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#cause that's literally me about all these parallels
bethanydelleman · 1 day
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I just finished reading Sense and Sensibility and I loved it sooo much it was soooo good, its my third Austen book ( I've already read Pride & Prejudice and Persuasion) and so far Marianne and Elinore are my favourite protagonists!!! ( Also I have a sweet spot for the sisters trope).
[spoilers ahead]
I LITERALLY SCREAMED when Edward told Elinore he wasn't married to Lucy, I totally didn't expect that twist at all!! I also found this book so different from the others I've read before, mostly cause I found it less slow paced maybe? Idk if this makes sense. Also I loved the character development of both of the sisters it was so well written (the entire cast was tbh). And can we talk about the parallels between Edward and Willoughby???????? And the sweet kindness of Colonel Brandon????? AND how Elinore and Marianne were absolutely girlbosses through the entire book??? Austen slayed again
Ou, you got to read Sense & Sensibility unspoiled! Exciting. It's wonderful that you enjoyed it so much. I do find the writing style a bit different than Austen's later works, this was the first one she published.
The parallels between Edward & Willoughby are great. Edward stays true to his word even though it may cost his inheritance and Willoughby refuses to do the right thing to get his inheritance back! Willoughby gives up love for wealth and Edward does the opposite, twice! (well he gives up wealth for honour and then for love, but still). And yeah, Colonel Brandon is a total sweetheart. I hope he is very happy with Marianne for a long time.
Feel free to send me more excited reviews of Austen, I love reading them. Share the joy!
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gaylos-lobos · 1 year
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actually before i go to sleep
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giving Luz the same kinda shot composition here directly after finding out what happened to King and Eda (and telling Camila that she hasn’t changed her mind about returning back to Gravesfield after rescuing the two) while dressed as Azura (someone she admires) to when Philip arrived to the isles in search and rescue for Caleb (<- if getting there was accidentally or not does not matter) while dressed in his attire or at least clothes that resembles them, truly driving home the point of how similar the two of them are and how they really are just mirrors of the other
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skitskatdacat63 · 3 months
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"Victory belongs to the most persevering" - Nandopoleon Alonsoparte
+ First Consul Nandopoleon
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Wow look I finally drew him properly! This was like the 2nd or so AU I've ever made, but honestly I feel so strongly about it that it's really intimidating to try and make a satisfying explanation post for it. I want it to be perfect ah. But I will one day! Maybe a web weave or smth in the meantime. But I digress. Napoleon Bonaparte = Fernando Alonso, please contact @/skitskatdacat63 for details.
In this painting I drew the uniform Napoleon wore during the Italian campaign in the 1790s, bcs I think it's so pretty, and not just the typical Napoleon outfit everyone knows(tho dw I'm in love with that one too.)
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Though I will say, it was a bit weird drawing Fernando in navy blue(is this a sign for 2025?), so I had to draw him in the bright red First Consul uniform, to return some order to the world y'know
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I ended up picking "victory belongs to the most persevering" as the Napoleon quote to use, but that was really hard to pick tbh. I literally have a whole folder of Napoleon quotes that remind me of Fernando LOL. Some others, to give you an idea:
"Glory is fleeting, but obscurity is forever."
"From triumph to downfall, there is but one step."
"Morality has nothing to do with such a man as I am."
"It requires more courage to suffer than to die."
Etc etc., again: I have a folder ;;;
I don't think this drawing was nearly as complicated as the Seb one, but for some reason it made me suffer more. I think you just get into this really intense mindset after drawing smth super detailed, and it's very frustrating. But I like it! His face was very confusing to me(the angle of the eyes), and then it randomly hit me how to draw it so that was cool. Look at him face :) handsome boy
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Also here's the process! I think I'm gonna try and draw something each weekend as a gift to myself after the school week(if I have actual ideas for it lol)
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rapidhighway · 6 months
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K I've been thinking about this for like a week now. Ignoring any immortal headcanons if you have them. Knuckles knows he's not going to be able to guard the Master Emerald forever and that probably troubles him, but, if he was dying do you think he'd ask Sonic to guard it? He's the person with a unique connection to Chaos and the Chaos Emeralds and he's basically chosen one the most specialest guy, and one of the few people Knuckles could trust with that duty.
Of course I think Sonic would say no. I think he'd never be able to do that and he wouldn't want to.
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imminent-danger-came · 5 months
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Can we take a moment to appreciate how many hats SWK manages to keep crammed on his head in lmk?
That man was doomed by the narrative, is mourned by the narrative, is and was haunted by the narrative AND is haunting the narrative, all at the same time! And lmk isn’t his story, and he doesn’t think of it as his story, and he doesn’t want it to be his story, but it’s also exactly his story, just a little to the left, and he is trying to remove himself from this new story, but also can't escape it because this isn't his story but also it is, and he's taking steps to ensure this don’t end up like his story, and is accidentally contributing to problems that are making it like his story all over again as a result. What a character!
To quote Anne Carson,
"To live past the end of your myth is a perilous thing".
I think, strangely enough, most characters in Lego Monkie Kid are living past the end of their myth (jttw). You have Wukong who is the only original pilgrim still alive and around, you have Tang, Mei, Pigsy, and Sandy who are all reincarnations of the pilgrims (supposedly), and then you have all the antagonists who try and continue their stories in their own way. DBK was freed from under the mountain, almost killing his wife and son in his continued pursuit of world domination. LBD escaped her prison early, continuing her plan for a perfect world which ended in her defeat, her end. Spider Queen refused to accept the end of her empire, and ultimately was killed by LBD for it. Azure Lion had been sealed in the scroll, and after being released immediately tried to continue his rebellion, his hubris, martyrdom, and refusal to change becoming his downfall.
