Our Blind Contributor - Alice King
I recently got a hold of a copy of the June 11th, 1887 edition of "The Girl's Own Paper", a British paper for women and girls published from 1880 to 1956.
There are a number of interesting articles in this issue, but the one that stood out to me the most was the autobiographical account of Alice King's life, a completely blind author, equestrian, and teacher from England.
(Click for better resolution. Image ID provided using Tumblr's image description system. Image sourced from https://www.victorianvoices.net/topics/people/disabled.shtml).
I am not exaggerating when I say this woman was awesome. As a disabled woman myself, this is the sort of person I wish we had learned about in school. Among other things, she could speak eight languages, published her first book at twenty, was an excellent horseback rider, learned knitting and macramé lace, ran a Bible Class with nearly 70 members, and modified her own typewriter and watch to suit her disability.
In this, as in everything throughout my life, the grand secret of my success has been unwearying, patient perseverance. I can confidently tell all those who are suffering under any physical disability, that if they will take this weapon—patient perseverance—in band, and use it resolutely to carve their road, they will succeed.
The full article is under the cut - it's long, but I highly recommend it.
The article, transcribed by me, so apologies if there are any errors:
"THE GIRL'S OWN PAPER
[PRICE ONE PENNY.
VOL. VILL-No. 389.]
JUNE 11, 1887.
OUR BLIND CONTRIBUTOR-ALICE KING.
WRITTEN BY HERSELF.
THE few words that I am going to say in this paper about myself are intended to be partly a comfort to those who have dear relations and friends that have lost their sight, and who are sorrowing over what they deem an irremediable affliction for those they love, and partly as an encouragement for those who are themselves blind, or who are burdened with any other infirmity which seems to make hopeless their chance of getting forward in the race of life. If I can succeed in either of these points I shall indeed be happy and thankful.
I was not born blind, but my sight was always so very imperfect that it scarcely de served the name of sight at all. I could distinguish no object clearly, not even when of places placed close to my eyes, so that all my descriptions of places and scenery in my writings can in no way have originated from any dim, scattered memories of those early days. When I was about seven my little glimmer of sight became darkened entirely, and since then I have been completely blind.
But though I am blind, it often gives me a sort of surprised feeling to hear myself talked of as such; I have such a keen, intense consciousness of knowing all about, and seeing, everyone and everything around me. When strangers speak to me for the first time, I at once create, from their voice, a distinct picture of what they are like. When I am driving or walking through a beautiful country, the sound of waving trees and murmuring water instantly brings me a vision of wondrous picturesqueness. When I enter a room I have never been in before, I quickly know all about its size and the way in which the furniture in it is placed by listening to such sounds as the closing of a door or window or the moving of a chair or sofa. Another thing which makes me never able to realise that I am blind is that I have always a brilliant light before my eyes, so that seem to myself continually wrapped round with a radiant cloud. Into this light I can call up at will any colour that I think of intently for a few moments, so that frequently I am gazing into a gorgeous red or green incandescent mass, that appears to be scintillating close to me and glowing like a living fire.
God in His love and mercy has also given me other abnormal faculties, which take the place of, and in some cases almost more than take the place of, sight. I can frequently tell when someone is in a distant part of the house by certain peculiarities, which my ear recognises, in their way of closing a door or performing some other insignificant but audible act. I have my especial manner of distinguishing my friends before they speak, when they enter the room, by the sound of their breathing or the fashion in which they move about. I can always tell when anyone is looking at me with peculiar feelings of interest, or affection, or dislike; I have a kind of indescribable burning sensation that pervades my whole frame. I can sometimes tell, when I am holding a person's hand, what is passing in their mind. This latter faculty has, under God, occasionally been of inestimable help to me in dealing with the working men and lads, of my work among whom I shall speak by-and-by. It increases in no small degree my influence over a man when he finds that I know of a wavering resolve for good or a secret thought of sin that is lurking in his heart.
I have also at times certain intuitions which make me able to foresee coming events. This power is, however, most capricious in its coming and going, and I have not myself the slightest control over it; I can never by my own will bring it to bear on any point that I wish; but it will often give me a prescient flash of light about some circumstance which is of comparatively little to me. I can give no account of its origin, and cannot define its exact way of working in my mind.
