#crowley has scales

[mag200]

michael sheen has access to heart eyes the likes of which us common men could never dream of achieving. real shrimp colors of looking fondly at a person.

#in a similar vein of i think jonny sims has the shrimp colors equivalent of SOUNDING fond in his voice #anyway the way zira looks at crowley all the time has me scaling the walls rn

[aye-of-newt]

“crowley doesn’t eat.” crowley is a snake. he absolutely houses a singular appallingly enormous meal every hundred years or so and then pops off for a lovely little nap to digest

#aziraphale has tried to convince him to adopt more human (or angelic) eating habits #but crowley maintains that even with biology aside the sheer scale and audacity of his contemptuous disregard for proper table manners #always earns him if not a commendation at the very least a check in hell’s good er bad er whatever books #crowley's storytime I’ve been in love with my best friend for six thousand years mukbang when #'crowley just doesn't like food' #crowley introduced aziraphale to eating and drinking #he likes food #he just can't eat it too often #his big meal is a big deal #lots to catch up on #he and aziraphale have a very special date for it every time #aziraphale calls his etiquette ‘indecent’ because watching crowley unhinge this jaw like that gets him a bit flustered #canon is whatever I think is most amusing #good omens #crowley

[sundeum]

Do I really have to tell you how he brought me back to life?

#sorry something possessed me #i think what hurts most about this is that it's not that aziraphale didn't love him enough #they both love each other too much and were too blinded by that love to consider the other's point of view #crowley thought aziraphale wasn't reciprocating. aziraphale was once again the one who has to step away #because he thinks him removing himself from crowley and tackling the problem on a larger scale is their key to happiness #I'm sick. #anyways #good omens #crowley #aziraphale #good omens season 2 #aziracrow #good omens 2 #david tennant #michael sheen

[hellhoundlair]

crowley being king when sam has rights to the throne. fight to the death and have homoerotic tension about it maybe.

#s4 where sams been scaling up thru the ranks of hell to get enough clearance to free dean #sam sucking up to crowley but also wanting to just kill him and take the throne so bad #and crowley acting like crowley but hes actually very threatened and scared of sam. #because sam technically has more rights to the throne than crowley does #and then also maybe sam gets caught breaking rules and crowley makes him a puppy as punishment but u didnt hear that from me #forever standing by that after the s7 finale sam shouldve started working with/for crowley #spn #cram

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

#good omens #ineffable husbands #aziracrow #Crowley #Aziraphale #good omens 2 #good omens meta #unfortunately I do not have trains of thought #only long meandering strolls of thought #sorry about it #anyway tl;dr Crowley is a nerd #also I have a strange emotional attachment to the idea of 1500's Crowley... #...facedown in a pile of Mona Lisa sketches; drunkenly info-dumping about Aziraphale #and Da Vinci is just like. 'Ahhhh mio amico Antonio. You fucking simp.'

[books-and-omens]

oh BY the WAY

This scene proves, doesn’t it, that living in the car is Crowley’s choice. When Aziraphale comes back from Scotland, Crowley shoves the box at him before he gets to the threshold. He gives Aziraphale no option to even say, “won’t it be easier to leave the plants here” let alone to propose anything else. Was Crowley, by any chance, actively avoiding a conversation about him living in his car this whole time?

Crowley is absolutely not okay, we know, we know. He is frustrated, he is struggling; he is asking what the point of it all is. Yes, he is fiercely protective of his independence when he says “my car”, “the precious, peaceful, fragile existence I have carved out for myself”—and the same time, he is still not willing to talk. He probably does not even see a way to have important conversations safely; the fear of rejection might still be too much. His instinct remains to run away from trouble. With something as terrifying as vulnerability and openness, he needs Nina and Maggie to tip the scales.

He has the swagger. He acts like he knows what’s happening, like he has things figured out.

I think we’re just starting to see how much that has not been true.

#disaster puppy indeed #good omens season 2 spoilers #good omens season 2 #good omens

[seven-stars-in-his-palm]

analyzing some images (for fun)

so i found this pair of promotion images for good omens season 1 on the good omens reference library server and it’s hooked me so so bad im having feelings about it. we’re analyzing them now. not really for meta purposes just fun to see the parallels and differences :)

everything under the cut !

unique traits

aziraphale:

1) his plank background. its older, its crisp, it smells like wood from the screen. mmmm

2) the pencil shavings at the bottom. he does a lot of writing honestly, so i like this. also adds a messy and cozy vibe he always seems to have in that shop…. i like that blessed shop fr

3) his SUSHI. little soy sauce drops near it too—just the right amount of deliberate mess. our first formal introduction to aziraphale in the present day and beginning the Tomfoolery just happens to have sushi... i watch that scene and i go “yeah, that sums up aziraphale i suppose” very nicely. (they dont have sushi Up There) (im literally never gonna forget that)

4) the ray of light shining on the scene. tiny thing, but a bit of the heaven is peeking through..it also sort of blurs the whole image but i think thats just me.

