Film #914: 'La La Land', dir. Damien Chazelle, 2016.
I really like old-school Hollywood musicals, and I've always been sad that it's a genre that has gotten harder and harder to find in modern Hollywood. Most of the genre has since been supplanted by Disney films and either low-budget works or jukebox musicals, produced because there is a ready audience for the songs. While there has been a shift towards film adaptations of Broadway hits in the last decade or so (Les Miserables (Tom Hooper, 2012), Into the Woods (Rob Marshall, 2014), Cats (Tom Hooper, 2019)), it's a poor sign of the genre's health that there are no longer any major actors renowned for their consistent career in musicals - no Astaires or Crosbys or Garlands. So imagine my glee on hearing that a new, original musical was being made! One that hearkened back to the Hollywood spectaculars of the 1940s and 1950s! La La Land! The promotional photos looked reminiscent of the soundstage musicals that I had fallen in love with! At long last, it was time!
So, I didn't watch it for seven years. I don't know exactly why I didn't - a combination of having a lot going on in my life that stopped me getting to theatres, and then an internal rebellion against the amount of praise the film was receiving. It certainly wasn't helped by the Oscars debacle - there's nothing that diminishes a film's prestige quite like conspicuously not winning the Best Picture award. Finally, this year, I sat down to watch it, hoping I would be wrong, and that the shine would still be there - that I would be transported.
La La Land is not bad. It's also not transcendental.
Mia Dolan (Emma Stone) and Seb Wilder (Ryan Gosling) have both moved to Los Angeles to pursue their dreams. Mia wants to be an actress, but has found work in a coffee shop on the Warner Brothers studio lot. Seb hopes to revitalise jazz music in Los Angeles by refurbishing a famed jazz club. Mia encounters Seb by chance, and loves his music, but their first few interactions are filled with hostility - road rage, a thwarted introduction at the moment Seb is fired (in a cameo by J. K. Simmons, who also starred in Chazelle's Whiplash in 2014), and a terrible Hollywood pool party. Finally warming to each other, the two begin dating and encouraging each other to pursue their dreams in whatever way possible - Mia by performing a one-woman show, and Seb joining a jazz-pop band fronted by Keith (John Legend). Just before Mia's show opens, Seb returns from touring, and the two argue bitterly over their future and how to reconcile their two careers, ending with Seb spitting vitriol about how Mia cannot stand his success. The two break up, and Mia returns to her childhood home.
Shortly after this, Seb receives a message for Mia, inviting her to a casting call. He goes to retrieve her, and her audition is a success. The two talk about how, while their lives are not compatible, they'll always love each other. Five years later, Mia is a successful actress and Seb has opened his club. They once again meet by chance and, after considering what their life together could have been, they each go their separate ways once more.
You might notice that, in this description, I haven't paid much attention to the songs or music in this musical. That's because, in all honesty, not very much of it was memorable to me. The opening number 'Another Day of Sun', and 'City of Stars', the song that gets used as a motif throughout, remain catchy, but they're the only tracks that left a mark. That's a real shame, because they're not really the turning points of the film. And while Gosling and Stone show that they're relatively accomplished as singers and dancers in this film, it's also clear that they're not accustomed to doing this kind of work regularly. 'A Lovely Night' is a prime example of this - it's a couple's dance number, and the choreography is not exactly simple, but Stone and Gosling look like they've learned the dance in isolation from each other. This is a number where the easy chemistry that the two of them have temporarily gets put on hold so that they can focus on the steps.
And I'm aware that this is an incredibly pedantic thing to gripe about. I don't mean to damn with faint praise - these actors are doing something difficult, and doing it well. What really gets me is that, when you're making a musical, you have all sorts of tricks to cover over these brief weaknesses, and La La Land often doesn't use them. The score feels oddly quiet, even in its more bombastic numbers. 'Another Day of Sun' starts things off, but the opening vocalist sings, rather than belting, and by making the score supposedly diegetic to start, there's not enough there to support her. I know I ended my last write-up by expressing gratitude that films were now available to watch outside the cinema, but this is an instance where I wish that I'd seen this years ago. I just couldn't turn my speakers up far enough to get lost in the spectacle.
