#but the soundtrack is so good

[lesbianballofgender]

Aziraphale would be livid

#I know Spotify is so awful at identifying music but seriously?? bebop #this has to have been on purpose #the Spotify staff knew what they were doing #I refuse to believe it was a bot that did this #good omens #aziraphale #crowley #aziracrow #good omens 2 #gomens #ineffable husbands #michael sheen #david tennant #ineffable sillies #it's ineffable #bebop #everything isn’t tickety boo #UPDATE: if you click on the hashtag it takes you to the good omens soundtracks STOP what is this madness #Spotify knows what it’s doing and I’m not feeling ok about it

[itsscaredycat]

loser baby is gonna end up on my spotify wrapped this year and i’m already mad about it (not really)

#the hazbin soundtrack is literally so good #and im not a musical person #the living tombstone effect #hazbin hotel #huskerdust #angel dust #hazbin hotel husk #loser baby #my art

[tradingjack]

From the firmament above, a blood-red eye looks down upon us.

#entered a fugue state at 3am and when i woke up after sleeping 12hrs later i found this on my computer #probably didnt help i was listening to every devil-related soundtrack kensuke ushio has made lmao #vash the stampede #trigun #trimax #listen listen listen. i love me a good ol goofy pathetic loser #but lord. do i also love it so so much when that same loser turns Absolutely Fucking Terrifying #you really fucked around and now you're gonna find out #manga #illustration #artists on tumblr #drawing #my art #comic #fanart #fuck me up el diablo

[vannahrt]

DID YOU FORGET THAT HELLISFOREVER!!!!

Bonus:

#IF HELL IS FOREVER THEN HEAVEN MUST BE A LIE MOTHER FUCKER #fuck man shit this show is so good fuck #Hazbin Hotel #vannahrt #I cant stop listening to the soundtrack #good job team u did it #hazbin art #charlie morningstar #vaggie #vaggie hazbin hotel #charlie x vaggie #do they have a ship name? #emily seraphim #welcome to heaven

[arcanegifs]

PVRIS  — "Oil and Water"

"If you give me your cold shoulders I'll bravе the storm and keep my arms wide open We're oil and water, it's true But I still fall into you"

#OK EVERYONE I MADE A MISTAKE IN THE LYRICS pls reblog this version instead skdjfksdfjs oops #caitlyn was singing this song in the shower i just know it LMAO girl rlly got the gay yearning song in this show shes down bad #caitvi #animationedit #arcaneedit #vi #wlwedit #arcane #arcane league of legends #league of legends arcane #caitlyn #caitlyn kiramman #netflixedit #piltover's finest #arcane lol #vi arcane #arcane vi #media: arcane #type: gif #s1 ep 5 #s1 ep6 #s1 ep7 #s1 ep8 #s1 ep9 #im always so ???? with typography lmao im not every good at it so i kept it super simple #also i get why they say the song was cut from the soundtrack i cant think of any scene where i can put this song into #also ugh this took me an hour and a half to make skkdjdjd for a simple edit LMAO i couldnt get inspired for the typography and just #scrapped everything all tgt lol

[aliceforeverr]

Can we talk about how in that scene where Luz dies, she doesn’t know what to say or do — she doesn’t evensay “bye” because it’s all so sudden — and it’s all too soon before she explodes into thousands of balls of light and everything is quiet except for the quiet, somber drifting music. What’s left of her sweeps through the Isles as it Belos continues overtaking it, and the lights pass by everyone she knows: Eda and King, her classmates, Willow, Gus, Hunter and Amity, and then Camilla, who sheds a tear despite still being a puppet. Finally it ends on Eda and King’s shocked faces and the Collector so confused as they realize they can’t fix or bring her back. As the music screeches to a halt, you realize that Luz is truly gone and then you think, “Now what?”

Truly one of THE most affecting parts of the episode. I mean, have the chills just writing this.