5) and we’ve saved the best for last: the big whopper. the nice and accurate prophecies of agnes nutter, witch. I LOVE THAT BOOK!!!!!!! i cant remember if that ring stain was there but if it isnt in the show on the actual book i’d assume thats to add that ‘thy cocoa doth grow cold’ thing. ALSO. you know what’s being used as a bookmark in the pages?? a check for the ritz. he bookmarked their one chance for living . with a ritz check . MMMMMM. my GOD. that means so much to me even if i cant convey it in words. he KEEPS THE CHECKS 😭😭😭😭😭😭

crowley:

1) let me get my favorite out of the way. crowley’s glasses have fire in their reflection. we’ll talk about the glasses themselves later but the REFLECTION IN THEM. fucking FIRE, BOOKSHOP fire, PAIN, SRIVING THROUGH THE M-25, HELL, I DONT KNOWIM HAVING FEELINGS!!! i do believe this is a bookshop fire reference though, the flames feel too Familiar. the lengths people will go to to attack others 🤧

2) the leather seat background!!!!!!! probably meant to look similar to the bentley’s seats but i cant recall their texture, exactly. maybe just meant to convey modernness—unsure. still, its there <3

3) the tiny little crisp plant </3 its trying his damned best to stay perfect. it might a specific plant that means something, but i cant tell at thsi angle, so i’ll assume its a mini version of the ficus he keeps in the flat. its so SMALL and sitting in ANOTHER POT i CANT

4) the snake slithering!! black and red (in this image it looks orange lol) bellied scales!!!! slithering there, chilling, being crowley, showing hints. love it

5) QUEEN RECORD!!!!! TRYING TO OVERRIDE IT WITH TCHAIKOVSKY!!!!!! the tape over it does a reminisence to crowley’s handwriting, but in a clean ‘this made made to be a font’ way. not exactly just yet. ive become a fan of tchaikovsky recently. amazing darling wonderful crowley, trying to push the rock up the hill for eternity 😞

6) HIS LITTLE DEMON KEY THING. HOLDING A TINY LITTLE BENTLEY CAR KEY OHHH. thats how he doesnt lose the tiny key despite probably not needing one of those. and he CHOSE that intentionally probably. little wings and red circle….URGHHHHHHH

similarities

mmmmm now here’s the good shit. similarities! i’ll bullet point most of them but ohhhhh. ohhhh these. i’ll go from top to bottom as best i can….

1) one of their shoes, obviously. crowley has them iconic snakeskin shoes while aziraphale has his old loafers like the old loafer he is /pos

2) chateauneuf de pape wine bottle labels! (crowley��s is under his glasses, aziraphale’s is next to his shoe). oh my fucking god theyre MATCHING. the labels are old, battered, of course labeling the drink’s age, but mmmmm its these tiny details that get me going….

3) their respective drinks in their mugs—crowley’s a black mug coffee (or what looks to be coffee) and aziraphale’s angel mug tea (or what looks to be tea). i think about that mug sometimes. where did he get that from?? mystery for the ages….

4) their glasses, of course. crowley’s iconic sunglasses and aziraphale’s reading spectacles. i cant really tell the reflections in this pair, but if its supposed to be fucking fire, im done with this. im giving up forever

5) their own watches! aziraphale’s is visibily older while crowley’s is visibly modern, but they function just the same. also, crowley’s is set to 2:56:59 (presumably PM), which is around the time we see when crowley starts checking his watch at warlock’s birthday party. its almost time for disaster to strike!! 😃

6) and finally….their ties!! they have their own ties!!! or more accurately, neck accessories, but i digress. i mesn i assume its crowley’s neck tie, because the fabric looks… different. either way, crowley’s neck thingie is very whispy and aziraphale has his funky little bowtie i love so much,,,

okay thats it. there’s no canonical implications, any fantheories, none of the sort. just saw a pair of images and my mind went GOD DAMN!!!!!! theyre very important to me. i need to look at more promo material 😔

#good omens #aziraphale #crowley #ineffable spouses #dont have an analyzing tag so. this is it for now

[azfell-ajcrowley]

The offers that can't be refused: the Metatron-Beelzebub parallels.

Because people keep telling Crowley said no, Aziraphale said yes. Oh, God, give me strength.

Crowley said he rejected Hell's offer, but did he? Let's compare the Beelzebub's and Metatron's methods. Let's find the parallels between the scenes.

The appearance of the superiors is accompanied by bell ringing in both cases.

Crowley and Aziraphale are unpleasantly surprised, they exclaim their superiors' names. Why would such high-ranking bosses personally visit a traitors' hideout?

They remind about the arrangement with their superiors.

The threats: the direct one from Hell, the veiled one from Heaven.

The change of guises.

The flattery.

The knowledge of the Earth as the deciding factor for their choices.

The mentions of Gabriel. It's logical for the conversation with Beelzebub, because the Prince's of Hell motives are already clear. Crowley was summoned for the purpose of finding their beloved Archangel.

What is the reason the Metatron mentions him? And as a benchmark for assessing Aziraphale's actions. From the point of view of the Voice's of God manipulative art, one can understand why. Aziraphale cannot be evaluated on the Michael or Uriel scale, because he himself considers them as bad angels.

And finally, the position offers. Crowley nodds while looking at Beelzebub, Aziraphale says he don't want to go to Heaven.

Bonus: the threats of erasing from the Book of Life. Crowley rushes to Aziraphale intending to save him. And Aziraphale having received additional threats from the Metatron tries to reproduce their conversation for Crowley.

They're the same, Your Honour!

Crowley has refused to be a Duke of Hell just like Aziraphale has agreed to be a Supreme Archangel. Neither of them have responded yes or no.

It's clear this demon lied to Beelzebub, but his angel is also very experienced in this matter. And Aziraphale is accused of doing exactly as Crowley did. Without a chance to get out of it, he decided to keep silent, so as not to incur the wrath of his superior. Namely the Metatron who is even higher in rank than Beelzebub.

