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#das cello
hwaitham · 4 months
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‘ gingerbread men playing in freshly fallen snow ‘ cupcakes made by yours truly , gifted 2 U ! ! ‎꒰ᐢ ⍝ ˊ꒳ˋ⍝ ᐢ꒱ 𐙚 + a puppie who has yet 2 learn tht chocolate is not his fwiend but an enemy . .
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gasparodasalo · 11 days
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Dmitry Bortnyansky (1751-1825) - Sinfonia Concertante for Piano, Harp, 2 Violins, Viola da gamba, Bassoon and Cello in B-flat Major (1790), I. Allegro maestoso. Performed by Pavel Serbin/Pratum Integrum Orchestra on period instruments.
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lutes-of-the-world · 22 days
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Lirone my Marco Ternovec
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supercantaloupe · 1 year
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anyway nobody asked but here's what instruments i'm assigning the don giovanni characters
the don: violin, mandolin, pianoforte. and voice obviously
leporello: viola da gamba. cello too
anna: harp or flute? also pianoforte and voice
ottavio: violin but he kinda sucks at it. voice.
elvira: oboe, pianoforte, voice
masetto: some kind of small lute or early guitar like the cittern or similar
zerlina: if anything i think she can do some percussive things like tambourine and castanets but i don't think she plays anything melodic. she can sing though
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endings of acts i and iii of zandonai’s francesca da rimini…GOD TIER
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kayespencer · 2 months
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Love Is In Da Blog 2/15/2024 After the Dream - Sheku Kanneh-Mason #loveisindablog24 #cello
Jim is hosting the rest of the month for Bee’s (The Bee Writes) February blogging challenge, Love Is In Da Blog. The theme is to celebrate each day of Black History Month with music by black musicians. February 15th prompt: Instrumental I’ve chosen a cello performance by Sheku Kanneh-Mason, a British cellist (b. 1999), who won the 2016 BBC Young Musician Award. Also notably, he played for the…
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deutsche-bahn · 3 months
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Ich öffne das Badezimmerschränkchen in meiner neuen Wohnung. Es ist ca. 50cm hoch, 150cm (!?) tief und mit Teppichboden ausgelegt. Man kann von innen den anderen Badezimmerschrank kriechend erreichen. Ich schließe das Badezimmerschränkchen.
Ich öffne einen der Wandschränke im Schlafzimmer. Er ist von innen über eine Leiter mit dem anderen Wandschrank verbunden. Ich schließe den Wandschrank.
Ich öffne den Schrank unter der Treppe nicht.
Auf dem Badezimmer steht ein Cello. Es war bei der Einrichtung inklusive, genau wie das vom Boden zur Decke reichende Bild im Esszimmer, welches Bacchus mit einer nackten Frau, Weinglas und dem Spruch "in vino veritas" im Stil von Picasso's Skizzen darstellt.
Die Gartentür (die nur 155cm hoch ist) ist nur erreichbar, wenn man die faltbare Bar aus solider deutscher Eiche in der Küche zusammenklappt wie einen Campingstuhl. Die restlichen Türen sind nicht wesentlich höher.
Der Couchtisch hat keine Beine. Stattdessen liegt die Tischplatte auf vier Pyramiden aus Hartholz, die weit durch die Tischplatte hindurch ragen und mir final destination vibes geben. Ich meide den Couchtisch.
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eggyrocks · 21 days
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whats da band lore how did they do dat
okay if i’m going to answer this question it’s gonna be LONG (also cannon does not apply here yall im making this shit UP)
noya and yn are childhood friends who kinda discovered punk music together at a very young age
like they were seven listening to agent orange together
yn liked how angry and passionate it is and noya liked how high energy and badass it is
yn’s favorite bands/biggest influences were skinned teen, gitogito hustler, and melt-banana
noya’s were sicilian blood, social distortion, and minor threat
yn was obsessed with learning guitar. she would take books out from the library and imagine she was playing on a fake one & would ‘practice’ and memorize as much of the technical terms as she could & this was how she learned to read sheet music
noya’s grandfather got him a guitar as gift one day and he let yn actually practice on it in exchange for teaching her what she knew
so they were self taught guitar players together 🥹
and they always knew they wanted to start a band but they were both guitar players and two guitar players does not a band make
yn was willing to learn bass too but even if she did they would still need a drummer
enter: tanaka
(influences: fugazi. that’s it. that man loves fugazi)
they met in middle school and the day they met tanaka it was like they were life long friends
like that bond was instant
and one day they were hanging out at noya’s house and tanaka saw his guitar was he was like “oh you play”
“yeah we both play guitar we wanna start a band but we can’t find anyone who can drum”
“oh i can drum. does that help?”
