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#dante: answers
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Can we get a pining villain out in their civilian clothes when they bump into hero (also in civilian clothes) and recognizes them immediately, but hero doesn’t and starts friendly conversation while villain is both unsure of what to do and secretly crushing? Sorry if that’s an odd request ahhhh ^^;
Oh god.
“Jeez, I’m so sorry-” The hero picked up the books and shoved them back into the villain’s arms awkwardly. “I don’t know where my head is today, I didn’t…nevermind, the books aren’t dirty or anything? Library hates dog ears.”
The villain shook their head slowly. They hadn’t even checked.
“And you’re okay? Not hurt or anything? I didn’t hurt you, right?”
Again, the villain shook their head, even though their shoulder was pulsing in pain. The hero was quite strong. Stronger than they looked, definitely. It wasn’t like the villain had been obsessed with the idea of finding out their civilian persona.
They knew of other villains who dedicated their entire being to finding out absolute everything about their nemesis. But for the most time, the villain didn’t want to know anything about them.
They didn’t want to know what they did or whom they talked to. Or when they were visiting friends or lovers. When they went on dates or when they broke up with someone.
Because, ultimately, it wasn’t any of their business, right? And they weren’t on such a low level to force a foul gameplay onto them. Blackmailing them, kidnapping lovers…the villain didn’t like that.
However, now that they stood in front of the hero, they weren’t quite sure what to say nor what to do. They had recognised them immediately. Their widened eyes, their fingers. At first they hadn’t been sure but some scars gave the hero away.
They were obviously hiding them, pulling down sleeves and shifting a little — it was a habit the villain was used to too.
“I’m sorry again. I’m probably taking up a lot of your time already but do we know each other?” the hero asked suddenly. They tilted their head, just like last Wednesday when the villain had explained to them how to identify a fake bomb. The sunlight was hitting the hero’s eyes just right but this was probably some cruel joke from above.
The hero was one of those popular people probably. Popular at school, at work, in the neighbourhoods. Someone everyone loved, someone who was so sweet they were rotting teeth left and right.
Months ago, the villain had thought they were jealous of them but that was wrong. They were enchanted by them, wondering how a person who had gone through hell and back was still able to be kind.
“No…”
“Are you sure? You seem very familiar to me,” the hero said. They were curious, seemed intrigued by the villain. Their backstory wasn’t a secret. Everyone knew about the troubled childhood, the kidnapping and the trading. Being raised like cattle.
Everyone knew.
And the villain could relate. Opening up about it was difficult but they felt like the hero could understand, they could love them despite everything.
If the villain was even worthy of that kind of affection. They closed their eyes, trying to throw that thought into a bin.
“…I’m just a tourist,” the villain lied. Their neck was getting embarrassingly hot. Why was the hero staring at them like that? They’d never seen their expression be so soft, had never seen the little scar above their brow. Somehow, this felt like a prank.
“Hm, well, I’m really sorry for bothering you then.” The hero’s eyes fell down to the books and back up. A hint of a smile decorated their face and for a second, the hero just stood there in front of them with the busy sounds of the city passing by. “For how long are you staying?”
“…I am departing tomorrow.”
“Oh? Back home?”
“Yeah…” This was going terribly. The villain swallowed. They felt like a teenager again, too awkward to talk to their crush. In costume it was a little different. They could allow themselves to put on a show and pretend to be eccentric. But here they felt so…exposed.
“Pardon me, this is probably a little abrupt but…” Suddenly, the hero took a step forward. Their hand reached the villain’s wrist, soft fingers finding a scar a little too quickly. “…you’re really pretty.”
They looked up into the villain’s eyes.
“And by the way…the library doesn’t like it when tourists take books home either. Sending them back is such a hassle.” They tapped onto the copy on top, a volume of The Divine Comedy the villain had grabbed almost mindlessly. The hero took a step back, smiling. “See you soon, then.”
Oh god. They knew.
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eliasdrid · 1 year
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some Dante EGO chibis I did as warm up!
in order: Lifetime Stew, Telepole, ???? (Gluttony), Ardor Blossom Star
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skelesass · 11 months
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do you trust me?
hand study
—-
Twitter | Ko-fi
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dmc-questions-anon · 2 months
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What's happening in this image? Wrong answers only.
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xycuro-illuminati · 15 days
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After reading the dmc 4 novel, I find it so interesting how Nero acknowledges that Dante is related to him, but doesn't question to how closely related they are. And honestly, I can't really blame him.
In the novel, it's mentioned by both Nero and Dante’s povs of them theorizing that Sparda, the demon that lived in the human world for many centuries, could potentially have other descendants other than his sons and grandson. It wouldn't be a huge stretch to think that a guy that walked on earth for sm years could've had other partners and families before meeting Eva. Nero also seems to not really care about how closely related he is to Dante, only that they're definitely descendants of Sparda.
I don't think Nero thought of them to be closer bc of how he was raised in an orphanage, along with the culture within Fortuna and how he feels like an outcast. When Sanctus told Nero about the white haired man (Vergil) visiting him all those years ago is most likely Nero's father, Nero didn't really care. It couldn't be Dante bc Sanctus knows who Dante is, while with Vergil, he was just a mysterious figure to him. Nero only cares about Credo and Kyrie bc they were the only ones there for him. He was abandoned as a baby, and while we know Vergil didn't know of his existence, we still don't know what happened to his mother. The chance that she didn't want Nero is still very much possible and throughout the novel, Nero kinda leans in on that idea (especially with the whole "Everyone knows everyone in Fortuna. It would be impossible to not find out if someone was pregnant."). Nero isn't one for blood (obviously) and as long as he has Kyrie, that's all he needs, which I find sweet that Nero has someone to fall back to for anything, especially after they've both lost Credo.
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vapolis · 21 days
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Most to least jealous ros?
What would make them jealous in particular
most to least
jax > orla > royal > dante/delilah > echo
as for what makes them jealous, you'll have to wait for it in the game. but jax and orla are easier to rile up than the others, and it translates more into possessiveness when you're in an established relationship with them :)
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icedlava1 · 8 months
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[DMC Casino AU]
Random Au idea. I just wanted to draw the dmc gang in these outfits. plus the whole dmc shop being a casino as well as a demon slaying shop is a cool idea to me fdkjdfkjd, if i’ll do anything with it lol.
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ginsakatoki · 2 years
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Heeeey, welcome to DMC fandom! Can I request general relationship headcanons for DMC boys? Just some fluffy stuff, like what kind of dates they are into, what kind of partner each of them are, into PDA or not, etc. But it's all up to you :)
Thanks in advance!
Hey there! I’ve actually been lurking in the fandom for a couple of years and only recently decided to write about it. Thank you for this request and enjoy!
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gif by @rainbow-cadenza
• I mentioned in a previous headcanon of mine that despite his loud personality, Dante is actually a shy lover. By this I mean: at first Dante will take quite a long time to acknowledge and address his feelings and even more to actually ask you out. You’ll need to be patient with him because he’ll shamelessly flirt as a joke but get flustered if you flirt back. Or expect you to understand that if he is standing next you in a specific way, he’s flirting for real and not joking.
