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#destroy capitalism but what we actually want is to capitalize
franzkafkagf · 2 days
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okay so i want to hear about your take on aegon i know you like him and all (so do i no matter how much i wish not to) but whyy
yess thanks for asking, I love being insane about him<3
I think Aegon is such a wildly tragic character– many asoiaf characters are but I'm so drawn specifically to him; he didn't want power or responsibility or the crown. It all was bestowed upon him against his will, and he shouldn't; putting on the crown is his definitive death sentence. The coronation scene has got to be one of my favorites in the season– he is quite literally walking up to be butchered like a sacrificial lamb, there are tears streaking his cheeks in the scene! I love the tragedy of it, the way it couldn't have been avoided anyways; his fate was sealed from the very start! He was quite literally dead from the very beginning.
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I'm going off a mix from the book and the show but I actually love what they did with the character in the show? The book version does have some hard-hitting moments from him that are missing ("What sort of brother steals his sister's birthright?") but there wasn't that much there in terms of characterization and relationships. And wow, did they deliver on that in the show; I'm gonna give whoever came up with his mommy issues a forehead kiss.
Because YES! He and Alicent are reflections of one another– Alicent suffered under the heavy boot of Otto, turned into the perfect daughter, turned into the perfect queen for him. She recognizes that this was wrong and abusive of him, then she turns around and does the same thing to Aegon– the poison DOES drip through, the wheel is NOT broken!! It's BRILLIANT.
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@atopvisenyashill put a GREAT tag under one of my posts–
#he looks like her and he’s weak like her so why can’t he get strong like her.
While Alicent persevered, Aegon crumbled under the pressure. He is miserable when we meet him– and he should be! He is unfit for the role of king, but it is his destiny nonetheless, everybody tells him so. It destroys him.
It's so sad too and I cannot help but to feel bad for him. No one knows where he is in ep 9, I don't think he has anyone to confide in; it must be lonely. Everybody seems to have written him off already– he is a drunk and a failure at being heir, being a son, being a father. He tries to prove them wrong later, and does in some aspects.
His loneliness plays into another aspect of him that I really love; his desperation to be loved. He will never be enough for anybody, he probably knows it deep down.
"[Aegon is] desperate to be loved but destined to be hated." – Tom Glynn-Carney
Obviously there is the carriage scene with Alicent that shows this. But I also really love the moment in his coronation, where he basks in the people's affection and cheers. He is poised to bleed out in front of the throne, he was crying and fighting for his life not to take the crown just minutes before. But now he's here and they love him and he can't help but love that.
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He takes the crown to protect his family (the show does hint at that with Alicent telling him as much in ep. 6– in the book it's much more explicit with Criston pressuring him on the day of the coronation itself) and then his son DIES because of it! And he drinks and rages and drinks some more; he must've blamed himself. He goes to battle, flies too high (figuratively), and he FALLS; he burns and falls to the ground. He isn't made to be king. He knows. He does it anyways.
"You have already written yourself into legend, you survived dragonfire" – Larys Strong in season 2 (probably)
He survives, he is gone for over a year, unable to do anything but he SURVIVES. He escapes the capital, takes Dragonstone, he falls AGAIN, he loses most of his family; but he still goes on. Fueled by what? Maybe anger, or bitterness or just pure lust for revenge. It doesn't matter. He must've realized somewhere on the way that this was always meant to go this way, ever since he put the conqueror's crown on. It doesn't matter.
And then he dies and it's not grand or spectacular or anything like that. He drinks poisoned wine, nobody even sees him die, they only find him after. It's so uniquely lonely.
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sciderman · 5 months
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How do you feel about the increase in really weird NSFW ads on here (advertising panels that look like sexual encounters, and AI art apps that pride themselves on porn) but will take down NSFW posts from their users, even if it isn't technically sexual.
i hate all social media and it's consistent prioritising the advertisers over the users and the internet simply was a better place before capitalism sunk its hooks into it
#i could write essays about how capitalism ruined the internet.#i was actually talking to someone earlier today about how youtube was kind of effectively ruined by monetisation.#and they were raised in the soviet union and we had a bit of a talk about how art was better because it wasn't for profit.#the people who made art made it because they wanted to do it and because they loved it.#she said that communism was terrible for every aspect of life for her. people's lives under communism wasn't pretty.#but the art was better. and i feel like it's true for the internet – it was better when it was a free-for-all.#the companies didn't know how to exploit it yet and turn it into a neverending profit-driven hellscape.#people created content because they wanted to. because they wanted to make something silly to make people laugh.#not for profit. not for gain. not for numbers. not to further their career.#i miss the days of newgrounds and youtube before monetisation.#capitalism has soiled everything that's joyful and good in this world.#people should be able to share whatever they want.#people should be able to tell any story they want without the fear of being silenced by advertisers.#that's what made the internet so beautiful before. anyone could do anything and we all had equal footing.#but now we're victims of the algorithm. and it makes me sick.#i'm quitting my job in social media. i'm quitting it. it makes me too depressed. i have an existential crisis every freaking day.#every day i wake up and say "ah. this is the fucking hell we live in#i'm so sorry i feel so passionate about this.#social media is a black hole and it is actively destroying humanity. forget ai. social media is what's doing it.#i miss how beautiful the internet used to be. it should've been a tool for good. but it's corrupt and evil now.#sci speaks
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aboutiroh · 4 months
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Inconsistent i capitalization gang!
Whether you write I or i, it’s always clear you’re talking about the pronoun, so I think we should be free to choose for a while, and then, when everyone’s ready to accept that I is unnecessary, we can all start using i.