“???? yes???”
and so tanaka became the drummer and that’s when they started having practices
at first they were so bad
like
so so bad
yn tried to play bass but was not the best at it and yn and noya kept arguing over who did vocals bc neither one of them wanted to do it
until one day yn said “you know if you’re the frontman and the vocalist you’ll get the most attention from girls” and that did it for him
only problem was tanaka wanted to be a vocalist after that too
they mostly just played covers at first but noya was writing his own songs too
he’d mostly write lyrics and yn would mostly write music but most of the time neither were very good until tanaka came in and edited what they were working on
their sound was extremely sloppy and unrefined but by the time they entered high school their technical skills had improved a lot
except for yn’s bass playing. she hated it and practiced as little as she could
so one day during their first year of high school the band made a ton of posters asking bass players to come try out
enter: yachi
(now yachi did NOT like punk music. her influences were more like: the strokes, pixies, elliot smith)
yachi plays A LOT of instruments
clarinet? she’s a pro. cello? of course. girl can even play the harp.
she’s an extremely technically gifted bass player
post-high school yachi has really come into herself and gained a ton of confidence but high school yachi was still timid as hell
she saw the flyer and though it would be a lot of fun to put her skills to use in a creative way
but then she showed up to their after school practice spot, flyer in hand and shaking like a leaf
two scary looking dudes and perhaps even a scarier looking girl? yeah no. she’s out
but she couldn’t get away. yn was so excited at not just the prospect of having a bass player finally join them but also another girl? she dragged yachi back there lmao
and even though yachi was so visibly anxious that all sort of melted away when she started playing and she became the coolest most confident person alive
they were actually sort of blown away the first time they heard her play. like the band was like !!! you might be too good for us to tell you the truth
yn was on her hands and knees begging her to join
so she did! and was very happy to feel so wanted and included
and then with the addition of yachi that’s when they really started to get good
while noya and yn were self taught and though still pretty knowledgeable, yachi had a lot of technical knowledge that really helped them grow
and they started practicing more and more
like too much maybe
their grades suffered
but they really improved a lot and halfway through their second year, they played their first show
it was a disaster
so extremely chaotic
they had nothing set up right and they kept having to stop their set to fix shit and they got heckled and yn threatened to skin the person and from there they were politely asked to stop the set early
it was bad
they realized they needed more help
enter: kiyoko
(she doesn’t play any instruments but her favorite musicians/bands are mazzy star, fiona apple, and the cardigans)
they had met kiyoko before
they were all hanging out together when tanaka tried to talk to her and yn got so embarrassed to be seen with him she hit the back of his head and apologized on his behalf
kiyoko kinda got attached to yn from there; she didn’t have a lot of super close friends & she appreciated her consideration of her feelings
and they started to grow closer and yn, yachi, and kiyoko started to hang out a lot more
it was really good for all of them
yn didn’t have a lot of friends and she was really grateful to be with people who didn’t judge her for her more alternative persona
yachi kept getting more and more confident and felt like she was discovering herself
kiyoko was always very timid and was not the best at initiating conversations or being part of a group but she felt no pressure hanging out with yn and yachi and talking to them was so easy for her
so they got really close
so naturally after the disaster performance yn and yachi were complaining to kiyoko
who said without really thinking much of it “i can help you guys out”
so she did
it was super overwhelming at first because there’s a lot of things to keep track of and a lot of technical things to learn
but kiyoko really loved helping them out
and the more she learned the more she started to offer input or take initiative
tanaka and noya of course loved this
their natural instinct was to act like freaks around her but yn kept that in check
with a lot of threats
and occasionally following through on the threats
and kiyoko started to feel like a member of their band
and they always practiced with her and listened to her critiques and followed her advice
