#but there's never any of that and those who do pursue that path get villainized for it

[pix3lplays]

Okay so I’m hoping that you did the recent quest before I spill but: just imagine that Gallagher is the actual villain behind everything, I mean sure he’s teased as an antagonist but just imagine him doing the dirty work and just comes home to his lover who has no idea and he acts like nothing happens (like I’m in it for evil men who act sweet and genuinely want to protect those they love, for Gallagher imagine him just being all sweet with his lover but behind the scenes he goes stab stab like-) see even though I didn’t know I knew there was more to the reason as to why I am in love with Gallagher

Spoilers for Gallagher~

Cw! Violence and killing, blood

You’re on to something, I love that. Obviously we don’t know entirely what’s going on but clearly he’s Some Sort of antagonist, so…

Your husband, Gallagher, such a sweetheart, who works so hard to make sure you live a comfortable life…

You genuinely think he’s out there working Security…and the nights he has to be away…yeah your husband is also a mixologist, he works nights sometimes…he does his best to make you happy…

He always comes home so tired, but he’ll always, ALWAYS make time for you.

You can’t bear to ask much of him. He already does so much for you. You just want to give him a kiss on the cheek and pour him a drink and rub his shoulders while he tells you about his day.

Why would you suspect anything? Even when he’s gone a little longer than usual you’d never suspect a thing…he just tells you he had to work overtime and you leave it at that. He’s always so apologetic when he has to “work overtime” and his annoyance at being “stuck at work” instead of being able to spend time with you really sells it to you. Your poor, sweet husband…doesn’t he work hard enough?

How would you know that your husband is busy getting himself wrapped up in some serious trouble? Committing literal CRIMES, pursuing his own agenda…not to mention the whole “minion of Enigmata” thing…

“Gallagher” isn’t real. Just a perfect little collage of the Ideal, loyal members of the Family.

Those scars you traced so delicately? Fake. That soft brown hair that you enjoyed playing with? Fake. His enchanting eyes? It’s ALL fake. You’re in love with a lie. And if it was up to him, you would NEVER find out. He would keep you safe forever. From danger, from his true identity, from anything that might separate the two of you…

The reality is, no matter how you feel right now…if you ever found out the truth…you just couldn’t keep trusting him.

So he would just keep lying. Sink deeper and deeper into his own web just to keep you close to him. He really doesn’t want to hurt you. He would never hurt you on purpose. He’d KILL anyone who found out and threatened to tell you.

Who knows what his agenda is. But whatever it is, he wants you with him, by his side. He’ll do what he has to do. He’s not afraid to get his hands dirty. But you don’t need to know about any of that.

He’s such a good little actor. He comes home after an unusually long shift, you put a hand on his face, and you ask him about his day, and he tells a cute little story about how he was hunting down bad guys all day. That he even had to skip lunch. It’s adorable the way you gasp and drag him to the kitchen so you can make him something.

You don’t suspect a thing.

You have no idea that the path he walks is soaked in blood.

How could you suspect anything?

He holds you so sweetly at night…you love your husband so dearly…he’d never hurt anyone…you know him the best…

#honkai star rail #honkai star rail x reader #hsr gallagher x reader #honkai star rail Gallagher x reader #Gallagher x reader

[bnhaemporium]

Soulmate Headcanons

Characters: All Might, Endeavour, Edgeshot, Aizawa, Hawks

✧. ┊    ✧. ┊    ✧. ┊    ✧. ┊    ✧. ┊    ✧. ┊    ✧. ┊    ✧. ┊    ✧. ┊    ✧. ┊    

All Might

Toshinori is unlikely to seek you out when he’s younger (focused as he is on his dream) and this won’t change even as he gets older. He’ll constantly be so busy that finding you wouldn’t be much of a priority.

If he does meet you, he won’t know quite what to do at first. He’s going to stumble over his own words so much that you will simply have to laugh to make him stop.

He won’t pursue a relationship or anything similar unless you show a substantial interest in him. There are many things in his life he wouldn’t want to expose a partner to and you’d need to prove you’re choosing him, not just accepting what fate wants you to do.

He’s going to protect you so much but he’s trying to make it subtle though his attempts are… well, they’re hilarious. All he ever does is confuse you and everybody else around him, even those who know.

Eraserhead

Aizawa isn’t the type to seek out his soulmate, not for any particular reason, he simply never wanted or needed to find you before you were quite literally forced into his path.

Unless your soulmate reveal is something obvious, you may not even realise it’s him when you first meet. He’ll know immediately but he won’t tell you, opting instead to let you learn it yourself, if you notice.

A relationship isn’t something he’s particularly interested in. Time, his job, and various other reasons don’t make it a possibility without excessive work and he doesn’t have the energy. Don’t worry, you can win him over.

Not much will be different in the way he treats you. At least not to the causal observer. There’s subtle evidence in how he calls you to see if you’re doing alright and worries during attacks in your area. Mic notices this immediately and never lets him live it down.

Hawks

Keigo went most of his life tempted to seek you out but he always knew it would be for the better if he didn’t. Still, he thought of you more often than he dared admit, especially while working.

Meeting you turned into such a fantasy for him that he’s genuinely surprised when he does meet you. He manages to keep up appearances but honestly, he’s incredibly flustered inside and actively struggling with his composure.

Similar to other pro-heroes, he’s incredibly weary of beginning any relationship with a soulmate. While they mainly concern themselves with villains though, he has other considerations to keep in mind.

Your ‘relationship’ will develop without him meaning for it too. He protects you well and nobody ever really notices unless they’re incredibly observant. He knows how to lie but not how to tell when he falls for you. It scares him.

Endeavour

Enji doesn’t care about your existence for the majority of his life. Soulmates are too flimsy for him to include you in his dream and so, he tries his best to pretend you don’t exist.

This does continue when he first meets you and he will go through a period of denial wherein you will undoubtedly feel beyond ignored. Don’t worry, the rudeness will subside after time as he grows more open to you.

Relationships are very much tools in his life and he’s strangely averse to using you for something like that. Any interest would undoubtedly be pushed back against for a while.

He’s not shy about his connection to you once he’s come to accept it. If anything, he’s incredibly proud of you and will challenge anybody to try and take advantage of the relationship he shares with you.

Edgeshot

Shinya doesn’t feel strongly either way when it comes to his soulmate – not wanting to seek you out nor ignore you. If anything, he’s more than happy to let fate take complete control and dictate what happens.

He is pleased to meet you though it’s still unexpected and he trips over his words ever so slightly when he makes the introduction. It’ll be a difficult thing for you to not feel charmed.

He’s interested in a relationship (being able to healthily separate his working life from his personal) but he’ll take his time to charm you over in a more traditional way with dates and gifts.

He’s protective though not obnoxious about it. You’re always the first person he checks on in any situation and the first person he calls when he has free time; you are his other half in every way that matters.

#bnha x reader #mha x reader #all might #all might x reader #toshinori yagi x reader #aizawa x reader #eraserhead x reader #hawks x reader #keigo tamaki #edgeshot x reader #endeavour x reader #enji todoroki x reader #bnha pro hero

[linkspooky]

Do you have/like any ships from Jujutsu Kaisen?

My favorite ships in Jujutsu Kaisen are what I call the three generations of Yin / Yang pairings that the story sets up to parallel one another. 

Satoru Gojo x Suguru Geto 

The two of them are set up as a pair of “complementary opposites”. One of the first thing they do in the flashback arc is see them get into an argument. Gojo believes that the strong should not have to cater to the weak, while Suguru believes that the strong are responsible for protecting the weak. Their most fundamental beliefs that drive them are in conflict with one another, and yet they are each other’s closest and only friends. 

Geto gets Gojo and pays attention to him like no one else, noticing when he may be tiring and wearing himself out, while everyone else regards him as the strongest. Gojo also for his best returns that point. Outside of their ideals, they care for each other as people, and it’s their ideals specifically that drive them apart. 

I refer to these as Yin / Yang pairings, because Gojo and Geto also despite being opposites, carry a little bit of each other in the other. The idea of the Yin and Yang is opposite, but interconnected forces. The symbol itself (ie. the Taijitu symbol) shows a balance between two opposites with a portion of the opposite element in each section. The most interesting aspect of these two is how despite being eventual enemies how interconnected they are. In some ways, Geto and Gojo sort of flip because of their relationship with each other.

At the end of the Hidden Inventory Arc, it is now Gojo who is arguing that they strong need to protect innocent people, because of Geto reaching out to Gojo and telling him not to massacre the cult immediately in the aftermath of death because that would not have any meaning, while Geto is arguing that Sorcerers should rule, because they are stronger and have no obligation to continually sacrifice themselves to protect the weaker people with no cursed energy. Even when they are enemies, they are still connected. 

Maki Zenin x Yuta Okkotsu

Arguably, in the upperclassmen it’s Yuta and Maki who parallel Gojo and Geto the most. They also have the most dynamic interaction with each other, in that they both bring out a change in the other as a result of their meeting. Yuta would not have made any progress in zero, if Maki had not been the first person to challenge him and tell him to stop acting like a villain. At the same time, Yuta because of his inherent softness was able to express his admiration for Maki, someone who has been demonized her entire life. 

They are another pair of complementary opposites, but rather than Gojo and Geto who oppose each others on ideals of justice, Yuta and Maki are opposites in regard to love. Yuta does everything he does for the sake of his loved ones and keeping them close. He even screamed that at Geto as the reason he was fighting against them.

Maki growing up unloved by everyone in the Zenin clan except Mai, prioritizes her pride and strength above everything else. Unlike Yuta who wants people to remain close, Maki deliberately pushes people away and pursues strength, following down Toji’s exact same path as becoming the next sorcerer killer. 

These two are also set up as opposites in many ways as the plot, Yuta is labeled a prodigy, whereas right now over and over again Maki has been referred to as a demon. They are both people who have lost the person who loved them in their childhood, Rika for Yuta and Mai for Maki, and they are now wielding whatever remains of that person as a weapon. Yuta is still fighting to protect the people closest to him, but his opponent in the culling game tells him that someone as loved as Yuta couldn’t understand those who haven’t been loved, and also someone like Yuta could never reach Sukuna’s level because he has too much humanity in him and Sukuna is like calamity, while we don’t know what Maki is fighting for right now and she seesm to becoming more and more like a pure force of strength. There’s just so much that can come from their confrontation.

Itadori Yuji x Megumi Fushigoro 

The final pair of parallels, but once again the way they contradict each other is on an entirely different matter. Yuji is someone who wants to save everyone indsicriminately no matter who they are. Whereas, Megumi wants to selfishly pick and choose who he gets to save. 

This conflict begins from Megumi’s very first action in the manga, choosing to save Yuji after he ate the Sukuna finger, rather than kill him, even if that action puts more people at risk. The relationship between Megumi and Yuji is deeply interwoven into the text of the manga itself. Their actions impact each other’s development. 

BECAUSE Megumi chose to save Yuji rather than executing him, Yuta later goes onto let Sukuna rampage in Shibuya. Which made Yuji’s original goal of eating all the fingers, and then sacrificing himself seem a lot less heroic now that the same innocent people he was trying to nobly sacrifice himself to protect have died.  ON THE FLIP SIDE, Megumi is now dealing with a very suicidal Yuji riddled with survival’s guilt, who is leaping at the chance to die for a greater cause. Megumi’s decision to “save people selfishly” is putting him at direct odds with Yuji who he has chosen to save, because Yuji a very selfless person can’t put his life above others, especially the people he’s hurt now. 

Yuji has as recently as the latest chapter, offered to die to Angel to let Gojo out of the box because he is just so desperate for SOMETHING to do to make up for letting Sukuna out in Shibuya, while Megumi himself is DESPERATELY trying to keep the people who are still close to him (totalling Yuji, and Tsumiki at this point) safe. Despite the fact that they are such great friends, they still fall into conflict, and that conflict is what makes the ship interesting. 

#askspookies #satosugu #yutamaki #itafushi #itadori yuji #megumi fushiguro #yuta okkotsu #maki zenin #satoru gojo #geto suguru

[delicatefade]

For #talktometuesday I'm v curious to hear more about corrupt Eilan is that in a world where she follows Solas and helps him bring the Veil down or something else? I love hearing about Inquisitors who turn to the dark side 😈

Aha! The turn to the dark side is full of thrashing and self delusion. Quick world state catch up. It's close to canon-ish. Solas broke up with Eilan and left to pursue his goal of tearing down the Veil to restore the world to its rightful order. Eilan stayed on as Inquisitor. The Inquisition is now a direct military and ops vehicle of the Chantry lead by Leliana with Cassandra as her hand. The Inquisition's main target is Solas. tl;dr: If you're wondering what radicalizes her.... nothing? She never agrees with Solas philosophically about the Veil or why it needs to come down. But she is so singularly focused on staying in a relationship with him, so self-absorbed in her love, that she makes a series of small, compromised decisions. Each decision feels, in that moment, absolutely human and excusable. But ultimately those decisions culminate in her corruption because they make her his accomplice. And once the deed is done, she engages in a series of mental gymnastics to live with herself and with him and her transformation from a do-gooder to a villain is complete. The slightly longer explanation below: 👇

Eilan corruption arc. The story starts six months after Trespasser. Eilan and Solas were a couple and very much in love. She is convinced that if she could just find him and reason with him, he can be persuaded from his destructive path. She dreams about him, finds him that way (dream magic!) He's actually thrilled by this turn of events. For him, it represents the possibility that she might change her mind and join him. He also wants this to end with his lover Eilan at his side. What a dream! They both ignore the elephant in the room for a while, just enjoy being together and pretend they aren't at odds. But as he gets closer to his goal, she starts getting desperate and leaks some of his secrets to Dorian so that power players of Thedas can perhaps oppose Solas a little longer. But she never actually gives up any critical information that would help Solas' enemies stop Solas once and for all. That would be a step too far. Her heart isn't there. Dorian, and others, doubt Eilan's loyalties. She had said she is Team Modern Thedas, but her actions speak otherwise. Dorian in particular feels betrayed by her. 😟 Meanwhile she's arguing with Solas all the time, their relationship is frayed very badly, she acts out, but he will not be dissuaded. He is convinced she will prefer life as an elf without the Veil and their lives will be better. He is also hoping that removing the Veil will make all elves immortal again. Fingers crossed, vhenan!!! You and me forever!!! Finally, when Solas does take down the Veil, Eilan against all odds shows the fuck up and does have a way to stop his ritual. Bruh, it won't even kill or wound him. It is like, the perfect Solavellan gotcha: stop the ritual without hurting Solas? Wow, the dream. SHE STILL BACKS OFF!!!!! She's too in love to disappoint and hurt him (emotionally) this way, and will absolutely choose him over the world (as her friends had accurately accused!!!) Sure, she gives herself a little mental band-aid about it, she reasons her decision not to stop Solas from *checks notes* destroying civilization as millions of people know it is about, uh, "having faith in him." Nah, dawg, it's toxic, obsessive love. That story is completed and published. Comes in at just under 30k. Read it here -> https://archiveofourown.org/works/38774526/chapters/96954213 I am working on the sequel which covers the first 3 years after the Veil falls. The draft is currently at 65k words. In that fic, the consequences of the apocalypse are dire!! A little worse than Solas expected. You know. For consistency. Eilan, at first, is not coping well and says ugly things to Solas. But in order to cope, she has to compartmentalize. Also, she's essentially in the most privileged position in all of Thedas at that point, and shielded from most horrors.

Meanwhile we see Solas start to have doubts about his choices re: the Veil (both putting it up and taking it down). His self-doubts start to eat at him and it is Eilan who builds up his confidence again. She's a playwright and writes literal propaganda to retell history where Solas is the singular greatest Byronic hero of all time. She tells him that what he did was right and good. Does she actually believe that? Doesn't matter! And not really? Look, they need to live. Here's what she does start to believe: Some people just matter more to world history, you know? 😉 And her turn to villainy is complete without ever, even once, having a god damn point. She just wants her love. I might write a part 3 where we see Eilan at her happiest. She and Solas are married, have kids, and the ugly past feels distant. In that story they learn that actions have consequences and the misdeeds of the past catch up to them both.

#eilan lavellan #dragon age fanfiction #ask #delicatefade wip #solavellan #solas dragon age

[missmyloko]

What are your opinion on the film Memoirs of a Geisha? The costuming is quite inaccurate.

Where do I even begin... Or, it's better to ask, what part of that movie ISN'T inaccurate? The movie is a mess. Period. It's taking all that I have in me to keep this PG, and I haven't even really started, so you know that this is bad. So, let's start this off with a story. A few years back at the end of Anime North one of my friends was like, "feel like a laugh?" and me, being the burnt out person that I was, was like, "sure, lay it on me." So, we did what any karyukai enthusiast would do when there was nothing left to do but just feel like laughing at something: we watched Memoirs of a Geisha. And, to be honest, it was good for a laugh because we indeed laughed the entire time pointing out all of the inaccuracies. We laughed, we cried (from laughter), and overall it was a great comedy. But back to being serious, this movie is supposed to be a drama about a young girl who's sold into slavery and makes her way out of it by prostituting herself (at one point, against her will) in order to achieve her goal of becoming a sugar baby to an older man/sugar daddy who will provide for her. That's it, that's the story. It's depressing, it's perverted, and it was clearly written by a man because real life women wouldn't make half of those bad decisions. The characters are as one sided as a circle and never actually grow or mature in any way, even though the story spans over 2 decades. Hatsumomo is a bitch who isn't allowed to grow or change in any way because someone has to be a villain and it may as well be the one woman who learns just how screwed up her life is because she can't be with the man that she loves (which you figure should have been a warning to Sayuri, not actually spur her to pursue the same path). Pumpkin is just Bitch Lite who hates everyone and everything but isn't portrayed as completely ruthless like Hatsumomo and somehow that makes her more likeable? Mameha is Resting Bitch Face who may as well be a plank of wood for the amount of character that she brings to the story. Sayuri is a perpetual child who doesn't grow up and has a disturbing fascination with a man who just happens to be OVER 20 YEARS OLDER THAN HER. Like damn, rob the cradle more why don't you. The costuming is lackluster at best, and if they had actually made it accurate with such a big budget then it could have been glorious. But no, Hollywood has their own way of doing things, so everyone gets weird hairdos, bathrobes, and MAKEUP. Not actual Japanese makeup or anything, but that overly glamorous Hollywood makeup where everyone has ridiculously large red lips, dark eyes, and skin a shade that you're not exactly sure where it falls because it's not quite white but it's not close to natural either. The only positive thing that I can say about the movie is that it has nice cinematography. That's it. So, what have we learned today? That Hollywood shouldn't cast Chinese actresses in Japanese roles? Sure. That Hollywood adaptations tend to be bad? Absolutely. But at the heart of it all, there's one thing we can all agree on: Memoirs of a Geisha is a comedy, and if you're not laughing then you're not watching the movie properly. So go ahead, watch this dumpster fire of a movie if you're ever in a bad mood and require a good laugh. Just remember not to take it seriously or else you might actually believe all of the bullshit that this movie is trying to hammer home, like how becoming a wealthy teenage prostitute will get you adopted, or how burning your house down is somehow a good idea and won't get you evicted.

[thevindicativevordan]

On Kong Kenan/Super-Man

It should've been him. He should've been the Superman of 5G/Future State/right now not Jon, and he should be the one getting an HBO Max series not Val. Hell he should be getting a movie!

God this dude is literally the best legacy character Superman has ever gotten, wholly his own person with his own lore and status quo while still building on the idea of "Superman". I am so pissed at DC for essentially just dropping him after his ongoing ended, what the hell Lee? You keep trying to make the Wildstorm characters happen, I need you to get my man Yang another Kenan book.

Have to admit I was a bit nervous at first about whether or not Kenan would be a worthwhile character. Yang's New 52 Superman run had been a disappointment to me overall, with only the the arc where Superman has underground wrestling matches against forgotten gods really sticking with me. Now he was introducing a brand new Superman? Didn't feel like he had "earned" that yet. But from the first issue I was hooked on this new character.

Kenan was unlike any other member of the Superfamily. He wasn't kind or sweet, he was an asshole! He was a bully! He was fantastic! Right from the start Kenan was set up to undergo a very different kind of character journey than the other members of the Superfamily. Empathy, humility, respect for people weaker than himself, these are all traits most heroes wearing the S-shield already posses by the time they first don the crest, but not Kenan.