I think in Wukong's own way, he does something similar—falling into old habits and becoming his own undoing. His search for the samadhi fire was exactly what Macaque was upset about in the 4x11 argument:
"You're the one always running off! Searching for more power, or more sources of immortality: you're the one who wouldn't quit while we were ahead!"
MK earlier in the special makes the point "Why didn't he just stop, right here? He was already so much stronger than anyone ever needed to be." to which Macaque replies, "Wukong didn't think so, he always thought he had to be stronger—more immortal." And that's what he does in s2 isn't it? He still isn't strong enough. He can't defeat LBD, so he has to go find the power that will make him strong enough to do just that—and Wukong finds the samadhi fire. Which in turn leaves MK behind, and has him relive his life's story again.
Like, this dude is CRAZZZYYYY
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jinx-you-owe-me · 1 month
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PART 20
of the dfk 2023 audiobook translation
@cnka
Narrator (audiobook): Robert puts another piece of wood on the trunk and swings the axe.
Bökh: „And you never wanted to get in touch?"
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The Nichtraucher picks up a piece of wood.
Silence.
Nichtraucher: „Why should I? We didn’t see each other for the past ten years either.“
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He rips the piece of wood apart with his bare hands. While holding eye contact with Justus.
Silence.
Justus lowers his head.
Jo: „Uh.. weren’t you-" Martina, quietly: „Jo, leave it. Lets go.“
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Martina, louder: „We need to go! We still have something to do.“
The kids leave. Jo and Martina are holding hands as they walk away.
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Bökh: „Yeah… Thank you, kids.“
Jo, whispering as they walk away: "What was that just now?!"
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Robert picks up the chopped wood and walks back to his wagon. Justus looks after him.
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Narrator (audiobook): If the two friends will find back together? Matze isn’t so sure of that.
Matze, sarcastically: „Well, that was a great success!“ Jo: „Yeah, so much for friendship between Internals and Externs.“
Narrator (audiobook): At least Robert granted Herr Bökh access to his wagon. He looks around lost in thought more or less, while Robert washes the dishes.
Dishes clatter. There is silence otherwise.
Justus stares wistfully at Robert while he washes the dishes.
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Justus takes his eyes off Robert and starts looking around while Robert continues to ignore him.
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Bökh: „I thought you were living in London.“ Nichtraucher: (silence) Bökh: „It's nice here.“ Nichtraucher: (silence)
Justus starts walking around.
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Bökh: „I told the kids about our friendship.“ Nichtraucher: „As a cautionary tale?“ Bökh: (chuckles/scoffs) „No. Of course not.“
Narrator (audiobook): Bökh spots the poster of „the Bandits“, the same one hanging in his apartment.
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Bökh: „The 'Wild Dog' that we always played in is still there.“
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Nichtraucher: (silence)
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Bökh: „Should we meet there sometime? For a beer?“
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Robert looks up.
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He lets out a small huff, almost like an incredulous laugh or a scoff.
He dries his hands on a towel and folds it.
Nichtraucher: (silence) Nichtraucher: „I don’t know what we would have to say to each other.“
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Bökh: „Hm. Well. A lot of time has passed.“
Narrator (audiobook): Robert sits down at the table and lights himself a cigarette.
Justus turns as well and starts looking around again.
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Nichtraucher: „Why didn’t you come to Marie’s funeral back then?“
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Nichtraucher: „You didn’t even get in touch.“
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[„You didn't even get in touch“ -> parallels to „And you never wanted to get in touch?“]
Justus is silent. He starts fiddling with his jacket and pulls it off his shoulder. He lets out a deep, shaky sigh and is silent for another few moments.
Bökh: „…I don’t know, you met her and… and suddenly you were gone.“
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[Parallels to „suddenly your closest loved ones are gone“]
Bökh: „As if everything -our friendship, the band- as if that had all just been a dream.“
Justus turns around and looks at Robert.
Bökh: „Wir zwei. Wir hatten doch Pläne.“
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Bökh: „That really hurt me.“ Nichtraucher: „It hurt you.“
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Silence. Just the music.
Bökh: „Yes. Very much back then.“
The Nichtraucher lets out a soft incredulous laugh again, almost like a scoff.
Nichtraucher: „I see.“
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Long silence. Justus stares out the window. Finally, he turns and walks to the door.
Bökh: „You know where to find me.“
Justus leaves the wagon. Robert nods to himself silently.
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Narrator (audiobook): And with these words, Herr Bökh leaves his friend’s train wagon. If the two will ever see each other again?
#das fliegende klassenzimmer#dfk 2023 audiobook translation#dfk#das fliegende klassenzimmer 2023#mine#this is the most scene of dfk 2023 to me. i am having so many feelings and thoughts about it#there is so much to unpack#i really hope this did it justice... the whole. silent staring obviously doesnt translate#the silence in general doesnt translate#i would recommend to actually watch the scene#the silence is so so pivotal#another addition;#ach gott ich nehm grad neue bilder auf weil diese szene hq wirklich wert ist#und ich komm immer noch nicht darüber hinweg dass justus den nichtraucher allen ernstes 7 SEKUNDEN LANG ANSTARRT WÄHREND DER SPÜLT#ich hab hier wirklich am image limit gekratzt#tbh mit dem foto von den kindern kann ich nichts anfangen aber es scheint nicht unwichtig zu sein so i included it#it cant be robert and justus cause these kids are waaayy too young#if robert and justus met in school#these kids are like. idk. 9??#and i assumed they met when they were around the age of the kids in this movie#but maybe i got it wrong??#its so funny at some point i dont even talk about the Main Things of this scene anymore and focus on the most miniscule details instead#thats probably bc ive watched it maybe 10 times now and literally know this scene by heart. but let us PLEASE talk about the Main Things#i am so ready to have endless discussions about justraucher#hopefully the last addition of tags;#ok honestly i made almost as many edits to the tags as i did to the post#cause i kept changing little things so my comments werent up to date anymore#i think this part will be my magnum opus out of them all. but who knows theres still 9 to come#i think it shows that this is my favourite 🙃#oh yes i also added mentions to the parallels. felt like these were significant
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springcatalyst · 1 year
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*banging on your door* I'D LIKE TO HEAR ABOUT JULIAN, LILIANA, UND BROOKE PLEASE PLEASE PLEASE.