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birdmenmanga · 2 months
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birdmen fans all over the world rejoicing because I've slowly stopped posting about the queer metaphor but little do they know edits of the manga with excerpts of the communist manifesto are just on the horizon
#just thinking thoughts...#stray bird thoughts#I feel like people have less of a right to frown upon this though like the communism is like. VERY prominent in-text.#like it is more explicitly discussed than the queer metaphor stuff. which I think is deeper in the foundations of the story but isn't SAID#prologue is very obviously eishi lamenting the fact that he is only going to school so he can become a laborer in a society#which doesn't actually care about him#and once again. barbara's castle speech.#like this makes barbara and guang feng's stance of 'destroy all humanity' make more sense#because what they're REALLY saying is 'destroy the bourgeoisie'#however because humanity also represents the cishetallos tanabe can't actually go through with the extermination#see I respect the effort and why bm is the way it is makes even more sense now#but like. now despite all the efforts to push for communism you have this milquetoast halfway stance of#well communism can coexist with the bourgeoisie actually <- I don't think this is true????#but see that's why I think the queer metaphor thing is actually the number 1 thread tanabe wanted to follow#because the ending doesn't make sense from a bm are communists interpretation#'the bourgeoisie can choose to become proletariat at any time and if they choose to do so we will support them'????#so you're still in the basic framework of capitalism then. your revolution changed nothing. am I crazy#oh my GOD is takayama saying 'let's go to a time where capitalism never happened' and eishi's saying 'nooo suck cock fallacy'#'we fought so hard for communism in this timeline and failed(?) but I don't want all this work to just vanish#'so no let's not remake the world with true communism'#what's wrong with you eishi#i get it now. arthur and takayama were right.#but also he's a middle class boy. what did we expect#(and also it's being published in shonen sunday. one more time what did we expect)
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prettyperfectdoll · 8 months
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Ecofeminism has a great fucking point, cause tell me the need to control nature is not inherently connected to the need to control the female body?
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balteus · 5 months
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actually re: fromsoftware politics. i do think it's very interesting that the anti-colonialist RLF, ostensibly considered the 'good guys' of the game, were initially explicitly called the communist faction. armored core always has been a series critical of oligarchies and hyper-capitalism, but it's... very interesting to see just how blatant that is in ac6 specifically
you'd think that fromsoftware would eventually drop the ball on the "the ruling class will kill you and cannibalise itself in order to stay alive" considering that they're considered elite AAA devs rn, but thinking about elden ring and ac6's narratives, they've really only gotten more obvious about it - the horrors of colonialism and genocide and the sympathy given to the rage of its victims is something that's actually insane to see, to me, from such a big studio - fromsoft doesn't even attempt to be centrist about it.
for example, the frenzy flame ending. the only thing melina can tell you to dissuade you from pursuing it, ie literally destroying the world forever, is that there's still beauty in the world, apart from the suffering the golden order had caused. at no point however is the sheer despair of the people that the flame represents villanized. if anything, it's portrayed as a self-fulfilling prophecy, it is a tragedy. the only villain is the order who slaughtered all of these people, the flame of despair is something that emerged in them as they were buried alive. and the flame isn't even intended as a revenge upon the world, it's simply a means to end the pain they feel for being subjected to this.
their grief isn't something for the player to judge, it isn't something they're forced to overcome, it's simply a physical manifestation of the reality that was forced upon them. and these people, the merchants, are still kind to us, even knowing the order that we pursue. (in fact, the true, considered best ending of elden ring, is literally just sacrificing yourself in order to achieve complete anarchism. and getting a cool wife to endure the loneliness of space along the way)
in ac6 then, ayre is so terribly forgiving towards us, knowing what we are, knowing what made us, knowing what we participate in. some of this undoubtedly is because of her narrative role, she has to be a sympathetic character. but we do get to see her rage at the end, her grief for her species being seen as nothing more than a resource to be exploited or burned fully vocalized. but the RLF is sympathetic too as resistance fighters who want their home back. the only criticism the game ever leverages towards the RLF is that they're actually not radical enough in their pursuit of freedom, and that criticism is made by a villain.
it's so... i almost want to say optimistic? other games would have tried to pull a "ooh but what if the good guys did bad things (poor attempt at moral grayness)" but no, the RLF is justified at every step of the way. idk it makes me feel things. i dont particularly want to portray fromsoftware as these bastions of political correctness or sth - they're not perfect and i don't expect that ever lmao, but it's so fucking weird that their games are this progressive and have been for a long ass time.
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weirdmarioenemies · 23 days
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Name: Spamley
Debut: Ralph Breaks the Internet
Hey, remember the Ralph Breaks the Internet craze of 2018? What a time to be alive! Disney's film about What If The eBay Was A Place was an instant hit, due to the fact that everyone knows the Internet, and everyone wants to see a movie about it! You couldn't stop hearing about it! No wonder it won the Academy Award for best animated film! I think it beat out some movie about spiders, or something...?
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Kids today might not remember, because 2018 was so long ago. They're too obsessed with their new age sexymen, like Raymond and the big balls Dwarf. But this movie wouldnt've been the cultural phenomenon it was without one character taking the world by storm: a certain J.P. Spamley!
The Internet fell in love with Spamley at first sight, flooding social media with memes and fan art about the loveable green prick. He rose to the highest ranks of the Tumblr Sex Man for a good while! You couldn't scroll for a few minutes without seeing his catchphrase, "Now's your chance to get rich playing video games!"
