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#commenrary
melissacove · 10 months
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I need to get these out of my brain so take some Blue Tears headcanons!
Blue acts like he thinks he’s the shit.
but really, after his Rattata died, something deep inside him died, too… something vital to his very being.
he consistently feels like his lungs are collapsing. Like he’s gonna throw up any second. It’s the anxiety getting to him.
after the Leauge, he got rid of his replacement mon.
he keeps a spot open, always hoping it’ll come home.
He bullies Lost a lot. Calls him names, makes fun of him, even gets mildly violent.
mainly just because he refuses to let himself admit they’re mirror images of each other. He uses this as some fucked up coping mechanism. Lost doesn’t realize this, however and feels guilty for making blue ‘mad at him’ in the first place, when really he did nothing wrong.
blue and Glitchy Red are besties. There’s a new Kanto champ like, every five seconds and it’s always one of them. It gives all the commenrary channels there free content, no joke.
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92till-infinity · 10 months
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can’t have any happy moments without opposition/commenrary from my mom and grandma smfh
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grafzahl · 1 year
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I have no funny commenrary this image is just so special to me
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skovenshemmeligheder · 5 months
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faerieconsort · 2 years
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wtf is up with EC’s commenrary section, why is everyone suddenly praising her?
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imrananwar · 7 years
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Smooth Power Of TakeOff Doha To New York - IMRAN™
youtube
 My most recent trip to visit my siblings was on our beloved late mother's 25 death anniversary. I got a great round trip airfare flying on Qatar Airways, JFK New York to Lahore with stops in Doha, Qatar each way. Great new planes and fares but I can honestly say Etihad Airways and Emirates service is far better. The airport itself was boring and the staff was unpleasant and least bothered about service with a smile overall. I managed to capture this video taking off from Doha taking off for NY. Check out the incredible water colors of the Khaleej, the Gulf, there. And enjoy the airflow becoming visible over the wings as moisture left a visible trail. Some idiots would insist that was "chemtrails" if they saw it from the ground. 😄😄
© 2017 IMRAN™
#flying #travel #aviation #Qatar #Khaleej
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crab-withaknife · 3 years
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i love some dramatic moments like, the boss fight of hlvrai was insanely good and wayne really went all out on the acting, but something about gordon casually commenting how he likes how shiny benreys helmet is and laughing when benrey shuts a bathroom stall door on his head was so good
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rvmety · 4 years
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“ Why does everyone want head pats...?”
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sporesgalaxy · 6 years
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[this drawing is the worst so just....Nothin Gets Her Ass Whooped okay]
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I finally accepted that the best way to motivate myself to draw a nice version of something is to draw a shitty version first so enjoy I very very rough first draft of What Happens After The Ultimate Meet Cute as Ive got it planned out so far
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chronicparagon · 4 years
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“An island where animals live like us? That sounds endearing, honestly. What could go wrong?”
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mokuaiba · 4 years
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When I watched Cry's video, as a long time viewer, I was ready to support him in whatever he was going through. Of course I would, I loved and supported Cry for years. His voice was always so calming. His playthroughs were always so appealing to me because of it. I am a sucker for low energy commenrary that doesn't take away from the game. His voice was my safe space. But as the video went on, and the more I listened (I can't not listen), I reached a point where I couldn't. It just felt bad, like there was a void where my stomach was supposed to be. His voice wasn't comforting anymore. I fucking follow him on all his platforms - - I barely do that!! Now, every time I see his picture I just can't. I'm not a victim, but gatdam does this hurt. I can't imagine how these young, impressionable girls he targeted must be feeling.
Cry, I sincerely hope you do better, but I'd be lying if I said I'd still be supporting you in the same way ever again.
