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sroloc--elbisivni · 1 year

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'sorrow is an autumn heart' c4 preview

i gotta slog away at the end of this Extremely Long chapter more for a bit so. i am sharing this fun thing now. to keep my own morale up.

By the following day Lord Yoshi had fallen into a fevered coma and could not be woken. The doctor prescribed tea, broth, getting liquids into him any way they could. He had a list of methods to keep him from the brink of death, but no suggestions on the underlying cause. The wounds were not infected. There were few other symptoms of disease.

"Spiritually wounded?" Leonardo asked Usagi, very quietly, and Usagi had to shrug helplessly. This was not the same as the injuries he'd seen inflicted at the cursed blade of Jei's spear. He couldn't say for sure.

A new cluster of ofuda had bristled their way along the doorframe by the time evening came again. Usagi had spent the day watching over the family, taking quick breaks to patrol the walls and check with Captain Keishi but otherwise staying near Leonardo as Donnie and Mikey darted in and out like bees.

The lord may have been ill, but the taxes would not wait. Neither would the winter. The cold was already moving in, as though the chill of fear had physically leached into the air.

After having stayed awake all night, Usagi found himself slipping into a meditative state somewhere around the Hour of the Monkey, as the sun sloped low and golden and the office door did not open. Shadows like flames and ofuda like fluttering leaves and falling leaves like splashes of blood chased around his head, interspersed with the frame of a metal lantern glinting bright with flame, bright as the sun against burnished armor.

"You should rest."

Immediately alert in that way of battlefield catnaps, Usagi blinked at Leo. The turtle had turned his attention from his papers to Usagi at some point. He was backlit by the afternoon light shining through the rice paper, face shrouded in shadow.

"I'm on duty," Usagi said, softly.

"My father said you were a commander, before you were a ronin," Leo said, and Usagi blinked again at the non sequiter.

"I was," he confirmed.

"Would you make one of your men who had held a full night's watch work a day's duty after?"

"...If circumstance and vigilance demanded it," Usagi said, not willing to admit he had been outmaneuvered.

"They don't," Leo said. "The sun's up."

"What does that mean?" Usagi asked, straightening.

Leo looked back down at his papers. "When Raph followed the singing, it was night."

Usagi felt the fur on the back of his neck stand up. One hand dropped to Willow Branch’s hilt like a talisman. He listened, hard, for any sudden noises or intrusions.

Leo, oblivious to his unease, moved some of his papers to the side and reached for a brush. After a moment, he looked up and whatever he saw on Usagi’s face made him say, “I should explain that, shouldn’t I.”

“Yes,” Usagi agreed, emphatically.

Leo set down his brush and sighed. “It was the last new moon. Second watch. I was walking around the castle, and I heard...singing.” His head lowered, like he was lost in the memory. “It was beautiful. A voice I didn’t recognize.”

Usagi gripped his sword hilt tighter, remembering a terrible fight in a ruined building against a hungry obakeneko. That fight, which had almost been the death of himself and Tomoe Ame and Gen, none of them unskilled fighters, had begun much the same way. A beguiling voice on a moonless night.

“I followed it outside. We all did. Raph and Donnie and Mikey and me. We ran into each other outside the castle, and…when we were together, it was like it was louder. It was calling us from beyond the gates. Raph…” Leo picked up the brush again, fiddling with it, heedless of the ink it spread onto his fingers. “Raph didn’t want to go. He tried to say we should wait for morning. Donnie and I wanted to see what it was. We argued.

“The cellar doors were open. Raph’s always been the biggest and strongest of us. He agreed, finally, said he would let me lead. And then when I turned my back on him he took me by surprise, and threw us all down the stairs, and barred the door.”

Leo rubbed one hand over his face, unconscious of the ink it was smearing there. Usagi did not point it out. He wanted to hear the end of this story.

“We couldn’t move it from inside, not even with all three of us. We couldn’t hear the singing, either, not even when Uzuki let us out. It was gone and so was Raph. And, well. He never came back.”