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What kind of a megacorporation would Gisnep be if it didn't capitalize on Spamley's popularity? So they held a special Spamley Sweepstakes event on November 2019, allowing fans to donate money in honor of Spankley himself! All proceeds would go to Bob Iger and Baby Yoda, and if that's not wholesome, I don't know what is. Those who entered even had a chance of winning WILD prizes, like:
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That's it that was the only prize
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See him in theatres! This is what Disney told us all to do, and we listened! Little did we know they were doing this to hide a dark secret! If you buy the Blu-ray version of the movie, you can actually manipulate the Scene Select to watch the movie out of order and make some... strange things happen. You can look up a walkthrough online, but the gist of it is making Vanelope kill all the Disney Princesses. Especially Merida. And when you do, you unlock a weird alternate ending...
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Spamley NEO is the secret true main antagonist of the film, and he wants to take over Oh My Disney to spread spam and advertisements! No! Not Oh My Disney! Please, for the love of God, NOT OH MY DISNEY!! You have to kill him. You have to destroy your Blu-ray copy of Ralph Breaks the Internet now. I hope you're proud of yourself.
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maxknightley · 4 months
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on the one hand I do understand where people are coming from when they respond to The White American Desire For Authentic Culture by going "you already have a culture" and pointing out that this desire often has reactionary undertones
that being said, I think it's largely sidestepping the actual issue, which is that American culture fucking blows chunks. American culture is strip malls and military worship and the elevation of mass-market pablum to Bold Artistic Statements.
and subculture is only partially an escape from this, because most subcultures exist within the same constraints of American culture as a whole; they are captured and redefined by capital on such a frequent basis that it often feels impossible to hold onto them in any meaningful way.
moreover, even the parts of American culture that aren't complete garbage are more or less inextricable from the colonial, imperialist, and racially-stratified history of the country. like, I think of that post that went around a while ago talking about "America sucks but has some good parts," and one of the things it listed was national parks, and people (rightfully!) pointed out that the national park system is fundamentally flawed and tends to shit on indigenous nations by design.
the only thing I can think of that's even sort of an exception is pop culture - jazz and rock music, superhero comics, Hollywood. and all of those are, again, captured and defined by capital, and in one way or another have historically been built on screwing over the artist.
so we come to a position, one way or another, where a lot of people say something like: "I'm alienated. I'm surrounded by traditions and institutions I think are shit; I have no way to meaningfully undermine them, and I can't escape them without effectively destroying my life. the culture I was born into is a gravestone on top of another gravestone, lifeless and miserable, and people are constantly shouting that I should be grateful because it's The Greatest Country In The World."
at that point, one seeks an escape, and I think there are three major routes here.
one is to become a weird lib obsessed with the Real Soul Of America. America is really about the good parts, not the bad parts which outnumber them and which they are built upon.
another is to fixate on the Exotic, for lack of a better word. cultures which you do not have an obvious "connection" to, but which fascinate you or appeal to you. obviously this can be pretty fucking fraught, though I would argue that taking an interest in other cultures is a good thing if you aren't shitty about it. (That's its own conversation.)
the third is to fixate on the culture(s) you feel you "ought to have" had, that which was sacrificed on the altar of whiteness by grandparents or great-grandparents who, frankly, had different concerns. to look at a culture that may still be defined in many ways by cruelty and stratification - the way I would argue most human civilization has been - but that seems to have had something else going on, at least. a culture that may not have been recognizable 500 years ago, but at least it existed.
again, none of these impulses is beyond criticism, and I think it would be naive to say that the last one can't have reactionary undertones. I also doubt these impulses are unique to the USA! alienation is extremely common in today's world, and it's not as though the USA is the only settler state in existence.
what I am saying is more that I think the conditions that lead to these fixations are worth paying attention to, and that dismissing them with "you already have a culture" kind of misses the point in favor of getting in a zinger. people wouldn't want a different culture if they were happy with the one they had. like so many other things, people want one that Doesn't Completely Suck. failing that, they'd probably like to not be defined by any culture at all - but that, tragically, is just as impossible.
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faerievampling · 2 months
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Miracle - Part 2
Summary: Astarion asks a pregnant Tav to marry him and settle down for a bit. Can be read as a stand alone story!
Word count: 2.1k
Pairing: Spawn!Astarion x F!Tav / Reader
Link to Part 1
Link to Ao3
My Masterlist
Warnings: 18+! Explicit! Astarion being a perv for pregnant Tav! Pregnancy kink. Breeding kink. PiV. Vaginal fingering. Cunnilingus. Body worship. Panty sniffing. Mention of body changes, symptoms of pregnancy.
A/N: Do y'all want more of these two? because I have more. I hope you enjoy!
You and your beloved continue to travel and work. Despite being expert adventures, you both had decided on taking low risk journeys and dealings. You were lucky to have found an enchanted ring long ago, one that allowed your vampire to walk in the sun, so there was no disruption to your living schedule.
Astarion insisted that you take it easy, and had even wanted you to stop traveling altogether, but he could only get you to acquiesce to directly participating in battles.
But you were starting to get rather big, and you weren’t so quick or nimble as you once were. The extra weight was daunting on you.
You are nearing the end of your pregnancy, now.
“Darling, you know I’m not one for…tradition, or convention, or any of that,” Astarion said one day as he massages your swollen hands. You were propped up in bed, your legs draped over Astarion's lap as he sat upright, working the fluids out with his strong digits. It was hard work, growing a baby, and strange things happened, like swollen hands. “But, I was reading something the other day…”
“Oh?”