Expert at not taking the hint. He’s used to people and things wanting to kill him so there is no way you’re interested in him that way, right?
He’s a weird unblended mix of an experienced womanizer and a teenager that has no idea what he’s doing.
It will be awkward at first not gonna lie.
When you manage to become a couple though, it becomes much much easier. All of a sudden all those weird moments and interactions vanish and the relationship starts flowing like you’ve always been by each other’s side.
Dante would want to go out on a date at least once or twice a week. He’s one of those guys that pretend not to want to be around their S/O all the time, but actually do. (He acts like a sad puppy when he doesn’t).
That said, due to his lack of money, he would prefer simple dates over anything else. A walk in the park, window shopping or cheap dates like cinema and bowling. 
He’s a sucker for mundane things. His life is full of adrenaline rushes and violence so he truly cherishes the few moments of daily life he gets. This, however, doesn’t mean he’ll just settle for calm activities. He would definetely drag you to an amusement park at least once to go on rollercoasters.
If you don’t handle scary stuff well, be ready because he’ll force you to go to haunted houses or watch horror movies just so you can cling to him and tease you about it.
He’s a really fun partner to be with and he feels more like a friend you can go on adventures with than a safe home to return to. 
He’s very protective of his loved ones so if you were ever in a pinch, he would come help you out any way he can. He’s not very book smart though, so you might not want him to help you with your studies.
His love language is physical touch so he loves, and i mean, loves PDA. He doesn’t care if other people are staring, let them be. If he wants to kiss you, he will. If he wants a hug, he’ll get it. No questions asked.
When walking in public he always has his arm around your shoulders, hips or holding your hands. He wants to feel you by his side, especially since he never knows whether it might be your last.
When holding hands, he runs small circles on the back of your hand with his thumb. It feels very intimate to him.
He adores kisses. Mouth, forehead, cheeks, neck, hands, wherever. He loves it.
Speaking of kisses, he is very intense when he kisses you. His lips will blend on yours stealing your breath away and he’s greedy, so he’ll always ask for more.
"Just one more… No no that didn’t count, one more"
Cuddles on the sofa are a must. He is a literal human heater so he’ll gladly warm you up in winter.
If you tend to have cold hands or feet he will warm them up for you but you have to warn him first.
That one time you put your cold feet on his legs without telling him first he literally screamed.
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gif by @CAPCOM
Vergil is a cold and diffident man. It will take him a long time to trust you and if he develops feelings for you, he’ll be in denial for the longest time. When he accepts his feelings, however, he won’t act on them and would consequently become grumpier with everyone. There would be a huge contradiction between what he feels and his behavior.
He might look at you like he wants to kill you and be thinking that you look very pretty with the clothes you’re wearing, for example.
His inner struggle wouldn’t really be caused by a disgust for feelings rather his intrusive thoughts take control  and start sabotaging him. For example he might believe that no one would ever love him so he isn’t allowed to love anyone. Or that he doesn’t deserve happiness because of all the pain he’s inflicted on others.
He would start ignoring you and crave your presence. If he saw you at Devil May Cry, he would go the other way but stay close enough to be able to see you.
Things would change if you asked him if he hates you. It is obvious to him that the answer is no and that his behavior is clearly misguiding you so he would try to be around you more.
Communication about feelings with Vergil is complicated so it seems unlikely that he’d confess them and get into a relationship. It’s more likely for you two to slowly get closer to each other until you both realize you’ve been acting like a couple without explicitly saying so. 
It starts with Vergil always be around for one reason or the other.
“That seems heavy, I’ll take it for you.”
“I just had a commission nearby, that’s all.”
“Didn’t know you would be here” “Vergil… I work here”.
He gets so flustered it’s cute. He turns away immediately though, so you never truly see him blush.
Like Dante, he likes mundane life so he loves walking around the city with you, going to theatres and museums and, obviously, visiting libraries and bookshops. 
He doesn’t speak much but he listens to everything you say and remembers every little thing. There’s a book you mentioned you like? He reads it and tells you his opinion. There’s an event you keep forgetting about? He reminds you of it, and so on.
His love language is complicated to pinpoint. I’m pretty sure he loves physical touch but, being the touch starved man he is, too much of it would make him short circuit. Same with words of affirmations. He grew up surrounded by hate so loving words are new to him, they would make him feel vulnerable and he hates that. 
It would take a lot of trust and time but he would learn to love cuddle time on the sofa or on the bed. He would even find comfort in laying on you and hearing your heartbeat.
Vergil as a partner would show his vulnerability to you and you only once he truly trusts you as in: he will allow himself to cry in your presence, but don’t expect him to allow you to see him cry. He will hide his face on your shoulder or keep his back turned on you. 
Besides his hurtful past and his feelings, Vergil worships you. You see in his eyes how much he cares for you, suddenly his grey eyes don’t seem so cold anymore. His touches are very light and delicate like he’s afraid to hurt you. 
Not his kisses. He usually has a lot of self control around you, but when he kisses you it all vanishes. They’re deep and passionate, like he’s trying to merge his soul to yours, and will hold you impossibly close. Because they’re so intense, kisses with Vergil aren’t that common and they definitely don’t happen in public.
PDA is a big no for Vergil. What’s between you two is no concern for other people and, as such, it must stay indoors. He will allow you to hold his hand or circle your arm around his but he won’t initiate.
Overall Vergil is a man you’ll need a lot of patience with but he will make sure you feel as loved as he feels.
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gif by @BlinchixOfRivia (Tenor)
Out of the three Nero is the most normal when it comes to relationships. If he’s interested he will show it, spend time with you and ask you out on a date. He’s pretty straightforward and honest so you really won’t have problems understanding if he likes you or not. 
He’s had experience in relationships before with his ex-girlfriend Kyrie (they’re still on good terms) so he knows how to act around a lover and is not the least worried about his feelings.
Despite acting and looking like a punk, Nero has a clean and mostly sorted out inner world. He has his good amount of issues, obviously,  but at least he isn’t as emotionally constipated as his father and uncle.
When in love, Nero smiles and laughs much more than usual which makes his interest pretty obvious. 
He has a specific tone he only uses with his S/O and I think that’s beautiful. It’s not really a puppy or lovesick one but his normally gruff voice becomes gentler and his words soft-spoken.
Nero would most likely enjoy going on interactive dates like cinema, concerts, skating or paintball.
Do not, and I repeat, DO NOT go to watch horror movies with this man. He might be a devil hunter but he’s terrified of ghosts. He will scream the girliest scream you’ll ever hear and tell everyone it was you. 
Dates with Nero are pretty frequent and spontaneous, but he’d like to go on a fancy date either once every two weeks or once a month. He likes eating good food and wants to spoil his partner.
During normal dates he probably takes the two of you to eat at Taco Bell or something.