Like all bullies he was even a bit of a coward himself at first, trying to bail on the experiment meant to give him Superman's powers right as it begins. After "saving" Lixin (the kid he bullies and steals lunch from every day) from Blue Condor he demands all the money Lixin has on him as payment. He's not courageous or selfless either at the start, Kenan is as much of an opposite of Superman as you can get short of being Bizarro. Learning the appeal of these traits formed the basis for his growth over the course of his series.

Seeing Yang bring in a lot of recognizable "Superman" elements in the series, but with a twist, was also great. Kenan is the one who bullies "Luo Lixin" rather than the traditional Clark/Lex friendship of Pre-Crisis and Birthright. Initially Kenan develops a crush on intrepid reporter for Primetime Shanghai, Laney Lan, but she dismisses him as too young and Kenan eventually ends up pursuing Avery Ho (Flash) instead. Baxi the Bat-Man of China has a similar relationship with Kenan as the traditional Superman/Batman in terms of being vitriolic best buds, however Baxi is the one who has the most respect for authority while Kenan is the rebel. Kenan is a part of the "Justice League of China" which does not meet with the approval of the already established Chinese superheroes, the Great Ten. That contrasts nicely with the good relationship the Justice Society and Justice League have, as well as seeing Yang lampshade the "Chinese copy" trope and incorporate that into his storytelling.

One of the funniest differences is how Kenan chooses to immediately reveal his identity as Super-Man to the world by taking off the compliance visor he was forced to wear, contrasting with Clark's choice to hide his identity. He was so eager to impress people that he never gave any thought to the danger he could put himself or his family in by revealing his identity until it was too late, something Clark is well aware of and has taken great pains to keep his identity secret. Was a missed opportunity for DC to have Kenan comment on Clark copying him for once when he outed himself under Bendis.

But one of the most poignant differences between Clark and Kenan is the gulf in separation between their relationship with their parents. Clark has a loving relationship with Ma and Pa Kent, trying to live up to their lessons as best he can. In contrast Kenan's mom was believed to have died in an airplane crash when he was just a child, and he never really knew her. His father was distant from him after that and the two weren't really close despite Kenan's attempts to impress him. So Kenan lacks that strong connection while still clearly loving both of them.

Pa Kent's death is one of the most tragic examples of Clark's love for his parents, and I've always been a fan of takes where Clark promises his father to fight for the powerless on Pa's deathbed. Kenan gets a similar scene at the start of his career, his dad "dies" (after being exposed as Flying General Dragon, a pro-democracy "supervillain" from the Chinese authorities perspective) and wants Kenan to promise he'll fight for Truth, Justice, and Democracy. But because Kenan's dad never really bonded with him, Kenan doesn't know what those mean, and can only promise that he never wants to see people die, something his father takes comfort in at least. In classic comic book fashion it's revealed that Dr. Omen, Kenan's "boss" and the one who gave him his powers, saved Kenan's father, because she is Kenan's mother! Kenan's relationship with his parents forms a lot of the crux of his character arc, and seeing how Yang utilizes the classic Superman concept of family kept the storytelling exciting.

Yang's brilliant exploration of the concept of "Superman" through the prism of Chinese culture was a great way to differentiate Kenan as well.

I absolutely freaking love how he tied to the concept of Qi to the S-shield in particular. Connecting the shape of the shield with the way Kenan has acquired his powers along the path of the Bagua (eight trigrams used in Taoism that represent the fundamental principles of reality), with his octagon S-shield outline representing all eight principles together, was mindblowing! So was the idea of restricting Kenan's access to his powers unless he was actually acting in a Superman manner, that tied his character growth to his power growth in an entertaining manner. There were so many characters and concepts that meshed Chinese and DC lore together, like how Emperor Super-Man was Kenan's "Doomsday", they even recreated that iconic dual kill shot! The Chinese Wonder Woman Peng Deilan, being based on the Chinese Legend of the White Snake! There was even some Korean mythology referenced with the Aqua-Man member of the JLC "Dragonson".

Yang also managed to do a Superman Blue/Superman Red story with Super-Man Yin/Super-Man Yang!

Shameful that it took me a while to realize what Gene Yang was doing but once I caught on I was touched. You can tell how much Yang loved Superman and his mythology, and how he was excited to incorporate as much from Clark as he could, while still using it in a way that was solidly Kenan's. And not just Superman's mythology, but the history and lore of the entire DC Universe. I-Ching got to be brought in, fleshed out, and used as Kenan's mentor! The "Yellow Peril" villain from Detective Comics #1, the comic DC gets its name from was brought in and revamped as I-Ching's twin brother All-Yang! Hats off to Yang for taking a racist caricature and attempting to make him into something more.

This series was a beautiful attempt by Gene Yang to build a space for Asian heroes and villains where they could be more than stereotypes, Kenan himself being a defiant mold-breaker in every regard as the complete opposite of most Asian characters in Western media (a jock, a bully, loves his dad but not on great terms with him, a powerhouse as a hero, etc). So much thought and hard work was poured into this by Yang and his team of artist collaborators.

Especially the costumes, man Kenan had so many great looks. From his starting outfit (which is my favorite Superman variant not worn by Clark himself), to the one with the Yin/Yang shield he acquired later on, to his Super-Man Yin & Super-Man Yang outfits, Kenan looked damn cool. Part of me is bummed they didn't go with the Chinese character shield they toyed around with, but I loved how Yang used the "s-shield" as a plot point, so I'm not too broken up over it.

All that great work Yang did to build that space up has been more or less forgotten sadly. It was nice to see Kenan in the DC Asian Month Celebration issue. Avery is going to be in Justice Incarnate at least (unsurprising considering she was created by Williamson). So fucking bummed that Superman Family Adventures cartoon didn't happen, they were going to have Kenan and John Henry Irons in it! Would've been a dream come true for me to see Irons in animation again, and Kenan making the jump to outside media! Maybe that would've encouraged DC to let Yang keep writing New Super-Man, or at least encouraged them to use him elsewhere instead of allowing him fall into Limbo.

Unfortunately I'm not sure what the future holds for Kenan. Jon is being pushed as Clark's replacement in the comics, with DC keeping all the other contenders such as Kon benched. Calvin is leading the Justice Incarnate team likely due to the upcoming Coates reboot that will make Clark black. Val will probably get something once Taylor leaves Jon's book or once they officially announce the HBO Max show is happening. So where does that leave Kenan, my new favorite PoC legacy hero? Currently my only hope is that Yang is working on something for DC involving him. Yang left Batman/Superman, where I was hoping to see a Baxi/Kenan team up, to go work on "exciting other opportunities" per his Twitter. So fingers crossed that there's something in the works for Kenan!

One day I hope he gets his day in the sun again.

#kenan kong #new super man #gene yang #justice league of china #superman #dc comics

[butwhatifidothis]

But...Byleth wasn't unemotive because they were a mercenary, they were unemotive because of the fact Sothis hadn't woken up. Like I said, you're injecting a negative viewpoint where there isn't any.

As much as people would LIKE for it to be Crimson Flower is NOT a villain route, as villain routes usually have you as the bad guy. The villainous actions are addressed. Instead you're potrayed about as much (if slightly less with the whole conquest thing) of a hero as the other routes, complete with the Black Eagles becoming the underdog and being short on troops, and Edelgard fighting directly on the frontlines. Sure we can call it the villain route since Edelgards the villain in all the other routes, but it isn't played as if it were one. There's no "Look at the horrible thing you've done!" or "Edelgard's empire crumbled and she was killed in a coup after TWSITD were defeated". or even a "Edelgard's lies get exposed' moment. She's just potrayed as the hero the entire time.

Also, Edelgard doesn't think Byleth is completely without emotion, she thinks byleth is DETATCHED. As in, not showing emotion often. She also agreess if Byleth says that Edelgard is also detached. That entire part of the conversation is brought on because Byleth says they are jealous. The entire thing of "Edelgard thinks Byleth has no emotions" is from a conversation in which Edelgard is GLAD that Byleth os showing emotion.

"I'll admit, I think of you as rather detached, so to hear that you have emotions such as jealousy is... something of a relief."

Also I forgot to ask...where is it STATED or SAID that Byleth WANTS to be a guiding hand for Fodlann? Like I'm not sure where that came from since it's not as if Byleth actively pursues a position of power, it's usually something they just sort of get given at the end of the other routes since Rhea either gives them said position, or is dead and Byleth ends up filling that role

Imma ask this: if being a mercenary was completely fine, if that had absolutely no negative impact whatsoever on Byleth... why didn't Sothis wake up earlier? Why did she only do so right before the lords - who give Byleth the chance to grow - meet with them? If they don't want to be a guiding hand in Fodlan, why don't they reject the leadership position given to them - especially on AM, when Rhea and/or Seteth could take over as archbishop?

It's because being a regular mercenary isn't good for them. It's because there's a consistent theme with Byleth that leadership as well as the Church are good things for their character, as well as for Fodlan - it's in the routes the Church is standing and Byleth earns a leadership position that Fodlan is at its most peaceful in the endings. It's not me being negative when it's this consistent within the game itself that being a leader and having a purpose beyond being a sword hand is what is best for Byleth.

To give the short answer to the "CF isn't a villain route" idea, here's this post I made detailing many of the ways CF is by far the most morally bankrupt route of the four of them, regardless of surface level framing. CF isn't a villain route in that "oh ho look at you, being evil!" It's the villain route because you are actively helping the villain get what she wants. You are the reason Fodlan falls into tyranny. It's your fault, as the player, that Fodlan is engulfed in war again when that isn't necessary in the other routes (where TWS are just taken care of with no need for a "long, arduous, bloody war"). It's because of you that the people of Fodlan must live under Edelgard's cruel leadership, being spied on by the secret police and having any rebellion they try to muster be put down in secret by Edelgard's evil butler.

You say CF isn't the villain route because Edelgard's villainous actions aren't addressed, but I'm sorry, I have to disagree with you with what qualifies as a villain route. You help plunge the continent into war by backing an imperialistic warmonger. You help spread outright lies about the Church. You keep up these lies even to your friends and let them believe the Church just nuked Arianrhod, without ever setting it straight with them. You work with a murder cult hellbent on killing as many people as they can. You comply with someone who is keeping an independent country (Brigid) under her thumb by keeping Petra as a hostage, which she herself refers to herself as on CF. You use Demonic Beasts as "war assets." You invade a neutral nation that's kept out of the war entirely. You help try to finish a genocide against the Nabateans - or, at best, work with someone who wants to finish it. You are the villain.

CF has you as the underdog despite it always being the one with the advantage in the beginning of the war phase because it is deliberately breaking from the worldbuilding of 3H, as said by the developers. Byleth is supposed to stand against Edelgard, not walk with her, hence the warping of the story when they do. It doesn't have to directly, explicitly say it's the villain route for it to be clear that you are not the good guy here.

Like, "you're portrayed about as much (if slightly less with the whole conquest thing) as much as a hero as the other routes-" no! Not slightly less! That is in large part what makes it villainous! You aren't fighting to defend yourself and to take down the one who plunged Fodlan into war - you are the conqueror! You are the one doing the plunging! For completely selfish gains, at that! There's no explicit "wow bitch you fucked up here" because the sign of you fucking up is the state your actions leave Fodlan in. It's Byleth losing the Crest Stone and going back to the beginning of their character arc. Edelgard, the villain, won - she got to have her happy ending on the graves of countless innocents lives she deemed less worthy than her ambitions, and it's all because of you. Edelgard getting exposed and her empire crumbling down is a good thing, which CF is not. You don't get to have Edelgard face the consequences of her actions like you do on the other routes where she dies, because she won. The bad guy won. You helped the bad guy win, so no, you aren't going to get the satisfaction of watching Edelgard fall - you play the other non-villain routes for that to happen. Why should there be? This is what you as the player wanted! You chose to side with Edelgard, even after being shown her involvement with nearly every bad thing that happens in WC, because you wanted her to win! You���ve reapt what you’ve sown!

And imma just ask... why is Edelgard relieved to hear Byleth has emotions such as jealousy? And why does she insist that Byleth is detached if you try to deny it? Why does Byleth have to directly tell Edelgard about them feeling emotions for her to know it - why doesn't she just know already? You never hear this sort of doubt come from Seteth, Claude, or Dimitri on SS, VW, and AM - hell, Claude will even outright say that Byleth has gotten far more expressive lately during tea time conversation! Why is Byleth detached in CF - why aren't they closer to the lord? Why is the lord doubting the connection between Byleth and others in their A support? Why is it only on CF that Byleth is ever called detached during post ts? Why is Byleth not showing emotion often? Enough to make Edelgard question whether they have emotions? 

It’s because Byleth is regressing on the progress they’ve made in being able to emote - they act in ways that are similar to how they act in the beginning of the game because CF is a negative influence on their character. Edelgard calling herself detached like Byleth is not a good thing - Edelgard’s detachment from other people is what lets her sacrifice innocent civilians for her goals. It’s what let’s her believe that her imperialistic dreams are worth the bloody path needed to make them come true. She is not connected to those around her, hence her being able to justify killing anyone to get what she wants, up to and including her Black Eagle classmates (Bernadetta on Gronder). Byleth being compared to someone like that is far from a positive thing, especially when all other routes have them have that connection with others and all other routes having a more positive, peaceful ending for Fodlan than CF. 

I will say though, it seems as though Byleth never seems to explicitly say that they want to be a guiding hand - that's a fuck up on my end and I apologize for that! But it's almost undeniable that that is the intended good path for them, versus CF where they don't have that happen. In the ending cutscenes of AM, SS, and VW, Byleth and the lord of that route (+ Rhea for SS) are bathed in the light (with Rhea being able to live on SS if she is close enough with Byleth), and Edelgard dies in the light. In CF, Byleth and the lord of the route are shrouded in darkness, with only the flames of destruction lighting them, and it's this setting that Rhea dies in. Edelgard can't survive in the light, and Rhea can't survive in the dark - and then the endings that correspond with these two scenarios match as well. The endings where Edelgard dies in the light and Byleth rises to become a guiding hand for Fodlan are the ones where peace is achieved, and the one where Rhea dies in the darkness (the one time Rhea always dies, unlike SS) is the one where Fodlan is fucked.

#ask #anon #exqueuese me princess #anti edelgard #Anti-edelgard #Edelgard discourse #Edelgard critical #just to be safe #think I came across kinda standoffish... I'm really sorry about that! I just wanted to be really clear on what I meant #Edelgard made of the surface-level portrayal of being a hero but she is most definitely still the villain #*may have #she still very much does villainous actions they're just given a nice coat of Hero Paint to hide how bad she is #It's why she's constantly putting down Claude Dimitri and Rhea as some sort of dubious/craaazy/evil force that absolutely MUST be taken down #she knows how to make herself look better - by making others look worse in comparison #Claude is throwing the Alliance into chaos (ignore Hubert who says the literal opposite) #Dimitri doesn't know the words ''fair fight'' now (ignore how he took the fighting away from the Kingdom capital where the citizens were) #Rhea... just about everything Edelgard says about Rhea is a lie lmao #etc. etc.

[vs-redemption]

Hi Aizawa with a cat quirk reader

I'm so slow at writing my requests these days, so I apologize anon! Hopefully you see this even though it's been so long! I had a ton of fun writing it!

Purrfect Match (Aizawa x Cat!Reader)

“Eraserhead! Ten o’clock!” Your voice cut through the silence like a knife and Aizawa pivots on his heel, activating his quick and blindly throwing out his scarf. A satisfied smirk grows on his face when he feels the material make contact with the villain you both had been pursuing for the past hour.

“Got ‘em!” he calls back to you while yanking the scarf tighter just to be safe. The villain was small and fast, so catching him in the city was difficult with so many places for them to hide, especially now that the sun had set. The criminal probably would’ve gotten away from Aizawa if it hadn’t been for you and your cat quirk. Your sense of smell was fourteen times stronger than that of a normal person, so once you’d caught the scent of the villain, it had been nearly impossible for them to escape you.

“Nice job, baby.” You appear as if out of nowhere, landing lightly on all fours next to him without hardly making a sound at all. You stand up and pad toward the villain, giving him a once over to make sure he no longer posed a threat now that Aizawa had stopped using his quirk. You glance over your shoulder at your boyfriend, casually licking the back of your hand before rubbing it over your right ear. Due to the sensitivity of your ears, you often needed to clean them after a chase to get any dust or debris that caused irritation if left too long. “Shall we take him in to the police?”

“Yeah,” Aizawa nods while pushing his goggles up to the top of his head to squeeze a few eye drops into each eye. “Thanks for the heads up back there.”

“No problem,” you grin slyly while rubbing your tail affectionately over the back of his legs. “That’s what these eyes are for after all.” You point to your face where your yellow feline-like eyes seemed to glow in the dark of the alleyway.

Aizawa had to admit that your quirk had come in handy on countless occasions, and having you as a partner while doing his hero patrols was invaluable. Your heightened senses and unbelievable reflexes made you incredibly stealthy which paired well with his style of remaining in the shadows and staying out of the limelight. A lot of people called you two a perfect match, but only a few knew that he’d been very close to deciding to hate you before he’d ever even met you.

“HEY!!! Eraserhead!!!” Present Mic had been the one to point you out to Aizawa, letting himself into his childhood friend’s apartment and flicking on the news so they could both watch the rerun of your debut on the news. “Check out the new cat hero! Now there’s a cutie even you wouldn’t be able to resist, huh?”

Aizawa had understood the humor of it, obviously, but still hadn’t found it very funny. So what if he had a soft spot for cats? And it wasn’t like he’d never seen someone with a cat quirk before either. The way his friends liked to tease and taunt him whenever your hero name was brought up got very old, very fast. They even went as far as to leave your merch in places he’d find, or point to stray cats wandering the streets and say “remind you of anyone?”

By the time the two of you had crossed paths, Aizawa was more than ready to avoid you completely. Unfortunately, you had other plans involving teaming up with him and joining his agency. The idea was nearly shut down immediately, but you managed to make a case for yourself that was solid enough to sway him into at least giving you a trial run.

That was over a year ago. Now, not only were you the second member of his two-person agency, but also the only person who’d ever managed to capture his heart. He’d tried to fight the feelings that you’d stirred in him for a while, but it was no use. He’d fallen in love with you. Mind, body, and soul.

“What?! Aizawa is officially off the market?!” Present Mic’s commentary on the subject had been overzealous as usual. “You just couldn’t resist those cute little ears and fluffy tail, could you Eraser?”

“They are a person, not an animal Mic.” Aizawa just rolled his eyes and continued going about his business, not wanting to encourage his best friend. Besides, as loath as he was to admit it, there was some truth to the claim. Of course, Aizawa loved you for who you were at your very core, but he was definitely not complaining about the adorable cat-like habits you exhibited in private.

Like a real cat, you loved getting rubbed behind the ears and your boyfriend was more than willing to indulge this side of yours. The way you nuzzled your head under his chin and curled up on the sofa with him to nap sometimes filled him with so much love and affection that at times he thought his heart might actually explode.

“All right! I’d say that was a pretty good end to the night, wouldn’t you?” You tuck yourself into Aizawa’s side once the villain had been successfully delivered to the nearest police station. “Strangely I’m not that tired though, wanna call Mic and have him meet up with us for karaoke?” The look on your boyfriend’s face has you dissolving into laughter. “Kidding!” You snatch up his arm and wrap it around yourself while shooting a mischievous grin in his direction. “Let’s grab some take out and head home. Sound better?”

“Much better,” he agrees while tightening his hold around you and heading in the direction of your shared home. Your cat quirk really did suit him, even if it did seem a little obvious or cliché to the people who knew him best. It didn’t matter what they thought though. To Aizawa, you were the perfect match, both as a fellow hero and as a romantic partner.

#Shouta Aizawa x Reader #Eraserhead x reader #bnha x reader #mha x reader #Shouta Aizawa #Eraserhead #bnha #mha #Cindy's Writing #Writing Requests #writing requests

[retroyousei]

Female characters in retro shojo [70s edition, part 1]

Ah, the 1970s (and early 80s), where a majority of the shojo manga stories took place in a distant European country or in America, surrounding either orphan girls from the 19th or early 20th century, who remain cheerful and have adventures, trying to find out who they are, making friends and falling in love, or epic historical stories filled with war, scandals and larger than life characters. If the manga was taking place in Japan, the plot was somehow more down to earth -though most of the time it restrained the same amount of unrealism- and it was either about following the journey of a girl who pursues the career of her dreams and evolves into a notable person, or a high school story filled either with melodrama and angst or a more heartwarming romantic comedy. But in this two-part article I won’t talk about plot tropes of the shojo manga of that era -as this topic deserves an exclusive article-, but about the female characters (I will dedicate an article on male characters some other time). Those characters are very important, as they set the standards of today’s manga and anime. But it should be noted that back then the formula of their design and characteristics are different from today’s. Those are the categories that I’ve noticed, regarding the appearance and personality.

