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#corpse writing
longlostinshadows · 4 months
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And what loving you is like?
Loving me is when you treat me kindly when I couldn't. When I don't have enough strength to brush my hair, you have the patience to untangle them.
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Corpses writings 101
I am calling these corpse writing, because they have been hidden and muffled in my notes for too long.
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anonymousangstmonster · 2 months
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Prompt #46
When Danny went into the portal, nothing came out, no ghost, no traumatized but still partially alive kid walked out. His fried corpse left slowly rotting in the unseen inside of the portal, somewhat preserved by the high levels of ectoplasm circulating through.
Months later, Maddie deactivated the portal to inspect the inside for any flaws that might cause the machine to malfunction.
She let out a blood-curdling scream when she found the ashen dead body of her previously missing son. His eye sockets were hollowed out pits of blackness, his skin was grey and crusty, his veins were black, she could see the shape of his skeleton under his skin. It was horrifying, but it was undeniably him.
She jumped back and out of the portal frame, collapsing into sobs as she realized where her son had been all this time and what had happened to him.
Danny awoke face up in the darkness of the portal, the only sounds he could hear were the wiring of various machines and a woman crying. He weakly lifted his hand to feel his face, it was dry and missing some bits. He tried to stand but immediately collapsed onto his hand and knees, so he started crawling towards the exit.
When he saw his mother heaving sobs a couple yards away from him, he tried to get her attention, his attempt at saying ‘mom’ come out more as a groan or moan, curtesy of his decayed vocal cords and stiff half-rotted lips.
You always see fics where his parents find his body in the back of the portal and connect the dots to realize Phantom’s Danny, but have you ever seen a fic where there is no ghost, only the body, but that body is still Danny?
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deadsetobsessions · 3 months
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DC x DP PROMPT
Danny, visiting Gotham, notices a concerning amount of shades gathered at the bays. Turns out, the bays are where Gothamite villains and goons alike dump bodies. This is very interesting to the Bats, who only figured out that this 6ft. something guy (who did not have a Gotham accent at all) kept lurking suspiciously near the waters.
Danny thinks Jay is a particularly strong shade because he’s had zero sleep, running around trying to help the shades: *trauma dumps to Hood*
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thatsbelievable · 4 months
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ghostbsuter · 5 months
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The notification came not even a second ago, and it had him fly across the city just as fast.
Nightwing barely acknowledged the thrum of the Batmobil following closely behind, already on his way to west end of Gotham City.
"5 Assasins in view, more possibly hidden away. A child, around 11, leading them." Oracle's voice was clipped in the way Dick knew she didn't like this.
This screamed like a trap, why else would the League of Assassins be in Gotham of all places?
He lands on the roof, tense and gripping his escrima sticks tightly.
Batman is on his tail, taking over lead, and they are near the group of unwanted guests.
He sees Red Robin on the other roof, backup if needed.
The child clicks his tongue at the sight of them, shaking head with a grumble. "Danyal, Father has found us, we should get this over quickly."
The amount of shock and confusion he feels makes him wonder if it were a dream.
Another click of tongue but not from the child in front of them, no. It was another child re-appearing from the invisible spectrum.
His hand around the throat of a limp talon.
"I didn't think he would be so fast." The other child comments.
"As expected of father." The first child, green eyed and serious nods. Towards batman.
"Now, for the reason we are here."
He steps to the edge of the building, and Nightwing desperately wants to get him from it, clearing his throat.
"I, Damian al Ghul, heir to the demon's head, formally declare war on the Court of Owls." Damian's voice is loud, unforgiving and unrelenting. Eyes burning.
It almost made him miss the words he spoke.
"The League of Assassins has a claim to Gotham," the boy spits. "And i won't let some society take it from us."
The unnamed twin throws the limp talon from the edge with a grunt. "Take that as a warning!" He halfheartedly shouts after.
And so it began.
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weirdosreignhere · 1 year
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DP X DCU PROMPT #2
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Instead of Summoning the Ghost King, they summon his Weakness
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The Justice League has heard rumors of the Ghost King Pariah Dark, and coincidentally they interrupt a summoning of said Ghost King, but after subduing the cult the group discovers that the runes are different but can’t understand their meaning. With no way to stop the madman from arriving, the Bat Clan waits with dread, hoping the containment shield holds.