Talking to people about this film, there seems to be an even split on this matter: either you can lose yourself in what's going on, or you can't, and if you're in the latter camp, the musical side of La La Land is too banal. It's colourful and pretty - filmed gorgeously by Linus Sandgren - but I'm reminded of the maxim of musicals, attributed to Rob Marshall: "When movement isn't enough, you dance, or when speaking isn't enough, you sing." A few people I've asked about the film raised similar ideas - that it feels like Chazelle is trying to force an exuberance from his audience when there's not enough genuine emotion to support it.
This is what makes the second half of the film better for me, and this is where I found myself able to embrace the film more. The latter half of Mia and Seb's relationship, once they've actually fallen in love properly, is powerfully-acted, and the reprise of 'City of Stars' is beautiful. The break-up scene is absolutely stellar, and either Gosling and Stone could justifiably call this one of the best scenes of their career. In a musical, though, this height of emotion would normally call for a song or a dance, and there isn't one here. The emotional height that does get a song is Mia's audition, where she sings 'The Fools Who Dream' in what appears to be a single take. This is an excellent performance, and it alone could have been responsible for Stone winning the Best Actress Oscar that year. Then, of course, once Mia and Seb have briefly reunited, they share a fantasy sequence that is filled with a longing that's deeply affecting.
The thing that upsets me most about the film is that once you've started dissecting it, you see how underwritten parts of it are. The opening leaves its characters adrift, trying to sell you on optimism and exuberance that don't have enough of a foundation - no matter how many BMX stunt riders and parkour experts 'Another Day of Sun' crams in, it feels thin - and even the break-up scene is mostly successful because Stone and Gosling have easy chemistry and the ability to sell you on ideas by injecting them with emotion. That doesn't prevent the central conflict from seeming like a contrivance.
Seb is, admittedly, insufferable at times (I'm not going to get into whether he's a white saviour of jazz, because plenty of people have made arguments on both sides of that topic and I could easily agree with either camp). I think his biggest flaw is that he's unable to articulate his motivations, which makes the conflict a bit of an idiot-ball plot. Faced with having to explain why he's 'sold out' by joining Keith's group rather than following his passion for pure jazz, he can't do it and immediately belittles Mia. It feels like it would be easy to explain that someone could find satisfaction in playing two different subgenres of jazz, and even playing them off each other to push the boundaries of music further. That feels like something Seb would genuinely believe in (and something that Chazelle, being a musician, would also be familiar with). It would also open up opportunities for more complicated conflicts - a jazz battle! A tortured artist number! - without affecting the overall plot. I just don't think the film has the expansiveness to tackle it.
Yeah, this sounds like I'm trying to assassinate the film. I liked it, honestly. I was still humming 'City of Stars' a week later, and it made me like Stone and Gosling more as actors, which I hardly thought possible. All the breathless excitement, though, about the film resurrecting a genre, and changing the course of film history... it was overblown, without a doubt. La La Land proved that these films could still be made, and very successfully. The fact that so many modern musicals are either adaptations of things proven to work, or jukebox musicals where the plot is largely incidental, shows that crafting a fully successful musical is not just about the songs but about the plot that links them. La La Land does it better than most, but it's not what I was craving it to be.
Lisa Karlin (US Tour 5 2006-2007, Sacramento Music Circus 2009)
spoiler alert Lisa Karlin is my favorite Demeter ever. watch her performance of macavity right now. her movements her expressions her VOICE shes everything. shes so demeter. also her costume in us tour 5 slams but thats beside the point
Nora DeGreen (US Tour 6 2022-present)
NORA i adore nora. i saw them live and ughhhh their performance was so amazing!!!!! they played a very skittish and nervous deme but also one who has fun and dances with friends and it makes me :). also more nonbinary demeters please.
Devon-Jade Clark (Oasis of the Seas Cast 12)
love her love her energy love her vibes. she also has a lovely voice!!! idk not much to say here other than i love her.
Ella Nonini (International Tour 2018-2019, Asia Tour 2020-2021)
rrrgh i love her. she has such a sweet vibe and i love her expressions and voice. also she gets bonus points for having a similar body type to me. sorry not sorry i never said this would be un-biased and objective.
Brenda Braxton (Broadway 1990-1992)
her voice hurrrrghh she has this beautiful deep voice that really suits the jazziness of the macavity number. also love the way she moves. little fun fact it's likely she was the demeter my mom saw when she saw cats in the early 90's. if only my mom remembered literally any of it.