“You searched for him?”

“Of course we searched for him. Mikey knows those woods better than anyone else and he had half the town out there with him before Father made them all go back to the harvest. We sent riders to all the nearby villages and checked the paths out of the mountains. He’s a big guy. There’s only so many places he could be. He was just gone.”

Usagi absorbed all of this for consideration. Finally, he said “This is not a convincing argument for me to go off duty.”

Leo chuckled, the first real amusement Usagi had heard out of him. It sounded right. “I promise, even if I hear it again, I’m not going anywhere.” He looked down at the desk. “I know I’m needed for my duty. I need you to not fall over in the course of doing your duty, Usagi. Who else is going to keep me safe from the monsters?”

His tone had a wry twist to it that made it hard to tell if he was joking or not, but Usagi took the point seriously. He should get some real sleep, now, before anything worse could happen. With spirits around, it surely would. Once it was dark, perhaps he could conduct a more thorough investigation, and venture out into the woods if necessary.

“Very well,” he said, and stood to leave the room. “I suppose you’re right. You will wake me when it gets dark?”

“Of course, of course. You know, I’m usually right,” Leo said, smugly.

“You have ink on your face,” Usagi informed him, and left while the turtle was still sputtering, before he could get the last word in.

#leosagi #miyamoto usagi #leonardo tmnt #fic talk #sroloc writes stuff #usagi yojimbo

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wonkyyslush · 3 years

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im just feeling a lot of emotions rn🗿 I WANT A STRANGERS TO LOVERS SO BADDDD

No but like same 🤨 at this point I’m making applications

#best friends to lovers is valid as well #commander keishy #survey corps 🪶#Lia’s Letters

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keishikigraphics · 6 years

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©KEISHIKI

#vixx #vixx leo #leo #jung taekwoon #vixx edit #vixx scentist #avatar #commande #commande avatar #graphics #edit #keishiki #keishi graphics #200*320 #200x320 #vixx leo avatar #rpg

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goldenkamuyhunting · 5 years

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how high is ogata's rank? is superior private higher than police chief?

Hum...

Ogata is in the army which, in Japan, is a different organization from the police so it’s really hard to say.

It doesn’t help that in Meiji the police was organized differently from how it is nowadays.

Ejiri Matasuke is called a ‘police chief’ in the scanlations, which in Japanese was ‘Keisatsu no bun shochō’ (警察の分署長 “Local police chief”) and which merely means he’s in charge of the police station without really giving us his ranking. In addition to this, as Yamamoto says due to Barato being a small town, it’s likely he wasn’t a really high ranking officer.

Nowadays these are the ranks of Japanese police members (starting from the highest to the lowest):

Commissioner General (Japanese: 警察庁長官 Keisatsu-chō Chōkan): the Chief of National Police Agency.

Superintendent General (警視総監 Keishi-sōkan): the Chief of Metropolitan Police Department.

Senior Commissioner (警視監 Keishi-kan): Deputy Commissioner General, Deputy Superintendent General, the Chief of Regional Police Bureau, the Chief of Prefectural Police Headquarters, others.

Commissioner (警視長 Keishi-chō): the Chief of Prefectural Police Headquarters.

Assistant commissioner (警視正 Keishi-sei): the Chief of Police Station (large). National Police Agency officers occupy the higher ranks above it.

Superintendent (警視 Keishi): the Chief of Police Station (small or middle), the Vice Commanding Officer of Police Station, Commander of Riot Unit.

Police Chief Inspector (警部 Keibu): Squad Commander of Police Station, Leader of Riot Company.

Inspector (警部補 Keibu-ho): Squad Sub-Commander of Police Station, Leader of Riot Platoon. National Police Officer 1st class's career start from this rank.

Sergeant (巡査部長 Junsa-buchō): Field supervisor, Leader of Police box. National Police Officer 2nd class's career start from this rank.