What they don’t know is that the previous King had been defeated and now another, much kinder, king rules: Danny Phantom. They also don’t realize the runes have changed. Summoning not the king himself but his closest ties to the mortal plane; his greatest weakness.
What the League does expect is a mad king hellbent on destruction, but what they don’t expect is a child’s corpse, blackened skin barely hanging onto the charred bones that now lies at the center of the summoning circle.
Elsewhere, a certain young halfa suddenly goes absolutely batshit, the only thought running through his head is ITS GONE ITS GONE THEY TOOK IT WHO TOOK IT WHOTOOKIT—
Cue: chaos.
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@thatrandomsarahchick @hnymp @alinmenttreasure @demon-cat-goes-woof @tiblii @yukkikatsuki @skulld3mort-1fan @thewondersoflebanon @spectralstardustandphantomnights @silvergreeneye @apointlessbox @gin2212 @idontgetpaidenoughforthisshit @dannyphantomphan @arc-777 @akikoyuii @persephoneblackrose @rosecinnamonbun@chaoticchange @undead-essence
STORY NOW POSTED BY @thatrandomsarahchick
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I'm going to force you to play the joke FNAF dating sim my friend and I are making
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bruciemilf · 2 days
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I love your idea of Martha and Thomas bring separated in death out of bitterness and spitefulness of both families but I have this idea of Thomas and Martha not being separated because Alfred would have threatened both the Kanes and the Waynes with his shotgun and everyone knew Alfred wasn’t a person that could easily reasoned with when it came to his family
I hear you, and both have such delicous potential for angst, and while I’m sure Alfred would rather eat thunder and spit lighting than give Bruce over, how fucked up would it be if Martha’s brother made him choose?
“Give me my sister, and you keep the boy.”
A ghost for a corpse seems even.
Philip already terminated his custody rights, — it’s the easiest choice he ever made; it’s the hardest choice he ever made, — so he has no say. Only calls Jacob a fucked up son of a bitch, and he can see their mother in him.
It’s not often Alfred loses, but when it happens, it’s fateful, and it’s definitive, and it’s never, never well for the other person. He can’t win, because there’s no winner.
Imagine Bruce, young and scarred and sleepless with grief, staying wide awake. He’s not haunted by his parents’ graves; He’s haunted by the fact they’re empty.
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chamerionwrites · 8 months
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Now and then I have a little giggle when I recall that JJ Abrams made Rey Palpatine's grandkid via some sort of nonsensical cloning plot. It's not the worst thing in the ST but I do think it's emblematic of why it's bad. Signifier without substance. Derivative *and* gutless. Tried to rip off ESB without understanding how the Vader reveal works as a narrative beat, gave Sheev spawn, and didn't even have enough courage of their convictions to admit that he fucks.
Like we all know Vader spent two decades pining gloomily after Padmé. But Palpatine? Sheev Palpatine? The guy whose two modes are smiling smug self-satisfied secret smiles to himself and crowing POWER, UNLIMITED POWER? The guy who cackles with maniacal relish anytime he gets to let his hair down and have a lightsaber fight? That guy is a hedonist. Tell me I'm wrong. That man is at all times enjoying the hell out of being irredeemably evil. He is a literal emperor, the vastly powerful and mostly unchallenged ruler of the galaxy, reveling in a victory he spent many years plotting and scheming for. And they had to invent some half-assed narrative afterthought of a cloning program rather than simply allowing us to assume that at some point in the two+ decades between ROTS and ROTJ, that man got laid? The cowardice. The incompetence. The sheer commitment to taking every conceivable L
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theinsomniacindian · 4 months
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One thing I want to see more of is the angst that comes along with being someone's clone. You don't see yourself as human. You don't have an identity to call your own- how can you, when all you are is a copy of another person? You're a thief, a loose thread, an abnormality born from the mutilation of another. You were never supposed to exist in the first place.
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kaicubus · 6 months
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Being with Victor Van Dort
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₊˚⊹♡ ∘₊ ───────────── ₊˚⊹♡ ∘₊ ─────────────── ₊˚⊹♡ ∘₊
warnings ✩° : fluff headcanons, no cursing, sweet victor, some implied sexual headcanons but it's not a sexual movie i just LOVE victor so bad ugh i need him, kaicubus british accent.
pairing ✩° : victor van dort x mostly gn!reader
authors note ✩° : nothing is done about him so as usual, i'm stepping up to the plate. tall skinny emo boy IM COMING FOR YOU. why do i want to do more? thinks. i'm trying to get my halloween fics out guys i promise...