He’s not exactly romantic or one for cliches so you’ll never see him serenade you or buy you flowers, but he’ll always show he cares in his way. For example he will always bring you a snack at work or help you clean your apartment.
His love languages are acts of service and quality time. He isn’t the best with words and physical touch is pretty neutral to him.
He doesn’t mind PDA, he’ll honestly go with the flow. If you like PDA he will drap an arm around your shoulders, hold you close to him and occasionally kiss your forehead. If you don’t, he’ll just hold your hand or pinky finger.
Inside jokes. A lot of inside jokes. People might say something about shoes and you’d start laughing for apparently no reason after throwing a look at each other.
He gives the best hugs, whenever you’re sad or not feeling well he just grabs you and hugs the problem away. You’re actually surprised by how well it seems to work everytime.
Being in a relationship with Nero means having Nico tease you all day, all week. They’re a 2 for 1 deal. You might be casually speaking or joking that she would come out from nowhere and tell you to go get a room.
Arguments with Nero happen pretty often because he has a short temper. However you found a nice way to end them quickly: pillow fights. Whenever you see that you’re having a disagreement you both grab a pillow and start hitting the other while stating out one of the reasons you are right. The one who wins the pillow fight, wins the argument.
Obviously, if it’s about an important matter, you’ll be responsible and talk it out as calmly as possible.
Some people see your relationship as childlike or teenage-like but it’s really healthy and it works for you, plus they don’t know how serious both of you can be about it.
Kisses with Nero are always surrounded by giggles, for some reason. You have so much fun with each other that even kisses can’t seem to be serious.
One of your favorite activities together is playing videogames. You once showed him Mario Kart and now he’s obsessed. Every Sunday you must have a Mario Kart tournament or he will get grumpy. 
You’re the only person he doesn’t mind losing to.
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Thank you for reading this, let me know what you think about it! I ended up writing a lot about this lol.
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kawaiijohn · 6 months
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Danny wakes up in PMMM and wants to murder the weird God cat that's bothering the kids
Ok I wanna write this
"Get back here you rat!"
The white rabbit-cat thing dodges another three of Danny's ecto rays as he races through the back halls of a mall under construction. He has no idea where he is, only that the thing he's chasing is bad news.
It has eyes not unlike the Observants, and a voice laced with double meanings. Danny didn't appreciate it staring into his soul- his Core, as though it could sense it.
The creature keeps running for its life, able to appear in places it shouldn't be near before Danny can strike it. The strange ring-like structures around its long ears seem to ring strangely when his blasts whiff the beast.
The short chase comes to an end when he hits a dead end. He skids to a stop, panting- somehow unable to summon his ghost form after the portal tossed him here. He's shocked he can even call upon any of his powers, stranger that the only one he can access are his ecto blasts. But it's not completely shocking- places outside of Amity tend to be less forgiving with their low ambient ectoplasm levels. The halls are dark, ominous- there's a tension in the air not unlike a ghost attack waiting to happen.
He doesn't like it.
Danny uses a ball of ectoplasm as a flashlight as he creeps through the more chained-off sections of the mall, a tingle creeping up his spine. He wants explanations, and the creature knows something- it has to with how it stares into Danny's soul. It's the only lead he has, and he's too stubborn to give up on it.
"You know, you would make an incredible magia- all it would take is making a contract with me."
Danny nearly screams as he whips around. The strange creature sits perched, not unlike a cat, on a construction barrier directly behind him. Its eyes stare once again into his soul, digging into his very essence. Danny's eyes dart around the dark, trying to find anything to use to his advantage. He comes up empty handed, so he does what he knows, and stands his ground.
Intimidation it is.
"I'm not stupid enough to do something for a creature that really shouldn't be able to talk. Especially if it involves contracts." Thank the Ancients Sam had a phase where she obsessed over Faustian tales and fae folklore. That and his firsthand experience with Desiree. Be careful what you wish for, and all that.
"You do seem to be someone who has had dealings before. You are one step away from being a Magia, after all." The creature appears directly next to him on a pile of equipment and grooms itself with a paw. "It would be rather easy on both our ends to embrace your full potential. All you would need to do is Wish for something- anything you desire. And you'd finish becoming what you were meant to be- a Magia."
Danny starts, jumping back with his hand glowing. He hadn't heard it approach.
"Jokes on you- I know how wishes work!" he exclaims, taking a fighting stance. "No matter what, you'd twist it into the opposite of what I want, and I'm not gonna fall for it." The ecto energy crackles in his palm, anxiety at being stared at by those beady, soulless eyes gathers in the back of his throat like acrid lightning. Or like the nerves before a test.
Danny bristles as the creature pads up to him from its perch and tilts its head.
"Interesting- although you have no contract written binding your soul, you are somehow more like magia than human. Tell me, Daniel Fenton, did you receive anything in return for the sacrifice you've made? Do you have a reason to fight the Witches wherever you hail from? Or were you granted this terrible responsibility without fair compensation- no benefit to your life for the amount of magic you expend fighting."
Danny stills and shudders, still unable to force a transformation in the low ectoplasmic atmosphere of this place.
"I simply wanted to offer my services. To help you fight, for protection- to make you feel... whole. Tell me," it looks once again into Danny's soul, unblinking, "Are you aware of how close you have wandered to a truly Hopeless being's lair?"
The walls around him shimmer with unreality, he can hear whispers of a bastardized, corrupted form of Ghost Speak echoing in his head. It physically pains him to listen. He slams his hands over his ears to drown out the noise, but it tickles the back of his brain, makes the space behind his eyes itch. His Core pulses in warning as the room shifts as though it were underwater.
"What is this?!? What are you doing?!"
"Nothing. The culprit to this disturbance is a Witch- a creature made of the despair that lives in the darkness of humanity. A being that wishes to spread misery and corruption upon the innocent." its eyes remain staring at him. "With how you are now- incomplete in your form, you will not survive should you be pulled in to this labyrinth you have wandered near."
Danny looks up from where he'd ducked his head. His Core pulses again. Whatever this thing messing with his mind is, it's similar to a ghost- but wrong. Corrupted. Evil. And yet... sad. He steels his face and glares back at the creature.
"Witches are creatures of pure darkness, they cause unexplained suicides, death, sickness, catastrophe. You are simply unable to unleash your full potential in your current form, but if you make a wish, sign a contract- you would be unstoppable."
"I don't need to be unstoppable. I can handle... whatever this witch thing is without your help- and it's not like I plan on getting caught in a labyrinth. I'd rather not fight another Minotaur."
Danny begins to walk away from the shimmering spots, but can't find the way he came. The chains hanging from the ceiling whisper with anguish.
The creature continues to follow with its blank expression.
"Suit yourself, Daniel Fenton. My services are only a call away. You'd be surprised how amicable I am to those who change their mind last minute- in fact, we encourage it."
And with that, the creature leaves.
