Fashion Friday
This week, we present a range of fashion from the 18th through early 20th centuries from our 1908 collection of dance illustrations, Der Tanz, by the Austrian artist Ferdinand von Řezníček (1868-1909). This folio volume was published in Munich by Albert Langen (1869-1909), and most of the illustrations appeared earlier in Langen’s popular satirical weekly Simplicissimus. We are quite taken by the action, drama, and humor in these color lithographs that are so evocative of the era. Wikipedia notes that von Řezníček became an editorial assistant for Langen when he launched Simplicissimus, and von Řezníček's "subtly erotic drawings contributed greatly to the success of that publication."
View another post from Der Tanz.
View more Fashion Friday posts.
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Pl. 28: Tapisserie, par Henri Gillet [Tapestry. by Henri Gillet] by MCAD Library
Via Flickr:
Henri Gillet (French illustrator, 1880-1920) 1900 color lithograph 26.3 cm (height) x 36 cm (width) Scanned from: Album De La Décoration. Paris: Librairie des arts décoratifs See MCAD Library's catalog record for this book. intranet.mcad.edu/library
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Greyhound (1912) | Moriz Jung (1885-1915)
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Wilton Williams, Hunstanton, LNER Poster, Norfolk, United Kingdom, 1930.
Vintage 1930s LNER Hunstanton Railway Poster.
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▪︎ Salome (from the L’Estampe moderne folio).
Date: 1897
Artist: Alphonse Mucha
Medium: Color Lithograph
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One Way, Robert Cottingham, 1984
Hand-colored lithograph on paper
25 x 20 in. (63.5 x 50.8 cm)
Smithsonian American Art Museum, Washington, DC, USA
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Staff Pick of the Week
First serialized in Pearson’s (UK) and Cosmopolitan (US) in 1897, H.G. Wells’s War of the Worlds wasn’t the very first alien story ever told, but it is probably the most enduring and culturally significant of those early tales. Wells wasn’t just drawing on the nascent genre of science fiction but also the (earthly) invasion literature that was first popularized by George Tomkyns Chesney’s The Battle of Dorking ( Blackwood's Magazine, 1871). Wells later wrote that War of the Worlds was inspired by the genocidal treatment of Aboriginal Tasmanians by British colonizers.
The Limited Edition’s Club edition of H.G. Well’s War of the Worlds was published in 1964. It is illustrated with ten color lithographs, drawn directly on the plates by Joeseph Mugnaini, as well as a number of smaller line drawings by the artist. We posted a few years ago about the Limited Editions Club edition of The Time Machine, also illustrated by Mugnaini. These two books were originally issued together in an ochre-yellow slipcase that matches the end papers; the linen-weave book-cloth bindings are dyed in an opposite color scheme (black with a red spine label for The Time Machine and red with a black spine label for War of the Worlds). The boxed set was designed by Peter Oldenburg and printed on white wove paper from Curtis Paper Company by Abraham Colish at his press in Mt. Vernon, NY. The lithographs were pulled by master printer George C. Miller.
I love how Mugnaini’s colorful illustrations manifest a sense of unease: the yellow and red skies backing the alien invaders, the extreme heat of blue streaked flames, the kaleidoscopic ruins of a building. Mugnaini was best known for his many collaborations with another Science Fiction heavyweight: Ray Bradbury, including cover art for the first paperback and hardback editions of Fahrenheit 451. A previous Staff Pick featured Mugnaini’s illustrations for the Limited Editions Club of Bradbury’s The Martian Chronicles.
You can find more posts on the work of H. G. Wells here.
Check out more from illustrator Joe Mugnaini here.
And here you can find more from Limited Editions Club.
For more Staff Picks here.
-Olivia, Special Collections Graduate Intern
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Ernest Crichlow (1914 – 2005) New Dreams
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Leon Benigni, "Under the Eyes of Many New York Skyscrapers," 1928. Color lithograph. Dress is by Jeanne Lanvin. Femina was a French magazine for women.
Source: Heritage Images/AKG Images
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Daniel Sciora LES PALMIERS 1985
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