As a child I received no education especially suited and intended for the blind. I was entirely educated by my mother, a woman of great intellectual ability. She taught me much as other children are taught, except that she did her utmost to strengthen my memory by making me learn a great deal of poetry by heart. She gave me a correct knowledge of geography, which has remained with me all my life, without the help of any raised maps, such as are now used in blind schools, simply by making me describe in words the shape of each country, or island, or lake, and the position of each province with respect to another. I learned geography so thoroughly in this that in my schoolroom days I could have told any other girl how to draw a map of any country with the utmost accuracy.
I have learned seven languages through my ears—French, German, Italian, Spanish, Hebrew, Greek, and Latin. I can hardly tell how I acquired them. I first learned the grammar by heart with my mother and sister, who were always, one or the other of them, my fellow-students, and then the faculty of understanding the different languages came with more or less facility. My practised, delicate sense of hearing has, no doubt, rendered me peculiarly quick in catching the pronunciation of foreign tongues, and this may have made the acquirement of them easier to me than it otherwise would have been.
As a child I was peculiarly bold and fearless; indeed, my blindness seemed to make me braver than others of my age. I grew to know any new house I was to with remarkable quickness, because I needed no light. I learned to ride on horseback, and was a bold horsewoman, sitting in my saddle with as much ease and confidence as if I was in an armchair. The roads over the hills of West Somerset, in the neighbourhood of Exmoor, where I was born, are such as would make most riders, however practised, feel very much more inclined to trust to their own legs than to those of their horse; yet up and down these steep ways, which are often nothing better than cataracts of rolling stones, I used to ride, feeling quite as happy as a young lady sauntering about on velvet turf in a sunny garden. I had a real affection for the animals on which I rode. Beautiful creatures they were, half-bred between horse and Exmoor pony, and endowed with wondrous intelligence. They fully returned my regard, and understood quite well that they had to take more care of me than of any other rider.
I can do work of many kinds with great case and much pleasure. My power of feeling lies chiefly in the forefinger and the thumb, the skin and muscles of which have been trained to great delicacy of touch. I can knit the finest silk, can do canvas-work, and have lately been acquiring skill in macramé lace. I have not learned these different sorts of work in a moment, but have gained my proficiency in them with incessant practice and resolute determination not to fail. In this, as in everything throughout my life, the grand secret of my success has been unwearying, patient perseverance. I can confidently tell all those who are suffering under any physical disability, that if they will take this weapon—patient perseverance—in band, and use it resolutely to carve their road, they will succeed.
My capacity for writing began to develop at a very early age, and broke out into little ripples of verse almost as soon as I could speak. It seemed to come naturally to me, like a song to a young thrush. My first appearance in print was in a volume of sacred poems entitled "The Lays of Palestine," which was brought out by my father, and in which were put two hymns written by me before I was twelve years old.
My first book, "Forest-Keep," was written when I was about twenty. I have been often asked how it is that, without ever having seen a tree or a green field, or looked into the face of man or woman or child, I can describe vividly scenery, or beauty of feature, or expression in a human countenance. I can only reply that every description I write tells exactly what I see with visionary eyes. The moment I try with real, earnest intensity of imagination and thought to get a distinct idea of anything I want to paint in words, I see the scene or the face clearly before me, and then I write down what I have seen. This process requires no great mental effort; it came naturally to me, quite uncalled for, the moment I began to write.
I have learned how write English fluently, partly through my parents, from my earliest days, reading out loud to me all the masterpieces of English literature. I have continued this practice of listening to well-written books all my life, and my ears have helped me in catching a good style of composition. When I was a child, my father, who at that period was translating into English verse the "Æneid" of Virgil, used to tell me the meaning of a Latin line or two in simple English words, and then bid me turn it into poetry. This mental exercise no doubt helped me in after years to find command of language easy.
