the helpful links, do they have one to the old Dusted website and not where we actually write these days? Look, you can't have everything (and it's a pretty understandable thing to happen). But we've been on tumblr now since late 2013, so I'm sure he's actually read us there. Which, again, pretty cool! Years ago I listened to an interview with him where he talks about his music studies and etc. and I was honestly really impressed (and I also think he's funny as hell), so this was a nice surprise.
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𝔖𝔢𝔭𝔲𝔩𝔱𝔲𝔯𝔞 - 𝔇𝔲𝔰𝔱𝔢𝔡
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ut-poppy-askblog · 1 year
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Happy Halloween, everyone!
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brigwife · 7 months
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deadstarsrisingsblog · 9 months
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My sister, busting into my 🎆Depression Cave🎆 to cook and deep clean my place with no warning:
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Me, in the dark and lit only by my phone:
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thatidiotutartist · 7 months
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FU—
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sohya · 4 months
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souya as a drummer in the band 🤭🤭🤭
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dustedmagazine · 11 days
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Robert Poss — Drones, Songs, and Fairy Dust (Trace Elements)
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Robert Poss is best known for his work with Band of Susans, a late 1980s-early 1990s guitar-centric no wave band that came up in the same general scene and time frame as Sonic Youth and Swans. Band of Susans went through a number of configurations, but it never had fewer than three guitarists at a time. Consider Poss the primer inter pares (or first among equals) in the band’s squalling wall of guitars.
Now a few decades and a handful of solo albums on, Poss is still fascinated by the possibilities of amplification and feedback, though perhaps in a more lyrical, less confrontational way than in his youth.
Poss has titled this album Drones, Songs, and Fairy Dust, and indeed, it includes all of the above. Though some tracks favor one element or the other, the lines are not always so sharply delineated. There are drones in the more structured songs, and often, the lilt of melody in even the abstract instrumentals. (I’ll leave discerning “fairy dust” to others.)
Listen, for instance, to the way “Skibbereen Drive” blasts out distorted guitar chords, then surrounds them in flickering wah tones, all the while maintaining a steady, anthemic march. Or how “Out of the Fairy Dust” floats a lucid melody over seething, shifting beds of timber, a folk song living in an ambient wash. “Skew Forest” is maybe the purest expression of feedback sculpture, but even this track follows a wandering narrative line. Poss is thinking hard about texture and atmosphere but not to the exclusion of a good hook.
In the same way, the song-like tracks coruscate with detuned blare, the wall of guitar distortion almost, but not quite, burying the vocals in “Secrets, Chapter and Verse.” “It’s Always Further Than It Seems” has the rough romanticism of post-punk turning into college rock—first run Burma and very early R.E.M. come to mind—but there’s a haze and roar even in this well-shaped song.
As an album, Songs, Drones and Fairy Dust runs a bit long, piling up the brief experiments and longer compositions as Poss tries out new things. You might not want to listen all the way through very often (or you might) but pick any point on this extensive collection and you’ll find some very compelling guitar sounds, bending subtly or overtly towards song.
Jennifer Kelly
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lobbyface · 9 months
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Just some rando ENA doodles
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merverb · 1 year
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I can’t stop thinking about “I’m not worried, Wendell, you’re the one shooting blanks!”
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themancorialist · 9 months
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St Mary's Gate, Manchester.
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imathers · 2 months
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Top 20: Yo La Tengo — This Stupid World
And so we reach the end of my top 20 records from 2023 with one that I'm still kind of surprised I liked this much. Don't get me wrong, I've loved other work by Yo La Tengo before (And Then Nothing Turned Itself Inside-Out and Painful are the two I go back to the most, by a fair margin), and I tend to check out the records they make; but for me, they've been in a holding pattern of "hey, this is pretty good" and then I never play it again for... a fair few records, let's say.
And yet, even before I got This Stupid World in the Dusted mid-year exchange, I was playing it a lot. I don't know if the difference is in me or the record. (It might be the closing "Miles Away", which pretty instantly rivaled "Night Falls on Hoboken", "Autumn Sweater", and "From a Motel 6" as an all-time favourite, but I don't think it's just that.) As I mentioned at Dusted I also wound up seeing them live and they were great (even if they played so long my back was killing me by the end), but even so as I was trying to pare down from 50+ records to 20 I didn't really think Yo La Tengo were going to make it.
But every time I did an A/B versus other contenders (including some that will be represented in this year's Loosies, just as if this wasn't here "Miles Away" would be on that list), I kept realizing that among other things I just had a clearer sense of what this record was and why I liked it. When I was younger any record I loved was one I played so much I knew all the songs by heart, but age and the ever-increasing experience that comes with it means there are plenty of records I know and love where I could no longer do the thing where I tell you the song title after five seconds of the instrumental. That's not a sign I love them any less, necessarily; but it felt like it meant something that I could look at the tracklisting here and had such clear and positive associations with each song name. Ultimately, that was enough to get it a spot. Good year for music, as always.
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