how terrible it is / to love something death can touch
1) anne carson, eros the bittersweet // 2) billy-ray belcourt, a history of my brief body // 3) the haunting of bly manor (2020) // 4) lee martens // 5) albert camus, state of siege // 6) death cab for cutie, i will follow you into the dark // 7) mary zimmerman, metamorphoses // 8) the last of us (2023) // 9) hozier, work song // 10) keaton henson, you // 11) madeline miller, the song of achilles // 12) achilles and the body of patroclus, nikolai ge (1855) // 13) emily brontë, wuthering heights // 14) a star is born, i’ll never love again // 15) halsey, graveyard // 16) evanescence, my immortal // 17) the haunting of hill house (2018) // 18) imagine dragons, wrecked // 19) hadestown, wait for me (intro) // 20) carl andreas august goost, orpheus and eurydice (1826) // 21) the mountain goats, no children // 22) fred elwell, the wedding dress (1911) // 23) p!nk, who knew // 24) shannon barry // 25) jamie anderson // 26) wandavision (2021) // 27) taylor swift, seven // 28) franchesca cox // 29) halsey, ya’aburnee // 30) the lovers of valdaro, found in mantua in 2007
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My first ever concert was Death Cab for Cutie. I was supposed to go with a friend but she bailed. The venue was this gorgeous local park that put on concerts over the summer so it was a big outdoor area.
I thought about not going but I was like, social anxiety be damned. I will go to this concert alone! I’d already bought the tickets and it would be an adventure. In my heart I was hoping someone might ask me to join them which in hindsight was fairly ludicrous given the insular nature of both Death Cab fans and Pacific Northwesters.
So I went alone and sat alone. I still had a pretty nice time and when the concert finished I got up, folded up my blanket, and headed out. I was a little puzzled more people weren’t leaving but I figured it was just that they were having a nice time with their friends on the grass.
I had made my way out of the venue when music started back up. I froze.
Readers, I didn’t know encores existed.
I stood outside the fence, feeling ridiculous, listening to my favorite song drifting along the night air over the barricade. The tickets were only good to be scanned once. I’m certain now if I’d explained to the door people they’d have let me back in, but I was young and embarrassed.
I sat outside the fence on the warm summer evening as the light faded, wishing I weren’t alone, listening to music about being lonely.
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in the darkness, two shadows,
reaching through the hopeless, heavy dusk. their hands meet.
love letter to fanny brawne, john keats // orestes, euripides // wait for me (intro) ("hey, the big artiste"), hadestown // ghost photographs - doug and brenda, angela deane // les misérables, victor hugo // achilles come down, gang of youths // how to become a myth, nikita gill // romeo and juliet, shakespeare // lovers of valdaro // song of achilles, madeline miller // i will follow you into the dark, deathcab for cutie // planet of love, richard siken
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shout out to I will follow you into the dark for being the song of all time. death cab for cutie just nailed it. there's never been a song as much as I will follow you into the dark. it's so song. like?? hello?? if heaven and hell decide that they both are satisfied, illuminate the no's on their vacancy signs, if there's no one beside you when your soul embarks, I will follow you into the dark. that's all there is to it.
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when the lumineers said “but I must admit it, that I would marry you in an instant damn your wife, i'd be your mistress just to have you around” and when lucy dacus said “but if you get married, I'd object throw my shoe at the altar and lose your respect i'd rather lose my dignity than lose you to somebody who won't make you happy.” and when death cab by a cutie said “you've haunted me all my life you are the mistress I can't make a wife” and phoebe bridgers “you are sick and you're married and you might be dying but you're holding me like water in your hands and when leith ross said and “honest I can tell you now I love you more than my future spouse”
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Reminder: Vote based on the song, not the artist or specific recording! The tracks referenced are the original artist, aside from a few rare cases where a cover is the most widely known.
Lyrics, videos, info, and notable covers under the cut. (Spotify playlist available in pinned post)
Demolition Lovers
Written By: Matt Pelissier, Mikey Way, Ray Toro & Gerard Way
Artist: My Chemical Romance
Released: 2002
The Demolition Lovers are the couple seen on the cover for MCR’s next album, Three Cheers For Sweet Revenge. This song, along with much of the album, is a prequel to the story of Three Cheers… in which a man makes a deal with the devil to get his dead lover back by killing 1,000 evil men and giving the devil their souls in exchange for her. This song is most likely where the lover dies. The two “Demolition Lovers” are featured on the cover of the album.