“In one of my romance novels…you know the ones,” Astarion admits coyly, and you smile, nodding because he had shared this guilty pleasure with you before. “In one of them, the love interest wanted the mother of his child to share the same surname as their offspring. And he, the love interest, wanted to also share…this last name with them.”
You raise an eyebrow.
“What do you think of that?” Astarion inquires coquettishly, turning on an almost boyish, shy charm that makes your heart swoon.
“I think it’s romantic. The love interest wants his family united, and I think that’s lovely,” You say. “What do you think about it, Astarion?”
“I think I want that. With you.” Astarion turns your hand in his, pressing a kiss to your knuckles. “I don’t care to do it traditionally, I just want you to be mine. I’ve already talked to Wyll.”
Astarion moves your legs off his lap onto the bed, moving for his things across your suite. The two of you were quite wealthy at this point, and had found a lovely little inn to stay in outside of Athkatla, the capital of Amn.
Astarion produces an envelope, pulling out the papers inside before handing them over to you. Astarion, not having the patience for you to actually look them over, tells you that it is the paperwork for an annulment of his death certificate, an official acknowledgement of the destruction of a previous marriage, and a marriage license –
“Wait a minute,” You stop him.
Astarion has an ‘I’ve been caught’ look on his face. “Ugh, I had hoped you’d just ignore that part I sandwiched in there.”
You knit your eyebrows together, shaking your head at him. “I’m no stranger to your ‘sandwich’ tactics, Astarion,” You quip back. “A previous marriage?”
“One that I have no memory of and was contractually destroyed upon my first death. Now that I’m legally alive again, and they are still alive, it’s just to acknowledge that marriage is no longer legitimate, so that our marriage is.”
“Oh,” You say, digesting these two things at once; Astarion had an ex-husband or wife, and he was asking you to marry him right now.
“I figured we could go back to Baldur’s Gate for a while, get Wyll’s stamp of approval, and there was that midwife Shadowheart suggested to us…” Astarion trailed off, his mind wandering at all the things there was to do. “You should probably get a check up. It's been a while, darling, and my 'inspections' of you are hardly medical in nature.”
You give him a gentle smack on the shoulder, prompting a handsome smirk from him before you narrow your eyes at him. You knew he was going to tell you that now was the time to settle down. You knew it was coming.
“Don’t look at me like that. Not after what I’ve just asked of you.” His rounded eyes look away from you, like he’s embarrassed.
You change your tune, realizing you’re being a jackass. You ease yourself out of bed, Astarion rushing to help you. You take his arm, and once on your feet, you place your hands on his chest, looking up at him as he looks away from your cleavage, meeting your gaze.
“Astarion, of course I’ll marry you,” You say with a smile, bringing him into a tender kiss. Astarion cups your cheek with one hand and a breast with another: he has become rather obsessed with them lately.
“I guess I’m just not ready for our grand adventure to end.” You explain, tears in your eyes as you think about all the change that’s to come.
Astarion cradles you closer. “My love, this is just the start of a new adventure. And let’s be reasonable, we both know you’re terribly uncomfortable with all the traveling. Don’t you want to just rest your tired, but very sexy body for the last part of your pregnancy, my darling?”
You couldn’t help but agree.
He’s being cheeky, trying to hide the tears that have welled up in his eyes. Astarion has never known family. He couldn’t fathom having a wife, nonetheless a pregnant one. But here he was, with the object of his desire in his arms.
“I love you so much, Tav. I just want you and our child to be safe.” Astarion says. “Baldur’s Gate is the safest place for us. All of our friends are there, we have ample protection and resources – don’t make me beg.”
You’re back in Baldur’s Gate before you know it.
———
The night you arrive, you and Astarion stay at Jaheira’s house; the two of you are utterly exhausted from your travels, and you collapse in bed.
Astarion watches as you lie on your side, trying to find a pillow to place beneath your large, aching belly. Realizing how little options you had, Astarion lies beside you, snaking his hand beneath your belly.
“Ah,” You say in relief, earning a smile from Astarion, who just wanted you to be comfortable. He had seen how hard your pregnancy had been.
“I guess it’s alright if you use my pillow, darling. I wouldn’t be opposed to staying just like this, though.” Astarion’s voice is light and gentle, the smoothness filing your ears in a pleasurable way. “We have a long day tomorrow. We’ll likely be at the courthouse all day…”
Astarion shivers at the thought, giving a dramatic sigh, making you laugh.
“Could you imagine going back to that? Being a magistrate? Spending all day in the courtroom settling legal disputes and passing ‘Astarion approved’ laws?” You smile over your shoulder at him; a perfect opportunity to steal a sweet kiss, Astarion plants one on your cheek as he chuckles.
“No, certainly not. I love being an adventurer with you.” Astarion places another kiss on you, this time to your neck. “But I may have to find something to do in the meantime while our little one is…well, little.”
“What do you have in mind?” You ask as you intertwine your fingers with his, the warmth in your chest nearly bringing tears to your eyes.
“I’ve got a few options. You know that Jaheira wants me to help her recruit more Harpers in the city, but that sounds like far more trouble than it’s worth. Maybe I’ll work in the city with Wyll, continuing to help with the various outreach programs he's implemented as Duke," Astarion explains as he listens to the beating of the hearts of both his child and his beloved.
He can tell once you've fallen asleep, but he keeps talking, because he can feel the fluttering in your stomach as his child responds to his voice.
It takes everything in him not to choke up.
---
The next day, you try look as beautiful and bridal as you can being so heavily pregnant. But today was the day you’d become an Ancunín, and you wanted to look nice.
