#but the fic is rly good

[laikabu]

my controversial opinion is that i like that laios is bigger and more muscular than kabru because, as a poc, buff brown guy x scrawny white guy is so popular and tired, i like it whenever there’s a subversion of it from a work that’s well written. of course, not to mention that they have a very fun dynamic and the comic from the new official world guide spelling out for everyone that they do care about each other lol

i like that kabru does look feminine, especially when fandom makes the brown one always the bigger and masculine one in fanon and any instance of their delicate features is erased, even in yuri (looking at gwitch lol)

speaking of, i really like kikimari in that namari is portrayed as very masculine while kiki is feminine and elegant in fanwork

obviously, fandom isn’t activism duh, but i’m merely speaking from experience as someone who dabbles in both eastern and western fan spaces. i’ve seen it happen so many times that it’s become the staple so i love subversion that’s actually good

#dungeon meshi #labru #i also rly like that it’s kabru-centric #i’ve seen a lot of labru fans that like kabru more than they like laios #everyone who says “they’re making kabru laios’s accessory” dont engage w the content bc ive read so many good kabru analysis from labru fic #also labru fans r the only ones who make the connection that kabru’s story makes him a really good trans allegory DO I HAVE TO ELABORATE

[twentyfivemiceinatrenchcoat]

how deep is your devotion? ; satoru gojo

synopsis; you’re his knight, and he’s your prince. if only it were that simple.

word count; 6.6k

contents; satoru gojo/reader, gn!reader, royalty au (..but no effort put into making it historically accurate in any way oops), knight!reader x prince!toru!!, childhood friends, mutual pining, fluffy overall, some hurt/comfort too, vague allusions to abuse (reader is punished by one of the castle maids as a child but it’s only really hinted at), knight!reader is horrendously devoted but prince!gojo is arguably worse, he would burn the world down if u asked nicely <3

a/n; big big BIG thank u to @softgirlgonehaywire for having the biggest brain in the world and infecting me w this concept <33 if u pay attention while reading u can tell the exact moment i started slowly spiraling into insanity

you are five years old when you meet the prince.

five years old, a mere child, and too young to be blinded by such brilliance. too young to be where you are; curled up in a dark alley, back against a grimy brick wall, covered in bruises. like a beaten dog — scrawny and afraid. waiting for a strike that never comes.

the boy in front of you is also five years old, but you don’t know that. something in him looks older, somehow, something in the way he carries himself. like he doesn’t have anything to be afraid of. like he’s never even felt fear. he parts his lips and speaks like he has the right to, like he’s comfortable in his own skin, a radiance so blinding you could mistake him for the sun. too much for you to bear.

”does it hurt?”

the words fall on deaf ears. but you flinch, your body reacts, a tremble down your tiny spine. you hear the sound but not the words. too mesmerized, too paralyzed, unable to look away from the blue of his eyes, painted with rich watercolour hues. seeping into the world around you like ink on paper, cobalt and aquamarine and something else, something you’ve never seen before —

a blue so jarring it makes you shiver.

the boy has an innocent face. almost girlish, plump cheeks and long lashes, clean clothes and smooth skin. a little too pretty to be out here, you think, in this part of town — too pure to be anywhere near someone like you. he’s above you, that much you can tell. a pretty, innocent face, untouched by dirt or ache; the face of royalty. an entirely different species.

there’s something keen in his eyes, a contrast to his childlike features. a sharp gaze, something that sees through you, something that won’t look away. something mildly frightening. enough to have you cowering in fear, hugging your knees closer to your chest.

but then he smiles. and it’s sincere. sweet, vibrant, all honey and milk and a world you cannot reach.

a smile so captivating you take his outstretched hand, and let him drag you away to god-knows-where.

(that's how it begins. the dynamic that’ll follow you into your adult lives; satoru takes the lead, and you follow. no matter where he’s going.)

satoru gojo, as you soon come to learn, is the prince of the nation you reside in. the only child of the royal family, born with talent and prestige, fame and fortune, set to become king. a different species, indeed.

but he brings you home with him, to a castle so grand you feel as if your very presence is an insult to the architects who designed it, and convinces his parents to let you stay. it’s surprising, but you don’t protest; following him like a puppy at his trail. and he’s stubborn, insistent, demanding that he get to keep said puppy. 

the king and queen don’t care one way or another. they glance at you with apathy, and tell satoru to do what he wants — but convincing the scary and displeased castle maids takes some work. 

satoru doesn’t waver, though. he holds your hand in his, and demands that you be treated with respect.

and he wins. he always wins.

that’s how you become the prince’s playmate. raised alongside him, allowed to stay close, eat from the same food. he won’t settle for anything less. defending your honour, always, before you even know what honour means. before you care.

time passes slowly. joyously. every day is a new adventure, as you attempt to get used to the miracle that is your new life — sweet and silky, apricot blossoms and fresh peaches, duvet pillows and a bubbly laughter you didn’t know you still had. he coaxes it out of you, with every secret midnight outing, every bout of mischief he drags you both into. 

satoru has nice hands, uncalloused palms, fingers that grasp yours and don’t let go. he takes you outside, to see the stars, to catch fireflies in the dark of night on top of the hill that oversees the castle. to take a dip in the river just below it, gleaming a silver hue under the blue shade of the moon. you worry about getting in trouble, but he reassures you — the prince can do what he wants.

that might be true, but you are no prince. not even close. satoru may safeguard you, but all you’ll ever be in the eyes of the world is a stray he got to keep.

and one time, only one time, you do face the repercussions of your midnight outings. you, and you alone. a bad influence — seething words, buzzing in your ears. an angry castle maid, and a stinging pain in your cheek. blurry tears. 

but that’s an incident no one in the castle dares to speak of.

(you’ll never forget that look in his eyes.)

satoru is an odd boy. he keeps you close, always, clinging to you like he needs you to breathe. you don’t understand why, but you’ve learned not to question him. the castle guards all know you as the prince’s best friend, and some part of you knows that’s all you’ll ever amount to. but you don’t mind.

because you love him. at five years old, six years old, seven and beyond, you love him. satoru gojo, the kindest boy in the stratosphere. 

a boy who keeps finding you, no matter where you are, who tugs you along as naturally as the rise of the sun. who raids kitchen cabinets with you and always makes you laugh, little giggles and chuckles that have him beaming proudly. a boy who cleans your wounds with a serious expression, and tells you that he’ll protect you forever. 