Danny clamps his hands over his ears again. The padding of his sneakers through the endless maze of mall construction echoes hollowly through the otherwise silent back halls. "Sam would be pumped to find out the backrooms are real." He laughs joylessly. Danny has no idea how long he's been wandering, but he knows he's not lost. The mall is shifting around him as he wanders, and he knows he's being watched.
He scratches at his wrist idly.
It had started itching, right over his death scar, about fifteen minutes ago. The whispers make it itch more, and he grumbles. He's getting frustrated- usually by now the ghost watching him would have jumped out and attacked, but whatever the thing watching him is (the witch thingy most likely) is biding its time to piss him off.
Another wave of empty emotions waft over him from a doorway that wasn't there the last time he circled this very hallway. His wrist itches more before suddenly burning as though electricity shocked him once again. He looks down and gasps at the strange butterfly marking that's appeared on his wrist, just as his hand reaches for the door of its own volition.
Danny seethes as his body disobeys him, but is brought to stunned silence when the door opens, sending the hallway it leads to flying towards him. The next doorway barrels at him, and he closes his eyes to brace for the impact before it opens as well.
Again and again doors race forward and open, before he finds himself in a domed garden of brambles and roses.
Danny feels his Core lurch as the mark on his arm burns brightly before fading.
"That was weird..." he whispers to himself. He only takes a few moments looking around before finding a rock made of paper to hide behind. The inner sanctum of this Ancients forsaken Labyrinth is enormous- everything looks as though its made of collage paper and watercolor. There's a large chaise lounge in the center of the room, surrounded by strange creatures shaped like dandelions with mustaches.
"Okay that's even weirder..."
The dandelion beings pass roses between them, piling them on and around the lounge in the center of the room. The lighting overhead in the glass dome is dim, but it seems to be getting brighter- the light itself pinpointing on something resting on the chaise.
Danny's entire being revolts as he looks upon the strange black jewel. The bottom is needle thin, resting on a soft silk pillow without making nary a dent. A strange flash of light bursts from it- pure black as void and cold to the touch. It begins to break, forming into a disfigured shape. The shadow it becomes undulates and pulses, growing more and more gargantuan as it explodes from the jewel with a shattering scream of terror.
Danny feels his eyes involuntarily water, the tears falling freely down his cheeks as the jewel produces something similar to a Death Echo, forming into a being made of rose bushes, butterflies, and pure sorrow.
Danny witnesses the birth of something horrifying and his Core screams at him to run. This thing is dangerous, it's dangerous and wrong and will be his End. He stands to leave, but finds his legs unable to move. He struggles, panicked.
Roses appear from nothing as they quickly morph into black tendrils and ensnare him. He's lofted up, up, up to the Thing's- the Witch's 'face'. A corrupt butterfly stares back at him and howls. Danny shrieks in response, summoning an ecto ray in defense. He blasts the witch in its 'chest'. It doesn't appreciate this much, tossing him to the ground.
He shoots another few blasts at it as he falls, smirk on his face through the panic. But without access to his flight or intangibility, he plummets to the brambles below.
Danny forgets he can't summon his ghost form here. He remembers too late that his human form can't handle as much as his ghost form.
"Shit-"
"Oh so now you show up again."
Danny sits up from where his body crumpled. Thankfully, he only has a broken arm and a ton of scratches to show for it, having landed mostly in a fucked up rosebush.
"Have you given my offer more thought?" the rabbit-thing asks from its perch behind him.
"Sorry, I was too busy being jumped by a plant from my worst nightmares to think about wishing for a million bucks or whatever." Danny rolls his eyes, trying to hide the terror in his shaking body. "Seriously, do you have anything better to do than stalk me?"
"You are in no real position to ask this many questions, Daniel Fenton. This witch will kill you and devour you, and not necessarily in that order. It would be beneficial on both our ends for you to sign a contract with me."
Danny hates how right this little shit cat is. Without access to most of his powers, he's practically useless against a monster this large. And if he's useless he can't defeat, let alone escape. Not to think about what this thing will do to innocent mall-goers should it get bored of eating his corpse or whatever.
He shudders.
"They say dealing with the devil never goes well." he responds to the creature. "Although it's kind of a dick move, waiting to prey on me at my lowest point."
The creature stares at him with its infuriatingly neutral 'cute' expression. "Oh but I'm no devil. You may call me Kyubey. I am simply the familiar to all magical girls- in your case, magia. A contract with me would grant you the power to take on this witch, to embrace the potential you've already started to accumulate."
The witch watches angrily in the background, trying to seek him out amongst the brambles. Danny shudders.
"You keep mentioning potential. The hell does that mean?"
Kyubey stares at his soul with its vacant, beady eyes. "Never before have we seen someone manifest their own magic without a contract. It should be an impossibility! Bringing you to full potential could make you one of the strongest magia of all time. You could wish for nearly anything, and your potential would grant it!"
He considers it for a second as he hears the chains above them shaking. The noise blends in with the cacophonous whispers of dread.
"I..." Danny starts, another question on his lips before he feels the tug of magic on his Core, the sense of gears and hourglasses gripping everything around him. His head slowly turns as everything is frozen in place.
He blinks.
Kyubey's form fills with holes as the sound of gunfire reaches his ears.
Time resumes.
Kyubey's corpse collapses before him in a puddle of red and white viscera.
Danny screams, and the witch roars.
It wasn't supposed to happen this way.
In the near one hundred times she's done this month long song and dance, these back halls have only ever been occupied by four creatures. Herself, Miki, Kaname, and the Incubator.
So why is it there's a new presence? Why is Kyubey stalking a foreigner through the halls?
Never mind that.
She cannot fail. Her mission is clear, and she's once again ready to strike when Kyubey inevitably finds Madoka again, as it always does when this mall trip comes to pass.
Homura finds her patience wavering- it should have made its move on Madoka by now, but for some reason it's focused on a boy who clearly has no idea where he is or what he's doing. An anomaly in all these repeated timelines who won't even be able to see the incubator stalking him. She shouldn't waste her time following, but as soon as she loses sight of the damned incubator it'll strike. With her luck, it will snare Madoka in its claws in five minutes or less if she loses her nerve.
So she follows, shield in hand and ready to pounce.
It doesn't take too much longer for something to happen.
The boy, impossibly, sees Kyubey approach. Even more impossibly, he hits it with green fire when it asks for a contract. Her trigger finger itches, but it lacks a pistol for the moment.
Homura has no idea what to expect, but she did not expect for the boy to start threatening Kyubey, the same green magic being shot at it while in a fully human guise. Even stranger, the boy doesn't have any sort of indication that he's a magical gir- no a magia. He'd be a magia, she realizes.
Homura continues to follow the boy, long after Kyubey 'gives up'. With how he ignorantly walked right into a hatching witch's lair- Gertrude, one of the weaker witches to encounter she muses to herself- she doubts he's any sort of magia himself. Yet. Especially with how Kyubey is pursuing him. She wonders if this means Kyubey will leave Madoka alone for a while, with the boy catching its attention.