Senior Police Officer (巡査長 Junsa-chō): Honorary rank of Police Officer.

Police officer, (巡査 Junsa): Prefectural Police Officer's career start from this rank.

They however work differently from the ranks in the Army, which are a lot more and are also cut in two parts, the ‘officer ranks’ and the ‘Warrant Officer & Enlisted ranks‘.

Ogata belongs to the second group so he’s clearly not very high.

Officer ranks

Grand Marshal (大元帥、陸軍大将 Daigensui-Rikugun-Taishō) = The EmperorOF-10 Marshal (元帥、陸軍大将 Gensui-Rikugun-Taishō)OF-9 General (陸軍大将Rikugun-Taishō)OF-8 Lieutenant General (陸軍中将 Rikugun-Chūjō)OF-7 Major General (陸軍少将 Rikugun-Shōshō)OF-5 Colonel (陸軍大佐 Rikugun-Taisa)OF-4 Lieutenant Colonel (陸軍中佐 Rikugun-Chūsa)OF-3 Major (陸軍少佐 Rikugun-Shōsa)OF-2 Captain (陸軍大尉 Rikugun-Tai-i)OF-1 First Lieutenant (陸軍中尉Rikugun-Chūi)OF-1 Second Lieutenant (陸軍少尉 Rikugun-Shōi)

Warrant Officer & Enlisted ranks

OR-9 Warrant Officer (准尉 Jun-i)OR-7 Sergeant Major (曹長 Sōchō)OR-6 Sergeant (軍曹 Gunsō)OR-5 Corporal (伍長 Gochō)OR-4 Second Corporal (伍長勤務上等兵 Gochō Kimmu jōtōhei)OR-4 Lance-Corporal (兵長 Heichō)OR-3 Superior Private (上等兵 Jōtōhei)OR-2 Private 1st Class (一等兵 Ittōhei)OR-1 Private 2nd Class (二等兵 Nitōhei)

Ogata is just a superior private, so he’s higher than Sugimoto, Tanigaki and many others we’ve seen in the 7th division, but he’s not that high.

Koito, who’s fresh of academy and inexperienced, is much higher in rank than him on virtue of merely being an officer.

So... I really don’t know how he would compare to a police chief. As the Army generally had more authority than the police maybe, just in virtue of this, he would be higher than a police chief, not thanks to his rank but merely thanks to him being a soldier.

But this is just speculation on my part. Sorry, I can’t really help you with this one. Still, thank you for your ask!

#Golden Kamuy #Ogata Hyakunosuke #Ejiri Matasuke #Ask

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saotome-michi · 5 years

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dele (ディーリー)

Synopsis: A young man, Mashiba Yuutarou, is arrested for kidnapping a boy from his abusive father at the mother’s request. The lawyer who bails him out asks him to work for her younger brother, a dour man named Sakagami Keishi, who runs a business that deletes the clients’ digital data (any files of their choice) after they die. However, Kei doesn’t always know if the client’s dead–he just gets an alert if their computer and/or phone is untouched for a certain amount of time. Since Kei’s lower body is paralyzed due to an illness, it’s Yuutarou’s job to go out, investigate, and confirm the client’s death. What seems like a straightforward enough job turns out to be anything but as Yuutarou finds that a lot can depend on the existence of sensitive data…

Once in a while, if you’re fortunate, you run into a drama that’s so intriguing, so beautiful, and so satisfyingly creative that you keep thinking about it even weeks after watching it. That’s dele for me. It’s been two weeks since I watched the finale and I’m still listening to the soundtrack, still playing over scenes in my head, marveling over the shot angles, the color palette, the lighting, and the reasons behind all of them—because nothing in dele is done without reason and that’s what makes it so great. dele is not just a show, it is an art piece, carefully produced and wonderfully executed. With only 8 episodes it manages to expound into its premise, take it into all sorts of thought-provoking moral directions, and build up the two leads and their relationship to a satisfying conclusion that makes you want more even as you watch the ending credits.

