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#but that's probably because I still want something like this to be the bad thing and not someone to hurt them
emphistic · 3 days
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Can I request reader being really sick and baby Yuji being really worried about her while Sukuna is trying to take care of her?
A/N: hope the ppl who voted for this in the poll are happy 😡😡 — i feel betrayed because yall didnt choose the other one
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If someone who personally knew the three of you walked in right now, they would probably laugh at the current sight. Others would be surprised or confused. But little Yuuji was neither of those things. He was utterly adorably worried and concerned — for you. His little heart couldn't comprehend that you were only sick and would eventually recover. In other words, Yuuji is scared you'll die and never come back.
Then, who will tell him bedtime stories?
Then, who will kiss him goodnight and good morning?
Then, who will hold his hand while walking?
Then, who will coddle and pamper him?
Then, who will?
These were all questions Yuuji could not and would not like to answer.
But Sukuna — being way older than his brother — knew better, and he knew this was nothing too serious. But again, Yuuji couldn't comprehend that.
“Don't make me say it again, sweetheart. Now, open,” Sukuna held out the medicine for you to drink.
“Nuh uh,” you crossed your arms over your chest, backing up into the pillows behind you on the bed. You tried to stifle a cough, but you failed.
“I will pry open your mouth and shove this down your throat. Now, drink.”
You groaned, yet still obeyed. The fluid felt hot and cold simultaneously as you swallowed it.
Sukuna ruffled your hair, “See? Wasn't so bad, was it?” He retrieved the now empty cup from your hands and left the bedroom, probably walking to the kitchen to wash it, you assumed.
Yuuji turned to look at you with big glittery eyes. “I—I don't wan’ you to die. I don't wan’ you to go . . . like Grandpa.” Yuuji’s bottom lip trembled, he didn't want to cry — not in front of you, at least. He wanted to appear manly, brave, just like his brother.
You were quite taken aback at this, did he seriously think a cold could kill you? “Yuuji, come here,” you said, your tone soft.
Yuuji instantly crawled into bed — not without struggling a bit at first — and snuggled into your side, holding onto your hoodie with a white-knuckled grip.
“I will never ever leave you, Yuuji. So don't you worry your cute little head off about it, okay?” You booped him on the nose, emitting a squeal from the boy before he curled up impossibly closer to your body. You wiped away his tears.
“Y’know, I'm not going to die anytime soon. You can't get rid of me that easily.”
Yuuji fervently nodded, not fully believing you but still hopeful, nevertheless. “Yay!”
Yuuji was sad that you wouldn't be able to drive him to school that morning, but he knew you were tired. Plus, he overheard his older brother telling you that sleeping would be good for you, and the boy only wanted the best for you. So Yuuji accepted the fact, though still a little upset about it.
But when he came home from school, Yuuji ran straight to your side, where you were sitting on the couch.
“Y/N!” Yuuji jumped into your lap and gave you the biggest big bear hug a toddler could possibly give.
“Hi there, Yuuji,” you replied, before coughing. “Did you have fun at school?”
“Yeah! It was so fun.” You let him ramble and babble to you about his day, while running your fingers through his pink locks.
“That sounds like you had a really good day, Yuuji.”
“It would have been better if you were there with me, though,” Yuuji mumbled into your shirt.
You giggled at the boy, “Sorry about that, Yuuji.”
“‘tis okay!”
Yuuji snuggled into your sweater, enjoying the warmth from your body. He almost fell asleep from your massaging his scalp, but then he remembered something and gasped, jumping off of your lap.
You raised a brow, albeit not bothering to ask — your throat felt itchy. You unpaused the TV and continued watching your show. Halfway through, Sukuna decided to join you on the couch, pulling you into his side and resting your head on his shoulder.
“Feeling any better?”
“Sorta.” You coughed. “My throat kinda hurts, though.”
You rested your head on Sukuna's shoulder as the both of you watched the actors on the screen, occasionally making small talk here and there.
Minutes later, a screaming, hollering, laughing little Yuuji ran into the living room, making both your heads whip towards him.
“It is I! Dr. Yuuji Itadori! Don't worry, Y/N. I am here to help you not be . . . um, sick — anymore!” Yuuji climbed onto the couch and inserted himself in between you and Sukuna.
Yuuji was dressed in a white doctor’s coat, and had a stethoscope hanging around his neck. A toy thermometer was also in his hand.
Quickly discarding the thermometer, throwing it aside — onto a protesting Sukuna’s lap — Yuuji put the back of his palm against your forehead. And though he didn't understand what he was doing, he attempted to copy his brother, who he had seen frequently do that in order to check you for a fever.
Speaking of said brother, Sukuna got up from the couch and walked to the kitchen.
“Hmmmm!” Yuuji pulled a clipboard out of his pocket and messily scribbled down illegible words onto the sheet of paper. Then, he placed his clipboard down and grabbed ahold of his stethoscope, pressing it onto your heart and listening to it beat.
Out of the blue, a hand roughly pushed the doctor aside, and Yuuji fell off of the couch and onto the carpet. “Out of my way, pipsqueak. Y/N needs her medicine.”
“‘Kunaaaa,” Yuuji whined from the floor. “She was getting her check-up.”
You covered your mouth, muffling your giggles. “Yeah, babe. You interrupted Dr. Yuuji.”
Sukuna grimaced, scrunching up his face. “Doctor? Since when?”
“Since he was born, silly! Yuuji is a prodigy, isn't that right, sweetie?” You picked up the toddler and set him onto his lap, he immediately went to rub his face in your chest.
A muffled ‘yes’ came out from him, though he didn't even know what he was agreeing to.
Taglist: @starlets-things @sad-darksoul @mochimoee @r0ckst4rjk @lillycore @deepchromatose @yinyinyinyinyinyin @fivehoneyharg @desihopelessromantic @lich1 @hannas16 @acroso @msvalsius @call-memissbrightside
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jouxlskaard · 2 days
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Strap in, fuckers. This is a long one.
I've seen a lot of discourse and discussion recently about why TMAGP isn't resonating with listeners as much as TMA did, with a lot of people pointing towards the infrequent structure of each episode and the lack of subtlety that TMA had once excelled in. And while both of these are true, I think the main culprit that has caused these problems for listeners is one thing: the pacing.
TMAGP is only going to be 60 (Edit: 90) episodes long, compared with TMA's absolute behemoth of 200. When I'd found out about this, I'd assumed that it meant TMAGP would have a much smaller story - not having to establish as much information as TMA did, and allowing the story to have lower stakes as a result. This certainly wasn't a bad thing, as many sequels that have tried to one-up their predecessors have gone disastrously wrong, but I knew that the structure would be different to TMA as a result.
However, from the 12 episodes that we've seen so far, it appears that TMAGP is going to have similar levels of stakes to TMA - not the same stakes, of course, but they'll likely be on close to equal footing. This means that TMAGP has to establish the same amount of information to listeners with significantly less time to do it in, and the pacing has to speed up to adhere to that. In the first 12 episodes of TMA, we had established one possible recurring statement character (Gerry), a disturbing worm woman (Prentiss), and the fact that Jon doesn't like his assistant and refuses to believe any of the statements. In the first 12 episodes of TMAGP, we've established every important protagonist and what they sound like, two recurring statement characters (Bonzo and Ink5oul) with one that has already physically appeared, much of Sam's backstory and his ties to the Magnus Institute and the fact that something is deeply wrong with their workplace. That is a big difference.
This difference in pacing is what I believe is turning listeners away from what they'd originally enjoyed about TMA, because there's no longer that warm, comforting atmosphere when you listen to it. Its sound isn't designed to come from a tape recorder and a tape recorder only anymore; it's no longer a sit-down and listen to the Archivist tell you spooky stories for 20 minutes anymore; and, like I mentioned earlier, the structure is no longer the same throughout each episode. The horror anthology aspect, whilst still being there, has now taken a back-burner to the metanarrative because so much has to be established in so little time. To many, that's a bad thing. They listened to the original because they liked the statements, and the little things connecting them hinted to a much larger story at play. When this story was revealed, we got to see Jonny Sims and his brilliant prose at its best, because there was no longer anything to hide and the statements were in their purest forms - no longer having to establish information to the audience, and simply basking in the fear.
I'm sure we'll get to see the same thing in TMAGP once the narrative reaches that point, but the current pacing has uprooted a lot of listeners' expectations for the show. I'm going to listen to the entire thing, personally; yeah, it's different, and it doesn't deliver the same vibes and comfort as TMA did, and I probably won't be able to fall asleep whilst relistening to the more obscure episodes like I could before, but in a frankly disturbing way, I'm still fascinated with what Jonny, Alex and the other writers have created. This type of horror is the only kind that I genuinely enjoy, and I'm excited to see what direction Protocol goes in.