What are their final thoughts in the dark silence of night before they sleep? How do they sleep?
How do they choose their clothes when purchasing and dressing?
What is a fear that they cannot pull themselves away from? They need it, and they hate it.
OMG HELLO HI HELLOOOOOOOO i am taking ur coat like a victorian gentleman and inviting u inside.  These are so specific and dramatic i love
AHEM
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Sleep, rather, the moments right before it, is when a person is at their truest.  You can’t really hide from it.  So those final thoughts are typically a lens into the basal forms that make up a character.
Liliana is a character that’s very true, very genuine, so her sleeping mind doesn’t show much that you wouldn’t expect, because there’s not a lot that she hides, at least not from herself.  She’s obsessive: stuck (though ‘stuck’ implies that she’s here by some force other than her own) in this quest that she’s been trailing for years, getting closer but not in any way that’s tangible.  She goes to sleep with ‘what next’ floating around in her skull, and dreams of a goal reached.  And she sleeps like the dead, but only because she puts it off for as long as she can.  Not that she avoids sleep itself, though, rather she stays up and works until she can’t stay upright anymore.  She is laser-focused, set on her task.  It can benefit her, in certain conditions, but mostly it leaves her running on so little sleep she has trouble functioning. Her being a satyr means her sleep schedule doesn’t quite align with a ‘typical’ one anyway, but she definitely fucks it more and also that’s not set in stone atm.
Julian, on the other hand, is a liar and he hides just about everything about himself, including from himself.  Julian and Liliana are similar in a lot of ways but this is not one of them.  So his unconscious truth doesn’t always align with what he appears to be.  It’s careful.  It’s somatic: a sort of ‘is the door locked is the knife within reach is the cane by the bed,’ but it’s also theoretical: more a ‘who here do I trust (in the most basic sense of the word) or who do I watch out for.’  He absolutely is the impulsive asshole he looks like, but the little bit of careful caution that remains beneath plays a role in his continued safety (relatively speaking).  Julian is also a pretty light sleeper, growing up with five siblings (lmao) there’s a good amount of noise in the mornings or if something is wrong at night, so he’s just kind of grown accustomed to waking up, even if it’s that barely-awake state, to evaluate the noise.  And he rises with the sun- mostly old habit, but it’s also convenient for guaranteeing some time unobserved, for safety or just for some quiet.
Brooke is different in that the thing that follows her into sleep isn’t as much a thought as it is a feeling.  Brooke spends a lot of time busy, not necessarily with the intent of keeping her mind securely in the present, but that’s the effect it has, no matter.  So when she isn’t doing something- following or fighting or helping or hurting -she gets that little moment of quiet calm and it’s occupied by guilt.  The weight of it kind of lingers above her, the knowledge of what she was a part of, the remembrance of what she’s constantly trying to undo.  Brooke lives in the shadow of a debt to repay, and it catches up to her when she has a moment of still.  She is an uneasy sleeper, heavy to the ongoings of the waking world, but she rarely sleeps straight through the night, nevertheless.  She doesn’t dream, just wakes with the feeling that she did, even as it evades her. 
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I feel like this is already so long and that’s just the first thing but like, you gave me the opportunity so I’m taking it <3.  Choice of fashion is a little less dramatic but I’m sure I’ll find a way to make it anyway.  Clothing basically serves three functions: utility, expression, and comfort.  For the sake of character designs I usually focus on the first two unless it’s particularly relevant, which it isn’t for these three so much. 
Brooke is mostly utility.  She has casualwear, of course, but honestly I haven’t really designed much of it and usually just draw her in her armor.  Which is pretty obviously utile, but it’s also familiar.  She keeps this leather armor, embossed around the edges (that I’ll actually design and make mean something eventually but... not yet apparently) and either similar or just the same to the kind she wore with her family, their guild.  Familiar isn’t always a good thing, but it’s all she knows.  If I’m being real she’s still being developed, especially storyline specifics, so not a lot is decided.  I’ve thought about switching around the colors, the blue I typically give her can be a changed version, removed from its ties to before, which was maybe a gold or a purple, something more implicative of importance.  Or of having her rid herself of the armor completely, so caught up in breaking her bonds that she makes herself vulnerable... but I’m a little too attached to how the armor looks... basically, she’s just balancing the safety of utility with the unrest of something recognizably hunter. 
Liliana is mostly expression.  She doesn’t need anything particular from her clothes, so chooses what makes her feel good.  Nothing too extravagant, because she is still wrecking shit and needs to not be hindered by what she’s wearing, but she dresses to look good and be scary, when the need arises.  She wears dresses and skirts despite the fact that, as a satyr, she really doesn’t... need to?  Because satyrs, post-cataclysm, live closely tied with humans in particular, though fauns as well, depending on locale, and as such have absorbed some social elements of theirs- like clothing and gender norms.  She abides by those norms, gender in particular (to a certain degree), not because she has to but because she wants to- because, you know, trans.  She carries a good amount of things with her on average- swords and knives and lockpicks and money and various other whathaveyous -but rarely carries them all at once, taking them on or off her person whenever she thinks she may or may not need them, but her belt remains on no matter, because that’s what she needs to have any of them at all.  Her compass, too, stays on her at all times, but that’s more sentimentality than use. 
