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#chuck x marvel
k-writer17 · 5 months
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I think we’re getting a new professor Hiddleston era 👀
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Also Tom and Zawe in a cinema in New York to watch zawe’s new movie, ‘The Marvels’
How cute 🥰
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kingcrow01 · 18 days
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A dramatized drawing for Part 1 Chapter 12 of @songue85 's Arachnomaly!
(Click for better quality)
I've had this in my mind since October, when you had Spidey describe Bruce as a pincushion; great imagery, as it stuck with me 6 months later!
The suit design is the authors (awesome, right?), but I did add some lines running down the blue bits, based on the insomniac suit. The knives are ones Talons have strapped to their chest in some designs, and I used those instead of their classic longer daggers because I didn't want to torture poor Bruce. Or Alfred, for that matter, since he'd be the one stitching him up. Sadly, I couldn't fit the gargoyle, because my sketchbook is only so big, but wouldn't that have been cool to include?
Anyways, hope this makes your day, and thanks for sharing your fic! It's a very fun read.
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samasmith23 · 5 months
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A time-stamp so bad that it gives the ones from Frank Miller’s All-Star Batman & Robin a serious run for their money in just how little sense it makes! From Chuck Austen’s most infamous X-Men storyline, The Draco, wherein the very first page of the issue flashing back to Nightcrawler’s birth is complete and utter FAIL:
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To explain why Nightcrawler’s birth taking place “20-years ago” makes absolutely ZERO sense, when Kurt Wagner was established as a member of the all-new X-Men in Giant-Sized X-Men #1 during the mid-1970s, it was established that the youngest team member at the time was Colossus at age 18. And shortly after in Uncanny X-Men (1963) #129, Kitty Pryde joined the team at age 13 and-a-half. And to make matters even worse, shortly before The Draco came out in the early 2000s it was established in Chris Claremont’s X-Treme X-Men run that Kitty held a job bartender while attending the University of Chicago, and in the city of Chicago required people to be at least 21-years-old in order to have a bartending license at the time the series was written.
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So that means at least 8-years had passed in-universe between Nightcrawler’s introduction to the X-Men and the Draco, and Kurt was obviously older than 18 in Giant-Sized X-Men #1. So there’s absolutely no way his birth took place “20-years-ago.”
You’d think an editor would have caught such an obvious mistake… but I guess not…
And that’s not even getting into the WORST aspects of The Draco, which not only made Nightcrawler’s father this Satan-wannabe named Azazel (which thankfully the recent X-Men Blue: Origins one-shot retconned by going with Claremont’s original plan of Mystique being Kurt’s true father and Destiny his mother…), but features Azazel stupidly plotting to escape from a Hell-like dimension he was trapped in by going to Earth to breed a bunch of mutant teleporters who could open a portal allowing him to return to Earth.
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Except… if Azazel could already leave his dimension in order to have a bunch of babies on Earth, then what’s even the point of his plan in the first place?!
From Uncanny X-Men (1963) #428 by Chuck Austen & Sean Phillips.
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spy-battle · 1 year
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The spy tournament is here!
Please welcome our contenders, and voting will start tomorrow!
May the best spy win.
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cynicalramencrumb · 7 months
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I love how Charles Xavier is just...
Charles: Doesn't matter if your parents don't value you. You are my precious darlings.
The X-men: Dad.... :_)
Also,
Charles: Can I help you Dennis?
David: For the love of---
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comfortfoodcontent · 8 days
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Classic X-Men #15
Chris Claremont, Chuck Patton, Glynis Oliver, Denise Wohl & Tom Orzechowski
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newx-menfan · 10 months
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I NEVER thought I would say this but….Can…can we have Chuck Austen back?
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graphicpolicy · 5 months
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People's History of the Marvel Universe, Week 21: X-Men Blue Origins and the Power of the Additive Retcon
People's History of the Marvel Universe, Week 21: X-Men Blue Origins and the Power of the Additive Retcon #comics #xmen #comicbooks
(WARNING: heavy spoilers for X-Men Blue: Origins) Introduction If you’ve been a long-time X-Men reader, or you’re a listener of Jay & Miles or Cerebrocast or any number of other LGBT+ X-Men podcasts, you probably know the story about how Chris Claremont wrote Mystique and Destiny as a lesbian couple, but had to use obscure verbiage and subtextual coding to get past Jim Shooter‘s blanket ban on…
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that1nerd-20 · 9 months
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The Nerd's Masterlist
I don't take requests but feel free to ask for more on any of the stories ive written (scenarios, headcannons, and more info on my characters will gladly be posted if ask for) - most of this is or will be posted to Wattpad - I don't own the characters unless I've created them - I have written all of these
Most of these will be fem!reader. It's just what I'm comfortable with. But there will be LGBTQ stuff but not outright there. I suck at continuously writing so things will be posted when I have time and motivation. Occasionally I will get really inspired for a oneshot and then I abandon it because I lose the inspiration and motivation, and I don't want it to come out bad.
