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keiriiz · 2 days

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Here’s some more of my favorite photos of Chrollo and the Troupe from the Stage Play!! I will be making a post of just Shalnark’s actor later because he literally EXUDES Shal it’s great 🛐

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improvised-chaos · 1 month

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chrollo

#hxh chrollo #hxh #hunter x hunter #motohiro ōta #stage play #butai

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sun-sandwich · 6 months

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Madara from NARUTO THE STAGE is the moe Madara no one has ever thought of yet everyone deep down needed

More pics from @miso_jiro aka his actor Nakamura san on twt/X

#uchiha madara #NARUTO #Naruto stage #stage play #butai #uzumaki naruto #namikaze minato #senju tobirama #nara shikamaru #this madare is moe I love him in any shape it does not matter to me #thank you nakamura san

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xxnothingbutstrangerxx · 1 year

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Hunter x Hunter Stage Play

Cast

Ōtomo Shion as Gon

Akutsu Nichika as Killua

Ogoe Yūki as Kurapika

Kondō Shōri as Leorio

Kitamura Keigo as Silva

Shiina Taizō as Zeno

Kōki as Milluki

Tazuru Shōgo as Gotō

Kawasaki Yūsaku as Hanzo

Ōtaka Hiroo as Netero

Ueda Kandai as Illumi

Kiyama Haruki as Hisoka

#wow and i even know more than half of the cast #hunter x hunter #butai #hunter x hunter stage play #gon freecss #kilua zoldyck #kurapika #leorio #leorio paradinight #silva zoldyck #zeno zoldyck #milluki zoldyck #gotoh #hanzo #netero #illumi zoldyck #Hisoka #hisoka morow

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karasunocurry · 2 months

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butai Yowamushi Pedal (2012) SUB

Way way WAY belated! So late that we are actually in the middle of reruns for pedasute. I actually started working on this back in 2018, but then I moved to Japan, and I got into working on other stuff. But hey, better late than never, and imo this is a masterpiece of early 2.5D. It is just so funny while still keeping the drama and excitement in there. Everyone always talks about Tenimyu (deserved) but Pedasute had a pretty impressive cast as well. I'm feeling nice, and this play is pretty old so I'm sharing the video as well as the subs. You can download them here: video / sub

As always, I recommend you use VLC player, cause it lets you open the subitle file separately. If you rename the files to the exact same, it should load automatically. If you like my work and would like to thank me, any donations to my ko-fi are appreciated since I do spend a LOT of money on stage plays and musicals and supporting the business.

Enjoy!

#curry translates #yowamushi pedal #pedasute #butai yowamushi pedal #butai #stage play yowamushi pedal #subtitles

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mysticdragon3md3 · 8 months

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Unboxing Nendoroid Mikazuki Munechika for a photoshoot of my prettiest Nendoroids.

#figure collecting #nendoroid #mikazuki munechika #touken ranbu #butai #alternate outfits #unboxing

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aoihono96 · 1 year

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[DLD] Stage play “Vanitas no Carte“ stream English subtitle

Hello everyone! As I mentioned in my previous post, I’ll try to upload other subtitles I’ve been working on, so here comes another one.

Looking forward to the reprise of the stage, I present you the English subtitle for the stage “Vanitas no Carte“. About the story:

Scorned by others of his kind for being born under a blue moon, the vampire Vanitas grew afraid and desolate. According to legend, he created a cursed grimoire known as the "Book of Vanitas," and it is said he would one day use it to bring retribution upon all vampires of the crimson moon. In 19th century Paris, Noé Archiviste is searching for the fabled Book of Vanitas. Whilst traveling aboard an airship, he is saved from a vampire attack by an eccentric doctor who calls himself Vanitas and carries the very tome he seeks. Ironically, the self-proclaimed vampire specialist is a mere human who inherited both his name and the book from his master, the same Vanitas of legend.

Cast member includes:

Ueda Keisuke as Vanitas

Kikuchi Shuuji Takamoto Gaku as Noé

Noujou Ami as Jeanne

Sawada Miki as Dominique

Tamua Souta as Luca

Maeda Musashi as Luca

Yashiro Takuya as Louis

And others

Right before the first performance, Kikuchi Shuuji was tested positive for covid, and most performances were cancelled, excpet one, in which Takamoto Gaku took Kikuchi’s role.

Here are some rules to get the subtitle and some requests for after you receive it.

Please read until the end!

* Warning! Since it was a single streaming and not a DVD release, the Eng subtitle matches the file I have, so there may be small delays with the files you have. You’ll have to match the subtitle with the video yourselves!

* I’m sharing only the subtitle, not the video file!

* For those who want the subtitle, please send me an ask or a message.