her input and guidance are extremely valuable and half of the reason they’re still a band
tanaka was so in love with her from the start and the more dedicated she became to the band the worse it got
he was so in love with her he didn’t even notice that she eventually started to show signs that she might feel the same way
it only took 6 months for them to start dating and the only person who was surprised was tanaka
it took a LONG time for them to record their first album
it was a mess
a lot of arguing
a lot of clashing opinions
but after writing and rewriting and recording and rerecording
they finally put together a full length album
12 songs, 39 minutes
it’s a little rough and sloppy but hey
that’s punk
and they were all really proud of it
they’ve since put out one ep with 6 shorter tracks
they’re working on their second one now but hey. albums are a lot of effort to make
but tanaka keeps saying it’s going to be the greatest album of all time (it won’t be)
and that’s the freaking band lore
if you made it to the end. you’re a real one
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bhxrdy · 4 months
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starry night | aemond targaryen
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author's note: my first aemond fic to officially write - though not the first one that came to me (👀). hopefully, this will be enjoyable. spotify has the playlist from the expo. you can listen to it while reading or not. all up to you :) lots of love & stay safe 💕
      She was unbothered by the crowd, her ears soothed by the soft orchestra as its violin and cello strings swiftly danced through her headphones, the item covering the entirety of her cartilage.  
Her focus was given to the timeless masterpiece, her gaze following the road of the paintbrush as it retraced the softness of the model’s curves; from afar, she had the sight to detect the faintest of details.  
Even in-cased by thick glass where soft glare could be reflected at times, she could still depict the colors colliding with such ease from the forms of the background to the veil she wore, down to her right hand resting over her left wrist.  
She was taken by the art until a presence quietly made itself known by her side; to her left stood a tall man. He bore a pronounced jawline, platinum hair and from the corner of her eyes, she could depict a hint of lavender decorating his right iris. He was slender and held himself with his arms behind his back as he gave his attention to the painting in front of him, ignoring the commotion of the cameras and the people surrounding them.  
Removing her headset, it rested around her neck when she heard a soft grunt, a little ‘hm’. She smiled, biting the corner of her bottom lip as she dropped her head down, stifling a chortle. She then turned her head to the man as he spoke under his breath. 
“She is overrated.” His gaze hadn’t moved, his words disappearing into the collective but not to her.  
“Then why are you here?”  
Her tone wasn’t accusatory. Instead, she was indulging him almost, amused at the fact he still stood and stared at Da Vinci’s Mona Lisa.  
He was taken aback by her comment, not having realized she had heard him. He turned his head to her and huffed - almost a chuckle - as the corner of his lips curved upwards. “Good point.” 
She turned her eyes back to the painting, her head slightly tilting as she searched for her words. “I find her… intriguing.” The man remained put, his one good eye reverting to the piece of art that hung a few feet away from them. “She is hiding a secret, forever kept in the back books of history.” 
He chuckled, not fully impressed by her remark. He thought it generic even though he knew, in the back of his mind, it was made to amuse him. “That is what everyone is saying.”  
The lopsided grin won him over, her eyes meeting his. “Doesn’t mean it isn’t true.” She had quickly glanced to his injured eye, the color now a simple faded crystal blue. It didn’t bother her, and no reaction had come from her, which he silently appreciated. 
He inspected her as she, once again, looked away. She wore a wool wrapped coat that covered her down passed her knees, the belt tightened around her waist. Her hair looked almost disheveled from the knitted beanie she had removed, though her locks covered her gracefully as they rested around her while highlighting the shades of her eyes. 
He saw the headphones around her neck and smiled to himself; his own pair were held captive in his coat pocket. 
They stood for a few more minutes in silence, looking ahead at the painting.  
She was ready to move on but lingered, not wanting to part ways with the man standing next to her. 
He had grown annoyed with the crowd, desperate to leave the herd, but refrained as he was not ready to separate from her just yet. 