DO NOT COPY, TRANSLATE, OR STEAL MY WORKS. I WORK HARD TO PRODUCE MY WRITINGS AND YOU ARE A HORRIBLE PERSON IF YOU STEAL OTHER PEOPLES HARD WORK AND CLAIM IT AS YOUR OWN
Minors can only engage with the pieces that are not labeled as NSFW, if you interact with NSFW and are a minor you will be blocked!! You must have your age or a thing that tells me you are not a minor in your bio in order to interact with my NSFW works
If you notice that I use the name Jacob alot... no you didn't. 😐
(It's mostly because of my love for the brother in hogwarts mystery as well as I have a step-brother named Jake and I hate him so this is a way to make up for that. 🙂)
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Key - ☁️= Fluff , 🌦️= slight angst,⛈️= Angst,🍋= smut, 🌶️= spicy,🪶= WIP, ❗= one-shot, ‼️ = multiple chapters,🟢= complete
ᴡɪɴɢꜱ ᴏꜰ ꜰɪʀᴇ
𝔸 𝔹𝕣𝕖𝕒𝕜 𝕒𝕥 ℍ𝕠𝕞𝕖 - 𝔻𝕖𝕒𝕥𝕙𝕓𝕣𝕚𝕟𝕘𝕖𝕣 𝕩 (𝔽) ℍ𝕪𝕓𝕣𝕚𝕕 ℝ𝕖𝕒𝕕𝕖𝕣 ❗🟢☁️
ℂ𝕒𝕣𝕟𝕚𝕧𝕒𝕝 - ℚ𝕚𝕓𝕝𝕚 𝕩 (𝔽) 𝕡𝕖𝕣𝕗𝕠𝕣𝕞𝕖𝕣 𝕣𝕖𝕒𝕕𝕖𝕣☁️❗🟢
̷D̷̷i̷̷s̷̷n̷̷e̷̷y̷
𝑺𝒊𝒏𝒄𝒆 𝒕𝒉𝒆 𝒃𝒆𝒈𝒊𝒏𝒏𝒊𝒏𝒈 - 𝑻𝒉𝒆 𝒃𝒆𝒂𝒔𝒕 𝒙 (𝑭) 𝑹𝒆𝒂𝒅𝒆𝒓 🌦️🟢❗☁️
𝑷𝒂𝒄𝒊𝒇𝒊𝒄 𝑹𝒊𝒎
NSFW!! 𝘾𝙝𝙪𝙘𝙠 𝙃𝙖𝙣𝙨𝙚𝙣 𝙊𝙣𝙚-𝙨𝙝𝙤𝙩 - 𝘾𝙝𝙪𝙘𝙠 𝙃𝙖𝙣𝙨𝙚𝙣 𝙭 𝙁!𝙍𝙚𝙖𝙙𝙚𝙧 --- 𝙞𝙣 𝙝𝙤𝙣𝙤𝙧 𝙤𝙛 𝘾𝙝𝙪𝙘𝙠'𝙨 𝙗𝙞𝙧𝙩𝙝𝙙𝙖𝙮 (𝘼𝙪𝙜 14𝙩𝙝)(🌶️/🍋)🌦️☁️❗🟢
Harry Potter
Regulus black oneshot - soft but badass hufflepuff!fem!reader who regulus falls for after she makes quidditch Captain. (Has alot of hogwarts mystery characters) ☁️🌦❗️🟢
(Might do more for this one if anyone wants any headcannons or things these two would do together!)
Marvel
Bucky Barnes fanfiction - Bucky Barnes x OC --- called Hydra hurt us, But He brought us together ☁️‼️🪶(🍋?)⛈️
First chapter is out!!
Masterlist
Synopsis
Snippets from the story
if you want to have some snippets or some divulgence on what it's about just ask me I have plenty to talk about. I'm super excited to get this fanfic done, but it's gonna take a while. I haven't even gotten to the part where Bucky and the oc meet, and im like 40 pages in on google docs sooo 😶
WIPs
Big chief one-shot/blurb - Big chief x F!reader a little pregnancy fluffy/angsty oneshot thingy.