(you tell yourself the same. that you’ll protect him forever and ever, until you run out of air to breathe. a boy so sweet you’d die for him.)

a pledge is made. you make it before you know what a pledge is. pledging to protect him, to become his sword, because even as a child you understand that his life will be difficult. you see it in the dullness that sometimes comes over his eyes, the apathy of his so-called parents, the hours he spends locked up with nothing but a pile of dusty books to keep him company. 

so you decide to become his knight. his, and his alone. 

it’s challenging. but you push through; training with another aspiring knight, miles better than you, black hair tousled by the breeze as he knocks you off your feet for the thirtieth consecutive time. wincing as the girl who sometimes watches your sparring patches you up, soft hands cleaning your wounds so tenderly that you almost choke up.

and eventually, as the apricot blossoms of the castle orchard wilt and bloom over and over in a flurry of pure white, your dream comes true. 

there’s something playful in satoru’s eyes, when he places his blade on the curve of your shoulder. something sweet and fond, and just a little bit ironic — as if you’re still seven years old, and playing house. 

you want to tell him that it isn’t a joke. that you’re serious, about this, that you’d tear your stomach open to keep him safe. but you know he’d just laugh. so you let the words clog up your throat, honey-sweet devotion sticking to the walls of your esophagus. breathing in through your nose, as he speaks. as the words you’ve waited to hear flow from his glossy lips.

when all is said and done, satoru smiles. he calls you his little knight, and you can tell that he’s teasing you. indulging you, as if he’s in on some joke that you aren’t. but you’ll take what you can get.

you call him my prince, expecting him to laugh it off, but his smile begins to fall. and a pang of ache rushes through your soul, instantaneous, guilty, although you don’t understand why.

so you keep calling him satoru. even though it’s more than a little unprofessional, and you become painfully accustomed to receiving a few judgemental looks here and there. a knight and a prince shouldn’t be so very close, they think, and you don’t disagree. but there’s nothing they can do about it, anyhow.

the prince and his knight can do what they want.

not much changes. you’re his knight, but he treats you the same as before. he’s playful, a little goofy, and you indulge him. as always. attached at the hip, bickering and bantering, bouncing off each other effortlessly. and satoru never bothers to hide your history, the soft spot he has for you; it’s in every fleeting glance, soft tilt of his head, teasing call of ah, there’s my favorite knight. 

(you’re no stranger to jealous looks. sometimes a pout on the lips of a pretty girl, a crease between the brows of one of your fellow knights. and sometimes a glare, from his fiancée — a woman he was engaged to before he was old enough to speak.

but you don’t mind. you’ve never cared what anyone but satoru thinks of you.)

satoru never loses his smile, that effortless air of confidence. the charm that makes people want to follow him, a charisma you know well. one you fell victim to at five years of age. he’s still just a prince, far from being a king, but he receives the same respect.

and that keen, sharp glimmer in his eyes never quite goes away; the hardened shell around his heart unbroken. you see it in fleeting glances, during meetings, ones he allows you to attend despite your status. when he speaks to a room of people with more power than you can imagine, his voice unwavering. back straight. elegant, serious, the presence of royalty — enough to receive respect without even trying. 

but he still shoots you a smile, easygoing, when your eyes meet. one only you can see.

as for you, the step into knighthood is a clumsy one. but you take your duties seriously, and adjust properly. a deep devotion runs through your veins, from your beating heart down to the tips of your fingers, where a sword lies clutched. you keep it close, always, ready to serve. to obey. to protect. 

all of it for one person.

all you do is for him. duels in his honour, beasts slain for his peace of mind, and he’s always there to welcome you back. wiping the blood from your cheek, tenderly, smearing his untainted skin with red; all while he looks at you softly, a coo or word of praise waltzing on the tip of his tongue. 

that’s only for when you remain unscathed, though, when the blood on your cheek isn’t your own. when you get hurt, it’s different — something begins to brew inside his eyes, and you can’t tell what it is. but he insists on bandaging you himself, paying no mind to your meek protests.

sometimes, you’re more reckless than usual. your injuries worse. sometimes he looks upset, angry with you, and doesn’t speak. you don’t, either.

a strange look comes over his eyes, every now and then. when you get down on one knee, to kiss his hand, the metal of the ring on his finger — and if you look up, you’ll see it. simmering inside those blue depths, something just as fond as it is sad. troubled, you think.

(something tells you he’d kneel, too, if only you’d let him.)

the bond between you remains intact. even as you begin to shoulder more responsibilities, more duties, even though you don’t have as much freedom as you used to. even though you seem to get less time to spend with each other every single day. but you stay together, even so; just like when you were children, running around and causing trouble, more than you could get away with now. 

despite everything, satoru has grown up into a fine man. and you couldn't be prouder.

“do you think i look good in black? be honest.”

you throw him a glance. curious, somewhat perplexed, eyeing him up and down.

satoru is wearing a white blouse, puffy sleeves and a low neckline, showing off the skin of his bare chest. no black colours to be seen. you think back to that banquet he attended last month, forced into an expensively tailored black coat. a corset around his waist. and then you hum.

“sure you do.”

”suguru said it makes me look like a try-hard,” he scoffs, crossing his arms. tilting his head in your direction. ”do you think he’s jealous?”

”definitely.”

a moment passes. 

satoru narrow his eyes, and gives you a dubious look. clicking his tongue. ”… something tells me you aren’t taking this seriously.”

”i am,” you assure him, a lazy smile at your lips. meeting his gaze, that displeased little pout. still smoothing a brush down the mane of your horse, the smell of hay soothing your muddled senses. ”just tired. you look good in anything. you know that.”

he hums. silent, the sound of a spring breeze filling in the gaps.

it’s late. outside the stables, the world is engulfed by a dark sky, almost too murky to see anything. hazy stars glimmer in the distance, and a sense of fatigue gnaws at your bones. it’s been a long day, and yet you’re here — doing even more work. just a little more.

and satoru’s right there with you. even though he’s just sitting there, on the floor, not lifting a finger to help. not that he has to. insistent on spending some quality time with you, keeping you company. just talking and munching on the food he snuck in, bread and cheese and an expensive bottle of wine, that he leaves completely untouched. he tries to leave some of everything else for you, though. keyword being tries.

a sense of peace simmers in the air. palpable, almost enough to taste, as midnight air streams in from the opened doors, chilly and pleasant on your skin. ruffling the thin fabric of your clothing.

and it’s nice, you think, just to have satoru there — talking about this and that, complaining about all the annoying people he had to meet yesterday, yawning every now and then. nostalgic. like this, it almost feels like you're still kids. back when you spent every single hour of the day by each other’s side.

it’s been a long time since you got the chance to speak like this. satoru’s been busy, and so have you. more so than usual.

”are they running you ragged?” he suddenly asks, and you don’t realize you’ve spent the last minute staring into space. resuming your brushing, with steady hands, but turning your head to meet his gaze.

”need me to…” he makes a slicing motion with his hand, right over his throat. a glint of mischief in his eyes. ”handle it?”

and you scoff. amused, but answering him seriously; unsure if his question is all-together humorous, if it doesn’t carry a hint of something genuine too. ”of course not.”

there’s a weariness in the way you blink. the way you pet the animal in front of you, having finished getting the dirt and blood clots out of her mane. she lays down in her stall, and you smile. turning around to rest your back against the wooden border between you, a respite for your aching bones.

it gets just a little bit tiring, sometimes. fighting, patrolling, helping townsfolk. protecting the castle, making sure everything is in order. killing whatever needs to be killed. cleaning the stained silver of your sword.

but…

”it’s my duty,” you answer, seriously, and it comes out sounding like a vow. because it is. 

you avoid his gaze, but you can feel it, as you pick up the wine bottle by your feet and pop the cork. soft moonlight flits in from the windows, illuminating the green glass. a chartreuse glow that reminds you of fireflies, shimmering in your grasp, and for some reason it soothes your heart.

satoru only hums, far from approving. popping a piece of cheese into his mouth. 

after a brief pause, he continues. ”you don’t have to be so serious all the time, you know.” his voice comes out a little raspy. it’s got a certain tilt to it, one that means he wants you to take him seriously. ”not around me.”

you take a sip of the wine. expensive, blood red. it’s too sweet for your taste, heavy on your tongue.

”… i’m less serious with you than i am with others.”

satoru sits up a little straighter.

