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psycheophiuchus · 10 months
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"Dans un Jardin de Roses" - 2021.
Photographer & Model : Psyché Ophiuchus
Jewelry : @aurumina
Robe : @grimildemalatesta & Psyché O.
The magnificent @villaephrussi de Rothschild, Saint-Jean-Cap-Ferrat.
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jordi-gali · 1 year
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Jordi Galí _ The dusk of everythink (2023)
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posteremerson · 19 days
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untitled
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210mm x 297mm
the 2024
coloured pencils, paint pens, acrylic paint, ink, oil pastels, mixed media
on card
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poster emerson
please consider checking out my other art here, and on my instagram profile linked here:
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Brick, 2020 - Dirk Staschke
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spyrosverykios · 7 months
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" Burning house", Oil on canvas, 25 x 25 cm
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firefly-creepy · 2 months
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"21" by Zeen Chin
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vieneinpace · 23 days
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The Punzo Family | Mexico | Metal, Sculpture⁠
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janherdlicka · 1 year
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Zentralgestirne (...des letzten Menschen) Pt.II/V
film-photograph on baryte print
60x40cm
Edition 05+03AP
2022
„ suddenly the three mock suns united in one, and plunged into the sea. A few seconds afterwards, a deafening watery sound came up with awful peal from the spot where they had disappeared. (...) it appeared as if suddenly the motion of earth was revealed to us--as if no longer we were ruled by ancient laws, but were turned adrift in an unknown region of space. Many cried aloud, that these were no meteors, but globes of burning matter, which had set fire to the earth, and caused the vast cauldron at our feet to bubble up with its measureless waves.“
(Mary Shelley The Last Man 1826 p. 487)
The body of work „Zentralgestirne“  is a photographic reflection of Mary Shelleys novel „The last man“ which was released in 1826 representing late romanticism while at the same time pioneering apocalyptic science-fiction. The story of Verney as last living human being on an earth shaken by plagues and natural catastrophes can also be interpreted as literary anticipation of current thought models regarding posthumanity. In midst the description of rising apocalypse as result of a gigantic mesh of nonhuman rejections lies the general questionning of human sovereignty. The motif of collective loss of human control is central to the three part novel and uncovers the absurdity of romantic discourses and conceptions of dominating nature in the early 19th century. While in the scenery above Verney as a human spectator is watching three sunlike meteors from top of the dover cliffs the series „Zentralgestirne“ is multiplying the sun itself.
On the one hand the photographic result of multiple central stars at the sky seemingly accompanying each other in total equality and harmony is mimicking this specific section quoted above. On the other hand it can be seen as a demonstration of alternative thinking apart from what is humanly imaginable. Decomposing the one and only reality of a central and often godlike described star in our solar system can also lead to reevaluating the concept of humanity as one and only force dominating on a planetary scale. In the multiplicity of the three central stars lies a symbol of equality, cooperation and interrelation in the sense of for example polytheistic religion. This way „Zentralgestirne“ takes Shelleys Last man and transformes him into becoming the last man as representative of a human self image which in the 21. century seems to be more and more outdated.
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psycheophiuchus · 1 year
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"Unity - 2022. Priestess of Nowhere and One"
Photographer : Psyche Ophiuchus Fine Art Prints available : here.
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sarahgibsonart · 3 months
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Selection of lino and Japanese vinyl designs I've been working on. I'm planning on using the plates to press into clay to combine printmaking with ceramics.
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jordi-gali · 9 months
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Jordi Galí - (2023) @jordi.gali.92
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unitedstatesofvisual · 3 months
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"FREE FORM" | 28x42cm | Watercolor, ink, tempera, textliner
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davidwfloydart · 1 year
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Anastasia Trusova, The harbinger of winter, 2021 🎨 #artistshoutout #contemporaryartist #artworks #landscapepainting #2021 (at Catalina Foothills, Arizona) https://www.instagram.com/p/CnSVWzqvUcJdiuniq-TJQ8hYrdqTlcKjkArEys0/?igshid=NGJjMDIxMWI=
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harvardfineartslib · 1 year
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Wendy Red Star is an Apsáalooke artist born in Billings, Montana, and based in Portland, Oregon. Red Star mines archival materials from photographs, maps, legal documents, recordings, artworks, to sacred objects that speak to the multivalence of Apsáalooke experience. Using a wide range of mediums and strategies from photography to installation, Red Star challenges existing histories of Native Americans, particularly related to her Crow heritage and from a distinctly feminist Indigenous perspective. (Summarized from Forward.)
Wendy Red Star : delegation is one of our newest acquisitions. We’re honoring Native American Heritage Month this month!
Image 1: “Fall” from Four Seasons, 2006
Image 2, 3 & 4: Detail from “Um-basax-bilua (W here They Make The Noise)”, 2017
Image 5: Book cover including the image from “Her Dreams Are True (Julia Bad Boy)”, 2021
Wendy Red Star : delegation Featuring contributions by Jordan Amirkhani, Julia Bryan-Wilson, Josh T. Franco, Annika K. Johnson, Layli Long Soldier, Tiffany Midge. New York, NY : Aperture ; Dallas, TX : Documentary Arts, 2022. 270 pages : illustrations (chiefly color), portraits ; 27 cm English 2022 HOLLIS number: 99156378795603941
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Sketch on paper 42 x 29,7 cm Available for sale Link in bio . #surrealism #darksurrealism #darkillustration #newartwork #illustrationartists #contemporaryartist #darkfantasy #newpost #newcontemporary #hifructose #impiusvision #darkintuitive https://www.instagram.com/p/CqBOSbDqxHW/?igshid=NGJjMDIxMWI=
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