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newwarriorstalk · 1 year
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Released 30 years ago this week:
Action Comics #685 by Roger Stern & Jackson Guice
Detective Comics #655 by Chuck Dixon & Michael Netzer, cover by Sam Kieth
Uncanny X-Men #297 by Scott Lobdell & Brandon Peterson
Spider-Man 2099 #4 by Peter David & Rick Leonardi
A note about this week's 30 Years Ago posts: These are actually the first week of December 1992 releases even though we're technically in the last week of November 2022. December 1992 had 5 weeks of new comics releases but December 2022 will only have 4, so this lets me get in all 5 weeks.
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cryptocollectibles · 1 year
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Official Movie Comic Book Adaptation X-Men 2 #1 (June 2003) by Marvel Comics
Written by Chuck Austen, drawn by Patrick Zircher.
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marvelreader · 9 months
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X-Men #3 (Nov 5, 1963)
Uh-oh. I'm seeing a troublesome pattern emerging here...
The X-Men find a new mutant, with the ever-so-subtle name The Blob, and try to convince him to join the school. He declines (something Xavier didn't count on) and returns to the carnival where they found him. He decides to attack Xavier's school with the carnival in tow. In the end, Xavier erases everyone's memory so they forget who & where the X-Men are.
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Lee / Kirby / Reinman
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rookthorne · 1 year
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⠄⠂⠁⠁⠂⠄⠄⠂ 𝐆𝐨 𝐁𝐚𝐛𝐲, 𝐆𝐨
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There had never been a real need for you to visit your local mechanic. Your car was sturdy and stubborn, taking hit, after hit, after hit, and you just rolled with the punches. Until you landed in a tough spot — stuck on the side of the road, conveniently close to Barnes Classics Restoration. 
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჻჻჻჻჻჻჻჻ 𝒑𝒂𝒊𝒓𝒊𝒏𝒈 ✯ Mechanic!Bucky Barnes x F!Reader
჻჻჻჻჻჻჻჻ 𝒘𝒐𝒓𝒅 𝒄𝒐𝒖𝒏𝒕 ✯ 2.5k
჻჻჻჻჻჻჻჻ 𝒘𝒂𝒓𝒏𝒊𝒏𝒈𝒔 ✯ Fluff, flirting to the extreme, Bucky is a show off
჻჻჻჻჻჻჻჻ 𝒂𝒖𝒕𝒉𝒐𝒓 𝒏𝒐𝒕𝒆 ✯ Well, this was self-indulgent to the max, sue me.
჻჻჻჻჻჻჻჻ 𝒂𝒏𝒕𝒉𝒆𝒎𝒔 ✯ Flower by Moby ✯ Break My Baby by KALEO
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჻჻჻჻჻჻჻჻ 𝒆𝒗𝒆𝒏𝒕 ✯ @buckybarnesevents Into an Alternate June-iverse 𝗖𝟮 — Mechanic AU — Masterlist
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𝐇𝐢𝐬 𝐆𝐢𝐫𝐥𝐬 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭
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The first splutter and clunk of your engine set you on edge, but with how fast you lost power it was even more concerning – you were stuck, in a car that refused to cooperate for the few blocks it would take to get to the closest mechanic: Barnes Classics Restoration.
“Come on, please,” you begged, clutching the steering wheel like a lifeline. “Just get me there!”
The garage came into view not a moment later, and your car – as ever loyal and hardy as it was, choked and gave up the ghost. “No! God,” you groaned. Your phone came free from the cradle with a pull and you shoved it into your bag. “Just what I needed today, fucking hell.”
Your shoes, a beaten-up pair of Chucks, scuffed the crumbling surface of the road as you walked towards the garage where classic cars were parked on the side of the road – panels and chrome shone under the midday sun and you marvelled at the sight. You weren’t one for cars – having gotten the cheapest and safest option to get you from point A to point B – but the sheer power that seemed to just roll off from the parked vehicles gave you a small pep to your step. 
It was nothing compared to what you felt when you strode up the path towards the open doors of the garage. 
A couple of men were milling about, grease stained but no less attractive. What caught your eye, however, was the broad back of a tall man slumped in the engine bay of a car, his back covered in a red Henley that rippled with every movement of his shoulders. When he moved his arms into the light, you could see the dark intricate tattoos gracing his muscled and veiny forearms, and when his head appeared from the shadows of the popped hood, you couldn’t help the small, quiet gasp that left you. 
The man’s hair was long, almost to his shoulders and he had a scowl etched on his face while he spoke to the blond man next to him. You clutched your bag to your side and took a few steps closer – you needed the help after all, regardless of how drop dead gorgeous or intimidating the man was. 