”yeah?” he grins, a kind of satisfaction blooming in his eyes. cerulean and sweet. almost smug, you think, like the cat that got the cream. ”that’s good. you really should loosen up, though.”

a glance. fleeting, just to see him — but he isn’t looking at you. he’s looking outside, through the opened window, at the sway of the apricot trees. white petals flitting in, landing by his feet. in his hair.

when his eyes meet yours, they’re smoothed over by that something you can never put your finger on. a blend between longing and fondness. crinkled at the edges.

”you’ve got a pretty smile,” he exhales. ”be a shame not to show it off.”

when you look at him, really look at him, you see it. that fatigue. it slips out when he talks to you, a sincere way of speaking that never quite allows him to hide his emotions. you hear the hint of a yawn, can practically feel the weight on his shoulders. the weight of an entire nation. a weight he was always bound to carry.

(you could never bring yourself to be even remotely alright with it.)

“have you been doing okay?” you ask, and satoru blinks. there’s a soft look in your eyes, as they trail over the contours of his face, his lashes catching the light of the stars. an innocent, pretty face. but he looks tired. frail. like he hasn’t been sleeping properly.

something rotten bubbles up inside your throat.

”they’re running you ragged, too,” you say, hand settling on your hip. where your sword usually is. unconsciously, on instinct — or maybe just to make him laugh. ”need me to step in?”

satoru chuckles. husky, mellow. dripping with soft amusement.

”settle down, little knight.”

a moment passes. silent. his eyes flutter shut, for a second, and a breath slips from his lips. almost a sigh. in the distance, you hear the quiet coo of an owl. 

”of course,” he eventually answers, opening his eyes. and you think he looks a little resigned. but smiling. self-deprecating, you think, although he’d like you to assume otherwise. ”all of it is just preparation, anyhow.” 

a flimsy smile, as he looks into your knowing eyes. ”it’s what i was born for, wasn’t it?”

you purse your lips.

“… i don’t think so.”

another chuckle. a little delighted, this time. 

“yeah,” he cranes his neck, emitting a low groan. “me neither.” something sweet blossoms in his eyes, sweet like the crunch of the apple he bites into, juice dribbling down his chin. ”but it is what it is.”

a beat. you part your lips, trying to find the right words. ”tell me if there's anything i can do,” you settle on. the same words you always choose. ”anything at all.”

satoru smiles. “right.” his voice carries a teasing tilt; almost a purr. ”there’s nothing you wouldn't do for me, hm?” 

“— there isn’t.” you smile. “nothing at all.”

he blinks. a little dazed, for a second, and you watch as his ears redden. slight, enough for you to notice, but gone before you can bring it up. a contemplation smooths over his features. and a pleasant breeze flits in, ruffling his hair, apricot petals kissing up his skin. he looks at the apple in his hands.

then he sighs. placing his palms on his knees, and rising to his feet. his arms twitch, muscular beneath the flimsy blouse, and you gulp. although you aren’t sure why.

“alright, then.” his eyes flicker in the dim light, sharp and decisive. he crosses over to you with long strides. “there is something you can do.”

when he’s close enough, satoru reaches out his hand; opening his palm. a silent beckoning. you look at him, not saying a word. his expression is unreadable. 

then you intertwine your fingers with his. unquestioningly, even in the midst of your confusion.

(it reminds you of that day. when he pulled you up to your feet, held your hand in his and refused to let go. leading you to the promise of something better.)

no matter where he goes, you follow.

and satoru grins. it’s sweet, just like back then, a smile so vibrant you wish you could tuck it into your sleeve and keep it there forever. he curls his fingers around yours, gentle, fondness bubbling up inside his eyes. for a second, you think you see the sun.

“come with me.”

at first, you truly aren’t sure where he’s going to take you. hand in hand, you begin to walk, feeling the midnight breeze nip at your skin. beyond the castle walls, away from the hustle and bustle of the nearby town. satoru holds your hand and smiles, tousled tufts of white hair swaying with the wind, leading you to a place you know well. a place where the air tastes like freedom.

it’s the river you used to play by as children.

gleaming a solemn silver under the evanescent moon, framed by bushes of lilacs, blooming indigo and violet and pure white. butterflies flutter about, almost glittering, blue wings settling down on the leaves. the scent of nectar hangs heavy in the air. on top of the hill just above you, you think you can spot tiny little glowing dots; green and yellow, buzzing around. dancing merrily, now that there aren’t any troublemaker children left to trap them.

satoru lets go of your hand, to roll up his sleeves. the hems of his pants. then he’s taking a step forward, dangerously close to the edge of the river, and you can tell what he’s thinking.

“ah — wait —“ you stumble forward, to grab hold of his arm. a worried crease forms between your brows. “that's dangerous, satoru. you could slip and fall.”

he turns to face you, a teasing mirth in his eyes. smirking lightly. “oh? is that so?” he hums, a slight tilt of his head. then he’s stepping closer, so close you feel his warm breath on your skin, but you will yourself not to step back. “wanna know what i think?”

he leans forward, just a little further, warm air brushing against the shell of your ear. flushing beneath it. his voice comes out low, a sleepy lilt, dangerously raspy. hand ghosting over your waist.

”i think you’re too scared to get in.”

you blink.

”… really?” you deadpan, stepping back a tad. satoru looks pleased with himself. awfully amused.

“really,” he purrs. “you were always like that. could barely dip your toes in without shivering.” he reaches out to pinch your cheek, a coo on the tip of his tongue. ”scaredy-cat.”

you raise your brow. unimpressed.

satoru steps back. inching closer to the river, until a quiet splash tells you that he’s standing in the water. lapping up his bare legs, not enough to even reach his knees — it felt a lot scarier when you were smaller. he’s still holding your hand, very loosely, fingertips ghosting your own. 

“c’mon,” he coaxes. soft, encouraging, a playful glimmer in his eyes. teeth catching the light of the moon. “or is it too much for my brave knight to handle?”

satoru laughs, when you furrow your brows, attempting to hide the flush of your cheeks. a warmth spreads through your chest at the term of endearment, and you bite your lip. melting a little. 

his knight. his favourite knight.

“.. fine,” you tangle your fingers in his own. sighing deeply, taking a tentative step forward. “just be careful, okay? i don't want to deal with your whining if you hit your head.”

“ah, but you’d kiss it better, no? if i asked?” he flashes you a honeyed grin, eyes rich with amusement. you hope the darkness of the night is enough to hide the red of your ears.

a grumble buzzes in your throat, locked behind your pursed lips. something in your jaw goes tight.

the man in front of you softens. parting his glossy lips. he says your name; slowly, thoughtfully, as if savouring every syllable. dragging them out, speaking with a lilt that tells you he’s being sincere.

“— loosen up. it’s just you and me.”

so you do.

and it’s odd. how easy it is to get lost in him, the watercolour of his eyes, the brightness of his grin. how pliantly you let him whisk you away. before you know it, you’re playing in the water — because satoru splashed you, laughing at the shock on your face and the shiver of your spine, and you had no choice but to retaliate. 

the sound of his laughter fills the air, sweet and bubbly. deep and giddy. strands of hair stick to his wet skin, droplets running down his neck, but his grin never falters. bright and toothy, boyish. he looks younger than you ever remember him being. like there’s no weight on his shoulders, none at all, only soaked fabric weighing him down. a flimsy, see-through blouse.

you think it’s ridiculous. two grown adults, splashing each other like children. but his melodic giggles are contagious, and before you know it, you’re laughing too — and satoru looks at you like you hung all the stars in the sky. through dewy eyelashes, with cerulean eyes that melt into the pale blue of the moon and the silver of the river. filled with wonder.

a particularly ruthless splash knocks him off balance, and he has the instinct to reach for your arm; stumbling, slipping, dragging you down with him. you land on his chest, cheek against his neck, his pulse against your skin. erratic, joyous. fluttering happily.

his chest is heaving. lifting you up and down, a little, rhythmic and comforting. 

a sudden yelp slips past your lips, as you get snapped back into reality, into the realization that you basically just pushed your own prince into a river and used his unfairly soft chest as a cushion. a mumbled string of apologies escapes you, as you attempt to get up, scrambling to find footing.

but satoru wraps his arms around you. tucking you under his chin, keeping you flush against his chest. nice and still. 

and then he sighs. a blissful little breath, fatigue seeping out of him. into the air. 