But no show is for everyone and that doubly applies to dele, which is more niche than mainstream. dele fits within a precise kind of genre; it is an introspective look into the best and worst sides of people, and the actions they can make, good and bad. It is about the simultaneous delicacy and tenacity of relationships, of human bonds forged over nothing more than a couple shared moments. It is about the duality and duplicity of people, of individuals and communities, of humankind as a whole. In a way, it feels like a gradual assessment, a judgement.

Yet despite the solemn and despondent atmosphere that permeates most scenes, it is ultimately a positive judgement that dele gives us. There is one scene that comes to mind where, at the climax of a particularly bleak episode, Yuutarou (played marvelously by Suda Masaki) says, “People aren’t filthy, they’re just weak! It’s because they’re weak… that they occasionally get seized by evil intentions and make mistakes. That’s all there is to it.” Out of context, that quote might sound like a negative statement on humanity, but it’s just the opposite. Yuutarou is saying that people are not inherently evil and that there is always the chance to change and act for the better. Living can be hard, the world can be cruel, and people can be weak… and that is exactly why it is important to find others who can help you, to reach out, to keep caring and to keep trying. It is a bittersweet but hopeful conclusion, that is emphasized by the ultimately uplifting outcome of the season.

To add to the judgement motif, there is almost a doomsday element to the drama’s aesthetic. Despite the business’ headquarters being inside the city, the job often takes Yuutarou (and sometimes Kei) into much more sparsely populated neighborhoods, where only one or two other people frequent the streets, while a twangy guitar gives out a progression of notes that would fit right at home in an old western. There is a feeling of isolation and detachment; put that plus the cool color palette (blues, greens, as well as pops of ruddy oranges) and the almost too-bright lighting, and you get a slice-of-life in the most literal meaning. A snapshot of humanity right now, before it’s gone.

Technology is a main character in this show, but technology is only whatever the human characters make of it. It can be a place to hide a secret or a weapon to hurt others. It can be a means of communication or a way of stealing information. However it’s used, its form is at the user’s command.

There is always the risk of writing an overly positive review like this. It’s very possible that you’ll watch this drama and think, “This is nothing special, what was Michi thinking?” And certainly dele is not perfect; some episodes are certainly weaker than others, and the handling of female characters is not the best, with most being either stereotypes or sidekicks more defined by their relationships to men than anything else (meanwhile Kei is possibly one of the coolest depictions of a disabled man I’ve seen in Japanese media in a long time). But somehow dele has wormed its way into my heart and I feel very grateful for it. As someone who is in love with the craft of storytelling, I still have a lot to think about.

(You can watch this drama online for free with english subtitles, but remember to fully protect your computer with an ip blocker, pop-up blocker, and a firewall, because some of those sites can be sketchy!)

Warnings: Suicide, murder, death, drugs mention

#dele #ディーリー #jdrama #suda masaki #yamada takayuki #random blah of letters

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hakuouki-history · 7 years

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Saitou Hajime - 2010 Japanese Wiki Entry

From the Japanese-English Bilingual Corpus of Wikipedia’s Kyoto Articles . This is a translation from Saitou Hajime’s Japanese wiki entry, exactly as it was in 2010. It is taken from PNM00087 in that collection.

For information on the database and how to use it, please check this post.

Just like English wikipedia, none of this information is guaranteed to be accurate. It’s not a current version of the Japanese article either.

Saitou’s article is translated in the worst English I’ve seen so far in this database, but it’s readable. The names of organizations, either too literally translated into English, or not translated at all when they should be, make it way more complicated than it should be.

It’s not hugely extensive, but there’s enough interesting information in it that I decided to make it the third entry in this series. I particularly was interested by the small paragraph on his experiences in the Seinan War aka the Satsuma Rebellion.

