changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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RE: talking to conservative parents, I’ve found a good method to de-worming their brains is to not get riled up, just act a little bored and remind them “the news cycle only shows salacious stuff. They want you to be mad and scared because it makes you easier to control. Think about it for a second. Do you REALLY believe everything they have to say?” Or “you can’t believe everything you read or see on the internet. Remember, they earn money every time you click on their video.”
And especially when my dad starts getting huffy about Prices or Artists He Doesn’t Like, I tell him “that’s the beauty of capitalism. they have a product to sell and the freedom of expression if you don’t like it you don’t have to buy it.”
Might not work for everyone but dad’s KRYPTONITE especially is saying “but dad that’s capitalism! You LOVE capitalism!” And he either has to stop complaining or admit capitalism is bad and so far I haven’t lost
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nanami kento, who hates dating, and didn’t do much of it in his early twenties. but now, he’s almost thirty, watching all the people he works with settle down, have kids, and he thinks he wants that. so he might as well try.
so satoru sets him up on a few dates — friends of friends, he calls them. and at the end of every one of the dinners, kento goes home empty, exhausted, because he knows what they want is not the same.
still; he thinks maybe he’s being a little self-destructive, maybe too picky, maybe he just got so used to being alone. with satoru’s insistence, he gives all the women another call, invites them over to his apartment.
the first time was a disaster… kento had barely set the dinner on the table before his cat had hissed at her, scratched her down the arm in a thin gash. and though it did draw blood, it was hardly enough to warrant that reaction.
he didn’t even try to stop her as she picked up her bag and left, huffing like she’d been morally offend. kento, though, could only smile to himself in amusement.
because maybe kento was a poor judge of character, a man who was secretly hoping nothing would pan out — but his cat could certainly tell the good from the bad.
it became a little game to him, after that. seeing if anyone could win his pet over, and if they could, perhaps they were the one. his darling animal was a fickle thing anyway. a bit too defensive, quick to bite anything threatening after years on the streets.
naturally, no one came back twice.
he was close to giving up, accepting his solitude because he was tired of empty conversations over dinner. but then, he ventured out over the weekend to a new coffee shop, during hours he normally didn’t spend out of his home, and met you.
though you only talked for a moment, kento felt like maybe he’d known you in a past life. a part of him thought maybe it was strange, the way he kept coming back to talk to you, catching you at the end of your shift to see if you wanted to grab a coffee sometime.
by the second date, kento started to think you could turn out to be his best friend.
by the third date, kento wondered if soulmates were real.
on the fourth date, almost two months later, an appropriate time to get to know someone when you were as reserved as kento, he invited you over for dinner. it was, perhaps, the final confirmation he needed to let himself be with you.
he let you through the door, smiling softly as you told him about the book you were reading, and hung his coat on the rack. a moment later, you stopped, distracted, hands covering your mouth in a gasp.
“kento! she’s the cutest cat i’ve ever seen, you didn’t even show me pictures!” you exclaim, and, a few feet away, crouched down. “look at her pretty eyes…”
“careful,” kento said, “she’s not very—“
but the cat approached your outstretched hand, sniffed once, before letting you scratch her under her chin, purring loud enough for kento to hear across the room.
“shes such a sweetheart, you told me she was mean!” you smiled, making a cooing noise as you threaded your fingers through her fur. “kento’s a liar, isn’t he… you’re so precious.”
a few moments later, she snapped her jaw at you in a biting motion, and you only laughed, withdrawing your hand. “alright, i get it, i won’t bother you anymore.”
though she still brushed against your legs, just as she did kento’s, and seemed to communicate some sort of message to him.
“do you want any help cooking?” you ask, tucking your hair behind your ears. “i’m a disaster in the kitchen, but—“
“sure,” kento said, his chest tightening as he blinked back at you, only in his apartment for minutes and already looking as at home there. he wondered if it was possible to fall in love so quickly. “but only if you want to.”
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