“stay like this, for a bit,” he rasps. ”it’s okay.”

his heartbeat resounds in your ear. warm and rapid, like claps of thunder, coaxing you into closing your eyes. satoru has always felt so very safe. the water of the river is cold, seeping through the fabric of your clothing and sticking to your skin, but…

(he’s warm.)

silence. and then, a whisper; frail, slipping past his lips, gently slicing the silence in half. softer than you've ever heard him speak.

“i missed this.”

…

nuzzling into his neck, you breathe him in. he smells like sandalwood and dried roses, buzzing with warmth, heavy arms around your waist. solid. when did he get so big? you used to be taller. 

then again — that was a long time ago, wasn’t it?

“… me too.”

“missed you,” he continues, his jaw on top of your head. it’s a sincere confession; childlike in its innocence. “missed hearing you laugh like that. feels like it’s been so long.” 

you stay silent. unsure of what to say. satoru continues, and you let his husky voice carry you away, the tremor of his chest running through your entire body. soothing like a lullaby. 

”we haven't had much time together, lately. i’ve been worried,” he admits, and something about it strikes you as rather sheepish. a little ashamed. ”it bothers me that i can't be there to watch over you. make sure you're treated with respect, you know.”

a sleepy chuckle. muffled into his shoulder, almost a scoff — slightly exasperated. little droplets cling to his skin, sticking to your lips.

”relax, your majesty,” you tease. ”i promise the other knights aren’t bullying me.” 

satoru pouts. you can hear it, when he speaks. ”i’m serious,” he huffs, squeezing you lightly. ”and it’s not them i’m worried about. suguru’s there.”

another scoff threatens to escape your throat. you want to tell him the only knight that should be suspected of bullying you is suguru himself, but before you can even think to part your lips satoru’s beaten you to it.

”they all treat you so carelessly.” there’s something cold to his voice, an irritation tugging at his teeth. oddly seething. ”like you exist to serve them. like you’re disposable.” 

a moment passes, heavy with a silence so thick you don’t dare break it. when he speaks again, it’s an order. a demand. 

”i want you to tell me if they go too far.”

silence. again. you can do nothing but gnaw at the flesh of your bottom lip. 

(he isn’t wrong. but that’s simply what it means to be a knight — half-human, half-weapon. an unattainable ideal, stuffed inside a suit of armor.

when a weapon breaks under the force of a slash, the only choice is to throw it away. that much you know.)

”it’s fine. i’m not that fragile,” you weakly protest, but it’s not enough. satoru huffs.

”you’re a human being,” he reminds you. strangely stern, for once. chastising. ”you deserve to be treated with respect. knight or not. fragile or not.”

a deep inhale. he breathes in, and the rise of his chest carries you with it. his voice buzzes with something, a slumbering kind of fury. one you haven’t heard in years. 

“if anyone gives you trouble — if anyone hurts you… if anyone makes you feel unsafe,” he almost spits the words, like they’re venomous, sacrilegious. ”tell me. i’ll destroy them.”

silence. and then, a chuckle.

that’s all you can manage; that one meek little breath. resisting the urge to cower, at the love that clings to every word he speaks. angered affection. a promise, dangerously genuine, like a growing wildfire.

”i can take care of myself, satoru,” you remind him. hoping it’ll soothe him. ”you know that.”

but his grip around you only tightens. gentle, even still. as if you’re made of glass, a firefly cupped in his palms. he lets the silence linger, for a moment.

and then; 

“i’d do it, you know.”

a questioning hum. “do what?” you ask, though some part of you already knows. 

satoru’s reply is instantaneous. an arrow hitting its target, cold and concise, decisive. frighteningly honest. almost a growl, flattened, a hint of teeth behind his soft lips. ”destroy them. anyone.”

”i’d tear this nation apart if you asked me to.”

…

(ah. that look in his eyes — one you remember well. strung together with blurred memories, the sting of a palm on your cheek, a castle maid you never saw again.)

you search for the words. biting back a gulp, hesitant. “… i wouldn’t.”

“i know.” satoru yawns, breathing you in, voice shifting back into the softness you’re so used to. your shoulders relax. “but i would. if that’s what you wanted.”

and it’s a little scary, the depths of his devotion. but you’re almost certain you’d do the same for him. maybe you're both a little sick in the head, a little too eager to serve your hearts on a silver platter.

“it bothers me, you know.” satoru breaks you out of your thoughts. gentle, a soft lull of his tongue. ”when you get hurt. when you fight for me.”

“i know,” you murmur. you’ve seen it in his eyes, a worry he’s not as good at hiding as he thinks. ”i want to, though.”

“and i want you to be safe.” a chuckle bubbles up in his throat, just a little bit rueful. “you never listen, do you? so stubborn, i swear. always worrying me.”

you bite down on your lip. he sounds… a little sad.

“… sorry.”

a moment’s pause. then he shakes his head; cradling you close. “it’s fine. i’m here. always,” his palm runs down the small of your back. ”in case anything happens.”

he inhales. ”and when i become king —” a beat. he swallows thickly. ”you’ll never have to worry again. no one will be able to touch you.”

”satoru,” you crack a small smile. amused. raising a single eyebrow. ”i’m not worried. i can protect myself.”

”i know. but i’m saying you don’t have to.”

and then he’s pulling back. just a little bit, just enough to see you. cheek smushed against his chest, comfortable and soft, more unguarded than he’s seen you these past few months. it’s enough to get his heart racing.

enough to have him reaching out, fingertips ghosting over your hand, tangling your fingers together. bringing it to his glossy lips. a chaste kiss, brimming with unspoken murmurs of love.

”— i’ll protect you forever,” he vows. ”remember?”

there’s devotion in his eyes. heavy, a vow he’ll never quite be able to voice in full. something that makes the blue of his eyes glow even brighter, cerulean, aquamarine, a blue so jarring it makes your heart beat faster than it should.

you blink. starstruck, caught in a daze, lost within that sea of blue. distracted by his warm breath on your cold skin, the soft whisper voiced against your knuckle. something shy blossoms in your chest, enough to have you averting your gaze. 

“... you really don’t care about the dynamic here, do you?” is all you can reply. a meek scoff, a weak attempt at hiding how flustered you are. “i’m the knight. i’m your protector.”

“oh, i know.” a smile sticks to his lips, playful, the back of his hand caressing your cheek. a coo on his tongue. “my little hero. what would i ever do without you?”

a roll of your eyes. satoru chuckles. in the distance, you hear crickets chirping, a breeze rustling the lilac bushes all around you. he’s still cradling your cheek, smoothing over your wet skin, brushing a drop of water away with his thumb. clinging to your bottom eyelash.

“i don't get it, though.”

you blink. when you meet his eyes, satoru looks a little perplexed. muttering under his breath, absently rubbing circles over your cheekbone. you resist the urge to close your eyes again, biting back a blissful sigh.