#can they please release the owl house soundtrack on streaming #or let us buy it on cd or vinyl cause there were so many good tracks through #out the show and the finale especially #i'd love to own for myself #this scene got me so choked up #toh spoilers #the owl house #my posts

[starryarts]

made a cover for my soriku playlist

#soriku #sora #kh sora #riku #kh riku #kingdom hearts #kh #dream drop distance #ddd #kh ddd #my art tag #artists on tumblr #illustration #it is a spotify playlist sowwy 💔 #good god . ive been whacked by the kh stick for the better part of 2 yrs now. i needed to express it Artistcally #tgey mean.... So Much to Me #i listened to so close from the enchanted soundtrack for. the Entire time i drew this i hope it shows #isnt it crazy that the ddd ver of dearly beloved has a waltz part. insane actually #anyway i think the playlist is ok. was going for a dream like feel . ironically enough #this soriku shit serious good god . okie bye byeee ✌🏻

[ninja-knox-ur-sox-off]

Oh yeah, watched trolls 3 again today, changed my brain chemistry as it does. I was wondering why John Dory recognizes Branch so fast when he's not as bright and colorful as he once was and then I realized he is bright and colorful when John Dory reunites with him because JD catches him when he's really happy--he's at the wedding of some really good friends he's with his girlfriend, he's very saturated and his blue almost matches John Dory's it's no wonder he recognized him ough this Branch's colour saturation going from dull to bright depending on how he's feeling is making me mentally ill today

#knox rambles #trolls #trolls band together #trolls 3 #trolls branch #branch #john dory #john dory trolls #im half awake right now #the trolls soundtrack is so good #zzzz sweet dreams are made of zzz thesezzz

[libraryofgage]

Saw the Barbie movie the other day and Billie Eilish's "What Was I Made For" (click the song title to listen to it lol) hit so fuckin different good lord. Anyway, it's perfect for Steve angst with a dash of platonic Stobin and romantic Steddie fluff so ;)

---

Steve is five when he learns that he was made to keep his parents together. At least, that's why his mother made him.

He learns it one night when his father is staying late at the company (before his mother started accompanying him all the time, leaving an empty house and Steve behind; Steve can confidently say his presence did, in fact, fix their relationship: it gave them something to unite against). His mother is three large glasses of red wine in, draped inelegantly on the couch and slurring her words with a glassy film covering her eyes.

"Steven, you were supposed...supposed to make him stay," she says, her fourth glass of wine dangerously close to spilling across the white rug. "An-and he's still gone! What did we do wrong?"

Despite the use of "we," Steve knows very well (even at the age of five) that his mother means "What did you do wrong?" He doesn't have an answer for her--he never will--and that seems to be just one more thing she holds against him.

Steve is seven when he learns that he was made to keep the family name strong and respected. At least, that's why his father made him.

He learns it when his father brings him to work, his stern expression and tense shoulders telling Steve to behave himself, to be seen and not heard the entire day (he did, and it worked a little too well; after falling asleep on the couch, his father had forgotten him at work, leaving him to spend the night in the locked office). His father is sitting at his desk, expensive pen in hand and phone just hung up after a tense conversation that ended with the most genuine smile Steve has ever seen from him.

"Steven, I hope you've been paying attention today," he says, placing the pen on the desk and fixing him with a suffocating gaze. "You'll be working here one day, and I expect you to make something of yourself when you do. You're to be a model man, someone I can proudly introduce to others."

When his father says proudly, Steve knows he means that he can't do that now because Steve has yet to make something of himself. Steve nods once, says a firm but not too loud, "Yes, sir," and his father goes back to work.

Steve is sixteen when he learns Nancy made him her boyfriend for...for a distraction? Because it's what was expected of her? Because she was curious? At least, that's what Nancy seems to be saying.

Honestly, Steve isn't sure she knows, either. But she definitely knows that he wasn't what she wanted, that he wasn't what she expected, that he couldn't live up to the expectations she had made for him.