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To say Victor would do anything for you in and outside of his power is such an understatement. He has such little power in what he does compared to other people, especially suitable bachelors, but he tries so hard with what he has.
You two meet because your parents need you two to be wed, so of course, he's a stranger. A very kind, and understanding stranger who at times feels like he's so brittle around you he'll break at any second.
He bumps into you? Victor scurries away. You look at him? Victor slams himself into the wall in the process. He kind of loses composure around you.
When he warms up to you eventually, Victor actually talks about his interests a lot. You find out he's an excellent musician, talented in piano and violin, an exceptional artist, and he's an avid reader who enjoys dark poetry.
He's still very insecure about the idea of you loving him or at least liking him, but he'll never bother you with questions because he doesn't want to seem needy (but he is so needy). If his insecurities do get the best of him, Victor will ask gently, "Do you actually like me? If not, I get it. I'm not rich nor strong enough to support and provide for us, I just want to be sure." Of course, you answer him honestly and he's over the moon when you tell him you actually do love him.
Victor notices things about you that no one else would notice, like the amount of moles you have on your left arm, if you prefer crowded areas or not, and if you cut your hair just a few inches to the point where it's not even that noticeable.
Speaking of, if you're ever at a ball or a place where there's a lot of people and you're not comfortable with crowds, Victor will take you away to a secluded area and calm you down from there.
He is overly apologetic. Sometimes it gets slightly annoying with how much he does it, but you never react negatively and always reassure him. Victor will apologize even if you're the one who caused something, blaming it all on himself so you don't feel bad at all.
Victor's love language is surely words of affirmation as he loves to give you endearing complements but also he feels good receiving them. He doesn't expect anything, because that's the least of your worries he thinks, but even so much as a simple flick of his hair and saying how nice it looks that day drives him absolutely mad.
However, when he compliments you, he's never short of charming. Victor catches you off guard sometimes when he reminds you how 'ravishing you look' or 'how you put the stars to shame with your glittering smile.' Usually he draws parallels with you and the stars, moon, sun, or flowers. He always makes you feel seen.
Naturally, as your husband, Victor is protective over you. He's never one to start a fight over a worthless scum trying to flirt with you, but he's not shy to let his presence be known and to grab you by the waist into his thin frame.
Calls you my love, darling, my beloved, and gorgeous.
Loves receiving. Victor will never ask anything of you, sure, but he won't deny it when it happens. He loves being kissed first, he loves being pulled down to kiss you, he loves being marked in hickeys especially on his collar bone, all of that.
One very specific thing is that Victor really enjoys dressing you and putting your makeup on. There's just something about the silent intimacy of sliding on your dress, gliding the thin fabric of tights on, tightening your corset, and delicately lining your lips with a dark, rose red lipstick that he loves so much. Even if he can't do the whole outfit, you'll still allow him to do your makeup or brush your hair.
Victor also likes things a very specific way. Not that he's controlling, he's far from it, but little things like overlined or underlined lipstick makes him fidgety. He'll swipe his thumb over your cupid's bow if that's the case and pretend like nothing happened.
He writes long, lengthy love letters. Sometimes explicit ones if he isn't there with you. He's uh, good at writing!
Victor shivers a lot. Take that as you will.
Loves painting portraits of you.
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anonymousangstmonster · 2 months
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Prompt #53
“So where’d you guys bury it?” Danny said walking over to the trio’s usual lunch table.
Sam paled as she looked over to Tucker. “Bury what?”
“My body.”
Tucker started to tremble. “We didn’t bury it.”
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fl3shm4id3n · 6 months
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ₕᵢₛ Cₒᵣₚₛₑ Bᵣᵢdₑ?