However, hive minded creatures can be everywhere at once.
Homura's momentary distraction causes her to stumble when a wall juts up from the floor beneath her. She curses when the labyrinth opens fully, separating herself and the boy she's investigating. There must be a reason he's shown up this loop, with how he can manipulate magic without a contract. There might even be the possibility he can help save Madoka this time, but she won't get her hopes up too high. Allies are far and few in between with how callous she must be to survive, and she doubts a normal looking foreign boy will put up with her aloof and cruel facade.
She fights her way through the labyrinth, using her magic to track the inner sanctum just as the boy witnesses the birth of a witch. There's no way he's a magia- not if he's reacting in enough fear to chill the room. No seasoned, or even new magia would dare show so much fear towards a witch. Not this openly.
Homura readies her gun as the boy is lofted in the air, almost too quickly for her to interfere.
Time pauses and he blasts the witch with his strange magic.
Wait.
How...?
Homura's brow furrows in distrust.
How is this-
Time resumes.
The blasts hit. The witch shrieks.
Homura is not close enough. She is not fast enough.
She is too surprised to stop time again.
And the boy falls.
Kyubey is a bastard. This is a fact.
The amount of times Homura has seen it approach Madoka or her friends at their lowest is astronomical, so she's not at all surprised to see it approach the boy after he takes what should have been a deadly fall. She's glad she's seen so much brutality in her short yet too long life- the sound of crunching bones is much easier to handle this way.
She wonders why Kyubey is being so persistent, but even more so, she needs to know how he was able to nullify her time stop, or at least how he was able to continue to move somewhat. She doesn't appreciate unknown variables, let alone ones that can be a threat to her mission. So she listens in- masking her presence best as she can from the Incubator.
"Oh but I'm no devil. You may call me Kyubey. I am simply the familiar to all magical girls- in your case, magia. A contract with me would grant you the power to take on this witch, to embrace the potential you've already started to accumulate."
Homura rolls her eyes. The Incubator might not look like a devil, but it is one she knows deeply.
"You keep mentioning potential. The hell does that mean?"
Homura prepares one of her more efficient guns, not liking the tone of the Incubator, nor the nervous panic in the boy's shoulders. Potential is power as a magical girl. The more potential, the stronger the magic and the more terrifying the witch. She reaches out to try feeling for the threads of potential surrounding the boy, shuddering as she does. Her eyes widen in surprise when it whispers the same tune as her own abilities- Time, but something more, something Other.
A possible ally, if she plays her cards right.
"Never before have we seen someone manifest their own magic without a contract. It should be an impossibility! Bringing you to full potential could make you one of the strongest magia of all time. You could wish for nearly anything, and your potential would grant it!"
Homura jolts to awareness then and there. The boy's eyes look resigned, his shoulders slump. He's going to do it- and she doesn't quite want to deal with either a new magia or witch with her mission on the line.
"I..."
Her decision is made. She winds up her shield and freezes everything as her gun unleashes a barrage of ammo at the Incubator.
Satisfied with the gored mess of the creature, she approaches the boy with a toss of her hair to soothe her nerves.
She's not surprised his eyes follow her despite the frozen time.
So she releases her hold on it and watches as he takes a shuddering breath and Kyubey's corpse collapses between them.
"You should not be here."
Danny snorts in response. "Believe me, I wouldn't be here even if I wanted to."
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ive never played any dmc game nor do i know anything about it but i would die for that bisexual man and his stupid slutty attire
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gay ass loser (endearing)
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xerith-42 · 1 month
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wait so i love the idea of MCD laur being launched into MS season 3. Now i have questions.
Does he end up telling them about being a shadow knight? Or does that… reveal itself (rubbing my hands together menacingly). If so, how does that go down? What’s the reactions? The circumstances? mwahaha
Does he get to visit Cadenza? What’s that like? For that matter, are his dads alive in this universe? (AUGHEUGHEU) Does he ask Cad about them?
Oh now that's an idea...
He 100% would want to keep it on lock down. Even if these alternate versions of his friends are surprisingly chill about him being from another dimension, they even ask him questions about it, there's some stuff he refuses to tell them. Idk where he would start living, maybe with MyS Garrance who knows, but whoever first sees him without a shirt on would no doubt notice the amount of scars across his body. There's a difference between "I come from a dangerous world" and "I have scarring of multiple stab wounds and burn marks that would have easily killed someone."
If anyone tried to ask him about it he would just dodge the question, tell them that it's nothing, just wounds from a battle he's already won. I don't think his calling would fully be able to act up in this other dimension, but it would try to. He'd be hanging out with everyone, getting to know them, and then when he looks over at the now second alternate version of the woman he loves so much, it just happens. In an instant his hands become shaky, his eyes start to cloud over, and all his thoughts are filled with the urge to kill.
And let's remember, at the point he got yoinked out of his original timeline, Laurance has just barely if at all started to come to terms with his condition and what it does to him. He's still in denial about how bad it is because he doesn't want Aphmau to worry or Garroth to distrust him. He doesn't know or understand different symptoms because they just started, and now he's surrounded by people who don't even know what a Shadow Knight is.
I imagine the calling acting up would make Laurance run away, like physically run the fuck away from Lover's Lane with no way to track him because boy has inhuman speed and no phone. The thing that gets him to come back is when they find him hiding in the woods that line the city. And the person who finds him is this dimensions version of Cadenza. The one person who no matter what situation Laurance was in, is able to talk him down.
She's not the same as his sister. When he sees her he can see the difference in them. His sister is a little taller, carries herself differently, and is obviously dressed differently. But her voice sounds so similar, her laugh is the same, and the soft way she talks to a freaking out Laurance is enough to ground him to some sense of reality when he's spiraling. Cadenza was always able to talk Laurance down from a bad decision when they were kids, and now this alternate version of her is able to do the same.
MCD Laur and MyS Cadenza become absolute besties after this. Like forget his budding brotherly relationship with MyS Dante that reflects the same one they had in MCD, he's found someone he can consider family here. He never talks about what happened, just tells everyone it was some warrior instinct that went haywire. What do you mean his eyes sometimes change color when he looks at Aphmau for too long? You're making things up again Travis.
Fun little aside, Laur would 100% tell most of the cast about their counterparts, and Travis would be so upset to learn that he doesn't have one (as far as Laur knows).
And one day Laur goes to Cadenza's house so they can talk and she can figure out a way she can properly dress him. Everyone else lives alone or with another adult roommate, so he doesn't even think to ask about who she lives with. When he knocks on the door, there's nothing that can prepare him for who opens it.
It's Joh.
His dad. His real dad, or the closest thing he had to one. The man who first took him in, and the first person Laurance failed to protect.
Emotions take over logic and he just hugs this man. He doesn't know if Cadenza's informed him of the situation, he doesn't know if he's supposed to pretend to be the other Laurance, and he doesn't care. In a precious moment he's able to hug his father and maybe break down crying while he's hugging him who knows.