Either way, he learned it over the course of their relationship, but it all hit him at the very end, when fights and names (idiot, asshole, and dick, to list a few) compounded into a breakup that left him aching, angry, empty, hurt, and desperate to know what he did wrong.

Maybe then he'd be able to save himself from making the same mistake over and over. Because it must be him, right? It must be something he's doing; if only he could figure out what that is.

Steve is seventeen when he learns that maybe he was made to be a shield. At least, that's how he understands the plan Dustin comes up with wherein he calls Steve their tank.

He learns it when they're huddled together at some point, readying to face demodogs and whatever else the Upside Down has decided to throw at them. Dustin is explaining the plan, his eyes bright as he throws around terms Steve can't recognize. "And Steve is going to be our tank," he says.

"What's a tank?" Steve asks, at least certain they don't mean the military kind of tank.

"Like a meatshield, duh," Mike tells him, the explanation short and quick and then disregarded in favor of the rest of the plan.

Maybe Steve should have felt hurt, but part of him is more excited by the fact that he could do well as a tank, a meatshield. He could, in fact, be made for that role. He's great at taking a punch, great at jumping back to his feet, great at putting himself between the kids and whatever wants to kill them.

The only way he could possibly fail at being a shield is by dying, and he doesn't plan to die just yet.

Steve is eighteen when he wonders if maybe he's made to love. At least, that's a realization he has after befriending Robin, getting tortured together, and learning he doesn't need romance to love someone. It's a realization he throws himself into wholeheartedly one day when he looks at Robin and sees her trying to drink a slushie with a Twizzler.

"I think I love you," he blurts out, unable to hold the words in and feeling bad for it when Robin subsequently chokes on Twizzler and Cherry slush.

She spits out the slushie, tosses her Twizzler into the cup, and spins around to look at Steve. "We've definitely talked about this, dingus," she says, narrowing her eyes in suspicion. "You got amnesia or something?"

Steve rolls his eyes and pushes her. "Not like that. I mean, like, a friend. I love you, Robin. You mean a lot to me, and I hope we're still friends when we're 80 so we can make fun of other people in our nursing home."

Robin breaks out into a grin that she quickly suppresses. "Ugh, affection," she sneers, turning her nose up. It lasts all of three seconds before she glances at Steve from the corner of her eye and adds, "I love you, too, dingus."

Steve is nineteen when he decides that he's made for love, to give and receive and bask in its warmth. At least, that's what he decides when he's with Eddie, sprawled across his bed and listening to the mixtape he made for Steve.

They've been dancing around each other for a while up to that point: obnoxiously obvious flirtations, finding any excuse to brush against each other or share space or lean together, creating reasons to hang out with some as simple as "I'm just bored." Steve has been enjoying it; they both seem to understand what's inevitable, and they're just taking their time getting there.

And right now, listening to Eddie sing along to Metallica, Steve thinks that he wants to stop dancing around each other and dance together, instead. So, he turns onto his side, places a hand on Eddie's arm, waits until Eddie is looking at him with a bright smile and curious eyes, and says, "I was made for loving you."

Instead of the joy Steve was expecting, Eddie just looks confused. "How'd you know that was the next song?" he asks.

"What?"

"On the mix tape. I Was Made for Loving You by KISS. That's the next song," Eddie explains.

Steve blinks and frowns. He sits up, throws a leg over Eddie's hips, and settles on top of him. Eddie doesn't look surprised, since it's not the first time Steve has done this. Usually, it just means Steve wants him to pay close attention. "I didn't know it was the next song, Eds."

It takes a few moments for Eddie to fully understand what he means. And Steve gets a front-row seat to the confusion that morphs into understanding that morphs into amazement. "Oh," Eddie breathes, pushing himself up to rest on his elbows. "Could you say it again? I don't think I heard you the first time, Stevie."

Steve snorts but humors Eddie anyway. "I was made for loving you," he says, softer this time and leaning closer.

"Yeah, much clearer that time." Eddie's grin is wide and blinding before he closes the distance between them. "I was made for loving you, too, sweetheart," he whispers back, his words pressed against Steve's lips and searing into his heart.

