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illustratus · 2 days
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Odysseus and Polyphemus by Arnold Böcklin
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luxus-aeterna · 6 months
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visited M.S. RAU for an exhibit opening || Instagram
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eirene · 2 months
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A Persian princess, 1898 John William Godward
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thearchaicsmile · 5 months
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Late Roman stone mosaic from the Greek city of Halicarnassus, Caria (modern Bodrum, Turkey), dated 4th century AD, now in the British Museum. A coloured laurel wreath encloses a Greek inscription with the following words:
ΥΓΙΑ "Health" ΖΟΗ "Life" ΧΑΡΑ "Joy" ΕΙΡΗΝΗ "Peace" ΕΥΘΥΜΙΑ "Happiness" ΕΛΠΙϹ "Hope"
🏛️: © The Trustees of the British Museum
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The Petelia Tablet, Greek, c.300-200 BCE: this totenpass (a "passport for the dead") was meant to be buried in a human grave; it bears an inscription that tells the dead person exactly where to go and what to say after crossing into the Greek Underworld
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Made from a sheet of gold foil, this tablet measures just 4.5cm (a little over 1.5 inches) in length, and although it was found inside a pendant case in Petelia, Italy, it's believed to have originated in ancient Greece. It was meant to aid the dead in their journey through the Underworld -- providing them with specific instructions, conferring special privileges, and granting them access to the most coveted realms within the afterlife.
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The Petelia tablet, displayed with the pendant case in which it was discovered
The tablet itself dates back to about 300-200 BCE, while the pendant case/chain that accompanies it was likely made about 400 years later, during the Roman era. It's believed that the tablet was originally buried with the dead, and that an unknown individual later removed it from the burial site and stuffed it into the pendant case. Unfortunately, in order to make it fit, they simply rolled it up and then snipped off the tip of the tablet. The final lines of the inscription were destroyed in the process.
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The inverse side of the Petelia tablet
These textual amulets/lamellae are often referred to as totenpässe ("passports for the dead"). They were used as roadmaps to help guide the dead through the Underworld, but they also served as indicators of the elite/divine status of certain individuals, ultimately providing them with the means to obtain an elevated position in the afterlife.
The Petelia tablet is incised with an inscription in ancient Greek, and the translated inscription reads:
You will find a spring on your left in Hades’ halls, and by it the cypress with its luminous sheen.
Do not go near this spring or drink its water. You will find another, cold water flowing from Memory’s lake; its guardians stand before it.
Say: "I am a child of Earth and starry Heaven, but descended from Heaven; you yourselves know this. I am parched with thirst and dying: quickly, give me the cool water flowing from Memory’s lake."
And they will give you water from the sacred spring, and then you will join the heroes at their rites.
This is [the ... of memory]: [on the point of death] ... write this ... the darkness folding [you] within it.
The final section was damaged when the tablet was shoved into the pendant case; sadly, that part of the inscription does not appear on any of the other totenpässe that are known to exist, so the meaning of those lines remains a mystery (no pun intended).
Lamellae that are inscribed with this motif are very rare. They're known as "Orphic lamellae" or simply "Orphic tablets." As the name suggests, these inscriptions are traditionally attributed to an Orphic-Bacchic mystery cult.
The inscriptions vary, but they generally contain similar references to a cypress tree, one spring that must be avoided, another spring known as the "Lake of Memory," the sensation of thirst, and a conversation with a guardian (or another entity within the Underworld, such as the goddess Persephone) in which the dead must present themselves as initiates or divine individuals in order to be granted permission to drink from the Lake of Memory. They are thereby able to obtain privileges that are reserved only for the elite.
Though the specifics of this reward are often vague, it may have been viewed as a way to gain access to the Elysian Fields (the ancient Greek version of paradise) or as a way to participate in sacred rites; some totenpässe suggest that it may have allowed the soul to break free from the eternal cycle of reincarnation. Regardless, the overall objective was likely the same: to obtain a special status and acquire privileges that were inaccessible to most of the souls in the Underworld.
Sources & More Info:
Altlas Obscura: The Ancient Greeks Created Golden Passports to Paradise
The Museum of Cycladic Art: The Bacchic-Orphic Underworld
Bryn Mawr College: Festivals in the Afterlife: a new reading of the Petelia tablet
The Getty Museum: Underworld (imagining the afterlife)
The British Museum: Petelia tablet (with pendant case; chain)
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lilithsaintcrow · 7 months
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“The bitumen seal was key in preserving the patchouli’s chemical signature. Not only did the seal keep the fragrance inside the bottle, but it also trapped the perfume molecules through a process called adsorption."
I love that rich-ass Romans probably smelled like a head shop.
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charlesreeza · 9 months
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Frescoed bust of crowned Herakles bearing a club, from Herculaneum, c. 45-79
Museo Archeologico Nazionale di Napoli
Photo by Charles Reeza
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metanoias-substack · 2 months
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On Janus, the two-faced Roman god of beginnings
Or: how January got its name & why you shouldn’t give up on your New Year’s resolutions just yet
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Now that we’re more than halfway through January, how are your New Year’s resolutions coming along?
If you’re anything like most of us, your resolve may be getting shaky.
According to a recent Forbes survey, the average resolution lasts a mere 3.74 months, and only 6% of people stick with their goals long term.
But you know what?
Even if you’ve failed to live up to your resolutions less than a month into 2024, that’s fine. Don’t give up on yourself just yet.
Here’s an unlikely source of hope and motivation to get back up again and keep at it in the guise of one lesser-known (undeservedly!) Roman deity.
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moonandserpent · 7 months
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Amphora by Moon and Serpent
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b--art · 8 months
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Let's undust those vintage sketches. Twins Thanathos and Hypnos carrying the lifeless body of Sarpedon back to Lycia.
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frostedmagnolias · 5 months
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Pleasure c.1754
Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728–1779 Rome)
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illustratus · 7 hours
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Battle Scene by Lionel Royer
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luxus-aeterna · 11 months
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bacchanale
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eirene · 4 months
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The Bouquet, 1899 John William Godward
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thearchaicsmile · 5 months
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A black figure kalpis depicting the poet Sappho (ΦΣΑΦΟ) holding a barbiton, an ancient stringed instrument similar to a lyre. Attributed to the eponymous Sappho Painter, active in Attica c. 510 to 490 BC.
🏛️: National Museum, Warsaw
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cinematic-phosphenes · 8 months
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At the Gate of the Temple (1898) by John William Godward
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