“A pregnant bride is so very scandalous,” Astarion teased as he watched you dress. Your husband-to-be was a bit of a peeping tom.
Astarion picks up last nights panties you discarded on the floor.
“Tsk tsk. You can’t be so messy, my wife.” Astarion was testing the word on his tongue, bringing the fabric that absorbed your carnal scent to his nose, inhaling as he gazed at you devilishly.
You blush, rolling your eyes at him as you slip on a new pair, but Astarion stops you, beckoning you to him.
Astarion sits on the edge of your bed, bringing your body between his thighs as his pretty lips circle the tip of your breast, gently suckling your nipple as he flicks his tongue against you.
“So sensitive…” You moan, but you make no motion to move away, so Astarion doesn’t stop.
“Mmm,” He moans back, his hand moving from the curve of your belly to your slick mound, which was also increasingly sensitive as you got further in your pregnancy.
Astarion tenderly massages the folds of your cunt, easing a finger between your walls as he brings his thumb to caress your swollen clitoris, the very one that he was dreaming of devouring with his tongue after he gave your gorgeous breasts the proper attention they deserved, of course.
Astarion loved you like this. Swollen with his child, evidence of being filled to the brim with his come. His sensitive nose could smell your ‘baby’ hormones that made your skin glow, made your hair thick and shiny.
It made him ravenous. You were absolutely gorgeous to Astarion.
He couldn’t even believe it, really. It had been nearly seven months since the two of you found out, seven months of adventuring, of watching your body change, and it awakened something within him.
Although you often complained how swollen you felt, Astarion loved the way you looked: your nipples and labia puffy, clit engorged, your ringed muscle puckered, your stomach rounded and full.
Not to mention how desperate you were for him; you quivered under his every touch. You were just so responsive, so sensitive, like your every nerve was on fire for him; he couldn’t help but indulge you whenever possible. He just wanted to touch you, to watch you squirm, to look at your body and know that you, your womb, is his.
Astarion stands up and gently pushes your back against a wall as he moves to get on his knees, lifting a thigh up and to the side as he kisses down your inflated stomach.
Reaching up to take a breast in his hand, Astarion brings his mouth to your center, engaging your core with his lips. He brings your folds into his mouth, sucking and caressing your sex with his tongue.
He just wants to worship your body. He needs just a taste of you, of your depths, and he plunges his tongue between your folds, gathering your juices on his lips before focusing on that sensitive bundle of nerves at the top of your mound.
You’re delicious, beautiful and maternal, pliant in his hands as he reaches two fingers into your depths, reaching behind your clitoris to rub your spongey walls. His motions have you seeing white, causing your breasts to heave and bounce as your body clenches around his dexterous fingers.
He loves the way you drag your fingers through his hair; feeling your nails on his scalp sends shivers throughout his body.
Astarion pulls away as you come undone, watching as you writhe above him. Astarion is fully holding you up with his strong hands, making him feel like quite the family man at this moment, physically carrying both his bride and his child in his hands.
He still can’t believe this.
Astarion brings the both of you to the bed, stripping his clothes off as you get comfortable, maneuvering yourself for his entry.
Being so large, you couldn’t lie on your back anymore, and riding him was far too difficult, so you opted to bend yourself over, putting pillows beneath you in all the right places to ensure your comfort.
Astarion moans at the sight of you exposing yourself to him.
“Fucking yes, my love. You’re so beautiful, Tav.” Astarion grasps his wet cock. He’s dripping with so much pre-cum that he’s almost surprised, and he uses it to wet his member, which so desperately needs to be inside of you. "If I could just keep you like this forever..."
Astarion pulls back his foreskin with his thrusting motions, moving the skin up and down his shaft, groaning as he admires you.
Parting your folds with his finger and thumb, Astarion lines himself up with your entrance before enveloping himself into your warmth, earning a gasp from him at the sensation.
“Gods, you feel even tighter, Tav, with my child in you…” Astarion drifts off, the squelching and slapping of skin on skin making him entirely forget himself.
Astarion felt your waves of pleasure wash over you as you coiled around the base of his cock. With two fingers, Astarion massages that sweet button of yours, causing you to gush even harder around him, your orgasm evident in your entire being: you cried his name as you convulsed around him, giving him your milky come.
Astarion followed soon after, releasing his seed deep inside you as he spoke a love confession in your ear. Careful not to collapse on top of you, Astarion rolled over, giving you space to catch your breath.
Your muscles were already exhausted, fatigued from pregnancy and your spasming muscles. Astarion starts to mindlessly rub your back as you lay on your side, giggling as he draws you into his chest.
“Well, now I’ve got to fix myself,” You say, moving to stand before Astarion pulls you back into him.
“Maybe you should go just like this. Full belly, looking freshly fucked and used by your husband-to-be.” Astarion kisses your cheek, nuzzling his nose into your face as he does.
“Ha. You’d like that, wouldn’t you?” You giggle as your beloved finally releases you. Once you’ve fixed your makeup and properly dressed yourselves, the two of you walk out into the streets of Baldur’s Gate, hand in hand.
A few hours later, you would be known as Tav Ancunín, and your stomach leapt with joy at the thought. It wouldn’t be long, now.
Masterlist
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nudityandnerdery · 9 months
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[Image Description: A series of sixteen tweets by John Rogers @jonrog1 that say:
1) A moment at the Teamsters/UPS rally this morning clarified our current struggle with the studio CEO's (among other bosses). Teamsters got a lot of wins, but one of the main sticking points is the pay for the 65% of local UPS workers who are part-time …
2) If you read the SAG-AFTRA demands, a truly STUNNING amount of their points involve protecting background actors, and trying to improve conditions for the 87% of their union who makes less than $26,000 a year.