They paid you no mind as you neared, clearly too engrossed in their conversation to pay attention to a potential customer – you couldn’t tell if you were grateful or disappointed with that fact. 
“Excuse me, I was wondering-” You tried, but stopped when they both looked at you suddenly. The man wearing the red Henley nodded at the blond before gesturing into the garage, and the blond strode off into the garage, tool and rag in hand. 
It was hard to find the words to pinpoint what you were feeling as the full attention of the Adonis- man focused wholly on you. Stormy grey eyes searched your face and he quirked a brow in question. “How can I help you?”
Oh, his voice. You prayed that your thoughts didn’t flicker across your face at the low timbre and downright sinful tone. 
“My car,” you gestured over your shoulder and the man glanced up and nodded once. “It, um–kicked the bucket, you could say, while I was making my way to you. I was headed home but I kind of can’t now. Can you take a look?”
You watched while the man looked over his shoulder, his stance changing from professional and aloof to open, welcoming. It was a relief. “Stevie!”
“Yeah?” A voice called out of the garage, and a mop of blond hair suddenly appeared from under a car. It was the man he was talking to. 
“Watch my shit, I’ll be back.” The man turned back to you and smiled, holding out his hand to shake. “I’m Bucky.” His calluses were rough against your skin and you smiled back, offering your name. 
Bucky gestured towards your car, and you took the lead. “So,” you began, looking over at him, taking just a second to appreciate the way the sun casted its rays down on his brown hair, and the beautiful tattoos that were visible under his rolled-up sleeves. “You’re the owner of the garage?”
“That I am, doll,” Bucky smiled, meeting your gaze. You hastened to look straight ahead; eyes only slightly wide at the endearment. Get it together! “Your car,” Bucky continued, staring ahead with narrowed eyes towards your sorry heap of machinery. “Can you tell me what happened?”
“Uh–I’m not sure, it was fine the other day and then this,” you offered, watching as Bucky came to a stop at the hood and gestured for you to pop it. The sound that it made forced a deep wince to warp your expression. “That was doing that when I bought it.”
Bucky only chuckled while he pushed the hood up and secured it, and you did all you could to not stare at his arms as he did so. Oh, your friend would have your head on a platter if you did nothing, you swore on it. 
The sounds of Bucky tinkering around the engine of your car filled the silence and you watched, entranced with the way he worked his hands and his strength to manipulate the many, many parts you couldn’t even begin to understand. 
It took a second to realise that he had started speaking, because when you looked up, he was staring right at you with a sly smirk. “You alright, sweetheart?”
“Fine,” you squeaked, and Bucky laughed. The bastard, you cursed.
“As I was saying – this should be an easy fix, though it is a lengthy one.” Bucky stood and brushed his hands on his dark jeans. “Do you have a way of getting home?”
“I can get a cab, hang on,” you said, digging in your bag but Bucky held up a hand to stop you, and you froze. 
“Let me take you home,” Bucky said simply, as if there wasn’t a flock of butterflies in your stomach and your mind wasn’t on cloud nine from such a simple offer. “That way while I work on your car, I know you’ll be safe. I can come get you in the morning, too.”
Silence followed his offer while the connection to your brain and mouth caught up, you felt foolish for standing there opening and closing your mouth like a damn fish out of water. Bucky took your silence as rejection, and your heart seized at the small frown on his pretty lips. “You don’t have to, but let me walk you back, you can call a cab from the off-”
“No, no, I-” you interrupted. Your hands were trembling and you willed them to be still. “I would appreciate that, a lot.”
A blinding smile brightened Bucky’s expression and his nose scrunched. You sighed quietly, the sound covered by the creak and groan of the hood slamming down. What had you gotten yourself into?
You couldn’t help but feel a tiny bit giddy on the short walk back to the garage. Bucky, the gentleman, had continued to insist on driving you home so he knew you would be safe – and not only that, he had moved closer to you as you walked, his shoulder brushing yours occasionally while you two shared a comfortable silence. 
“Where do you live, doll?” Bucky asked as he stepped into the office. He pulled down a jacket and a set of nondescript keys. You offered your address and he nodded, gesturing out another door. “C’mon.”
Stevie, the blond from before caught Bucky’s attention and saluted, but Bucky waved him off while rolling his eyes. “Ignore that punk, I do.”
“Is he your friend?” You asked, falling into step beside Bucky while he led you into a small car park – it must have been for the employees only because cars in varying states of restoration filled the spaces. 
“Unfortunately,” Bucky mused, chuckling. He stopped and gestured in front of him and you glanced at the car, then did a double take, your mouth falling wide open in shock. Your reaction must have sparked something because Bucky just grinned widely, a flicker of pride in his bright eyes. 