Edit: I feel like I should clarify that I don't see this comparison as something that takes away from TMAGP. Alex has said that it's going to be different from the get-go, and I do think that comparing it to TMA is an exercise in futility to an extent. I just wanted to talk about the shows together because I feel like they complement one another, and the narrative beats that I've talked about are less to do with TMA on its own and more to do with general narrative structure. We have buildup, payoff and pacing no matter what show it is, because that's what makes a story. I think TMAGP could be taken a little bit like Deltarune in terms of its relation to the original source material: separate entities with some overlap in character and themes. At the end of the day, it's still early days for the show and this entire spiel could just end up gathering dust - I just think it's a cool thing to think about, and it gives me an excuse to infodump about how pacing can affect a narrative and the audience's response to it.
I wrote this while my cat was laying on me. Have a picture as a reward for reading this whole thing.
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If Jason had been written to have atleast somewhat of a jealousy streak of Percy, then it would have made him more human tbh. Ironically I feel like the fandom would've been much more empathetic to his character, if he acknowledged that he envied Percy a little and then came to terms with it. We know that Jason's fear of being 2nd best is a very integral part of his character, I mean, Gaia taunting him with that in his nightmares was enough to reduce him into tears. and that's the ONLY time we've even remotely seen him cry. Percy had so many things Jason didn't have, a loving mom, a loving girlfriend who took a knife for him and never broke his heart, a loving camp that looked for him endlessly after he went missing, people ACTUALLY wanting him to survive because they care about him not because they need him for glory, etc. and if im being honest Poseidon wasn't even that bad of a father (for a big three god, atleast) tbh he still came to percy's 15th birthday, invited him to fishing, genuinely loved sally, she was probably the only mortal he fell in love with and it stayed that way, he was never rude to percy and stuck up for him etc. not tryna say percy had it easy or anything ofc he didnt, but there is no point in denying that he had a MUCH better support system than jason ever had.
The fact that Jason despite having none of these things was not even remotely envious of Percy made him appear like a bland robot with no emotional baggage
Compare this to Nico, who was rightfully a little jealous/idolizing Percy while simultaneously having a crush on him, also a little jealous of Jason because he was "the golden boy" who everyone respected, it made him have SO much depth and the fandom loves him (rightfully so)
also, leo. He was resentful of Percy up until blood of Olympus because of how everyone loved him, how Calypso fell for him almost immediately, etc. it's very realistic.Jason feeling a little resentful of Percy and then later talking it out would've made his character much less of a shallow stereotypical nice guy that ppl dislike.
maybe Rick could've expanded on Jason's jealousy of how quickly camp Jupiter accepted Percy and how quickly Reyna made him praetor, when jason himself had dedicated his whole life to it and was only made praetor in the last couple months, how camp Jupiter and his supposed friends never held a memorial for him even after they thought he was dead, etc. Also how Percy spent more time with thalia than jason ever did, we know he did feel a little envious since he mentioned how much he wished thalia looked for him the way she was looking for percy
I would've loved to see Jason being a little cold to Reyna too because of this and then they later talk it out, since it's VERY realistic, I was surprised with how quickly jason shrugged the whole Percy- being- a -praetor thing off, I thought he'd have felt a little betrayed by Reyna considering that they were childhood friends, and reyna never really sent a search party or something after him like annabeth did, gods, the amount of angst potential this man had i love him ugh
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rifualk · 2 days
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On Mental Health and Cosmic Embarrassment
I don't usually make a post in the aftermath of one of my spirals, so I bet most people see some of the vent posts I make, and assume I am just off my meds or something. I am on them but I might not be on the right ones. This is a thing that happens to me sometimes. I have psychotic episodes, where it feels like the things I am saying are completely inconsequential and I genuinely believe no one cares what I'm saying or, worst of all, that it cannot scare anyone that cares about me. I get too tired to fight my intrusive thoughts and I just ride them out. Most of my thoughts are not ones I enjoy having. I have trouble parsing what is real sometimes. For most of my life, out of a kind of primal shame and terror of being perceived or judged, I beat myself into believing that I just roleplayed as a crazy person online because I wanted attention for it, but it finally clicked for me at some point in my 20s that I was, and am, genuinely very mentally ill, maybe in ways that make me not-entirely-functional in the culture I inhabit. Also, I want attention for it.
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Life is very embarrassing. I think embarrassment, shame, et al. is probably the most cosmic feeling of them all, because being embarrassed, for me anyway, leads invariably to my OCD extrapolating the embarrassment, no matter how slight, into its natural extreme, becoming a full-blown existential meltdown and often manifesting in some self-punishment. Or a lot of self-punishment. Instead of saying "everyone wants attention, it's not a big deal", my brain will overwhelm me with shame and make me vow to be quieter about the whole thing next time. Good emotions are meant to be expressed, I tell myself, and Bad ones are not. I think it's very unhealthy for people to not express their negative emotions openly. Or maybe I'm psychotic. I mean, I am psychotic. But maybe right now, too.
Ultimately this feeling peaks with the realization - again - that I'm a eukaryote. I live on a spinning ball of stardust in the aftermath of what had to have been a colossal disaster and waste of time. But it happened, and so now there's a bunch of stuff floating around, and some of that stuff started moving for reasons I don't personally understand and the implications of which scare me. And the moving stuff that moved faster got to stay moving longer. And so a chain reaction escalated, and eventually there were very large moving things whose survival adaptations had evolved in such a way that they could conceptualize and communicate complex information about the world around them, but they were also able to conceptualize themselves. This gave them a lot of grief. They wanted very badly for there to be an answer to why they were able to do that. Surely it served some purpose. But we never found one, and here we are.
I don't have a god to turn to. I have tried - earnestly, sincerely, and desperately - to reach out; I never hear back. I don't want to be an atheist, it's heartbreaking. Honestly. I want someone to be up there, or out there. Knowing there isn't, is just... cruel. It's horrifying and it wrenches my heart. Look at us, look how much we're suffering, where the fuck did you go, what the fuck is your problem? Help us!
In spite of everything, I am still not sure what I believe.
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Don't you ever just cry about the world? Like, broadly? Don't you ever just have to take off your glasses and wipe the brine from them because you caught a glimpse of what people, as a species, could be capable of? And I get angry at myself, too. What am I doing about it? What even can I do? I can barely hold down a job. I am barely an adult. I am often mired in this feeling. It permeates everything. I'm living in a tragedy - not just my own, but millions and millions of others'. This is a nightmare. It's a nightmare and I'm an embarrassment, and my brain doesn't work right, and I'm living in a terrible reality that is shared by everyone, and yet somehow equally isolating and alienating to all of us. Does it have to be that way? Aren't we all lonely?
When I am spiraling I really do think that the end is near, either for me, or for everyone, or for both. To be fair, my confidence about humanity's future is not promising even when I am at my most sane. But in this kind of emotional place, the stakes are too high for me to care that what I say might come off as upsetting. It is completely overwhelming. I see my life up to this point, and I see how long I've been alive and realize I'm very Not Normal and I look and sound different than everyone around me and I'm an embarrassment. It's embarrassing to exist. It's embarrassing to be transgender, too. It's really, really embarrassing to be mentally ill and fully aware of it all the time. It's shameful. I am ashamed of how my family likely sees me. How my peers see me. I'm just a walking disaster. I feel like this bars me from leading a happy life or finding some success in art - It doesn't seem like you're allowed to be quite this much of a problem and "get away with it", does it? There's a bit of social sanitizing at work there - you are only allowed to be a certain level of messed up and if you pass that you're sort of a pariah. I don't think I've ever done anything pariah-worthy, but I can only see things from the inside of my own head, and there's a lot of unwanted noise in here.
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I painted this when I lived in Oregon. I don't know how. I could not do art like this again if asked.
I'm not in a good place, generally-speaking. It could be worse - and it was for a long time- but it's still just not great. There are two reasons for this. One is that I'm very homesick. The other is that I found - and subsequently lost - my twin. But I only want to talk about the first reason right now - I grew attached to the Pacific Northwest in a way I've never really grown attached to any other place. It had a quality that exists nowhere else. It resonated with me immediately and I knew right away from the moment I first set foot there that it was my home. I grew to be a part of it, and it's the only place I felt I somewhat-belonged... I have been away from Oregon for 2 whole years as of next month. I feel like I'm a fish out of water, or a sapling in the wrong soil. I can't and won't say that the place I live currently is a bad place, but it isn't my place, and the disconnect has been maybe the nastiest shock to my system in all my life. Finding the place I loved, and living for over 12 years there, only to be wrenched away from it so suddenly, left a shock on me that I think has yet to surface in my work. I'm excited to see what form it takes when it does. Location is very important to my mental wellbeing, more than I think it is for most people. Maybe I am a plant. It's also very important for my art. I've struggled to find inspiration since I moved here. That said, I've had the very precious opportunity to just work on myself - on my transition, as well as my personal issues. I think I'm getting better, gradually, in some way. I have a job now, at least. So it's not entirely bad. I even grew sunflowers last summer.