#crowley #aziraphale #good omens #good omens meta #good omens analysis #good omens parallels #aziraphale x crowley #good omens 2 #aziracrow #ineffable husbands #ineffable idiots #ineffable divorce #good ineffable omens #ineffable spouses #the final fifteen #final fifteen #the metatron #good omens beelzebub #aziraphale defense squad #aziraphale defender #aziraphale apologist

[fuckyeahgoodomens]

Good Omens graphic novel update: February 2024

Happy February 29th. A day that only happens once every four years deserves something special, so let’s dive right in.

ComicScene Awards win!

Good Omens: The Official (and Ineffable) Graphic Novel won the award for Best Crowdfunder at the ComicScene Awards! We want to say a huge THANK YOU; it’s an award voted for entirely by comics fans, so we appreciate the continued enthusiasm and championing of the Kickstarter. You can read more about the award here. A nice companion to the Comedy.co.uk Award win for Season 2 as Best TV Comedy Drama, and the British Film Designers Guild Planet Positive Award. Wahoo.

PledgeManager.

We’re happy to say that the PledgeManager launch is coming in a few weeks. With our monthly update in March, we’re planning to move to the next stage of the campaign: here you’ll be able to add your shipping addresses, pay for shipping, and add any additional items that you might have missed during the campaign. We’ll have FAQs available once it is launched.

Now to the new stuff…

Ready to rep the world’s best antiquarian and unusual bookshop? The first of our A.Z. Fell & Co merch has arrived: bookmarks are here and looking tip top. 

Our A.Z. Fell sample socks have, ironically, gone walkabout before we got a picture, however, here's a very quick snap of the Crowley pair.

Artwork, artwork and… some more artwork.

The prints keep on coming and this time we’ve got four in one. Behold, Anna Morozova’s take on the four horsewomen of the apocalypse in one glorious image:

The large-scale map of Tadfield (and the rest of the planet) by Julien Labit is underway, so here are a couple of sneak peeks at different locales from the world of Good Omens in their earlier design stages:

When we say it’s large-scale, wait until you see the full one. Huge! So much to explore.

And, in terms of artwork, we’ll end on a few inked previews from the graphic novel by Colleen Doran of our favourite Angel and Demon:

And… how would we describe it? A little mishap regarding losing the antichrist?

More pins.

You didn't think we could go this whole update without pins, did you? You can see updates of the pins outside of Kickstarter at goodomenshq.com. But for now, here's a few:

Future items…

Another ongoing thanks for sharing what you’d like to see in the eventual Good Omens merch store. We’ll have a few new things available via the PledgeManager directly from your suggestions - mainly alternative designs and variants for some add ons, with ambitions for plenty more on the official store. The list you’ve helped us put together is quite ambitious, but we’re up to the challenge *looks up how to make actual angel wings* 

(joking… we think?)

Moving forward, piece by piece. 

p.s. Another little preview.

Until next time.

#graphic novel #good omens #good omens graphic novel #graphic novel kickstarter #wahoo! :)

[actual-changeling]

"It would have been you."

It's raining.

Of course, it's raining.

A soft, constant drizzle leaving his hair a damp, curly mess that falls into his face and clings to his skin. Even though the cold is slowly seeping into his clothes, Crowley stops and turns around. Condensation is collecting on the inside of his shades where his breath drifts up, warm and too fast, and even if it hadn't been late at night, if the street hadn't been empty, he would have still taken them off.

Aziraphale is licking rain drops from his lips and blinking with dark, heavy lashes.

"What?"

His voice is rough, almost drowned out by the noise of rain hitting the pavement, collecting in small puddles around his feet.

"If it had been a choice, a real one, it would have been you."

The world did not end, questions were answered, apologies spoken, but their last conversation before everything went to shit is still a sharp splinter lodged in his chest, cutting him open more and more with every heartbeat. All of the fears he had left unsaid, the viscous doubt pooling in his lungs and weighing down his breaths—the truth might tip the scales and finally destroy him, and yet he cannot bring himself to stop Aziraphale from talking.

"It has always been you, Crowley. You must know that."

"I don't."

Bitterness laces his voice despite his best intentions, a drop of oil tainting an entire river, six thousand years of history, and it hurts because it's the truth, because they both wish it wasn't.

He doesn't know, couldn't know, because Aziraphale always needed him to stop them, to step back when they got too close. Every single time he had tried to push, gone too bloody fast, the angel had recoiled, scared for him, scared for the both of them. Crowley knows, and at the same time, he doesn't, because he still has hope and there is nothing more dangerous than allowing it to bloom; it's small, withered, brittle, on the verge of death and has been for centuries.

(It's still there, though. It keeps fighting, keeps trying. Keeps hoping.)

They're drenched to the bone, wet and pathetic, and there is nothing romantic about any of it when Aziraphale retraces his steps and closes the distance between them; there is, however, love.

There has always been love, whether they could admit it or not.

"I'm sorry. For- for everything, for making you think that I don't care about you."

"Angel, don't lie-"

"I'm not lying."

Crowley stares, frozen to the spot when Aziraphale presses cold, wet palms to his cheeks, his breath a ghost of warmth on his skin. This is too much, too close to 'our side', and if he didn't know better (does he know better? does he really?) he would think that he is about to—

"I'm not lying," he whispers, broken, truthful, "I love you. I won't leave you."