I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in BOSTON with Randall "XKCD" Munroe (Apr 11), then Providence (Apr 12), and beyond!
#20yrsago EZBake Oven for your PC https://web.archive.org/web/20040613185610/http://www.thinkgeek.com/stuff/41/ezbake.shtml
#15yrsago Ant slaves’ murderous rebellions https://web.archive.org/web/20090402193006/http://scienceblogs.com/notrocketscience/2009/04/the_rebellion_of_the_ant_slaves.php
#10yrsago Rob Ford and Canada’s neoliberal agenda https://www.dissentmagazine.org/online_articles/the-passion-of-rob-ford-or-the-neoliberal-making-of-torontos-municipal-crisis/
#10yrsago FCC adds 100MHz of spectrum to the commons https://thehill.com/blogs/hillicon-valley/technology/202170-fcc-votes-to-boost-wi-fi/
#10yrsago German labor ministry bans after-hours email from managers to employees https://web.archive.org/web/20140401101146/http://ibnlive.in.com/news/germany-bans-managers-from-calling-or-emailing-staff-after-work-hours/461070-79.html #10yrsago Bizarre, paranoid warning about imaginary predators choosing victims through bumper-sticker-ology https://www.freerangekids.com/that-sticker-on-my-car-is-not-endangering-me/
#10yrsago The Internet should be treated as a utility: Susan Crawford https://www.vox.com/2014/4/6/5587138/susan-crawford-internet-public-option
#10yrsago Rich, admitted child rapist granted probation because he “would not not fare well” in prison https://www.delawareonline.com/story/news/crime/2014/03/28/sunday-preview-du-pont-heir-stayed-prison/7016769/
#10yrsago Expiration Day: YA coming of age novel about robots and the end of the human race https://memex.craphound.com/2014/04/01/expiration-day-ya-coming-of-age-novel-about-robots-and-the-end-of-the-human-race/
#5yrsago Internal files reveal how US law enforcement classes anti-fascists as fascists, and actual fascists as “anti-anti-fascists” https://www.theguardian.com/world/2019/apr/01/intelligence-law-enforcement-report-leftwing-terrorists-charlottesville
#5yrsago Wells Fargo is looking for a new CEO https://www.cnn.com/2019/04/01/investing/wells-fargo-ceo-tim-sloan/index.html
#5yrsago The strange tale of Runescape’s Communist republic https://thespinoff.co.nz/pop-culture/29-03-2019/free-armour-trimming-the-communist-revolution-inside-runescape
#5yrsago Slovakia’s first woman president is an anti-corruption, pro-immigrant environmental campaigner https://www.kgou.org/world/2019-03-31/the-erin-brockovich-of-slovakia-is-elected-the-countrys-first-female-president
#5yrsago The weird grift of “sovereign citizens”: where UFOlogy meets antisemitism by way of Cliven Bundy and cat-breeding https://www.nytimes.com/2019/03/29/business/sovereign-citizens-financial-crime.html
#5yrsago Citing transphobic policies, 172+ googlers call for removal of Heritage Foundation from Google’s “Advanced Technology External Advisory Council” https://medium.com/@against.transphobia/googlers-against-transphobia-and-hate-b1b0a5dbf76
#5yrsago America’s best mobile carrier is also the first phone company to back Right to Repair legislation https://www.vice.com/en/article/eveezj/a-cell-phone-carrier-breaks-with-big-telecom-announces-support-for-right-to-repair-legislation
#1yrago Flickr to copyleft trolls: drop dead https://pluralistic.net/2023/04/01/pixsynnussija/#pilkunnussija
🎷 Have you ever seen Cats live? If more than once, which was your favorite?
Yes! I've seen Cats so many times live, lol. I saw the US tour 12 times, I saw the international tour once, and I saw a local production (dinner theatre) once.
Obviously with having seen the US tour so many times, I'd say that one was my favorite, but seeing the International tour was amazing as well, getting to see the original choreo was just perfection.
🐾 How did you ‘discover’ Cats?