The “average” protagonists

They are the most common category. Usually, they come from middle class and they are presented either as cheerful and a little dense schoolgirls, or plain looking and unrefined, as oppose to their antagonists or rivals who are well educated, beautiful and more talented, but this may serve as a determination for them to improve. Other times they are presented as headstrong heroines, ahead of their time, who refuse to compromise and for this they are a pain to their old-fashion society. Either way, they are kind, good, well-intentioned and want to help the others, that’s why they make friends easily. The thing that really works with these characters and makes them much more interesting than they may seem, is that they are independent and built their future on their own and they never give up, no matter what happens and what someone might say about them. Even when they are not sure of themselves, they always keep trying, until they reach to their dream. They use their obstacles as strength and determination to go on, proving that they are not average at all.

Maya, the protagonist of “Glass Mask” is a great example of this. She starts as a good-for-nothing daughter of a poor family, who isn’t particularly accomplished, but has a hidden passion for acting which she hadn’t realise it herself at that point. But when she is discovered by Tsukigake, a former legendary actress, she realises how much she wants to be an actress to a point that she lied saying that her mother allowed her to study to sensei’s acting school and ran away from home. Not even when her mother told her that she doesn’t consider her as her daughter anymore, she didn’t gave up, in spite of being very hurt by this. Her path towards acting wasn’t easy. Many times she has to face many who say that she doesn’t belong to that industry, or who are jealous of her talent and means her harm, but with her faith in herself, she always overcomes those obstacles. An admirable thing about her is that she dislikes fame, being shy, as she just wants to act and that she does not gives up, no matter what and even when she does, she quickly stands up. The most interesting dynamic of the story is her worthy rivalry with Ayumi, that is clearly a case of the trope “technician vs performer”, with Maya as the performer, as her standard method to learn how to play a character is to become that character. As the story progresses, Maya evolves from a girl with a hidden talent, to a young actress who portraits an original take to classic characters, but who still had much to learn, to one of the greatest actresses of her generation.

In “Yokohama Monogatari”, Uno starts as a plain, poor, orphan girl, who is ignorant about the world, as she hasn’t even seen the sea before and she believed that westerners were vampires who could drink people’s blood, that’s why they had blonde hair and blue eyes. She starts to work as a companion in a rich family to their daughter Mariko, who is the same age as her. Besides their differences, they become quickly best friends. While Mariko is a little spoiled, Uno, despite of her ignorance of world, can be more considerate and responsible in some matters. She also has a lust for learning and soon her and Mariko pursuade her family to go to school. There, she meets many people, among them there are a few foreigners too, she makes a lot of friends, and she excels at all of her studies, being hardworking. As the years passed by, Japan changes and allows exchange of ideas from many cultures -it’s Meiji era we are taking about, that means the last quarter of the 19th century- and Uno evolves from a poor, -many would say- hopeless for her situation, clueless of the world girl, to an open minded, educated and refined woman, surrounded by many people she loves.

In “Tokimeki Tonight”, Ranze -well except of being the daughter of Dracula and warewolf and having her own vampire powers as well- is an average girl who is friendly, sweet and little quirky girl who goes to school and falls in love with Shuun. Some may say that she is pretty basic, but in fact, she knows her self worth well, so even when her parents were disappointed with her not having any power yet, at the beginning of the story, she wasn’t particularly bothered by it. Also she is very headstrong that she falls in love with a human boy, while she knows well that a creature from the demon world and a human cannot be together. But in spite of all of that, she decides to stay true to her own feelings and even though she’s not so sure about Shuun’s feelings for her either, she doesn’t give up and waits for him, because she hopes and deep down knows that he likes her too and she is right. And even when her parents want her to marry prince Aaron of the demon world and even the king- learn that she likes a human, in spite of that being against the rules, she isn’t afraid to stand up for her beliefs. Later though, we learn that Shuun is the lost prince of the demon world, so he is not a human after all, but that’s another story.

In “Aim For The Ace”, Hiromi is a typical schoolgirl who struggles to get better in tennis, when she gets selected as one of the club’s main players in school by the new coach, as he saw potential in her. Some of her seniors are jealous of her because of that and at first she thinks that she is not worth such a discrimination, but soon she improves and realises how much she loves tennis. There’s also a very similar rivalry dynamic with “glass mask” between Hiromi and Reika who grow to be worthy opponents.

In “Haikara San Ga Toru”, Benio is a headstrong young woman who studies Kendo, drinks sake and prefers reading literature and feminist ideas, rather than being interested in housework. She also likes to dress in western clothes, rather than the traditional kimono and strongly believes that women should have the right to decide for their future on their own and they should marry for love. But her world turns upside down when her father announces that he has arranged a marriage for her. The one that he indends for her is someone she knew before, very briefly and accidentally, a lieutenant named Shinobu. Of course, she refuses, being loyal to her ideals and she goes out of her way to avoid him, just to satisfy her pride, in spite of actually starting developing feelings for him. When she moves to his grandparents’ house to get prepared as his wife, she purposely fails in all of her duties as a housewife and constantly argues with his grandparents, but all of that only makes Shinobu fall for her even more. It’s only when he leaves to go to the war, when she realises her feelings for him and during at that time when everyone thought that he was dead, she matured and became even stronger, remaining loyal to him and determined to work as a journalist to support his family, but also tracking him down, hoping that he’s still alive. Of course, at the very end, they live happily ever after together. Benio’s character development is admirable; starting as a clever, but headstrong girl, to an independent and wise woman, proving that you don’t have to disagree with everyone in order to prove that you are the one who chooses how to live your own life.

The villains

Their extreme pride and vain is their common nature. Most of the times they come from a wealthy family, so they are either oujo-sans who are always dressed elegantly, are seemingly refined and they tend to have curly, blonde hair -as blonde hair seem to be associated with wealth and sophistication in Japan-, or they are just spoiled brats that demand that everyone will do as they say. They are the main antagonist of the story for different reasons. The most common one is that they are jealous of the heroine, either because they are their love rivals and they are jealous of the heroine’s relationship with the love interest of the story, or because they are just pathologically jealous of the heroine because of her looks, her happiness, her luck and her loving nature. Another reason they act the way they do is because they want power and success, or they just want to secure all of that. The worse and least complex reason of all is that they are just mean for no particular reason.

Eliza, from “Candy Candy” is the typical alpha b*tch who is pathologically jealous of Candy. At first, she along with her brother, makes her life miserable, by blaming her for the bad things they do, such as hurting the horses in the stables, provoking her and then telling to their mother that she’s wild and leaving her alone in a town she doesn’t know and locking her in dark rooms. After that, during their time in London, Eliza says to everyone that Candy is an orphan who made her life miserable, even blaming her for Antony’s death. Later, having the habit of falling in love with the one that Candy likes too, school, she falls for Terry and constantly tries to turn him against her, failing miserably. She also writes a fake letter to her that it was supposedly from Terry and to Terry too, to meet each other in the stables at night and with this, she blabs them to the teachers and Candy, having no choice, leaves school. Later, when Candy was pursuing a career as a nurse, she continues her cruel ways and her mother also threats the director of the hospital where she was working, that if they won’t fire her, the Leagan family will withdraw their funds for the hospital and she also made sure that no hospital from Chicago will hire her, leaving Candy in a difficult situation. Those are only of few of the things that Leagan family did to Candy. The worst part is that they don’t pay for what they did at the end.

Fukiko from “Oniisama e” fits well this image; She is a refined lady from a rich family, the president of the sorority and very educated, that’s why she is admired by everyone. However, in reality she is manipulative, proud and very possessive. She wants to control everyone and she’s even willing to go out of her way to achieve what she wants. For instanse, she’s jealous of Nanako because she is close to Henmi Takehito, the one that she (Fukiko) is in love with, so to control her, she chooses her to be a member of the sorority and demands that she will stay away from him, even by pulling her into the lake and attempt to drown her . She also makes Rei’s life miserable, by stepping into her weakness, refuse to accept her as a member of their family and constantly manipulating her with the cruelest of ways. Also, it’s revealed that her friends from the sorority are feeling pressured because of her. Later, with the death of Rei, along with her realisation that Henmi and Kaoru No Kimi are truly in love, surprisingly, she regrets, gives up on her cruel ways and matures, growing even more beautiful for all of that.

Yoko from “Tokimeki Tonight” is a different case. She is the love rival of the story and the have loved Shuun ever since they were little. Being the only daughter of a rich businessman, she is spoiled and when something doesn’t go as she wants, she is is angry and demands that everything will go the way she wants. She envies Ranze for her close relationship with Makabe and ever since she accidentally saw her transforming, she tried desperately to prove others that she (Ranze) is a vampire. Her character is less dramatic and more comedic, as she is often grumpy and clumsy. But she isn’t really a bad person and she doesn’t really cause an awful lot of trouble.

In “The Rose of Versailles”, Madam Du Barry, the king’s mistress, wants to sustain her place in the court and demands that Marie Antoinette, who was at that time the dauphine, will speak to her. She also have tried to poison one of the court ladies. Countess De polignag becomes the queen’s best friend, for her own benefits and manipulates her without her (Marie Antoinette) knowing, like telling her to lie about being pregnant and also persuade her to start gambling in the court, which was illegal. She’s also Rosalie’s biological mother and accidentally kills the woman which raised her daughter and she’s the reason that her other daughter suicides, because she cannot handle the marriage the she arranged for her. Besides of her daughter’s death, she doesn’t seem to regret for any of her actions as she tries to make Rosalie merry the same man. Luckily Rosalie escapes. Also, she tried to sabotage Oscar many times and all this was just for the sake of power and money.

In “Glass Mask”, Norie Otobe, befriends Maya and she is supposedly her assistant, but in reality she just waits for the right moment to strike and steal Maya’s role and career. Unfortunately, she succeeds and it costs a lot for Maya, for a while. Luckily Ayumi discovers this and punishes her with the best way ever.

The tomboys

They are either mysterious, or lively, but one thing is for sure; they are dressed in clothes that are considered to be “manly”, they are handsome and they are constantly mistaken for a boy. They are also very elegant and educated and their image is that of a prince. That’s why they are admired by both women and men. Some may say that even though they are trying to be like a man, they are still weak, but they point out that just because they dress more “tomboyish”, doesn’t mean that it makes them less of a woman. After all, when they want to, they can transform into the most feminine girl of all. They also prove that their sexuality is not associated with their looks, as a “masculine” girl has the same possibilities of being heterosexual or homosexual, with a more “feminine” one. So, they break all the stereotypes regarding women. Many times, they are portrayed as headstrong heroines who stand up for their beliefs and their friends.

The most famous character that supports this image is Oscar from “the Rose of Versailles”. Oscar is one of the daughters of the Jerjeyes household. Not having any son, her father decided to raise her as a boy so that one day she will succeed him. Oscar dresses in boys’ clothes and learns activities like fencing and archery. When she was fourteen, she was tasked to serve as Marie Antoinette’s bodyguard. The manga often pointed out how different those two were regarding appearance and character, even if they were in the same age. Oscar has a strong sense of justice and she always protects the weak and is not afraid to challenge someone that she believes that isn’t right. Of course, she is admired by men and women alike and she is also a great and loyal friend. At one point she falls in love with Fersen, who loves Marie Antoinette. But because of her respect for the queen and her love of Fersen, she helps them, despite being heartbroken. At the end, she realises that she loves her childhood friend, Andre. She loves medieval combat, drinking heavy drinks, talking about politics and playing violin. Many pointed out that being a woman she was weaker but she always proved them wrong, pointing out that women can do anything and that it doesn’t matter if you are a man or a woman, only how skilful you are. She was hiding her femininity not because she wanted to be a man, but because that if she acted like a woman, the society might think that she was weak and she wouldn’t be able to have the access and the freedom to do what women normally wouldn’t do back then, because women were alowed to limited things. In the early 1970s, by the time this manga was ongoing, the second wave of feminism had already started and women started fighting for equal legal and social rights, so Oscar’s character was influenced by all this.

Rei from “Oniisama e”, is admired by her fellow classmates and is also called “saint Juste”, named after one of the leaders from French Revolution, due to her physical resemblance to him. She is very charismatic, excelling to sports, piano, guitar and theatre, she is very elegant and dresses often in a black suit. Unfortunately she is drug-addict, she smokes and can be suicidal, carrying always pills and a sharp object with her. She is also obsessed with Fukiko, the sorority’s president, for many reasons, causing her to be controlled and abused by her. She also lives alone in a depressing house filled with mirrors and this also causes to be depressed. Her best friend is Kaoru no Kimi, who’s also a tomboy, but they are entirely different and she befriends Nanako and her friends. In the end she suicides, taking too many sleeping pills, having everyone, especially Nanako, left devastated.

Also from “Oniisama e”, Kaoru, is a tomboy who is strong and energetic. She is athletic and excels at basketball, but she is also very cool and doesn’t seem to care that she is the best at something that she’s doing, that’s why she is admired by her fellow classmates who gave her the nickname “Kaoru no Kimi”, from a Japanese classical novel; “the tale of Genji”. She also has a great sense of justice, as when she sees classmates being bullied, she defends them and put the bullies on their place. She is also very loyal and supportive and cares deeply about her friends, helping them when they are in need, especially her best friend, Rei, for whom she is very concerned. But in spite of her energetic appearance, she suffers from breast cancer and tries to keep it a secret, pretending that she is healthy and that everything is under control. But in fact, she pushes away her beloved, Henmi Takehito, concealing her true feelings, in order for him to be happy without her and not suffer anymore, showing how selfless she is and how much she loves him to a point of sacrificing her own feelings. At the end, it pays off and they end up together, living happily.

Another honourable mention is Rei, from “Glass Mask”. Rei is the older student of Tsukikage sensei’s company and one of Maya’s best friends. She is a tomboy who wears those characteristic 70s jeans and for some reason is mistaken by a boy -much to her dislike-, despite of being obvious that she is a girl. Being an actress, she can transform into a beautiful princess in no time, but she also portraits very well a prince. In the first volumes, she portrayed Jo, from “little women” which was a role very suited for her. As a sister figure for Maya, she is loyal, friendly and the responsible one who helps the theatre company stay organised and is a very strict teacher to Maya, helping her because she knows her potential. Also from “Glass Mask”, Keiko from the “Ikkakuju group” is also mistaken as boy, but she can transform into a pretty princess in no time.

Note: At the first half of the 20th century “Little Women” were very popular in Japan, particularly Jo, who was tomboyish and outspoken and her character had inspired the first female mangakas of the 60s for their stories and characters.

#retro shojo #shojo manga #70s manga #80s manga #glass mask #Tokimeki tonight #haikara san ga tooru #Oniisama e #the Rose of Versailles #Candy Candy #Yokohama monogatari #aim for the ace #character types #Shojo

[tomurasprincess]

Deceptive (Shindou Yo x Reader)

Pairing: Shindou Yo x Reader Warnings: noncon, blackmail, stalking, manipulation, overstimulation, yandere Word Count: 2.5k Note: A yandere prompt getting away from me again? Perish the thought! At least I have a good reason for this one though, as it’s Shindou’s birthday. 

~~~~

You really hate Shindou Yo. You had decided this shortly after meeting him, in fact. He is cocky, a flirt who seems to think every woman he meets should throw themselves at his feet in adoration.

Even worse was the utter fakeness about him that you instantly saw through. His nice guy persona was just that, a persona. Something he put on to hide the true man underneath. You resent the fact that you’re the only one who seems to notice it, the only one who is wary around him.

Shindou knows it, too. His eyes turned calculating when you first met him, instantly sensing that you didn’t buy the act he put on. After that, he made it his mission to win you over, one way or the other. He followed you around to force you into talking to him, gave you expensive gifts, asked you out on dates.

But the more you refused him, the harder he pursued you, like a fly that refused to be swatted. You started trying to avoid him completely, but it was hard to avoid someone who works at the same hero agency as you do.

You suspect he was the one responsible for some of your usual patrols getting switched around so that you would be forced to pair up with him. And with him being a higher ranked hero than you are, you had no choice but to go along with it without complaint.

That led to your current situation, hiding out with Shindou in some abandoned warehouse while you wait for a meeting between several troublesome villains.

“We’ve been waiting for so long,” you sigh for what feels like the hundredth time. “I don’t think these villains are going to show.”

“So impatient, sweetheart,” he laughs. “Don’t worry, it will be worth our time.”

“I don’t even know why they have us waiting for these guys.” You roll your eyes. “They’re small fry, not anyone higher level pro heroes like us should be chasing down.”

Shindou smiles as if you just told a good joke. “Oh, that’s because you’re exactly right.”

You glance at him sharply. “What the hell do you mean?”

“You heard me. Those villains are being taken care of by interns in another location.”

Alarm bells begin to ring in your ears. “Then why are we waiting here,” you ask cautiously.

“You’ve been avoiding me the past few weeks.” He grins, and it’s not the fake smile of the cheerful nice guy that the media knows him as. It’s the true smile of Shindou Yo, the darkness peering through that you knew was there. “I don’t like to be ignored.”

“What the hell - you made this up to get me alone?” Your voice rises in anger as you glare at him, but he simply gives you his signature infuriating smirk.

“That is fucked up!” You abruptly stand up and move to leave. “I’m going to report this, and then I’ll never have to deal with you again.” Before you can take two steps away from him, you feel him grab your ankle and activate his quirk.

You let out a choked gasp, your knees buckling and collapsing at the strength of the vibrations coursing through your leg. Before you can hit the ground, Shindou catches you and forces you down face first onto the cold, dirty concrete floor. “Oh, that’s sure as hell not going to happen, sweetheart.”

“Let me go, you piece of shit,” you hiss as you kick your legs out to try and gain leverage. He simply presses himself harder against your back, holding you in place with sheer brute force. He is so much bigger than you are and he has you in an awkward position to fight back. You can’t even hope to use your quirk in this situation, and he must know that.

“You think I don’t notice how much you want me?” He grinds his hips into your ass, and you can already feel the considerable bulge in his hero suit. “You’re just playing hard to get.”

“No I’m not, you fucking creep,” you try to slam your head back into him to loosen his grasp, but he anticipates this and activates his quirk again.

The vibrations course through your whole body this time, causing a scream to rip out of you as you feel weakness overtake your body. You drop limply in his grasp, gasping in exertion.

He gives you a malicious chuckle. “Be a good girl and I’ll make you feel good.” As he says this, his hands run up and down your sides, caressing and stroking your skin through your clothes.  

He knots his fingers into your hair as he pulls your back into an arch so that he can plant hot, open mouthed kisses down your neck. You whimper and try to squirm away, but you only succeed in grinding your ass harder against Shindou’s erection, causing a groan to slip from his mouth.

“Fuck, just keep doing that.” You feel him lift himself off of you just enough to rip your hero suit right down the middle like it was nothing but paper. Before you can even move away, he lifts your hips up to put you fully on your hands and knees, head still pressed against the floor.

He works your clothes all the way off of you before slipping down your panties to expose your heated core. “God, you have such a pretty pussy, sweetheart.” He reaches down to spread your lips open for him. “I can’t wait to be inside of you.”

You let out an embarrassed whine, your cheeks burning with shame as he looks at your bare pussy. You try to close your legs, only for him to force them back open with a chuckle. “So shy, baby~ You shouldn’t be so shy, you’re my perfect Angel.”

You hear a sudden buzzing behind you, and you try to lift your head up to see what he’s doing, only for him to grab your head and force it back down. “Or you will be once I get done with you,” he snickers darkly.

He strokes a single finger down the length of your folds, gathering your wetness on his finger and using it to stroke tight circles around your clit. “I knew you wanted this. You’re so fucking wet, and I haven’t even started.” He leans down to start kissing and licking down your back, forcing a shudder out of you.

“Please no, I don’t want this,” you whimper, as you try to get him to turn away from the path he’s decided to take. “Just stop and I won’t tell anyone, I promise.”

“You sound so fuckin’ cute when you beg,” he chuckled. “Makes me want to hear it more often.”

He activates his quirk with two fingers directly on your clit, and you let out a wanton moan at the feeling that only gets louder as the pulses get more intense. You gasp and try to buck away from the sudden intensity of it, but he refuses to let you move. You’re horrified to feel the pleasure building up inside of you, the realization that you’re going to cum so quickly from his fingers alone.

You struggle with yourself, trying to will yourself not to, but these thoughts fly from your head in favor of pure sensation as he slips two fingers inside of you suddenly. You gasp and tremble as your orgasm crests over you, walls clenching around his fingers.

“Oh, good fucking girl, cum all over my fingers,” he praises you as his fingers curl up against your walls and begin to vibrate against a spot inside of you that you’ve never even touched yourself. When he realizes that he found the right spot, he abuses it relentlessly, pressing his fingers hard against it as his other hand continues to stroke and vibrate against your clit.

You feel yourself rapidly coming undone again, the pressure inside of you building and building while you try and resist the sudden urge to pee. “Stop stop stop, it feels so weird,” you whine as you begin to squirm at the unfamiliar sensation.

“Yeah? Just let it happen, sweetheart,” he coos at you as he scrapes your walls at just the right angle. You squeal as you’re pushed over the edge, cunt clenching down as you feel fluids gushing out of you and onto Shindou’s arm and chest. Your head falls back as you pant and try to catch your breath.

“I - I’ve never,” you begin to say before you trail off mid sentence, unsure how to finish.

“So I was the first to make you squirt, huh?” He gives you a cocky smirk, obviously enjoying the fact that he forced you into it. “Fucking hell, that’s so hot.”

“Please, you’ve had your fun,” you whisper as a tear runs down your face. “Just let me go now.”

“I’ve had my fun?” His face looks incredulous. “I made you cum twice, once so hard that you squirted.  You mean to tell me you don’t think you should take care of me, too?” His voice sounds so reasonable, so genuinely questioning that you almost agree before you come to your senses.

“No! I don’t want this,” you protest loudly, “I don’t want any of this!”

“Well too fucking bad,” he growls. “Maybe you should have thought about that before you were a spoiled fucking princess.”

You hear his clothes rustling as he unzips his pants, and you shiver in a mixture of anticipation and fear. You’re still trembling from the aftershocks of your intense orgasm, feeling wrung out and tired already and he’s not even inside of you.

You feel his cock prod at your entrance, and you shoot a quick glance behind you, this time with him allowing you to. You glance between his legs, and your eyes widen and your cunt clenches at the sight behind you.

Shindou is a big man, and it makes sense that his cock would be equally large. But you were not anticipating just how large. He’s both thick and long, with a prominent vein running all the way down his length that has you licking your lips.

He languidly pumps his cock in his fist as his smirk widens to see you openly staring. He gathers the precum leaking from the tip of his cock and uses it to stroke up and down his length. “Like what you see?”

“N-n no,” you whisper hotly, although your voice trembles at the denial. Despite everything, your skin feels like it’s on fire despite the coldness of the warehouse you’re in and your pussy is throbbing with the need to be filled.

“You’re such a terrible liar,” he laughs as he begins to push inside of you. Your cunt is dripping from your previous orgasms, but it’s still not enough to stop the burn of him stretching you out. Your walls tighten around his cock as it tries to force his cock back out.

You pant and moan as you feel him sliding inside of you inch by inch, the veins on his cock pressing against your slick walls and causing you to go insane with wanting more of him. You let out a loud whine when he finally bottoms out inside of you, barely stopping yourself from grinding back into him.

You don’t think you have ever felt this full, this stretched out. Until he begins to move. Your breathless gasps and moans fill the warehouse, along with the wet sounds of his balls smacking into your clit with every thrust.

“You take my cock so well, sweetheart.” He grabs hold of your hips to pull you back towards him in time with his thrusts, and you just know you’re going to be bruised once he’s done. You barely stop your whimper, and you feel rather than hear the rumble of his laughter.

“Oh, you like it when I praise you, huh?” This time you don’t stop your whimper at his words as you clench down around his length. “Of course you do, you’re such a good girl for me.”

Everything feels so good that your head feels like it’s spinning. You feel waves of pleasure building up to what feels like another powerful orgasm.

“Please, oh fuck,” you hiss under your breath.

“What was that, sweetheart? Speak up, I can’t hear you.” Shindou’s voice comes out cocky, and you know if you could see him he’d be wearing that infuriating smirk.

“Please, I need - “

He reaches around to stroke your clit gently, but not enough to give you any real friction. The need to cum is almost painful now. “Yeah? What do you need?”

You finally throw your shame out the window. “I need to cum! Please let me cum!”

“Say my name, sweetheart, and I’ll let you.”

“Please, Shindou - “

He tsks. “Not that name.” He puts a bit more pressure on your throbbing clit, barely activating his quirk before instantly deactivating it again.  

“Yo, please let me cum!” You let out a choked sob.

The sudden strong pulsing against your clit has you seeing stars, the waves of pleasure finally peaking as you come undone around his cock. Your fluttering walls has him groaning as he finds his own end, hot ropes of cum coating your insides. He stays inside of you until he fully empties himself inside of you before pulling out.

You suddenly hear the click of a shutter, and panic flows through you and turns your veins to ice. You sit up quickly to see him taking pictures of his cum sliding out of your cunt.

“What, I wanted something to remember this by,” he grins, that easy going grin that has everyone fooled. But then that grin turns darker, sharper. “And I also wanted something to keep you in line.”

Your heart drops into your stomach at his words as you realize the implications of what he’s saying.

“Here’s what’s going to happen, sweetheart. You’re going to continue to work with me as my official sidekick. You’re going to do what I say, when I say it, or these pictures are going to end up everywhere.”

You tremble when you think about the damage those pictures could do to your reputation as a hero. You gently nod at his words.

“I want to hear you promise me.”

With tears sliding down your face, you say the damning words. “I promise, Yo.”

“Good, glad you agree! I think this is going to make a wonderful partnership.” He gives you a cheerful smile. “After all, we work so well together, don’t you think?”