The rain stings in his eyes, masking the tears—hot and wistful—meeting Aziraphale's skin where it is touching his.

"Don't make promises you can't keep, angel."

His voice cracks and so does his heart, and he can feel the walls they have built together crumbling to dust under their feet. It's not real, it can't be real, and yet the truth is shimmering in storm-blue eyes he has been carrying with him since the moment he first put stars into the sky.

"It's you, always has been, always will be. If you let me."

Crowley kisses him as he falls apart, barely healed fractures reopening as his essence spills over and out, drowning him in please, please be real, please let us have this, please, God.

Just this once.

Aziraphale holds his face so incredibly gently, as if it's something worth keeping, something to protect, something he is afraid to lose. When the ground doesn't open up and swallow them whole, when the sky doesn't reach for them with greedy hands, he allows himself to seize Aziraphale's face in turn, cupping his jaw and kissing the rain drops off his lips, his cheeks, the tip of his nose, tasting his tears when they begin to fall.

"It's always been you. God, of course I will let you."

Sapphire blue eyes blink up at him, a smile pressed against his lips, a smile he can feel, a smile that is for him, them.

"Perhaps you could let me somewhere less, ah, sopping wet?"

"I was right, though. It's the rain that did it."

Aziraphale laughs, bright and happy, and infectious enough to make Crowley laugh too, and grabs his hand to pull him back towards the bookshop - back home.

#alex writes good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable divorce #this has been in my tumblr drafts forever i swear ugh #finally finished it

[sainamoonshine]

Okay so I finally watched Good Omens season 2 and have tons of thoughts about it, especially how the minisodes and side-plots do so much work, thematically.

*slaps flashback segment on the roof* this bad boy contains so much subtext!!

And here’s my analysis about some of it:

The side plots are about at least three main themes that I can spot.

1. They are all, in some way, about resurrection. The children of Job. The Nazi Zombies. The resurrectionist. Miracles being rated on a scale of how many people they can bring back from the dead. Even Gabriel, in some way, arriving naked and without his memories and innocent as a babe, then finding himself again was a form of resurrection.

This, of course, has to do with foreshadowing season two, the one where the main plot point is going to be the second coming.

2. They were all about how much it’s a bad idea to mess with humans. All flashback minisodes either had someone die directly because Aziraphale and Crowley were around (Wee Morag, the guy at the magic shop), or almost die because Heaven and Hell said so (Job’s childrens). In present-day time, Aziraphale’s messing about with people during the ball is explicitely called out as creepy and wrong and Nina & Maggie have a talk with Crowley about it.

This leads to my theory that this is also going to be a major theme in the third season. We know that in the book, Adam explicitly tells heaven and hell to stop interfering. We also know that in the show, Aziraphale and to a smaller extend Crowley need to learn this lesson.

I also think that the resolution of the next season is probably going to involve Earth being marked definitely off limits to angels/demons, possibly via the same mechanism that makes the shop into a safe heaven you need to be invited in (and the same thing became true of the Bentley once Aziraphale claimed it! As pointed out here , Shax had to hitchhike to get in, instead of appearing inside as she did before). Earth needs to be claimed. I think that this will happen either by a combined miracle of incredible proportions from both Crowley and Aziraphale after they reunite, or (and this is my pet theory) by a combined miracle of incredible proportions by Adam and whoever is the new Jesus (I am a greasy Johnson truther lol). This would make Earth a place that you need to be invited in order to go there, and therefore safe haven for angels and demons who promise not to cause trouble.

3. All of the side plots and minisodes are about misdirection. Sleight of hand. Smoke and mirrors. Magic tricks. Showing one thing while something else is true.

This is shown obviously in the Job part and also in London 1941, with the party who is getting tricked being heaven and hell, respectively. Meanwhile, Gabriel and Beelzebub are trying to trick everyone. But who is tricked by the plot lines of Nina/Maggie, and Elspeth/Wee Morag?

We are. The audience is.

It has been pointed out here and here that Nina is meant to make us think she’s a parallel to Crowley when she is actually more of an Aziraphale thematically, and vice-versa.

But what about Elspeth and Wee Morag? We have one that robs graveyards, and one who tells her that is wrong and is worried about her eternal soul. That seems straightforward enough as a mirror to Crowley and Aziraphale, no? Well, let’s just look at what they’re doing and saying to each other, shall we?

“Don’t do this incredibly wrong and dangerous thing. It will have repercussions that you can’t even begin to understand right now.”

“I’m doing this for you! You deserve better than this life!”

“I don’t want the better life you’re offering. I would rather huddle with you here, homeless and poor but knowing you’re safe and that we’re together, than to know you alone out there doing horrible things you’ve convinced yourself you need to do.”

“I do need to do it. Trust me! This is going to fix everything! And if you don’t want me to be alone, then come with me. There! Problem solved!”

(Problem very much not solved.)

Doesn’t this sound, a tiny little bit, like a certain season finale to you guys? Elspeth was, in fact, Aziraphale all along. She thought she knew what was best, and she barrelled along without listening to anyone else, and then it went horribly wrong.

There is a reason why both times this season that we see Aziraphale fucking up someone else’s plan (the corpse to sell, Crowley’s contraband whiskey) because he initially reads it as a bad thing and thinks he’s doing good by destroying it, without having the full context, it backfires on him and then the situation has to be fixed. He needs to stop and understand things properly before taking actions. He needs, in short, to ask questions.