Julian is a bit of both, but with him, a lot of the expression melts over into utility.  The puffy shirts, while inherently pirate out-of-universe, are conveniently the opposite of form-fitting.  They make him look bigger than he is like a cat puffing out, but also hide, you know, trans.  Typically they’re white or otherwise lightly colored, because it’s cheap and function-over-form, but later era when he’s particularly full of himself he trends towards darker colors and black.  Black, as a dye, is expensive to make, so wearing it is a way of making it clear that he is either important or dangerous or both- he strives to command respect or fear and it doesn’t always matter which.  Julian, like Liliana, also carries some stuff with him, but the difference is that he has less, and so almost always has all of them.  The exception is his sword, which is bulky enough to always have that unless he for sure needs it, he’ll leave it in favor of a knife (or two, counting the one in his cane).  And because his right hand is typically occupied by his cane, his things are all strapped to his left, another reason he doesn’t always carry the sword- it gets in the way.  Finally, depending where storyline-wise he is, he wears a couple little gold earrings- mark of a pirate.  Been considering having it be a status thing, too: one for crewmate, two for first mate, three for captain, or something similar. 
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Fear is a really interesting one.  I dig where you’re going with it, and I’m sure I’m about to exhibit some mental illness, but like, fear is possibly one of the most important things in a character, because it’s what’s really behind at least 90% of a characters’ motivations, isn’t it?
Gotta start with Julian for this one.  He is afraid of a thousand entwined things in a way he will never admit and might not even be aware of.  The way he is perceived is so important to him that he lives with the constant threat of what he’s built for himself being taken away.  He’s so... I can’t call him exactly fake, because it’s not all false... he’s so constructed.  Everything he is, is exaggerated.  He is angry, and impulsive, and fast and rude and detached, but the way those things are presented is curated to be viewed in the way that he wants it to be.  And because of that, because everything he is is built on a not-quite-lie not-quite-truth, he runs the risk of having it all crash down around him.  That’s what follows him: the fear of being seen past it all, because he thinks that with that, he’ll end up right back where he was before.  Not to be too insane but in my silly little character.doc that I have for fun there’s this segment that’s pretty much what I just said:
He is afraid of no longer being taken seriously
He is afraid of losing the image he has created
He is afraid of trust being broken and secrets getting out
He is afraid of being patronized or the subject of pity
He would have you believe he is afraid of nothing
Liliana, now that I’m thinking about it, is actually pretty similar to him.  I didn’t even do this one on purpose oops.  Her difference, though, is that what she is isn’t fake.  She has this legacy, this name, that she reigns- people know of her, she commands that same respect or fear that Julian has to try so hard to.  Part of that, though, is taken from her.  She has her... I don’t want to call it a birthright, because that sounds entitled, but she has her birthright, then it’s stolen from her, and she rebuilds it even as she is on a hunt to reclaim it.  And so her fear stems from the possibility of failure.  If she never reaches her goal, if she truly loses what should never have been taken in the first place, then it’s all been for nothing, not only her work, but her father’s.  And the longer she goes without reaching that finish line, the more she is afraid of ‘what if it’s too late’ and ‘maybe it’s already over.’  Because her failure is also his, what she’d lose is also his, and that’s worse than if she just failed herself, because she feels the need to honor what he built, what he left, and what he was, in his absence.
Brooke is afraid of exactly what you’d expect.  A thousand what you’ve done’s follow her.  She terrified of never making it right, of the possibility of her wrongs being something that she never can make right.  She made a vow and she intends with all her being to keep it, but there is no endgoal, there is no ‘finished.’  It’s constant, and as such the constant threat of failure, of breaking that promise, whether by action or inaction, stays with her.  She lives with it for so long that it begins to leech into her, more than it already was, so it becomes what drives her.  But also... it’s what’s always driven her.  For a long time, she’s driven more by what’s behind her than what’s before her, and all that does is make her steep in this guilt and fear, fighting for a repentance that she doesn’t even know if she deserves. 
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Okay I’m done being insane now, I hope my fucked up little guys provide enrichment to your enclosure but either way you’ve given me the GIFT of LETTING ME BE ANNOYING so THANK U AGAIN BESTIE. KISSING U KISSING U KISSING U KISSING U K
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moishecampbell · 2 years
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it's kind of funny seeing spn constantly being brought up in the context of the benefits of a longer season cause i remember that a lot of time during my rewatch i was thinking the show would really really benefit from being shorter. obviously we'd lose a lot of great character moments and with the writing being what it is those are irreplaceable But if we're talking about like. making a satisfying season of television
#season 10 being the worst offender but my god season 4 would've been golden if it was 16 eps long#it goes back and forth too much#and s10 beloathed. they stretched it too much and had no idea what to do with it. it would've been good if it was 10-12 eps#and focused more on claire as a narrative parallel for anger/revenge etc#i'm not as big of a season 1 fan as most people cause it gets a little boring but i do think it's probably the only reason that Needed to#be like that like the pacing is great. it needed to be slow#s5 also needed to be long cause it's the party at the end of the world we have our problems with the narrative and arc and how it deals#with what s4 set up (badly) but it's such a good time#s6 needed to be that long cause it's a slow unfolding mystery with like 5 different connected arcs but it needed stronger writing#s2 needed to be that long cause well sorry for being an xmen girl but it needed more psychic kids. also it literally drops dean's arc#halfway though i hate it#s7... needed to be more like s5 ig? the winchesters on the run concept is fun and the leviathans are FUN but they weren't fully utulized#also fuck the becky episode etc#s8 beloathed. no comment. needed more hercules trials and LESS. ANGELS. fuck those guys fr#s9 beloved... gadreel arc was good crowley's rs with the boys was great but the rest. eh#s11 is a blur. seen 12 out of order so no thoughts. i get s13 enjoyers but couldn't be me. first half of s14 is important for the set up#but is boring as all fuck. back half of s14 is exactly what i mean about shorter season tighter writing more satisfying season
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darkblueboxs · 1 year
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Glass Onion Spoilers - Foreshadowing and Among Us
I’ve seen a few posts dunking on glass onion for being “cringe” because of the Among Us scene and a few praising it for accurately reflecting the fact that this is all everyone was playing in 2020, but I haven’t seen anyone really talk about how brilliantly Among Us works as a foreshadowing/storytelling device.