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dllparts-blog · 5 years
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yes hi ! im rhu, from the gmt+1 timezone and im bringing here a muse i had long time ago and who clearly deserves better sjkdnsf you’re totally free to either like this post or dm me for plotting, or ask for my discord handle if that’s easier on you ! things under the cut will be kept short and sweet as i’d rather have you read my pages, i worked hard for them so i’m sure you can understand ♥
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min yoongi + cismale + he/him + umbrakinesis.┊ ❛ ━ hey, is it just me or do you hear  forever rain by rm playing in the distance ? oh, that’s just  lim hoseok, a twenty-six year old  underground rapper & producer. according to my sources, i heard he can be  lawful neutral  and is  assertive, but also  fatalistic. that’s probably why they remind everyone of  cigarette break at 3am, reel-to-reels, a lone microphone under the spotlight  so much ! anyway, whether or not they’re  in favor of the supers, crystalline city is keeping a close eye on them !  rhu, 25, gmt+1, she/her
PAGES: OVERVIEW w/ BIO + STATS + WANTED CONNECTIONS 
trigger warnings for: implied abuse from parents, depression, homophobia & xenophobia, suicide attempt, suicidal ideation.
hasn’t had the easiest life as a child, and doesn’t talk about it, probably never will. his story starts directly when he was an underground rapper and already with a very good grasp onto his ability, and he got scouted by a small but wealthy entertainment company to debut in 3 member kpop group called stigma.
the group had a good success but at when their second trilogy was released in the years 2015-16, all hell broke loose. the group was already known for treating sensitive themes in their songs, but this time according to knetizens things got too far and rumors about two of the members being gay & one of them being a super started appearing alongside some really nasty commenrary. this hateful pressure, summed up to his own relationship with the group leader falling apart and his mental health following suit, brought hoseok to try killing himself and failing, and consequently ending up hospitalized. the company declared the group disbanded for damage control, and burying anything about hoseok who soon was ‘forced’ to flee the country.
in crystalline city he started working as a producer under a very known record label, writing songs ( from head to toe ) for others mainly, and only in the last year he had his own songs released mainly on spotify as he resumed his underground rapper activities. he is surviving, not living. 
local edgy shadow guy with maybe a heart of gold ; has issues, lots of them ; probably laughs at dumb jokes and his laugh sounds like a small windowshield ; has a lisp ; totally had someone believe in slenderman thanks to some cool shadow tricks ; very talented !! can play piano and violin, can write songs about anywhere, he’s very expressive and fast in his raps, very intelligence, pls give him one ( 1 ) fluid ounce of praise he deserves it.
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19th February >> Daily Reflection/Commenrary on Today’s Gospel Reading for Roman Catholics on Tuesday, Sixth Week in Ordinary Time (Mark 8:14-21).
Yesterday we saw the blindness of the Pharisees in asking Jesus to give some sign of his authority from God. Today we see the blindness of Jesus’ own disciples. This, of course, is pointing to our blindness in not recognising the clear presence of God in our own lives.
The disciples are travelling across the lake in the boat. They had forgotten to bring food with them and there was only one loaf between them all. As they cross the lake, Jesus is talking to them. “Keep your eyes open; be on your guard against the yeast of the Pharisees and the yeast of Herod.” For the Jews yeast was a corrupting agent because it caused fermentation. That was why at the Pasch they ate unleavened, incorrupt, bread. And Paul tells the Corinthians: “Get rid of all the old yeast, and make yourselves into a completely new batch of bread, unleavened as you are meant to be” (1 Cor 5:7).
Jesus is telling his disciples to avoid two opposing kinds of corruption. That of the Pharisees which is based on narrow-minded and intolerant legalism and that of Herod, which is based on amoral and hedonistic pleasure-seeking.
However, the disciples are not really listening to their Master. They latch on to the word “yeast” and link it with their present obsession – not enough bread. Their lunch is the only thing on their minds. Jesus, of course, knows what is going in their minds.
He scolds them: “You are worried about having no bread? Do you not understand? Have you no perception? Are your minds closed? Have you eyes that do not see, ears that do not hear? Do you not remember? When I broke the five loaves among the 5,000, how many baskets of leftovers did you pick up?” “Twelve,” they answer. “And when I broke the seven loaves for the 4,000, how many baskets of leftovers did you collect?” “Seven.” “And you still do not understand?”