“This is your car?”
“Yeah, it’s mine,” Bucky answered, and he placed a hand on your lower back to urge you towards the passenger seat. 
You dug your heels in and he turned to look at you, a brow raised while that grin made your heart flutter. “It’s the car from that movie, isn’t it?”
Bucky laughed, and you found you would do anything to hear that sound again. “It isn’t the car, no, but I restored her from the ground up.” You stepped closer and placed your hand over the sloped arch of the fastback Mustang, in awe of the sleek shape and the pepper grey paint, accented by black racing stripes. Bucky brushed past you and opened the passenger door to reveal a neat leather interior. “Hop in, sweetheart. I can take you for a spin before I take you home.”
Starstruck, you walked forward and took Bucky’s offered hand while he winked. “Madame,” he said, his tone low and husky. 
The interior of the car was just as beautiful as the outside – leather and chrome accents shone under the sun and you looked to the shifter, a singular white circle surrounded a red button, the words GO BABY GO etched into the finish, and you grinned. You shuffled in your seat and strapped the harness over your body as the driver’s door opened. “Bucky, this is exactly like Eleanor, I swear.”
“You are seriously one of the few people that have made that connection,” Bucky hummed, shuffling until he was comfortable, and then he strapped himself in. “Makes me all the more happy that I’m taking you home.”
“What?” You floundered, staring at him wide-eyed, your surprise a catalyst to his laughter.
“What?” Bucky repeated, shrugging. “Gotta take a pretty dame home so she’s safe, don’t I?”
“Oh my god,” you muttered, gripping the belts of the harness in shock. He was flirting – Bucky was flirting.
The keys in Bucky’s hand jingled and turned in the ignition, and the Mustang roared to life, the vibrations rattling your bones. “Alright, you ready, sweetheart?”
You stared at Bucky and he just smirked back, completely unabashed. “You are insane,” you pointed out. “You are absolutely insane.”
“Not the worst I’ve been called, doll, c’mon,” Bucky pouted, grabbing the shifter and jostling it. “I wanna take a pretty girl for a spin, you gonna let me?”
Heaven above, you were gonna melt into the leather seat if he kept staring at you like that. “Fuck it, take me for a spin, Bucky.”
“Hell yeah,” Bucky breathed, and he pumped the clutch as he put the Mustang in reverse. The engine purred with the low speed and you watched as Bucky turned the wheel with one hand, and the other shocked the shit out of you by coming to rest on your thigh. A noise of surprise left you and Bucky looked over at you sharply. “Too much?”
A sudden burst of courage flooded you and you shook your head. “Never enough,” you grinned, and Bucky laughed. You watched the garage pass by slowly and the sound of the engine echoed around the small driveway, the rumble and timbre still rattling your bones. 
“Oh, hang on,” Bucky said suddenly, and the Mustang stopped just outside the front roller doors. You watched in the side mirror as Bucky’s employees gathered and pulled out their phones and pointed them towards the car. The opening notes of a song started and you gasped, gripping the belts across your chest. “What?” Bucky grinned, gripping the wheel and your thigh simultaneously. “I have to show off to the classics, don’t I?”
“Oh my god!” You cried, grinning like a fool. 
Bring Sally up, and bring Sally down, lift and squat, gotta tear the ground.
The engine revved, lowered to a purr, revved again, and Bucky put his boot to the floor. The following symphony was priceless; the engine roared like a beast and the back end dipped, and before you knew it, a cloud of smoke engulfed the back of the Mustang. You heard Bucky’s feet on the pedals and the shifter clunking as Bucky tore through the gears, but only barely – blood was pumping through you and muting all sensation except for the exhilarating feeling of losing control. 
Somehow, you had reached the end of the road in the blink of an eye and you gasped for breath, working through the scorching adrenaline in your veins. The engine settled to a low purr once again and you felt Bucky looking at you, his grin manic and bleeding arrogance. “You with me, doll?”
“I’m with you,” you rushed, returning his grin. “Take me home, handsome.” The prideful gleam in Bucky’s eyes gave you no cause to regret the slip of your tongue, and you settled into the seat for the drive home, heart still racing. Words escaped you for the entire drive, but the smile never left your face, nor Bucky’s. 
Before long, Bucky pulled up out the front of your house, and he killed the engine with a happy sigh. “Here we are,” he said, looking at you with such a frightening softness, as though he was already fond of you – like his flirting wasn’t just a game. “Let me walk you in.”