We see that the one time he did ask questions before acting was during the whole Job thing, and it worked out the best out of all the sub plots this season, right? … except that Aziraphale was convinced that he would Fall for his actions there. The way Crowley had fallen for asking questions.

And if the only person whose assessment of the situation matches Aziraphale’s is a demon, if the only one who is doing what he personally thinks is the Right Thing is a demon, then gosh… either that means that Aziraphale himself should therefore also be a demon, OR it means that Crowley shouldn’t be one, and this was all just one big misunderstanding, and maybe if I just speak to the manager…?

#good omens #good omens spoilers #go2 spoilers #go 2 speculation #good omens meta #meta #good omens season 3 speculation #good omens season 2 #good omens season 2 meta #good omens analysis

[thesherrinfordfacility]

the thing is right. does aziraphale even know? like, really know? of course he knows that crowley cares for him, that's been obvious since at least 1941, but right up until "if gabriel and beelzebub can do it - go off together - then we can!", does he know? the depth and scale of it, does he know?

spent his existence being mocked and condescended and ostracised as not being worth very much, and so he hopes he might mean something to someone - noone more than to the one person that truly matters to him. spent the whole series touching and gazing and longing, and then summoned up the courage to ask crowley to dance, because they have misunderstood each other - crowley has misunderstood him - and aziraphale needs crowley to know, but he also needs to know, himself. set a plan in motion that gets derailed before it can actually, truly begin, and he doesn't get that closure

aziraphale obviously does know - knows how crowley feels about him - but what im asking is does he know?

#i need aziraphale to know how loved he is #that's it that's the post #good omens

[i-only-ever-asked-questions]

Map of Soho Good Omens Season 2 - Part 1 (Location and general map)

Part 2 | Part 3 | Part 4

Update: Map now identifies Lucky Snake and the coffee shop listed in Aziraphale's clipboard may indeed be Give Me Coffee I think we all have wondered how the GO Soho looks like and where it would be in real London. So using all the screenshots, BTS pictures and videos I could find I did my best to map out where things are. It is not to scale but everything I could see is there. I originally had all the pictures and explanations in this post but soon it became obvious it was going to be too long and impractical so I had to split it in different posts and I hope I got it right. The map has five reference points (circle with two diverging lines); imagine the circle is you, standing in the set, and the lines are your viewpoint if you were taking a picture from there. The left side of Whickber Street (#1 and #2) is in Part 2, the intersecting street (#3 and #4) is in Part 3 and the right half of Whickber Street (#5) is in Part 4.

As to where the bookshop would be in real London. We know that Whickber Street is supposed to be Berwick Street so let's start there. The intersecting street is not obvious from the show. In this post Neil said he imagines the bookshop to be where Gosh! Comics is (Peter Street) while Michael Ralph and Douglas McKinnon probably put it at The Week (on Broadwick Street). Because it is ambiguous and really you can do whatever you want, I just left it as "intersecting street". We know from the book that Crowley takes Wardour Street after the bookshop fire. Wardour is behind Berwick so in our map it would be where the Chinese Buffet Restaurant is, considering they run more or less parallel. On the other side, we have the Windmill Theatre located on Great Windmill Street. From Berwick St. and Peter St. it takes three minutes to walk to the theatre, it is that close! (yes, I know, Crowley was conducting business two blocks from the bookshop while not talking to Aziraphale for 80 years). I have never been in that part of London so I used Google Maps streetview and based only on that, I like the corner of Berwick St. and Broadwick St. better. It has the crooked intersection but the proximity of the theatre matches Peter St. better, so whatever works better for you!

There is one place missing from the set map though: Brown's World of Carpets! It is nowhere to be found, we simply don't know where it is My very personal headcanon is that it is nothing but a desk inside the furniture store. I find that idea of the guy most worried about storefront looks being the one without a storefront very amusing, but don't mind me, it is just my very silly hc XD Now, we know Aziraphale has a list for the shops he needs to visit. And we know he wrote it in alphabetical order which begs the question: Where is the Dirty Donkey?! Are they not invited? And what about the fabric shop? And Bilton Scaggs? Battye and Palm? The News Agency? Is "Mo Coffee? No Coffee?" supposed to be Give Me Coffee or Give Me Death? Or is there another coffee shop somewhere? @crow-bee23 suggested it could be "Me Coffee" which it is entirely possible, the full name is kind of long. So many questions to ask Mr. Brown.

Anyway, I put pictures and details on the shops in parts 2, 3 and 4. Part 2 | Part 3 | Part 4

#good omens #good omens 2 #good omens 2 set #good omens soho #A. Z. Fell & Co #the dirty donkey #Windmill theatre #whickber street #berwick street #peter street #broadwick street #the bookshop #good omens 3 #they will be using the same set after all

[humanityinahandbag]

Season 3 of good omens, I want Crowley to wear his glasses around Aziraphale almost exclusively. I want Aziraphale to mourn the loss of seeing Crowley's eyes without that wall between them. I want Aziraphale to try and sneak glances, to do his best and catch a glimpse, to ask in forced casualness my dear, it's awfully dark in here, wouldn't it be easier if you just took those things off? I want to see Aziraphale's heart shatter on his sleeve when Crowley says he's just a demon, and he doesn't want the angel uncomfortable seeing that reminder of his side. That reminder of fallen and lesser. That he isn't forgiven, no matter how much Aziraphale may try to pardon away the worst parts of him. To watch Aziraphale realize the wounds on Crowley's heart match his own. That forgiveness is hollow when the worst parts of someone in Heaven's eyes are what makes Crowley worth loving.