~~~~

Tagging: @lady-bakuhoe, @thewheezingwyvern, @animewh0re, @dee-madwriter, @lildreamer93, @katsukisprincess, @yaoyorozuwrites, @redbeanteax, @kittygonyan, @bat-eclecticwolfbouquet-love, @daedaep69, @heyybrittannia, @mimikarasu, @groovydreamertrash, @hisoknen, @mrs-kirishima, @iwvs-on-ao3​

#shindou x reader #shindou yo x reader #yo shindou #bnha smut #shindou smut #yandere bnha #yo shindou x reader #yo shindo x reader #yo shindo #shindou yo #yandere shindou #bnha x reader #mha x reader #mha smut #tw: yandere #shindou birthday #tw noncon #tw blackmail #tw manipulation

[swanhookheart]

Angry Grishaverse book review time!

After watching and LOVING s1 of Shadow and Bone, I read the trilogy! I was not impressed. 

Spoilers incoming for Grishaverse stuff, so if you don’t want those, don’t read on!

Watching Shadow and Bone this past weekend, I was hooked : Darklina, the lore behind the amplifiers, the Aleksander backstory… I was really impressed and hoped that this was it--that at last, I’d found a fantasy series that was going somewhere big, something I could really, thoroughly sink my teeth into. 

*Sigh* 

Then I read the books.

The reader / viewer enters the Grishaverse associating darkness with pure evil. The Fold, described early on, is shown to be this bleak, awful, ruinous place where people go to be eaten alive by volcra and hope goes to die. We therefore, naturally, associate the Darkling--who possesses the power of shadow--with that evil from the off. I’m speaking as someone who only got into the Grishaverse last Saturday. My initial thoughts were, “oh, he’s being set up to be viewed as dark and scary; this is the expectation Bardugo wants us to have so that we’ll be blown away by some great twist later. Count me in!”

But that twist never came. He was set up as evil, and he stayed evil. Surprise, he’s the Black Heretic! Surprise, he’s an abomination effectively created by Morezova’s greed! Surprise, he’s ruthless and horrible and does cruel things! Except none of those things are actually surprising, given he was SET UP from the beginning to be viewed that way. He did bad things, walked a bad walk, and talked a bad talk. I kept thinking “ah, so he’s gonna get a sweeeet redemption arc,” and then he just never did. That element of the story was predictable to a nauseating degree, and that predictability made the entire universe feel a bit flat. If the reader saw more of his backstory, had more real, logical, sound justification for why he does the things he does (like in the show, where they at least tried to paint his actions as borne of some misplaced sense of servitude / protection for the Grisha or where we saw him actively struggling at points to grapple with the darkness inside him), then maybe the trilogy wouldn’t have been such a letdown. And yes, I know about his sacrifice or whatever later on. It’s not enough.

In villains, I and probably plenty of others like to see humanity. We want to empathize with our villains to a certain extent--to understand them just a little bit--so we can fully commit to hating them when they violate our trust. The Darkling didn’t have that human, redeeming quality, though--at least, not in the books. In the books, he was just a power-hungry jackass who simultaneously didn’t want to be alone and kept trying to kill his only opportunity not to be alone. His single-mindedness, his lack of human empathy, the simplicity with which he pursued this made him seem almost stupid to me as a reader. For someone who’s lived hundreds of years, he’s kind of an idiot when it comes to other people--which, itself, almost seems incongruous with his having lived for so long. If he’d maybe had more backstory or more in his story to justify his actions, maybe he’d feel like a better villain. But atm, all I’m doing is rolling my eyes with him. I couldn’t love him because he didn’t put in any work toward being a better person. Even in the end, he doesn’t actually do the work or repent. But I also can’t hate him because the source material hasn’t given me enough actual human qualities to hate or to feel betrayed. His character just… missed the mark for me. 

As did Mal’s. Fucking MAL, oh my GOD! This dude’s literal only personality trait was loving Alina. Cool, he could track--for Alina, mostly. He could fight--for Alina. “I am become a blade”? Sir, you got a whole-ass tattoo announcing that you’re an object in this woman’s service? No WAP is worth that, and I’m speaking as a very bisexual woman. My dude, it’s weird, it’s extra, it’s just too much. I’ll go back to the Darkling for two seconds to say that, ofc, his actions were painted as problematic and misogynistic and gross. But, like, the possessiveness Mal displays with Alina kinda feels on that same level? Why are we pretending he’s better when he actively tries to keep her low, keep her powerless, and keep her his? Again, dude got a tattoo of her sigil. He was fully prepared to be the leader of her guard even if she married Nikolai just for the opportunity for some sexytimes. I know that YA is about really intense emotion, the fire of teenage hormones and stuff, but that all just felt a bit toxic. The way that his entire life revolved around her while she tried to balance the role of saint, hero, orphan, and all the things she was just felt goofy and like a wildly unhealthy dynamic. 

Their whole relationship also felt really obvious, as I guess the Darkling being revealed as the trilogy’s big bad did. It was predictable, set up to be that way from the start. There were no surprises. It was Mal, and then it was still Mal, and in the end, it was also Mal. We weren’t really shown any of what made them so drawn to each other, we were just kind of told and expected to be fine with the intensity of it. But it read as being way too much for me, and god, it kept getting worse. Again, this one felt like low-hanging fruit--low effort, lazy writing. Nothing about it actually read to me as romantic, just as too much. They didn’t so much as fall in love as just start out that way, and reading that was somewhere between boring and uncomfortable. At least with the Darkling or hell--even Nikolai--we saw some of that chemistry unfold on the page. We were shown some of what made them work the way they did. There was something underpinning their relationship, and not just “oh, they’re supposed to be together”. I mean, after all JKR’s bullshit, I feel totally fine saying fuck authorial intent. If you can’t even be bothered to actually put your shit on the page, don’t ask me to blindly accept your version canon as gospel truth. 

We could have had Deckerstar vibes, Beauty and the Beast vibes, seen light and dark come together and surprise us by actually working well together. But no, we saw a special girl lose everything that made her special and settle for some mediocre fuckboy from her hometown. We get characters that actually have the potential to be dynamic and make for a good story, but she still ends up with this bland, vanilla, trick-ass bitch? It’s a major letdown when you’ve actually been exposed to decent fictional couples, tbh.

OOF! And the ending? Oh jesus fuck, that ending. Darkling just… dies. Just like that. I read three whole books for that? I know he comes back and dies again and all, but the whole trilogy felt like it was building up to something more, something deeper and greater and more profound. He was horrible for the things he did, sure, and he deserved defeat as long as he refused to waver from his power-hungry, destructive path. But his death brought about no closure. He and Alina never actually had the fight they needed to or reached an understanding with each other. Everything is left undone, unsaid, unexplored. The ending just felt super anticlimactic on the page, and so, the trilogy as a whole fell completely short of any mark I hoped it might hit.

Did I hope Darklina would be endgame? Sure. But I’d also have been A-okay with a tragic ending if it had been done right. Did I think it would have been a lot more interesting to see a redemption arc for Darkling than just… more of the same? Or maybe Mal develop a personality outside of Alina? Absolutely. There was so much potential, and it really feels like Bardugo squandered all of it. And for what? This was nearly as disappointing as the eighth season of Game of Thrones. I probably won’t be watching future seasons if they follow the books, but I guess I’m glad for the day or so of fleeting pleasure I got when I still had hope for a properly told story. 

#Shadow and bone #anti-mal #darklina #shadow and bone spoilers #grishaverse

[fadedneonzzz]

What (Most) Cinder fans want out of a Potential redemption

Now I obviously can’t speak for ALL Cinder fans, but based on my opinions and the ones I have talked to, there seems to be a lot of confusion among RWBY fans who don’t understand what I and many other Cinder fans “want”.

First let’s get some misconceptions out of the way

Do you think Ruby and co. will forgive her for everything she has done?

In short, no. Hell in my opinion I don’t think they should even forgive Emerald, redemption isn’t the same as forgiveness. Cinder has done too much to them on a personal level that no one would blame them for never forgiving her at all.

It’s not the heroes responsibility to save or redeem Cinder

Right you are, if Cinder gets on the path of redemption it will be her choice. However, she will need help for sure whether that comes in the form of Ruby, Emerald, or possibly even Jaune helping her then I don’t see the problem with it.

She doesn’t deserve redemption, she has done too much and is irredeemable.

That’s not up to you to decide when a character is considered irredeemable. Going back to Emerald, who murdered Tuckson in V2 and bragged about it, willingly took part in the Fall of Beacon and the Battle of Haven, and before her change of heart she willingly assisted Cinder in doing irreparable damage to Amity was still considered redeemable. There is no threshold for redeemable and irredeemable, especially in fiction, it only becomes more and more difficult to look past those acts as time goes on. Also if Mercury and Neo are still redeemable in your eyes, but Cinder isn’t, that’s not really fair.

She doesn’t want redemption

Yes, for now. That doesn’t mean Cinder won’t want it in the future. And as of right now why would she feel the need to be redeemed? In her mind she is justified in her actions. She only paying society back for her terrible and traumatic upbringing. There’s also the possibility that Cinder thinks she doesn’t have a choice but to be “evil”.

In short, we’re passionate Cinder fans, but we’re not stupid or apologists. We are well aware Cinder is pretty bad.

So now time to answer the big question: Why do Cinder fans want redemption? That question is mostly up to the individual Cinder fan and I cannot speak for everyone. But what I can tell you is my stance. For me personally, I’d find it very dark and depressing for Cinder’s story to end with her dying still a slave to Salem. For a story that has a lot of characters break the cycle of abuse, why should Cinder be the exception? I’m also very invested in the character, I find her to be the most interesting character in RWBY so far. She’s not exactly my favorite character, but she is the character I tune into RWBY for. I would like for her to reach some kind of positive conclusion.

Many of the Cinder fans that I have spoken to want her to heal from her trauma and learn that the world isn’t a cesspool of selfishness and cruelty. Killing her with brute force will only prove her right. That power is all that matters and she was right to pursue it by any means necessary. If they want to prove her wrong, then one of the best ways is for them to spare her if they have the chance to kill her. Cinder is a broken person who’s trauma lead her to where she is now, and most fans want her to be healed. Add on the fact that she isn’t that enthusiastic about serving Salem, she’s only in it for her own gain. She’s not in it to end the world.

In my opinion, Cinder is the main protagonist of the villain side. Salem is without a doubt the main antagonist, but Cinder is like the main character if we were watching RWBY from the “Dark” side. She is also the longest lasting villain and has shown up in every volume of RWBY thus far. Clearly, the writers have invested a lot into her character. She isn’t another villain waiting to be killed off, she is a main character in this story and as such it just feels right for her to have a satisfying conclusion by the end of the series. It’d be wasteful to kill her off just to advance some else’s character. To me, her dying tragically to Salem or being killed in cold blood by Ruby or Jaune also feels wasteful,  especially when all characters I listed have developed nicely and wouldn’t really benefit from the accolade of killing Cinder.

In general, we rarely see villains go through a character arc and receive just as much screen time as the protagonists. And if she has a tragic end, what are we supposed to learn from that? Should she have just accepted her place in the world and be an abused child slave? Why was she not allowed to have anything good happen to her? This does not excuse her actions by any means, but she is a victim of a system that failed her. A system that was supposed to protect people like her, but it didn’t. In a sense, she never had a chance, all the hope she had was destroyed when Rhodes tried to arrest her. She has lived her whole life believing there was no hope for her even if she wanted to be “good”. Cinder might think that she never had a choice, so she might as well embrace her “evil” side.

In conclusion, Cinder is a very tragic character, and it would be very depressing if she couldn’t find peace and live the rest of her life at least in a better place than she is now. No one has to or should forgive her, she should atone for what she has done, but let her have a second chance.

#rwby #rwby cinder #rwby volume 8 #cinder fall #cinder redemption #salem #ruby rose #emerald sustrai

[ikeromantic]

Right

A Mitsuhide Akechi fanfiction occurring at the midpoint of Ch. 9. Approx. 1800 words of angsty goodness.

First: Mitsuhide and the Maiden

Previous: Traitor

Mitsuhide’s days were long and the sleepless nights were longer. Though Yoshiaki depended on him to put together the details of this final strike against Nobunaga, the shogun did not trust him. There were eyes on him, always. And people listening. Nowhere was private. He dare not send any missives to his people in Kyoto lest he reveal them to Yoshiaki.

There was no room in this plot for even the slightest slip in his character. Traitor and villain, trickster kitsune. Of course, this meant there was no time to rest. Mitsuhide worked on his own to see this plot to its conclusion. His tired body protested, and his wounds pained him almost constantly. A choir of spilled blood, bruised flesh, and aching bones. But he had only to make it through one more day and night. Then all would be settled.

The knowledge lent Mitsuhide a sense of peace as he went about his work. Today he sat hidden in the shadows on a nearby building, watching the entrance to Honno-ji. The Oda would arrive soon, he knew. He had only to mark their presence and then it was back to Ashikaga to make the final plans. Mitsuhide allowed himself to rest back against the building, still and watchful. A lesser man might have fallen to sleep - and even one with the kitsune warlord’s will might be forgiven for closing his eyes during the wait. But he did not.

It did not take long for his attention to be rewarded. A small troop of men in plain clothing arrived first - clearly warriors - swords at their hip, their movements predatory. Those four were followed by three more. Two men, dressed as merchants. As if ever a merchant held his head so high or looked out at the world with such confidence. 

Nobunaga would never pass as a mere merchant, no matter his clothing, Mitsuhide thought. He could not let go the arrogance in his carnelian eyes. And the man beside him, though slouched as if he was old, could never be mistaken for other than a warlord. His amber-eyed gaze swept the courtyard, evaluating threats. His hand hovered near his hip as if ready to draw a sword that was not there.

“And this is why neither of you make good spies,” Mitsuhide chuckled to himself. One had to understand what could and couldn’t be changed about themselves to fit a role . . . that line of thought died in a gasp of surprise.

Mitsuhide’s hands went to his mouth, clamping down hard against lips that begged to call out to the last member of the Oda party. Her hair shone in the morning sunlight. Her clear-eyed gaze was bright, though today she wore no smile. He watched her lift a hand to tuck a strand of hair back into her bun. His eyes tracked her every movement, the rise and fall of her chest with each breath, the way her lashes brushed her cheeks with each blink. 

Her beauty was a physical hurt. She pulled him as a magnet does iron filings. All he could think was why - why was she here? His little mouse was supposed to be safe in Azuchi. How had Kyubei let this happen? Mitsuhide’s heart thumped against his ribs in sudden panic. He had to protect her but - his mission - hot emotions tangled his cold logic, threatening to burn his plans to ash. 

Somehow, he held himself still until his little one passed into Honno-ji with the Oda. Then he fled. The rational part of his mind told him he must report to Ashikaga. Surely the shogun was watching and new from other sources that Mitsuhide’s prediction was correct. Delay would bring suspicion. But his heart pulled him another way. He had to secure her safety. His little one. Beloved little mouse. He could not risk harm to her, not for this. Not for anything. 