On the surface - as the film itself points out! - the game is a neat little parallel of the island: one murderer hidden among us, with the objective being to find them out. But this comparison goes far deeper than the basic premise of the film.
Firstly, Benoit appears as the game’s imposter, and then, it is later revealed, is literally an imposter, arriving on the island uninvited under false pretences - one of the first major twists of the film spelled out to the audience in the opening act. And he isn’t alone - just as two imposters generally work together to deceive the other players, so Benoit and Helen work together to infiltrate the group. BUT, and this is the bit that really drives me wild, the endgame format of Among Us perfectly reflects the endgame of the film. The way to win Among Us isn’t necessarily a case of killing everyone or surviving every round - the way to win is by convincing your fellow players to believe you, and to vote accordingly.
During the trial Andi loses because the imposter - the billionaire impersonating a genius - convinces the other players that she should be voted out; she is as effectively thrown out of the airlock as she is the business, and then literally killed to protect the [fortune of] the “crew.”
But, Andi was not the imposter, and so the game continues.
The imposter kills again, and when Miles confesses to causing the lights to go out, this is another excellent hint - only the imposter can sabotage the lights!
Then, with all the characters assembled much like an “Emergency Meeting,” we reach the climax of the film: Miles burns the napkin evidence, and immediately the ensemble is back to the voting booth as Helen, like her sister, fights for the players’ support in voting out the imposter. Any Among Us player will recognise the infuriating feeling when you literally just saw them vent for the love of god you were all there vote them OFF- and that frustration - of speaking the truth and not being believed - is evident in this scene.
But these players don’t care about the truth; they care about surviving (ie staying rich), and so they will vote off an innocent person to placate the shark. Which is absolutely not how you win the game.
Then, then, the game’s final round: the imposter has lost his tools, is revealed for the useless fraud he is, and it’s when he has nothing left to offer the other players that one more vote is held - the characters literally raise their hands as they pledge their support to Helen, in part to give the appearance of swearing in upon the witness stand, but also in part to give the visual of a literal vote... such as that of an Among Us emergency meeting vote.
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And it’s when Miles is finally, rightfully ejected that at last, the game is won.
Among Us is a game of social engineering, of lying and convincing others of your lies to prolong your survival, deception, and the malleability of truth. Presenting this game in the opening of the film is more than a gimmick or scene-setter: it illustrates the social structures at the heart of the story.
TLDR: Among Us foreshadows the film’s premise, but also plot twists, character choices, and significantly the film’s resolution by way of group vote.
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hamable · 3 months
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Ok I’ve been grumbling a lot so here’s what I LOVED about PJO episode seven:
- every Sally flashback. I love seeing the struggle Sally went through, mostly alone, to raise Percy separate from a world actively trying to suck him in. There’s no good explanation for being so adamant to send him away out of love. If they lived in a normal world she’d homeschool him in a heartbeat. Her kid thinks he’s unwanted and it feels like there’s nothing she can say to make her words and actions match. Heartbreaking and really well done. It also allows me a small bit of sympathy for Poseidon, who is in a similar situation on a larger scale. (Not entirely, he’s a goddamn god and all that, but I liked seeing their struggles framed as parallel, wanting to keep Percy safe and having to make hard choices to do that.)
- loving Toby Stephens as Poseidon. Cant wait for more of him.
- Annabeth gave Grover a stress ball
- annabeth immediately takes the stress ball away and I’m like >:0 only to realize it’s bc they’re about to encounter Cerberus and Annabeth is always thinking six steps ahead.
- Asphodel was haunting, I liked it a lot.
- Annabeth getting stuck because she has regrets. It gets me thinking… Percy “good kid” Jackson (who feels like a screw up constantly, who would fall on his own sword a million times before letting someone else get hurt first) and Grover Underwood (who feels directly responsible for Thalia’s death and probably a majority of his ward Percy’s misfortune) are standing RIGHT THERE. What the hell kind of regrets does Annabeth have that she’s the first to get grabbed??
- Hades is very fun. I cannot believe this is Nico’s and Bianca’s father. And Hazel’s omfg. my heart melted when he said “I will give you sanctuary.” Do you know how big a deal that is? Percy is, for all intents and purposes, THE lightning thief, who broke into YOUR underworld, slinging accusations and speeches, blaming you for a war you want no part in (and that he, as the supposed thief, is literally the cause of) and you look at this kid. This poor 12 year old. Who Does Not Know what storm he is walking into. And you tell him he is public enemy number 1, that he is not safe anywhere, but that he and his mother will be untouchable here, should he ask for it. You tell him that you saved his mother of your own volition when we know Zeus himself would not save his own child. Legendary.
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tumb1rprincess · 3 months
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Okay, I just binged the rest of the Hazbin Hotel episodes.