Okay so in 2020, I saw the Cats 2019 movie, and I was like "well that fucking sucked. If thats anything like the musical, how on EARTH did Cats get so popular???" but then I saw Sideways's video essay on why the music in Cats 2019 sucked and it made me curious enough to sit down and watch it. I watched it along with the proshot of Into The Woods and Les Mis. And as much as I loved those other two, there was just something about Cats that captivated me. I drew a few pieces of fanart, those blew up, it encouraged me to draw more, and here I am!
🐱 Who’s your favorite song cat and why?
Hummmm...... I'm going to go with Mungojerrie and Rumpleteazer. Theres something about it! Its so fun and fast paced and the dancing is just really fun to watch and the characters themselves are just so funny. Its just a fun number that really gets me going
Hi, my name is Catharine in this is my Cats side blog. (Main) (Lady Knight side blog)
I became a Cats fan in 2021 because of the Vienna Revival and the 1998 movie.
Productions I’ve seen live:
Vienna Revival (2019-2022)
International/UK Tour (2022-2023)
Budapest (1983-now)
Il Sistina (2022-2024)
Productions I wish I could (have) see(n) live:
Asia Tour (2022-2023)
Favourite characters atm: Cassandra, Demeter, Bombalurina and Alonzo, as well as Electra, Etcetera, Rumpleteazer, Mungojerrie, Victoria and Mistoffelees.
I’m mostly here for the fanart but also for the updates on the different productions.
yes, i am!! i was given the title of 'korea's angel' and am normally placed next to big names in korea like my good friend iu, and red velvet's irene!
then i did a tour for my album 'all that' spanning from early 2018 - late 2019, going all across asia, europe, and america. then of course made music with 88rising, and people like charli xcx, doja cat, chanmina, ect
one of my dance videos back at music bank with itzy also kinda went viral on tiktok; in a good way! not in like a jay park pass the mic way, which also gained me a lot of traction
basically my name went viral and a trend started of people trying to copy the way i moved my hips while dancing to sneakers with ryujin and yeji and it was actually kinda funny
so i guess you could say i'm kinda an international sensation?
media release: K-pop boy band ONEUS to make debut concert in Malaysia for their
2ND WORLD TOUR 'La Dolce Vita'
Fans of ONEUS are in for a treat as the sensational South Korean boy band is set to make their debut concert in Malaysia as part of their current tour!
Mark your calendars for 2024 ONEUS 2ND WORLD TOUR 'La Dolce Vita' in Kuala Lumpur, happening on Saturday, 4th May, 6PM at Zepp Kuala Lumpur. Tickets go on General sale 19th March via my.bookmyshow.com/oneus2nd and KLOOK.
Made up of SEO HO, LEE DO, KEON HEE, HWAN WOONG and XION, ONEUS has risen to international prominence since debuting in 2019 under the label RBW with chart-topping releases that thus far include 1 full-length album and 10 mini albums, featuring songs in Korean, Japanese, English and Spanish.
Known for hits such as “Valkyrie”, “LIT”, “No diggity”, “Same Scent”, “LUNA” and so on, ONEUS has done headlining tours beyond their home turf to cities across Japan, Europe, North America and South America, an indication of their global following.
As 'La Dolce Vita' means 'the sweet life', ONEUS fans – known as TOMOON – in Malaysia can look forward to seeing the quintet in the flesh for the first time at the show that encapsulates the essence of their music and charisma.
Tickets to 2024 ONEUS 2ND WORLD TOUR 'La Dolce Vita' in Kuala Lumpur come with fan benefits at the following prices, subject to ticket booking fee RM4 and operation fee RM10 per ticket.
● VIP ROCK ZONE [Free Standing] - RM688 with Sound Check, Printed Photocard and Lucky Fans Benefit
● CAT 1 [Free Standing] – RM588 with Sound Check, Printed Photocard and Lucky Fans Benefit
● CAT 2 [Seated] – RM488 with Printed Photocard & Lucky Fans Benefit
● CAT 3 [Free Standing] – RM388 with Printed Photocard
2024 ONEUS 2ND WORLD TOUR 'La Dolce Vita' in Kuala Lumpur is organised by Soul & Joy Entertainment, co-organised by SEAE and Shining Star, with 43 as Promoter, and ERA, MY and GOXUAN as Official Media Partners.
Follow www.instagram.com/43_ent and www.facebook.com/43ent for more information and the latest updates.
