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#draftworu
seeds-of-life-daily · 3 months
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Day 42 Continuation of this post Drew more versions of them
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arifuretaboy · 1 year
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i drew draft 1 kaworu after reading the episode 24 drafts!
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nonbinary-morro · 1 year
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Dont cry, look, neon genesis evangelion episode 24 drafts 1 and 2 on the planet earth ok?
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cheeseproducts · 1 year
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the most important day of the year
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p2ii · 6 months
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yall im not even kidding we couldve had it all
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adamworu · 8 months
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Hi, what do you think of the Anime!Kaworu (not manga or Rebuild) analysis called 'Kaworu Nagisa, Ángel del amor y el libre albedrío. Diseccionando a los Ángeles (última parte)' by MistralChronicles?, has English subtitles.
I finally gave it a look after being inundated with life stuff (forgive me for taking long on this) and wow! If you're a Kaworu fan looking for some really indepth analysis your cup will truly runneth over on this one.
Let me start by saying that this lengthy analysis works because it doesn't go deep into his characterization under the assumption that the viewer already knows. It's all conveniently wrapped in one video. For those that already do know, this video acts as an excellent refresher, given how expansive Evangelion's lore is.
(warning for abuse mention)
The first thing that stands out to me in this 2 hour analysis, aside from thoroughly research on Eva's production history is the noted rearranging of Kaworu's surname as Shisha. Shisha means messenger (You'll notice the term Saigo Shisha to refer to the angels in Eva) while also pertaining to death.
This also works well with MOVIC's assigning of Kaworu to the Death Tarot Card.
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One door closes and another opens. Kaworu dies and he understands that he is the Last Messenger. In so doing, he ensures humanity's welfare in the process.
I love loved that MC (I'll be abbreviated Mistral Chronicles as MC in this analysis) talked of Draftworu and the scars. I wouldn't call those suicide attempts but I would call those self-harm. That's not to say that Draft iteration Kaworu didn't hold ideas relating to suicide.
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MC notes that Kaworu and Shinji's excellent chemistry. Kaworu is more bright and outgoing whereas Shinji is more neutral. This manifests in their shirts: orange and blue, respectively, because they compliment each other.
I think my one pet peeve (even less, actually, just something pointed out) through this analysis however is that Kaworu is directly called Adam. Kaworu's existence as Adam is by proxy. Meaning that because Adam's soul is within him, he's Adam that way rather than being some physical iteration.
Kaworu was meant to be so good that his nature alone would be enough to give Shinji an inferiority complex. MC makes the excellent point that because Kaworu's appearance had to be truncated to one episode, we only ever see not the complex, but rather Shinji's idealization of Kaworu.
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I think about this fact a lot. How, even though Kaworu accepts Shinji for who he is, there's a pushback in parts of Eva communities that assumes bad faith on Kaworu's end. It drives me up a wall every so often due to exactly where the bad faith comes from. There's also a part of me that understands that total acceptance and unconditional love aren't impossible manifestations. Out there, there is someone who appreciates and is so in love with you in all ways. We're so used to being around people trying to change key aspects of us rather than trying to comprehend us at our very cores. It makes the words 'I love you' feel all the more surreal. Genuine, unrelenting love for who you are feels like a shock to the system.
(Also small sidebar before we move on: MC goes into how Kaworu can fenagle with Unit-02 despite the non-reconfigured soul. When she says 'he can control a body that is his own' she's referring to the fact that Kaworu, being an angel, is comprised of particle wave matter)
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Kaworu has Shinji's support. Anywhere can be paradise. Shinji is his home.
MC points out something that often goes missed by some groups: Kaworu's existence is ultimately integral to Evangelion. Not just to Shinji. Kaworu's status as the Angel of Free Will is an ironic one of sorts. Other angels which preceded him desired to understand more of their lilin 'neighbors', so why then, is Kaworu aligned with such a moniker?
