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#cloud rambles.
volos-wish · 2 months
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Old not-vampire man struggles with technology and gets help from his boyfriends fursona
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yukipri · 17 days
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Solar Eclipse - April 8, 2024 - 90%!
Turns out slightly cloudy ended up PERFECT for Eclipse photos!
Did y'all see it?
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dreambutdontsleepx · 26 days
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as a possessive, jealous Eddie Diaz truther I actually thing the jealousy switcheroo in buddie is incredibly appropriate.
buck can have other male friends besides Eddie, and he's completely fine about it, cause he's sure of his place in bucks life. he know he's buck's best friend, and would never replace him. he knows that besides Maddie, and the kids (Chris and jee) he's the most important person in bucks life.
When is Eddie jealous? when bucks gets a new girlfriend, when he partners up with Taylor for the treasure hunt instead of him. We see him being actively hostile. Cause that's a position Eddie doesn't fill in bucks life, a romantic partner (even though he wants to), so he's unsure of himself.
When is buck jealous? when Eddie gets new friends, we already saw that with Lena Bosko in season 3, cause buck is insecure of his role in Eddie's life (in pretty much every single life of his friends and family), he fears abandonment. He fears that someone will take his place as best friend. But when Eddie is with Ana, buck is calm in my opinion, he's stressed just cause he can see that Eddie is not happy.
all these words just to say that Eddie Diaz knows he's in love with his best friend, he's known for a long time, that's why he's jealous when buck has a romantic partner. while buck still has his eyes covered to the truth, and in his mind what he and eddie have is a totally normal besties relationship. that's why he's jealous and anxious when Eddie gets a friend.
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getvalentined · 1 month
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So the imageset I posted of this really doesn't get Vincent's response across clearly enough, the way he flinches at Barret's comment is honestly heartbreaking. We can assume that Barret has no idea what he actually just said, but that doesn't make it any more pleasant for Vincent to hear.
Taking into account Barret's earlier response (wherein he called Vincent a "damn freak" and immediately starting shooting at him), plus the fact that none of the security systems in the Manor seem to even notice he's there (implying that he registers as a resident monster the same as all Hojo's other specimens, something I'll go into when I have the spoons for a big Hi Vincent I Love You Vincent post about Rebirth), this is...rough.
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sketchy-tour · 1 month
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WH spoilers below the cut I just need to scream about it some more
BUT I CANT GET OVER THIS COMMERCIAL AND ITS ART STYLE ITS SO CUUUUUUTE AAWAAAAAAAH!!!! IM GONNA STARE AT IT!!! STUDY!!! I wanna draw Dandy in this sort of style so BAD!!!!!
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ITS SO ROUND AND SQUISH SO PRECIOUS
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cloud-the-forgotten · 4 months
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I love this game :D
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syrena-del-mar · 3 months
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Dead Friend Forever Is More Than Just A 90s Slasher Film Imitation
Oh man, I went in thinking I would just get a whole lot of gore and murder, and instead I'm getting a buttload of social class distinction, parental issues, mental health crises, organized crime, and a highly-likely revenge plot line.
The thing about Dead Friend Forever is that it starts unassuming, almost like an copy of all other teen slashers from the 90s. A group of friends, up in a cabin and suspects to a potential murder, become hunted one-by-one. A cliche slasher plot if I ever heard one. Until it’s not. This show is taking up a very big corner of my brain, so I’m going to delve deeper into it.
If you haven't watched episode 6 yet, spoilers up ahead.
Pulling inspiration from 90s slasher re-inventor, Scream
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The first four episodes really set up the expectation that DFF was going to be another slasher, seemingly particularly influenced by Scream (1996). Scream was a turning point for slasher movies, signaling a shift in from the movies of the 80s to that of the 90s. It was the first of many movies to allow for the characters to be self-aware of what genre they're working in, where the characters knew of the slasher-movie tropes and attempted to do everything right to survive. Scream is also the first slasher to truly humanize the killers, and I don't mean by making them empathetic, but rather the killers were human, so they made human mistakes. Prior to Scream, the antagonists in slasher films were usually this supernatural villain that was just murder-hungry. But in Scream, the killers are all just regular people and would often make mistakes on their way to kill the protagonists, like a normal human would. It's why Scream was scary, the killer could be anyone, it wasn't this supernatural being. And even when you're making the right choices to escape, you still end up dead.
