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sckielic · 2 years

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CFP: New Perspectives on the Metal Gear Solid Series

Hi, everyone! There is a call for chapters available for established or emerging scholars or writers who are interested in contributing an original essay for a volume of collected critical essays in the Metal Gear Solid series.

Here is the official link to the CFP: https://call-for-papers.sas.upenn.edu/cfp/2022/08/07/new-perspectives-on-the-metal-gear-solid-series

New Perspectives on the Metal Gear Solid Series

deadline for submissions: December 1, 2022

Editors: Steven Kielich and Chris Hall

contact email: [email protected]

Call for Chapter Proposals: New Perspectives on the Metal Gear Solid Series (edited collection)

Editors: Steven Kielich (University at Buffalo) and Chris Hall (University of the Ozarks)

In 2015, Hideo Kojima and his company Kojima Productions split from Konami after the release of Metal Gear Solid V: The Phantom Pain. Kojima’s departure from Konami marked an unfortunate, but understandable, end to the Metal Gear Solid series. Now, in this “post-Phantom Pain” era, it has become both possible and essential to make a retrospective study of the critically, commercially, and culturally resonant series that was Metal Gear Solid.

The games of Metal Gear Solid pioneered and popularized the stealth video game genre, effortlessly combining cinematic style with innovative gameplay, changing the very fabric of the video game industry. Additionally, the series has retained broad cultural import. From Metal Gear Solid 2’s postmodern, techno-paranoiac take on the digitization of our world, to the deadly language-borne virus threatening to liquidate entire nations in Metal Gear Solid V, each game in the series continues to possess a cutting-edge pertinence to our daily lives. With the series’ conclusion still recently behind us, and its themes more relevant than ever, we have at present a crucial opportunity to consider and reconsider the cultural, historical, political, philosophical, and aesthetic impact of the canonical Metal Gear Solid games.

Coming amid the 35th and 25th anniversaries of Metal Gear (1987) and Metal Gear Solid (1998), this collection welcomes abstract proposals for original contributions from emerging and established scholars. Successful proposals will approach the games of the Metal Gear Solid franchise through a variety of lenses and frameworks. Essays that respond to and extend existing Metal Gear Solid scholarship and criticism in new directions are welcome, as are those that carve out entirely new territory. This collection will serve as exegesis of and critical companion to the series by not only celebrating and critiquing these games, but critically interrogating them.

While each entry in the series has been the subject of spirited debate and critique both within and outside of academia, the series itself has yet to be considered as a whole through a rigorously curated, book-length edited collection. This volume will be the first collection of critical inquiries into the Metal Gear Solid series. Essays should take an interdisciplinary approach in moving to elucidate or complicate the impact of the series. By offering scholars the opportunity to approach the series from new perspectives, contributions will necessarily come from a diverse range of disciplinary and methodological approaches, including but not limited to:

(Subversion of) player expectations, player/personal agency, autonomy, and interactivity

Studies that consider the role of violence, rape, torture, trauma, and memory throughout the series

Studies that consider the series’ approach to gender and sexuality: (hyper)masculinity, femininity, and queerness/feminist or eco-feminist readings of the series

The human and the posthuman; Deleuze’s nonrepresentational philosophy (becoming-animal; becoming-machine; becoming-other)

Essays that consider technology, embodiment, prostheses, and/or possession

Science and medicine: innovation, mechanization, aging, disability, and healing

Bioethics, technoethics, and the (a/im)morality of genetic modification

Essays that analyze neurotechnology (nanomachines; codecs; A.I.; virtual reality) in the series and its potential links with contemporary issues/premises (e.g. Neuralink)

Psychoanalytic/philosophical approaches to the series’ narratives or characters

Analyses of the series’ villains and their motivations

Analyses of the series’ female characters and their motivations

The cinematic, literary, philosophical, musical or historical influences of the series

The presence and importance of the supernatural and magic, dreams and nightmares

Ecocritical approaches: ecology, ecosystems, nature preservation, or character/nature relationships

Race/racism in/of the series: African racial dynamics; whiteness; racialized life