Kaworu's kindness, or his sacrifice to humanity, allowed them that free will. Another reading that I have alongside the aforementioned is that Kaworu's action shows the unsettlingly paradoxical nature of free will; that your freedom exists because someone allowed it for you.
The video also goes on to point out that Kaworu doesn't overstep boundaries (i.e. the bath scene). He thinks that Shinji wants to go with him out of the bath. He doesn't really pry. He's not fully attuned to Shinji's culture to understand why there'd be aversion with acts of sudden closeness. That's not to say that Shinji was grossed out by Kaworu (which he wasn't), but that Shinji's aversion comes from a place of fear from being hurt again.
Now onto Netflix's translation.
MC transitions into the Netflix translation and how it danced around 'It means I love you.' Debates about translation are sometimes had pertaining to this scene. You'll often see people argue about how in the Japanese version 'koui/koi' is purely platonic in nature. Given the actual context with the scene as well as the symbolisms that carry later in in End of Evangelion, this is of course far from the truth. The word is a pun which is doesn't carry well outside the language. The words 'koi' and 'suki' are indeed romantic, and EOE doesn't stand as the only example. The drafts debunk any perception of Kaworu and Shinji's relationship being that of 'just friends.' MC also adds more: that Anno gave the drafts to someone who was versed in writing boys love.
The erasure in the translations was justified via 'Evangelion is an ambiguous work.' Correction: Evangelion's moral to the viewer is ambiguous. The characters have been talked about in supplementary material. That isn't ambiguous.
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This snippet here also debunks the platonic angle. When the characters are shown top-down in bed in certain parts of the series, there's some adversity or lack of communication. Shinji thinks of Asuka as only a child (something about glass houses and throwing stones). Asuka did share the sheets with Hikari, though faced away because she felt too vulnerable. But Shinji and Kaworu? They're clicking so much that Shinji divulges to Kaworu about his life prior to the events of Eva. Kaworu offers to sleep on the floor rather than Shinji but Shinji prefers the floor. Shinji catches himself being vulnerable but never backpedals or fronts about his life. At that moment, he was vulnerable with the right person.
Kaworu's such a surreal character in the world of Evangelion because he doesn't really ask anything. He's kind, but far from perfect. But he feels almost immaculate because Evangelion's world comes across to many viewers as cynical. People are often cold and get away with proverbial murder. None of us can understand each other fully because our boundaries not only protect us, but impede us. Fear drives us to be alive but also stunt current relationships while condemning future ones.
The lake scene is brought up in the video analysis in that it makes little to no sense. It's just...weird to think about.
Kaworu's donor is brought up here, though I wouldn't go so far as to say that they 'gave a body.' During the Director's Cut of episode 21, it's stated that Kaworu's conception came about as a Contact Experiment. DNA 'dove' into the flesh of Adam, awakening them. It could have been anything.
Since we're talking of enigmatic lore of Eva, 'clone' is a sort of loose term here. Both of the 'cloned' individuals may have the slight features of their donors, but not by much. Their complexions are pale, nearly calling to mind someone with albinism. Why is it that both of these experiments end in these features?
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Love that MC points this out.
Shinji's on the warpath with angels not because of his contempt, but he seeks validation. Then Kaworu comes along, gives him that validation without condition. There's no ulterior motive for his kindness. He loves Shinji for all his flaws.
Shinji's ire for Kaworu's reveal is a front. He's not angry at Kaworu for his status. His forced to fight between two sources of validation, those around him most or Kaworu. Shinji doesn't want to be forced with the troubling revelation that his fight against the angels isn't genuine. This is further reinforced in episode 25 in which he doubles down.
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Kaworu explains the AT field, how integral it is to understanding others (and outside to the viewer, important to the plot). The deployment of boundaries can protect you but in the same vein hurt others. MC points out that Unit-02 stabbing 01 is metaphorical, and a clever subtlety at that. The progression knife is inserted in the left side of the Evangelion, where the heart is.