The translated sentences used in this service contain English contents which are translated by the National Institute of Information and Communications Technology (NICT) from Japanese sentences on Wikipedia. My use of these translated sentences is licensed by the Creative Commons Attribution-Share-Alike License 3.0. Please refer to http://creativecommons.org/licenses/by-sa/3.0/ or http://alaginrc.nict.go.jp/WikiCorpus/ for details.

HAJIME SAITO

Hajime SAITO (February 18, 1844 - September 28, 1915) was a samurai who was active from the end of the Edo period to the Meiji period. He was an officer of the Shinsen-gumi masterless warrior party. He served as a leader of Sanban-tai troop or a grand master of the Gekken martial art in the Shinsen-gumi masterless warrior party.

In the Meiji period, he was promoted by Keishi-kyoku (a precursor to the Tokyo Metropolitan Police Department) of the Interior Ministry and became a commissary (as a police officer was then called). He held the rank of an assistant police inspector.

He served in the Seinan War as a member of Betsudo-Daisan-ryodan (the third stand-alone brigade), which consisted of commissaries.

Biography

His Place of Origin

He was born as the second son of Yusuke YAMAGUCHI, who had years of experience as a masterless samurai in the domain of Akashi and had become a vassal of Hatamoto (a direct retainer of the shogun), the Suzuki family holding 1,000 koku as its kokudaka (stipend). Some records state that he was from the domain of Aizu, but they are not considered primary materials.

Other materials state that when he was in Edo he would hang out in Isami KONDO's kendo training hall, the Shieikan training hall, but when KONDO had all the members of Shieikan training hall staying in Kyoto bring weapons to him, SAITO was not included among the members.

On April 27, 1863, a group of 13 people, including Kamo SERIZAWA and Isami KONDO formed Mibu-Roshigumi (the Mibu masterless warrior group), which was also called Seichu-Roshigumi, the predecessor of the Shinsen-gumi masterless warrior party. They belonged to the domain of Aizu, in which the lord of the domain, Katamori MATSUDAIRA, was in the office of Kyoto Shugoshoku (Military Governor of Kyoto) Title. On the same day, 11 people (including SAITO) joined the group.

Another legend states that he had been a cenacle along with KONDO since the years at the Shieikan training hall, and that he had gone to Kyoto with KONDO, but in any case SAITO's journey to Kyoto was separate from that of KONDO. However, the people who went to Kyoto with KONDO didn't take joint actions.

Later, SAITO, who was then 20 years old, was promoted to Fukucho-jokin (third-rank of Shinsen-gumi masterless warrior party) in the election of the cadre of the Shinsen-gumi masterless warrior party.

While Soji OKITA may generally be considered the youngest man among the cadre of the Shinsen-gumi masterless warrior party, the youngest was SAITO (there are several different opinions about OKITA's date of birth).

He became a group leader upon the organizational restructuring and served as a grand master of the Gekken martial art.

In April 1867, when Kinetaro ITO left the Shinsen-gumi masterless warrior party to form the Goryo-eji (guardians of Imperial mausoleums), party, he left the party with ITO, but eventually he rejoined the Shinsen-gumi masterless warrior party. Some theories assert that he stole the war chest from the Goryo-eji party or had originally infiltrated as a spy for the Shinsen-gumi masterless warrior party, but his acts during this period of time have not been clarified in terms of the facts and motives. Another theory states that the Abura-no-koji Incident, in which the Shinsen-gumi masterless warrior party assassinated ITO, had occurred based on the information given at the time SAITO returned.

In the Tenmaya Incident, which occurred on January 1 in 1868, he guarded Kyutaro MIURA, the feudal retainer of the Kishu domain, at the request of the domain. While the Shinsen-gumi masterless warrior party was holding an alcohol-drinking party with MIURA, they were beaten by an attack from members of the Kaientai (Japan's first modern corporation established by Ryoma SAKAMOTO) and suffered damage such as the deaths of Nobukichi MIYAGAWA and Kamataro FUNAZU as well as serious injuries to Katsunoshin UMEDO, which occurred in an effort to help SAITO, but the Shinsen-gumi masterless warrior party was successful in its effort to guard MIURA.

