Consider this: ghosts are actually exactly what the Fentons think they are.
They're snapshots of a longing so strong, unfinished business so deep it reaches out beyond life. Lingers just a bit longer. And if it happens to meet a dense cloud of ectoplasm (invisible to the naked eye, but omnipresent even in the mortal realm), it coalesces. The ectoplasm fits into the shape of it. Which, when the desire is strong enough, it's got a rough idea of its self-image. This tends to mean a more humanoid figure, though it's more often warped in some way–a self-reflection, skewed by said desire. The warping varies on the dead soul’s perception of themselves, the intensity of their desire, how much time passed after death, and how much ectoplasm was present.
In short… no matter how “normal" a ghost looks or acts, it really, truly isn't human. It's animated ectoplasm with a single goal: an obsession. Nothing else. They're more akin to plants than animals, following a single drive with no emotion. They react to stimuli, recognize threats (including other ghosts), and can even imitate human speech and mannerisms to obtain fulfillment of their obsession.
Not “evil" by any stretch, but they're entirely driven by instinct. A tree doesn't pause to consider the rocks it breaks with its roots. A cordyceps doesn't torture its host for fun, or kill with malice. It just does. It follows code in its DNA to survive and multiply–And ghosts just follow the code in its ectoplasm to fulfill its obsession. The more powerful a ghost, the better it's able to overcome obstacles preventing this–whether through brute force, or manipulation. This power is always directly proportional to the amount of ectoplasm present at the time of formation, and how much time passed since death.
What then, does this mean for Danny? Danny, who's previously come to the conclusion that he's only half-ghost, which surely explains how he retained his mind? His independent thoughts and emotions?
What does this mean for Phantom, who experienced an entire world’s worth of ectoplasm condensed as a singularity, at the exact time of his death? Whose strength only grows and begins to exceed every limit they previously thought possible?
If a ghost was as strong as him… could it mimic a human perfectly? Down to a molecular level?
Could it, in its desire to fill an obsession… trick its own fake mind into thinking it was still human? Or half-ghost?
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"Scherz" is one letter away from the italian word for "joke"
Considering the whole "mini frogs are puns lol" thing, how does it feel being a Charachter with an Actual Narrative? <- someone with Protagonism (if i recall correctly) that would REALLY LOVE FOR THE CAST TO EXPAND. PLEASE, I CANT DO THIS ALONE. I JUST WANNA MINECRAFT-
"Scherz" is zero letters away from the German word for "Joke". In that it is the German word for joke. As I was so often reminded in my youth. SUCK IT HATERS
Well, as someone who successfully survived the years since 2019 when we published Mini and the Gang™, and found out that they may have, like, 50 more years to live, it is a little frustrating to have peaked at 27. I guess I have 50 years of trying to chase and reproduce that elation. What madness will this result in? Stick around to find out!
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I’m not sure if you’ve specifically answered this before, but how long did it take you to outline, research, and prepare the foundational meat of Lionheart since it’s such a sprawling saga with threads for so many characters? Did you have it all mapped out before you started writing? What about shorter pieces like The Climb and the latest, delightful The Death Eater Diaries?
The series outline for Lionheart I wrote on one bleary, rabbit-hole of a day in the summer of 2022 when I was definitely supposed to be doing something else, and after that, each book took me between 3 days and 2 weeks to outline completely. The later books have taken longer because of their length and the number of threads — the series has a way of getting wider as well as longer, and for the last two books, I sometimes got a bit grumbly about how many characters pop up in every novel. As for research, most of that will happen before or during the outlining process; I'll have a copy of the book on-hand to check plot details, but for the most part I try to work without flipping back to the text, to avoid copying beats or stylistic choices unless I have a thematic reason to. I also use HP Lexicon and fanwikis while I'm editing for content, though when I'm drafting I make a real effort not to switch out of the tab for any reason, because it breaks flow. I'm sure I have missed some details despite my references, but c'est la vie; JKR had to do continuity edits in subsequent edition releases for several books, so at least I'm not alone.
For The Climb, I wrote the first chapter in the raw, then went through and blocked out the second two in an outline at the bottom of the document. Very very broad strokes there — TC is different from Lionheart because it's a slice-of-life tone piece, so there's not as much plot to be done. It's a novella conceived for the sole purpose of exploring one particular relationship, so the plot came secondary to the things I wanted to highlight about how that dynamic worked. It's a character-forward piece, to borrow culinary terminology, and outlining for character is a lot easier than outlining for plot. (For me.)
The Death Eater Diaries emerged almost fully-formed from a Tumblr post I made joking about the sort of ludicrously awful decade Narcissa experiences. The hardest part of outlining was nailing down canonical dates. Stuff like how old Andromeda was when she got pregnant, when Bellatrix got married, when the members of the previous generation died, all that's unspecified — but it's also all functionally constrained to a narrow window of time, if you take in where the characters are at certain other parts of the story, so you can't just say anything. It was very fun to write, though. Doing so also stressed how hilariously short the timeline on the Black family collapse actually is. Between 1971 and 1981, they go from a two-branch family with an heir, a spare, and three healthy daughters -> completely extinct in the male line, two of its descendants disinherited, two imprisoned, one missing, presumed dead, and Draco Malfoy's mom.