* Be polite when asking for the sub and have patience to get it. I’m not in front of the laptop 24h/7.

* Be sure you download the sub as fast as possible because I’m changing the link from time to time!

* Please don’t post or share it anywhere! If someone asks about it, please lead them to this post!

Please respect and follow the rules because I made them with a reason.

Last but not least, enjoy the stage~~

#butai #stage play #vanitas no carte #les memoires de vanitas #ueda keisuke #kikuchi shuuji #takamoto gaku #stream #subtitle #Eng sub

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tofutortoise · 4 months

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My Experience at The Tempest (少年社中) + Meeting Imata Taira!!

On Monday I saw Shonen Shachu’s 25th anniversary production of The Tempest in Tokyo! Overall, I had an amazing experience, and even got to meet IMATA TAIRA HIMSELF!!! And speak to him, which was unreal. Details below, but also spoilers for the play!

First off, I got my ticket through the lottery system, and somehow I ended up with a fantastic seat on the first floor! I haven’t had great luck with random seats in the past, but this time I sure did. It was a pretty small theater with excellent acoustics. The set was minimal but well utilized. I was really excited about the costumes after seeing all the glittering visuals on the official website (see here), but for some reason, the actual costumes they wore for the play were completely different and noticeably lower quality. I was particularly disappointed that the women’s costumes had major downgrades. On the bright side, Hiroshi Yazaki (playing Kagura/Prospero) got an even better costume than the one he wears in the official posters. He looked like a prince!

As for the story, I can’t say I was the biggest fan. However, this is probably on me more than the production lmao. Because it’s called The Tempest, I assumed that this would simply be a production of Shakespeare’s The Tempest. However, as I quickly realized while watching the show and growing ever more confused, this is not the case!! It’s actually an original show about a theater group dealing with the loss of one of their members, reckoning with what it means to be an actor and bringing happiness to people, following their love for acting, etc., all while they put on a production of The Tempest. Scenes from Shakespeare’s Tempest are therefore interwoven into the play, and sometimes I admit I had a hard time understanding what was going on (the many time skips/flashbacks didn’t help on this point lol). Honestly I should have read the plot synopsis ahead of time, but because I assumed it was just the basic Tempest I didn’t bother– oops.

There were points where I was quite invested and moved, but overall I wouldn’t say the flow of the story was particularly great. However, my experience was also limited by my intermediate Japanese, and I’m sure a lot of it went over my head.

I think all of the actors did an amazing job! Imata Taira was definitely a highlight, and he portrayed a very troubled, grieving, angry character with artfulness and incredible intensity. Seeing him, along with Yazaki and Shogo in person, was absolutely unreal. As a long time Hakuouki fan, going from first seeing them on my computer in Hakumyu 8 years ago to watching them in person in Japan is a dream come true.

Now, let’s get to the most exciting part– I MET IMATA TAIRA!!! AND SPOKE TO HIM!!!! AHHH! Basically after the show there was a special line where you could go to buy a piece of merch and talk to Taira for a moment. I had no idea they would be doing this so I hadn’t prepared anything to say to him, and I was SO nervous!! Turns out I needn’t have worried though, because Taira is such a lovely person and it was a great interaction. First of all, when the person in front of me moved on and I stepped up, Taira’s eyes went comically wide and he let out a gasp. I was expecting some level of surprise because I was a foreigner (blue eyes, red hair, etc.) at a completely Japanese play, but he was seriously taken aback. I spoke to him entirely in Japanese, of course, and thanked him for a wonderful performance, but he was just kinda scrambling for words and saying stuff like “Ah I��m so sorry I don’t know English!!”. He was so sweet and even bowed and put his head to the table and apologized for not knowing English T-T. I told him that even though my Japanese isn’t great, the power of theater is such that you don’t need to understand the words to be moved, and he thanked me again and even gave me his best “thank you!” in English too! He was so incredibly kind and genuine, and I found his reaction to be hilarious. It seemed like he was just as nervous to speak to me as I was to speak to him! Absolutely amazing experience!!!! The whole thing still feels absolutely unreal to me. I never thought I would have the opportunity to actually speak to one of the actors who has meant so much to me over the years. What a wonderful way to start off 2024 :)

If anyone wants to chat about the play or has any questions about seeing it, feel free to PM anytime!

#the tempest #shonen shachu #imata taira #suzuki shogo #yazaki hiroshi #butai

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ghostoftheyear · 1 year

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The DMMd Stage Plays

No one asked, but I can’t shut up about them, so I thought I’d talk a bit about these.