Carmilla and Zestial are hot. And Carmilla is so interesting. I loved her and Vaggie's song. I actually didn't expect them to reveal who killed the angel so quickly. But I love how they're showing that even some of the top overlords in Hell care. The only question now is what Alastor is going to do with this information.
I love Vox. He has a great voice and his rivalry with Alastor is hilarious.
Sir Pentious is such a fucking loser and I adore him.
Nifty almost reminds me of Little My from the Moomins with her little gremlin energy. I don't know if we'll get any serious moments with her like we have with the other characters, but I guess we'll see.
I love how Alastor's room is a literal bayou/swamp. And him eating the whole fucking deer was hilarious.
I didn't expect for some of the others to find out about Angel and Val's toxic relationship so quickly, but I did like how it showed an uncommon angle: how trying to save someone from an abusive relationship can make things worse for the victim. I can't think of any other media off the top of my head that shows that kind of thing. But with Charlie and Husker knowing about this (and Cherri Bomb if we're counting Addict as canon), how long before everyone else finds out? And what are their reactions going to be?
I haven't been the biggest Angel/Husker shipper, but holy hell, am I on board now. Husker once being an overlord and pretty much implying that he sold his soul to Alastor much like how Angel did with Val was a development I didn't expect, as well as drawing parallels between his addiction to gambling and Angel's addiction to drugs. Hell, I really didn't except this angle they took with Husker. We only saw his bitter attitude in the pilot, and we still get plenty of that here, but I didn't expect him to also be a good people reader and being able to see how the other characters really are and what they're hiding. He's almost empathetic in a way.
All of the songs are fucking bangers, Poison especially. I listened to it once before the show and I liked it okay, but seeing it in context, it hits you ten times harder. I almost cried.
The show is so good at making the viewer feel so uncomfortable with how Val treats Angel, it's almost too hard to watch. I've seen shows tackle abuse before and they've done it well, but this was very raw and in your face and it makes your insides twist. And I love it.
Looking at the show's cast, Vivzi got so many people with Broadway experience and I love that. I feel like a lot of popular media nowadays just like to cast popular actors regardless of whether they can actually sing or not (I'm looking at you live action Disney remakes). But every actor who's sung so far is fucking good at it and it shows.
So far, I am in love, love, love with this show. I remember first watching the pilot when it was causing some controversy and I fell in love with it immediately. It almost became a comfort thing for me for a while. I was watching it over and over during 2020 when Covid was running rampant and everything was shit. I'm so proud of Vivzie and everyone else for their hard work and dedication and love. This show is so different from everything else out there. I hope now that it's out, even more people can fall in love with it.
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girlbossblackbeard · 8 months
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THOUGHTS AND LAYERS
i spent literally an hour analyzing this trailer at 0.5 speed. this post is long af and these thoughts are in no particular order and are poorly organized:
-there's a big storm (which I think was already confirmed), and ed gets swept overboard by a bucket on a rope:
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he then crawls up out of the water onto the beach
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then goes into the forest, creates a hut, has a journey of healing and self-discovery, meets hornigold (or his ghost??)
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and kills him thus killing the part of himself that he hated the most (his violence) as a parallel to stede finally getting rid of nigel's ghost by accepting and believing in himself
-in the stede/ed split screen, the stede shot is from the first ep of s2 right after stede finds the marooned crew at the end of ep 10 in s1 (you can tell bc his hair and clothes are still clean, there's no gay bandana around his neck, and that's his lil dinghy buttons is rowing)
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-they go to shore and wind up at the merchants shop where "susan" overhears they're tracking down blackbeard
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and she invites stede's crew onto her ship, cue the outfit change in the BTS photos:
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-the way stede makes that little swishy turn in the red coat -
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makes me think this may be first time he's been in fine clothes since his "death" and i hope we get a moment of him reflecting on how he gave up everything for ed only to have him hate him :( but then obviously realizing that ed is worth it and he'd do it all again in a heartbeat if it meant getting a chance at spending the rest of his life with him
-izzy and stede team up, and izzy is clearly training either himself or stede on the revenge (?)
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soooooo many questions: what caused him to leave ed and join stede's crew? is he fighting with ed and is training to take him out or is he just done having his love be unrequited so he leaves and just so happens to stumble into stede? is izzy thinking that if he can't cut out the longing he has for ed he has to kill him instead so the pain will go away? what, pray tell, the fuck is going on in here on this day
-wee john in the mermaid costume (and olu in a bunny or donkey costume?):
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a fuckery? or just a weird acid trip? OR IS IT THE TALENT SHOW THEY NEVER GOT TO HAVE??
-ed really does force everyone on his crew to wear war paint
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-all the tally marks scratched into the walls - is that the number of days since stede bonnet broke ed's heart?
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-ed in the forest in PEARL NECKLACE HELLOW????????
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-the tear in ed's eye as he moves the cake toppers closer together which he also painted to make the lady look more like him he literlaly is in love wiht stede so bad wht the FUCJ
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-ed's crew is murdering SO MANY PEOPLE at the wedding wtf (pic not included bc scary)
-delusional moment but i hope anne bonny on stede's lap is looking at calico jack off screen
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-stede and ed are running towards each other on the black sand beach (thank you @sluterastede for pointing this out to me wtf!!!!!!)
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which evolves my theory that ed in the forest goes through his healing journey and realizes he wants to openly love stede again but then the navy attack and stede just so happens to have found ed at the same time and they're fighting to get to each other and taking out everyone in their way (what if that was okracoke lmao)
-the swede and spanish jackie hooking up in the trailer
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makes me think the bts shot of ed and jackie is them looking at stede and the swede, and ed being SO in love with stede obvi but jackie is watching the swede do some weirdly hot shit so she's gotta have him (what if they got married and he became her umpteenth husband in a drunken vegas-like shotgun wedding where she wakes up the next day to realize what has happened lmao)
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-also this pic is DEF from the reunited/make up era bc ed's half-up hair, no makeup, soft eyes, and buttons' clothing. i am weeping
-stede in pain - is it an injury or a tattoo? or torture as @sluterastede posits?? he looks down at his lower body before screaming so maybe he knows what's about to happen to him??