In Dead Friend Forever, we're getting so many of the same tropes that Scream had subverted. The group is working understanding exactly what they're facing; Fluke warning to not pull out the stake inside Por, Top wanting to split up in the temple while Phee, Jin and Tan veto against it expressly stating it would be like the horror movies, White not wanting to be left behind in the cabin. They all know what they shouldn't be doing while there is a killer on the loose. Also, it's why there's these funny little moments of the killer in DFF (i.e. having to steal the motorcycle to get back to the cabin). I'm not completely convinced that there isn't any paranormal activity or at least some type hallucinogen-component at play, but the way the killer acts is very human-like. Not to mention the parallel of Barcode (arguably the most popular actor in the show) getting slashed in the first minute of the show, eerily similar to how in the opening scene of Scream, Drew Barrymore (the most well-known of the cast) gets killed immediately.
The Benefits of Series Format versus Movie Format
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The series format is where I think Dead Friend Forever is really shining the most. @wen-kexing-apologist made an awesome post on the directorial direction this show is taking, particularly in how since the first four episodes we have very little context as to why the killings are occurring or even the state of everyone's relationship, we're freely able to form opinions on each character. Similarly, prior to getting to know what happened to Non, I also thought Tee was the better one of the group. But here we are, two episodes later and I find him to be the most detestable of the bunch (which says something, when Por and Top are competing in this category).
We're seeing and experiencing the absolute hell that this friend group had actively made (sans Jin and Fluke that suffer from the bystander effect) Non's life out to be. In a regular slasher movie, especially ones that model themselves after Scream, we find out why the Killer is doing what he's doing to the victims in the last quarter of the movie, but the emotional value is a little skewed. The little amount of time we spend learning about what the victims did to the Killer usually still leaves you feeling at least a smidge of pity for the victims and some joy that the Final Girl made it. Here, the mass consensus is that each and every one of them should die.
And it comes back to the luxury of spending several episodes in a flashback to what lead up to the killings after the game of cat-and-mouse has begun. We're introduced to Non as an outsider, where everyone, but Jin, has already formed a bad opinion of Non. They already have a brutal nickname for him (read @forkaround's awesome analysis on the term 'Greasy'). They already established that he's an outsider in the classroom, but they make an active point of only referring to him as 'Greasy' and Non just accepts it. We see the friend group frame him, causing him to spiral twice to point of suicide, proceed to prey on him into a money laundering scheme, get him caught in a criminal investigation, all while already undergoing mental health treatment. We're given that time to know and see the pain that Non is caused, the manipulation that he is put under, and ultimately the devastation that they've caused.
Dead Friends Forever is more than just another teen slasher, because it has time. And it's using its time wisely, giving us bits and pieces of information in the beginning before delving into something more sinister than the killer on the loose, the original five. Run-of-the-mill bullying has turned into framing, assault and other criminal activity, even murder. And yet, while Non is the one that has disappeared (or died), the other five have been able to make a life for themselves without suffering any of the consequences. It's showing exactly what they have done to deserve everything that is coming to them.
Final Thoughts
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Man, Be on Cloud is truly blowing it out of the water with this show. I'm actually a bit sad that it's only barely starting to get the recognition that it deserves, because in my opinion, it's just that good, BUT I also understand why it's had a sleepy start. It's in an place, a BL in one sense, but not exactly a BL in any other. I've said it before, but no matter what you think of BOC as a management company, the stories that they tell are unique and they have the artists that are competent enough to deliver. Be on Cloud has, allegedly, allowed the writers take the reign on the show, even if this means messing with the couples, so even more chaos is going to occur. This is, frankly, exciting to see and experience the story as they want it to be told.
I said this when I first saw Barcode in KinnPorsche deliver that heartbreaking cry, that boy knows how to cry. He was a newbie and his stole that scene. Now this is his third show under his belt and his acting chops only continue to improve, I truly can't wait to see what more he is able to do here in Dead Friend Forever. I love that Sammon is also enjoying what Barcode has able to bring forth in Non and that all her worries have been eased. I truly think that Barcode is going to have an incredible career ahead of him, whether in music or in acting.