“Okay,” you agreed shakily, and Bucky reached over to unclip your harness before he stood from the car and stretched, groaning as he stretched. Blessedly, his shirt rode up and you caught a peek of the tattoos on his lower stomach.
Taking a deep breath, you walked towards the front door of your home and Bucky followed you, and that giddy feeling returned in earnest. “I had fun, I-” You hesitated, then plunged on. “I don’t know how to thank you, Bucky. I know it was such short notice and-”
“Come get a drink with me,” Bucky interrupted, voice soft but confident. “Whatever it is you drink, and I’ll consider it all repaid,” he said, finishing with a wink. “What d’you say, doll?”
You nodded hastily, not even ashamed of the eagerness. You dug in your bag and pulled out your phone to unlock it before passing it to Bucky. “Here, give me your number, and you can text me in the morning.” 
“Or tonight?” Bucky questioned, taking your phone with a cheeky smirk.
You ignored how your stomach leapt at his words, instead you smirked back. “I dunno, handsome,” you began. “You’ll have to wait and see.”
Bucky’s eyes narrowed but his smirk grew, almost predatory. “Alright, sweetheart,” he said, handing back your phone. “I best get back and get back to work if I want to be free tonight, I’ve got a pretty dame to talk to, after all.”
You stood on the step by your front door and watched him walk back to his Mustang, firing it up and blowing you a kiss before he tore down the road, the roar of the engine still audible even a few streets away. Curiosity gripped you like a vice and you unlocked your phone, only for his contact to be the first thing you see. 
Handsome.
“Damn,” you muttered, shaking your head and grinning happily while your fingers hovered over the keyboard to text him. “I’m so doomed.”
And doomed you were.
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⠈⠂⠄ 𝐢𝐧𝐛𝐨𝐱 | 𝐥𝐢𝐛𝐫𝐚𝐫𝐲 | 𝐚𝐨𝟑  ⠄⠂⠁
⠈⠂⠄𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 | 𝐜𝐨𝐥𝐥𝐞𝐜𝐭𝐢𝐨𝐧𝐬 ⠄⠂⠁
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ventismacchiato · 1 year
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13 behind the lens — caught in 4k !
scaramouche x g!n reader
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“More like this,” Kuni mumbles, leaning forward to tuck a loose strand of hair behind your ear as he goes back to kneeling down on the ground and taking a photograph of you.
He’d picked you up from class and led you to a park, laying petals in your hair and arranging your limbs into different positions all afternoon. It was a little exhausting but the feeling of content you felt everytime he showed you the screen of his camera was worth it.
You couldn’t believe anyone saw you like that. He had a tender look fleet through his eyes that made your heart feel heavy. It was bittersweet.
“I think I’m good, I’ll send these to you,” Kuni muses, letting his camera dangle off his neck as he makes his way back towards you, plucking a petal out of your hair.
“You sure took a lot…did we need to for the assignment?” you ask, dodging as he tried to chuck a flower at your face.
“No, I just wanted extra photos of you,” he shrugs, picking up your school bag from the ground and draping it across his shoulder as he started to walk off.
“Hey! You owe me some photos then too,” you call out, catching up beside him.
“Didn’t know you were so dirty-minded,” he chuckles.
“Not those kinds of photos!”
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“I never knew you were into plushies?”
“I’m really not, by you are so I thought I’d get you one. Or however many of these weird fucks you want.”
You hide your grin as you pick up a teddy bear off the shelf, hiding your face behind it.
“I knew you’d like it,” he says, following you to a booth. He picked one with three seats and takes the teddy bear from you, setting it down on the free seat.
“What’s not to like about a couples cafe filled to the brim with plushies?” you marvel, picking up the menu.
Neither of you have had the official couple talk, but it was assumed you both were a pair. You weren’t ready to make it official just yet, just like you weren’t ready to tell him your identity.
“Uhm, excuse me! Sorry to bother but are you Scaramouche?”
You both look up from your menus at a girl around your age, carrying a takeout bag with one hand and the other palm clutching her mouth in shock.
Scaramouche raises a brow and looks taken aback for a mere moment before composing himself, “That would be me, are you a fan?”
“The biggest! It’s so nice to meet you I can’t believe this is happening!” she gushes, a grin on her face as she waves around her phone, “Can I get a picture with you?”
“…sure,” he says, sending you an apologetic look as the girl turns to you, taking in your appearance for a quick second with a judgmental stare before handing you her phone, “Can you please take a photo of us?”
“Sure,” you slowly say, trying to mask your voice and taking the phone from her and snapping a few photos of the two of them. You and Kuni hadn’t even taken a photo together yet.
“Thank you uh…Scara’s friend,” she smiles, shooting a wink to Scara and skipping off.