#steddie #steddie fic #steddie ficlet #steve harrington #steve harrington angst #steddie fluff #platonic stobin #stranger things #stranger things fic #Barbie movie soundtrack hits different ngl #can we also talk about Steve just being barbie? #like #he starts as a Ken and becomes a Barbie #tell me i'm wrong you can't #also I'm realizing Steve is a character that turns in my mind at supersonic speed #and Steddie by extension cuz gosh those boys could be so good together

[barbwalken]

Day 18

Satanic ritual fueled by homoerotic hatred

#pokemon #cyrus #volo #that sounds like the name of a song in the first hellsing animation #weird long and silly #but man what a good soundtrack 😩💕 #i dont know what trigged this idea #but i didnt know what to draw #so my brain farted this #chumimasen u.u

[otsanda]

So @sayuri-of-the-valley and I were talking about the music in Good Omens 2 and particularly the similarities and differences in the music that happens 'Before the Beginning' (that's the song title) and at The Kiss (that's not the song title) and I have accidentally developed Theories and had Thoughts, so I’m gonna share them in case anyone else wants to weigh in.

First of all, the general musical structure is similar. They are both dramatic moments that start quietly, grow to a powerful crescendo at the Big Moment, and then resolve more quietly again, but with subtle changes that make them feel very different. Without actually going through and checking it, they sound to be at roughly the same tempo (around 140 BPM) and comparable time signatures.

Now, I'm treating these two dramatic moments and the surrounding music as two songs, although in the soundtrack the music surrounding The Kiss is actually divided into two songs itself: I Forgive You and Don't Bother, so that's. Fine. I'm normal about that. I'm sure dividing that in half doesn't Mean Anything at all. I'm NORMAL about it!!! Ah... anyways.

The instrumentation for both Before the Beginning and The Kiss is also very similar. Both songs start with orchestral winds and strings and add a powerful choral part (on the same pure round vowel sound, no less!) on the big crescendo. Both add orchestral chimes (bells) for that epic religious feel. Both the nebula creation and the kiss were a revelation. Something like a religious experience.

And then both songs resolve featuring wind and strings again, among other instruments. The "after" part of both songs also features more pitched percussion (harp, maybe a celesta, glockenspiel, possibly a dulcimer or some other fun, ethereal pitched percussion in Before the Beginning, but interestingly a piano in Don't Bother). Ouch. That hurts.

Now, to me: the piano is possibly representing the nightingale, Crowley and Aziraphale's love of Earth and humanity, whereas the glockenspiel and etc. may be more representative of heaven. Just a guess. I would have to do more careful listening for a more solid theory.

I don’t have perfect pitch so it’s hard to tell without getting out my instruments or transcribing the piece, but I’m willing to bet ‘I Forgive You’ is in the relative minor key to Before the Beginning’s mostly major key (I *think* ‘Before the Beginning’ might be mostly in the key of C major and ‘I Forgive You’ in A minor, but I could be wrong). Regardless, the former is major and the latter is more minor, but otherwise a lot of the chord structures, especially at the big moment, sound very similar.

More on instrumentation: ‘Before the Beginning’ uses more (ethereal?) flutes in the wind sections and The Kiss uses more reed-based, (earthy?) winds like clarinet, bassoon, oboe, etc. Different feel, but the same kind of structure. Both moments heavily feature a big string section for the nice full orchestral sound.

Before the Beginning has a lot going on musically before the crescendo and it intentionally feels kind of chaotic and unformed bc each instrument family is doing something a little different, building anticipation, etc. and then at the big crescendo, they all come together. Very powerful. Then after the crescendo, we get a subtle, playful reprise/variation of the Good Omens Main Theme. The strings and the winds are no longer entirely together at this point. They’re sort of playing off one another, leaving space. Having a conversation.