Ta, on the other hand, also deserves his share of accolades. I wasn't sure of how to read to Phee in the first four episodes, but with the information that episode 6 has given us? The picture has cleared significantly and now, having rewatched his scenes, everything makes sense on why he seemed to be conniving. Episode 6 had some of the strongest performances and yet the biggest gasp I made was in the last minute. The singular tear rolling down Phee's cheek after having to perform the two-finger method, to have Non throw up the pills, and holding him in his arms? Quite literally jaw-dropping.
Sammon has a strong repertoire of shows, so I have complete faith that she knows what she's doing for Dead Friend Forever. I hope this becomes as much of a cult favorite, much like Manner of Death and Triage.
Anyways if you need me, I'll probably be stuck thinking about PheeNon for the next week until episode 7 airs.
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I had to make a height lineup for some art I’m planning called “characters that had huge impacts on me as a teenager” and I just had to stop for a second because like this
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this is. very funny to me
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I love that mp100 is a story about self-acceptance and not self-love.
self-love is a loaded concept and it’s very, very hard and I’d dare even say impossible for most people to attain. and even if you attain it one day who’s to say it won’t be gone tomorrow? What does it mean to “love yourself”? I tried to “love myself” for many, many years and consistently failed not just to achieve it, but also to explain it. And even within “self-love” there were always parts of myself that I hated.
Self-acceptance is more neutral than that. Self-acceptance is “yeah, I do have parts of myself that I wish were different and that I might work to change. But I am this person and this person is me—and that’s okay. I don’t have to love it. I don’t have to hate it. If I love it that’s okay. If I hate it that’s okay. I can just be me, honest, and move forward in the ways that seem fit.”
It’s a more hopeful outlook on the self. It’s an attainable outlook on the self.
Self-acceptance lets us move forward.
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cloudninetonine · 9 months
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You think Wolfie ever just
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drawloverlala · 6 months
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El cielo estaba muy lindo esta tarde ✨
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mueritos · 1 month
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started a new job recently as a research assistant for a gay Latinx professor in my grad program, and while I definitely don't have the time to be doing my own research, working with this professor on his book projects has been so affirming and healing. i'm working on a book he hopes to publish soon that is full of interviews of gay and trans Latine men...and it is so fucking awesome. I feel so seen by the words I am reading, and I feel tears spring to my eyes looking at the photographs of these men. They look like family members, distant cousins, and family friends. They look so happy and full of confidence. I see myself in their eyes, recognizing the "fish" shape in our eyes that is so distinctly tied to Latines. One of the men in the book is a pup! And it is so beautiful seeing his smile as he holds his pup mask.
I have met very few queer latines. I don't know what it's like to have the tio or tia that has some secret aura to them, that "no se habla" vibes where everyone knows they're queer but just won't acknowledge it. Hell, this professor I'm working with is the first gay Latine man I've ever spoken to. I wish I had a community of gay Latines. I hope I am able to access that one day :)
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thatrandombystander · 20 days
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Zack is from the warm tropical jungles of Gongaga, while Cloud is from the chilly stony mountains of Nibelheim. What I'm taking from this is Zack would totally cuddle Cloud like a hot water bottle in the winter
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rosy-crow · 12 hours
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Every time we joke about Sephiroth not knowing crass slang, I’m like “Hahaha yes this is joke” but then I remember that this kid….
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LITERALLY DIDN’T KNOW THAT WHISTLING TO ROUND PEOPLE UP WAS A RUDE GESTURE FDGBHJS
I shouldn’t laugh because it’s horrible and clearly Hojo didn’t teach him how to socialize normally, but it’s funny how the “not being familiar with crass slang” thing would probably have been pretty accurate actually. He’s apparently suuuper polite speech-wise in the Japanese translation as a kid, but not as formal in CC, so hopefully Gen and Angeal taught him slang and whatever else.
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color-thoughts · 2 months
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WARNING: CUTS, GASLIGHTING, TOXIC, AND YANDERE
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Scaramouche loves you, and he proves it every time he cuts your wrists.
Though it never fully convinced you, no matter how many cuts and bruises were painted in your doll-like body.
You never understood why. But he would always fix you up after cutting your skin.
You just wonder why.
He tells you to not wonder.
You've never understood your origin. "Who am i?" He replies "You are (Name)."
He claims himself to be the love of your life. You don't know who he is until you hear one of the guards call him by his name, "Lord Scaramouche".
You've always called him love, that's what he tells you to do so.