Mitsuhide found an abandoned home in a nearby neighborhood. It was partially burned, but the courtyard was green and overgrown with flowers. There was a mossy stone bench in the lee of a collapsed wall. He sat there and put his head in his hands. 

His eyes felt hot and damp, but he refused to let them shed a single tear. He was the kitsune warlord, not some common love-drunk fool. There would be a way to keep her safe. He only needed to find it.

It took him several hours to plan out the various paths this could now take and to consider how best to prevent the turns that put his little one in danger. Then he set off into town to track down his contacts. It was time to take all risks, he thought. The time for caution had passed.

The sun was nearly set when he was done. There was little left that he could do, beyond returning to Yoshiaki. If the shogun had him followed, Mitsuhide was certain he could pass off his meetings and notes as part of his plot to take down Nobunaga. And if not, well. It wouldn’t matter after tonight.

He passed through the market on his way back to the Ashikaga estate, but his trek was interrupted. 

“Alright. I’ll be right here.” His little one’s voice, carrying over the marketplace chatter like distant bells. 

Mitsuhide’s eyes sought for her, his feet already moving toward the sound. And then he saw her. As beautiful as a goddess, she stood beside a shop watching the retreating form a monk. She held a cloth bag on one arm, the tops of vegetables sticking out from the top. 

Knowing her, she planned to cook for their little group tonight. Smart. The monks couldn’t be trusted - and even if they could, how easy it would be for a spy to slip some poison into the Oda dishes . . . he felt a little surge of pride. 

His little mouse leaned back against the building. She wore a tired smile. Mitsuhide knew he should continue on, but she was alone right now. It gave him the perfect opportunity to touch her kiss her hold her - no - to warn her. To get her to leave this place before she could be caught up in the violence Yoshiaki’s allies would rain down on the Oda forces.

He slipped around and into the alleyway. Quiet steps, unseen - then from the shadows, he reached for her. “You foolish little mouse -” Touching her skin was like handling fire. Warmth that threatened to consume him. 

Mitsuhide pulled her into a nearby storehouse, out of sight. “How clueless can you be,” he began. His emotions were threatening to get the better of him again. Anger with her for coming here, with himself for leaving her alone, regret, desire, grief, all churned in his heart. A bitter mix that still could not outweigh the sweetness he felt being near to her again. He inhaled her scent, and the feel of her skin beneath his fingers.

“I finally found you!” Her wide eyes were windows to her soul. A bright space so full of love that he might have had to look away, had she not thrown her arms around him and buried her face against his chest. “I missed you so much!”

His body hummed in response and for a breath, he wanted just this. To hold her. But he refused to give in. With every ounce of self control he could muster, Mitsuhide pushed her away. He met her gaze with all his feelings locked tight behind his traitor’s mask. “What do you think you’re doing in Kyoto?”

She smiled up at him. “I came after you.”

It took him a minute to respond. He had to swallow back all the words he wanted to say. Well, three of them anyhow. “. . . Did the Oda forces not reveal to you who I have sold my loyalty to?”

“Yeah, and I gotta say I don’t love your new boss.” Her light was undimmed by his dispassionate response.

He raised one perfect eyebrow. “Yet you followed me regardless?”

“Yes I did.” Her chin jutted out stubbornly, shoulders squared. “Probably for that same reason!”

Inside, Mitsuhide began to panic. This was not the conversation he should be having. She must be convinced to leave. He grunted. “Then it was my mistake trying to teach a mouse how to think. You’ve learned nothing, foolish creature.”

She shrugged. “I don’t care if I’m a foolish little mouse as long as I’m your foolish little mouse.” She poked a finger toward him to make her point, but he could see her eyes were wet with held tears. “And just like a mouse, n-not even the sight of a trap will s-stop me when I see what I want . . . Mitsuhide.”

The mask began to crack. “Did I not tell you to be good for me? Why? Why couldn’t you have - have just stayed behind?” His voice rasped painfully on the words, breath trembling. And then the dam broke. He pulled her to him, crushing his little one to his chest, arms wrapped around her. Holding her as a drowning man clung to a branch. 

All the words he wanted to say threatened to spill from his lips. An ocean of endearments and the promises of his heart. But a voice rescued him from this peril. The monk, calling from just outside. He pushed her away again, holding to her by the shoulders. “You must leave Kyoto. Now.” And then he let go, fleeing through the back door. 

Mitsuhide heard her call out to him, but he could not listen. Another word from her and his will might break. He’d come so close . . . so close to throwing it all away for her. Leave Nobunaga to his fate and let the world burn, if only he could hold her. Tell her the truths written across his heart. 

Only his ideals kept him moving away from his beloved little mouse. If she knew what she risked in pursuing him, she would not have come, he thought. His pure sweet girl could never accept the consequences of him abandoning this quest. The death and war and hardships that would follow allowing a man like Ashikaga to continue in his ambitions. 

With luck, she would heed his warning. But he knew her better than that. She would stay and see this through because she . . . she loved him. She loved him and she believed staying by his side was the right thing to do. No matter the danger to herself. 

They would both do what they believed was right. And so he could only do his best to see that she lived through tonight. Mitsuhide’s bloody path was laid out before him. There would be no turning away from it. Not for any of them.

Next: Loyalty

#ikemen sengoku #ikesen #ikesen mitsuhide #ikemen mitsuhide #Mitsuhide Akechi #otome guys #otome #fanfiction #fanfic #angst

[maxwell-grant]

The idea of the Shadow co-existing with Superheroes brings the question: How does the Shadow react when events escalate beyond the point where he can have an impact? How does he feel when the entire world is at risk, and he can't help?

Basically the above panel. By refusing to acknowledge the possibility that he can’t help, even if just to save one person, one life, at the end. 

By doing whatever he can, even if he can’t save everyone or finish those causing it. Even if he is taken aback by it (and he definitely would, because he is rarely if ever out of his depth to such an extent), there is rarely, if ever, a time where nothing can be done to help someone, even if it can’t be done by addressing or fixing the problem, even if a lot of the times, we don’t know what to do to help.

There’s a particular passage that came to mind when I read your question, from a story called The Living Joss, where The Shadow stops to mourn a man, a total stranger, whom he failed to protect in time. We rarely ever get to see scenes like this as usually The Shadow expresses thoughts and feelings through non-verbal gestures and laughter (sometimes he almost laughs more often than he talks), and this moment always stuck out to me.

Amid the misty drizzle, The Shadow lowered himself from the side of the bridge, and dropped to the craggy side of the ravine. He reached the smashed car. Blaine Goodall, in a mad effort to escape death, had opened the door of the failing coupe. Caught beneath the rolling body of the car, Goodall had met his doom. 

The Shadow stood in silence. Again, fate had contrived against his surpassing skill. He had arrived in time to shoot down one squad of blocking enemies. He had turned and driven back to deliver death to another corps of skulking assassins. But in the midst of conflict, the man whom he had come to save had hurtled to his own destruction.

Long minutes followed The Shadow's sad discovery; then a figure clambered into the speedster, and the powerful motor roared as it started along the road that led back to New York.

The Shadow had another score to settle. Never again would Koy Shan slay. Death would strike him before he had the new opportunity.

Here, after he manages to stave off the assassins and finds the guy, he takes a moment to mourn, to reflect, to think, and then he immediately gets back on track to pursue vengeance against the ones responsible for said death to stop them from killing others. 

Obviously The Shadow outright failing is a very rare occurance, unless it’s by narrative design heroes very rarely botch rescues so badly that people die or don’t manage to get at least one victory at the end of the story. But The Shadow failing or miscalculating, failing to protect people, failing to calculate certain factors and so on, was nowhere near as unthinkable of an occurance in the pulps as people seem to think. 

No matter how unshakeable his confidence in himself is, how prepared he is for everything, or how his willpower is so strong than in the radio show it allowed him to protect himself and Margo from a literal time loop through willlpower alone, he’s not the omniscient demigod he pretends to be, and he’s aware of it. He has to be, because arrogance is the downfall of every villain he’s ever fought, and third-person speaking black-clad cackling ghoul he is, he is all too aware of his proximity to them.

I...have concerns about my clarity, and my mental focus. I’m not one to suffer doubt...nor to take the scope of my actions lightly. 

Yet of late, I’ve felt...untethered. And subject to foul emotions I’d long since thought buried. 

But I am a commander in a war. There are people who risk their very lives under my authority.

But no matter how badly it got in the stories, how hopeless circumstances got or how many people had already been killed by the villains he fought, The Shadow never appeared close to giving up protecting others, no matter the cost to himself. 

It’s one of the things that runs contrary to the common idea that he’s an unfeeling sadist murder machine, how often he completely disregards everything to go and throw himself in danger to rescue anyone who’s in any danger. Creeping Death has one such sequence where he jumps out of cover to the middle of a gunfight, and gets shot in the process, to literally throw Vic Marquette into safety (Marquette, who is not an agent, or an especially likeable character for that matter), and then sticks around after the bad guys are dispatched to ensure that help is on the way. Or in Invincible Shiwan Khan, when he gets injured throwing himself on the path of a flying Moe Shrevnitz to cushion his fall, and because of it, gets beaten so brutally by Khan’s minion that he staggers barely conscious out of the fight, even though by this point he’s racing against the clock to stop Khan from acquiring his doomsday devices. At these moments, all he really could do, regardless of the odds, was to try and stop people from being hurt or killed, no matter the personal cost to himself or the mission, and so he did. 

Throw a superhero apocalypse his way, and he’s going to be doing whatever he can to recruit the right people, obtain the right resources, anything he can to stop as much bloodshed as he can. And if he can’t? He’s going to be there to rescue people caught in the crossfire. If a zombie apocalypse hits town, he puts all of his agents to work on containing it as much as they can or finding a cure. If a giant monster’s rampaging downtown, he’s going to hitch a ride in a train and fire at it so it chases him and gives others time to run. If there’s an earthquake or tsunami, he gathers as many agents as he can and starts finding ways to ferry people to safety. If everyone he knows is dead, his greatest enemies have been winning for decades, and he’s stuck in a world that hates him and has no use for him, and he has no idea anymore what he even used to be? Still not gonna stop him. The Twilight Zone traps him in constantly shifting dimensions that break down his identity until he learns he’s nothing more than a fictional character, and he walks out of it having learned a lesson in humility.

If he’s thrown, alone, in a full on dystopia setting completely unlike his own, where he has to learn single-handedly to fight alien hordes to save Earth? 

It's not that he never fails, can never fail or become emotionally distressed at it, it's that it ultimately does not stop him from doing whatever he can, whatever needs to be done, as The Shadow. His whole thing is knowing what to do above all else, and when he doesn’t know, he learns, studies, does whatever he can to remedy that as soon as possible.

#pulp heroes #the shadow #pulp fiction #replies tag

[orderoftheavengers]

Scarlet Legilimens

House: Ravenclaw

Species: Human/phoenix hybrid (formerly human)

Blood Status: Pureblood

(Pointless) Wand: Cherry, 13 inches, phoenix feather  

(Pointless) Broom: Firebolt Supreme

Patronus: Red-billed firefinch

Specialty: Legilimency, Occlumency, Flying, Dark Arts, Wandless Magic

Sorting

Wanda Maximoff is a living example of how the traits of Ravenclaw House may be applied to the most heinous villainy, and the most self-sacrificing heroism. As a villain, she is crafty and manipulative; as a hero, clever and intuitive. Her fighting style, for good or evil, is always more sneaky and innovative than “bold.” Ironically, her mind is also her weakest point as well as her strongest, as poor Wanda continuously ends up as the manipulated as often as the manipulator. A born Legilimens, her abilities, strengths and flaws are all mind related.

Note the “cleverness” and “ready mind” mentioned by the Sorting Hat needn’t always come in the form of a bookish nerd, as Luna Lovegood, Sybil Trelawney, Profeesor Quirrel and Professor Lockheart are all Ravenclaw. Wanda may not spend her free time studying or watching the Discovery Channel, but she does spend much of it experimenting with her powers, and letting her imagination loose. When faced with unbearable loss, she wasn’t immediately able to face her grief head-on, like a Gryffindor; nor, as a corrupt Ministry leader lied, did she try to resurrect her lost lover; instead, she escaped into her own mind, imagining up an (almost) complete fictitious life for herself and Vision, in a matter of seconds, without even realizing she was doing it.

Wanda is capable of impressive courage, ambition and loyalty, to be sure; but all of those things have wavered, when her reality was turned upside-down. She shed years of indoctrination after reading Ultron’s mind and seeing the grim truth. (And yes, she can read a machine’s mind! That’s a Ravenclaw right there.)

Durmstrang Experiments

Wanda and her twin brother Pietro were born to wizarding parents, in the tiny European nation of Sokovia. Wanda was a born Legilimens, like Queenie Goldstein, able to peek into others’ minds without having to perform any spells. A poor family, their father made ends meet by enchanting posters and lobby cards of old Muggle sitcoms to play out entire episodes, which he then sold to Muggle-enthusiasts in the wizarding world. Their home was decimated by a spell invented by Tony Stark, who never intended for it to end up in the claws of banshee terrorists. The twins ended up in a crap Muggle orphanage, which only intensified their prejudices. By the time they entered Durmstrang, a school infamous for professors that supported Dark Magic and even Voldemort, they were ripe for indoctrination and radicalization.

Due to Wanda’s being a Legilimens, the twins were selected for a dangerous experiment by their headmaster Professor Beowulf Von Stucker. Using the Mind Stone, the twins were to be fused with their wands. Wanda’s first name suddenly became very appropriate, a la Remus Lupin. Wanda merged with her phoenix-feathered wand, transforming the born Legilimens into a powerful human/phoenix hybrid. Her telepathic powers were enhanced, and she gained many powers of a phoenix, including flight, inhuman strength for her levitation spells, and being nearly indestructible. Being part wand also made her able to do wandless magic with no effort. Pietro, meanwhile, was merged with his Veela-hair wand, making him a human/Veela hybrid, and gifting him with a Veela’s dancing speed and silvery hair.

(A very special thanks to AlasterBoneman for the idea about Wanda's wand being integrated into her body.) Order of the Avengers Wanda and Pietro are finishing up their first year when they cross paths with the Order of the Avengers, and they don't exactly make a good first impression. Their vitriol against the Avengers and Tony Stark makes very little sense, especially given that Wanda is a telepath, and should easily see they aren't the villains (not to mention how much she has in common with Natasha, whose life story Wanda personally digs up). But, the twins are still only about eleven, and kids that age can be pretty stupid. The Avengers trace Loki's confiscated broom-scepter to Durmstrang, where the dark wizards from the Order of Hydra are keeping it. Wanda, having recently studied with a Boggart, uses her Legillimency to make the Avengers relive their traumas. Tony's fear shows Wanda that he clearly wants to protect the world, and yet she makes the very un-Ravenclaw decision to keep pursuing "revenge." Her plan inadvertently leads to Tony and Bruce accidentally creating a dangerous and ear-bleedingly-irritating gargoyle named Ultron, who the twins personally work with. Wanda even shocks Bruce into green-wolf form, and sends him on a rampage through one of the dormitories at Durmstrang (but it's not her or Pietro's House, so she could care less). Finally, after much too long, she puts her mental powers to some use, and reads Ultron's mind. That's when she puts two and two together. By then, Ultron has unleashed an army of Cornish Pixies to levitate Durmstrang Castle miles into the air, planning to drop it in an explosion of magic that will alert the Muggles to the existence of wizards. Huddled in a swaying castle tower, she confesses her guilt to Hufflepuff Clint Barton. Clint invites her to redeem herself by joining the Avengers. Durmstrang is saved, but sadly, Pietro takes a killing curse for Clint and another first year. wrought with grief and guilt, wanda begins her second year of schooling at Hogwarts, where--after an unusually long time on the stool--she is sorted into Ravenclaw. Her lonely mood is raised slightly when she finds the attractive new Golem, Vision, hovering to the Ravenclaw table alongside her.

The Scarlet Witch Hunt

Perhaps living on her own for a while is what finally helps Wanda regain the confidence to think for herself. When Vision suggests that they both drop out of their respective schools and just run off together, she urges him against the idea. When Vision senses a disturbance in his Mind Stone, she inspects it for him, but reports, “I just feel you.”

They are interrupted by a rude crowd of Trolls under their window, calling for Wanda’s blood. She’s fine to ignore them, but Vision—ever the logical Ravenclaw—is compelled intellectually argue with the Trolls in his lady's honor.

“Wanda is a redemption-seeking-antihero like Tony, who she has not expressed any hatred for since the Ultron fiasco—not even during the whole ‘Civil War’ calamity! In fact, of everyone on Team Cap, she was the least awful to Tony! The only verbal exchange between them during the whole drunk Quidditch match was a brief pout about being 'locked in her room,' which she had no problem with until Hawkeye came and pressured her. She was literally the only person in the Squid prison not insulting him! And just a few minutes ago, when I wanted her to run away with me, she was telling me to keep my loyalties to Stark, and when the news reported him missing she was visibly scared for him! Seriously, where are you Trolls even getting that she still hates Tony?”

One Troll with particularly long horns shouts back, “Well what about that cleavage and slutty red leather? Tony Stark was never a slu—er, wait…”

Vision is now standing in the window frame, unbuttoning his fly.

“Vision?” Wanda asks nervously. “What are you doing?”

A glittering, purple stream poursd out from her boyfriend’s “better wand,” threatening to deface the crowd below.

“Vision no!” she cries, quickly containing the violet river in an energy ball.

Steady hand…    she carefully lifts the ball of glistening liquid higher and higher into the air. …Not gonna screw this one up—

“I say Wanda, is that a giant flying donut?” Vision asks curiously.

Wanda glances up, and there is indeed a gargantuan space donut in the night sky, coming right for them. The strange sight distracts her, causing her hand to slip—just as she’s levitating Visions liquids right over said donut.

This enchanted pastry is in fact the vessel of some of Thanos’s most vicious minions. And Wanda has just drenched them in Vision’s you-know-what.

While Wanda gasps behind her hand, Vision suggests, “Let’s go for a walk.”

On their way down the quiet lamp-lit streets, they are soon stopped by a group of Thanos’s putrid goblin children, currently slightly more putrid than usual.

A blue female goblin roars, “Now you’ve really succeeded in pissing us off!”

Before she can stop herself, Wanda blurts out, “Pissed off? Smells more to me like you ‘been pissed on!”

Somewhere, a boxing bell dings, and a badass wizard’s duel begins.

Just when Wanda and Vision are cornered, a train passes by, causing all parties to freeze dramatically for no apparent reason. Wanda tries to make her body move, to take this opportunity to blast her opponents, but some force has her glued in place, as low music hisses theatrically throughout the night. The train passes, to reveal a shadowy figure, posing heroically. Instead of shooting the figure with a hex, one of the goblins simply throws a spear, which the figure catches expertly. Wanda and Vision both know that there is only one person on the planet would could make an entrance with this much ham and cheese.

Steve Rogers dramatically stepped into the light, revealing his fluffy new beard, and the duel gets a bit more epic.

Oh Snap

In the wizarding nation of Wakanda, Black Panther’s brilliant sister Shuri does her damndest to save her fellow Ravenclaw, and safely remove the Infinity Stone from Vision’s forehead. Sadly, Thanos’s forces overwhelm her, and Wanda is forced to kill her lover--the last family she has left. Many would assume only a Gryffindor would have the resolve to do this, but a Ravenclaw’s wisdom and pragmatism can go a long way.

Ever the sadist, that purple f*ck Thanos uses the Time Stone to resurrect Vision and kill him again, in front of Wanda, and even has the gault "comfort" her in a patronizing manner.

And yet, she’s not so distraught when Thanos’s Dusting curse comes for her. It could be that she’s so despaired by now that she welcomes death. Or maybe the half-phoenix simply doesn’t react to dissolving into ash the same way other beings might…

…in any case, she is resurrected over the summer by Bruce Banner. Vision, sadly, isn’t. In her grief, Wanda accidently traps herself and the entire school of Hogwarts inside the Mirror of Erised, but that's another story entirely. 

Wand, Broom and Patronus

Cherry wood is associated with some of the most powerful and lethal wands.  Phoenix feather wands are considered to have the widest range of magic, and are among the post powerful, yet also the most difficult to tame. 

The red-billed firefinch is one of the few bird species where the females sport some red coloring. These birds are tiny and quiet, but very active. They are flexible about where they live and with whom; they can mix with other bird species, and can live in the wild or captivity, provided they always have plenty of space. Their nests are different from other birds', having a dome shape and being low in bushes. Not unlike the hidden fortress Wanda creates, to hide her family. These crafty birds also build mock-nests to fool predators.  