She picked her phone out of her pocket and looked at the time, the clock dangling above her paused playlist. She then pivoted to him, biting down her lip as she gathered courage to speak to him again. 
He noticed her changed position and peered at her, entranced by her stature. She had placed her arms behind her back, close to rocking on her toes as she quickly scanned the people around her before setting her eyes on him again. 
Inquisitive and hopeful, she held her breath. 
“This might be a bit forward, but… how do you feel about Van Gogh?” 
      It was overwhelming to say the least. 
Diving headfirst, they were transported into a new reality, surrounded by moving images, the projectors guiding them across the several rooms that inhabited Van Gogh’s life through his works of art.  
Submerged under the rays of colors, bathing under their illuminating glow, they were consumed by the sensory experience; bodies were wrapped within the various masterpieces, from the elegant portraits to the hundreds of landscapes. The duo was entranced into captivation as the musical score resonated from wall to wall, catching the essence of the paintings into its staff where the clefs kept the notes afloat with the shifts and swirls of the artist’s hopes and dreams.  
He was buried under the cascading lights, their intensity following the waves of the moving pictures. He was lost in his own amazement, in the thrill and sheer emotional rollercoaster he had embarked on; he enjoyed these works in passing, but only now could he truly understand the man’s pain.  
He turned around, his sight taking in the floating petals washed away by the wind to the waves of the oceans, to the ogling stares of portraits and voiced-out letters, until he eventually saw his companion. 
She stood a few feet away, intently staring at Van Gogh’s Self Portrait with a Pipe, when he was pulled in. 
She had been staring at it for a while, her eyes never wavering away from the man’s stare as he would blink while the smoke of his pipe danced in the air. She couldn’t tell what it was that shook her, what made her tremble to her very core, when she broke down. Silently tearing up, the old man was looking down at her as melancholy soaked his eyes, the gaze — a feathered touch of poignancy. 
Her guest was befuddled at his sight, to find her quietly crying in the dark was perplexing. He couldn’t have known the truth behind her tears, the reason her emotions strangled her through the music. The heartbreak she endured months ago, when she was forced to part ways with her fiancé due to his indiscretions — she had finally let the bourgeoning storm find her, drowning her in her impending ache. 
“Are you alright?” He approached her, worried while she remained frozen in front of the portrait.  
“Y-yes!” She had forgotten about her surroundings, his inquiry pushing her away from her trance. “Sorry about that. I don’t know what happened…” She let out a broken chuckle as she wiped the tears that strung across the corners of her eyes.  
“Was it the painting?” He was still curious, wanting to understand the circumstances of her gentle unraveling. 
She tilted her head to him, offering him a small smile. “I think the painting just brought it out of me.” 
As she spoke, the old man went away, the projectors continuing their route as they rode the audience into other works, welcoming them with more notable pieces, such as Starry Night. 
She took a deep breath, finding herself a seat on a bench and watched the stars move around them from across the four walls to the ground, right under their feet. 
The instruments’ chords brought her back to her trance, leaving only the boy in their shared reality.  
He could only stare at her, the echoes of her voice quieting down the static noise that lived in his head; all was now left unplugged, creating utter deafness.  
It was peaceful, and he felt he could finally breathe. 
He watched her in awe, the variation of blues etched across the sky where the golden stars warmed the hues; she was absorbed by the landscape as if she had been part of the picture itself.  
He was enthralled by her presence, the feelings thrumming against his heart and rekindling the spark of a dying flame, the embers laying low within the desert of ash around them. 
It had been way too long since he last felt this way.  
The heat raised his skin, shivers covering his entire body as he stuck to her, unable to partake in the rest of the exposition any longer. He had lost himself in her, taking in the way she had been immersed in the moving brushstrokes as they danced and rippled to her every footstep, her ability to appreciate the works around her, her knowledge of these renderings, the connection she had built by the simple look just enough to bring her to tears. 
All he could do was take her in, like fresh air, and admire the work of art that stood in front of him.  
      And then the lights went out, the room once again diving into the darkness until a voice was heard above their heads, reading out loud the written words that were shared between the painter and his brother. 
