Diabolo menthe / Peppermint Soda
Diane Kurys. 1977
Beach
93 Rue Pasteur, 14750 Saint-Aubin-sur-Mer, France
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Peppermint soda (1977) dir. Diane Kurys
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Peppermint Soda (1977) dir. Diane Kurys
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Diabolo menthe, Diane Kurys, 1977
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Entre Nous (1983). A Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him.
Oh, I adored this one. Tender and intimate with breathlessly moving performances by Miou-Miou and Isabelle Huppert, it just radiates empathy and connection. Plus the cinematography and the score are both divine. Love it. 9/10.
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Favorite films watched in November 2023:
Anatomy of a Fall (2023), dir. Justine Triet
Chimes at Midnight (1966), dir. Orson Welles
The Landlord (1970), dir. Hal Ashby
Weiner (2016), dir. Josh Kriegman & Elyse Steinberg
Entre nous (1983), dir. Diane Kurys
A Woman Like Eve (1979), dir. Nouchka van Brakel
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Within your schoolbooks
Are your dreams and secrets
All those words you cannot say
Words of love and tenderness
The words of a woman
that you hide, that we condemn
you're hiding little Anne
Within your schoolbooks
There's blood and tears
Your first heartbreaks
The first wounds
The first tears
That bruise your soul
That bruise little Anne
In the school cafeterias
You have to bluff and lie
Around the diabolo mint
When you recall the nights
From last summer
And all your first lovers
That you've only had while dreaming
Within your schoolbooks
are your dreams and secrets
All the words you'll never say
of love and tenderness
The words of a woman
that you're hiding. that we condemn
You're hiding little Anne
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Diabolo menthe / Peppermint Soda
Diane Kurys. 1977
Bridge
11 Rue Caulaincourt, 75018 Paris, France
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Peppermint Soda (1977)
The 1977 French coming-of-age drama Peppermint Soda is a lovely, densely detailed memoir of school age sisters’ adolescence in 1960s Paris. There’s nothing especially flashy or dramatic about its visual style or narrative except maybe in its choice of subject, since its matter-of-fact approach to the daily drama of young girls’ lives does feel ahead of its time. Rather, its frankness feels…
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