You wonder why.
He would never let you talk to other people, the only one you could talk to was him.
It would get lonely sometimes, because he's busy with work.
You wonder why.
You've never felt fatigue, hunger, or anything that Scaramouche was always telling you, you'd need. He said it was 'human basic needs'.
You try to understand and attempt to comply.
Everyday the more you spend the day looking at the ceiling, you'd have numerous questions starting with WHY?
Why are you here?
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a-little-lostecho · 7 months
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Currently thinking abt Jingliu’s story quest, spoiler’s ahead beware —
I’m thinking about how much of an impact Jingliu’s torture had on Blade and how fucking devastated Jingliu must’ve been to go through with it. I’m thinking about how Yingxing must’ve still been reeling from the new effects of the abundance and his possible regret and grief for ending up as the very thing he hated and swore to fight against—
I’m thinking about the way Jingliu must have chased him down after hearing or- or seeing and experiencing them attempt that resurrection and feeling utterly betrayed by two of her closest friends— two people who were supposed to be Baiheng’s closest friends— (How could they do that, how could they do that, how could they do that?!) —and swinging her sword, the Shard Sword (the one he made— the one he gave to her), at him mindlessly and hurt, with the intent to make Yingxing feel the same way.
I’m thinking about how Yingxing must’ve first felt when he died — the first taste of nothingness to cleanse him of the utter agony of devastation and grief, and then the horrible feeling of everything when he was resurrected again. I think about the way Yingxing, so open and honest, feeling so deeply, must’ve ley out a sob when his chest began to heave again. I think about the way Jingliu must’ve watched with tears of frustration and agony shining in her own eyes. (You did this to yourself. I failed by not stopping you but you and Yinyue-jun were the ones who disgraced her memory first — you have no right to cry like that!)
I think about the way Jingliu must’ve made a conscious effort to destroy his hands— his pride and joy, the ones that made the Shard Sword she turned against its creator. I imagine her throwing it on the ground after the first— or one of the first few of his many deaths, telling him to “Rise” and “Stand” to face her, forcing him to fight over and over again living over a hundred deaths as punishment for what he did.
I think about the way ‘Yingxing’ must’ve slowly died in this process of hours or days of endless torture and punishment with his heart as an artist splayed out and destroyed, flesh bared and heart unbeating as the artist in his mind marvels at the beauty and fantastical agony that became his existence until he no longer thinks; mind rewritten with Jingliu’s preachings of “The three who must pay the price.” and her merciless sword techniques and lessons. I think of how Yingxing, the existence that he was, had truly been killed and warped in all the suffering Jingliu imparted on him — and I wonder how they could ever mend that bridge again.
I think about Jingliu stopping only after the hundredth death as now Blade stands on steady feet with muscle memory from the past nth deaths until Jingliu turns her back with her final lesson and parting words; satisfied, but not fulfilled, by the way she’s carved her presence and regrets into Blade’s mind and body irreversibly. I think about the way she spared ‘mercy’ to him by leaving him astray and to escape the Xianzhou and Luofu. I think about the effort it must’ve taken Blade to chose aimless wandering over eternal sentence… or maybe that too had been Jingliu’s choice.
I think about Jingliu, walking away with nothing but white noise and mara screams, echos of the past, filling her mind until her body gives out from restless days of fighting Blade, forcing onto him the punishment she so strongly believed he deserved — because she couldn’t rest until the lesson had finally set in, what kind of teacher would she have been if she had? I’m thinking about the way her body collapses to the ground like a puppet cut from its strings with no one to catch her and no one to see her at her weakest as she mourns for everything they once had but can never have again because of what they did. Because of what all of them have become.
And finally, I think about the reports that must eventually reach Jing Yuan at the divine seat of foresight. I think about the way he must feel; knowing one of his friends is irreversibly dead and the other three have torn each other apart in that grief. I think about how destroyed he must be, choosing between his duty and his lovers— but finding all too much fault in the choices they made and the suffering they have caused. I think about the decisions he would have to make and the punishment he’d have to invoke on Dan Feng becoming Dan Heng in spite of his emotions, because he is the last one left. And if no one else can remain on the Luofu then he must be the one to carry their memories.
I think that the High Cloud Quintet are irreversibly scarred by themselves and by each other, and I wonder how they’ll ever be able to mend things.
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