The young man was pulled out of his reverie and looked away from her, taking in a slow breath to calm the bombardments in his chest. 
His mind was still quiet, which he thanked.  
It had been a while since he could last hear himself think. 
But even now it seemed, his words strung nonsense. 
The woman had taken his senses captive, luring him into complete ignorant bliss, and he loved it. 
The expo, eventually over, the ending was presented with simple sentences that were etched across the walls.  
They made their way towards the exit, both parties reluctant to walk away from one another. 
She turned to look at him, catching a glimpse of his bi-colored gaze into her sight. She held her breath, enjoying the way the remaining lights captured the shades of his irises into perfect harmony.  
Afraid to end the momentum, he took the lead and stepped forward, though not too close as to invade her personal space.  
“I would like to see you again.” He spoke gently, carefully, patiently waiting for her response. His words were not a request, nor were they imposing. 
She smiled, flattered. “I’ll make room in my schedule, then.”  
Questions were not part of their relationship; they always held affirmative back-and-forth instead, knowing that inquiring was unnecessary.  
“I’m honoured.” He spoke up, cheekiness underlaid in his tone as he indulged her with his infamous smirk, the one that always made her bite the inside of her cheek to hold herself back. 
She grinned at him, dropping the playful charade they have been sharing this evening. 
“It was nice to see you again, Aemond…” She sighed, content. “It’s been too long.” 
He nodded, pensive. “It has.” 
He had missed her terribly.  
They lost touch in the last few years. She had moved away after getting engaged and started a new life on the other side of the world while he was left alone, their love for each other withering away before it had a chance to bloom, the dirt drying up without water. 
Silence hung between them, like a friend wrapping its arms around the couple’s shoulders in a joint trio. 
She then spoke again, biting her lip in thought. “I’m not really ready to go yet, and god knows I could use some air…” She let out a breath, her courage gathered on the tip of her tongue. “Do you want to go and get some coffee? We could catch up.” 
He agreed to her proposition, marching towards the door as he opened it for her, inviting her into the cool air of the city’s night. 
She smiled and graciously walked through before he followed her. 
They stepped outside meeting the dim lit stars and their moon hovering above them; the golden colours were present whereas the blue had been transformed into its reality counterpart - pure darkness wearing an essence of sublimity instead of its usual malevolence. 
Side by side, they took their time walking down the streets, his name tickling her lips into a softening smile. It was better than any orchestra, he thought, the composition of her voice alone making him feel like a spectator at his own opera show, his lost love becoming the conductor of their renewed symphony. 
The past caught up to them, taking them left and right without a real destination anymore. 
The roads were open, the warmth of their encounter illuminated under a starry night. 
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a/n: the exposition was based on something I attended. Loved it. If you need an outing and this happens in your city, go for it. You don't have to be an art advocate, or even really know Van Gogh in depth to appreciate his work and this immersive experience. It's overwhelmingly beautiful (does that make sense?) and worth the 1-2h :)
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skinnyscottishbloke · 10 months
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🎶Put your music library on shuffle and list the first 20 songs that come up 🎶
1. Breathe Your Name - Sixpence None the Richer
2. Take Me Out - Franz Ferdinand
3. Flashdance (What a Feeling) - Irene Cara
4. Alfie - Burt Bacharach
5. Good Riddance (Time of Your Life) - Green Day
6. Das Land Des Lachelns - Franz Lehar (sung by Placido Domingo)
7. Bluer Than Blue - Michael Johnson
8. Johannesburg (I’m Sorry We Have No Engineer) - John Finnemore, Cabin Pressure
9. Girl Right Next to Me - Goo Goo Dolls
10. Climb Ev’ry Mountain (Reprise) - Main Cast, Sound of Music
11. Sachita - Los Pinguos
12. Through the Trees, Pt. 2 - Mount Eerie
13. Mamas Don’t Let Your Babies Grow Up to Be Cowboys - Willie Nelson and Waylon Jennings
14. Land of Confusion - Genesis
15. Andante Catabile for Cello and Strings - Tchaikovsky
16. Let It Out (Let It All Hang Out) - Hombres
17. Samwise the Brave - Howard Shore
18. something special - joan
19. I’m a Believer - The Monkees
20. Uhh Ahh - Boyz II Men
Tagging my music buddies just for funsies 🥰
@tolkientrash @bisexualwvtson @sunnyrosewritesstuff @lordoftherazzles @turniptitaness @asexualromanroy @exlibrisfangirl @tumbrunes @calculatedmadness @enough-effing-owls @fandomcartographer @shantismurf
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hwaitham · 2 months
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matchie matchie accessories for orchestra au haico ꒰ྀི ˃̶̤́ ꒳ ˂̶̤̀ ꒱
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gasparodasalo · 4 months
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Georg Philipp Telemann (1681-1767) - Trio Sonata No. 6 for Violin, Cello and Continuo in F-Major, TWV 42:F1, I. Allegro. Performed by Camerata Köln on period instruments.