3) As WGA members know, this is not a strike for the showrunners. We're trying to fix the fact the the current younger generation of writers can't even afford housing and their pathway to advancement has been cut off.
4) Like … folks, I'm fine. There are maybe two proposals in there that affect me. I'm walking in 90% weather and losing over 50% of my income for the year because I want the younger writers to get what I got at this stage of their careers.
5) Our unions and the CEO's and various negotiators have a fundamental cognitive disconnect. Because CEO's types only succeed by FUCKING THEIR PEERS.
6) Zaslav, Iger , those types of execs, etc have never gone without so a fellow exec or a junior exec could thrive. A fellow exec failing is the moment to use your own leverage to advance past them, if not destroy them.
7) Part of it is the money but part of this, I think, is a genuine inability to grasp even the concepts of any labor action. Because it is always other-directed.
8) So many people treat capitalism as part of nature red in tooth and claw, but it's not. It's a human construct. There are different rules you can play by -- but not if you want to win.
9) The greatest gift capitalism ever granted was the ability to validate selfish behavior as a virtue because that's "just what's necessary, I don't make the rules!" (Look ma, it's reification!)
10) This is where I usually point out that Adam Smith wrote that you have to overpay workers to keep your labor force up, and you need to take into account the psychic damage of capitalism to the workers, and that admiring the rich is the greatest source of moral corruption …
11) But I'll stave off that diversion to just land with … this is a discontinuity of attitudes which I think was once breached by the fact that management USED to come from people who loved building their company or their trade, even if they eventually did management shit.
12) Now, even that thin thread of SYMPATHY (Adam Smith joke, get it? People?) is gone. The CEO's are working off a different scorecard, practically and morally. We're not just playing by wildly divergent rules, our lives and careers are DEFINED by those wildly divergent rules.
13) To them, we are IN FACT being "unreasonable", as our behavior does not make sense in their moral framework. They don't think they're being evil, they think they're playing by the actual rules, and we're nuts.
14) There's not great conclusion to this, other than to note that the bit about making writers homeless was described as "cruel but necessary" because they genuinely don't understand the meaning of cruel, because they are always on the other side of the power dynamic.
15) And if they're ever NOT on the top of the power dynamic, they're not suffering, they're dead. They are un-people in their own eyes.
16) These men are not irrational, but they are deranged. This isn't about money, it's about identity. And in a fight about identity … they will set billions on fire.
Because they can always get more money. But they'll never shed the stink of losing to their lessers."
end of image description]
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hypewinter · 1 month
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There is an information blackout on Amity Park and the GIW are indeed involve. But not in the way most expect. They think ghosts are involved and the GIW have been trying to break the blackout in increasingly unhinged ways. Like a missile to the Ghost Zone unhinged
Ok so we're going for the ghosts and ectoplasm in the air create a natural blackout route? Naturally the GIW think they're helping. They think they're freeing the people of Amity Park (by any means necessary). At first they try simply eradicating the ghosts. But they quickly realized that the random stragglers they've been capturing aren't the true source of the problem. So they track a ghost back to the source and find something far stranger than their wildest imaginations: A portal to a space LEAKING ghosts and ectoplasm. So that's why our methods weren't working! Nothing to do with our incompetent. Nope nothing to do with that at all.
One eviction of a family of four and a quick relocation of their gear later and the GIW is ready to free this poor impoverished town. The GIW set up bombs around the inside of the portal and set them off in triumph..... Except the portal doesn't close. Hmmmm that was weird, they must've all been duds. Welp! No matter we'll try again. But the explosives don't go off this time either. As it turns out, the zone seeped out all the energy of the bombs before they had a chance to explode. Honestly that seems a little unfair but fine, they'll just unleash something on the portal that'll destroy it before it can suck up all its energy. A grenade should do. No big deal.
Or perhaps a big deal indeed? Because the grenade also ends up losing power before it takes out the Ghost Zone. No no no! The GIW is getting desperate. Nothing is working. Not the rocket launchers, not the tank rounds, not even the missiles. Meanwhile their superiors are constantly breathing down their necks and the people of Amity Park are getting more and more uncooperative by the day.
Why!? Don't they see we're just trying to help!? Why do they insist on us leaving!? Why are they starting to protect the ghosts!? Oh, we get it now. This whole town has been corrupted. You don't live this close to a portal to another realm without getting contaminated. That's why they're siding with these things. Because they're becoming more like them everyday. The people of Amity Park are all too far gone. They cannot be saved anymore. But this Ghost Zone must still be destroyed. To prevent it from affecting any more people.
Say.... if these people have already become inhuman and we need a blast big enough to destroy this place once and for all, can't we just.... you know.... nuke it? Hey yeah. That's a good idea, let's do it.
----
While the GIW have been devising up ways to destroy the zone, Danny has been working hard himself. For starters, he capitalized on his parents newfound hatred for the GIW to reveal himself. Which went well all things considered. Then he and the others set to work showing the townspeople how much more destructive the GIW were than the ghosts (which honestly wasn't very hard). Day by day, they continued to show everyone that the ghosts weren't so bad and were actually even quite similar to themselves. Day by day they won everyone over to their side. While they did so, they spied on the GIW, continuously using the intel they gained to sway more people. It was during one such spy mission that Danny uncovered what the GIW had planned. The horror they wanted to unleash. Yet he can't stop it alone. No, there's not enough people and not enough time. There's only one option he has left.