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𝐒𝐮𝐦𝐦𝐚𝐫𝐲: 𝐅𝐫𝐨𝐦 𝐭𝐡𝐞 𝐝𝐚𝐲 𝐭𝐨 𝐭𝐡𝐞 𝐧𝐞𝐱𝐭, 𝐀𝐬𝐭𝐚𝐫𝐢𝐨𝐧 𝐡𝐚𝐝 𝐟𝐨𝐮𝐧𝐝 𝐡𝐢𝐬 𝐥𝐢𝐟𝐞 𝐥𝐨𝐯𝐞𝐫?
ᴘᴀɪʀɪɴɢ: ᴀꜱᴛᴀʀɪᴏɴ x ꜰᴇᴍ! ᴢᴏᴍʙɪᴇ/ᴄᴏʀᴘꜱᴇ ʙʀɪᴅᴇ! ʀᴇᴀᴅᴇʀ
Tw: Resurrections? Zombie stuff, eye popping out, reader is a bit oblivious, mean astarion, a bit of angst.
A/N: I always wanted to do something with Corpse Bride since I love that movie.
Masterlist
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Astarion was out in the woods, he had finished feeding, but he didn't want to go back to the camp just yet. He wanted to enjoy the night, specially the full moon, it looked beautiful. As he walked around the forest, he thought about doing something fun, like repeat some vows he'd heard a while back. It was probably silly, but why not is not like on one will hear them. So there he was, repeating those vows in the most dramatic way possible, it sounded like a poem. He didn't forget a word, he said them perfectly, he sounded almost as if he was actually telling them to somebody.
Afterwards, he thought about heading back, but before he could leave. He felt something grab his ankle. It felt like a hand, looking down, he literally saw a blue hand gripping tightly onto his ankle. He tried to get the hand off him, but the grip was strong, after struggling a bit, he managed to get away. Except the hand was still attached to his ankle, he removed the now arm throwing it away. Then he saw how the ground began to move, instead of running, he only watched as the dirt began to move around. Then he saw a head, covered with a veil pop out, followed by their other hand which helped them dig themselves out. All he could do was watch, almost in horror.
The figure was finally out, it was a woman. Dressed in what a bride would wear, except her white dress is covered in dirt and roots, along the vain. She then removed the vail away from her face, revealing herself. Her skin was a light blue, a bit of her left cheek was missing, her eyes were those grey-bluish color, her lips a pinkish color. Her hair was also blue, but a much darker tone. Her skin still seemed to be intact, she hasn't completely decompose, but she was beginning to do so slowly. her sclera was yellow and decorated with red veins. The left side of her ribs had a chunk missing, as if she was stabbed. She seemed to have been murdered not that long ago. The woman looked at him dead in the eyes and she gave him smile. "I do." She whispered back to him.
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Next thing he knew, you began to follow him around. He tried to explain to you that it was merely him just jesting and he didn't expect you to take his words seriously. But you didn't seem to care, you were just happy to have a husband like you've always wanted. The next day Astarion told everyone in the camp what had happed, they were surprised that you, a living corpse was technically alive but not really. Tav didn't seem to mind you tagging along, as log as you didn't put youself and others in danger, if they didn't have an issue, neither did the others.
You were attached to Astarion, who you'd refer to him as your husband. He'd nag at you that he wasn't, but he did not care, you'd still call him your husband and tell others that he was the now love of your life. He grew tired of it and just played along with it. He wouldn't call you his wife, only by your name. You didn't mind at all. You tried getting to know him, what his interests were along with his back story. You were very curious about your now husband, you wanted to learn almost everything about him. Besides that, people found it a bit odd that you, a corpse was walking around dressed as a bride, telling everyone about your husband.
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That night the party was at an inn, after helping the small village with something. Astarion wanted to leave the room, maybe find someone to bed. But there was a problem, you. He needed to come up with some excuse, so he did. He said that he was going out for a walk, you thought about joining but he told you that he wanted you to stay in the inn because he had a surprise for you, so without hesitation in staying in the room. After you made yourself comfortable, he left. To find someone to have a bit of fun with. He did, he found a woman, who seemed to be also looking for the same thing as him.
It was while, he had completely forgot about you in the inn. He was focused on getting the woman to fall for his charm. He was too into it that he didn't notice you coming right behind him. "I'm sorry, I couldn't help myself, I was wanted to see if-" you stopped mid sentence. You saw how Astarion and the woman got a bit close to one another. It was awkward. You then grabbed his arm and pulled him close to you. "Darling, who is this?" you asked him, looking at the woman. The woman was shocked at what she was seeing. "Who is she?" she asked Astarion who was silent. "I'm his wife." You stated to her. "She is?" The woman said, then Astarion spoke. "Wait you don't understand, she's dead." He said, taking your boney hand and giving it a shake, making your bones rattling. You then removed your hand from his grip and glared at him.