Five loaves for 5,000 with 12 baskets over, seven loaves for 4,000 with seven baskets over, and they, a mere dozen people, are worried about being short of food when Jesus is with them?
Mark tends to be very hard on the disciples. They cannot see, they cannot hear, they fail to understand what is happening before their very eyes. But they are learning gradually, as we shall see. Of course, Mark is firing his shots not at the disciples but at you and me. How much faith have we got in God’s care for us? Can we hear, can we see? Are we also without understanding?
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junck-ritter · 7 years
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Rapier Fencing according to Johannes Liechtenauer
For some time now I have been convinced that all of the very basics of rapier fencing are covered by the poem of Liechtenauer. Here I’ll have a go at demonstrating that. Commentaries are treated at the bottom of the post.
First instance of point-forward play appears in absetzen, in the latter half of the material.
“lere absetzen häw stich kunstlich letzen wer auf dich sticht dein ort trifft vnd seinen pricht“
Learn Absetzen(setting-off), artfully foil cuts and thrusts. Whoever thrusts at you, your point knocks and defeats his. Absetzen is the same play as scambiare di punta in the Italian tradition, or similar to a stop-thrust in modern fencing. It is a thrust which collects the opponent’s blade to keep you safe. The word “triff” is used for such a collection. There is no appropriate literal translation into English for “triff” but the sense in the longsword material is a “hit” but without much violence involved. “Contact” is implied, and the word can be used for a meeting between two people as well as physical bumping as in English. Cognate with gaining the sword in rapier fencing.
“Von paiden seitten Triff allemal wildu schreitten“
From both sides, knock every time if you are going to advance. Again the word “triff” is used in the same sense as the previous rhyme. The advice is not to advance without gaining advantage on the sword to clear the line. We are reminded to be conscious of our inside and outside lines “from both sides,” implication being that gaining the opponent’s sword on the wrong side can guide their point into our opening.
Schreitten can be more accurately translated as “step” but there is an implication of deliberate travel, while “tritt” is used for the simple placement of the foot (which unfortunately is usually translated also as “step.”)
Next we come to Durchwechseln. 
“Durchwechsel lere von paiden seitten stich mit sere”
Learn Durchwechsel(changing-through), from both sides, thrust severely. Durch Wechseln is analagous to a cavazione in rapier. The idea is to drop the point below the opponents sword to thrust on the other side. From the get-go Liechtenauer tells us the technique works on either side.
“wer auf dich pindet Durchwechsel In schir vindet“
“Durchwechsel will surely find who binds onto you.” Tricksy wording here, but the various copies of the poem seem to be quite consistent in the wording, so likely some lyrical gymnastics to keep the meter of the poem. In most examples of someone “binding-on” to you in the German tradition, it is assumed this has gained them some sort of advantage - as plays which start this way advise an immediate action. The advice here is that if someone has taken the line with their blade against yours, you can “find” them (their opening) with durchwechseln.
The poem takes us through “pulling” (a technique from spear), some wrestling and half-swording techniques, and finally we reach the hangings, which are prerequisite knowledge for the verses which follow them.
Zwaÿ hengen werden / Aus ein° hant von der erden /
Two are the hangings, out of the hand, from the ground. The hangings are point-forward guards on either side of the body, low or high. They are analagous to the four positions of rapier fencing in the thrust. 
In allem geferte / Haw stich leger waich oder herte
Against all danger, cut, thrust, posture, soft or hard. Geferte here refers to something which causes you trouble. If the opponent does something which endangers you, there is no need to complicate your tactical processes further than in terms of cut, thrust, posture, soft or hard. All your relevant decision making can be done with these concepts: How can an attack be made? What is the posture? Is the bind soft or hard?
The same sentiment is echoed and slightly detailed in the next verse with “ Vnd pruef dÿe gefert / Nicht mer nür waich oder hert.”