He utters 'Human hope is made from sorrow.' From despair, joy arises. Kaworu realizes that his merging with Adam (biological desire, not moral) would spell annihilation for the whole of mankind and its hopes. As the last of his kind, the onus lies on him to cause a freedom of one species to inherit Earth while the other perishes.
It's also why Ode to Joy is synonymous with Kaworu.
It is why he is the Angel of Free Will.
Take the AT Field's usage into consideration. It can be used to protect, hurt, overstep, or even temporarily shut oneself off from the pains of the world. These are used to navigate the circumstances around you, and this truth implicates the angels, given they're as complex as humanity.
Thus, the larger deployment of Kaworu's AT Field is made clear. Blood stains his hands, regardless of outcome.
On this end, humans do have AT Fields but lack the physiology to deploy them physically. The Fields are instead metaphorical. They exist as veneers of a person, avoidance of an issue, among other things.
Kaworu's designation as the first and last angel is pointed out. This not only goes for the series but also the Rebuilds as well and it works thematically. Kaworu's the 13th angel in Rebuilds and this is juxtaposed in FINAL with Unit 01 as well as 13. 01 in FINAL is considered Hope whereas 13 is considered Despair. Before Kaworu's 'demotion' he was hopeful in that he would be able to save the world without mass death on his head. When realizing he was set up when Shinji retrieves the spears in Rebuilds, he becomes the 13th. In the original this manifests as Kaworu feeling hopeful that he found someone who finally understood him. Someone whom he could love and laugh with. 'Human hope is made of sorrow.' has even more depth, when the above is considered added with Kaworu's empathetic nature. He understands the needs of man, because he feels this way too.
Kaworu feels hope when being around Shinji (Also makes 'I may have been born to meet you' more wholesome) but a sense of sorrow knowing his mission.
He becomes desperate, understanding that if man were to live, he'd need to die.
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This is probably the only part I strongly disagree with. One of the biggest horrors of Evangelion is that people do take from others (and they often get away with murder). The cast heaps baggage on each other, or neglects them unless a situation comes in which benefits them. It's not a nihilist bent that Eva goes on, because it'd contradict that anywhere could be paradise. It highlights that humanity is ugly without going into a 'so get over it' angle. Eva highlights that realities are often ugly, but hardly defeatist or smugly pessimistic.
Kaworu's likened to Rei in their sad realities. He sets up to become something larger, but the reasons differ. Kaworu does humanity a kindness of his own accord. Rei? Becomes a mother figure simply because her whole existence of a man's unhealthy coping mechanisms. She is conditioned, start to finish to be a mother. Even though she understands more of her identity thanks to Kaworu, her tragedy is that she doesn't know how not to be anything maternal. Kaworu's kindness is his own and his tragedy derives in knowing the cycle but being a slave to it. His ultimate tragedy is that, for how powerful he is, he's still susceptible to unhealthy cycles, forced to play out that role until it is broken.
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It's pointed out that Shinji's depressive spiral goes deeper with Kaworu's death and not just because of the event itself. 'Death is the only freedom.' are chilling words from a boy who could not control his existence but could control his death. This makes the likening of Kaworu to Shinji all the more tragic. Much of Shinji's life was rife with neglect up until this point. Then he had to get rid of a genuine source of validation.
The love of Kaworu and Shinji is mutual. MC dives into misconceptions of how Kaworu and Shinji's relationship is platonic because it lacks the suggestive closeups of Misato, Rei, and Asuka (it's own can of worms). EOE debunks the platonic bent as well the Rebuilds with the numerous references. There's even a heart shaped tree where Shinji and Kaworu play Quatre Mains!
Anno even states Kaworu as an idealized other.
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Kaworu's proxy status as a father and mother is noted. While Anno uses chichi (father) as a designation for Adam, Kaworu uses hahataru sonzai for Our Mother. This explains why Kaworu stands as judge over Gendo alongside Rei and Yui. This latter of the designations makes sense, given Adam's status as the progenitor for angels.
