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#come fight with me
itsbasil · 10 days
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this literally never stops being funny like dog they made starship troopers with the Baby's First Satire cranked up to 11 and these people are still fucking dumbfounded that the creators don't share their politics
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eggcakes27 · 11 months
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more shit i found on pintrest
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papa-yaya · 5 months
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fat people are hot
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ruenii · 1 year
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Tim, [pointing his staff at the human traffickers]: YOU ARE OUTGUNNED
Jason, [hyping him up]: WHAT?
Tim: OUTMANNED!
Jason: WHAT?!
Tim: OUTNUMBERED OUTPLANNED
Jason: PAY YOUR FUCKING TAXES!
Tim: PUT YOUR GUNS DOWN ON MY COMMAND
Jason: HAND EM OVER!!
Tim: THIS IS HAMILTON MY RIGHT HAND MAN!
Jason, [getting his guns out]: PWO PWO PWO PWO PWO-
Goons: *shaking* what the FUCK are Batman feeding his partners--
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If Aabria has 1 million fans, I am one of them
If Aabria has 1 thousand fans, I am one of them
If Aabria has 1 hundred fans, I am one of them
If Aabria has 1 fan, it is Brennan Lee Mulligan and I have been killed, please avenge me
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demigods-posts · 1 month
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i've been thinking about that scene in ep 3 when annabeth apologizes to percy before pushing him into the lake. and on the surface, it seems like she's apologizing in advance for her actions. but what if she's actually expressing sympathy toward percy for how his life will change once his father claims him? once he has to suffer through the same torment as thalia did? once he becomes the outcast amongst the group of demigods who understand his struggles but will do little to help him through it?
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meidui · 24 days
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“It kinda feels personal.” | for @catws-anniversary ♡
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Me, writing 2500 words in one day: ohhh yeeeeah, maybe I can get this chapter out even earlier than the last one!
Me, for the next two weeks, deleting nine words and adding three: .....it do be like that sometimes
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turtleblogatlast · 1 month
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I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rise raph#he’s so wonderful frfr#my poor boy is traumatized but still so proud of what they accomplished because they’re HEROES#what started as something fun - Saturday morning cartoon-like heroes vs villains esque - soon becomes his calling#and he loses himself a little along the way#because the world is TERRIFYING now#if they don’t do something about the bad things in the world then worse things will come#and Raph CARES too much to let it happen#even at the expense of his own happiness and youth#and he luckily reigns back that fear - knowing his family is there to keep an eye out with him#and he finally lets himself be a kid again#he’s very well rounded and his flaws are so good because (like the others) they are ALSO his strengths#I like how it’s softly implied that bears are his fav animal too bc that’s cute af#headcanon that he likes them so much because a stuffed bear was the first toy splinter managed to get Raph#but yeah one of my favorite things about tmnt is that the characters are well rounded and rottmnt exemplifies that immensely#with raph being no exception!!#amazing big brother and character#there’s a REASON in my tmnt main character tierlist he’s S tier!!!!#hot take but in terms of who should be leader I think it should be less who’s the better leader-#-and more who’s the better leader FOR THIS SPECIFIC MISSION#bc all four can be great leaders fight me on that#APRIL can as well 100%#doesn’t need a designated leader for them to succeed#they just need ~communication~#one of my favorite things tying Raph and Leo together is that they both *hide*#I’ve talked about Leo’s many masks a lot but Raph has one too#and it’s the mask of a hero - the mask of the protector
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poorly-drawn-mdzs · 3 months
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Turtle Takedown Teamwork.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#tulu xuanwu#Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters
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p4nishers · 8 months
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i love that crowley was about to pass out when he had to shot at aziraphale. i love that aziraphale couldn't come up with anything more threatening than "i'll never talk to you again". they're both idiots and down bad for each other and if yall think they'd fight each other yall r just dumb. if they'll ever go up against each other it's gonna end w both of them (but mainly crowley) shaking and crying and throwing up on the floor. trust me on that.
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crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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gremliinsart · 5 months
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You'll come back...won't you?
I don't think Bubble would know what to do if Caine left... he's all they've ever known...
Anyway *rings dinner bell* come get some Bubble angst lol
As always, au belongs to @sm-baby
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jjkyaoi · 1 month
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i love alastor because he’s so used to people being impressed by him that it gets under his skin SOOOO badly when they aren’t. he’s always like yeahhh lol btw i was missing for seven years and then came back with no explanation OOOHHH wonder what that’s about !! and the one time carmilla was like. actually that isn’t any of my business and idgaf 🤷‍♂️ his entire mood was Killed. he already had smth against lucifer for whatever reason but when the king of hell didn’t know and didn’t care about his infamous radio show that he garnered his feared reputation from he immediately was like Oh I’m Going To Squash Him Like a Bug. like ok. you can just say you want people to think you’re cool dude there’s no need for all this
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spkyart · 11 months
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Big Brother, Little Brother
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emblazons · 10 months
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MIKE "I AM NOT LEAVING WILL'S SIDE" WHEELER ⤷ part i || S02E06 - The Spy
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