AN: This has undergone some changes in both the story and image, since the release of "WandaVision." If anyone is for any reason attached to Wanda's old broom, the previous version is saved in my Stash. I plan to reuse that fire design somewhere else, possibly for Harry's Firebolt in my more serious Potter art.

#wanda maximoff #Scarlet Witch #Hogwarts house #hogwarts au #ravenclaw #legilimency #legillimens #harry potter #mcu #avengers #chibi #fan art #order of the avengers

[lore-of-the-silvereyes-rwby]

The Hero that was never meant to be

I’m going to ask you guys a quick question. Think back to the volume 2 season finale in 2014. Or before Salem's debut. Once all of the antagonists are defeated and you're now left asking; Who's going to be the next antagonist for the series?

Before we proceed with this inquiry let's take a look at what exactly distinguishes a hero, from a villain.

Hero/Villain/Anti;who knows?

Below are multiple examples/definitions and meanings of heroes and villains as well as their anti sub groups.

Hero

a person who is admired or idealized for courage, outstanding achievements, or noble qualities.

the chief character in a book, play, or movie, who is typically identified with good qualities, and with whom the reader is expected to sympathize.

“a person of distinguished courage or ability, admired for his or her brave deeds and noble qualities." Heroes come in many forms in life, ranging from one's family and friends to athletes to movie stars. A person's heroes can change over time.

Villain

(in a film, novel, or play) a character whose evil actions or motives are important to the plot.

 a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel. 

a character in a play, novel, or the like, who constitutes an important evil agency in the plot.

Anti-Hero

a central character in a story, movie, or drama who lacks conventional heroic attributes.

is 'a central character in a story, film, or drama who lacks conventional heroic attributes'. These missing attributes include idealism, courage, and morality. Anti-heroes can sometimes do the right thing, but it is usually because it serves their interests to do so.

Anti-Villain

is the opposite of an Anti-Hero — a character with heroic goals, personality traits, and/or virtues who is ultimately the villain. Their desired ends are mostly good, but their means of getting there range from evil to undesirable.

Now that we have some measure of clarity about this let's get to the point.  Basically Ironwood is a Anti-Villain character

If you think back to the things we have learned throughout the series, all the people we have met, you will find that all of Ironwood’s traits align better with Salem, Cinder, Jacques, and Adam.  All of them have this hunger for power and/or control, all of them are trying to protect themselves and increase their control.  

All of them use a level of manipulation and none of them really cared about the damage it would do to others.  Ironwood might be a little better because, at first, it was something he kind of thought about.  Kind of. He had trouble relating to the idea that protecting more was better than protecting less, and it seems that he had been struggling to find his heart since the beginning. 

Ironwood is a well intentioned and desperate man who wants to protect Atlas against Salem, but he can reach extreme means to do so. By the end of Volume 7, he's willing to abandon both Mantle to die and throw away humanity's best chance of survival by leaving Amity Tower; he also falls far enough to shoot a teenager for comparing him to Salem.

Going hand in hand with his Never My Fault tendencies. Ironwood hates anyone bringing up how his ways don't work, with extreme annoyance being the best reaction possible. It doesn't matter if someone is simply stating the objective tangible negatives of his actions, he will not hear it. He gets into a shouting match with Nora when she calls him out on how much damage he's doing to Mantle and only stops when she points out his proposed solution to deal with the current unrest (martial law) is just going to cause far worse problems if he goes through with it.

While he demands complete loyalty from others, Ironwood has repeatedly betrayed the trust of others in the name of the greater good. If someone is an obstacle to accomplishing what he believes is necessary, he will use political or even military power to enforce his will.

Ironwood has helped Ozpin fight Salem for years but they disagreed over the best way to defend Vale; Ironwood secretly convenes a meeting of the Vale and Atlesian councils to report Ozpin's behavior, resulting in Vale removing Ozpin from overseeing the Vytal Festival security in favor of Ironwood. Qrow later tells Ironwood that he has a strange idea of showing gratitude if he responds to Ozpin bringing him into the fight against Salem by betraying him. Even after being confronted, Ironwood insists that he had no other choice.

Ironwood spends most of Volume 7 promising that the Kingdom of Atlas is safe and that Mantle can count on him to protect them. However, when he discovers Salem is arriving in person to attack Atlas, he decides to abandon Mantle to the Grimm in favour of raising the floating city of Atlas higher in the atmosphere where the Grimm can't go. When Ruby tries warning her allies about Ironwood's plan, he disables her scroll, and has Teams RWBY, JNR, Oscar and Qrow arrested.

Ironwood's a man with good intentions, but he seems to believe the best way to handle any sort of situation is if he is in full control of it. This is seen as early as Volume 2, where he both brings a large fleet (composed mainly of machines) along with students for security and later has the Vale and Atlas Councils transfer security control of the Vytal Festival from Ozpin to himself. 

After the Fall of Beacon, James continues to tighten Atlas' defenses with a Dust embargo and closing of its borders, and by the time the heroes arrive in Mantle, there are broadcasts of the general practically saying that as long as they cooperate with his laws, he can and will keep them safe. 

As Salem's forces continue to sow discord and increase his paranoia, and when he discovers that Team RWBY has consistently hidden important information from him, Ironwood decides to invoke martial law and raise Atlas out of Salem's reach, under his control. When Ruby warns the others of his plans, he shuts off her call with his own Scroll.

Ironwood is noted for being a man who never gives up pursuing his vision of how people should be protected. When his attempts to convince Ozpin that they're on the wrong path fail, he convinces the Atlesian and Vale councils to override Ozpin's authority and give him direct control of protecting the Vytal Festival Tournament. 

In Volume 7, he is willing to pursue his goal of protecting the Kingdom of Atlas against Salem no matter how bad his public reputation becomes with the citizens.

To be clear Ironwood is an Anti- Villain type character in the RWBY story. He may have good intentions but it is unknown as to their extent of what they are. His methods to achieve those methods have only made things worse.

I couldn’t let you breath, cause I didn’t wanna Die

We all say we would die for something but do we actually mean it?

“I would die without regret I offer up my life”

It is hypothetical but not in the way you suggest. The difference between using would or will is not about whether the speaker is being disingenuous about their offer, it’s about whether the speaker knows if they are ever going to be in a position to fulfil their promise

It is hypothetical because the speaker does not know whether there will ever be a situation where they would be in a position to give their life to save you. If they were to use will, it implies they are anticipating that they will be in a position to give their life to save you 

When someone says “I would die for you if you need it,” is it just a hypothesis that's never going to happen,  the subject doesn’t want to die at all, otherwise they’ll use “will” instead of “would”?

Kill or be killed

All the weapons in rwby appeal to the audience as they have options when it comes to fighting. Ironwoods does not. His weapon is only designed to kill as a reflection of his inability to see reason. As opposed to other characters that show that when they kill it would be a last resort option.

(Think of the Jedi's preference for lightsabers instead of blasters)

Ironwood has a revolver  -  reliable, never jams. high attack power, similar to his mentality on robotics in general and how he values them focusing on the characteristics of the revolver is the important part, and you see it in another Atlesian character--Weiss Myrtenaster is a Rapier and a Revolver as well, and revolvers are still used nowadays because of their reliability. They'll never jam, and when it comes to a gun all that really matters is hitting the target on a pragmatic mindset at least, and ultimately in the show the weapons used by characters say a lot about them. For example;

Qrow has a scythe - not a weapon, a farmer's tool, alluding to the scarecrow. The actual weapon would be the sword mode, and is inspired by the grim reaper, who uses a scythe because he reaps souls like one would reap what was sown(or harvest)

Jaunes shield and sword are both offensive and defensive weapons which offers a variety of options as to handle conflict

Ozpin's cane symbolically conveys the message that it's okay to be weak and its normal to accept help and support from others

Yang's gauntlets are basically Bruise but don’t kill type weapon as such they give her  more control of the damage that is inflicted on her opponents

As ruby put it the Weapons in the show are an extension of the characters. The extent of Ironwoods weapon is that it conveys his blunt, and cold methods that he can’t or won’t embrace alternatives solutions or anyone else's ideas to problems

This can also be seen with his use of militarized Huntsmen and the use of mindless android soldiers. As I stated in I am power Ironwood’s personnel combat abilities are mediocre to non-existent with his true power stemming from the consent of the people to die for his cause instead of him since it's guaranteed that he will die instantly due to his lack of unique or special combat abilities. 

(Pretty self explanatory considering he had to sacrifice an arm to beat a nerd)

Fear of death is basic human instinct

Ironwood believes that he is this chosen savior and can’t die and he believes his life is more important than others and would instead sacrifice everyone else instead of him if it would mean victory

Now you're probably asking why does Ironwood not want to die when he said he would? As stated before he doesn’t trust anyone but himself to do the job right. His narcissism and ego prohibit him from trusting others and having faith that people besides him can win. 

This has been hinted as early as his debut in V2 where he asks Ozpin;

“Do you honestly believe that your children can win a war?”

Because of this and his Nihilism for rejecting the truth, he believes that he is the most important piece on the bored and everyone should listen and die for whatever he needs if it would mean victory

Ambitions and desires of a broken kingdom

A character without motivation is a really boring character as opposed to one who does. But to realize what their motivation is or what it is truly is another. Ironwood is no different but what exactly is his personal motivation that is unique to him one must wonder?

That's just it, he has no real personal motivation. Like what does he have to lose? What does he have to gain? What is so important that he is willing to go to such lengths that clash with the ideas of Ozpin and the heroes? To answer Atlas. After all, what is Ironwood without Atlas?

 It is important to know the effects of a characters home and origins to better understand a character's personality. Ironwood's plans have always been in line with Atlas, whose intentions are that of Ancient Mantle. Now what exactly are the intentions of the former capital that would live through Ironwood.

Atlas as I stated before is more or less a Technocratic Conservatives society led by Authoritative totalitarians with a focus of becoming an Extreme Militaristic Oligarchy that had originally started out as a Resource driven Empire out of necessity and without restriction 

To clarify, Ironwood is a byproduct, and enforcer of Mantle’s(later Atlas) Philosophical Ideology and Culture. The effects of one's origins can have a very lasting impact on one's life. Ironwood’s life has been heavily affected by his homeland to the point that he will die for it, and sacrifice whatever he deems necessary for it. 

Because of this Ironwoods alignment is that of Lawful Evil because of his Atlas ideology

A Lawful Evil character is an evil character who either tries to impose or uphold a lawful system on others without regard for their wishes, and/or adheres to a particular code. They believe in order, but mostly because they believe it is the best way of realizing their evil wishes.

In other words Ironwood will always be the loyal son of his Kingdom and will do anything to save it.

Now that clears his main motivation and the scale of what he is willing to do to achieve it but what motivates him personally?

Well that's just it there is none. His primary motivation is pretty shared by most of the heroes and main characters and as is the common clause of save the world stories everybody knows they can’t let that happen as peter quill would say;

“Why do you want to save the Galaxy?”

“Because I'm one of the idiots who lives in it.”

So with that in mind what's in it for him that he can’t lose or let the world be destroyed?

You overstepped your boundaries

To help understand his character it is important to understand what exactly his role in the plot was originally and how he ended up biting off more than he can chew when he broke away from it.

Essentially Ironwood was meant to be the overseer and guardian of the relic of creation as well as the trainer of the next generation of huntsman/huntresses. Meaning the only position of power that he should only have is Headmaster of Atlas academy. As I stated in I am machine Ironwood's heroism stems from a lack of trust and in doing so has burdened him with more responsibility than he can handle.

The catalyst 

All of the events and conflicts that plague remnant at the shows present can all be traced to Ironwood. An argument can be made for Salem but to me she seems more of an opportunist instead of an actual evil master mine. Being the opportunist she is she needs ammo for which she is otherwise incapable of making on her own. Thanks to Ironwood she has plenty of it to enact her plans and reach her goals 

Below is a list of events and conflicts as well as characters that have been affected by Ironwood

(Whether Directly or Indirectly)

The Schnee Dust Companies Immoral and shady practices

I know Jaques is mostly to blame for all of this but one must ask; Why didn’t anyone stop him before V7? 

It's already been established in the show that the S.D.C. and Atlas Military have a corporate alliance to mass produce Weapons and ammunition. The most prominent weapons to come out of this alliance was the paladin assault mechs. Now how important was this alliance to Ironwood?

In short, they are the best choice to provide for his needs for war. As long as he gets weapons and all that he needs to sustain a war he doesn't care what the giver has to do to meet his demand. As such Ironwood had enabled Jaques and allowed him to continue his immoral ways so long as he gets what he needs. On the other hand Jaques seems to be at least a decade older than Ironwood so there is a possibility that the corporate alliance has already been there long before Ironwood ever came to power.

But I ask again why didn’t Ironwood who was aligned with a man like Ozpin didn’t stop him? As the Volume 7 commentary stated Ironwood doesn’t care for Ozpin's rules and sees being efficient is more important than being morally good. Because of this Ironwood had been more focused on starting a war first and caring about people second thus he has only spread misery by enabling Jaques’s greed just to have his war. The crimes of the S.D.C. are also Ironwood’s 

The family strain of the Schnee family and Winters abandoning

While we’re still on the subject of the Schnee's let's talk about how essentially Ironwood made Winter the Blake to his Adam

As I stated before in “You had me with your words”  we don’t exactly know why Winter would be so loyal to Ironwood to the point of saying that her life doesn’t matter in V7 and why she would be so against her family to the point that she makes no effort to see Weiss, and Whitely included and only bothering to be apart of Weiss’s life only because she seems to be following the same path of defiance against their father. In other words she only chooses to interact with her sister only if she is rebelling against their father. If she is not, then Winter wants nothing to do with her. 

Now who or what exactly would cause Winter to have this unhealthy mindset in regards to her own personal existence and relationships?

The answer being Ironwood. 

If we were to consider Jaques words being serious than it is more than likely the truth. Ironwood did steal Winter, not just from her father but from the rest of her family. I don’t know what exactly Ironwood said or did to turn winter away from her family but it wasn’t out of the kindness of his heart. He did this  just to have a loyal subordinate with incredible power( her hereditary semblance) & status( her grandfather's legacy and accomplishments) just to give his power and status more legitimacy.

By doing so Ironwood made Winter  believe that her family as well as herself is beyond redemption due to the actions of her father thus leading her to abandon them and only believing Ironwood can redeem her hence why she values her life so little and is willing to die for whatever Ironwoods says.

I understand that winter joined the military to get away from her dad but she had options besides the military and like weiss she could have went to the other academies to get away from her dad but she didn't which i consider Winters greatest flaw is that she has no idea of an actual healthy relationship

The White Fang

This is also speculative but not unlikely as the show has clearly shown; Faunus and Atlas don’t mix. 

Same thing with the S.D.C. this can really be seen as indifference on Ironwood’s part and lack of care  but still Ironwood didn’t do anything to settle the racial inequality in Atlas even though he is allied in a secret circle that's supposed to keep the peace.

Especially when that inequality was being used to help legitimize a terrorist organization that can be used as a disposable army for Salem which it did.

Watts’s Defection & the P.E.N.N.Y. Project

Ironwood commissioned 5 scientists including Watts and Pietro to make Weapons for war.

Even though Watts is an egotistical bastard it really makes you wonder how someone as smart as him would work for a literal demon lady hell bent on conquest. The same can also be said about why he chose Penny instead of any other actual and practical projects ideal for war.

One thing to note is the possibility that Ironwood did not tell the 5 about the real reason as to why they’re making these weapons in the first place. For example would Pietro really want Penny the closest thing to an actual child that he may have had to be used as one of Ironwoods militarized assets?

We’ve seen what Pietro is like and that he really cares about Penny and if it were his choice Penny wouldn’t be in the situations that Ironwood would place her in. Ironwood had basically taken and drafted Penny without her or Pietro's consent and made her a tool for war and much more.

In semi canon sources(Amity Arena) the general consensus is that the Paladins were Watts’s idea and project. One of the misconceptions is that it was a contest for whose idea would be made but since we see both the Paladins being used and Penny that's not the case. All 5 projects were going to be used but only 1 would take top priority first before others and that project was Penny. 

This might actually explain why the paladins were ugly and incomplete in V2 as opposed to their slicker and finished versions in V3. The Penny project took both praise and priority first before the others. Once penny was finished the other projects would begin that may also explain why the Paladins weren’t first revealed until the events of V2 even though Pietro said that the commissions for the projects including the Paladins were almost a decade ago as of  V7 ep 7 

To Watts he felt insulted that his (to him) practical project was being postponed for a sad man's personal self indulgent pet project. This and due to not really knowing as to why these projects were going to be used for. Because of this and Ironwood’s lack of concern for people He had essentially driven Watts to Salem and made him one of her most valuable assets that she ever had. Salem herself even states that she should have employed his services years ago that alone tells us how valuable an asset Watts was and Ironwood discarded it. Which led to the fall of Beacon and the civil unrest in Mantle With Watts out of the way let's move to the next question

Why the Penny Project?

We all know at this point that Penny is the Pinochio for Pietro’s jopedo. So why would Ironwood approve a project that seems the least efficient and effective for war? There have been many theories as to why but two of them stand out the most; Potential vessel for the maiden powers and Espionage

It has been made clear that Ironwood has been readying for war against other people Salem specifically but how does one go about that? The first of which can be explained as Ironwood trying to make the ultimate artificial warrior with incredible power. As Ironwood has more faith in machines than people he would see Penny as the ultimate super soldier that he can use in his war

The second theory as to why he chose penny could be for spy and espionage purposes. As stated by cinder in volume 3 where this theory originates from; why would Atlas make a robot look like an innocent little girl? We know why Pietro made Penny look human but why would Ironwood go along with making a T800 complete with realistic skin and hair?  Besides Pietro there was no logical reason to make penny look as humanly as possible. Like the Terminators who were designed for infiltration and assassination missions and Ironwood being a paranoid individual who sees the world as one of two things; you’re either an asset or a threat / Penny or similar models would have been used to spy and eliminate potential threats in the other kingdoms. With the possibility as to what Ironwood would use penny for before her reveal in V3 clear let's move on to the last part of this bullet point

Why didn’t Ozpin know about Penny?

Prior to the truth of her origins being revealed via her death by Pyrah the only people who knew she was an android are cinder’s team, Ruby, Pietro, and Ironwood. The villains knew that truth after being fortunate enough to have Ironwoods scroll infected by the virus and Ruby found out by accident from penny. 

So officially the only people that were allowed to know the truth about Penny were Pietro and Ironwood. Winter and the Ace-opts don’t count as Volume 7 confirmed that they were brought into the fold after the fall of beacon along with penny so by the time of the fall of beacon they had no idea about salem or that was the sole purpose as to why penny was made.

 The same can be said for Watts too since Penny was still an idea being developed along with being assumed dead and not seen in atlas for years. Thus Watts never even knew what penny looked liked. Had he known i'm pretty sure he would’ve revealed that to Salem who would have given it to cinder for use in her mission. But as V3 shows Cinder finds out after getting access to Ironwood's personal scroll. Meaning that Ironwood kept Penny so secret that he never even bothered or considered to tell Ozpin.

By the end of PVP Ironwood sounded like a terrified child who got caught while trying to explain to a pissed off Ozpin about Penny only to be coldly told in a threatening tone to use the army that he brought to clean up his mess or else. That alone is proof enough from Ironwood that he never told Ozpin about Penny and was scared of what Ozpin would do to him for catching him on his secrets and lies.

So why didn’t Ironwood tell Ozpin about Penny? Short answer Ozpin would never approve the use of Penny. It was already established in V3 ep 6 that Atlas has been doing unethical experiments with Aura. Ozpin and most of the inner circle don’t really approve of such practices but can tolerate it  and use it if they have to. But most likely not to the extent of using it to make artificial living beings just to be soldiers.

This would be a similar moral dilemma as the clone troopers from star wars who were bred and mass produced at an accelerated rate to fight  in a war that they didn’t even understand or have a choice to fight in with the mindset and innocents of a child. The Umbara arc from season 4 of the clone wars series perfectly depicts the unhealthy amount of abuse the clones faced and the length of being taken advantage they were forced to endure

Now apply that to an army of pennies with the same childlike innocence and naivety and sentience being deployed into combat without much preparation and are expected to die just to buy time for the real heroes to win.