”a prince shouldn’t care for his knight…” he repeats, like he’s heard the string of words a million times before. ”the idea of that. i don’t understand it. never have.”

the smile that blossoms on his lips is soft, indescribably so, as if he’s looking at the most precious thing in his life. rich and warm, like wine in your veins, nectar on your tongue, a chest pressed against your own. dripping with fondness.

satoru tilts his head, as if in confusion — but he’s smiling. “what’s so strange about wanting to protect the one dearest to my heart?” 

…

his hand slips from your skin, a warmth leaving your cheek. only to search for your hand, again, cradling it in his larger palm. placing it right over his chest, against the soaked material of his blouse. ”feel that?”

you do. a rhythmic rise and fall, a soft flutter from the depths of his ribcage. as if it’s itching to break out, out of the cage that binds it, the hardened shell around it. a heart too big for his body.

”it’s you,” satoru whispers. ”all for you.”

a moment passes.

silently, you lean forward; tucking yourself into his neck. into that comforting warmth, wet skin beginning to dry, the steady thrum of his heart right by your ear. you listen. not saying a word, afraid of what might leave the confines of your strangled throat. it feels as if your heart has begun to crawl upwards, sweet honey blocking your airways, and all you can do it feel it pulse. 

all while satoru gazes at you, fondly. placing a big palm on the back of your head.

fireflies dance in the distance. butterflies flutter about. strings of lilacs bloom under the glow of the moon. and satoru’s heartbeat never changes, never falls out of tune, a sound you would recognize even if the sky were to shatter, if the world were to end. the sound that saved you, the boy who dragged you out of hell. into his light. 

satoru gojo is everything. he’s the beat of your heart, the silver of your sword, the reason you believe in goodness. he’s your prince, your favorite person, and you’ll protect him until your very last breath. until the world runs out of oxygen.

a boy so sweet you’d die for him.

(a boy so sweet he wouldn’t want you to.)

a shiver runs down his spine — sudden, a shudder of his bones, and a quiet little sniffle. you feel it, hear it, and don’t attempt to bite back the fond smile that slips into the curve of your lips.

”c’mon,” you beckon, almost a coo, placing your palms on his chest to hoist yourself up. ”let’s go home.”

but satoru shakes his head. and then he traps you again, strong arms around your waist, pressing you against him. you could escape — you’re almost certain you’re stronger — but you don’t quite have the heart to. ”it’s fine,” he huffs. almost a whine. ”stay.”

”you’ll get sick.”

”i never get sick.”

a deep exhale. tumbling from your lips, just a little bit humorous. mostly exasperated. ”that can change,” you mumble, fingertips dancing along his exposed skin. absentmindedly.

a smile. one you can’t see, but you hear it clear as day. he sounds content, like he’s got everything he needs right in front of him. ”some things never change,” he informs you. pleased. ”just look at us.”

and he’s right. so you don’t say anything else. 

but your heartbeat quickens, only for a beat or two, and you’re almost certain he feels it. if he does, he opts not to tease you for once, and you’re grateful. and so the silence lingers. as if time has begun to freeze, into an eternal dusk, a string of silent seconds. broken only by low melodic chirping from the faraway fields, his soft breaths in your ear. 

until satoru suddenly chuckles.

“hey,” he hums, shifting a little, the river swaying around you. pulling back to meet your gaze, eyes crinkled and voice raspy. “wanna know a secret?”

you raise your head. a dubious look on your face, one that has him breathing out an amused puff of air, like you’re getting ready to hear a bad joke. “... what is it?”

before the words have fully left your throat, he’s resting his forehead against yours — breath fanning over your lips. a pleasant shiver trails down your spine, at the close proximity, goosebumps spreading across your chilled skin. only exacerbated by the whisper that follows, so quiet you almost don’t know if you heard him correctly. childlike in its sincerity. a sunlaced smile woven in between the vowels.

“i think i was born to meet you.”

(a sentiment so sweet you barely even feel the warmth of his lips meeting yours.)

#u both catch a cold the next day <33 #anyway i am normal about the devotion of a loyal knight paired w the devotion of a man who’s only ever loved one single person in his life #shoutout to knight x royalty dynamics for inventing romance #i wanted to get a good balance on prince!gojo’s twisted side and soft side so i hope i did ok!! :’3 #hes a kind man at heart he rly is but i think being born at the peak of the class pyramid does smth to a person lmao #i didn't touch on it in the fic but he would have turned out a lotttt more twisted if he hadnt met reader as a child … #what if i was ur knight..;;; and u were my prince….;;;;; and we changed the trajectory of each other’s lives 😳😳 👉👈 #mickey if u see this!!! tysm for letting me write abt this concept i had so much fun!!! this fic is for u <33 #gojo satoru #gojo x reader #gojo satoru x reader #gojo satoru fluff #gojo satoru x you #gojo satoru x y/n #gojo x y/n #gojo x you #gojo fluff #jujutsu kaisen x you #jujutsu kaisen x reader #jjk x gender neutral reader #jjk x reader #jjk x you #jjk x y/n #jujutsu kaisen fluff #jujutsu kaisen

[lotus-pear]

guys stop asking me for bsd fic recs, i will tell u to go read the light novels

#“lotus do u have any angsty soukoku fi-” have you read stormbringer? what about fifteen? and dead apple? #“so i hear you ship knkdz have u stumbled across any good fi-” entrance exam. osamu dazai's entrance exam. Light Novel One. also 55mins #why read fics when the canon source is gayer than ANYTHING fic artists could dream of #yeah someone could write abt soukoku making out with tongue and fucking each other until they can't stand and the bed breaks #but is that rly as gay as saying “you used corruption because you trusted me? how beautiful.” #or “what a violent way to wake up snow white” #SHUT UPPPPPPPPPPPPP #i hate it here fml #bsd

[hyperfixationspam]

when a fanfic describes ed with a long beard: 🥰

when a fanfic describes ed getting a shorter beard: 🥰

when a fanfic describes ed shaving it all off: 🥰

when a fanfic describes ed cutting his hair short: (starts shrieking and throwing tables)

#why would you cut an angels wings like that 😭😭 #i just read a rly good fic but he got a haircut so i just pretended it was a fuck ass bob i can deal with that #listen ed with short hair is just taika i dont give a fuck about that guy i want my special princess

[usignedupforthis]

illusions of someday (M, 26k, complete)

by softgoldenglow/@usignedupforthis

The one where law student Louis and aspiring musician/full-time barista Harry are both a bit of a mess. There's dance parties and rainy beaches, vodka shots and mugs of tea. The world is hard but they're figuring it out together.

#HIIII REMEMBER THIS?? #WELL ITS FINISHED NOW #everyone pls go read it #kms finishing that ohmygod #pls rb and read it and comment and all that good stuff #also i find it rly funny that im posting this vancouver story TODAY lolllll anyway #read it in spite maybe? #hljournal #hlcreators #my writing #my fic

[quirkle2]

he's such a fuckin nerd

#qkdraws #id in alt #best thing abt drawing characters with canonically terrible fashion senses #is that i (bad at fashion) can draw him in Whatever I Want #bc the result will either be comments like ''oh my god look at that fit that's so ugly and on brand /pos'' #OR ''YO TERU'S WEARING SMTH GOOD FOR ONCE THANK GOD'' #i always win. there is no losing here #that fit in the corner ? idk if it's good. i have no fuckin clue #maybe it's bad. maybe it's rly cute. i don't fucking know #and i never will. and neither will teru #mp100 #mob psycho 100 #mp100 teruki #teruki hanazawa #typoed his name yesterday as ''teruki bananzawa'' #so . what with that what u will #im kind of obsessed w him a lil bit #u know it's a good show when u can't even pick a fav character bc u love them all sm #is it reigen is it mob is it ritsu is it teru who knows #one thing i do regret with my fic is that i wish i had included more teru #he needed more screen time .... i robbed him

[hotchs-big-hands]

I've been thinking about Aaron finding out you've been masturbating to the thought of him... telling him you sometimes have to sneak off to the bathroom while you're in public... him calling you about something unrelated while your hands are down your panties....