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-ed in the forest wearing the pearl necklace (see above), ed saying "fuck you stede bonnet" wearing the pearl necklace (see below)
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does he pick it up at the wedding??? (theory credit to @sluterastede!!!! can u tell we watched the trailer together 400 times) i can't tell if he's wearing it in the one wide shot of him in that scene:
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but regardless of when he acquires it, does he take it bc he remembers stede said he wears fine things well???? and he starts to believe he may deserve them??
-side note about a LACK of something: ed isn't wearing the cravat at all in the trailer near as i can tell, and he's not wearing the pearl necklace when throwing knives at the wall (at least from what I can see, which is not much) which leads me to believe that scene is in the earlier part of the season
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-lastly, the most important song lyrics from the trailer (the beautiful ones by prince):
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and that's my dissertation on the ofmd season 2 teaser trailer thank you
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theriverbeyond · 6 months
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how do we know in the books that john is indigenous? can you say more about how his indigeneity is important to his story?
hello! so there is a word of god post on race (doesn't mention John but mentions that Gideon is "mixed Maori"), BUT I frankly don't think word of god statements are worth any weight without actual in-text support (see: the "dumbledore is gay" situation). SO!
Specific evidence that John Gaius is Maori, as revealed in Nona the Ninth:
When he is listing his education, John mentions having gone to Dilworth School (John 20:8). Dilworth is an all boys boarding school in Auckland and accepts students based on financial need instead of academic or sporting achievements. Demographics appear to be about 70% low income Maori boys, indicating that it is highly likely that John is Maori
John reports that P- said he looked like a "Maori-TV pink panther" (John 15:23) when his eyes turned gold. Maori TV is a TV station that is focused primarily on Maori culture & language revitalization, with presumably all or mostly Maori hosts, and tbh I don't see why P- would say this unless John was himself Maori
John uses a te reo Māori phrase ("kia kaha, kia māia") (John 5:20) when he is saying goodbye to the corpses in the cryo lab before the power is shut off. Though it is possible he said this as a non-Maori kiwi, but in combination with the previous two points of evidence I think this all very strongly points to him being Maori
He also renames his daughter Kiriona Gaia, "Kiriona" being just literally the name "Gideon" in te reo Māori
TLT is not a series that hands you anything on a silver platter but to ME this is all pretty solid proof
Why is this relevant to The Locked Tomb?
In Nona the Ninth, we learn that before he completed apotheosis and ate the solar system, John was basically trying to save the earth from capitalism-caused climate change. Climate justice and the rights of indigenous people over their own land are deeply tied together, in the same way that climate catastrophe and capitalism/ imperialism/ colonialism are linked. disclaimer that this is NOT my area of study and others have definitely said it better; this is just the basic gist as I understand it, but on quick search I found some sources here and here if you want to do some reading.
TLT is not a series that hands you anything on a silver platter, but i don't think it is a stretch to see John as an indigenous man trying to save the earth and getting ignored and shut down at every turn by primarily western colonial powers (PanEuro, the USA) who declare him a terrorist and then as a reader thematically connecting that to the experience of indigenous climate activists IRL
there are absolutely TLT meta posts that have discussed this before me; tumblr search is nonfunctional and I have been looking for an hour and a half and cannot find anything specific even though i KNOW i reblogged multiple posts about this in the first few weeks following NTN's release. sad & I am sorry
I think that by the time the books take place, John is 10k years removed from the cultural context he grew up in, with the Nine Houses having become a genocidal colonial power in their own right (with more parallels to be made between John's forever war for the resources of literal life energy and like, oil wars), but I also think that John Gaius is a fictional character who can represent and symbolize multiple different things in service of telling a story. (not to mention the potential thematic parallels being made to how oppressed people sometimes are pressed into replicating the power dynamics of their oppressors and continuing the cycle--now that is a tumblr post i KNOW i read last year and definitely cannot find right now, once again sad & I am sorry)
How Radical Was John Gaius, Really is a forum thread that was locked by the moderators after 234534645674564 pages of heated debate
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sassasafreeaction · 7 months
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It’s time to talk about the Laudanum Lesbians, Elspeth and Wee Morag. Right away, it’s pretty obvious that you’re supposed to draw parallels between them and Aziraphale and Crowley. When the viewer first meets Elspeth, we get this gruff girl who threatens the two of them and is established to be doing something “morally wrong”. Life hasn’t been kind to her, and she clearly doesn’t trust people. To really drive it home, she and Crowley are on the exact same page while they’re talking to Aziraphale and wheeling the body to the alley. 
Then we meet Wee Morag, and it becomes apparent that every decision that Elspeth makes is to better their life together. She offers Wee Morag food (which is something our favorite demon is wont to do for his partner) and specifically oversells it as something fancier than it actually is. Wee Morag calls her an angel. It’s meant to be a little tongue and cheek since it’s in the presence of a literal angel, but it also serves as a way to show that while Elspeth may not be a Good person, that she at least cares about the person close to her.
Now for Wee Morag at this moment, we don’t get much from her aside from her obviously being the moral compass out of the two of them. She tells Elspeth that she's going to Hell literally two seconds after referring to her as an angel. The more important part of this interaction I would argue is Aziraphale’s response to Wee Morag. Some part of him recognizes a kindred spirit in her. He takes off his hat in a show of sincerity and says that it was lovely to meet her. This is important for later in the episode.