“Sorry about that,” Kuni immediately apologizes after the girl leaves, “Shit like that has been happening since my face reveal.”
“It’s fine,” you assure, eyes scanning the menu, gnawing your lip unconsciously.
“Are you mad?”
“No,” you huff, before setting the menu down, “We don't have any photos together!”
Kuni stifles his snicker, “Is that it? If you wanted a fucking photo you didn’t have to ask.”
“It’s embarrassing.”
“Just get over here we’ll use my camera.”
“Can the bear be in it?”
“For fucks sake fine.”
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behind the lens !
masterlist — prev | next
what’s ur guys’ boba orders? i like mango slush w strawberry boba and i gave scara black sesame cus it isn’t very sweet and it matches his aesthetic
the picture that’s supposed to be you doesn’t depict body size, gender, or ethnicity, just the pose and place!
end of act one 🎬
author’s notes — so i moved to college dorms and i have nothing to do until classes start so i’m writing this to help alleviate my anxiety 😭
synopsis — you, better known as STARDUST, and BALLADEER have always been in competition for the top streamer spot on twitch, which is especially impressive since the two of you have never shown your faces. you’ve never been on good terms, constantly one-upping each other in matches and getting into petty arguments on twitter, causing your fans to also dislike each other. that’s until BALLADEER does a face reveal that breaks the internet with his good looks…which makes you realize it’s the same guy you went on a date with last night. the type of date that made you crave to see him again. the only problem was he didn’t know you were STARDUST and he was way different behind the lens than he portrayed himself online to you. should you keep your identity a secret to salvage the relationship or just let him go?
taglist is closed — @captainzep @elysiumarchieve @plinkuro @sakkakuu-squared @eliqusgenma @vuvulia @kunikuzushiit @heehooyeslol @stxrgxzxr @lilneps @uma-umie @i9tto @mitsukifilms @caesars-bubbles @wheneverthesunrise @its-like-twilight @kazuhalvrr @erosdevil @thenightsflower @p1utto @noodleshark420 @lxry-chxn @orbitscara @court-jester-stuff @lauragalliart @veyu002 @kaeyas-eyepatch-69 @leathernourishingshoepolish @satowaluverr @lexlapis @drunkwithfever @exhaustedcommunist @vincanzu @ainlaw @ovaliz @kitsuvil @whatamidoing89 @celestair @kunihaver @kazioli @xiaosoneandonly @cridtiins @cherrybeomgyu @asukahiriko [1/3]
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racefortheironthrone · 5 months
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What did you think of X-Men Blue Origins?
(I may turn this into a People's History of the Marvel Universe later today, so keep an eye on this space.)
X-Men Blue: Origins and the Power of the Additive Retcon
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(WARNING: heavy spoilers under the cut)
Introduction
If you've been a long-time X-Men reader, or you're a listener of Jay & Miles or Cerebrocast or any number of other LGBT+ X-Men podcasts, you probably know the story about how Chris Claremont wrote Mystique and Destiny as a lesbian couple, but had to use obscure verbiage and subtextual coding to get past Jim Shooter's blanket ban on LGBT+ characters in the Marvel Universe.
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Likewise, you're probably also familiar with the story that, when Chris Claremont came up with the idea that Raven Darkholme and Kurt Wagner were related (a plot point set up all the way back in Uncanny X-Men #142), he intended that Mystique was Nightcrawler's father, having used her shapeshifting powers to take on a male body and impregnate (her one true love) Irene. This would have moved far beyond subtext - but it proved to be a bridge too far for Marvel editorial, and Claremont was never able to get it past S&P.
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This lacuna in the backstories of Kurt and Raven - who was Kurt's father? - would remain one of the enduring mysteries of the X-Men mythos...and if there's one thing that comic writers like, it's filling in these gaps with a retcon.
Enter the Draco
Before I get into the most infamous story in all of X-Men history, I want to talk about retcons a bit. As I've written before:
"As long as there have been comic books, there have been retcons. For all that they have acquired a bad reputation, retcons can be an incredibly useful tool in comics writing and shouldn’t be dismissed out of hand. Done right, retcons can add an enormous amount of depth and breadth to a character, making their worlds far richer than they were before. Instead, I would argue that retcons should be judged on the basis of whether they’re additive (bringing something new to the character by showing us a previously unknown aspect of their lives we never knew existed before) or subtractive (taking away something from the character that had previously been an important part of their identity), and how well those changes suit the character."