In the first years of my literary career I always wrote with an amanuensis. She was generally a a girl from the village school, with a mind not too well instructed as to grammar and orthography. I used to have to write out every sentence first thoroughly in my head, getting up thus, perhaps, half a chapter by heart, and considering well how each paragraph sounded, and how any specially long words were spelt; then I act to work with my amanuensis to get it all on to paper; and laborious the task often was for both her and myself. Here again, however, patience and perseverance stood me in good steal.
At length came the, for me, happy days when that wonderful and beautiful machine, the type-writer, was brought to England from America. I resolved, the moment I heard of it, that I would learn it and make it useful in my literary work. I had two changes made in the machine to suit my blindness; one was having the letters, etc., carved upon the keys, the other was having every tenth degree marked at the top in a way that I could feel. Before, however, I could make carved letters useful to me, I had to learn what letters were like; this I did by feeling constantly round and round the letters upon the edge of a little tin plate. Yet with all the various helps which I devised to make the type-writer acquirable by me, it seemed to me, at first, that it would be simply a matter of impossibility that I could ever learn to write with it. I well recollect the heart-sinking with which I used to sit down at the machine: even when I had been labouring at it for four hours, till every muscle in my arms and shoulders ached, I got up feeling that I had made no way at all. Now I can write with the type-writer quicker than most people with the pen, and it is one of the blessings and comforts of my life. There is now no need for elaborate preparation beforehand when I write, for my thoughts flash in a moment from my brain on to the key-board.
The other great work of my life, which God has put it into my hands to do, besides my literary work, is that of teaching and influencing working men and boys. The parish of Cutcombe, where I was born, and where my father is clergyman, is a large, straggling, hill-country village, very much out of the world, and very old-fashioned, at the time of which I am writing, in all its ideas. The men and lads of the place had had few softening, up-lifting influences at work among them, and the evil spirit of drink was walking abroad in great power and strength through the midst of them, as it done throughout West Somerset. When I first opened my Bible class, almost all the men fought very shy of it and of me; they had never heard of such a thing as a lady busying herself about, and interesting herself in, working men and their belongings, and my first class had some four or five members, who seemed a little ashamed of what they were doing, even when they came in to take the word of God in their hands and hear about it. The prejudice against the Bible class, how ever, passed gradually away as Sunday after Sunday I persevered in it, and my numbers soon were doubled, while the Bible class began to be acknowledged as a power for good in the parish.
Now my Bible class counts some seventy members of all ages, from grandfathers of threescore years and ten, to bright lads just entering their teens; and everyone of these is, under God, more or less subject to my influence. The men will do more at my voice than at any voice in the world, and my blindness only seems one power the more to make them regard my womanhood with chivalrous reverence; it wakens up all the tender chords deep down under their rough exteriors. They will confess everything to me, and let me lead them almost anywhere. I keep up my influence over them by often having short private interviews with each man alone, besides meeting them at the Bible class.
The Bible class is not the only thing established for my working men and lads. I have started for them a reading-room, in which they have all kinds of papers, books, and games; a temperance refreshment room, and a brass band. I have also grounded in the village flourishing branches of the Church Temperance and Church Purity Societies. But yet more than for anything else that God has let me do among my men do I rejoice with thanksgiving over the Sabbath mornings, when the members of the Bible class come thronging up to the Table of the Lord.
My vast amount of work of different kinds makes it very necessary for me to economise my time, therefore nothing was more wanted by me than a watch, and I set about thinking how I could have one made that I could feel. Opposite each figure on the dial-plate I had a little knob placed; the hour-hand also had a tiny excrescence put upon it; the minute hand was made very thick, and screwed so high that it would pass over the knobs without catching, and thus I had a watch by which I could tell the time to a minute. I have described my watch thus minutely, that my plan may be useful to others with darkened or failing sight.
I am no proficient in music, but listening to it is one of my greatest pleasures; indeed, those with sight have probably no conception of what all sweet sounds, such as the melody of the wind, or the chime of the waves, are to those whose sense of hearing has been refined by blindness. I delight in walking through a picture gallery, and in having the pictures described to me. I take great interest in all natural history, and am never tired of tracing out with my fingers the delicate formation of a flower, or a leaf, or an insect's wing, if either of these is put into my hand.