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Around this time I got banned from twitter, but I don't feel any shame about the reason why because I believe in my message. But it forced me to be a lot less active online for a long time. It also made me lose a lot of support. That's been something I've grappled with a lot these last 2 years - that people really don't like people like me, for reasons that are mostly not our fault. I will likely always be something of an outsider for being who I am now, but I was one before anyway. It's still worth it. I like the person I'm becoming. I feel like only recently did I allow myself to feel this self-love. I was too embarrassed of myself. It took a lot of patience and a lot of de-tangling my self-worth from a lot of trauma. So it's likely I would have needed to go through all of this regardless of where I was.
I still slip up. It's an uphill climb and it's slippery. I like to be transparent about these things. It's a relief - feeling like I need to hide things is my default state and it's lovely to just let go of stuff so I don't need to keep it in my head all the time. I have a lot of hangups still. I get discouraged about my art still - I fear I'll never build myself back up to where I was before, and that there will never be a time when I can really pay the bills with it. Or worse-still, that it just isn't special enough to last. That it isn't remarkable enough to survive after I'm gone. But I think a lot of people who make stuff feel that way, and it's not our fault. There's some relief in that. I'm happy to have even a few people that care about me and my work, and something I've been trying really hard to remember in recent years is to take time to appreciate them. I'm not actually alone. I have a lot of people that love me. I'm not an outsider. I'm very lucky to know the people I do, and I hold a deep regret for all the connections I've let go of because I was just too sick. Deep down I really do wish I could love everyone. I have no ill will towards anyone, not really.
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I still don't know what I'm doing. I am just doing my best, I think. I'm really, really tired. I don't want to get any older. I'm scared of the passage of time. My memory is so bad, it feels like time is taken from me without me realizing. I am 33 years old. I do not have 33 years worth of memories. There are huge leaps. Gaps where suddenly I was just older and in more pain. Being adrift in time like this is horrific - one day I will blink, and the present moment may be completely forgotten. It can't go this fast. It just can't. Something has to be wrong. I don't want to die, I don't want to miss out on so much life or be unable to remember it. I don't want to find myself on my deathbed someday way sooner than I think and be unable to string together any kind of coherent thread from my memories. What is it all for? It has to mean something right? Why am I doing anything?
I think I finally understand that love is why. I don't know much more than that. Love is real, and it's the answer. If you find love, don't take it for granted, ever. No love is perfect. Take it with all its flaws. You don't have time to bargain with it. Love like you'll never love again, love like it's your last day alive, love like it will keep you alive forever, because it will. Every year closer to death you get, you will feel the regret of all the times you did not follow your heart. Life is short. I'm finding this out entirely too late. It goes by so fast, and what you have at the end are people and memories of being loved. To be loved is to live forever. It's the thing that connects us to everything else. It's the source and the answer to everything. It makes more sense the older I get. It used to sound cheesy, but I believe it with more sincerity every day.
youtube
I kept my last promise to you - there are no new scars on my arms, or bruises on my head or face.
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whateversawesome · 1 day
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Spy x Family Code: White Analysis
I finally saw the Spy x family movie Code: White!!
It was fantastic. I loved it 💖
Here's what I think (spoilers below the picture 😉):
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Twilight
It's super evident Twilight cares A LOT about his family. As soon as Handler tells him someone else will take over Operation Strix, he's worried and, during the movie, he goes around like a crazy man doing all sorts of crazy things to keep his family. Nevertheless, the biggest giveaway about this happens when:
Twilight puts Anya before his mission!! Yes, you read right: Agent Twilight receives a direct order from WISE telling him that recovering the microfilm had priority over rescuing Anya and Mr. Spy puts his daughter's safety first and goes to her rescue (which eventually led to getting the microfilm back, but still).
Yor
Yor is a total mom here. She protects her baby and plays with her too 😌 She acts like a mom too because she's always trying to keep the family together; she's the one who reminds that to Loid when he's all frantic working. Here, Yor displays one of her best quality: emotional intelligence. And of course, during the movie at the big fight scene she looks like a total badass.
Now about the big Twiyor moment...
Like I mentioned before here, there's a fake and a real Twiyor moment in the movie. The fake Twiyor moment happens when Yor gets drunk and asks Loid to tell her how he really feels about her (!!!)...before passing out 🫤 You've probably seen plenty of images about that:
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The real Twiyor moment happens later, thanks to the captain of the Twiyor ship 🫡 Anya Forger, who pushes her parents to ride the Ferris wheel alone so they can flirt. Here, Yor tells him (crying) that she saw him with his "girlfriend" and Loid clarifies it was just a random stranger (it was Nightfall) asking for directions. This is when the real Twiyor moment happens:
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Listen, we could argue that Twilight here was being a liar and trying to fix the situation between them "for the mission", but I choose to believe something different. In my opinion, Twilight was being sincere and he wanted not only to reassure Yor but to pour his heart out and reassure himself. Come on, the man repeated their wedding vows! He was getting carried away (it was too much for our shy Yor) and if it wasn't for Yor punching him out of the Ferris wheel, I think this would have ended in the Twiyor kiss we've all been waiting 😆 (maybe one day!).
Something worth mentioning is that when Twilight and Yor get off the Ferris wheel, Anya reads their minds, but we don't get to know what her parents are thinking 😏 she just smiles and that's how she knows everything is okay between her parents. Little sus, right? I am sure Anya knows what's really going on between those two (read about that here).
This happens again, when Twilight rescues Anya from the kidnappers. We all know Mr. Spy is bad at expressing his emotions, so when he's finally reunited with his daughter, he doesn't show much of anything. Anya hugs him, picks her head up and reads his mind. Just like the last time, we don't get to know what Anya reads inside her papa's mind, but she smiles. Funny how this only happens twice in the movie, in both occasions related to his wife and daughter 🤔
So now, the big question: Is this movie canon?
In this case, every person who sees the movie can form their own opinion about that. In my opinion, since there was no identity reveal nor anything that would change the plot in the manga, I think it's okay to consider it canon. So, until the author says it's not canon, I'm going to consider it part of it.
Overall, it was a fantastic movie, very funny, with plenty of Forger family moments and that something that makes Spy x family so special 💖
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satansaidnottoday · 3 days
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When you get sick
Based on the Uno reverse Beel pulled in the last post.
Info: Human AU, GN!Mc.
Summary: You've got the cold and now your boyfriend must take care of you.
Warnings: general talk of sickness.
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Lucifer
Has "do what I say, not what I do" energy. 
He urges you to take time off and rest. Says it's very important to relax for a timely recovery. Be sure to remember his exact words for the next time he is sick.
Will try to get out of work earlier so he can take care of you. He calls you throughout the day to see how you're doing and if you need anything. If you're in a really bad condition, he will take time off to take care of you.
He can't cook, but will order any foods you like. 
He will cuddle you if you ask, but won't offer on his own. He is a little scared of it being contagious. 
When you feel better, he won't expect anything from you but will accept any gestures of gratitude you give him.
Mammon
Whiny.
Thinks you're going to die.
You have to reassure him that it's just a cold every thirty minutes. I will try to get you to the hospital anyway.
He is completely at your service from day one. Do not dare move a muscle; the great Mammon has everything covered for you.
You have a fresh supply of hot tea always by your side. He makes sure you get all of your meals. He keeps a tally of every medicine you need to take. You basically have a personal nurse.
Lots of cuddles and massages.
If you're trembling at all because of the fever, he will hold you as if you were having a seizure.
He cries a lot when you're in pain, probably more than you.
When you're feeling better, he will expect at the very least a thank-you gift. A shopping spree would be preferable.
Leviathan
He doesn't know what to do.
Finds everything to be too overwhelming. He is really worried about you and wants to help, but he has no idea how to take care of a sick person. So, of course, he goes back to the person who used to take care of him when he was sick. Mammon.
He tries his hardest to be just as supportive, but it doesn't go well. The tea is always too hot or too cold, he only knows how to make ramen, and he keeps forgetting about the ibuprofen!
In the end, the best he can do for you is bring you more tissue boxes and lay down by your side while you watch movies. You reassure him that this is more than enough, but he still feels a little guilty.
When you feel better, make a great spectacle about how helpful he was. He did miss a butch of seasonal releases just to stay with you.
Satan
He will insist you take time off the moment symptoms start to show.
Shows up at your house with a butch of medicinal herbs. Mint to open up your nose, lavender to help with the headache, cardamom for... Something? He knows it had some healing property, but seems to have forgotten. He makes you some soup with it just in case it was important.
Won't go near you, even if you ask. Most he'd do is help you get around if your muscles are aching.