Lowkey obsessed with the idea of Aaron finding out how feral you are for him

🦴

YASSSS you're not even dating!!! He started having suspicions cuz you sound so... off to him and sometimes he has to repeat himself when asking you or telling you things. So he conducts an experiment...

You're on a case, it's in the evening and you've retired to your rooms. As you're getting ready to go to bed your phone rings; it's Hotch. You're surprised, groaning a little at the thought of possibly having to head back out. But you answer anyway.

And god... his voice is so fucking sexy and sensual, deeper with tiredness as he discusses details abt the case... or something like that. You don't even know, his voice is doing naughty things to you, your pretty pussy is tingling and you can't stop your hand drifting down inside your underwear. You gasp a little, causing him to pause.

"Is everything alright?" He asks you. You clear your throat and force a chuckle.

"Mmm I am. Just thought I saw a spider on the floor but it wasn't really one. Guess I must be real tired, sir."

You hear him hum.

"Yes, very. Perhaps I should let you sleep now then-"

"-A-ah no! I- I'm okay to discuss the case still!" You squeak quickly, cheeks feeling warm from the outburst. There's silence for a moment and your hand in your panties stills.

"Very well, I would come and stop by but I assume you're already dressed for bed." He drawls. You squeeze your lips together to stop yourself from whimpering, opting to hum in agreement. He clears his throat. "I thought as much. Although, I am curious why you sound a bit out of breath."

Your eyes widen, thighs clenching together.

"O-oh I think it's the adrenaline of thinking I saw a spider."

"You must see a spider every time we talk then." Aaron cuts back. You gasp out, fingers rubbing rapid circles around your swollen clit.

"S-sir no I just-"

There's a knock on the door, startling you into squeaking again and freezing in place.

"U-um sir, I'm going to have to go. Someone's at my door." You say quickly, ripping your hand from your pussy and trying to adjust your clothes. "I-I'll work on my diligence in future, sir!"

Before he can answer, you end the call and fumble around to clean your hand enough to go open the door. You rush over to it, unbolt the lock and pull the door open. And then your mouth falls open; Aaron Hotchner is fucking standing on the other side, phone in hand as he towers over you. His steely gaze wanders over your dishevelled form, to the messy sheets and he nods once.

"Mhm, thought so."

He forces you to retreat back into the room and closes the door behind him, locking it. You have a lot to answer for...

#🦴 anon #OUGHHHHH this could be a rly good full fic one day #i have so many fucking wips #aaron hotchner x reader #aaron hotchner #💌 ah asks #hotch x reader smut #aaron hotch x reader #aaron hotchner x reader smut #aaron hotchner x reader fanfiction #aaron hotchner imagine

[perenial]

gene im so glad you said this cause I haven't seen anyone else comparing it to the book as source material for like character and tone but i am So sure that if terry was alive the season would not be like this but i fear good omens fans dont realise how big a factor the lack of terry's influence is?? or like they forget that good omens was never just neilman???

ok before i go any further: i rly don't want to detract from anyone's enjoyment of the season and everything im going to say comes from a place of love for a) the original novel (& season 1 to a certain extent bc it got me back into it lol) and b) tv as a medium so like peace and love on planet let people enjoy things etc etc

but

like u said, terry's influence on the book was enormous – what makes gomens gomens is the balance of his genuine warmth and precise understanding of humanity tempered with neilman's sardonic voice and general like.....savvy approach to storytelling? i guess u could call it? anyway what rly helps the book is that it took them years to write it, passing ideas back and forth and rewriting each other's work until their voices blended seamlessly and a well structured capital-s Story was created. when i praise the book for being self-contained i think a huge part of that comes from the circumstances in which it emerged: two authors with complementary styles writing in a v particular time period where they had both the space to play with their ideas and the constraints of the novel as a storytelling format from which to craft something extremely specific.

adaptations are a tricky business and a tv version of gomens produced literal decades after the book was always going to have some unique challenges, but i don't think that's a bad thing bc the challenges could prove to be creative opportunities to take both the established audience and those new to the story by surprise. my biggest hot take here is that i don't think translating a story into a different medium means it has to follow the original narrative exactly, bc each medium has its own ways of communicating information and these structures, rules and traditions in turn inform what that story is. what matters more than following a story beat-by-beat is capturing what that story is about at its core, what themes and messages and ideas it works through and how.

all this is to say i never expected tv gomens to be a perfect reproduction of the book and if it had it been, it probably would have been worse off for it. that being said, there are parts of the book – like u said, its tone and character – that needed to have some fidelity in order to pull it off, and for the most part s1 did that bc it was still working predominantly within the bounds of the novel & its core ideas. while i did have some issues w how neilman & amazon adapted some details and characterisations, i generally rly liked s1 – it reminded me of why i loved the book and it was just generally fun to watch.

s2 was. not that fun to watch

a few positives before i go ham w the critiques:

the hair & makeup + costumes were fantastic (although i feel like s1 was slightly better re: makeup?)

the sound design & score made some of the more awkward scenes bearable and thats no mean feat imo

david & michael gave incredible performances w what they were given – michael especially managed to salvage aziraphale enough that his complete 180 didnt feel completely tonally dissonant (more on this later)

the detail of the sets is NUTS and i genuinely want to see more of hell bc of how intricate and fun the props look

i actually like gabriel/beelzebub!! their getting together montage worked for me, although they could have spent sliiiightly more time establishing what it is they like abt each other so much + why gabriel wanted to stop armageddon 2.0 so suddenly

the opening scene, although not on par w the novel's & s1's, was visually gorgeous and thematically resonant (although neilman owes me royalties for ripping it off from this shitty fic i wrote back when raphael!crowley was all the rage lol)

now w THAT being said:

like i said yesterday, the pacing was fucking awful. flashbacks are hard to work w at the best of times and the way they were used in this season felt so needless, especially the 40s one in ep 4 that takes up like 90% of the episode. in both flashbacks + present day there were scenes that dragged for no real reason, dialogue that looped back around on itself to stretch out the runtime, and weirdly enough places where there should have been character & plot work where there just,, wasn't any?? for example, maggie & nina's night locked in the café – some parts of the dialogue in later episodes made out that they'd had some rly deep conversation abt how they feel about each other or even that they'd had an affair, but that isn't clear from those scenes in the café. i'm not saying we had to see that conversation in its entirety but that there needed to be more connective details – either in dialogue or direction – that gave that part of the story coherence.