He continuously fought the Battle of Toba and Fushimi in January 1868 and the Battle of Katsunuma (Koshu Province) in March 1868. He fought on the front line in both battles.

After KONDO surrendered to the new government army in Nagareyama City, he separated from Toshizo HIJIKATA and other members who remained in Edo, and departed for Aizu, leading a number of officers. However, a different theory asserts that at this time SAITO was absent from the line of battle due to his injuries and was not in Nagareyama. According to that theory, the person who had departed for Aizu leading officers was either Masachika KUMEBE or Saisuke YASUTOMI.

After HIJIKATA injured his leg in the Battle of Utsunomiya Castle in April of the same year and therefore left the line of battle, he arrived at the castle town of Wakamatsu via Tajima and got together with SAITO and others. The Shinsen-gumi masterless warrior party, including SAITO, came under the command of the domain of Aizu and fought in the Battle of Shirakawaguchi on the 26th of intercalary month of May, as well as the Battle of Bonari-toge on October 6. The Shinsen-gumi masterless warrior party retreated to Tsurugajo Castle due to the defeat in battle.

Amid their retreat, the Shinsen-gumi masterless warrior party joined HIJIKATA in Inawashiro Town. Later, HIJIKATA departed for the domain of Shonai and a battery of former retainers of shogun, including Keisuke OTORI, went to Sendai to fight, but SAITO remained in Aizu and continued to fight against the new government army outside the castle with feudal retainers of the Aizu domain.

After the Aizu domain surrendered on November 6, SAITO continued to fight, but eventually, an envoy sent from Ｋａｔａmori persuaded him to ｓｕｒｒｅｎｄｅｒ to the new government army.

After his surrender, he initially lived in suspension in Shiokawa in the former domain of Aizu, but later lived in Echigo-Joetsu City, along with feudal retainers of the Aizu domain who had been taken as prisoners.

After the surrender, the Aizu domain fell subject to Kaieki (the samurai's forfeiture of rank and property), and the Matsudaira family became subject to Kamei-Danzetsu (forfeiture of the family name) but on November 3, 1869 was given the right to rebuild the family. The chigyo (fief amount) was set at 30,000 koku in Mutsu Province, and the Matsudaira family was directed to choose either Inawashiro or Shimokita as the domain territory. The former domain's cadre, including Hiroshi YAMAKAWA, had been taken prisoner in Tokyo and chose Shimokita without consulting with the feudal retainers who were held in suspension at Takada. It was newly named as the domain of Tonami.

SAITO departed for Shimokita Peninsula as a feudal retainer of the Tonami domain. SAITO moved to Gonohe, in the territory of the Tonami domain, and entered his first marriage, to Yaso SHINODA. The Shinoda family was an important family able to be acknowledged from "Shoshi Keifu" (retainers' genealogies) and belongs to highly persons as feudal retainers of the Aizu domain. SAITO was a member of Chu-Nibantai troops in Byakkotai suicide corps and was remotely related to Gisaburo SHINODA who committed a suicide in Mt. Iimori (Fukushima Prefecture).

Later, SAITO married Tokio TAKAGI with the support of Katamori as Ue-Nakodo (a go-between after the engagement) and Kambe SAGAWA and Heijiemon KURASAWA as Shita-Nakodo (a go-between from the marriage meeting to the engagement). SAITO and Tokio had three sons: Tsutomu, the eldest; Tsuyoshi, the second; and Tatsuo, the youngest son. All three sons married woman from the Tonami domain.

Later, he moved to Tokyo. He applied for employment with a commissary that had recently been established, and was hired. In February 1877, he was appointed to the position of assistant police inspector of Keishi-kyoku.