He will tell you about his latest read and how it made him feel. If you have read it, he will ask you to compare notes. Just trying to keep you entertained any way he can.
He brings all of his favorite tea blends for you to try out.
He won't expect anything in return for his care. He loves you, and that's just what you do for the people you love.
Asmodeus
Whiny 2.0
"My poor, beautiful thing."
He might not know a lot about caring for the sick, but he knows a lot about self-care. You will still have a runny nose, but your skin will shine, baby. 
He will pamper you. Have all of the blankets. Sleep for as long as you want. Ask for any food, and he will get it for you. With unlimited snacks, you can even have his favorite chocolates. He will watch all of your comfort shows and movies with you.
Baths, many baths. They are really good when you're sick; they relax your muscles and help the bad energies leave the body.
As soon as you're feeling good, it's his turn to be pampered! So better be prepared.
Beelzebub
If nothing else, you're well fed.
All healthy meals, he won't let you indulge in sweets. Your body needs protein and veggies right now, and he will have them for you at every meal. 
Will cut fruit for you as snack.
Pushes you to do some light exercises when you can. Sweat out the sickness.
He is very supportive, constantly telling you you're going to be okay. He will stay by your side every single minute.
He will carry you around if your muscles are sore.
When you're feeling better, he will make you desert. For the days he has you surviving on steamed broccoli and rice.
Belphegor
This is actually great news.
He gets to cuddle with you all day, and you won't be able to escape. He can even use you as an excuse to take a day off. No work, no school, just napping with his favorite person. Every day should be like that.
If only you didn't have to be sick for it to happen. 
He doesn't know much about taking care of someone. Being the youngest one, everyone else always took care of him. But he doesn't like seeing you hurt, so he will try his best.
The best medicine he can offer you is a good nap in his arms, but he will try some of Satan's medicinal teas. If needed, he will get Lucifer to drive him to the pharmacy. 
He doesn't know a thing about eating healthy, so you will get a diet of chips, pastries, and candy.
If you manage to get better, he will whine about not having your full attention anymore.
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Thanks for reading!
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ineffablelunatics · 2 days
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The Good Place and Crowley
A while ago, someone sent an ask to Gaiman. It went as follows, “In the book, ‘Golden Girls’ was Crowley’s favorite TV show. Is that slo TV Crowley’s favorite or does he have a current TV show that he prefers?” He answered, “I think he’d love the ‘The Good Place.’”
The Good Place is one of my favorite shows. I completely understand why Crowley would like it. It has some of the best debates of the philosophy and ethics of modern day society including the afterlife. It argues that people should not be defined as good and bad. It shows that people can improve. It tells us why and how they improve.
There’s two things about Crowley that really connect him to these thoughts. 1. Crowley does not like to be defined as good(or nice). Though we haven’t really seen that include bad, I would assume that it would be the similar thought. It also might have something to do with Aziraphale saying those things specifically, but that’s another post. 2. That people are not defined by what happened to them, and that means that anyone can improve.
Crowley fell from Heaven. He fell from grace which made him demon which means that for all intents and purposes, he should be evil. But he isn’t. Crowley doesn’t ever really commit truly evil acts. Any truly evil act that Hell thinks Crowley committed, humans committed. Crowley just took the credit. Crowley likes the thought that people can change. In Hell, he sees tons of people who are awful, but he also sees people who just made some mistakes. He sees demons who are like him who don’t find joy in treating people terribly. He’s seen angels causing harm happily, but others giving away joy like lollipops.
Those two things are fundamental in the show, The Good Place. I would argue Good Omens as well. If Adam had always been treated like he was evil, he probably would have never had friends who he genuinely cared about so much so that their fear pulled him out of his power drunken state. If Aziraphale had assumed the snake was evil(if he even saw him lol), then smited him, where would Crowley and humanity be? The demon with the imagination burned to ash and humanity living with almost decision-less whilst tucked neatly within Eden’s walls. If people couldn’t improve then Shadwell would have never been able to put aside his fears and foolishness so that he could love Madame Tracy and show it. Gabriel and Beelzebub would still be planning Armageddon 2.0 if they hadn’t moved on and fell in love instead.
The Good Place reminds us of the things time and time again. Each of the four main characters get reset, and every time, in the right circumstances, they always become better people. They are also never really defined as good and bad either. At times, others try to define Eleanor as a bad person, but every time, she reminds them that, yes, maybe, she shouldn’t be in the Good Place, but at the very least, she should be in her very own Middle Place. Every time, Chidi teaches her how to become a better person(which only works, because she wants to be one) and in the process, he becomes one too. Just like Gabriel and Beelzebub.
This was way longer than I expected it to be, but here are some quotes from The Good Place and where I think they would fit into Good Omens whether that be place and time or people and relationships.
“Sometimes, when you’re feeling helpless, the secret is to help someone else. Get out of your own head. Trust me. The next time someone asks for help, say yes.” This feels like the whole of S2, specially Aziraphale with Jim and then Maggie
“If you have bills to pay and shit to deal with you don;t have time or energy to become a better person.”  The Resurrectionists in 1827 with Elspeth and Wee Morag
“If there were an answer I could give you to how the universe works, it wouldn’t;t be special. It would just be machinery fulfilling its cosmic design. It would just be a big, dumb food processor. But since nothing seems to make sense, when find something or someone that does, it’s euphoria.” All the couples in GO, but that quote right there seems to be how Crowley and Aziraphale has been holding on for so long
“I guess all I can do is embrace the pandemonium find happiness in the unique insanity of being here, now.” Nina specially during The Ball
“People improve when they get external love and support. How can we hold it against them when they don’t?” Beelzebub and Gabriel
“We have no plan. No one’s coming to save us. So... I’m going to do it.” Aziraphale(specifically him at the end of S2 in my opinion)but also just everybody in S1 with Anathema, Agnus, the Them, Aziraphale and Crowley, just all trying their best
“If soulmates do exist, they’re not found. They’re made. People meet. They get a good feeling, and they get to work building a relationship.” All the couples, but especially Aziraphale and Crowley with the Agreement, they were working on their relationship before they knew they were even working on their relationship
“What matters isn’t if people are good or bad. What matters is if people are trying to be better today than they were yesterday. You asked me where my hope comes from? That’s my answer.” Crowley, because deep down, at the end of the line, we know that he’s an optimist
*reminder that all of this is my opinion, if there’s anymore quotes you would like to add, please do, some of the information might be incorrect
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myloveismineallmine · 11 hours
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okay apparently watcher released an apology so here's my thoughts (not asked for):
it was decent, as far as youtube apologies go. I don't understand why people are now saying that people overreacted when we probably wouldn't have gotten an apology if no one said anything? like being critical of things is okay, you know? and in this case it led to the right outcome.
I also don't think it's wrong that people started criticizing the content at watcher. especially after being told they had to pay for it, like you're gonna become more critical of things when you're being asked to pay money for it instead of it being free. and when the product is becoming more expensive to produce but it ends up being less entertaining, that is not a good thing (*cough* ghost files)
watcher 100% needs someone to budget their money, idk who is in charge of it now, but they really don't seem to be doing a good job. production is expensive, but you cannoooot be making projects as if you have a disney/warner brothers type budget when you're an indie studio. even with the streaming service money, this will still be an issue. they're trying to grow their company way too fast, and it will lead to them going under completely if they're not careful. you can't rely on the fans to bail you out when you make bad choices.
also, they need other on-screen talent. like the try guys have been struggling for awhile now, but at least they were smart enough to get people like kwesi and johnny to be new cast members. ryan and shane are 1000% burnt out, they need other talent. I remember they had a show with one of the staff members(?) but it only lasted 3 episodes and then they just stopped it. obv it didn't get as many views, but you need to build an audience and that takes more than 3 episodes to do. if they want to actually produce more content (which would help make more money and make their huge staff actually make sense) they need new people to be on screen. look at dropout/GMM/smosh. bigger casts, way more output. putting steven and andrew as hosts is actually a good choice i think, but sadly they're choosing to have them host one of the most expensive shows to produce. when you're making food content, why are you starting with the pricey international restaurants? start at del taco or something. build a bigger audience to justify the costs. look at eat the menu; the first episode was literally taco bell, and five years later, NOW they're doing fine dining. because they can put more money into it, because they KNOW it's one of their more profitable shows.
idk. acting like there still isn't problems is so strange to me. they apologized, that's a good thing, but it doesn't solve all the issues that have been brought to the forefront as a result of this whole debacle.
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strawburry01 · 1 day
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Enjoy the Silence
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Summary: (college) Aaron and Y/N at a halloween party where someone gets a little drunk. Still a little conflicted angsty. Don't need to have read the other stuff leading up to this but it helps!