By comparison, in ‘I Forgive You’ the wind/strings start off playing together, in a sad version of unison before the crescendo (they both knew the conversation they were having wasn’t going to end well but they fundamentally *understand* one another now; they’ve been talking for millions of years). And AFTER the crescendo of The Kiss, the song ‘Don’t Bother’ DROPS the majority of the string section and gives the melody to a solo violin (alone!!!!). Even worse (better) the strings and the woodwinds and pitched percussion are no longer playing together. This time, they aren’t even having a conversation. They’re musically doing a separate lines. It feels extremely lonely (because it is). The violin is very exposed. The piano is very exposed. Even the chorus sounds exposed (smaller group of singers?). This ALSO includes a reprise/variation on the main GO theme, but instead of being playful it’s extremely sad (as though you didn't notice). The rest of the orchestra is still there, providing background, but it's not the same.

The Biggest Decision (the song after Don't Bother) has a lot more of those ethereally coded instruments again. Harp, pitched percussion. Full string section. Angelic chorus. Aziraphale is making the hardest/worst decision to return to heaven.

And to round it out, once we get to "The End?" we are back to piano. Our duo is separated. Now in place of the solo violin we have solo cello and piano. Gutting. We get notes of the ethereal celesta (I think). The piano keeps us grounded, but cello is a big focus. We also get more of that haunting chorus and violin runs. And then we end with solo piano playing the same 5-note run three times. Alone. After every other instrument has dropped out. Very lonely.

Just for fun, (and to end on a slightly more positive note), I went back and listened to the ox rib music as well, which was surprisingly consistent with some of my theories from up above and also not on the soundtrack so although I'm sure it has a name, I certainly don't know it.

In the ox rib section, there are more instruments before the first big moment (when Aziraphale tries the food) that are going back and forth. Again it sounds to me like they’re having a conversation… tempting and being tempted. Winds and strings (strings are tremoloing like at the kiss for that sweet, sweet tension), but also brass instruments. We have some more ethereal sounding pitched percussion, especially *before* he tries the food but afterwards it... switches to piano! Like I said: Earth!!!

The choir is on a different vowel altogether for this part (more aggressive and ominous, a taller Ah instead of a round Oh/Aw like the first two musical moments). The choir is also much more rhythmic. Again, increasing tension. And, of course, after he tries the food the music supports the tension of the scene by gradually building, getting louder and bigger after the key moment has already passed. It's super interesting that Aziraphale trying the food is actually quite quiet, but the music grows quickly afterwards. Sort of the inverse of how the other two scenes play out musically! Fascinating!!

Anyways, let me know what you think I got wrong and what I missed and if I thought something was a celesta when it was actually a glockenspiel or something. I am thrilled and devastated by this incredible music.

#Good Omens #Good Omens 2 #Good Omens Soundtrack #Good Omens music #David Arnold #Neil Gaiman #Good Omens meta #I have so much more I could say #but believe it or not this was the condensed version #also the strings used two types of tremolo which is neat #did I detect some col legno in there as well? #god I love orchestral music #Also I think there was mandolin or some other kind of picked tremolo in Before the Beginning #I love to see it... or hear it I guess

[fluffy-iroha]

Opening with a parallel to 2001: A Space Odyssey is not only very funny for Barbie but also I think it carries the message of how female directors don't receive the same amount respect for their work male directors like Stanley Kubrick get from the offset. Like I can't name a single female director with the same sort of filmbro cult reverence Kubrick has. (Barbie touches on this again with the Godfather joke too). But also making that statement while premiering the same day as Oppenheimer, mainly hyped because of Christopher Nolan, a male director who has a bad track record with female characters and has said cult following really makes it stronger.