(there were pacing issues w the editing too but i don't want to jump down the editor's throats on this one bc im more focused on writing & direction issues)

the second major problem that i mentioned in my tags yesterday is the protagonist shift, which is an issue that started in s1. aziraphale & crowley are side characters in book gomens – significant ones, yeah, but still somewhat peripheral to adam (& anathema who counts as a deuteragonist imo). this works incredibly well w who they are as characters: they're Just Some Guys who happen to be involved in this epic biblical-level bureaucratic nightmare and importantly, they don't want to be in the spotlight. the arrangement was created so that they could explore what it meant to be themselves away from the Big Narrative; literally any time they get involved in larger affairs is bc the plot is alive and caught them unionising on company time. the last fucking chapter is adam (& god) being like haha u guys are alright keep it sleezy and letting them go. like. hello. neil u let them go.

but then!! tv gomens s1 does something interesting at the end w the body swapping addition that i dont totally hate – it gives aziraphale & crowley the extra bit of character work that brings them slightly more adjacent to their book selves. see i kinda view tv a/c as the younger, less settled versions of book a/c; they're still caught up in the immediacy of being key players and haven't fully realised that earth is their home. i haven't watched s1 in a while but one scene i remember rly clearly is crowley throwing all those astronomy texts in the air and angsting abt when he was an angel; i remember it bc his anguish in that scene feels a lot newer and rawer than book crowley's feelings about falling. when tv a/c do their bodyswap, it gives them the chance to land a blow against heaven/hell in a way that solidifies their allegiance to earth in a way that more closely resembles what book a/c have been abt the entire time (still adjacent, though. not parallel).

the reason why this works is that it does one final pivot to orient aziraphale and crowley as almost-main characters in a manner that makes sense in relation to a) their book selves and b) the position the tv show has placed them in. a combination of factors made tv a/c feel a lot less mature than their book counterparts but at the end of s1 they're sort of facing the same direction the book ended in, albeit through their own flashy late 2010s means.

when s2 was announced i was.......apprehensive bc to me, that felt like a satisfactory ending. i get the impression that amazon saw how wildly successful the adaptation was and was like oh shit we could make way more money out of this and neilman, having all those undead darlings that he and terry killed in the process of whittling the book into a workable novel, jumped at the chance to resurrect all those half-realised ideas. but not only were those ideas probably discarded for a reason, they've either been laying in wait for years unworked or they're new inventions, which means they weren't molded in the way that the book had been. like i said before, book gomens underwent years of rewrites and creative collaboration, and i think that process was what made it so good; s2 didn't have that. even if some of terry's ideas made it into s2, his influence is still missing bc he and neilman weren't in dialogue the same way they were in the book (and in some ways s1 bc i know terry was involved in the process of adapting gomens to screen before his death).

i don't think it's a case of newer fans forgetting terry so much as it is the context of terry's involvement being so removed from the current circumstances that certain aspects & discourses (i.e. is the s2 finale queerbaiting (no), does binge watching change the viewership experience (yes), etc etc) about the show overshadow other discussions that would usually be taking place. and before anyone says it's a case of neilman forgetting terry, i definitely don't think it's that either bc thats. yknow. wildly disrespectful. but also there are larger systems and structures at play than one writer no matter how much beef i have w him and his decisions, bc ultimately he's just one guy (a powerful and wealthy guy, but just a guy) and there's a wider cultural shift happening rn towards rehashing old stories without understanding what made them successful in the first place, and that same culture just doesn't allow for much, if any, constructive discourse analysis

so yeah

#replies.txt #Anonymous #god this is so long and rambling i hope it makes sense lmaooo #i have further thoughts on the general fic-y feeling of the season but that wasnt rly anon's question so i'll save that for another time #good omens #good omens spoilers

[sentientsky]

When she first Fell, the sky had been all embers, all vicious touch. They’d felt nothing but the bite of flames and gore and the sulphuric acid of a mother’s love turned corrosive. Crowley had burned—heavenly bone, muscle, flesh, the chemical antiseptic of the ether stripping away to bare nerve tissue.

In the eternities since, they’d held their breath, kept herself small. They’d learned to amputate the desire that settled in the tips of her fingertips and in the scarlet ends of their hair. She—alone, ever alone—had dragged herself from the brimstone and out of the bonfire. She’d taught herself to exist in the jaws of an unmuzzled universe, under stars that no longer called their name. Now the sky is blue, and the bookshop burns. The bookshop burns and Crowley’s heart is in her throat, eating its way out of their body. The bookshop burns and yet their angel must be fine. (He has to be fine because the world still spins on its axis and the sea hasn’t swallowed her whole. And if breath still lives in her body, and the universe has yet to collapse in on itself, then their angel has to be fine). But something coils deep in her belly: an oil-slick, a poisonous berry. They bite their lip a brackish silver, the taste of ichor rotten in her mouth.

As though in a trance, she presses forward, and the frantic thrash of panic in her chest forces the double doors wide without so much as a thought. The interior of the shop is all orange-red teeth and flaming claws, tearing into bookshelves and loveseats and oh. Oh, the two of them had just been sitting there not three days ago. (Crowley had tried so hard to stay on her side of the room, to keep her fingertips from brushing the edge of Aziraphale’s as they passed silver-stemmed goblets between them. Skin to skin, breath to body—the indirect touch of their mouths. The passive desperation of six thousand years of want left fermenting under their skin).  

They call for him, heat searing her lungs. It comes out ragged and desperate and too late (always too late). 

Heat knifes clean through her now—a gutting sensation, a disembowelment in the middle of an already-burning funeral pyre. For as long as they had been on Earth together, she’d always been able to sense their angel from anywhere in the world—a steady, beating heart of a presence. An inevitable gravity that wrapped itself around her arms and tugged her forward. It had been axiomatic, a fundamental truth of how the universe functioned: a hand extended always finds purchase. A heart in motion remains in motion. 

So, in a room choked with smoke and two hundred years of memories, she reaches out, expanding the edges of her consciousness, pressing her mind into the outer reaches of the bookshop and Soho and the whole, cluttered universe. She searches for a pulse. And then something within her is breaking. Something is shaking apart in the depths of Crowley’s being—a star turned supernova turned withering, all-consuming black hole. No heartbeat, no flickering warmth, no pull in the periphery of her awareness. The corpse of gravity turns to dust in the corner of the room. 

And she knows—knows with the unflinching inevitability of too many questions, of an ink-winged angel falling from grace—that Aziraphale is gone. Outside, the sky remains blue. The world stays upright. And the bookshop still burns.

(thank u to the incredibly talented @actual-changeling for helping me fix the first part of the fourth paragraph)

#too tired to keep working on this and also forgor to take my adhd meds today so here ya go. kind of hate parts of this but wtv lol #i'm rly normal about the bookshop fire. i totally don't think about it all the time (<- lying through gritted teeth) #also giving characters your pronouns is rly fun btw. she/they crowley my most adored <3 #good omens #crowley #ineffable husbands #aziracrow #aziraphale #ineffable lovers #ineffable wives #gomens #wren writes crow #david tennant #tw: fire #good omens ficlet #gomens fanfiction #good omens fic #long post #tw: childhood trauma #<- just in case #good omens angst #Crowley angst #az fell and co

[mumblesplash]

do you ever end up accidentally getting super attached to a trope so specific and rare you don't even know how to look for it? 'space aliens failing to understand that a human showing teeth usually isn't a threat display' isn't even an ao3 tag. finding that shit in published fiction or tv shows is next to impossible