Word Count: 3k
AN: Guys, why do things keep happening to me? I sprained my ankle so bad running after this exchange student I met like, two nights ago, and he just laughed! SMH. Forgive me for how terribly this may read near the end- I'm just trying to get something out. I'll edit it later (maybe) (probably not) (oopsies!)
It had been about half a year of you and Aaron studying tirelessly in the library, but it wasn’t for nothing. Both of you were getting the highest scores on the exams in class and had, by the grace of god, made it onto the Dean’s list last year. It left both of you more determined than ever, but also more inseparable than ever. At this point you were both either at the library, class, or at each other’s place, much to the dismay of your roommates who would like some peace and quiet some nights. Luckily for them, this was one of the nights you were both out of the house, as it was Halloween. Well, the Friday before Halloween. Nobody really wanted to party on a Monday night.
Aaron and you had fought about matching costumes for a while because you refused to dress as Sandra from Grease because you thought she was such a pushover and gave up all her morals for Danny, even thought it would’ve made for a really good costume. He eventually gave up and just admitted he wanted to wear his leather jacket and didn’t care what you dressed as.
Well that is until you met him at his house in a matching leather jacket. He shut the door on your face before you could open your mouth.
“We are NOT showing up to a costume party MATCHING,” he shouted from the other side of the door.
“Aaron you said you wanted to match though!” you shouted back, trying to hide back your laughs.
“You know what I meant Y/N and it wasn’t this!”. 
“Oh come on you kill joy everyone is going to be so jealous of how cute we look!” you laughed as you shoved your fists in your pockets, thinking you looked damn good. You heard him shuffle around on the other side of the door before finally opening it with a dramatic sigh and eye roll.
“You kill me,” he sighed as he started down the porch, letting you catch up to him. You smiled as you stepped into pace besides him. You were heading to one of his friend’s party’s for the night. Aaron insisted it would be fun, but he’d brought it up enough you were getting a little suspicious. Aaron started talking about his roommates' failed cooking attempts as you lit a cigarette between your lips. 
“You’re smoking?” he asked, stopping his story and turning to you as you puffed out a cloud of smoke. You turned away trying to hide it from him.
“So what? You worried about me?” you hummed, trying to diffuse his anger as you ashed the cigarette end. He rolled his eyes and focused back onto the sidewalk.
“That’s bad for you y’know?” he stated matter-of-factly.
“I do know Aaron,” you responded in the same tone as you tapped his shoulder with your free hand. He always hated when you started smoking. It was a cycle you’d gotten yourself into at the beginning of this year starting every few weeks and then quitting whenever Aaron would start stealing and hiding your packs. You smushed your cigarette into the ground once you were finished right outside the house. Aaron had put on some sunglasses to add to his costume which you giggled at. 
“Stop it, you know I look good,” he said as he threw his arm around your shoulders lazily leaning onto you as you both stood in front of the door. You laughed more and patted his chest as you snaked an arm behind his waist to steady him. His friend whips open the door and the noise of the party booms onto the porch. 
“Aaron! Y/N!” he shouted, the scent of alcohol already emanating off of him, “you made it!”. Aaron hugged his friend and started talking as you nodded your hello and slipped into the thumping house, letting the two catch up. It was already packed somehow even though it had just begun, that’s what they’d get for inviting a bunch of nerds. There were several black cats of varying authenticity, a few Gene Simmon’s look-alikes, a smattering of half-assed Jedi, and a fair amount of suspect Spidermen and other superheros. You smiled peacefully to yourself, despite the chaos around you, taking in the moment and what all led to you even getting invited to such an event. You slipped a hand into the cooler to grab a beer and cracked it open to start sipping on it as you watched the crowd. You’d always been a bit of a wallflower, while Aaron was the chatty one. Sure enough, he was still chatting with his friend, just as energetic as he was before. Your old lab partner Jen spotted you at the party and danced her way through the crowed until she was by you.
“Ohmygod Y/N, so great to see you!” she shouted over the speaker. You stifle a smile seeing how out of it she was.
“Jen, how are you?” you asked, trying to be sincere, swishing your drink. She nodded enthusiastically.
“I’m so great Y/N. Who do you know here?!” she said back. 
“Uhm, I’m here with Aaron,” you admitted bashfully. Sure enough Jen responded with raised eyebrows and a shoulder nudge.
“You guys are still talking? That’s going gooood?” she said, leaning closer and waggling her eyebrows. You playfully scoffed and pushed her away.
“You know it’s not like that Jen, we’re just…friends,” you said, glancing behind  her at Aaron still gesticulating a story to his friend. She moved her head to block your view.
“Sure and is that why you guys are wearing matching costumes?” she accused. You rolled your eyes and sipped the beer.
“It wasn’t on purpose,” you said under your breath. 
“You’re blushing!” Jen giggled obnoxiously as she shook you by the shoulders, to which you swatted her away and tried to shush her even though he was across the room. She aww-ed at your shyness and eventually calmed down. “Okay okay, but still-” she said, “you two are cute together,”.
“Thanks,” you mutter under your breath, looking around the room for Aaron again only to see he had finally moved away from his friend. Where did he go? 
“Hello Jen,” he suddenly chirped, appearing besides you, double fisting two red Solo cups. “Ah cheers,” he said quickly clinking his cups to your beer. 
“Hello Aaron!” she smiles back with a toothy grin, “Ugh you two look so good,” she said looking at both of you. Aaron smiled and looked down at his own outfit before looking at you and nodding, confirming her compliment.
“Thank you Jen, you look good too,” he said back, eyes glancing over her and her fairy costume. 
“You’re too sweet Aaron,” she said, “Okay okay okay I’ll leave you two alone, say bye before you leave!!!” she said in an airy tone grabbing both of your forearms before wandering back into the crowd. Aaron silently took a sip of one of his drinks and smacked his lips before looking back down at you.
“She’s- something!” he remarked. You nodded and matched him with your own sip. 
“She’s nice, just a bit of a party animal,” you agreed, “like someone else I know” you chuckled, elbowing Aaron.
“Pfft as if, I just like talking to people. Unlike soooome,” he retorted, elbowing you back.
“Let me catch up to you then I’ll get social” you jokingly grumbled, taking another sip. He snorted.
The party continued and Aaron and you split again. Sure enough, you do warm up to chat with your classmates and friends as you keep another beer in hand. You feel a buzz starting as you laugh loudly at someone’s joke as you attempt to land a ping pong ball into a solo cup across the table. You miss and loudly shout ‘SHIT!’, only to quickly feel a body pressed against your back, a hand holding onto your hip.
“Let me try for a redemption shot,” Aaron laughed, reverberating in your ear as someone hands him a ping pong ball. He completely misses and you both burst out laughing, and you take the opportunity to lean back on his chest, only to have his grip tighten on your hip. “I didn’t say I was going to be good,” he defended himself as you watched the opposing team try to make their shots. You reach behind yourself and pat his cheek.
“Sure you are,” you tease back, feeling his warm cheek under your hand before you go to grab another fumbled ball. It’s crazy how bad hand eye coordination gets when you’re drunk. You weren’t complaining though. Having Aaron this close was…nice, but you would never really admit it. The game continues and you two end up losing, but just barely. Aaron happily finishes the drinks as you insist you can’t handle any more, mostly because you’ve seen how long it’d been sitting out. Aaron’s fraternity brother tendencies came out whenever he was trying to impress people with these games. 
You expect him to step away once the game is done, but instead he stays right where he is, moving his arms up they’re wrapped around your shoulders, keeping you close. He sets his head on your shoulder blade and sighs.
“You alright?” you ask, tilting your head to look at him. You felt him nod onto your shoulder.
“I’m doing just swell Y/N,” he says, knowing he doesn’t need to shout, which makes a chill run up your spine. He tightens his grip for a second before changing his mind, “can we go to the couch actually,” he mumbles to you. You obliged and started to weave your way through the partygoers back to the living room where you know there’s a few couches. Aaron doesn’t let go, despite stumbling a few times into your back. You throw some coats left on a couch onto the arms of it and sit down, Aaron finally releasing his hold. He flops down, laying his head on your lap, leaving his legs dangling off the end of the couch. He grumbles and groans as he throws his sunglasses off into the void of people dancing. “Y/N…I’m getting the spins,” he groans as he rubs the heels of his hands into his eyes. Oh shit, Aaron’s actually drunk.
You can’t help but gently place a hand on his hair and run your fingers through it.
“Poor Aaron drank too much?” you asked in a sing songy voice.
“Don’t baby talk me,” he whined as he lowered his hands and kept his eyes firmly shut, “can’t you just make me feel better,”.
“What would make you feel better?” you ask, raising your eyebrows to yourself. His eyes flashed open and he opened his mouth to say something, but instead of words he shoots up and promptly throws up over the side of the couch onto the ground. Yeah, good thing you didn’t drink that shit. 