Back in the room, you were not happy and it was obvious. "You lied to me! Just so that you could go and find comfort in some woman!" You accused him, crossing your arms over your chest upset. "Come on, did you really think that you were the only one?" he said smugly. "Yes! You're married to me! You shouldn't be looking for another woman!" You then began to cry into your hands. Actual tears or what could be considered tears were flooding from your eyes. "I thought, this was going so well." You sobbed, then out of nowhere your right eye had popped out of your socket, making it roll across the room. You didn't seem to care about that at the moment. Astarion then picked it up and gave it a small clean before handing it back to you. "Look, I'm sorry, but this just can't work." He said honestly. "Why not?" You asked, taking your eye back. "Its my eye isn't it?" you asked again, while putting your eye back in your socket.
"No, your eye is... lovely." He said a bit awkwardly. "Is.. in a different circumstances, well. Who knows, we're just to different. You're dead." he argued. "But so are you." You said in tears, you went silent, then added. "Y-You should have thought about that before you asked me to marry you." You stated to him. "Why can't you understand, it was a mistake. I would never marry you." He finished with an annoyed tone. Your eyes widen by his confession, this made your non beating heart break, you sighed. Walking out of the room to leave. Astarion watched you leave, sadden by how he talked to you. He couldn't help but feel guilty now. Was he really feeling guilt? That's new, he felt awful now. You didn't do anything wrong, you were vulnerable and innocent. You'd never hurt a fly or anyone. He felt like an idiot. He needed to apologize to you, but first he wanted to give you your space to try and figure out on how to apologize. Something he's never done in two hundred years.
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atopvisenyashill · 4 months
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i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
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zer0point5ive · 6 months
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I feel like a lot of people, and this is really more for Usamericans than those from other countries who don't have any exposure to the internal affairs of this particular nightmare country, truly do not grasp the scale and significance of the problems and horrors here?
Literacy will be mentioned and downplayed, but a full 20% of people living here are illiterate to a degree where they cannot interact with even basic writing. That's one in five people, or almost the population of the entirety of the United Kingdom. And that's only the population that either cannot read any words at all or cannot parse sentences, an equally large amount of people can only read at a very basic level, and can't interpret and extrapolate information from text that's not direct. This is not some cry about media literacy, this is about basic functioning in society and how many are left behind from a society that increasingly isolates and diminishes them.
Manufacturing will be mentioned, and the thought most will have is that American production has been gutted and outsourced (usually leading to hostility to places like China or Vietnam), which has some truth but much of American industry has been transfered from "free" workers to prison slave labor, with some states not paying prisoners forced to work at all and the most ""generous"" states paying them a seventh of the already laughable federal minimum wage, and with the government actually subsidizing this by giving corporations a $2400 tax credit per prisoner they "employ"
Prison will be mentioned but the sheer inhumanity and brutality will never be grasped even when people recognize elements of it (usually for what passes as comedy) the totality of it will never register. One out of five of all people incarcerated on Earth are in prison in America, subjected to conditions which regularly and frequently kill them or break them, and there's not even a consistent reporting measure for people who die in prison or jail, to say nothing of the police killings which dwarf the amount of people executed by the state, which has even less of a standard for reporting. One county was simply burying the people they killed in unmarked graves nearby and never reporting it or recording it, only being discovered after years almost on accident.
Homelessness is rampant but the numbers and methods for assessing the size of the unhomed population are pitiful at best and laughable at worst, regularly undercounting and diminishing the severity because those who are homeless are barely considered people to not just the government but in the perception imposed by society.
And none of that is touching on the scale of the imperial war machine which ravages the rest of the world, how there's no way to even know how many bases the US even has, how many people it kills, how many wars it fights, who it even supports. None of us touching on the non-military methods of support and control the US provides to its proxies and cronies who prop up its hegemony.
The scale of it all is just mind breaking and I have seen excellent writing and interrogation of parts but I don't feel like the overall picture is ever even glimpsed.
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