Watch ONEUS 2ND WORLD TOUR 'La Dolce Vita' annoucement here!
youtube
*photos courtesy of 43
Don’t forget to like, follow and subscribe to MY K-POP WIRE for more K-Pop interview, debut, comeback and event updates!
Welcome, welcome, velkommen, velkomin 🤗
What does @Wikipedia say about 22nd February through the years 🏛️📜🗓️?
22nd February 2021 🗓️ : Death - Lawrence Ferlinghetti
Lawrence Ferlinghetti, American poet, painter (b. 1919)
"Lawrence Monsanto Ferlinghetti (March 24, 1919 – February 22, 2021) was an American poet, painter, social activist, and co-founder of City Lights Booksellers & Publishers. An author of poetry, translations, fiction, theatre, art criticism, and film narration, Ferlinghetti was best known for his..."
Image licensed under CC BY-SA 3.0? by Elsa Dorfman
22nd February 2019 🗓️ : Event - North Korean Embassy in Madrid incident
A group broke into the North Korean embassy in Madrid and stole several mobile telephones and digital storage devices.
"On 22 February 2019 at the North Korean embassy in Madrid, Spain, the political group Free Joseon, which is opposed to the incumbent Kim Jong Un regime of North Korea, is alleged to have attacked and raided the embassy, while the group maintains that they were invited in to facilitate a high-level..."
22nd February 2014 🗓️ : Event - Viktor Yanukovych
President Viktor Yanukovych of Ukraine is impeached by the Verkhovna Rada of Ukraine by a vote of 328–0, fulfilling a major goal of the Euromaidan rebellion.
"Viktor Fedorovych Yanukovych (Ukrainian: Віктор Федорович Янукович, pronounced [ˈviktor ˈfɛdorovɪtʃ jɐnʊˈkɔvɪtʃ] ; Russian: Виктор Фёдорович Янукович, romanized: Viktor Fyodorovich Yanukovich; born 9 July 1950) is a former Ukrainian politician, who was the fourth president of Ukraine from 2010 to..."
Image licensed under CC BY 4.0? by Administration of the President of Ukraine
22nd February 1974 🗓️ : Event - Samuel Byck
Samuel Byck attempted to hijack an aircraft at Baltimore/Washington International Airport with the intention of crashing it into the White House to assassinate Richard Nixon, but was killed by police.
"Samuel Joseph Byck (January 30, 1930 – February 22, 1974) was an American hijacker and attempted assassin. On February 22, 1974, he attempted to hijack a plane flying out of Baltimore/Washington International Airport, intending to crash into the White House in the hopes of killing President Richard..."
22nd February 1923 🗓️ : Birth - Bleddyn Williams
Bleddyn Williams, Welsh rugby player and sportscaster (d. 2009)
"Bleddyn Llewellyn Williams MBE (22 February 1923 – 6 July 2009), was a Welsh rugby union centre. He played in 22 internationals for Wales, captaining them five times, winning each time, and captained the British Lions in 1950 for some of their tour of Australia and New Zealand. Considered to be the..."
Image by Unknown (Crown Studios of Wellington)
22nd February 1824 🗓️ : Birth - Pierre Janssen
Pierre Janssen, French astronomer and mathematician (d. 1907)
"Pierre Jules César Janssen (22 February 1824 – 23 December 1907), usually known as Jules Janssen, was a French astronomer who, along with English scientist Joseph Norman Lockyer, is credited with discovering the gaseous nature of the solar chromosphere, and with some justification the element..."
Image licensed under CC0? by Atelier Nadar. Photographe
22nd February 🗓️ : Holiday - National Cat Day (Japan)
"National Cat Day is celebrated in various countries. In some areas it is an awareness day to raise public awareness of cat adoption. ..."
Oh, yes, I'm here to hear about Freya! If you would be so nice:
✨ How did you come up with the name?
🌂What genre do they belong in?
🍩 Who is Freya's arch-nemesis or rival?
✂️ What are her worst memories?
Hello!
I have not said a word about Freya since making that initial post (which may need some updating), so these questions are fun in the way that I have not thought about most of these things before.
✨
I named her after the Norse goddess associated with love, beauty, fertility, and gold, who rides a chariot pulled by two cats.