You make him lay down on the couch as you tie up your hair and start trying to clean up the mess. Aaron’s friend finds you trying and grabs your attention.
“Y/N, yeah? Don’t worry about it-” he said, not seeming stressed, “I got this if you just uh, promise to get him home,” he said, tilting his chin in the direction of the still groaning Aaron. You nodded dutifully, you would much rather take this deal. After a few minutes of convincing you’re able to coax Aaron to his feet, leading him out before he can throw up on the floor again.
He does throw up again in the lawn and you try to pat his back to make him feel better, although you’ve never really seen him get sick from drinking so you’re not sure if you’re helping or harming. The two of you are able to make it back to his house, in only twice the normal time due to his drunken ramblings requiring perfect stillness in the middle of the street. 
“Y/N, you know I love you right?” he says bluntly the moment you pull the key to his house out of his jacket pocket. You froze. You know he doesn’t mean it like that, unless he does. You can’t really trust him with how half-shut his eyes are right now.
“I uh, love you too Aaron,” you say, forcing a bit of a smile into the corner of your mouth as you open the door to the dark house. Dammit, he’s not shuffling back into his room without a tumble or waking up the whole house. “We’re getting you to bed okay?” you say to him, as you hold an arm around his waist to steady him.
“Can you spend the night? I love you,” he said through his mumbles as the two of you stepped into the house. He leans his head down so he’s just speaking into your hair. 
“Aaron I don’t know I-” you try to interject.
“But I love youuuu and you never spend the night,” he whines like a teenager as you kicked open the bottom of his door to try and avoid a clatter. You sigh as you navigate him to his bed and let him fall onto it.
“Take off your shoes ya drunk,” you say as you cross your arms and flick on the lights. He hisses at the bright lights, but does kick off his boots before trying to get under the blankets. He eventually opens his eyes again and looks at you.
“Please spend the night Y/N,” he says softly, opening the blankets, “I just want you here,”. You’d spent the night before with him, but usually just on the couch after falling asleep on his shoulder during a movie. Did he actually mean this? Or was he just that drunk? “Please?”.
You can’t say no to this guy’s face. You sighed  and kicked off your own shoes and hit the lights before crawling into the area under the blanket. You can hear Aaron trying to form a sentence but he just mumbles words as he pulls you closer by the small of your back. You give in and rest your head on his chest, hearing just how fast his heart is beating, glad it isn’t just your own. 
“Y/N?” he finally gets out, breaking the silence of just the two of your breaths. 
“Yes Aaron?”
“Don’t leave me,”.
“I won’t,”.
You feel him slowly rubbing your back before eventually falling into a loud snore. He’s lucky he was handsome, otherwise you’d be smothering him with a pillow. Eventually you’re able to fall asleep into the darkness, trying to not overthink things.
You wake up to sunlight hitting you directly in the eyes through the window across the room. You groaned and turned to try and hide your face, remembering at the same time you were in a bed that was not your own. You groaned as you realize Aaron isn’t in bed anymore with you. Shit. You sit up in the bed, rubbing your head groggily. As if on command, Aaron swings the door open with two cups of coffee. His face brightens as he sees you’re awake.
“Good morning Y/N,” he says, his morning voice making your stomach do a flip. Well, either that or the residual alcohol. 
“How are you feeling?” you ask him, as you gratefully take the cup. 
“Not the best, I can’t lie,” he admits as he sits at the foot of the bed. You wished he’d just come back under the covers though, “I don’t really remember coming back home,” he says as he takes a sip of the coffee.
“Do you remember any of last night?” you asked. He shrugs, still facing the door.
“I remember doing really bad at beer pong with you,” he offered, rubbing the back of his head, “was I embarrassing? Oh Christ what did I say-”.
“Nothing! You just threw up on the floor, and then I uh- took you home,” you nodded, agreeing to yourself on this story.
“Mmm,” he hummed, before silence took over the room again. He didn’t ask what you were doing in his bed. He didn’t admit that he did remember some of the drunken haze. It wasn’t lying that he didn’t remember the walk home- he really didn’t- but he did remember you unlocking the door. And he vaguely remembered admitting he loved you.
For now though, the silence was welcome. The two of you sipped your coffee. 
“We didn’t fuck right?” he asked, only to be met with a pillow to the cheek.
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The Missed Potential of WISH
It’s funny.
Last year, I really wanted to watch the new Wish animated film from Disney.
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While everyone else were hating on the art and animation style, I actually kind of liked it and was genuinely looking forward to possibly viewing it on the big screen.
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Then the reviews came in. Needless to say, I didn’t watch Wish.
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I remember a time when people used to complain about Disney making “too many love stories”. Then Disney stopped making love stories leading to films like Moana, Coco, Encanto and even Turning Red, which weren't bad.
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Following the failure of Wish, the biggest complaint I’ve heard for that film is that “it probably would’ve been more successful if it were a love story”.
The last romance Disney had we’re the protagonist was a “black girl” was Tiana from The Princess and the Frog which was technically their last 2D animated feature film.
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And don’t get me wrong, til this day, The Princess and the Frog still tracks. Second to Tangled, I still very much love TPATF and it's one of Disney's classics that definitely have the rewatchability.
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That being said, Wish is the first Disney film I've seen where the missed potential of what its story was originally supposed to be (herego a love story between a human girl and shape-shifting star boy) versus what we actually got is more popular.
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Aww Disney, what were you thinking?! How could you think a film where the main character, who is a PoC, the first "black girl" (well technically I think Asha is meant to be mixed) female lead/love interest that you've had since Tiana in The Princess and the Frog in 14 YEARS where she is actually human for all of the movie and gets to share a love story with a handsome "star boy" who can literally make all of her dreams come and think that that's NOT gonna make you money!
I haven't even watched Wish yet I've seen more artwork and fan-made animatics of Asha and Star Boy than anything from the actual film.
At this point, Disney should just take all of the original ideas they left on the chopping block for Wish and revise them into a future title which is an actual love story they could market from.
Or…as an audience, we can just wait for one of their competitors, like Dreamworks to smell the blood in the water like the sharks they are and capitalize on Disney’s latest flop by taking the ideas they didn’t use and coming up with something that could potentially usurp the popularity of Wish’s failure.
In the case of Dreamworks, they don’t even need to make a new star boy since, technically, they already have potential “star boy” they can use.
Remember Rise of the Guardians?
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Hahaaaaa OF COURSE you do, since it gave us the original immortal boy internet heart throb (also ironically voiced by Chris Pine who played King Magnifico in Wish) ---Jack Frost.
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I find it hilarious that another reason why folks are hating on Wish so much is because Disney could've given us another potential immortal boy heart throb "Star Boy" to finally usurp the chokehold that Jack Frost has had on our generation of weebs and artists for the past 12 years since RoTG first dropped.
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We could've had it all.
But as I mentioned Rise of the Guardians, did you know that there is character in the original series it was based off of called Nightlight?
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While technically not a “star boy”, Nightlight is the closest thing to one in an already established universe from a Dreamworks property and since this squiggle meister never misses a beat to push for continuation of Rise of Guardians, hear me out:
Imagine a Rise of the Guardian prequel-sequel about the character Nightlight and make it a love story.
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(Because apparently there's a girl that Nightlight grows close to in his story called Katherine. It's just a friendship but needless to say, there is potential there).
I know it’s been 12 years since Rise of Guardians first dropped and I know I've be hollering for a sequel since 2012.
But c'mon, if there was ever a time for Dreamworks to capitalize on an RoTG sequel, it's now.
As Wish has proven, the internet is hungry for another handsome immortal boy with magical powers.
Dreamworks set the ball rolling with Jack Frost.
If Dreamworks were to revisit RoTG again, take Nightlight's story. Take his design and give him the "Jack Frost" treatment and make it a love story on top of that.
I'm not saying it will happen. Not even saying it could happen.
But if somehow thought becomes reality and something like this does actually happen, whoever does it will be rolling in dough.
This is just a longwinded way of me to say that somebody needs to bank on the concept of a star falling in love with a human and do it now since as the internet has shown, it's what the people want and what Wish failed to give.
~LMS (2024)
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hitlikehammers · 12 hours
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time for that age old question: is love enough to beat back the apocalypse?
Because Steve's right there to protect everybody like the self-sacrificing asshole he is help Eddie make the music he's not strong enough for yet help them all put Vecna in the ground for good this time, right?(!??!)
or: what's the song for your walkman, baby? does it even matter?
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I Could Be Your Nurse (or something)
Or: Five Times Eddie Has To Ask For Help, Plus One Time He Doesn’t Need It Anymore (but asks anyway) ✨ for @penny00dreadful 💜
<<< three: sleep 🌗
🎧 🎹 four: play 🎶 🛡️
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To tell the whole truth of it: it comes too quickly—Vecna’s last stand. Of course it does.