On February 15 of that year, the Seinan War broke out. He joined the Bungoguchi Keishi Chobotai (Bungoguchi Enlisted Commissary Troops) as a member of the "Army Cutting with a Gouge," and in May of the same year he took part in a battle. During the battle he suffered a gunshot, but he prevailed over the Satsuma warriors with his gifted sword technique and generalship. He played an important role, as it was even reported in newspapers of those days that he had captured two big guns.

In 1891, he retired from Keishi-cho and then worked as a security guard at Tokyo Higher Normal School, etc.

He died of a gastric ulcer on September 28, 1915. According to one legend, he died while seated in an alcove. He was 72 years old. His tomb is located at Amida-ji Temple in Aizu-Wakamatsu City

Personal Profile

His school of swordsmanship is said to have been either the Itto-ryu school or the Mugai-ryu school, but the truth is not known.

There is a theory that SAITO was left-handed, but it has little likelihood of being a historical fact. He is described as left-handed in some of the fiction written by novelists, etc., in later years, but in the pictures produced by Nobori NAKAJIMA he was shown holding a sword in the same position as a right-handed person.

He was said to be one of the strongest swordsmen in the Shinsen-gumi masterless warrior party, along with Soji OKITA and Shimpachi NAGAKURA. NAGAKURA told his followers that "Okita is a swordsman of valor, but Saito is one of invincibility."

He used the name 'Hajime SAITO' from the relocation in Kyoto through the heyday of the Shinsen-gumi masterless warrior party. His first name was Hajime YAMAGUCHI. According to legend, his first name "Hajime" originated from his birthday (January 1), but there is no historical basis for this assumption.

In 1862, he ran away to Kyoto since he was involved in a sword-cut incident in Edo, and changed his name to Hajime SAITO. In 1867, he changed his name to Jiro YAMAGUCHI. During the period of his involvement in the Boshin War, he belonged to the domain of Aizu, and he identified himself as Dempachi ICHINOSE. After he moved into the domain of Tonami, he changed his name to Goro FUJITA. He was registered as 'Goro FUJITA' in Jinshin-koseki (family registries in Jinshin) in 1872.

While there is a theory that Hajime SAITO and Goro FUJITA were two distinct persons, currently the "different person story" is denied due to the findings that Goro FUJITA had signed invoices of government pension for his older blood brother, Hiroaki YAMAGUCHI, as his relative and that the writing of the 'Fujita Family's notes' belonging to Goro FUJITA's offspring started in the first year he identified himself as Hajime SAITO.

#Shinsengumi #Japanese History #Bakumatsu #saitou hajime #japanese 2010 wiki translations

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mangaredditdotcom · 4 years

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Fremd Torturchen (Novel).

Alternative: 異世界拷問姫 (小説) ; Isekai Goumon Hime (Novel) ; Isekai Goumon-hime (Novel) ; Isekai Goumonhime (Novel)

Description : 'I am 'Torturchen' Elisabeth Le Fanu, both a proud wolf and a lowly sow.' After dying, Sena Kaito was reborn in another world and confronted with a peerless beauty, Elisabeth, who had appeared before his eyes. Introducing herself as 'Torturchen,' she commanded Kaito to become her servant, but he refused on the spot. When Elisabeth presented Kaito with the choice of either torture or butler, he immediately submitted and began to serve at Elisabeth's side, to accompany her until she completed her mission. Unbelievably, it turned out that Torturchen's mission as a condemned sinner was to eliminate fourteen ranked demons and their contractors! 'Yes, indeed. I shall die, as lonely as a wolf and as pitifully as a sow.' Ayasato Keishi x Ukai Saki! This awesome partnership offers a masterpiece of dark fantasy set in another world! Here begins the legend of world salvation, undertaken by the maiden who had been condemned by the world. #MangaReddit.com, #ReadFreeMangaOnline Read Free Manga Online at MangaReddit.com: https://mangareddit.com/p/fremd-torturchen-novel_1584420993.html