Now who is more likely to use a clone army without concern for the morality and ethics about making it let alone not care for the well being of those clones

A key important factor to remember is that until V7’s end Ironwood was pro war as he thought he could win against Salem if he had the largest army at his disposal. Penny was no exception and Ironwood only saw her as a potential part needed for his war machine. Because of the war centric views of Volume 2 & 3 Ironwood and lack of concern for the safety of others Ironwood had set the stage perfectly for volume 3’s finale

The Fall of Beacon

The points above actually help validate and contribute to the Fall of Beacon, but it's true Beginning for its fall started when Ironwood arrived at Beacon in Volume 2. As stated by Oz in Ironwoods first appearance Headmasters don’t usually attend the vytal festival with their students. Given what we now know about the importance of the academies, Ironwood pretty much abandoned his post and risked the safety of the relic under his charge.

All in what appears to be an effort to make a power grab against Ozpin and promote Atlas.(That’s probably speculative but not far off the bat given Ironwoods doubts and actions by the end of V2).Ever since his debut Ironwood has always been a character that contradicts the main characters that are suppose to be the heroes

He seems to only believe the best way to handle any sort of situation is if he is in full control of it. This is seen as early as Volume 2, where he both brings a large fleet (composed mainly of machines) along with students for security. Ironwood has helped Ozpin fight Salem for years but they disagreed over the best way to defend Vale; Ironwood secretly convenes a meeting of the Vale and Atlesian councils to report Ozpin's behavior, resulting in Vale removing Ozpin from overseeing the Vytal Festival security in favor of Ironwood. 

 Volume 2 also has Ironwood reveal to Glynda that he thinks Ozpin is hiding something from them. Glynda points out that he's part of the inner circle that's hiding things from the rest of the world and that he needs to stop talking about trust and learn how to trust others. Ignoring her advice, he secretly collaborates with the Vale Council to strip Ozpin of his control over the Vytal Festival security, then tells Ozpin to trust him.

This also brought up the possibility that Ozpin would be removed as Headmaster of Beacon academy. Not only was Ironwood willing to depose the leader he was following from his position of power but also remove an important ally from safeguarding one of the most important and crucial places in all of the world that also holds probably the most important relic of all of them(The Crown of Choice)  

I already talked about how Penny’s secret had contributed to the fall so I’ll be talking about how Watts contributed to it since I forgot to include in the last bullet point. Its a very small Easter egg but on Cinders scroll as she was rigging the vytal tournament for CVFY’s match and discovering Penny’s android nature there is a small cursive W at the corner of her scroll. The small W that Watts uses as a holographic icon when he calls Leo in V5. RT has said that they had WTCH in their back pocket for years until they were revealed taking that into account it is clear that the virus that infected Beacons CCT Ironwoods scroll and forcing the droid army to commit order 66 was made by Watts.

The virus and the cyber warfare aside the next final contribution on Ironwood’s part was the imprisonment of Roman Torchwick

It's pretty much been clear that Torchwicks' imprisonment was an improvised plan on the villains part to get an inside man aboard a warship. Basically it was like Heath Ledger's joker in the dark knight; he wanted to get caught. Torchwick himself said that he is where he wants to be to Ironwood at the end of V2. As V3 showed Torchwick and Neo took over what can be assumed to be Ironwood’s personal flag ship and used it to destroy the rest of the air naval section that was brought for the Vytal security team. 

This could have been avoided had Torchwick not been released into Ironwood's custody or at the very least kept somewhere else that should he escape he couldn’t have done so much damage. The Airships aside it was also possible that Roman had used the onboard artillery on the city as well that means that innocent civilians weren’t just being mowed down by hacked robots but being carpet bombed as well increasing the death toll at the fall of Beacon.

The Dust embargo and closing of borders

Since the fall of Beacon Academy, Ironwood has become increasingly unstable and paranoid, making more and more ethically questionable decisions that he repeatedly justifies as the greater good; by his own admission, he will do anything it takes to stop Salem. 

This however does not fare well with the rest of Remnant though.

As Atlas is the primary location for most of Remnants Industry as well as having a monopoly on Dust; Remnant’s most crucial resource that everyone needs in order to survive, the other  kingdoms rely heavily on Atlas for technology, resources and weapons. By placing an embargo he has cut off everyone in the world from their most valued resource. Though he did this to stop the enemies chain of supply he is still letting people suffer and die by with-holding the one thing they need to live and survive. 

Which brings us to the borders

Though it could have eased tensions after the fall of Beacon it just lasted too long as well as the fact that Ironwood had essentially turned his back on the world and refused to help the other kingdoms in their time of need. In the CFVY book spin-off all of the Beacon students either went to Haven or Shade academy to finish their training. As well as the Vale refugees going to other kingdoms as well. But due to Atlas closing its borders none of the students or the people went to Atlas for help. Basically due to Ironwood’s orders the Kingdom of Atlas was forced to not help the other kingdoms when they needed it the most.

And it has only gotten worse due to the events at Mistral in V5 as not only are the students of both Beacon and Haven going to shade, putting a strain on the academy but leaving the entirety of the worlds largest kingdom unguarded and undefended as it now lacks able huntsmen to protect it due to Ironwood’s refusal to help 

It should also be noted that when Ironwood closed the borders he had failed to inform any off his subordinates of who can and can’t enter the kingdom especially in regards to allies like Glynda or Qrow who again are allies against Salem and Ironwood made little to no effort in keeping contact with the other Oz members. This is made evident in V6 when the Argus soldiers refused to believe Qrow about being an ally to Ironwood. you could say that he was waiting on the amity project to make contact with the other members but  he had to have realized that they needed to get into atlas at some-point. But did he make it easy for them or any other ally to reach him? No he did not. 

The Mistral Huntsmen Genocide and the Battle of Haven

Second verse, same as the first, he had put them in a hearse. Another example of Ironwood’s indifference and hypocrisy that led to the death of allies and innocent people.

Due to the events of the Fall and it being broadcasted the enormous state of panic had spread throughout all of the kingdoms. The negative emotions in mass had attracted the Grimm and caused much havoc and loss throughout all of them and the worst to suffer from this mass hysteria was most likely Mistral due to its larger population and territory.

In V5 Lionheart had confirmed that Mistral losses were heavy and many of the local huntsmen including the Professors from Haven were killed in the initial grimm invasion that plagued Mistral following the fall of Beacon. After the initial panic had settled down the Mistral council had been employing Huntsmen in mass and restricted their activity to crucial and vital missions in high profile areas to ensure the safety and stability of the Kingdom.

Now the real question comes in where was Atlas?

In the world of remnants shorts  its confirmed that Mantle and Mistral have an alliance that eventually carried into Atlas. With that being said, where was Mistral’s ally during the fall out and what were they doing. We know in V5 that all Military Assets were recalled within the month prior to the battle of Haven. I know that the kingdoms are weary of Atlas at this point but given the state of the world after the fall, Mistral needed all the help they could get. As such Mistral would have to call upon the old alliance and have them honor their word and offer aid. 

Or at the very least transfer some assets over to Mistral to use it as needed. We have the base in Argus sure but that was just a forward border control base  that didn’t really help anybody. Prior to the recalling Ironwood had Winter gather intel on potential activity that would lead to a second fall of a huntsmen academy and he chose to do nothing. This is further proof of his hypocrisy and arrogance. Ironwood at this point is reading the military for war and with holding aid and support that was actually needed. 

His V4 self is a stark contrast to his V2&3 self as that version of himself was willing to manipulate and intervene in the affairs of other nations under the assumption that the ends justify the means and would see himself above the rules so long as it's for the greater good and stop the threat before it can escalate. That was exactly what Ironwood did at the end of V2 by stealing power from Oz and tried to enforce his own set of rules if it would prevent a disaster.

Now why did Ironwood not do the same thing with Mistral and try to prevent the potential fall of its academy regardless of the bad publicity that it would warrant? It's already been said by Ironwood that he doesn’t trust Leo to handle the situation at Mistral and based his dissection to close the borders on Winters report and decided to prepare for an potential attack on Atlas rather than sending a small task force to handle the threat at Mistral. 

Taking into consideration his plan for Amity it's quite possible that he wanted Leo to fail and Mistral to be ready to eat from his palm. In other words unless there is something to gain and benefit from he’s not going to do it.

Ironwood all the way till he was told the truth about Salem in V7 had a War is the Answer mentality and was hoarding everything and anything that would help sustain a long campaign as well as increasing the size of that force with the intent that  that the large numbers were enough to intimidate Salem and her faction into surrendering and eventual destruction. The only problem is that the people he needs were born in a time of relative peace.

Because of the 80 year age of peace that followed the Great War the Modern world of Remnant has had zero to no conflicts as large or damaging since that one war. There were small conflicts sure like the faunus war, the White fang terrorist cell, and the criminal underworld but they weren’t that much or a threat or concern to a majority of remnant it wasn’t until the Fall of Beacon that the foundation of this peace was shaken so intensely that the cracks started to show but it was still together if only held by a thread.

With the Peace in mind and the peoples faith still with the huntsman as their distrust for Atlas Military lingers no one in the world of remnant outside of Atlas would have any motivation or desire to mobilize for war let alone a war for a foreign leader of a foreign land that has recently come under suspicion. Ironwood was never going to be able to unite the Kingdoms and mobilize their people for his war after the fall of Beacon with Atlas being painted as the bad guy. Unless the situation went from worst to extreme.

Like if another academy were to fall with the same or greater results like Beacon. Then maybe people all around the world would consider following Ironwood’s lead and wipe out the threat before things can get even worse.

Because of this Ironwood had allowed Mistral and possibly the other Kingdoms to exhaust themselves so much that they would be unprepared for the next major Grimm invasion should they come after the next major hysteria induced panic. Panic like Ironwood’s original plan to unite the world and tell them about Salem causing the kingdoms to fall into further disarray only to be saved by the flying grace of Ironwood and his Military. And the only repayment for his help is that you join his fight.

I know this is all speculative and you can say Lionheart was the one who was responsible for mistrals problems after the fall, but remember Leo was the only Faunus on the council of a racist kingdom and only had one seat over the huntsmen and can only give out and approve mission assignments that would get them killed thus he had no real authority or power in Mistral  besides siding with the majority and even if he tried to talk the council into refusing Ironwoods help their racism wouldn’t listen to Leo and they would do the opposite and call for aid. 

But again Ironwood prior to the fall was willing to stop the threat at its source regardless of politics. But after the fall he had put all of his focus on preparing for war instead of helping people that needed his help at that moment. This may be due to his semblance(still dumb BTW) but ultimately he was focusing on his own needs first than the needs of others. Because of this he had ignored the issues of Mistral and failed to see the truth of what Lionheart was doing and had allowed Most if not all of the well trained and experienced huntsmen of that kingdom to die leaving the kingdom defenseless and unprepared for any conflict that would come.

 Like the Battle for Haven for example. Had Ironwood not recalled everyone back and had Winter and whatever Atlas personal that were with her its quite possible that the battle may never had happen, the truth about leo would have been discovered sooner and the genocide of Mistrals huntsmen wouldn’t have been as bad had Ironwood actually chose to help, Instead he  started to fall back and focus on the Amity Project and Atlas instead of spending any resource outside of them, due to a narrow focus to and putting everything on it just so he can have his Victory.

The Civil unrest in Mantle

A loved and respected leader will die by the side of his people: A feared and hated one will die by their hand. Short term closing the borders cloud have helped ease tensions between Atlas and the rest of the world but long term it had made things worse

Due to the fall of Beacon it's quite possible the initial attacks that came after can explain why Mantle's defensive wall was so destroyed and ruined by the time of V7. That means that potentially for almost over a year that wall has had no repairs or maintenance  and has had the bare minimum leaving the citizens in a state of constant peril and danger since the fall of beacon

This is further made worse when Ironwood closed off the borders and cut off the chain of supplies and trade not only to Atlas but also to Mantle as well making the kingdom suffer more than it had to. As the original capital, the rise of Atlas reduced Mantle to a shadow of its former self. Streets are run-down, technology is old, security defenses haven't been updated in years, and smog from the mines hangs heavy over the city. People struggle to eke out an existence, depend on dangerous mines for work and experience regular Grimm attacks that the city increasingly struggles to repel. Meanwhile, Atlas hangs in the sky above their heads; a constant reminder of the wealthy elite that is failing to share the wealth that Mantle creates, and a target of Mantle's growing resentment and anger at having been left so far behind.

Ironwood who is again allied with and a member of a secret circle that is supposed to keep the peace and prevent any social unrest that can cause a conflict.  Thus he should have tried to ease the tensions and made the conditions of Mantle better in order to maintain peace. Now I know it's not solely Ironwood’s fault for the state that Mantle is in as he hasn’t been in a position of power for long but still he should have focused on the people instead of preparing for a war that may have never come. A stark contrast to Ozpin’s way of preserving peace and handling threats

Because of his narrow focus and indifference he made things worse as he was only focusing on potential threats that have yet to come instead of focusing on the issues and preventing them before they escalated. After the fall, the embargo and closing of Borders Ironwood concerned himself with preparations for an assumed winnable war instead of trying to restore peace and keep the people on his side. Which is ironic as he was doing this to rally a large force and stop the threat but did not consider that he may have been pushing away potential troops and allies that he would have needed. And only stoked the people's frustrations 

This is mostly due to Ironwood never giving an estimate of time for how long the embargo and the borders would last as well as not giving a clear and believable reason as to why he was doing all of this in the first place. I know he was going to tell Mantle and the world about Salem eventually and he did in V7 but that was only because he was forced to and used it to take out potential threats by baiting them. This is also added with the fact that he really didn’t have any solid proof that would make the people believe him about Salem as well. Due to the frustration of the people it would just sound like made up propaganda and Ironwood shifting blame onto a fake enemy to drive people's attention onto something else. And yes the people believed it but remember they were being evacuated so i don’t think they were buying Ironwood's statement but were just glad that they were being saved.

And in the end it doesn’t even matter as ultimately Ironwood caved in to fear and decided to leave Mantle for dead. Which could have been avoided had Ironwood focused his attention to the needs of people rather than the needs of war. One of the constant themes of the show is that victory is not in strength or in mass numbers but within the small and willing hearts of those that will fight no matter what.

In conclusion Ironwood had played a pivotal role in contributing to all of the conflicts that plague the world of Remnant at present, even if it were minor role he nonetheless helped set the stage for the villains and Salem   

The reason why I say that; as stated in earlier sections: Despite all of his talk about the greater good for the world he really means the greater good of Atlas and by extension himself. He is prioritizing his kingdom above all else at the expense of the other kingdoms and exploits of their people for his kingdom's own personal gain. As well as with holding beneficial technology that could actually benefit and improve the living conditions and way of life of the other kingdoms.

Ironwood’s inability to trust and have faith in people and others to keep the peace ultimately led to him intervening in affairs that he had no right to and with his own belief that his way is what is best had caused the Fall of Beacon and the events and conflicts before and after it.

It was over before it started

Now the Question must be asked what was Ironwood’s plan?

Ironwood throughout the series believed that he could win against Salem, and by the end of volume 7 he still believed that he could win, but in reality he had already lost the moment he tried to start a war.

To quote Ruby as she asked Ozpin: what was Ironwood’s plan to stop Salem if he ever had one to begin with? As far back as Volume 2 to Volume 7 Ironwood’s ideas and plans to handle Salem seemed to be; gather a large force, blitz run her stronghold, and destroy her with WMD’s. Most of his plans stem from an appeal to force and intimidation tactics via large numbers with heavy armament. In any other circumstances this could have worked had it been a different kind of villain that wasn’t immortal. As V6 has revealed Salem can’t die through traditional means such as modern warfare thus making Ironwood’s plans and solutions moot and pointless. Once he is told the truth in V7 he still continues down the same path of thinking that has not only failed but enabled the villains goals as well. So it must be asked why does Ironwood not see that his way is flawed and that he was never going to win if he continues down this path?

 Ironwood's numerous conflicts throughout the series occur because he feels he does not need to follow the standards he sets for others; He demands people trust him while showing them none in return. He forces others to sacrifice much for the cause while giving up very little in return. He insists on loyalty when he has turned on others solely because they disagreed with him.

As Volume 7 progresses, he becomes willing to commit increasingly dubious actions in order to oppose Salem. He starts off by imposing a military embargo on Mantle despite the economic hardships said embargo is causing for the civilians on the ground and diverting resources that Mantle needs to rebuild its infrastructure to build a comm tower at Amity Colosseum. By the end of the volume, he's degenerated into declaring full martial law, abandoning Mantle to die, and either attacking or having arrested anyone who opposes him.

Salem and her faction were a tumor that can only be handled with the surgical precision of a scalpel not with the bulk of a fleet or large armies. The Huntsmen were that scalpel and to be specific the Huntsmen that Oz had chosen as they were meant to protect all people and prevent conflicts without personal bias or desire. Ironwood only acted in the self interest of Atlas and the benefits that he would gain from it

Ozpin’s priority had always been the people, no matter where they came from. However, I think he was once in Ironwood’s shoes.  I am pretty sure he tried everything, including the same things Ironwood did, and saw it fail horribly. Ozpin or at least the soul, has had centuries to millennia's of experience in fighting Salem and managing the world. The delicacy of the human mind and heart are something he is well acquainted with, and I think he already knew what type of person Ironwood was, or at least was becoming.  Near as I can tell, the big reason he kept Ironwood on at this point was because Ironwood had the resources and technology he needed to keep his plan moving forward and wouldn’t relinquish them.

Ozpin worked hard to maintain the peace and goodwill of the people.  Ironwood, so far, has not.  Having robot sentries on every corner without the concept of morals and stopping trade for a kingdom that can not easily generate its own resources, as well as hoarding those resources and preventing necessary repairs and aid to those people–those actions all show that he is not keeping this important aspect of leadership. He is not making sure that the people are on his side so when he needs them because he does not consider their needs as important unless they are in line with his own

Even with the Knowledge of the truth of Salem’s immortality he is still sacrificing everyone and everything else for nothing just to keep up the illusion that he is the hero and to keep his source of power high in the clouds away from anyone who really needs it

I may have been a little harsh on Ironwood for his actions, especially V7 and I understand the circumstances that led to escalation by the end of the volume.  He was making dubious decisions but he was trying to do better, he listened at times and tried to show an extension of trust, the kids with giving them the lamp back, and later with Robyn at the dinner. These were due to the positive influences of Oz.  He just fell back to old habits hard and turned to extremes when it became clear he had non control of what was happening by V7 end. He was struggling with old habits and opening up and was doing better that first part of the night a prime example of what the creators meant if Ironwood had been more open and trusting of others but when everything went down he was pushed over the edge in the latter half of the night cementing his fall and decent into an antagonist further making the problem worse as he has always done. This is mostly due to his primary source of influence; Atlas (which we can agree has been the biggest source of conflict in the show so far) and probably his lack of understanding and planning for what comes after all is said and done.

What did you think would happen?

The question must be asked; What happens after Salem? The fandom has pretty much each their own idea of what might happen after Salem is finally defeated. But do the characters know what happens after the war especially Ironwood? As the end of the hero’s journey goes; Nothings the same after you become a hero. And given Ironwood’s behavior and actions before his fall in Gravity, Ironwood seemed to have ambitions and plans in the works for the long run after Salem was no longer a threat. As stated before in I am Machine no one is truly altruistic to the point that they do something that doesn’t benefit them. So what exactly did Ironwood want after Salem was gone to the point that most if not all his actions and decisions were in the effort to reach and make those plans come true?

As stated in Broken Kingdom Ironwood doesn’t really have any personal desires or motivations that aren’t related to Atlas or the Heroes common goal to stop Salem. As far as we can tell Ironwood has no current family members at present and there's very little that tells us that he has anything in mind outside of either Atlas or Salem ,so what does Ironwood have to gain from this conflict?

All hail the conquering Hero

Ironwood’s biggest issue is that he has to be the center of everything, that he has to be in control. First he’s going to try and gain control with his army, while trying to wrangle anyone else back under his control. Then, when it becomes clear that anyone who has a plan that better and could work, he’s going to get competitive, come up with new and crazy superweapons to throw against the enemy in an attempt to prove that he can defeat Salem before the heroes can gather allies from across Remnant. He believes that He is strong, that He is brave, that He doesn’t need to run to anybody for help! He believes that he is the hero and is letting his self entitlement cloud his mind and it has gotten the better of him

 An In-Universe example of this false belief comes from RWBY: Amity Arena as it  gives bios to every character in the game compiled by the In-Universe developers. While many try to be objective, the ones representative of the Atlas Elite tend to demonstrate a notable bias, most prevalent with the General's. His bio is very defensive of him, calling him the "hero of our time" and that he wears the burden of the world on his shoulders, talking him up as a Hero with Bad Publicity. The bio goes as followed;

General Ironwood. The hero of our time and Atlas' greatest protector. Under the general, we have advanced to incredible heights, discovered new technologies, and created the world's first artificial intelligence. Though horrifyingly revealed at Amity Arena, Penny is our proud foray into sentient AI, and Ada is the culmination of the machine learning we have long developed in our labs.