For a good example of an additive retcon, I would point to Chris Claremont re-writing Magneto's entire personality by revealing that he was a Jewish survivor of the Holocaust. As I have argued at some length, this transformed Magneto from a Doctor Doom knockoff into a complex and sympathetic character who could now work as a villain, anti-villain, anti-hero, or hero depending on the needs of the story.
For a good example of a subtractive retcon, I would point to...the Draco. If you're not familiar with this story, the TLDR is that it was revealed that Kurt's father was Azazel - an evil ancient mutant with the same powers and the same appearance (albeit color-shifted) as Kurt, who claims to be the devil and is part of a tribe of demonic-looking mutants who were banished to the Brimstone Dimension, and who fathered Nightcrawler as part of a plot to end this banishment.
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I don't want to belabor Chuck Austen, because I think that Connor Goldsmith is right about his run actually being a camp cult classic in retrospect. However, I think we both agree that the Draco was a misfire, because of how the retcon undermined Kurt's entire thematic purpose as established in Giant-Size X-Men that Nightcrawler was actually a noble and arguably saintly man who suffered from unjust prejudice due to the random accident that his mutation made him appear to be a demon, and because of how the retcon undermined the centrality of Mystique and Destiny's relationship.
X-Men Blue Origins
This brings us to the Krakoan era. In HOXPOX and X-Men and Inferno, Jonathan Hickman had made Mystique and Destiny a crucial part of the story in a way that they hadn't been in decades: they were the great nemeses of Moira X, they were the force that threatened to burn Krakoa to the ground by revealing the devil's bargain that Xavier had struck with Sinister (and Moira), they were the lens through which the potential futures of Krakoa were explored, and they ultimately reshaped the Quiet Council and the Five in incredibly consequential ways.
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This throughline was furthered after Hickman's departure, with Kieron Gillen exploring the backstories of Mystique and Destiny in Immortal X-Men and Sins of Sinister, and both Gillen and Si Spurrier exploring their relationship with Nightcrawler in AXE Judgement Day, Sins of Sinister, Way of X, Legion of X, Nightcrawlers, and Sons of X. One of the threads that wove through the interconnected fabric of these books was an increasing closeness between Kurt and Irene that needed an explanation. Many long-time readers began to anticipate that a retcon about Kurt's parentage was coming - and then we got X-Men Blue: Origins.
In this one issue, Si Spurrier had the difficult assignment of figuring out a way to "fix" the Draco and restore Claremont's intended backstory in a way that was surgical and elegant, that served the character arcs of Kurt, Raven, and Irene, and that dealt with complicated issues of trans and nonbinary representation, lesbian representation, disability representation, and the protean nature of the mutant metaphor. Thanks to help from Charlie Jane Anders and Steve Foxe, I think Spurrier succeeded tremendously.
I don't want to go through the issue beat-by-beat, because you should all read it, but the major retcon is that Mystique turns out to be a near-Omega level shapeshifter, who can rewrite themselves on a molecular level. Raven transformed into a male body and impregnated Irene, using bits of Azazel and many other men's DNA as her "pigments." In addition to being a deeply felt desire on both their parts to have a family together, this was part of Irene's plan to save them both (and the entire world) from Azazel's schemes, a plan that required them to abandon Kurt as a scapegoat-savior (a la Robert Graves' King Jesus), and to have Xavier wipe both their memories.
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Now, I'm not the right person to write about what this story means on a representational level; I'll leave it to my LGBT+ colleagues on the Cerebrocast discord and elsewhere to discuss the personal resonances the story had for them.
What I will say, however, is that I thought this issue threaded the needle of all of these competing imperatives very deftly. It "fixed" the Draco without completely negating it, it really deepened and complicated the characters and relationships of both Raven and Irene (by showing that, in a lot of ways, Destiny is the more ruthless and manipulative of the two), and it honored Kurt's core identity as a man of hope and compassion (even if it did put him in a rather thankless ingénue role for much of the book).
It is the very acme of an additive retcon; nothing was lost, everything was gained.
I still think the baby Nightcrawler is just a bad bit, but then again I don't really vibe with Spurrier's comedic stylings.
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comfortfoodcontent · 2 months
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1996 Prophet/Cable Extreme Comics House Ad
This one is interesting as it says Chuck Dixon, who wrote some Prophet, would write this one. He did not. This one ended up coming out in 1997 as I believe the last of the Extreme/Marvel crossovers and actually came out under Maximum Press, which Liefeld had left Image/Extreme to publish under at the time. Liefeld also ends up not drawing the whole thing. It's not a very good comic mini but one interesting thing to come from it is the intro from issue 1 where Liefeld explains Prophet was meant to be a Marvel Universe character working for Kang the Conqueror - see below
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