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Oh c’mon you knew I had to.
My version of the Barbie mugshot with stricklake because I just COULD NOT get it out of my head:
This is specifically from my Trollhunter!Strickler au solely because of the white streak in Barbara’s hair lol and now that I’ve drawn it I am oh so tempted to have it be an actual scene that happens somewhere along the story…
Little snippet of the would-be scene (it's so long it got away from me, I'm sorry):
*the two are rummaging around in a very much broken into museum to find what may or not be a message from Nomura*
Barbara: Walt...?
Walter: Hm? Yes, love?
Barbara: What's that outside?
Walter, pausing for a second to listen: Oh. That would be the em...the police, my dear.
Barbara: Oh, okay, okay, excuse me, the WHAT.
Walter: ...Em. That is, I- um I suggest you hide the skathe-hrün somewhere, lest the authorities care to investigate further into what exactly it is when they take it from your person.
Barbara: So we're not even avoiding this? You know, getting arrested by the police?
Walter: Mmmm, no, unfortunately. I don't want you using the skathe-hrün (or more specifically its magic) anymore than absolutely necessary for today. You've expended yourself enough as it is.
Barbara: And getting arrested for breaking and entering is not an 'absolute necessity'???
Walter: Not particularly, it would only be a considered a second-degree burglary since it is a museum and not a residential, habitated building; which that sub-type of burglary is a 'wobbler' charge in the state of California, which equates—if it is persecuted as a misdemanor rather than a felony—to merely (at most) a year in county jail—
Barbara: A year?!
Walter: —and 1,000 dollar fine if, that is, we are found guilty by being proven to have harbored the intent to steal something, of which we did not and do not have evident by the fact neither of us pocess any given tools to break or take any item from its case. I assume this is the first time you have been accused of any given crime aside from speeding or any other driving-related violation? Without evidence of a previous criminal record we should be lined up quite well to be merely fined or, if NotEnrique can manage it (if I can bear to call upon endless embarassment and taunting), nothing at all but a slap on the wrist though I doubt we could not accomplish that on our own given our positions in the community as school teacher and doctor respectively.
Barbara: You have wings, Walt.
Walter: And mothman escaping a building with a strangely human-shaped figure in its arms is not at all a cause for alarm to the police who will no doubt be keeping close watch of all exits and entrances which would also draw unneeded attention before we can reach the proper cover of the clouds.
Barbara: *face-palms* Getting arrested. How wonderful. 'Oh, just breaking and entering, officer, not much.'
Walter: It is hardly as terrible as it sounds, really. We can omit the 'breaking' portion since we snuck in through the window without running into any trouble that would damage it. Frankly, we could go the route of claiming guilty to the crime of trespassing according to the Penal Code 602 (California's trespassing law) being that we entered the exhibit past museum hours. On top of which it is far more accurate to what we're doing in actuality, not proper burglary since we have established neither of us had the intent to run off with anything that was not ours. Doing so we would also fare far better than with a so-called 'breaking and entering' offense (such a named law does not actually exist in California, only burglary and trespassing separately but I will clasify it as the burglary law for sake of consistency) in which we would be recieving just a simple fine rather than possible felony charges that could come with a second-degree burglary we may have committed.
Barbara: Not really helping here, Walt.
Walter: Right, apologies-
Barbara: Which, of course, getting arrested is an experience you obviously know about.
Walter: The (pun intended) offense aimed against me is dully noted. However, my dear, the fact I know how the intricacies of the specific laws of California operate does not entail I have been arrested prior to this. That would be Nomura who holds the experience in that particular department.
*pause*
Barbara: Walt. Don't you dare. You stop it right there. Unless you want--
Walt: The police department. Heh. *guilty snort*
Barbara: *sends him the disappointed death glare*
Police: *break through the door* Hands up! On the ground, now!
Walter: *laying down* I hardly find my pun to have been that egregious.
Barbara, already on the floor: Really, Walt? Good puns involve good TIMING too.
Police: Dispatch, we have the two culprits in question now in our custody. *taking a pair of cuffs out* You're coming with us. You have the right to remain silent.
Walter, being actively handcuffed: Well, I suppose then, now would be the less than appropriate time to say this museum has gained quite the em...standing in the Lake family...?
Barbara, being stood up with her arms behind her back: Officers, I have no idea who this man is.
Walter: I never once said I intended to make good puns.
I made this entirely too long but once it started I couldn't really find myself stopping. Whoops. Hope you enjoyed chaotic Walt not caring about being arrested because jail is honestly the least of his problems rn. It would honestly be a break.
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