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grapehyasynth · 2 months
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au set in the early 1900s where the new philharmonic orchestra in sweden is struggling, its funds low and its attendance meagre. wilhelm has been hired as its conductor, but everyone says he only got the position because of his famous older brother, who's been conducting internationally for years. meanwhile simon is an up-and-coming composer desperate to get his work taken seriously. he hounds wilhelm, waiting for him outside the concert hall they're only able to reserve at odd hours, following him halfway home and trying to convince him to get the orchestra to perform one of simon's pieces. one day he gets into the concert hall as the rehearsal is wrapping up, and he stands on the conductor's platform with wilhelm, asking him to imagine the music - while wille looks at the sheet music, simon demonstrates - "here the woodwinds will rise, da da da, and then vwoom, a sudden pause before the aching cello" - and he imitates all the instruments, and wilhelm can hear it, can hear the entire symphony. it's an electric composition. wilhelm agrees to bring it to the orchestra. as they work together to bring the piece to reality, they both find themselves falling: wilhelm for this composer who could probably make a living on his voice alone but who dreams of music beyond himself; simon of this fidgety young man who both hates the limelight and longs to step out of his brother's shadow, who comes alive when he conducts, swoopy dark blonde bangs bouncing, long arms declaring and guiding.
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kingofthewilderwest · 4 months
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Since my crap is disorganized across multiple computers, laptops, notebooks, and handwritten scraps of paper, I've been trying to organize my music compositions. Having been "composing" (let's use the word liberally) since I was four, there are hundreds of songs to document. As I've been rediscovering hidden gems and endearing crap, I've been reflecting on my... naming trends. How musical creativity does not necessitate Title Creativity. How successfully I can ward folks off before they hear a note.
Broad music title naming habits include:
1. Traditional formal classical music
• Barcarolle Sereno • Cello Suite No. 1 in G Major Movement 1. Moderato • Con Amore • Dance in Bb Minor • Ostinato Cantabile
2. Lazy-ass description of what it is
• Assignment 11 • Melody Assignment 1 • Flute Duet • Barber Mimic • Mobile Game Song
3. Brief Latin phase, please stop
• Monstrat Viam • Deo Volente • Continua Astrum
4. Functional title, sometimes basic, sometimes cool
• Portrait of a Friend • Winter Blossoms • Necrosis • Horizon • Nucleotides • Z-Score • Fox in the Henhouse • Upon a Starry Night
5. Abstract Quasi-Poetic Angst
• Reasons to Hope • Take Back What's Mine • Like Rainfall • Return to Heart • When the Skies Darken • Tribute to an Ideal • Tearful Thank You • Indefinite Forever • Defiant Hope
6. Tried too hard sounding cool and unfortunately you were ten
• Corridor to the Ethereal • In Secret to Be Told • 'Lectri’ Twelve Strin’ Guitar • Expanses of Fantasy
7. One of the lines in the song, highlighting how bad the lyrics are
• Help Me to Follow You • I Am Not Quite Sure Yet • Because My Friend's Sick • Do You Know the Way
8. That's just the name of the commission
• Mixed Emotions Movement 4. Closer and Credits • Vagina Monologues 2. One Billion Will Rise for Justice • Vampire Survival Guide • Paradox