#not that stanley kubrick movies are bad but i think he also wasnt the greatest towards his actresses either #and Christopher Nolan movies are not for me. they're all bland and not in a good way plus he kind plagiarized Inception so... #interstellar is good though. mainly the soundtrack. #I can't stop thinking about Barbie #barbie #barbie spoilers #barbie movie #barbie 2023

[micamicster]

DIRTY DANCING (1987) soundtrack: Be My Baby - The Ronettes / Big Girls Don't Cry - The 4 Seasons / Do You Love Me? - The Contours / Love Man - Otis Redding / Wipe-Out - The Surfaris / Hungry Eyes - Eric Carmen / Hey! Baby! - Bruce Channel / Cry To Me - Solomon Burke / Will You Still Love Me Tomorrow? - The Shirelles / Love Is Strange - Mickey & Sylvia / She's Like The Wind - Patrick Swayze / I've Had The Time Of My Life - Bill Medley & Jennifer Warnes

#dirty dancing #soundtrack edits #patrick swayze #80s movies #filmedit #it took me so long to collect the pictures of the actual records for this that iwas just gonna do screencaps and not gifs but #in the end i made the worlds grainiest little gifs <3 mwah <3 #also genuinely solomon burke's version of cry to me >>>> its so good #anyway soundtrack of all time obviously

[mrs-gauche]

- “You weren’t wrong, though.” - “Thank you, Cole.”

#dragon age #dai gifs #solas #cole #heeey remember when I made gifs hohoho #very important banter right here <3 #sometimes I feel like my gif sets only work with the music I listened to while making them #which in this case was the soundtrack of unravel 2.. stray and blade runner 2049 lol #I'm pretty sure this set actually killed me 😀 #like I think I left my body at some point #capturing banter with the flycam is..... not easy #and I don't particularly mean the banter itself but more like how to position the characters in a way that looks good/cinematic #that shot of the Inquisitor took everything from me because I had to retry this so many times #because you have to push like ten different buttons simultaniously 😂💀 #seriously sometimes I feel like a friggin pianist while using the flycam lol #my gifs

[whumpypepsigal]

so i found a new blorbo CHARLES SUN and…

you would have to sedate me i’m sorry

*feral* the show is so good, excellently paced and well-acted…. plus, it has all the stuff we enjoy the most:

whump, crime family, family drama, daddy issues (MAJOR!), mommy issues (MAJOR!), well-done action sequences, trauma, “protect the family” sense of duty mindset, lots of baking (by my poor blorbo charles as a coping mechanism), sibling issues, oldest son vs youngest son dynamic (- two brothers, who have both spent their lives competing for attention, approval, and freedom; in their own different ways -), conflicted tortured oldest son, did i mention major daddy/mommy issues and PLENTY OF THE GOOD OL’ EMOTIONAL WHUMP.

and oh their troubled mother is played by THEE MICHELLE YEOH !!!!!!! ✨MOTHER✨

ahhhh charles, his father brainwashed him, turned him into a ruthless killer and put him through so much trauma. my man just wants to have a normal life, bake pastries etc and reconnect with his mother and brother. like look at him (HE NEEDS A HUG AND SEVERAL CHURROS)

i am a sucker for this type of genre. 10/10 no notes. HIGHLY RECOMMEND MY FRIENDS, GO WATCH IT 🎉.

#🚨made some gifs so will post it soon-ish🚨 #i have again fallen deep in love with another netflix show so now gotta get worried if they will renew it or not FML #the brothers sun spoilers #the brothers sun #the brothers sun netflix #eileen sun #charles sun #bruce sun #michelle yeoh #justin chien #sam song li #yeah my first 2024 hyperfixation started off good lol #im on my second rewatch at the moment #obsessed!!!!! #the way charles turns into a scared little puppy whenever he sees his ruthless triad leader father #the scenes with the brothers and their mother are my fav acting scenes… so full of angst heartbreak palpable emotional pain ahhhhhh #plus the soundtracks in the series are absolute bangers #my rants #my posts

[baileybasses]

FIONA PALOMO as MARY JOURNEY TO BETHLEHEM (2023), dir. Adam Anders

#fiona palomo #fionapalomoedit #fpalomoedit #journey to bethlehem #movieedit #* #i wanna see this movie so bad #the soundtrack is so good #filmgifs #moviegifs #filmedit #fyeahmovies #tvandfilm