Pedagogies and teaching through the series / approaches to teaching Metal Gear Solid

Critical theory and cultural studies approaches (colonial, imperial, postcolonial)

War and warfare: political readings, including analysis of biopolitics, international relations, terrorism, militarization and war, and nuclear proliferation

Game worlds: narratologies, geographies, topographies

Sound and haptics: hearing, seeing, sensing, and feeling

Studies that account for the material engagements of the series’ game design, art, and promotion, especially Yoji Shinkawa’s art

The topics featured in this call invite scholars to consider a wide range of possibilities as they critically investigate and analyze the canonical entries to the Metal Gear Solidseries: Metal Gear Solid (1998); Metal Gear Solid 2: Sons of Liberty (2001); Metal Gear Solid 3: Snake Eater (2004); Metal Gear Solid 4: Guns of the Patriots (2008); Metal Gear Solid: Peace Walker (2010); Metal Gear Solid V: Ground Zeroes (2014); and Metal Gear Solid V: The Phantom Pain (2015). Authors are welcome to include non-canonical titles in the series, but these should not be their primary focus. The essays that are received from this call will be reviewed and assembled by the editors so as to provide the most cohesive and well-rounded arrangement of critical work. The volume is aimed at a scholarly audience while still being as accessible as possible to fans and enthusiasts of the Metal Gear Solid games.

Please submit a 300-500 word abstract of your proposed chapter contribution and a brief CV including complete contact information by December 1st, 2022 to Steven Kielich and Chris Hall at [email protected]. Authors are welcome to reach out to Steven Kielich ([email protected]) or Chris Hall ([email protected]) directly with any inquiries, but please do not submit abstracts, CVs, or contact information to the editors’ .edu emails.

Full chapters of accepted proposals will be between 5,000-8,000 words and will likely be due late April 2023 after signing a contract with a publisher. This collection is currently under consideration with McFarland & Co. for their Studies in Gaming series, edited by Matthew Wilhelm Kapell, and has received considerable interest from the press.

Note that acceptance of a proposed abstract does not guarantee the acceptance of the full chapter into the completed volume.

Please share this link and CFP to anyone who you think might be interested in writing about Hideo Kojima’s Metal Gear Solid series!

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revistaolhardeprof · 2 months

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adjbx · 1 year

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200 Years of Johnson v. M’Intosh: Law, Religion, and Native American Lands

Submit by 1/15/2023

The Center for the Study of Law and Religion (CSLR) at Emory University, in partnership with the Indigenous Values Initiative (IVI), Syracuse University, and Canopy Forum, seeks short articles and multimedia submissions marking the 200th Anniversary of Johnson v. M’Intosh, 21 U.S. 543 (1823).

In its landmark Johnson v. M’Intosh decision, the U.S. Supreme Court reiterated a principle that was previously established in the Non-Intercourse Act of 1790, namely, that private citizens could not purchase lands from Native American Nations. As Chief Justice John Marshall’s opinion explained: “discovery gave title to government…[and] the sole right of acquiring the soil from the natives.”

Marshall’s allusion to the “Doctrine of Discovery” invoked a medieval theology of conquest, and a legacy of global exploitation, genocide, slavery, and despoliation. Originally formulated by the Papal curia, the doctrine espoused the inequality of Christians and non-Christians, and provided a basis for Euro-American hegemony and the domination of Indigenous Peoples and the land.

The Johnson v. M’Intosh holding adapted this doctrine into American legal practice, namely as a device by which the United States’ government could claim superior title to the land of North America, and reduce Indigenous ownership—with its legal, religious, cultural, and economic dimensions—to a mutable and dissolvable “aboriginal” or “Indian” title. The Doctrine as articulated by Marshall would become a foundational principle not only of U.S. property law and Federal Indian Law – cited favorably by the US Supreme Court as recently as the 2005 case of City of Sherrill v. Oneida Indian Nation – but also of Manifest Destiny and colonial expansion to the Pacific Ocean.