Next there is the Sprechfenster. The hangings have taught us how to enforce distance with our opponent and work with binds and thrusting (in some copies this is made even more explicit with extra lines)
"Sprechfenster mache Stant freÿleich besich seine sache“
Make a Sprechfenster. Stand freely and observe his intentions. Sprechfenster is a “speaking window” - This is the German word for a small port in a doorway through which a visitor can be examined and spoken to without letting them in. This is all part of the tradition of longsword tactics being described in allegory using doors, windows, gates and so on. The image being built is of the point, oriented forward, acting as a barrier to entry keeping distance between the opponent and yourself. From here it’s possible to fence reactively with a high level of awareness of the opponent’s intentions. In commentaries it is said to be the most artful technique of the sword, and its appearance as the final play in a list of techniques in increasing complexity is consistent with this.
“Schlach in das er schnabe Wer sich fur dir zeuchet abe“
Whoever pulls away from you, strike in that he snaps. Wording here is strange and exact translation is uncertain. The implication and mental image are clear: When someone draws their weapon back from the bind their weapon is moving backwards. The advance can be made, the chase must be made explosively to exploit the opportunity.
“Ich sag dir fur war Sich schützet kain man ane var Hastu ver nomen zw schlag mag er klein chumen”
I tell you truthfully, nobody defends themself without moving. If you understand this he can not come to blows. This is a repeating piece of advice in the poem. The concept is that any time someone defends one opening by moving to it, another opening is created. Therefore, if you want an opening to appear, threaten another. This appears after sprechfenster to remind us the same applies in point-forward fencing from blade contact as well as in fencing at distance with strikes.
COMMENRARIES, ABSETZEN
Pseudo-Danzig gives an example of transforming a cut into an Absetzen in left ochs (thrust in quarte)
3227a on folio 36v details mechanics of parrying during counter-thrusts, describing the ways to gain advantage on the forte. This is described as the first thing that should be learned to fence well.
The sadly incomplete 3227a lacks a specific commentary on Absetzen otherwise.
COMMENTARIES, DURCH WECHSELN
3227a gives a specific target for the Durch Wechseln. It names it the “fensterlyn” - a “little window” bettween the hilt and the sword. This is likely a pedagogical device for teaching very tight motions.
3227a also explicitly mentions “this should not be done wide but as close to his sword as possible.”
Pseudo-Danzig advises to make this move very quickly and efficiently as there is a danger of being set-upon with the point. 
Pseudo-Danzig advises the Durch Wechseln against anyone who makes an attack to the sword rather than the opening.
Pseudo-Danzig advises that if the opponent has properly gained and their point threatens you, Durch Wechseln is not advised but rather “working” - that is, remaining in blade contact and seeking another opening with winding or footwork.
COMMENTARIES, SPRECHFENSTER
3227a says the Sprechfenster can be made from any of the hangings (ochs, pflug, on either side.)
3227a appears to indicate that Sprechfenster is made in blade contact so that you can feel the intentions of the opponent.
3227a makes explicit commentary that if you feel the opponent draw back from the bind you should immediately follow after to the nearest opening. A simple extension of the arms for a thrust is reccomended.
3227a relates this sensitivity &c to vor and nach (specifically, vorschlag and nachschlag) - giving examples of provoking the opponent into hard parries and using the pressure signal to disengage.
Pseudo-Danzig gives a simple decision tree for Sprechfenster. If the opponent cuts to your head, counter-thrust in left ochs (a thrust in quarte)
Pseudo-Danzig tells us if the opponent attacks our sword to make a Durchwechseln and thrust immediately (cavazione)
Lew tells us Sprechfenster is the Long Point which denies the opponent the ability to rush in and bring their own techniques without first dealing with ours.
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imrananwar · 7 years
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Farewell Jerry Lewis - IMRAN™
Jerry Lewis, 91, passes away. RIP.
His movies were mostly slapstick and almost always had the same formula, but as kids we loved watching his goofball comedy movies on TV in Pakistan.
What movies of his do you remember and enjoyed the most?
His best role came later in life with charity work.
© 2017 IMRAN™
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moonikhelp · 4 years
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Call of Duty Modern Warfare Gameplay #70 (No Commenrary)
Call of Duty Modern Warfare Gameplay #70 (No Commenrary) published first on http://moonikhelp.tumblr.com/
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