I do think Cadenza tried to explain to her dads that the man coming over is an alternate version of Laurance from another dimension. And while Hayden is a sci-fi nerd and can actually wrap his head around the concept, Joh was sort of nodding along for the conversation. He gets that this man looks and acts a lot like his son, but isn't his son. Yet this doppelganger hugs him the exact way his son did when he came home from college, with so much love that it crushes him.
And for Laurance, even if he knows this is no doubt an alternate version of his father, it doesn't matter. It doesn't matter because for just a sweet sweet moment he gets to hug his father and pretend like he didn't completely and utterly fail him. When this now very awkward hug breaks, Laurance has to come to terms with reality, see that this man is indeed different from the one he failed to protect.
But for just a minute... it felt like he was.
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shadowqnights · 9 days
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*grabs a can opener*
Spill them worms
oh my gosh i started writing out an essay, accidentally refreshed and deleted it, and now i'm back trying to figure out how to word this.
i'm one of the freaks who actually likes mcd aaron and i love rewriting him. and i'm of the mind that one of the best ways to make aaron and aph more interesting in both universes (and fix a lot of stuff in aph's case) is by having them as werewolves - aph, whether knowingly or unknowingly, entering pdh as a werewolf. aaron being a werewolf in mcd. reversing their roles in each universe.
but the aph thing is a whole OTHER can of worms so specifically in relation to the dog rule in mcd. i'm super passionate about werewolf aaron. this is a crash course for some of my rewrite thoughts. strap in because this one is going to be so long i am so sorry.
in my rewrite aaron is actually not a werewolf at all by technicality since he's cursed by a member of the divine. as opposed to the other wolfkin, there's no way for him to have wolf features in his human form, no ears or tail. he's got a purely human form and a purely wolf form - albeit an unusually massive wolf, but in all other manners resembles a natural animal. he can only be one or the other, nothing inbetween.
his backstory ties very strongly into the ultima origins that you see in mystreet as well. simply put because if i start i'm not going to stop - aaron makes a sacrifice to try and save his dying lily, angers a member of the divine and is transformed into this new form as punishment only to find the efforts in vain nonetheless. cue falcon claw's tragedy.
being a wolf fits aaron to me in a number of ways - firstly that he's literally a lone wolf. he's determined to isolate himself, wander alone and unbothered. he believes that the only way to fulfill his end goal is on his own because his beef is personal. there's no need to get involved in other people's affairs. he has walls up, and while being very gruff and self-serving, has a secret soft side - usually with children. otherwise not much matters to him except vengeance and dying. he's a wandering wolf vigilante of sorts, without even meaning to. he describes himself as a broken human. to me he leans entirely into his cursed form in his grief and becomes very much animal. he barely ever speaks as a human and barely even takes that form unless critically injured/fatigued; he is nothing but a wolf. he tries incredibly hard to see the world as an animal would, but there's a frustrating shred of his human morality that forces him to do the 'right thing' - like saving aph, like saving dante. it's also just a plain interesting approach to his character that makes him more complicated
and because he's this gruff, silent old dog who's convinced he has to die alone, of course the young bright kids are going to flock to him. in this way i love indulging in the dog rule in the way that aaron is the oldest, in some ways the wisest and has lived through a lot of hardships in both human and animal form. and in that animal form he can become the perfect mentor for members of the younger cast who need his guidance. as a wolf aaron is more than anything else a survivor, and other survivors tend to seek him out of instinct. he tries to distance himself, insist that he is a lone wolf *doomed* to live out the rest of his days spiraling in animal hate, in anger, fighting and mauling and earning new scars until the day he can kill zane and then die. but that is very much the human part of him reflecting on the animal part. the animal knows violence. the human justifies it because his suffering has led him there.
aaron's dog rule functions best with others. his relationship with aph works best starting from distrust and disinterest and growing into a friendship/mentorship. because there is a canonical foundation for them to have a bond - because they are/were both lords, both once cared incredibly deeply for their chosen people, both have survived hardships and both of them despise zane. they have a mutual goal and their working together makes sense. if you're that one oomf who likes aarmau then i like to think of them in mcd as having a relationship akin to that of Wolf Children (please watch highly recommend) but as a wolf i feel he would make a great mentor for her too. in a way that only aaron specifically can deliver. i don't explicitly make aph animal, per say, the way that nicole and aaron can shift. but metaphorically there is very much something animal in her. same as dante. the both of them, to me, are younger, they're like cubs trailing at aaron's heels and after some time he takes them in, but aren't physically transformed in any way (though i have AUs where they definitely can).
they have differing relationships to him. aph certainly begins as a naive sunshine character - and as she slowly learns about her world and its history, that sunshine fades a little. she wants so badly to fit in amongst the ordinary people of phoenix drop; she works hard to learn and become one of them. even when (in rewrite + rebirth) she becomes lord out of desperation, merely thinking she's doing these people service by keeping phoenix drop alive, she's trying to be One of them. this animal side of aph to me arrives in the form of her magicks. she finds that not only does her light heal, that it is also quite literally a searing, burning light, something that can hurt. worse, that she feels a sickening rush of power, realising that she has this violent and unpredictable form of self-defense. as this naive pacifist, it offers the bridge to a new chapter of her life that she isn't prepared for; it solidifies that she isn't ordinary, that she woke up for a purpose. and that her allegiances are changing - especially in s2, in the wake of everything falling apart, everything being different and wrong, the people who went into irene's dimension with her are very much the only people who understand. she seeks companionship with aaron because she is ashamed of the feelings inside of her, that she describes as animal because she doesn't know what else to make of it. her magicks feel like an animal separate to her human self because in a way those are irene's magicks, that's irene as a distinct Piece of her, and those things are wilder than the body she was reborn in.
-> incorporating parts of loverman into this, also why aph becomes so strongly bonded with katelyn. because their magicks call to each other. fire and light. they both burn and they end up relating strongly to each other and being weirdly attracted to each others magick. they are both destructive and animalistic, it's just that katelyn is far more attached to her humanity.
aph finds aaron's silence comforting rather than disarming. everyone else finds him weird and a little bit offputting / alienating. she is rather comforted by it. she's spent so long trying to learn what it means to be human because she was born into a human body without any memories - so much so that being with aaron, who is hardly ever human, brings her a lot of comfort. in a way, she finds the most peace with people who are very grounded and well connected to the earth and nature - with zoey, kiki, cadenza, namely, and then aaron. her friendship group, excluding that of her guards, have certain connections to the earth and have very nurturing personalities. she's drawn to that by nature (thanks irene!).