Kaworu's status as integral to the plot of Eva is especially solidified during Instrumentality. Rei and Kaworu represent the desire to understand the world around and unconditional love, respectively. He, along with Rei, teaches Shinji that if he were to come back physically, AT Fields would exist once more. Pain would exist. People would not know each other fully. And Shinji allows that for mankind, even after knowing this revelation.'
People like Rei and Kaworu can exist, however. But in our lives, our sometimes unforgiving realities, people like that are rare. There are people that love you for being you. There are people that want to comprehend the complexities the world hands us. I hope that one day, you find both.
That we all find both. That too, is why anywhere can be paradise as long as you have that will to live.
All in all, I loved MC's meticulous dissection of Kaworu's character. It's a welcome addition and it was easy to follow along through all of it. I recommend watching it for anyone reading this who has the time. It's some of the most indepth Kaworu analysis i'd seen in the years I'd been in this fandom and I thank MC for the write-up. And I thank you, anon, for redirecting me to this video dissertation.
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agexp · 3 years
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happy birthday kaworu !
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jemcore · 4 years
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me when i see draftworu
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casfaking · 5 years
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imagine me actually posting art here
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SEELE makes him the perfect angelic being, too beautiful, too talented, very obedient and happily so. He will be the perfect corpse for the most perfect plan. The Angel of Free Will who cannot decide what he craves for.
  Everybody finds love
in the end
The first chapter of a thing I wrote is out! Come and give it a click!
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kanaevamon · 6 years
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seraphlite · 6 years
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why do you cry? who are you kidding? you’re not human.
don’t tag as kin, id, or me.
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cacaitos · 3 years
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Kaworu kawaru kowaru kawuru kaguoru el caguamas qworu karl mangaworu kawru coworu CAworu draftworu choose your fighter.
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adamworu · 3 years
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love love love your blog first of all - second, would you be willing to talk a little more about kaworu self harming / his depression / depressive attitude you mentioned in one of your posts about him displaying some self harm tendencies in a draft... im having trouble finding much more info on this? do you think kaworu loathes himself as well?
Thank you so very much!
Info on Draftworu is pretty limited and much of the content and translations that are talked about indepth comes from users tonkatsu-slice and 17th-angel.
(warning for mentions of depression and suicide ahead, so I'm putting this under a readmore)
In the first draft, Kaworu's own anxieties, fears, etc. are way more explicit in draft form than in the series. His darker aspects were trickier to pinpoint in the series because getting them hinged mainly on how well you understand Eva's in-universe metaphors (AT Fields as a universal metaphors for boundaries, physicality, and identity). It goes slightly deeper than the self-harm scars, however.
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TRANSCRIPT (Note that IKARI=Gendo here)
(INT. SYSTEM LOCATION
IKARI: Why do you make no attempt to make contact with Adam? Could it be that you pity humanity?
KAWORU: I'm the one who deserves your sympathy. Because continuing to live is so difficult.
IKARI: You chose death?
INT. CENTRAL LOCATION
KAWORU: Death is the single act of free will I have. The only way to defy my maker.
IKARI: But that's contrary to the basic principle of life.
KAWORU: Angels are creatures that constantly evolve. We have no predetermined form. And death is but another part of life.)
"Because continuing to live is so difficult."
Let's address the (other) elephant in the room. Notice how Kaworu here says 'continuing to live' rather than 'living is so difficult.' The line in particular strongly implies Kaworu's emotionally damaged state in the first draft.
He is alone and anxious.
His status as the last angel adds more onto his loneliness.
Another thing worth noting is that Kaworu's willing to allude to his problems to others, something which wasn't apparent in the series. Kaworu's comments about death strongly tie into being suicidal. He hates the position he's in. Draftworu differs from regular Kaworu in that he seeks personal freedom through death of the self.
It's what makes him such a sad character.
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agexp · 2 years
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i want to see more kaworu trio
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