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#duet piece
stardustdiiving · 2 years
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*your friends smile warmly beside you
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anna-scribbles · 5 months
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remember that time in feast when adrien and plagg played piano together 😭😭😭😭😭😭😭and he got adrien laughing and improvising and adrien said no one but his mom had ever made him feel like that. top scenes designed to break me in half
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xviruserrorx · 26 days
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Something that The Amazing Devil does so beautiful is that even though a lot of their songs are very wordy they don't rush or skip over the rests in-between. And my favorite examples of this are Elsa's Song and Old Witch Sleep/Good Man Grace, because in old with/good man the beggining is so nice because they put so much pauses between each phrase and even parts like the "Sleep now, oh, she said" there is this smallest rest between the "Now" and "Oh" and it's so subtle but if you don't do that rest it's very very noticeable because your just slurring these two (almost) very short phrases of their own. Then in Elsa's Song l love how the tempo and when they come in, is almost dragging, they are coming in at the very last second of the beat and it makes the tone of the song so so so good
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lotus-pear · 1 year
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finally finished watching aot, rainah and berutolto were my fav duo out of the whole cast 🫶🏼🫶🏼
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in the same way there's a chapel in a hospital
The Band Perry, If I Die Young // Fall Out Boy, Hum Hallelujah // Hanif Abdurraqib, Fall Out Boy Forever // If I Die Young // Fall Out Boy, Love From the Other Side // Kimberly Perry, If I Die Young Pt. 2 // Love From the Other Side //Fall Out Boy Forever // Jeff Buckley, Hallelujah
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uxini · 13 days
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Pearl and Martyn’s Iron Song: Bright Side Of The Life Series Piece
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My piece for the @brightsideoflifeseries event, based of episode 1 of double life where pearl and Martyn sing a song about iron (artist ramblings under the cut)
Speaking of people you should follow: here’s everyone who participated in the event and all there piece’s (FOLLOW THEM, FOLLOW THEM NOW, I pale in comparison to them they are AMAZING):
so…… I might be a tad late. It may not look it but this piece was REALLY difficult for me to make with the perspectives of the bodies and surprisingly the facial expressions (how do you not make them not look disgusting). I actually had surprisingly a lot of fun with doing the background and shading (though that doesn’t mean it’s gonna be good, I’m letting myself take small victories).
Even though this was really hard for me I’m still glad I decided to participate in this event. Also I want to give a HUGE shoutout to Kait (@uy8hg-art) for being so INCREDIBLY lovely to me by willingly going along with my weekly check-ins, giving me really good feedback and just being so wonderfully patient with me! So please follow them they are great (I’m mean you should everyone who participated in this event cause they are amazing but I feel that the organiser should get a special shout out)!
grimaussieart
radishearts
strelitzien-gewaechs
holymolyguacomole
fynchfire
hoodiecave
uy8hg-art
agressivenesswhilecrying
limbowuzhere
Now if you’ll excuse me I’ve got several art studies I need to do cause this project made me realise I was way too in over my head.
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etruatcaelum · 8 months
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[ @qrowings // for salem ]
"Let them go, they have nothing to do with this."
Salem does not remove her hand from the side of the wagon as she meets the frantic gaze of Ozpin’s most faithful spy. Terror hemorrhages out of him, soaking dark and red as blood into the leaf mold, as his vermillion eyes flick from her to the girls: one curled up in the wagon, fast asleep, the other sitting in a dirty, tearful heap at Salem’s side.
The blonde child—Yang, isn’t it?—scrubs at her face with a grimy fist, mumbling, “Uncle… Qrow?” in a voice muddled by utter exhaustion. And then, with another darting, uncertain glance at Salem: “What’s going on? You– you know my uncle?”
“Only by reputation,” Salem says, without breaking eye contact with Qrow. Softly, she adds, “You should take better care to watch over your children. There are far worse things in these woods than I.”
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celestial-hieroglyph · 3 months
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pale blue eyes by the velvet underground is the ultimate twissy song ever like i know twelve has sung it one time for missy inside the vault as they're celebrating a milestone of her rehabilitation and mid-song missy joins along and they have a little duet together
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the-gay-overcoat · 2 months
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whatz your favorite song or music artist :>
hmmmmmm good question!! I quite enjoy Butch 4 Butch by Rio Romeo and Bernadette by IAMX
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deltaruminations · 3 months
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don’t remember if i ever posted about this but the plausible gasters in “friendship” make me go nuts a little bit. the resolution of the piece (~2:18) is a near-gaster playing directly alongside don’t forget. in a track called friendship. hello???
youtube
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liselkart · 3 months
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do you think they ever explored each others bodies (in the vault)
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catcatb0y · 9 months
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Honestly though saying (or implying) that vocaloid or vocal synths in general "devalues the human voice" is SUCH an incredibly shit take for SO many reasons.
Like yeah Saki Fujita getting so many other roles in voice acting because of her contribution to Hatsune Miku (the anime cameos and stuff are usually done with her original voice, them modified to be robotic) is a bit of an outlier when most other vocaloid and sythns don't have that influence.
You can even sort of wave off the dozens upon dozens of people who go for realistic tuning- like whenever a synth has any sort of clarity, there are like five people commenting about how real they sound. Clearly people do still care about human sounding vocals, because they go nuts over realistic vtuning.
There are many different aspects of vocaloid that use human voices, too- from Set It Off's duet "Why Do I?", human rap artists using Miku's vocals as background, and the entire CONCEPT of Project Sekai which releases AND COMMISSIONS songs for vocal synths and real people.
But the sheer number of vocaloid producers who use their own vocals as back up (MikitoP, PinoochioP, and I believe Kira off the top of my head), the number of producers who can sing and/or do self covers (again Kira, GIGA, Ayase, Teniwoha, syudou and so many more), and the amount of vocal producers who have gone forward with legit musical careers after working with vocaloid (Kenshi Yonezu, most notably, who did work for years under the alias Hachi)
I mean, hell. There are vocaloid producers who go on to become vocaloid vocals themselves- like nostraightanswer, the vocal provider for DEX, who has made both vocaloid and original songs. Some even duets.
That's not even including creators like JubyPhonic, Rachie, Will Stenson, Lollia, Octavia, Razzy and Co., and SO many other HUMAN cover artists who gained following or honed their skills on none other than vocaloid covers. (And that's just a handful of English Cover artists, not like Sati Akura a Russian cover artist or Ado who has commissioned songs from vocaloid artists)
It's also not including UTAUites who input their own voices to use for covers.
"Devalues the human voice" is such blatant bs. They ARE human voices. They are OUR voices. "You'd think by now that we would have learned, behind every piece if art is a human to be heard." (- CircusP, 'Better Off Worse')
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hhhghhhh gortash & zeke duets………….
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m-kyunie · 2 years
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The way you had me wrapped around your fingertip
- I Heard You’re Married [The Weeknd]
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omtai · 9 days
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got flashbanged
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metamelonisle · 10 months
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Binks' Sake orchestra and choir but as the song progresses people just abruptly stop singing and playing their instruments and cover their faces until it's just the pianist that started it still singing to the end and barely able to contain his sorrow
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