----
It was supposed to be a standard meeting for the Justice League. For once all things were quiet (that should have been their first red flag honestly). All they had to do was get through one last debrief from Batman and they were all home free. That is until a boy phases through the table, begging for their help to save his species from ah annihilation.
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handweavers · 3 months
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i'm a weaver my time is spent sitting at looms and spinning wheels and sewing machines and dye pots, and my ability to make any money at all comes from the fact that my work can't be truly reproduced by machine and speaks to my own and others' desire to reconnect with acts of making and living that are slower and emphasize the physicality of our lives, that we are present in our bodies in a physical world and we are sensorial creatures who relate to each other and the world through tactile means. it serves as a reminder that there is a lot we can do away from screens, that there is joy and meaning to be found in creating something with your hands, and that through this we can find channels to address and learn to live with grief and loss without running from the fact that we are living animals with meatbodies and a finite amount of time.
i think it would be very easy for me to fall into a trap where all modern technology is bad and we need to escape it at all costs and to take a luddite approach to technology - literally a luddite approach, because the phrase "luddite" comes from workers in england during the industrial revolution who destroyed machinery in cotton and wool mills to protest the introduction of that machinery as cost saving measures by the capitalists. but the problem in that situation wasn't inherently the machinery that processed cotton and wool more efficiently, it was that the people who owned the factories used that technology as an excuse to pay fewer workers and maximize profit while creating more unsafe working conditions for the workers that remained. in a situation where the workers owned the factory and the machinery, the introduction of this machinery wouldn't have necessarily been harmful but rather potentially helpful to the workers, for whom more free time wouldn't be a death sentence and proper precautions in the use of the machinery to protect human life could be prioritized
i don't want to make the mistake of confusing technology or some other boogeyman as my enemy. the enemy is capitalism, and i choose to prioritize class consciousness over my private existential worries about new technological developments. all the tech we use is made by humans, just like this economic system we live in. we have the capacity to dismantle economic systems and build new ones, just as we have the capacity to use the tech we make in ways that benefit rather than harm us and the world we live in. my gut tendency is to be distrustful of new tech but i have to remind myself that it isn't helpful and it obfuscates what's actually going on.
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calisources · 5 months
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𝐓𝐇𝐄   𝐁𝐀𝐋𝐋𝐀𝐃   𝐎𝐅   𝐒𝐎𝐍𝐆𝐁𝐈𝐑𝐃𝐒   𝐀𝐍𝐃   𝐒𝐍𝐀𝐊𝐄𝐒   𝐐𝐔𝐎𝐓𝐄𝐒.   all   sentences   have   been   taken   from   the   hunger   games:   the   ballad   of   songbirds   and   snakes   book   and   some   from   the   movie   trailers.   might   include   spoilers   for   the   movie   and   book.   change   pronouns   and   locations   and   names   as   you   see   fit.
“Nothing you can take from me was ever worth keeping.”
“Being from the Capitol doesn’t give you that right. Nothing does.”
“Well, as they said, it's not over until the mockingjay sings.”
“People aren’t so bad, really, It’s what the world does to them.”
“That is the thing with giving your heart. You never wait for someone to ask. You hold it out and hope they want it.”
“Snow lands on top.”
“I think there’s a natural goodness built into human beings. You know when you’ve stepped across the line into evil, and it’s your life’s challenge to try and stay on the right side of that line.”
“Before need, before love, came trust.”
“And try not to look down on people who had to choose between death and disgrace.”
“What are lies but attempts to conceal some sort of weakness?”
“The strain of being a full-fledged adult every day had grown tiresome.”
“You can blame it on the circumstances, the environment, but you made the choices you made, no one else.”
“Wars are won by heads not hearts.”
“There is a point to everything or nothing at all, depending on your worldview.”
“You're mine and I'm yours. It's written in the stars.”
“But better off sad than dead.”
“What young brains lack in experience they sometimes make up for in idealism. Nothing seems impossible to them.”
“I think it’s more important than love. I mean, I love all kinds of things I don’t trust.”
“I’m planning to build a whole new beautiful life here. One where, in my own small way, I can make the world a better place.”
“If the war’s impossible to end, then we have to control it indefinitely. Just as we do now.”
“What was there to aspire to once wealth, fame, and power had been eliminated? Was the goal of survival further survival and nothing more?”
“They were both after all, still children whose lives were dictated by powers above them.”
“Star-crossed lovers meeting their fate.”
“I’m bad news, all right.”
“The ability to control things. Yes, that was what he’d loved best of all.”
“What happened in the arena? That’s humanity undressed. The tributes. And you, too.”
How quickly civilization disappears. All your fine manners, education, family background, everything you pride yourself on, stripped away in the blink of an eye, revealing everything you actually are.”
“A boy with a club who beats another boy to death. That’s mankind in its natural state”
“Please, Coriolanus, I would never forget the favor.”
“Who are human beings? Because who we are determines the type of governing we need.”
“What sort of agreement is necessary if we’re to live in peace? What sort of social contract is required for survival?”
“It’s just the kind of story that catches fire.”
“And last but least, District Twelve girl . . . she belongs to Coriolanus Snow.”
“Man is born free; and everywhere he is in chains.”
“If history teaches you anything, it’s how to make the unwilling comply.”
“You know what I won’t miss? People. Except for a handful. They’re mostly awful, if you think about it.”
“And to erase me, they must erase the Games.”
“Why did these people think that all they needed to start a rebellion was anger?”
“And if even the most innocent among us turn into killers in the Hunger Games, what does that say? That our essential nature is violent.”