and aaron specifically, who spends the most time as a wolf. when he's not fighting, he's hunting, travelling, and resting. in a human form, i feel there's not much for him to teach her because she's already been through this period of struggle in her mortal body - she's already learned from people like garroth, donna, brendan, namely in rewrite. she has people who can teach her how to fight and how to be a diplomat. she's had a number of mentors and a strong circle of friendship to guide her. she has so many human companions. but aaron is so much more complicated than that. as a wolf, i feel she would seek him out as a teacher. even on the more metaphorical sense that she feels like a broken human, and the only individual who could possibly understand or at least empathise with her place in the world is him. she wants to run wild with him, wants to be in the thick of the woods, the middle of nowhere, wants to pretend as if she could be cursed, too, as if she could find a form that relieves her of the weight of human fears. perhaps then she could embrace this power inside of her.
dante is different because its dante and he's ALWAYS different in some way. god. where to begin. okay so dante is also metaphorically animal in a way that is specifically only in reference to his relationship with aaron. he is aaron's brother and a cub to him in a way that starts out transactional. back to the loverman elements of rewrite for a second:
-> at this point aaron is almost Always using his wolf form . ignore that he was human when he saved aph because i didn't know what i was doing yet. aaron, as a wolf, still has a Shred of 'justice', hence why he finds himself so regularly saving people. because even as a human he considered the circle of life very sacred, and in keeping with kul'zac's teachings as a hunter he was very much so respectful of wildlife and only killing out of necessity rather than for sport or selfish gain (as in, hunting for food and using the absolute Most of those bodies, not taking more than needed). he was very faithful to his shepherd in that regard (until the period when he was cursed. but that's a whole other post). post-curse there is a very deliberate change when aaron becomes a little bit carried away but through it all, he is very conscious of that circle of life. that cycle. even as this vigilante figure, he's very specific with the fights he picks. he saves lost children in the woods, he mauls shadow knights & and in short he sees fit to punish the people/creatures who harm the weak and defenseless for sport, for selfish gain, because (1) that personal justice that is a part of his former worship/morality he can't shake, and (2) maybe a small part of him hopes that if he lives that way for long enough, kul'zac will restore him OR take pity on him and let him die.
he's secretly very particular. even when he can't admit it, his sense of justice is strong. saving aphmau was dubious because she was unknowingly in fer salem (southern wolf tribe) territory and was injured. but she cried for help and he answered. but specifically when aaron is hanging around phoenix drop, he's tracking a volatile shadow knight that attacks him immediately in wolf form, and that alone is enough for aaron to decide that the shadow knights (or just merely. the dudes with That scent specifically) are bad and kill regularly in mass for sport, therefore need punishment.
he sees dante for the first time and thinks of him as a bird, a prey animal, because he acts like one. he is skittish and tentative and blindly wandering through unfamiliar woods. and aaron goes ok that one isn't to be hunted. so when later he finds a shadow knight cornering the group including dante, who he vaguely recognises, the Right thing to do is to attack the shadow knight. (which happens to be gene, therefore saving the life of dante + his companions. so by extension saving aph again, plus garroth and laurance).
dante and aaron are all about transaction. aaron saves dante's life. so then when dante finds him bleeding out in the woods, he saves HIS life. the debt is repaid, but then the other does something to begin a new debt, and they become trapped in a cycle. dante kind of despises him because at that point he has such horrifically complex feelings on gene. such terrible baggage that he doesn't know if he hates him for attacking gene or loves him for attacking gene. it's weird and fucked up and more than anything he knows that he at the very least owes aaron something, so with that in mind he grits his teeth and helps to heal him. which is a slow, gradual process, because aaron has a LOT of wounds, more than just the ones gene inflicted in the fight. dante doesn't even know that he has a human form at this point - it's merely his sense of kindness to take pity on this animal that tried to (and possibly succeeded, since he has no idea of gene's fate yet) kill his horrible older brother. in aaron's weakness, he can't control the wolf, so he turns human briefly and dante realises that he's getting involved in something way more complicated than he bargained for. story of his life. still, he perseveres - and aaron is a stubborn, lonely idiot, and a wolf does not need human medicine. so dante gives up on trying to convince him to come back to phoenix drop and treks into the woods on the daily to tend to aaron's wounds. which he protests but all in all is wayyy too weak and tired to actually Fight it.
in this way they very gradually earn each other's trust and aaron begrudgingly hangs around. dante saved his life again, so now he owes ANOTHER life debt. and aaron is all about paying back debts. in his youth his love language was acts of service, his very bonding with lily was full of debts and transactions and trading.
so as a wolf he lets dante stick around and protects him. the cycle of debts continues in increasingly obsessive/codependent ways [in ways that i'm reluctant to talk about unless asked because loverman spoilers but in short aaron becomes a brother figure for dante, relieving him of the baggage left by gene.]
in this way i consider dante a cub because he's young and he's CLINGING to aaron in a way that, while still a little bit pathetic, its made better by the fact that aaron reciprocates some amount of care towards him and they take care of each other. he's a good brother. when they get close, they get CLOSE. it takes a while, of course, like a year+ to fully earn each other's trust. he's a cub in the way that he's young, barely 19 and has been treated akin to a sopping wet stray dog abandoned too many times. and in a metaphorical sense his shelter becomes an older, wiser wolf who is somehow far more kind and gentle and less animalistic than his human biological brother. and beneath that gruff exterior there is genuinely care in aaron; his care for dante specifically re-inspires a certain purpose in him and opens him up to a future Beyond zane that doesn't just involve his own death. in that way, by association, dante to me is a dog/wolf of his own, and would even consider himself as such because of his relationship with aaron. he is very attached to the idea of being non-human because of his suffering, in which i think he would relate so incredibly strongly to aaron. maybe he secretly wishes he too was gifted with a curse that allowed him to endure pain in the form of a wolf and spare him of human things like regret and remorse. and he's drawn to the mystery of the shapeshifting characters - he is enamoured with nicole at first because he is the first to pick up on her fox form.
aaron also draws dante down a path of maturity and sets his character development in motion - he becomes a bit more merciless, brutal, unforgiving, able to stand up for himself better because of aaron's influence. as if he grew up as a dog kicked down, abandoned and mistreated and neglected, and as he grows up he is taught that he has teeth, and he is allowed to use them. plus the fact that you can take dog rule dante really literally and explore his entire life through that lens but specifically i also love the idea that this pathetic human boy is so attached to his teacher/brother, so obsessed with the idea of sharing someone's blood that isn't gene's, that he fully leans into it. he is someone's animal brother. his wolf brother. his kin. they protect each other. and when the time comes aaron has also grown and while he's always been far more gentle and protective over children, he is especially fond of dante's child [ dmitri, not nekoette's rewrite self, i'm a dancole believer. ].
and in this way they kind of make a fucked up little family. dante and aph consider each other brother and sister - dante finds a new brother in aaron, who thus takes on the role of mentorship for aph.
and . and that's literally just a starter. a very basic crash course but yeah idk i approach them in different ways dependant on what AU you're asking me about. everything i've talked about here is specifically rewrite thoughts + dog rule but honestly i wouldn't be opposed to making dante a werewolf in kennel au or something. and aph as a werewolf would also be really cute and i'm a big fan since she already is one in my mystreet rewrite . one big wolf found family.