I want to see Crowley feigning indifference. To see Aziraphale worry that perhaps he'd pushed Crowley far enough away where even he can't reach him anymore.

I want to see Aziraphale reach out to take off those glasses at the end of it all.

And yes, he'd see a broken heart. But all the pieces would be there. And he's bound enough books in his time to know that if he has all the pages, he can put together a story again with enough time and care.

Aziraphale should be the one to take those glasses off. To scale that wall Crowley built. To meet him beneath the awning. To be the first to step forward for no reason other than to step forward.

To watch Crowley, terrified, that this will prove he's not enough for the one person he's ever loved.

To see the relief on Aziraphale's face when he can finally, finally, see those wonderful eyes again.

There you are, he'd say.

I want to watch Aziraphale find Crowley's eyes and his actual heaven at the same time and never leave either of them behind again.

#good omens #JUST SAYING #aziraphale #crowley

[prince-kallisto]

Crowley’s Realm Dominance & Mirror Dimensions: “A Piece of My World”

I’ve had this theory in my sleeves for a while now, but an impromptu collab with @moonlightequin1 on Twitter truly opened my third eye!

It started out with Ray saying what if “Piece of my World,” aka TWSTs theme song, is the name of someone’s Unique Magic? It certainly does have a ring of a Unique Magic title haha. It sounded like a bit of a joke at first, but then our discussion suddenly became serious. Because what if it was the Signature Spell/Unique Magic for Crowley?

In Book 7, when STYX is learning about Malleus’ Overblot, STYX drops a huge lore drop about the dream barrier being Malleus’ “Realm Dominance,” an ancient and rare class type of Fae magic. A type of magic that can change the world into the visions of the caster. Malleus puts everyone to sleep and trapped in thorns because it’s the world he wants- where his loved ones can’t die nor leave. We don’t know the extent of Crowley’s magic yet, but we do know he’s a long-lived Fae who speaks of Imagination being the key to a mages magic. In Book 7, Silver also begins to speak of this world of imagination created by memories (side note, the ghost camera pictures full name in JP is “Memories: Fragments of Remembrance”) before getting cut off.

But what does this have to do with Crowley? After all, not even regular Fae has this sort of Realm Dominance magic- it needs extreme power and imagination for it come true. And it’s only possible on a world scale because Malleus is one of top 5 mages, despite not even being a matured Dragon Fae. But the thing is, this has EVERYTHING to do with Crowley. In fact, Ray and I are convinced that Crowley has already shown the “Pieces of his world” ever since the very beginning of the game.

Staring right in front of us is the mirror dimensions for each dorm. Outside of NRC, there has been NO CASE of a mirror having another stable realm inside. None whatsoever! The Lost in the Book with Stitch event does have the mirror on a storybook, but everyone loses their memories at the end. It’s clearly not a stable mirror realm. Side note, I will be talking about how sus that book is in a future post, Ray and I also had a lengthy discussion on that one haha.

I don’t believe that this is normal magic. Sure, mirrors are commonly used for teleportation in TWST, but an entire POCKET DIMENSION? We know for a fact that it is a pocket dimension because in Book 4, there is a limit to the dorm worlds inside the mirror. The dimension gets colder and darker the farther you try to travel, which we received proof on in Book 4 during Jamil’s Overblot. Jamil threw us to a cold, dark and grey area of the dorm, aka the literal boundaries to the dimension that can take hours if not days to trek through by foot.

And isn’t it interesting that each of these mirrors has a world individually crafted in the image of the Great Seven? An entire WORLD where students can live in and use magic in, while taking up no space in the real world of Twisted Wonderland. So Ray and I are thinking that this is one of Crowley’s display of “Realm Dominance,” that these mirror dimensions are his creations. Crowley even wears mirrors (5 in total) all over his body, perhaps as a hint to this

So if Crowley’s Unique Magic is “Piece of My World,” the dorm mirrors are quite literally, a piece of Crowley’s world that he has created! The opening animation even starts out with Crowley being surrounded by mirrors with the names of each dorm inside them, in flame. So in the terms of this theory, if Crowley’s Unique Magic is related to Realm Dominance itself, it’s likely how he can craft completely individual and stable dimensions within objects like mirrors that are his own pocket dimensions. And if he’s capable of that, it could be possible at a world scale.

Twisted Wonderland is, well, twisted. A world where the villains won or at least are viewed favorably…a world where these Overblots at NRC are suspected to be caused by someone on purpose. And from what we now know from Book 7, it is possible for Realm Dominance to take over the ENTIRE WORLD. In Malleus’ case, it’s because his magic supply could literally never run out because some Fae can absorb magic power from nature itself. And this, Malleus renews his magic and slowly expands his sleeping realm.

Edit: @camrastuff sent me a wonderful ask bringing this up! On the front of his body, Crowley having seven keys: three on his hat, and four at his belt with the mirrors. Perhaps these keys work similarly to Azul’s contracts, and are something that keeps the separate dimensions in check? Or if they are a necessary thing to his magic, and this is on a world scale…Crowley’s cane being in the shape of a giant key is 👀👀👀👀

It’s also interesting to note that the theme song of the game doesn’t have a full OP yet. A “full” performance on ABEMA TV was made, but an official release was never made, and it’s believed that it wasn’t the true full version due to potential spoilers to the late game of TWST. It’s just a possibility tho haha, we can’t say for sure.