There’s a tradition, it seems like, of making stage plays about just about every subject imaginable in Japan. Search any anime you’re into on youtube and add “stage play”, and you will find everything. There are stage plays for Haikyuu!, Demon Slayer, SK8 the Infinity, Sailor Moon, Persona 5, Sarazanmai, Revolutionary Girl Utena, Given, Ace Attorney... that’s just off the top of my head. The productions are always creative and interestingly staged. If you’re into theater at all, I do recommend investigating.

It was a bit of a surprise, no doubt, that a stage play for DMMd ran in 2019, given that the game came out seven years prior; still, it did well enough to warrant another run, so we can’t argue with that. The production ran over a two-week period (stage plays don’t seem to be long-running; following any of the actors on social media, you’ll see they do several plays a year), and what’s particularly fascinating is that they did all of the love interest routes in that time period on alternate days.

The cast:

Nagata Seiichiro as Aoba

Kohatsu Allen as Koujaku

Yamagata Yuki as Clear

Tomizono Rikiya as Noiz

Takanori Yamaki as Mink

Yamazaki Shogo as Ren/Sei

Iwaki Naoya as Mizuki

Tominaga Yuya as Virus

Yoshioka Yu as Trip

Hayato Moriya as Akushima

The cast is rounded out by four dancers who added to the background in a variety of ways; Hayato Moriya also played multiple roles as a member of Bug Bomb, the person welcoming Aoba to Platinum Jail, and so on.

This was apparently not the highest-budget production out there, but they got around that with a stage resembling a generic Rhyme field onto which could be projected a variety of images, using that and lighting to make its appearance change significantly to the plot.

Unfortunately, due to (I believe) contractual issues, DVDs were not released for this production. They were livestreamed, and the final route was pro-filmed and can be rented on JP Hulu and U-Next, but that’s all we got. Sadface. However, there was a special after-show “curtain call” segment where the audience was allowed to film on their phones, resulting in a wave of clips that can be viewed here. In a couple of cases, Goatbed also performed “AI Catch” for this segment.

There was a wave of merch released for the plays, including bromides (postcard-size, collectible pictures, many of which can be found on secondary markets), a pamphlet, can badges and such. One presumes we will have another round of these with the new production.

Now the new production is coming up at the end of April 2023, and in addition to being “evolved” from the last one, a Virus/Trip route has been added. It’ll be interesting to see how this goes down, since before, it was only hinted at during the final route.

Recently and devastatingly, it was announced that Seiichiro would not be able to perform as Aoba again. While he was part of the initial lineup for this new cast, the official twitter stated that due to illness, he was being forced to step down and the role was recast with understudy Tsuchiya Naotake. I sincerely hope that Seiichiro is getting better and wish him all the best. Hopefully this is something he’ll be able to bounce back from. What’s particularly shattering is that Seiichiro has been working with Shogo on the recent run of Touken Ranbu in whatever incarnation it’s on now, so to have them not be reunited again absolutely sucks.

In other casting news, both the roles of Trip and Akushima were recast. Trip is now being played by Isono Dai, and Akushima by Makita Tetsuya. Presumably the dancers are all new as well; at the very least, I don’t recognize any of their faces, though as all the cast photos have everyone masked for safety, that makes it more of a challenge. The play is being directed by the same person as before, however.

As to whether DVD/BRs will be released this time, we can only hope that the legal issues have been worked out and we’ll get actual releases. If not, I’m sure there will at least be livestreams, though I haven’t seen anything announced yet. We will no doubt need a VPN for them at minimum; beyond that, we’ll have to wait and see.

#dramatical murder #dmmd #butai #dmmd stage plays #dmmd butai #edited with further info

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mokkuns · 1 year

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SALES POST!

Selling a bunch of butai related things including, but not limited to...

Live Spectacle Naruto 1 DVD, Hyper Projection Engeki Haikyuu 1 DVD, Daiya no A The Live 1 DVD, a bunch of Ota Motohiro Bromides (Also some Yamashita Shoon and Sakurada Dori goodies), and Seven Days Live Action DVDs.

Full list of things can be found here, as well as on twitter. Preferably message me not on tumblr, but please share!

Prices are free to $10USD. Shipping will be from Ohio, USA.

#butai #live spectacle naruto #hyper projection engeki haikyuu #daiya no a the live #seven days #ota motohiro #sakurada dori #yamashita shoon #naruto stage play #haikyuu stage play #daiya stage play #club slazy #sales post

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leagueofgardens · 8 months

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Assault Lily × Ludvico Private Girls' Academy: The Blade of Truth

For obvious reasons, I'm not writing the full title of the play.

Ever since The Gleam of Dawn had its run earlier this year, my opinion has been that it was the best individual one of the Assault Lily stage plays, but the Ludvico quartet (in their revival versions when those existed) are the best series. And though The Blade of Truth was by no means bad and a worthy finale to the series, my opinion hasn't changed.