9. Conlanger flex, no one will be able to pronounce or remember this. Ever.
• Ohd Thak-Shu • Xhavhukfi Zoqudou • Veh nah Dii’hs • Nidia Kila • Tavhlovmindada • Ehyiib
10. I had no idea for a title and typed random crap when I clicked "save"
• Sneak • Sneakify • Sneaking • Sneaky-Sneak • SoGow • Klongilonga • Quiiiiiptail • Da Da • Hihoppadada • Colon KayjayK buy2 (originally ;kjk;kjk a literal keysmash)
11. I'm not going to admit I have a song named this
• Don't Spit Your Eyes Out • Shake Your Bootchy Bottom • It Takes a Bike to Beat a Bus • Bunny Bunny Days • Please Let Me Eat the Microphone • Yo I Said It’s Space
12. Still untitled; each new recording is "comp idea," "name," "rename," "you really need to name this," "take 5," "take 5.1," "take 5.12," "redo this sucks," "I swear I play banjo," "delete later," "deleeeeeet," "out of tune," "still out of tune," "this one's good," "THIS ONE," "best," "best2," "BEST VERSION", "awwwww yeah"; and for some strange reason it's hard to refind these recordings a month later
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culmaer · 7 months
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videos below, in case you want to listen to a snippet as a reminder. or maybe you don't know the pieces but still want to vote ! (all performances under direction of Claudio Abbado in 2007, on modern instruments)
No 1 in F major (2 horns, 3 oboes, piccolo violin)
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No 2 in F major (trumpet, recorder, oboe, violin)
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No 3 in G major (3 violins, 3 violas, 3 cellos)
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No 4 in G major (2 recorders, violin)
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No 5 in D major (flute, harpsichord, violin)
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No 6 in Bb major (2 violas, 2 violas da gamba, cello)
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putschki1969 · 5 months
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『Wakana Classics 2023 ~Winter Party~』 Promo Visual & Merch Revealed
The promo visual for Wakana's upcoming winter concert has been revealed. (Source) Additionally, infos on the live merchandise can be found HERE. Order the goods in the official Space Craft Online Shop! Check out Wakana's Instagram for some lovely merch introduction!
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『Wakana Classics 2023 ~Winter Party~』 [Date] 2023/12/15 Open 18:00 / Start 18:30 [Venue] Hamarikyu Asahi Hall (Music Hall) [Appearing artists/musicians]  Vocal: Wakana Music director/Piano: Sin Violin: Yuya Yanagihara Cello: Yuki Takahiro FC Exclusive Ticket:  12,000円 Regular Ticket: 9,500円 HP: https://www.bsfuji.tv/wakana_classics/ FC After Event Song Poll (Deadline: 11/30) https://wakana-fc.jp/contents/688413
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Appearance: 『Ghibli wo Utau』 Concert Produced by Satoshi Takebe
As expected, Wakana will be participating in the upcoming "Ghibli wo Utau" concert produced by Satoshi Takebe. (Source)
A special concert will be held in March 2024 to celebrate the release of the tribute album. Artists participating in the album will gather to hold a special concert for one night only! Enjoy a variety of famous songs, expressed in new ways by talented artists from all genres and backgrounds.
Title: “Ghibli wo Utau” Concert ~ Produced by Satoshi Takebe Date and time: March 27, 2024; Open 18:00 | Star 19:00 Venue: Tokyo International Forum Hall A Homepage: https://ghibliwoutau-concert.com/ Performers: Leo Ieiri / Yudai Ohno&Sota Hanamura (Da-iCE) / Yu Kishida (Kururi) / GLIM SPAVKY / Shiori Tamai (Momoiro Clover Z) / Little Glee Monster / Wakana (and more) Producer/Music Director: Satoshi Takebe Sponsor: WOWOW / Kyodo Tokyo / Wise Connection / Victor Entertainment Production: WOWOW / Wise Connection / Halftone Music
SS seat ¥13,000 S seat ¥10,000 Wheelchair seat ¥13,000 U-25 seat ¥5,000 ※There might be an official recording of the event FC Advanced Lottery: [Application period] November 24th to December 10th [Results] December 13th to December 15th [Payment] December 13th to December 16th
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