Edit: I’d like to add that the ominous opening song when you physically open the game is literally called “Dire Crowley.” If “Piece is my World” is also Crowley’s song, his presence is lowkey everywhere in the background in the game??

There were many, many topics from Ray and I’s discussion that I’d like to cover, but I’ll be separating them out for coherency haha. On a final note, I’d like to add that the countdown art was connected to tarot cards according to their number. I made a whole deep dive on Crowley’s card, but to sum it up, Crowley’s countdown number was “1,” and the last one in the countdown. In this case, Dire Crowley has the number of the Magician, who has the potential of infinite creation capabilities as long as he can imagine it. It’s interesting to note how the Magician serves as a connection between worlds as well 👀 I think this theory has potential for Crowley gaining a more centric role in TWST soon…Book 8 specifically. The Magician also has a strong connection to the number 8, because of its theme of “infinity.” Just something to think about…

Edit: Part 2 to this theory is out!! This time, going further into the idea of Crowley’s magic being on a world-scale level, and his motives for his magic 👀

#twisted wonderland #twst #twst theory #twst analysis #twst dire Crowley #twst Crowley #dire Crowley #kallistopost

[halemerry]

On Aziraphale, Protection, and the Greater Good

Alright folks. I’ve already written quite a bit about the ways the Metatron was trying to manipulate Aziraphale here, but I wanted to give credit where credit is due and talk a little bit about how I don’t think that necessarily means it worked nearly as well as the Metatron thinks it does.

Because Aziraphale? Is not stupid. It’s one of his defining traits that though he might occasionally be slow, he has always been intelligent. He has also always been a fighter. And a bit stubborn. And though the fact he is allowed to be all that and still stay soft is one of my favorite things about him, that does not mean he is soft and soft alone.

With or without Crowley, Aziraphale has nearly always been a character who, above all else, does what’s right. This is part of what Crowley loves about him and it’s part about what we as the audience love about him too. He shelters a demon on the wall he is meant to be guarding. He gives away a sword to humans and lies to God about it directly to Her face. He struggles immensely with being asked to do anything he cannot reconcile with his morals and, even if he might fight against his impulses as to what’s right for a little bit, when push comes to shove he almost always falls on the right side of that scale. It’s important especially that this is also true of him even without Crowley in the equation.

Now, Crowley makes it much easier for him to be this person. He encourages and enables Aziraphale to be himself. He complicates and challenges Aziraphale’s worldview but in a healthy way that helps him grow and develop it, but never forces Az to be someone he isn’t. He also, most importantly, gives Aziraphale someone he understands. He is a connection. And a connection that allows Aziraphale to take his time and to make the excuses he needs to, at least for a little while. Because he understands that while Aziraphale is slow to change, he is not as resistant to it as he often reads to be - especially when he thinks that change can benefit the greater good.

Because Aziraphale fundamentally loves Earth and the people on it. And he knows beyond a shadow of a doubt that Crowley does too. Not taking an opportunity he has to help someone has never sat well with him - even if that person is a naked Gabriel showing up on his doorstep. He does not run away with Crowley in season 1 because it would have been wrong to run away when he felt he could help and the same principle applies here too with the decision he comes to about the Metatron’s offer.

While I definitely think the Metatron was using lovebombing and other manipulation techniques on Aziraphale I highly suspect he is underestimating his new Supreme Archangel. And I highly suspect that what is happening here is not Aziraphale folding back into this own cult as much as much a few other things that could be happening.

I may poke around at a few more of these later but for now I want to focus on Aziraphale lied theory laid out here by @las-lus. This whole season has focused quite a bit on Aziraphale lying/using sleight of hand for Crowley's sake. It makes sense he would do this too to protect him from the Metatron and critically I don’t think it’s an accident that the only shot we get of his conversation with the Metatron are flashbacks from Aziraphale's narrative point of view. Reading this actually changed the whole trajectory of this meta so please take a look at it if you've got the chance! I really love this theory a lot and would've slapped this all on a reblog if it wasn't so big. (Though I'll be the first to admit I'm biased to anything that lets Aziraphale do some rescuing.)

At it's core this makes this action a protective one. He is a guardian given a flaming sword by God. He was built to protect. And we see him in this role throughout the series even if it's not always in the way we expect or in the way he was necessarily built for.

I want to start before the beginning. This scene is an important one for a lot of reasons, but for the context of this the important bit is that Aziraphale is already anxious. He’s a bit starstruck and a little baffled by the strange angel he’s stumbled into chatting with, but his primary focus in the meat of this scene is actually concern for this stranger's welfare. The instant the topic turns critical he immediately starts glancing around anxiously. This scene ends with him saying, "I'd hate to see you getting into any trouble." and giving us one of the most worried expressions I've ever seen on his face.

Then again at Eden, the first time we meet Aziraphale, we are shown him acting twice in a row for the sake of keeping others safe. We see him offer Crowley shelter from the storm and also give away his God given weapon to protect Adam and Eve. A lot of people tie Crowley to Eden for obvious reason but I think people often forget that, yes, without Crowley humans don't leave Eden but without Aziraphale they do not survive it.