#<- guy who searches ao3 by the 'misunderstandings' tag without even specifying a fandom #mumbling #if you've been following me for a while you may remember my introduction to mcyt was when i started scraping the bottom of the barrel #looking for 'humans are space orcs' stories #but what you may not know is that was already a ways down a rabbit hole that began with *avatar the last airbender* #it basically went #'holy shit salvage is a good story' -> read every existing version of hakoda being a good dad to zuko -> #'shinsou hitoshi getting adopted by aizawa has the same vibes fuck it i'll read that too' -> 'why are they aliens in so many of these' -> #get addicted to the 'humans are space orcs' trope -> find a whole collection of fics about that exact thing -> #for some reason the collection is 80% dsmp fics -> i am not picky -> 'oh no they've got a crow-coded father figure' -> #still not rly interested in the dsmp source material -> minecraft kinda interesting tho -> wait what's hermitcraft -> and now here we are #all bc 3 years ago i wanted zuko to have a decent father figure #firelord ozai made me draw pinup art of goodtimeswithscar: the true and harrowing tale of my descent into madness #flameo hotguy or whatever the kids are saying these days

[lesbicosmos]

new silly little good omens fic!! the plan had been festering in my notes app for months so i finally wrote it as a way to ignore the physics work i have due <3

summary:

s2 ep5 fix-it where the demons don't show up so they dance and the confession happens and nothing goes wrong

#why do work when you can write gay fanfic #i rly wanna write some ineffable wives next #good omens #ineffable husbands #aziracrow #good omens s2 #crowley #anthony j crowley #aziraphale #good omens fic #my fics #ao3

[mamawasatesttube]

swear to fuckign god sometimes im like 👌 This Close to taking down sotm. and every single time i get a comment from someone with no reading comprehension who goes "I know you said no clark bashing in your authors note but hear me out: im gonna bash clark" i get a little closer

#rimi talks #to be clear its an ''i want to rewrite this bc it could be So much better now ive read more comics'' kind of desire to take it down #but i can't lie it's also an ''OH MY GOD SHUT THE FUCK UP'' desire #i do rly wanna redo it tho. with like chris and kara and [mentions of] linda now that i Know how i would handle the mae S patch thing #mmmnmnmnmnnghghghhthhrrhhrghrhghrg #''this fic is sooo good!!! i hate clark so much btw'' This Is Not For You. Leave #its always the people who go off on dumbass tangents about bruce too. like. IT AINT ABOUT HIM. FUCK OFF

[lotus-pear]

You've gave us domestic knkdz hcs now im asking for the angst one (im allergic to happiness)

oh? bet.

• the tragic knowledge of dazai sustaining mortal wounds on precarious missions and kunikida being unable to use his ability for first-aid and staunch the flow from the wound because any notebook-manifested bandages will simply turn to bloodied pieces of paper the moment they come into contact with his skin.

• kunikida mentions that in his earliest missions he would cry for days and be unable to come to work when people he was unable to save died. at low points like these, dazai would directly confront him and tell him he could not save everyone, no matter how much effort he put in--it was the inherent nature of the world. conversations like these led kunikida to take greater action instead of mourning.

• kunikida also says he visits the graves of those who died on missions, as a way of honoring them and being unable to save them. although dazai does not share this guilt, he will accompany him as they silently stand together in the graveyard. more often than not, they each bring flowers to lay at the tombstones.

• dazai seeing kunikida as the ultimate culmination of oda, both through preservation of ideals in a cruel society that seems hellbent on destroying them, and also intrinsically one of the only people that has any moral justness in a corrupt world. one of the reasons he likely latches so hard onto kunikida. the initial grief from oda's death was likely in the back of his mind...only to bittersweetly resurface when he sees him again in partner. he was enamoured from the start.

• kunikida learning about dazai being port mafia would not turn him away because of the atrocities he committed and the people he murdered. more likely, he would be shocked about the things dazai was forced to do. he would look at dazai in pity, not disgust.

#don't have much for angst unfortunately but yea asagiri should rly stay true to his promise and make them suffer together #if anybody has angsty knkdz fics hit up my asbox or dms i would love to read those #read a rly good one that my friend dropped at my feet today and i've been craving more like a horrible addiction #lotus’s asks

[khannatree]

sing us a song, a song to keep us warm.

read eyeballs to entrails by @lsoer

#im only HALF sorry i keep posting art an this fic but its just that good #anyway amity fucking killed him LMFAOOO #im joking but you have to read the fic if u wanna know what rly happened. and what happens after. its so so worth the read #gus porter #gustholomule #mattholomule #matt tholomule #toh #the owl house #eyeballs to entrails #fanart #// blood #// gore #ask to tag

[lottieurl]

here's my problem since some people want to ignore genuine criticism and act like anyone who is criticizing the writing or the pacing is "not accepting things we accepted in s1" by comparing this to doomcoming

doomcoming is. i cannot stress it enough. an episode where the characters are drugged and high on shrooms. when they chase travis and when they nearly kill him we are SHOWN they see a stag

now yes you can compare their doomcoming hallucinations to the hallucinations of it chooses but even the framing isn't really on your side here is it? when the show wants you to doubt to what extent they're really even aware of what they're doing or the level of.. delusion present it has absolutely no problem showing you that! we saw them having an ancient greek feast while ripping apart jackie's body and we saw too many near death hallucinations and other hallucinations to even COUNT on one hand

so they're aware of what they're doing when they draw the cards. while they were shown to NOT BE during doomcoming at least while it happened. and now the question is do you think we have reached that point? if you do i'm happy for you genuinely. i wish i agreed. but i just do not. when they agreed to do this they agreed to not only potentially get themselves killed they also agreed to the death of their loved ones if they draw the card. why was van shown doubting everything she believed in (including lottie that goes without saying) in the previous ep and now willing to get herself or taissa killed for a ritual meant to save lottie? and don't Tell me what you think. i am capable of making up an explanation. i can come up with a bunch of theories. but there is No exploration of that in the actual show. why was taissa fine with this? why was nat? do i think those characters are all such lottie believers they'd go to those lengths? no not really cause all they were really doing before was having dbt group therapy with lottie and then lottie proceeded to fail in all her predictions about the baby

there were absolutely ways to make this more believable (like! maybe show nat and travis get injured while trying to hunt and they start thinking it's because lottie isn't blessing them before they leave anymore. show everyone lost without someone to look up to. put more focus on how hungry they are. maybe use some makeup to make them look more malnourished. show taissa's actual sleepwalking come back - and yes i know there was that one other taissa scene but it wasn't quite enough for me to buy that tai would be all for this. unless they're pulling another Other Tai Did This surprise but it's getting a little old imo) but they rushed through it in a way super jarring. and no it shouldn't be! yes it should still be shocking but we START the show with those murder cannibalism rituals. we watch the show to find out how it happened exactly. every single viewer should be watching this feeling overwhelming dread because it FEELS inevitable that they'll decide to do this. we should be quite horrified but we should also be 100% convinced that's the choice all those characters would make. this scene is what all those 18 episodes led to and regardless of whether someone liked it or not the overwhelming majority seemed to be shocked this happened already. which. quite literally means the build up wasn't there

#im cool with people having different opinions on the show but it rly gets on my nerves when people who see no flaws in it ever #are like You Just Don't Get It if you criticize plot point or pacing or characterization #anyways i dont ENJOY being disappointed ok i wish i wasnt but alas #so i need to get it out of my system #the good news is im now open to all kinds of fanfics cause the characterization on the show is so?? that my pet peeves no longer matter #maybe the fic writers came up with a more coherent entire backstory for the adults after s1 i shall see 😌 #yellowjackets spoilers #yellowjackets blogging

[everyneji]

The blades Neji is wielding are called deer horn knives and are a traditional Chinese weapon which are associated with Baguazhang, the martial arts style which influenced the Hyūga technique.

#narutop99 #not everyneji #neji hyuga #.got rly excited when i saw this hehe #.he looks so good with them!! #.writing this into a fic immediately hang on