“It's the things we love most, that destroy us.”
“We all did things we’re not proud of.”
“What are the Hunger Games for?”
"If you want to protect people, then it's essential to accept what human beings are and what it takes to control them."
“Hope is the only thing stronger than fear."
“If the cause wasn’t honorable, how could it be an honor to participate in it?”
“He’s a Capitol boy and clearly I got the cake with the cream, ’cause nobody else’s mentor even bothered to show up to welcome them.”
“To dine with her suggests that you consider her your equal. But she isn’t.”
“The endless dance with hunger had defined his life.”
"In nature, things that are prey, that are weak, are marked"
"The world is not kind to those who don't fit in"
"We all wear masquerades in this Capitol"
, "There's a price for everything, Lucy. Sometimes you pay it willingly, sometimes it's taken from you,"
"Freedom is not given, it is taken"
“I’m not convinced that we are all as inherently violent as you say, but it takes very little to bring the beast to the surface, at least under the cover of darkness.”
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I do actually think that people should learn what "no ethical consumption under capitalism" really means before they just thoughtlessly repeat it whenever they don't want to even think about the harm caused by some item's production.
Like look it up!! Pick a random product that's a staple of your life and find out who is exploited and what environmental harm is done by its sourcing and processing and distribution. Find out the real, human and environmental cost of something that feels necessary to you.
Then look up the alternatives. Try to find a version that doesn't harm people or the environment. Struggle with the way corporations work hard to keep these harms secret and realize most of what we actually know is only public because activist groups raised the alarm.
Pick another item. And another. Let it really, really sink in what it means that you cannot live under capitalism without being complicit in harm. That "no ethical consumption" is not just a catchphrase to get out of caring.
And now think about how you could contribute, in however small a way, to protecting the people and environments that get destroyed for the products you rely on.
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kostektyw · 8 months
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Detco movies rated based on how much shit gets exploded / destroyed
The Time-Bombed Skyscraper - the whole premise is about blowing up stuff, but it's shame no trains got got, 7/10
The Fourteenth Target - it's just an underwater restaurant that is pretty out of the way from anything else and we have no prior attachment to. bonus for the helicopter crash, 5/10
The Last Wizard of the Century - an entire castle does get burned down, but it's no explosion, 6/10
Captured in Her Eyes - just some regular old murder, 0/10
Countdown to Heaven - truly a 9/11 movie. point detracted for leaving the second tower intact, 8/10
The Phantom of Baker Street - the entire thing takes place in VR, so it shouldn't even count, but no one even gets their brain blown up :( 0/10
Crossroad in the Ancient Capital - somehow nothing gets bombed or destroyed? Conan tries a little arson but is unsuccessful, -1/10
Magician of the Silver Sky - a plane gets somewhat mistreated, 2/10
Strategy Above the Depths - a whole damn ship sinks, it's all very dramatic, 9/10
The Private Eyes' Requiem - despite the constant threat of exploding people, barely anything gets exploded. half a point for Kid using a gun on some windows, 1.5/10
Jolly Roger in the Deep Azure - i guess they do find that ancient pirate ship and it immediately falls apart, 5/10
Full Score of Fear - plenty of shit gets blown up including a concert hall while no one inside realizes anything's wrong. you'd think they'd have some fire warning system in place, 10/10
The Raven Chaser - sadly no explosions, but the tower gets shot at hard, and the helicopter does not end up fine, tho no actual crash on screen, 5/10
The Lost Ship in the Sky - only a research facility we don't care about gets exploded in the opening, and that airship barely gets scratched up, 4/10
Quarter of Silence - we have a train exploding out of a tunnel, a dam blown to smithereens, and an avalanche, what more could you want, 10/10
The Eleventh Striker - who can say no to some exploding stadiums, great movie for people who hate football, 8/10
Private Eye in the Distant Sea - just a rando ship at the beginning, who cares, 1/10
Dimensional Sniper - some police cars and incredibly light bombing of the tower, eh, 3/10
Sunflowers of Inferno - a cool museum gets absolutely demolished, the burning fake sunflowers are a lovely image, plus we got some proper plane mistreatment, 10/10
The Darkest Nightmare - both an explosive car crash at the beginning and a ferris wheel gets extremely destroyed, 9/10
The Crimson Love Letter - lots of explosions, and in beautiful scenery too, 10/10
Zero the Enforcer - destroying shit with a satellite is pretty imaginative, but there was not as much destruction as i hoped, 7/10
The Fist of Blue Sapphire - they're surfing on some iconic Singaporean landmarks, meanwhile an oil ship freely wrecks shit, 11/10
The Scarlet Bullet - i fully admit i have no idea what Masumi and Conan were trying to do, both the train and station ended up looking pretty rough. 10/10
The Bride of Halloween - for a movie about bombs not all that much significant shit gets destroyed, but they do go out in style at least. bonus points for covering Shibuya in goo, 9/10
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theriverbeyond · 1 year
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hey i have some bad news, your girlfriend is dying. yeah we slowly destroyed her through hundreds of years of negligence, capitalism, and outright greed. yeah she's not going to make it. yeah you did have a plan to put everyone in cryosleep and ship the whole of humanity off-planet until she gets better but we blocked that plan because we would rather take what is ours and then leave everyone else behind to die. we're preparing for takeoff rn actually. if you want you can initiate a nuclear standoff, then kill and eat her to gain god-like powers to try and stop us. we're still going to get away though. yeah you'll see us again in 5k years as an insurgent resistance force who use her name as our banner.
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