But probably, if he’s being fair: they’d never have been really ready. Not for this, and so maybe it’s best that they’re not fully healed, not at full strength when it all comes to a head, not least because that means Vecna and his petal-toothed brigade aren’t at full strength either. And that choice, for their side, is sloppy; the Party stands on the right-side-up against the attack because they have to. Vecna makes his move because—or else, Eddie’s fairly sure—because the sadistic ballsac is losing his fucking mind.
Which is terrifying, sure, but fuck if it doesn’t help their cause.
It’s actually over pretty quick, even compared to Spring Break which, while it felt like a lifetime for how much it changed Eddie’s own, it’s only been those handful of days—but it’s kinda like the grand finale at a fireworks show: everything all at once then, done. In the everything’s though: he might not like it, but Eddie’s not so foolish as to believe he’s not still too tender, still too deep in healing the finer points of being gnawed alive to be anything but a burden in the thick of it. He refuses to be sidelined, though, and he thinks it says a lot for the long-term health of this glorious impossible thing he’s…building? Yeah, he, umm, he, Eddie Munson, is building a real goddamn thing where he doesn’t even just let someone into his heart and treasures them there, no, he’s building a thing where he gives his heart and gets on new and soft and trembling in kind and they both get to work at the treasuring of something more precious than just their own vulnerable insides, but yeah, yeah:
Eddie thinks it bodes really fucking well for the hopes he has that lean hard toward forever, already, in Eddie’s chest at least when Steve looks his way as they’re planning the teams and he locks eyes with Eddie and Eddie doesn’t even get his mouth open to breathe, to plead don’t cut me out, don’t send me to Wayne to be ‘safe’ or ‘out of harm’s way’ or whatever, don’t leave me so fucking far from you my heart hurts just because it’s beating in the middle space unmoored and shaking around all bruised up with it for not knowing and I know I can’t do what everyone else can but it’ll be bad enough not being next to you please don’t push me far enough that I won’t know the moment you’re safe, just—
Steve meets his eyes, and Eddie’s breath catches before his heart trips, and then Steve speaks up—and he doesn’t, not all that often when the nerdiest among them are shoring up the battle plans—but he watches Eddie without blinking when he pipes up:
“Eddie’s on medical and audio, with Erica and Jon.”
And maybe it’s his tone—this almost wholly novel thing in Steve that’s steely and unquestionable but no one pushes, they nod and get back to work, totally seamless and, and…yeah. That’s all Eddie wanted. Best he could hope for. Just outside the gate they go through. Close enough to hold a hand on the way down, and reach for purchase on the journey back.
Steve swallows hard, and nods at Eddie before he looks away and starts gearing up, twirls his fucking nailbat so it catches the sunlight even thought the metal’s mostly rusted, now and just…Eddie hadn’t needed to say a word. And Steve wanted to send him to safety, the way his throat had bobbed made it real clear there was something heavy he’s held back but: he’d said what he said. He’d laid the line in Eddie’s favor. Eddie wants to hold him, wants to pull him close and feel him breathe, and—
Yeah. Eddie kinda feels like the way it goes is a really good sign for their future as a couple. A couple. Them. Together.
With an always on the other side of all of this that could be kinda fucking magnificent, maybe. Given the chance.
Point being: Eddie gets himself set up with at least a full ambulance’s supplies for first aid, definitely not acquired legally, and a stereo set up he really wishes someone had been kind enough to outfit him with in not-the-apocalypse, holy shit is it gorgeous, but since the strength in his hands is still a work-in-progress, he’s gotta be ready to crank up the noise as a distraction from arm’s-length. It’s actually driving him fucking crazy—or, was; it was, pre-active return to the regularly scheduled world ending—the whole not being able to make music, to translate the noise in his head into sounds on the strings but even that, even that’s been tolerable, survivable because of Steve—who he loves, he gets to love Steve Harrington holy fuck—but Steve’s not just there to be everything and more than the air Eddie goddamn breathes, to become the music just by existing, nope, he one ups that shit: he asked Eddie if it’d be enough to learn the chords he needs. So Eddie could match the words with the notes right, so Steve could be a—
“—kinda piss-poor substitute but,” Steve had shrugged for it with a crooked grin; “but even a bad translator gets a message across, and you’d know when it’s wrong so we can figure out how to fix it and—“
And Eddie’d grabbed Steve’s chin and yanked his mouth close to fucking consume that man like a soul goddamn starved.
“I’d be a shit teacher,” Eddie had mouthed against Steve’s lips after they were sucked well-swollen; “if I still can’t lift the fucking neck for more than a minute,” but Steve had heard none of it, just shot right back:
“You don’t think we’ve beat steeper odds than that?”
And in the face of that raised brow, those red lips parted, that pulse in that neck still a little bit visible like a tease: the fuck was Eddie supposed to do but dive back in and love on the man who’d somehow agreed to be his, and to claim Eddie of all people in turn?
Which is a whole other reason why everything’s gonna be fine: Steve’s gonna make music with him. Steve’s gonna be Eddie’s muse and the vessel for what he inspires. It’s gonna be like Greek fucking poetry, except it’s gonna be them.
So Eddie’s all stocked up, s’got everyone’s floaty-bone-breaky songs queued up on blast for immediate deployment as necessary, and Steve’s the last to go through—he always is, in Eddie’s experience, waits for everyone to be safely accounted for before he spares a thought for himself and it might kill Eddie one day but not fucking today, because it’s gonna be fine—
“Eddie.”
It feels a little like history repeating itself, the way Steve huddles him in a little. Henderson’s through, with Lucas and Hopper and the weird stray Russian, but it’s not like history repeating, because Eddie’s got different words to see him off with; so fucking different.
“Last time I didn’t have,” and Steve reaches, cups Eddie’s cheek, drags down to press on his chest as his voice strains hard: “and it almost killed me,” and Steve usually pinches between his eyes to keep his feelings in check but instead of using his free hand to hold back the tears he reaches for Eddie’s and laces their fingers as his voice cracks and he chokes out:
“Please,” and it’s for everything. For all the almosts from last time; for all the possibilities rife this time. For all the hopes Eddie thinks they share beyond how this shakes out.
“Exceptionally underqualified field med,” Eddie breathes, and squeezes Steve’s hand so, so hard like a promise, because it is; “exceptionally overqualified DJ,” and Steve chuckles, wet but real and it’s enough, because:
“I got it, Stevie,” Eddie bends his forehead to Steve’s to say better than with words that he’s not in this to be a hero, he’ll be right here the whole time, but that doesn’t mean he…that doesn’t mean he can help but to ask this time:
“Just,” and the breath in him punches out unexpectedly as he damn-near begs:
“Only bring me back the little things, yeah? That I know how to fix?”
And they both hear what’s said underneath it:
Don’t turn around and die down there, and kill me in kind..
And—if anyone’s keeping track—they turn out not to need it but: the way the kiss is a wholeass wartime farewell, man.
And then: Eddie waits, and fucks with the speakers for less than an hour before the earth shakes, and his heart drops, but then he hears it.
The fucking whooping of those shitheads echoing through the cracks.
And then he sees it, runs, grabs the first hand that’s clinging to the rope this time and pulls with strength he doesn’t have, is probably more a hindrance than a help but he steadies them each back on the ground and hugs them so tight, kisses more than one of them on the head or the cheek as he doesn’t pretend not to be sobbing through the laughter because they did it, they fucking did it, somehow it’s over and he loves these people and he’s so fucking happy they’re alive and safe and here and—
And the person he loves more, loves most, brings up the rear, a little bloodied, a little scratched up, dingy with the fucking air down there but smiling and Eddie…
Eddie falls into him so fucking hard they both hit the ground and just, just grab onto one another. Just hold and breathe and catch lips every few seconds like an afterthought because they feel each other’s heartbeat where their chests are pressed tight and it’s, they’re…
Steve’s got four broken fingers across both hands. None in a row. He’s basically giving a Vulcan salute by default for how they’re taped.
Eddie loves him so goddamn much it hurts.
And Eddie’d obviously known—once things start to settle in the days that’ve followed—that teaching Steve guitar with those Spock-y hands was on the back burner, but he does ask Steve to sit, and to rest, and to help hum back the tunes in Eddie’s head while Eddie jots lyrics with a hand that’s still shaky but steadying out more every day, and it’s kind of perfect, and Steve adds some things into the melodies either on purpose or by accident but they’re better for it every time and—
Muse and vessel, man. The light of Eddie’s whole goddamn life.