Extensive spoilers for the play below. Don't click unless you want to be spoiled! (Also, I talk about death, so a content warning for that.)

The Blade of Truth is actually the only one of the Ludvico stage plays that I've watched the original 2019 performance of, because there was no alternative at the time I was first watching the series. It was… okay. Definitely rough compared to the revivals, but I wasn't sure how much of it was inherent and how much was because of the lower budget those plays were working with.

It turns out that at least a little of it was inherent, but I'll focus on what was good first.

BoT 2023 (I'll abbreviate it as that from now on) was excellently produced. Assault Lily's stage tradition of projecting video onto the stage came out crystal clear, for nearly the first time ever, and was used to great effect every scene it happened in.

Though the choreography wasn't quite as fancy as The Gleam of Dawn's, it was frequently impressive, and the playwright/director duo of Sakuragi Sayaka and Hayashi Shuuji elevated their trademark of simultaneous scenes to new heights by occasionally having important conversations take place on one half of the stage while battles occurred on the other.

The story was an improvement over the 2019 version with a variety of small changes to the script, and possibly also thanks to the years of extra experience the actresses and staff have. Asahi and Nagisa were adorable together, the flashback scenes with Kazane made her feel less like just Mirai #2, Ichika and Karen both got even cooler, Himari was a lot more likeable, and Nonoka's scenes were somehow even funnier.

In the back half, Professor Amamiya "installing" himself into Kosaka the same way various other characters have makes a lot more sense than the 2019 version's brain transplant. I feel really bad for Kosaka, since she seems to momentarily regain her original personality just before she dies… well, no one ever said Assault Lily stories have happy endings for everyone.

Also, Pius seems to have mostly recovered from whatever issue they had in 2022 where the stage cameras and microphones precipitously dropped in quality (maybe Bushiroad gave them loaners and took them back when they pulled out of the Assault Lily project?)

What wasn't so great? Well, it's an ongoing thing with the Ludvico series, but the plain-looking hairstyles/costumes and boring CHARMs are disappointing coming from the other stage plays. They provide the advantage that they avoid having the occasional ugly-as-sin wig (like Kasumiko's in The Gleam of Dawn,) but I wish the crew had at least used different shades of natural hair so the characters are easier to tell apart. I don't see why Yuko couldn't be a blonde and so forth.

In BoT 2023, a reasonable amount of characters have custom CHARMs (or at least less common ones like Kazane's Triglav,) but I'll be quite happy if I never see another Dainsleif Carbine or Gungnir Carbine again in my life.

I'm still not a fan of The Blade of Truth's plot, particularly the second half. I've always been disappointed by Assault Lily's dull villains and feel that Toda Kotohi is the only one, in any part of the media mix, who's genuinely a great character. A bunch of nuns and Kosaka-sensei repeatedly screaming "This is for the good of humanity!" haven't changed my mind on that.

The fights were really cool, and Makabe and Kosaka in particular have their moments, but I wish we knew more about what they were actually trying to accomplish instead of them just seeming crazy.

While Sakuragi may have felt she couldn't make a change that drastic to the script in a revival, I think Ichika should have died when Makabe shot her. It really undermined the impact of that moment when she was just fine later, and more broadly I feel that Assault Lily's aversion to allowing even a single Lily to die in the present clashes badly with how its strongest plotlines are based on the deaths of characters in the past, like Mirai.

If Yuria had died in the previous Ludvico play, that would be fine too. Just kill someone. Anyone!

I feel very edgy saying that, but I really believe AL tests the limits of our disbelief with how everything, all of a sudden, always turns out just fine for the Lilies. (Unless you're a teacher, in which case you have a 75% chance of dying horribly.)

Anyway. BoT 2023 is a solid play, not the best Assault Lily stage play and not the best Ludvico one either (I think that's probably Schwester's Secret), but well worth watching. Don't miss it… though it's a little late to say that now.

#assault lily #asslily #assault lily meta #assault lily spoilers #ludvico #ludvico private girls academy #the blade of truth #stage play #theater #butai #death tw

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improvised-chaos · 1 month

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i need this chrollo in my life

#舞台ハンター #hxh chrollo #hxh #hunter x hunter #butai #stage play

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mihotose · 7 months

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just remembered this interview with ryuuji about narusute where he said something like if a woman in the audience is wearing revealing clothes he wont look at her because he doesnt think sasuke would do that and ive never watched naruto but yeah. he wouldnt

#gemitus #ok i cant find it so either tumblr ate the post or it was on a locked lj or something. so pinch of salt #anime #butai

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xxnothingbutstrangerxx · 1 year

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