As reviled as he was for his misguided attempt to protect Vale, how can the world fault our General when the culprits are out there? How can the victims be blamed for the sins of the perpetrators? Is incompetence somehow a greater sin than premeditated evil? Our General may have failed to protect Beacon, but he's not the one that hacked our weapons into hurting the innocent.

Yet... he wears that burden on his shoulders like he is alone in the world...

Ozpin, missing. Lionheart, dead. Theodore, uncertain. We say Atlas is the greatest, the mightiest... the city in the clouds, but what is first place when there is no competition? Yet, our kingdom and our General... we're the best chance that humanity's got... which scares us to death.

Menagerie?

...what about it?

After reading that you can probably see through the propaganda, hypocrisy and ego that are written in the bio. A key factor to note is that this was possibly made after the main heroes arrived in Atlas and before the election night. And since there's been no contact or travel between the kingdoms and Ironwood was aware of Leo's status by worst case scenario  it tells us that the heroes have shared everything with Ironwood in regards to those events concerning Haven.

 Since Ironwood is looked up to as a god by his subordinates and since he was the one of the only few to have known about them as well as to have the status to make any key choices since the app is made by atlas scientists contracted to the military. Thus Ironwood had used it and the blind loyalty of his loyalists to make propaganda and shift the blame from himself to something else as well as try to emotionally manipulate the people by making them sympathize with him while ignoring the truth.

He is not Remnant's only hope nor is he the best choice.

This is another example of his never my fault montra and he does things right and its further shown in the bio as it not only continues to discredit the other Headmasters(I am well aware of leo) but ignores all the good and actual heroism of other people like the Faunus of Menagerie as they are to the primary reason as to why Haven didn’t become the next Beacon and as stated before in an earlier section the opportunity for the Battle of Haven was in a way created by Ironwood who had chosen to flee and protect his city instead of preventing an attack like he had originally intended with Vale.

It may also show how much Ironwood believes in his own hype as it does paint him as some sort of de facto king of Atlas. Again he views himself as the chosen savior of the chosen people and that it is his destiny to rule and change the world as he sees fit. Or as Watts puts it the Giant that stands above all

I’m the Captain now

I think it's safe to say that almost everything he does is a twisted version of Ozpin's ways as well as to place himself as Remnant's ultimate leader as he believes he is the one that can ensure a safe and secure world. Ever since his debut he has undermined everything that Ozpin has done and stood for because he believes his ways aren’t efficient ( Or beneficial) to him and has been systematically taking power and control away from him and placing himself as the new big good.

He wants to be the New warrior king and change the world as he sees fit as he only sees Ozpin as either a failure or a hindrance to him and his plans. Combine that with his Atlas ideology and a lot of things make sense. I mentioned in the False chosen one that Ironwood may have been influenced and tried to emulate the Warrior king as to better rise and gain power and correct the supposed mistakes of Ozpin. Even though that he has claimed to be doing it for the greater good of all of Remnant but  he really means only Atlas and himself

A world Reborn in my image

A major factor to consider is that Ironwood is a by-product of Atlas that was a by-product of Ancient Mantle. Ironwood is essentially a living mouthpiece for Atlas. He pretty much the living embodiment of the kingdom if it were a character. That's the sad truth of Ironwood is that he is simply an extension of this toxic environment and tricked into believing that its this ideal society when  in truth it never was.  In other words a legacy of tyranny lives on through Ironwood

We’re all aware of the origins of Atlas and its rise to prominent power. It started out as Mantle that began with a handful of people that prospered by adapting to the harsh conditions by making advanced technology faster than the rest of the world. It eventually formed a trade  alliance with Mistral trading tech for food. A grimm  incident occurs and Mantle thought being cold emotionless robots was a perfect solution. It tried to force its toxic ideology onto other civilizations and was met with mixed results. The Great war happens they lose and all of their resources are spent forcing it to rebuild its economy that eventually gives way to Atlas

Now how does this affect Ironwood?

Well Mantle through its alliance with ancient Mistral possibly adopted their ideals of imperialism and expansion as Mistral was the world's largest territorial economic empire of its time. When it comes to the rise of an empire and the type they are as well as their need for expansion it can be summed up to these 3 

Economic empire

Ideological empire

Territorial empire

Due to Mantle's lack of essential resources like food and energy, its early days were more or less focused on establishing a strong economic trade empire in order to get the essential supplies needed to sustain life in solitas. After its great depression period after the War the kingdom's economy began to grow at a rapid rate that by the time the kingdom shifted to Atlas it had Remnants largest economic empire.

This is also an important factor to consider since the sad truth of it all is that as long people can make a stable income and support themselves, they are more than likely to turn a blind eye to any shady or immoral activities so long as there's something to gain. What does this have to do with Ironwood you ask? Well as his bio card said Ironwood has pretty much been proclaimed as the kingdoms benefactor for its prosperity. This may have been due to his Corperate alliance with The Schnee’s since it was Mostly Nicolas and Jaques as far as we know being the most prominent reason as to why Atlas has prospered. 

When Ironwood formed that alliance with the SDC it gave him at least half of the power and influence of the company that was truly responsible for the kingdom's wealth and claiming it as his own. Once he had gotten some control over the economy it was time to move onto the next step and increase the empire from economic to Ideological or Political expansion.

Empires change and adapt in order to satisfies their needs now that Ironwood is the de facto head of that empire and given what we know about him and Atlas it is quite possible that he has been indoctrinated to have this desire to create an empire for Atlas as the politics and ideologies of its people have given it a false sense of entitlement and need to have everything under their control.

When looking at it from V1 to V3, it looks as if Ironwood was trying to occupy without resorting to force then you're left asking the real questions like "Why is ironwood selling the people of Vale on Atlas military Technology?" "Why is it that when a breach happens in vale, Atlas Bots rush in?" "Why did Ironwood make a power play to become the security of the Vytal Tournament?" It all seems to point to the same thing, Ironwood wanted control over Vale

A section of Lyrics from the song “When it Falls” may help reveal Ironwoods true intentions since his introduction and to be honest they seem relevant only to him and given his actions this is mostly likely the truth as they go like this; 

“They play the part of allies

Claiming peace their only goal

But once the fight for power starts

They'll eat each other whole

Their iron gloves point fingers

They'll wage a war of blame

And mankind will wilt in pain”

As of V7 aren’t those words mostly relevant to Ironwood? After all, what has he done recently? He claims to be an ally with intentions of peace but he’s really trying to control those who buy that lie and escalates the situation to the extreme for no logical reason other than to set the stage for the next part in relation to the lyrics.

After all is said and done the fight for power will start and he wants to win and consume everyone before they can consume him. And as things go wrong he points his metal hands blaming everyone but himself as he tries to gain control and power, the world suffers.

Ever since his debut he has been trying to amass  Political power which would lead to a territorial empire under Atlasian control. Playing into the theory that he does want to be a better version of Oz he wouldn’t make the same mistakes that he assumed the king  did by letting the kingdoms remain independent instead of being under the control of one.

A king has his reign and then he dies

To continue on with the theory that he is essentially a bastardized version of Oz, Ironwood may have been trying to find ways as to make himself immortal 

Another reason as to why he would see Ozpin as inferior is due to the fact that for all his power he can’t stop himself from dying, or at least maintain the same amount of world power and status from his last life. This may have given Ironwood ideas and ambitions to pursue any methods that may yield results that may make him a true immortal version of Oz hence why he most likely authorized the research and development of the aura transfer technology as a means to artificial reincarnate till proper immortality was achieved.

This could also be another reason as to why he may have chosen the Penny project. As it could lead to a way of extending his life as a means of transhumanism; immortality through technology

To reiterate Ironwood doesn’t trust anyone to do things right so he micromanages everyone under his control and makes them dependent on him. This is best seen with Winter and Clover as Winter would side with a madman as opposed to siding with her sister and clover’s inability to think for himself led to his death. 

Due to his lack of faith in people Ironwood makes them less independent and make them rely on him as  he may believe if everyone is dependent on him then the more control that he will have over them as to better determine who is a threat as the people he controls are more or less robots now without a conscious or sense individuality and are less likely to commit evil acts. Similar to ancient Mantle’s anti life policies before the war.

If he believes that to be the case and since he only trusts himself to see it through he’s going to try and find ways to make him live as long as possible until his methods become autonomous. Because of his lack of faith for others Ironwood doesn’t understand or refuses to understand the fact that he is going to die one day and everything that he has ever accomplished will be undone by the ultimate victor; TIME.

This is sadly the likely outcome as everything changes through the passage of time. As time moves so does the advancement of decay upon the world. Ironwood is already dying by aging and all that he has achieved will be undone or outdone by others that will come after him. The same thing can be said for everyone else in the show as they already lost. 

Ruby, Oz, Cinder, even Salem herself have already lost to time. Everything they have or will achieve will be undone as well and one day they will all die. It’s just a matter of how and when. 

To better explain let's take a look at Epsilon’s final speech from RVB season 13;

“There are so many stories where some brave hero decides to give their life to save the day, and because of their sacrifice, the good guys win, the survivors all cheer, and everybody lives happily ever after. But the hero... never gets to see that ending. They'll never know if their sacrifice actually made a difference. They'll never know if the day was really saved. In the end, they just have to have faith.”

Does Ironwood have faith in anyone that's not under his control? 

People only do wrong when the perceived benefits outweigh the cost in that moment. Ironwood doesn’t just see an opportunity to stop Salem he also sees an opportunity to bring the world under Atlasian control with him at the top. Since he has amassed so much power and authority he sees himself above the rules that everyone respects and follows. Because of this Ironwood tries to hold unto that power because without he is nothing and would become a lesser and weaker being which would be an affront to his perfectionist ideologies

If your nothing without it then you don’t deserve it

Take away Ruby’s Silver eyes and what is she? Someone that will continue to fight no matter what

Take away Atlas from Ironwood and what is he? Nothing but a broken man who had this coming for a long time.

As I stated in I am power Ironwood by himself has nothing to contribute to the fight against Salem. Let's face it the only thing that he had going for him was the fact that he lead the Military and as we later find out that Military isn’t going to be useful against Salem since the key concept of the show since V1 was that there is no victory in strength but in the simpler things in life that start with simple and honest souls. 

How does this concern Ironwood? 

Well that's just it Ironwood was never going to win with his methods and he was never going to get the benefits that he wanted if he followed someone else with theirs. Again Ironwood had plans and ambitions after Salem that saw him as the ruler of the world instead of her, and controlled it so that a threat like her or any threat to his power would never come again. This is probably what he thought would happen before being told of her immortality. 

Now with the knowledge that he can’t destroy her and that she’s coming he decides to cut his losses and settle with ruling the city instead and leave the rest of the world in her mercy instead of accepting the fact that he is wrong and relinquishing power to someone that can handle the situation better. Remnant doesn’t need Ironwood to survive. This is the biggest problem with Ironwood that he thinks he is the hero so long as he is in control of Atlas. Because without it he is truly nothing and has defined his whole existence around it. And will continue to make whatever plans to keep himself in power and is willing to pay the price at the expense of others.

“What if all the plans you made,

Were not worth the price they paid?

Even with the lives you stole,

Still no closer to your...

Goal.”

He never cooled the fire but he still incites the crowd for he can't see what he has  become a crown with no kingdom

Ironwood had only played to win and he would laugh at the ones who lose while millions are shouting out for him to stop but he Still lit the fuse

He says he wants to fight but Then he always runs because he doesn't want to die yet he Still shoots the loaded gun escalating things for the worse

His refusal to see the faults in his own actions. Ironwood continually defaults to and relies on methods and actions that have repeatedly been proven to not work because he refuses to see the error in using said methods to begin with.

This isn’t your story James

One of the important aspects to remember is that this isn’t Ironwood’s story. His entire character and story revolves around the main protagonists and how he interacts with them and more importantly what role he played in it. Ironwood started out as a side character that ended up getting a lot of focus because the story of  Team RWBY and the show in general is to show how the last generation can fail the next and how that generation has to learn and grow so it can avoid the mistakes of the past. 

Before we delve further into Ironwood’s true character in the show let us explore whether or not he was an antagonistic or protagonistic force in the story. Keep in mind these terms are different from hero and villain. Below are several definitions and meanings for the 2 narrative characters types;

Antagonist

a person who actively opposes or is hostile to someone or something; an adversary.

a person who is opposed to, struggles against, or competes with another; opponent; adversary. the adversary of the hero or protagonist of a drama or other literary work

Protagonist

the leading character or one of the major characters in a drama, movie, novel, or other fictional text.

an advocate or champion of a particular cause or idea.

In modern literature, the protagonist drives the story forward by pursuing a goal. 

The protagonist of a story is sometimes called the main character. 

Since this is RWBY’s story and to an extent Oz’s, Ironwood(and Atlas to an extent) was always meant to be an antagonistic force in opposition to the show's true ideals of  heroism and saviors. 

The antagonist is the principal source of conflict for the protagonist. Often, the antagonist is a bad guy, a villain, but he doesn't necessarily have to be. He may just be someone who has a different agenda. Antagonists might be one person, a group, or even an animal.

Due to the beliefs that his methods are for the best even though they contradict the intentions that were thought to be shared by the heroes Ironwood was always going to become an Antagonist for the series at some point

Volume 7 slowly sees him fall into this, as his paranoia and determination to stop Salem cause him to perform increasingly questionable decisions for the greater good. While Qrow, Oscar, and Teams RWBY and JNPR support Ironwood, they increasingly debate the merit of doing so, given how concerned they're becoming with his behavior. When Cinder breaks into his office and plants a black queen, Ironwood sends Winter to forcefully take the Winter Maiden's powers, and he begins to question every decision he's made and speculate whether he's played right into Salem's hands. His confrontation with Team RWBY over their decision to leak intel to Robyn triggers the appearance of a Seer Grimm, forcing him into a verbal confrontation with Salem. With the discovery that the conflict with Watts and Tyrian distracted them from realizing they'd lost long-range sensors and that Salem is already on her way to Atlas, Ironwood snaps. He orders the arrest of Qrow, Oscar, and Teams RWBY and JNPR, and decides to abandon Mantle to die in an effort to prevent the two Relics and the Winter Maiden from falling into Salem's hands. Volume 7 ends with him and the protagonists actively opposed to each other, as his refusal to acknowledge that his methods are flawed and his opposition towards anyone who might stand in his way solidifies him as an antagonist.

The events of Volume 7 slowly but surely tear away at the positive aspects of his character as he succumbs to fear and paranoia, and questions whether Salem's strength comes from her ability to strip away her humanity. By the end of the volume, he has degenerated into a paranoid tyrant who abandons Mantle in favor of saving Atlas, is willing to kill a dying Winter Maiden to protect the Relics from Salem, and arrests the heroes for disagreeing with him. At the end of the volume, Oscar even points out that Ironwood's actions and current mentality make him no better than Salem.

 His character deconstructs the mindset of the Necessary Evil character archetype. He declares his willingness to sacrifice his reputation and humanity for the greater good by forcing others to sacrifice for his cause. Characters constantly question the morality of his choices and his own actions create consequences that later bite him in the ass. His lack of concern over his image and the negativity his actions generate serve only to assist Salem's plans and increasingly alienate him from the heroes. He appoints himself the judge of what counts as the "greater good", he neglects Mantle's security and makes it increasingly vulnerable to attack by viewing it as less important than Atlas. Oscar lampshades the deconstruction by pointing out that being willing to sacrifice all of Remnant just so "a few can live" is making him just as dangerous a threat as Salem.

In a way Salem and Ironwood are also foils to each other as they appear to be dark lords from their respective genres 

Ironwood being the syfy equivalent clad in white to convey the false message of order and peace while masking evil intentions and crimes 

Salem being the Fantasy equivalent clad in black to emanate a sense of Mystery and fear of the unknown while using it to her advantage

Discussed between Ironwood and Oscar. Ironwood spends Volume 7 utterly haunted by how Leo's fear of Salem destroyed him and endangered Mistral and Haven. He is so determined not to end up like Leo, that he doesn't realize what mistakes his own fear of Salem is causing. While Leo completely submitted to Salem and became her puppet, he has full self-awareness and knows exactly how far he's fallen and why. Ironwood cannot accept that he has any fear of Salem at all and interprets the problem as possessing "humanity". He believes Salem is a threat because she has none and speculates that the solution is to become the same. He becomes increasingly controlling over his kingdom and his allies; regardless of how much suffering his methods cause, he persists in believing it's for "the greater good". While Leo is willing to give up the Relic of Knowledge and his kingdom's Huntsmen, Ironwood is so determined to prevent Salem getting the Relics, his Huntsmen and the Winter Maiden, and thereby avoid Leo's mistakes, that he travels in the opposite direction, becoming a dangerous authoritarian instead of a spineless coward.

Ironwood has made it clear that he will use whatever means necessary to defeat Salem. When Team RWBY calls out his decision to raise Atlas out of Salem's reach, he calmly says he's aware that he is essentially damning Mantle to her wrath. He later tells Oscar that he is done letting others' opinions hold him back from doing what he thinks is right. The boy warns him that he'd become as dangerous as Salem herself like that; the general simply nods to himself but doesn't deny it.

This is who he has always been. The only difference is the more desperate he becomes, the more extremes he goes to to maintain the illusion he is strong and in control of the situation.

During Ozpin's speech, notice how this unique line of dialogue is purposely inserted over Ironwood's last scene of  Volume 7.

“Or will the person staring back at you be the very thing you should have feared from the start? I suppose we all find out... sooner or later.”

As the other parts of the speech are relevant to the other characters shown in the montage This specific line cements the Truth of Ironwood's character being a threat that was planned for a very long time. Going with the show's themes of Grey morality and the balance of light and dark, we are to learn of the possibility that with the potential to do great good also comes with the potential to do great evil. 

As we were focused on the obvious threats in the show like the grimm, the white fang, Cinder, and Salem we are tricked to neglect the obvious signs of evil intent that are hidden and growing  among the heroes. The real monsters of the world aren’t the ones with fangs and red eyes hiding under your bed, No the real monsters of the world look just like you and me. After all if we assume everyone is like us then how can we tell who the real monsters are, that are hiding in plain sight. 

Ironwood’s evil nature and antagonism  was subtle and growing under the skewed perception that he was the hero and that he was right. But this comes down to the fact that he is only in it for himself and what he has to gain from it. 

I understand that James Ironwood was a tragic character even from his introduction, and the seeds for his volume 7 turn were planted in volume 2. I eventually recognized that RT was setting up this pivotal plot point way back in the day and now they are harvesting what they had sown.  

Ironwood didn’t snap when he found out RWBY lied to him. He was content, even after he defeated Watts. He snapped as soon as he saw Cinder’s present. The Queen piece. He unraveled immediately and, sure, the discovery of RWBY’s lies didn’t help,  but it wasn’t the cause for Ironwood’s descent.

 He genuinely means well in opposing Salem and her forces, but his severe paranoia complex, exacerbated by the stress of being one of the only ones in the know about Salem and having to explain his actions to the skeptical populace and council, cause his decisions to degenerate over time. By the end of Volume 7, he becomes willing to abandon everyone in Mantle to die, violently lashes out at anyone who opposes him, and manages to undo all of the hard work he's accomplished by second-guessing his own actions.

James Ironwood is undoubtedly a fascinating character that has this certain appeal to most people. I  can understand Ironwood's viewpoint but it is not the same as forgiving or condoning as good. Sure, I thought him intervening in affairs that he had no right to was a skewed perception, but I understood where he was coming from. I thought him ignoring the concerns and advice of people was reckless, but I also kind of understood  his limitations and his upbringing. But in all honesty I was neutral about Ironwood ever since he debuted and didn’t think he had much to contribute to the story besides being the guy with an army along with the pride and arrogance that comes with.

Because of that Ironwood was always an antagonistic force in RWBY with ideals and plans that contradict the established ideals and motivations that are already shared with the world of Remnant. He just simply couldn’t fit in and when he tried he didn’t like it. When he tried to change it and take charge he only made things worse. Ironwood had potential to be good and a proper hero due the influence of Oz but his pride and ego that he got from Atlas got the better of him and now the show's true heroes will have to fix the problems that he has caused.

Summary

#rwby #rwby ironwood #james ironwood #general ironwood #Ironwood analysis