After they fail to sell the body, all three of them end up back in the alley with Wee Morag. Elspeth is again choosing to not trust Aziraphale despite his change of heart to do what he now knows is actually a good thing. Wee Morag starts off on the fence, worried about those souls that won’t get into Heaven. Elspeth tells her that she promised to help, and through everyone’s various methods of convincing (tempting may even be the better word as there is a demon sitting next to her when she agrees), Wee Morag says that she’ll do it because that’s what friends do. Regardless, she’s now had her change of heart. Although I would say hers is more driven by the same thing that drives Aziraphale to help with the Antichrist. It is fundamentally for her and Elspeth’s benefit, not the Greater Good per say, but she needs that reframing of doing the moral thing of upholding her promises and potentially helping people.
In the graveyard, Elspeth does all of the hardwork and Wee Morag holds the light both to assist how Elspeth sees, but also likely to help her keep watch. She’s filling a guardian role for Elspeth. Later when Elspeth sells her body, she even says “She only wanted to look after me.” Upon seeing the actual body (a priest’s body no less), Wee Morag realizes with horror what they’re doing - the potential moral ramifications stare her in the face. She ends up caught in the crossfire of a gun, and she dies for it.
Originally, I thought that Wee Morag’s death sets Crowley up to worry about what might potentially happen to Aziraphale in the future. In a way, I still think it does. She was the Good character helping the Bad character, and she pays dearly for it. His line “It’s a bit different when it’s someone you know, isn’t it?” while pointed at Aziraphale can be felt by everyone in the room. Elspeth has been dealing with death this whole episode, but her whole life is turned on its head when her ‘pal’ dies. Crowley recognizes that it’s the knowing part that actually causes something to hurt. (It’s one of the reasons why he doesn’t have many human friends. He does have a friend though, and it would absolutely gut him to lose him.)
The episode isn’t over though. We still have to watch someone else pay for stepping over the imaginary boundary of Good and Evil, except rather than it being Aziraphale, it’s Crowley. Like Wee Morag, he steps out of his usual role and helps Elspeth, and for that, he pays dearly. He gets dragged off to Hell to have whatever Demons do instead of a rude note done to him. After everything that’s happened, it’s no wonder why you get that panicked shout of “Crowley” from Aziraphale. They just watched the worst case scenario happen for people like them. 
Also as another quick fun aside, both sets of characters are bound by something that allows them to not be able to carry out their actual dreams and goals. Elspeth and Wee Morag were bound by poverty while Aziraphale and Crowley are bound by their respective Head Offices.
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thechekhov · 3 months
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Dungeon Meshi Quick Reacts: CH36
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Time find out just how fucked up Toshiro got.
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Hey Kabru. Chill.
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That sure is a normal look to give your team mate. I'm sure you're a normal, well adjusted leader who understands when you step out of bounds.
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Bold of you to assume they even care. They're too caught up in the plot of the second arc to even remember you...
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So much to question here. The fact that Toshiro has retainers. The fact that they're all mildly bored. The fact that Marcille seems to hate it here. Marcille, hello??? Are you only interested in Falin? Do you just hate people that aren't her?
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The fact that she's still wearing the frog costume makes this panel, honestly. What a legend.
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This is so wholesome. Laios just decided to therapy this workaholic man all on his own, dangit. If he won't do it, who will? Senshi must be so proud.
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Hang on, I just realized--.....is that.
Is that the cat girl...?!!? That I've been seeing? I thought it was just a hat at first, but those are ears, aren't they?! Is she the one that eventually joins the party?
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Marcille, you're a beautiful frog woman to me.
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If I didn't know that Chillchuck is a dad already, I would have known it at this point. What a thing to say. "oh no, which one of these kids grown men is going to cause more trouble if left unattended"
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I'm sure that's fine.
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...........
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But when you put it that way, it seems a little.... simple?
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Kabru is beginning to suspect he's in the wrong class.
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"Ah yes, a little freak that scuttles around from paintings to reality and speaks in archaic and mysterious tones. GOTTA be a Sorcerer. And hella mad, too!"
The math checks out, your honor.
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Her best, Karbohydrate. She did her best.
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Oh Laios, you're a hoot.
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Kabru, you literally said Laios is a terrible liar three seconds ago. Maybe be a little less obvious? 😂
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...you've done this to yourself, mate.
Okay, you know what. I take it back. I still don't like Kabru but watching him suffer IS supremely entertaining.
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Okay, I can see how he might jump to the wrong conclusions here. They did not, in fact, eat the orcs.....
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Orcs are duty bound to slap ya upside the head.
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I love how genuinely patient Senshi is, and how good he is at listening. Chillchuck was worried but he's just vibing with new friends.
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I'm sure they're having a grand old time.
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What do those ears do, hmmm?
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I enjoy the fact that he says "they're all treated as heinous criminals" instead of passing moral judgement and saying 'they're beyond reproach' or the like. He knows the consequences, and remarks not at all on whether or not he agrees with the judgement itself.
I could also draw some parallels here about how Japan treats all drugs but. Well. That's another topic.
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Oh, noooo. As opposed to that other way of dying, where your corpse is dragged about in a carnival fashion after you die, to dry up in the light of day forever after.
Oh wait.
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This bitch is really only here for the drama. 😅
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FALIN?!?!?!?! MY GIRL
WHY THE LONG......body...?
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....................cool. Cool cool cool cool cool. Alright. Okay okay okay. Alright.
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imminent-danger-came · 5 months
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There was one time before s4 of Monkie Kid aired where I was like, "MK is totally gonna parallel Mei from 3x10 and he's going to leave because he's scared of his own power", and let me tell you, watching s4 was the most validating experience of my life
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