Thus it will be seen that there are few things from which my blindness shuts me out; and that God's love, though it has closed for me one window, has opened for me many others."
(Here are the photos of the physical article, click for better resolution. Image ID provided using Tumblr's image description system.)
I also found a second article from 1885, from which I sourced the very first image. It's contents are virtually the same aside from some details, and you can read it here.
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Tallullah (a poem)
TALLULLAH
by Rebelwheels NYC / Michele Kaplan
Tallullah, I've decided, that the word tumor, is just too damn heavy
to have to keep repeating, and repeating and repeating
Tallullah, so often to ears, who don't know what to say
so they say, nothing at all
those who are left speechless
those, whose go to response for all things medical is
“Well, at least it's not cancer”
until it might be, and then they just turn away.
Tallullah, some days, I want to hit them over the head with a book marked compassion
all those sales reps, with their pyramid schemes of toxic positivity
those who preached for years “be grateful, it's not worse”
when I got a brain cyst benign
react to this, that is now possible, like it was never said
those who tell me stories of their uncle who had cancer and now he is dead
for fucks sake, these moments,
unsolicited, contributions to this towering trifle of fuckery.
Like a punch in the chest, fuck off
and so, because the word tumor. Too more. Tooooo mooooooore
is too heavy, to repeat,Tallullah
because I deserve lightness and relief, Tallullah
because I deserve time and space to grieve this change
I've named you, my resident, this fellowship
Tallullah & The Possible Cancer
This that low key sounds like a band name
This that low keys sounds like a poem
Tallullah, Captain of The Crimson Tide
Tallullah Of The Pelvic Volcano
Tallullah, who throws seemingly random lightning bolts of pain
from the hill tops of Uterus Valley because she wants out
Tallullah who is tired of being blamed
Tallullah who wanted to be a rock in a pond in nature
instead of a mass met with disdain.
Tallullah, the bizarre-ness of it all
nearly drowns me at times,
when doctors says words like cancer & operation
in a tone used to convey, what one might have for lunch.
Perhaps a casual tuna sandwich (cancer) with a side of (operation) fries.
Tallullah, I feel it, the rising of, trauma and trust issues inside & valid
the doctors who came before who have caused me such harm
the doctors of now that even with good intentions,
who at best, of times don't fully understand my body
so how can they help me?
Tallullah, I need their help
Tallullah, their go to treatments are not accessible, safe nor designed
for this alien body, divine.
Tallullah, this added dollop of ableism, this draining of my heart, and time
and I am crying
Tallullah, when I ask the universe why, is this part of my journey,
Tallullah, I don't get an answer
even if this knowledge is not yet mine, to know, nonetheless what the hell
as I go, down-ward spiraling, unraveling, stuck there and stress
Tallullah, I'm tired of being an afterthought at best
Tallullah, it's bad enough the CDC doesn't care if disabled people die or live
Tallullah, how I long sometimes, just to be held, in someone's arms,
close but freely
but can't because this pandemic is not over & I am quarantining
(and those infuriatingly outside, walking, mask free – in some false dream
like it''s all over, Tallullah and I am not safe.)
Tallullah.
when I call you by this name
know, I am not down-playing the situation
I am, defiantly, creating, art, stories, beauty from this fuckery & pain
this, that breaks my heart
a heart, still healing (reeling, grieving, rising)
for a year ago in August, my thyroid became inflamed
and it stole my light, my poetry, my art & most of my sleep.
I've worked so hard, to get them back, Tallulah, please let them be.
Tallullah, when I write you, these words
they are, powerful in a time
where I feel, overload, overwhelmed and not in control
but this poem, is something, is mine, a protest, a release, a reclaiming
this vulnerability, with no apologies, your name,
this open door and flowing waters, flooding
this power, this moment, this free-ing,
to choosing, to rise, to speak.
(Author’s Note: I may delete this from this blog, as it might be a part of a collection of poetry that in the future I will try to get published. Sometimes publishers don’t like it when you share you stuff on the internet as it counts as previously published. But I wanted to share this until then.)
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