We then see him in conflict over the Flood. As far as we know he doesn't act here but he quite clearly thinks it is wrong. He's high strung and tense and his attempts to rebuke Crowley's frustration feels more like him trying to convince himself.

Now we get to Job. This minisode is so fascinating to me for a lot of reasons because through most of it, against pattern, we have Aziraphale as the driving force throughout it. First we get Aziraphale checking in with Heaven to make sure there wasn't some official solution to this. (We also get a line in there that I think says a lot about Aziraphale's priorities when he specifically draws attention to his concerns for Sitis being old enough birth that many times would be hard and risky.) Once Heaven fails him here Aziraphale is the one to reach out to Crowley and Aziraphale is the one to press for them to work together. He takes a gamble, hoping that his instinct that Crowley does not want to hurt kids is accurate, and gets up in Crowley's face to challenge him when Crowley refuses to prove him right. It is not Crowley taking the lead here, bringing Aziraphale in but rather Aziraphale trusting his owns instincts are right.

Aziraphale is also crucially the one constructing the charade Crowley plays in front of the angels as Bildad the cobbler/midwife. Aziraphale immediately and without hesitation provides Crowley with the pieces he needs to make the lie convincing enough. He tells him that what they need is an expert on human births and Crowley rolls with it and then clarifies very quickly that Gabriel witnessed Eve's birth, signaling to Crowley that mimicking that would be the play.

He is trying to tip the scales to get the outcome he wants - to keep this family safe - before he ever utters a lie. And then he does. He lies directly, giving his word as an angel. This is an act that eats him alive inside. He literally thinks he has fallen for this and has perfectly resigned himself as being damned to Hell for it and does it anyway. Because he knows it was right. Because he thinks a family of five he has no real connection to are worth falling to protect.

By the time we hit the Globe in 1601 Aziraphale's primary objection to their Arrangement has evolved from concern about what Head Office will think into concern specifically for Crowley's safety.

Then in 1827, even if it's in a misguided way, his concern starts out on Elspeth and her soul. He tries to protect her and very quickly changes his tune as soon as he's given proper evidence that what she was doing was net good. Again he is the one driving most of this narrative and the duo's actions forward as Crowley drifts along trying to get him to see that some actions aren't fully good or bad but can exist in a moral gray space. We also get him verbalizing his own moral code here explicitly when he wants to heal Morag.

He continues to have concern for Crowley on the forefront of his mind - asking very quickly after his good deed for Elspeth if he's safe or if hell noticed and then a few years later denies Crowley holy water out of concern that it could destroy him.

In 1941 we first get him operating under cover trying to unsuccessfully lie his way into dispatching some Nazi. We then get him offering himself as a magician for Crowley's sake and using sleight of hand to keep evidence of their relationship from making its way to Hell.

In particular I want to draw attention here to the fact the episode we revisit this moment in has two very similar moments toward the beginning and end of it. This episode opens with what the episode is named for - Shax hitching a ride with Aziraphale. He's relatively amicable with her until she at one point implies harm to Crowley wondering out loud why he would risk destruction for Az. Then toward the end when Furfur enters the dressing room, Aziraphale is pleasant and kind until the moment it becomes clear Crowley is being threatened. In both cases his expression turns more neutral and his body language becomes more focused and serious. He is ready to protect at all costs and is done being polite to these people who threaten his demon.

From there we go to 1976. Here as he hears about Crowley's holy water heist, he makes a choice. Even though he does not want Crowley having this weapon at all and tells Crowley as much that that position hasn't changed he realizes how dangerous trying to steal it could be. So he decides to make it as safe as he can in the circumstance, putting aside his own wants and feelings for the sake of minimizing even potential harms.

Even good old 'you go too fast for me' is a form of protection here. Even if it hurts and even if it's not want they want they need at least one of them to pump the breaks to make sure they are not discovered.

Then the world nearly ends. I won't examine what happens there too closely but I think we can all agree Aziraphale was willing to do quite a lot to insure the world and Crowley were safe once Crowley gets him on board with raising Warlock. Though I do want to note I don't think it's an accident that a lot of what Aziraphale says to Crowley at the end of six has echos of the bandstand - the last event Aziraphale has to reference that he knew would make Crowley go away.

A lot of the core of the current season is built around all sorts of protective Aziraphale actions. The flashbacks all gesture at it in some capacity, and anther notable one is him sacrificing books both as weaponry and to make the ball happen. He has committed to securing their safety before a single demon even shows up looking for Gabriel. We also get him willingly risking war to defend the people in his shop. Episode six in particular shows us a lot of Aziraphale in this mode, which he's pretty much locked into from the moment the demons arrive, Whether it's protecting Gabriel, Nina and Maggie, or at one point putting his body between the demons and a whole crowd of people including Crowley.

This season is a season that emphasizes that Aziraphale is a liar. It is one that draws attention to him pulling tricks and on him learning to do that for the greater good. It it about him learning that sometimes the choices we make are often more morally gray than we would like. And most importantly it is about Aziraphale believing this world and the people in it are worth protecting.

And who does he want to keep safe more than anyone? Who did he fight to share his life with? It makes sense to me that he would do this for Crowley. It's perfectly in character and gives Aziraphale the due credit I think a lot of theories lack. Because, to me, Aziraphale isn't the one that walks away from Omelas, Aziraphale is the child who would willfully sacrifice himself to keep the people he loves safe.

#good omens #good omens spoilers #good omens season 2 #gos2 spoilers #good omens meta #aziraphale