I also chose the name Freya because I am a big fan of Freya Rowley who was in CATS (2019) as Jellylorum, Tantomile in the UK Tour 2014, and a Swing in the UK Tour 2013.
The name may be seen as better suited for a OC that is a Norwegian Forest Cat or similar breed, but I think it fits well with the character I created.
🌂
I know this is probably more angled towards written works, but I want to take a different approach instead and talk about musical genres.
Since I made her more closely related to Griddlebone is the sense of vocal abilities, and that one of her three words is operatic, it would be fairly obvious that Freya could be a classically trained opera singer. I would not want to tie her down to one specific (and perhaps stereotypical) genre, and I think she would enjoy anything that allows her to flex her vocal prowess. Most importantly though, it should carry emotional weight! Vocal talents are not necessarily about who can be the most extreme.
What I have in mind is an artist such as Kennedy Ashlyn whose musical projects SRSQ (who released my album of the year in 2022 with Ever Crashing) or Them Are Us Too match (in my opinion) what I have in mind for less traditional classical format vocals.
🍩
I do not think Freya would really have a rival or arch-nemesis, and would be widely appreciated by everyone in the Tribe. She does have a tinge of competitiveness, but not enough to make her view anyone as a rival. There is the obvious wariness towards Macavity and his henchcats, but that is shared throughout the Tribe.
With her drive for perfection, I think her biggest enemy would be herself. She wants everything to be perfect and tries as hard as possible to achieve it, but that is not always possible and that can bother her. She also wants to try and please everyone as best as she can, which feeds into the perfectionism she strives for. It can all lead to never feeling quite happy with her efforts and make her unhappy. Trying to spread happiness can be a draining affair if no one reciprocates it.
✂️
Her worst memories are definitely realizing that she would not be around to see her Kittens grow up. She tries to plan ahead and make sure they are in the best care (and who better than with Jellylorum), but there is only so much that she can do. There are not many Cats that she would confide in to share her struggles, as she is one to internalize her emotions.
At one point towards her end, she would reach the conclusion that while she was not always perfect, she did as best as she could with everything, and find a fleeting comfort in that.
Mukeni Nel - Carbuckety in the 2022 Taiwain tour, Bill Bailey in the 2019 International tour, Misto cover in both - pointing out that he could also play Bombalurina, actually.
Sadly there's no big strong tom to pick him up and sling him over their shoulder at the end. 😔
Anyway, we need some genderblind Cats casting, pls.
MARK TUAN SET TO DAZZLE MALAYSIAN IGOT7 IN HIS HIGHLY ANTICIPATED 'THE OTHER SIDE' ASIA TOUR
KUALA LUMPUR, 25th October 2023 — Get ready, Malaysia IGOT7! The heartthrob of the K-pop world is all set to sweep you off your feet as he brings his 'The Other Side' Asia Tour 2024 to the heart of Kuala Lumpur. This long awaited fanmeet will take place on January 6th, 2024, 6PM at Zepp KL, promising an unforgettable night filled with music, charisma, and excitement.
Mark Tuan, widely recognized for his exceptional rap skills and has contributed numerous rap verses to many of GOT7’s songs. He is a well-known KPOP idol around the world, boasting an impressive Instagram followers of 14 million and 3 million YouTube subscribers. Notably, in 2019, Mark Tuan was not only nominated for but also emerged victorious with the prestigious Hot Star Award at the Weibo Starlight Awards, solidifying his status as a true luminary in the K-pop realm. He has also release numerous songs, including ‘One in a Million’, ‘Lonely’, ‘Far Away’, and more, with a substantial viewership on his official YouTube videos.
Organized by Trumpet International, MARK TUAN ‘The Other Side’ ASIA TOUR 2024 in Malaysia ticket categories are divided into VVIP RM1499 (free standing), VIP RM889 (free standing), Cat 1 RM689 (free standing) and Cat 2 RM439 (numbered seat). Ticket price subjected to RM4 processing fees. The VVIP category, with only 150 available tickets, offers a once-in-a-lifetime opportunity to get up close and personal with Mark Tuan in a free-standing section, ensuring an unparalleled concert experience.
Ticket sales are scheduled to begin on 31st October 2023, 11AM at www.excitix.com.my, so be prepared to secure your spot at this sensational concert!
For more information, kindly stay tuned to Trumpet International’s official social media.