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muzzleroars · 7 days
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Do you think Dante is canon to ultrakill, like, in universe? just accidentally getting everything sort of right, or would he have actually gone to hell and the ultrakill version of the Divine Comedy is really different from the one we know, or used to be accurate for his time period with hell changing drastically after his trip?
ASKING REAL QUESTIONS.....i do really enjoy the idea that perhaps dante presents a vision of hell as it once was, far removed from the current timeline of ultrakill - before the lust renaissance, before the disappearance of the fallen angels, before god left his creation behind. because hell is shown to be dynamic in dante's story itself, that it changed greatly during its harrowing, so it's entirely possible a lot just happened between then and v1's arrival. maybe humanity tried to use the poem as a guide initially but found it to be too inaccurate, maybe gabriel vaguely remembers the event but is mostly taken by seeing that snapshot of hell, purgatory, and heaven frozen in time, maybe it was something that was entirely forgotten in the timeline of ultrakill as a work left to obscurity. whatever the case, i like the idea that it could show hell's evolution, its progression as it watched and learned from humanity - what dante saw was in line with his world because hell has been learning from humans for centuries, always changing itself to the point that it would be unrecognizable over the course of just a few decades.
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dmc-questions-anon · 2 months
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What's happening in this image? Wrong answers only.
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vapolis · 8 days
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https://www.tumblr.com/vapolis/747668704935002112?source=share
Now is this meeting D for the first first time? Or the second first time? 😅 assuming plot points are still the same as the first draft!
all I can say is that it's going to be good either way
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offshore-brinicle · 11 days
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[Cracks knuckles]
More simple observations then anything, admittedly.
First things first, Dante uses golden bough resonance seemingly on command, seeing a possibility and thus wishing it into reality, which isn't exactly how we've seen it beforehand - namely in how it manifests the fathoms of one's ego into reality. The image of the symbol we've come to associate with collecting a bough is red and yellow with added chains, as opposed to its usual pure gold - the implication of which is that the specific construction of their head allows them to fine tune this output of reality warping in some way or another.
Given what Faust says of the laws of causality and such, I believe that they were fine tuned to be able to exclusively manifest concepts regarding time, possibly making it more powerful in exchange for limitations on what they can do. This personally reminds me of the people in IV, who were 'revived' by the fathoms but only in body [that is, if I'm remembering correctly] whilst Dante brings back everything of the sinners.
Then this brings us to the actual abilities [currently, ability] themselves and the menu around it. Firstly, the button one clicks to active them is labeled 'Durante' which: is believed to be the baptised name of Alighieri, means 'during' in Italian, comes from the Latin word for 'endure' and was the name on Dante's coat on an early art piece of them on the bus. The idea of 'enduring for a period of time' both fits with the Canto and how Heath endured through his childhood for only the period of time he thought he could be with Cathy, and how Dante endures through the pain of death only for limited amounts of time. Though I do not know of how to tie in Alighieri's name with the game, alas.
Anyways, onto the actual mechanic, once we open it's menu, we are greeted by an unfinished but upright tree of life from the kabbalah, with 'Hokma' at current being the only one unlocked. The chain motif appears again, representing Dante's control over it - or some kind of contract or agreement being made with it, as with the chains binding the sinners. There is also additional text on there but I simply cannot read it, a shame.
The symbol used is the one for Hokma's floor in LoR, with the only other place it has been seen in Limbus being Gregor's base E.G.O, alongside the symbols for Malkuth, Gebura, Chesed and Binah. We also see it when the ability is first awakened, with overlayed hands settling in the 9'oclock position, the same one Dante started the game off with, and white chains are seen again as the symbol of connection/control. This of course yet another thing tying the boughs to Lobcorp and its consequences, this time with specific reference to a very important character. We do skip over Keter for the time being, which I don't know enough to comment about.
We also see 'Pigritia' or 'sloth' under Hokma's symbol, but given as there are more parts of the Kabbalah then sins in game, we may end up bringing in some other sins like 'vainglory' from past ideas around christanity. Plus, this implies a connection between Gregor and sloth, which is proven true in how it the affinity of his base E.G.O. The sins the other badges rep. may also be ones connecting more personally with Gregor as well, but we'll see in due time.
Now. Golden bough synchronisation isn't something I believe we've seen before, but it is in the corner of the home screen whilst Dante commits season name. This could be Dante's bough synchronising with one of the ones on the rooftop in order to perform that feat, or something else I am too tired to think of right now.
The ask is. Really long but! I do think the fact they are called 'sapling of light' abilities is really interesting, it implies a more grown version of the seeds of light sowed within the people of the City - I believe its either grown as a result of interacting/resonating with the boughs, or due to Dante's experiences and developments through their journey. This also presents a non-zero chance that Dante is an attempt to recreate the seed of light project, something I'm sure at least a few of Limbus' workers [coughcoughFAUSTcough] know of in some capacity.
I believe that's it for that for now, though.
HONESTLY REALLY FANTASTIC ANALYSIS, I also caught up on the thing about Dante's name and the label on their coat since my mother language is Spanish and "durante" means "during" in it, so it naturally led me to understanding it easier.
God the appearance of Hokma's symbol was such a jumpscare it left me agape, but also the fact that it's the symbol used for Hokma ever since the Library came to be as well as the Sephirah in the floor, and also the fact that Hermann is interested in The Well which seems to be the "river" under Wuthering Heights being some kind of unique area that connects to it hence the ghosts and apparitions from other worlds. It makes me wonder even more about the state of the Library and Angela's ultimate goal in the true ending is finding a way to dismantle The Head, since now it means Dante is not just connected to Carmen but The Library.
I wouldn't be surprised if Limbus and N Corp are in some kind of race to recreate the Seed of Light but with their own purposes, mainly Limbus taking in count what you just said and the fact that the path layed out for the Sinners to reach their own "awakenings" is awfully similar to how the Sephirah were used in the original Seed of Light, though not as calculated and controlled as Ayin's plan and prone to failure since we technically only had 4 out of 6 attempted boughs collected with Heathcliff's burnt one and only 2 of the 6 missions resulted in an EGO realization/self-actualization in Yi Sang and Ishmael. Sinclair made some progress at least while Gregor and Rodion stayed the same but Heathcliff....feels like he got worse, really. Bodysack stayed the same and the one time it's "awakened" it's used in the Canto it's as an act of self-hatred and once everything is over it stays the same symbol of death, just now with a new obsession driving him forward in bringing back Catherine somehow which is definitely not going to turn out well in the future.
Somehow I didn't catch up on the 'Pigritia' part, it's interesting that it uses a different term from the actual Sloth Peccatula, since Acediae would be more accurately translated as "apathy", but the fact that it all connects to Gregor again and he acknowledges Hermann again and stops calling her "mother" is also an intruguing development. Hell, it's actually most likely that the Bough Hermann gave to Nelly and Catherine is the very same one they took from Gregor in Canto I.
As always thanks for your asks I love reading people's observations and analysis.
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