[Verse 1]
Hand in mine, into your icy blues
And then I'd say to you, "We could take to the highway
With this trunk of ammunition, too"
I'd end my days with you, in a hail of bullets
[Chorus]
I'm trying, I'm trying
To let you know just how much you mean to me
And after all the things
We put each other through and
[Verse 2]
I would drive on to the end with you
A liquor store or two keeps the gas tank full
And I feel like there's nothing left to do
But prove myself to you, and we'll keep it running
[Chorus]
But this time, I mean it
I'll let you know just how much you mean to me
As snow falls on desert sky
Until the end of everything
I'm trying, I'm trying
To let you know how much you mean
As days fade and nights grow
And we grow cold
[Post-Chorus]
Until the end, until this pool of blood
Until this, I mean this, I mean this, until the end of
[Chorus]
I'm trying, I'm trying
To let you know how much you mean
As days fade and nights grow
And we grow cold
But this time, we'll show them
We'll show them all how much we mean
As snow falls on desert sky
Until the end of every…
[Interlude]
All we are, all we are is bullets, I mean this
All we are, all we are is bullets, I mean this
All we are, all we are is bullets, I mean this
All we are, all we are is bullets, I mean this
[Guitar Solo]
[Bridge]
As lead rains will pass on through
Our phantoms forever, forever
Like scarecrows that fuel this flame
We're burning forever and ever
Know how much I want to show you
You're the only one
Like a bed of roses
There's a dozen reasons in this gun
[Outro]
And as we're falling down, and in this pool of blood
And as we're touching hands, and as we're falling down
And in this pool of blood, and as we're falling down
I'll see your eyes, and in this pool of blood
I'll meet your eyes, I mean this forever!
I Will Follow You into the Dark
Written By: Benjamin Gibbard
Artist: Death Cab for Cutie
Released: 2006
Even on a concept album whose main theme is death, “I’ll Follow You Into The Dark” is a standout moving song about the transcendental power of love, even when that boundary is death. This song was recorded unexpectedly while the band was having technical difficulties in studio. Chris Walla, Death Cab for Cutie’s lead guitarist and producer, said the following. “We were going to track the vocal for another song and there was something screwy happening with the headphone mix. We were having problems, so I said, “Ben, this is gonna be a few minutes. Take a break.” Ben’s version of taking a break while we addressed the headphone problem was to pick up this Stella guitar that he loves and start playing this song we were planning on recording sometime later during the sessions. He was still coming through the vocal mic as he was playing this, and it was sounding really cool to me, so I went up and said, “Let’s track this real quick,” and we did and that’s what’s on the record. It was a mono recording with no effects. Nothing. I added a little compression and de-essed it a bit. It’s really weird. It’s totally there and it’s happening.”
[Verse 1]
Love of mine, someday you will die
But I'll be close behind, I'll follow you into the dark
No blinding light or tunnels to gates of white
Just our hands clasped so tight, waiting for the hint of a spark
[Chorus]
If Heaven and Hell decide that they both are satisfied
Illuminate the "no"s on their vacancy signs
If there's no one beside you when your soul embarks
Then I'll follow you into the dark
[Verse 2]
In Catholic school, as vicious as Roman rule
I got my knuckles bruised by a lady in black
And I held my tongue as she told me, "Son
Fear is the heart of love," so I never went back
[Chorus]
If Heaven and Hell decide that they both are satisfied
Illuminate the "no"s on their vacancy signs
If there's no one beside you when your soul embarks
Then I'll follow you into the dark
[Verse 3]
You and me have seen everything to see
From Bangkok to Calgary and the soles of your shoes
Are all worn down, the time for sleep is now
But it's nothing to cry about 'cause we'll hold each other soon
In the blackest of rooms
[Chorus]
And if Heaven and Hell decide that they both are satisfied
And illuminate the "no"s on their vacancy signs
If there's no one beside you when your soul embarks
Then I'll follow you into the dark
[Outro]
Then I'll follow you into the dark
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