The year 2023 marks the 200th anniversary of Johnson v. M’Intosh. With the approach of this significant date, Canopy Forum invites short articles and multimedia presentations analyzing the impacts of the Doctrine of Discovery and/or Johnson v. M’intosh in U.S. law and international contexts. We further invite informed reflections on alternative ecologies, spiritualities, legal principles, and socio-economic systems articulated in light of the Doctrine’s history and legacy. Submissions may address questions such as:

What is the legacy of Johnson v. M’Intosh in U.S. property law, Federal Indian law, and/or other areas of law?

What is the broader history of the “Doctrine of Discovery” in religious or political thought and practice?

To what extent is Johnson v. M’Intosh still “good law” in the Supreme Court’s recent jurisprudence?

How did/does the decision influence or reverberate in international, environmental, and/or property law?

How did Johnson v. M’Intosh influence the legal discourse of coloniality adopted by other jurisdictions in the Anglosphere?

To what extent, if any, does the Doctrine remain part of contemporary politics and popular culture?

What influence, if any, has the Doctrine had on American foreign policy over the last 200 years?

Submissions on other topics/questions are also welcome.

Submissions that are received before January 15, 2023 are strongly preferred. Instructions and guidelines for written and multimedia submissions can be found here.

A methodological note from the Indigenous Values Initiative

The Gä•sweñta’ (Two Row Wampum belt) is the earliest treaty between the Haudenosaunee Confederacy and the settler-colonists of Europe. The wampum belt is comprised of two purple rows of wampum beads running parallel with each other. The Haudenosaunee in their canoe and the Dutch in their boat would each travel down the river of life side by side with one another without interfering with one another. Sadly, the settler-colonial governments never understood that what links us all together is that our diversity of identities stems from being in proper relationship with the land. Therefore, a destructive wedge has undermined upholding this first treaty. We use the principles of the Two Row Wampum as a central organizing principle for this call for papers. We invite Indigenous and non-indigenous submissions.

The Indigenous Values Initiative’s “200 Years of Johnson v. McIntosh” project is supported by the Henry Luce Foundation and Syracuse University. Learn more at https://indigenousvalues.org/.

SUBMIT

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nursingucgconference · 2 years

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way2publications · 2 years

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jst44 · 2 years

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journals44 · 2 years

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sirisha16 · 2 years

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maulasufa · 2 years

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Pengumuman Java Business Competition JBC 2022 Telkom: Maharsyalfath @maula.sufa mahasiswa BINUS Malang TOP 5 Terbaik Internasional, Call for Paper @telkomuniversity @jbc_telkomuniv @jbc.telkomuniv MaharsyAlfath Maulasufa pendiri Flemmo Music; Mahasiswa BINUS University @binusuniversityofficial - BINUS Malang @binus_malang S1 Ilmu Komunikasi (Communication) masuk grand final: TOP 5 Terbaik Internasional, Call for Paper Java Business Competition JBC Telkom University, SearchTelkom Univ. Paper ilmiah Maharsyalfath setebal 20 halaman di lomba JBC 2022 Telkom berjudul: "Digital Music Production and Arrangement Services Based on Artificial Intelligence (AI) Technology to Empower Youth as An Effort to Support SDGs". Technical meeting 5 Top Finalis JBC Telkom telah diselenggarakan pada 5 September 2022, pukul 19.00 wib melalui Zoom. Presentasi makalah ilmiah telah disampaikan oleh Maharsyalfath di depan dewan juri/panelis melalui Zoom pada Kamis, 8 September 2022 #maharsyalfath #maulasufa #alfath #alfathmaulasufa #alfathbinus #flemmomusic #flemmoenterprise #JBC2022 #BINUSIAN #BINUSIAN2026 #MahasiswaBinus #JavaBusinessCompetition #PaperCompetition #CallforPaper #InternationalCompetition #KompetisiMahasiswa #LombaMahasiswa #EventMahasiswa (di BINUS UNIVERSITY @Malang) https://www.instagram.com/p/CiRwDfFPQkf/?igshid=NGJjMDIxMWI=

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dentalucg · 1 month

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revistaolhardeprof · 2 years

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nursingucgconference · 2 years

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jst44 · 2 years

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nursingucgconferences · 3 months

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