With fucking Vulcan hands still, though, so: excuse Eddie for being…bewildered when his boyfriend—boyfriend, that’s his boyfriend—but his taped-up-healing-Vulcan-handed boyfriend is propping the front door open and lugging in a long, not-recovery-friendly thing that looks close to dropping on his toes and—
“The fuck are you doing?” Eddie asks with a little more panic in his voice than he’d hoped for as he rushes as best he can to where Steve’s kicking the door shut behind him, fluttering his hands around uselessly as Steve maneuvers past him, leans across for a peck at the corner of Eddie’s mouth and calls—“It’s fine, it weighs, like, nothing”—over his shoulder as he settles the, the thing down on the coffee table in the living room they’ve started actually using for, y’know.
Living.
Eddie follows him in, though, because of course, he’s half-a-dog on that man’s heels, whole-caught-in-the-gravity-of-his-everything: but Eddie follows as Steve tosses himself backward with something in his hand, rolls and rucks up his fucking absurd Hawking Middle tee across the sweet curve of his hips, the way the soft give of skin tempts Eddie to run his tongue over the trail of almost-curls, like baby-curls where they lead under the waist of his jeans: Eddie would happily volunteer to survive on the taste of that musky-delicate space until the end of goddamn time—
But then Steve’s huffing a breathless ha from behind a chair where he’d been stretched to reach and a light catches Eddie’s eye from his periphery where he’d been staring unblinking just at Steve: the big long black thing on the coffee table. It takes a genuine concerted effort not to keep at the Steve-staring—not an uncommon state of Eddie’s existence, in all fairness—and check what’s glowing on the table: something turned on. Was plugged in, right, that’s what had Steve rolling on the floor without Eddie on top of or being deliciously pinned down by him.
The something being the big long black thing that Eddie takes in for the whole of it, now: a keyboard.
“Jon picked it up for me second-hand from the place next to Fox Photo when he drove down for his camera, and Rob vouched that it’s a good brand and like, really good condition,” Steve’s raised up on his knees, now with his hands braces on his thighs as Eddie studies the keys, fingers the ends of a every few of the naturals.
“Rob helped with those, too, so I’d know the right, like, chords,” and yeah: they’re stupa of masking tape stuck to the keys with letters in blue, black, and red pen, alternating so they don’t get mixed up, some with and arrow, Eddie assumes, to indicate a sharp.
“I only remember like half of one song from when my parents thought it would look good to have me take piano lessons,” Steve huffs in whole-ass judgment; “my mom wanted the endorsement of the guy who was stepping down from city council, and his wife taught private lessons, so, y’know,” Steve rolls his eyes; “super convenient leading up to the election.”
“What song?”
Steve blinks, tips his head in askance for what Eddie recognizes very clearly as something closer to a croak than a question, his throat all tight. He tries to cough, to clear it.
“What song do you remember?”
Steve snorts at that, leans back on his palms, and fuck is he beautiful.
“Clair de Lune,” Steve grins crooked; “the one song I was allowed to pick, instead of just being assigned.”
“Why’d you pick it?” Not that Eddie doesn’t like it or anything. It’s more that…he knew Steve could more than just drum fingers on keys, if only just, and that a baby grand used to sit in the corner where there’s a stereo cabinet now, but.
But: see, there’s like a whole half of his heart that’s dedicated to collecting new knowledge about everything Steve: his favorite food when he was 12 versus the now. How his favorite color became his favorite color. The story behind all the polos. The nitty-gritties about why he’s in a big-ass house alone for approximately 360 days a year, and how long it’s been that way. Eddie’s whole heart is basically Steve’s but every day that half overflows a little, and Eddie’s only keeping it relegated to parts filled with Steve-lore so he can feel the collection break containment every other day, this grand and joyous bursting under his ribs as everything spills over again, and again, and again until it’s all just Steve, and his heart has to burst or stretch, or both.
Eddie thinks both will be amazing.
And right now, in the interest of building toward that amazing-both: he wants to know why Debussy.
Steve chuckles to himself—better music than any dead French guy by a country mile—and eyes Eddie almost slyly.
“Do you remember Claire Reynolds?”
Vaguely. Like, very vaguely. He remembers…uneven pigtails. Very actual-cult-like vibes about her family as a vague impression and now that he’s bringing it to mind he feels a new wave of indignation: those Children-of-the-Corn motherfuckers were just fine but Eddie liked a board game and he was probably a murderer.
“When we were in like, first grade,” Steve’s continuing on; “she asked me every, single, day, to come over and see her sheep.” Steve looks up at Eddie and bites his lower lip, lets his gaze dance and lets Eddie fall into it for a few dazed seconds before he spells it out.
“She had these crazy eyes about it, it was kinda unsettling,” Steve nudges, but Eddie’s doesn’t get it until:
“And it’s not like I do now, because obviously I don’t, but I definitely didn’t speak a lick of French when I was eight.”
It takes Eddie a hot second before he snorts hard enough to hurt:
Claire, da Loon.
“I was eight,” Steve protests Eddie’s laughter halfheartedly even as he joins in, reaches to slap at Eddie’s upper arm which honestly: just makes him laugh harder.
“Anyway,” Steve fights through the last of the chuckling as it peters out between them, drags himself to sitting next to the coffee table and taps his hand to the top of the keyboard.
“I know it’s not the same as learning guitar to help, and I can probably only get the top and bottom notes with these,” he lifts his Vulcan-fingers his a shrug; “but I was hoping that’d be better than nothing?”
And, like, how Eddie was talking about his heart having to swell, for all the things he gets to tuck inside of it that come with loving Steve Harrington?
He might crack a rib, just now, because—
“This is for me?”
Steve purses his lips, lifts a brow:
“Well, technically it’s for me,” steve singles his fingers, which looks absurd with the splints; “but yeah. To help you get the songs out. I mean, once these are free again, you can help me with the guitar like we talked about, until you’re—“
And Eddie cannot be blamed, see: he cannot be fucking blamed for tackling Steve to the floor and kissing him hard enough to bruise because…
“You got hurt,” Eddie half-breathes between kisses; “you got hurt and I was so afraid I was gonna lose you,” and Eddie reaches for those taped fingers and kisses them, too: so gentle and Steve’s expression softens so quick:
“I was scared, too,” he whispers between them, cups Eddie’s face with his unloaded hand; “you were as safe as I could make you within the fucking city limits but I was still so goddamn scared.”
Cue more rib-cracking for the heart-swelling, because Jesus fucking Christ.
“And you,” Eddie exhales, slow and shaky; “you’re hurt, but you went and got,” he nods to the keyboard;
“I know it’s not ideal,” Steve’s quick to, to what, apologize? For being insane and perfect and—
“Shut up,” Eddie says, voice low and watery and he’s still kissing at Steve’s fingers, holding his wrist delicate but also like a lifeline.
“You’re hurt,” Eddie maybe kinda moans it because he hates it, as much as he’s so fucking grateful that’s it’s just this, no worse than this; “and you still—”
“I promised, didn’t I?”
And that…that’s one thing Eddie’s learned beyond reproach; that even to his detriment, Steve keeps his goddamn promises.
And he’d promised to help Eddie get his words out, to place the lyrics to the notes and help unclutter his brain so he didn’t lose his mind.
Holy fucking hell.
“Steve,” Eddie starts, shakes his head, needs to find the right words. “You’re alive,” the most important thing. “You are healing,” another most important thing, for Eddie to oversee and make sure of, even as Steve keeps an eye on the last lingering threads of the long haul on Eddie’s road to recovery in kind, his beloved mother hen.
“This is,” and he runs his fingers too light to draw sounds across the keys, hopes he sounds as awed and grateful as he feels; “but you, you’ve gotta test, you have to,” and Eddie shakes his head and lifts his eyes to just fucking ask it:
“Why?”
And Steve: Steve just studies his face for a few seconds, reads what he needs before he smiles kinda exasperated, mostly fond and answers so simply, while also breaking a few more of Eddie’s ribs when he just says:
“Because I love you.”
And Eddie’s heart’s not so overfull yet of all of Steve, it’s not fair that it just bursts right then and there, Eddie propelled into Steve’s arms to kiss him deep this time, like he’s searching out Steve’s soul to taste and maybe he is, save that he needs his heart to not have exploded for feeling if he’s going to keep the memory of it safe in his chest for always, he needs to patch his heart back up first but he’s too distracted, too drowned in the way love actually fucking feels, fucking shifts his cells around and makes a new version of him, lets his heart grow bigger except it went and blasted apart with the unprecedented immensity of loving and—
And then Eddie’s got Steve’s taped up hands on both his cheeks, and he remembers that night, in the shower, where Steve ripped the seams from his shirt so taking it off wouldn’t hurt him; notices how Steve is wearing that same fucking shirt in this very moment, all in one piece, like it never split apart in the first place.
Master seamstress, tried and tested and true; truer than anything.
So Eddie just dives back in and kisses with everything in him, thinks maybe when Steve tastes the pieces of Eddie’s blowout heart under his tongue while Eddie goes diving for the sweet lick of Steve’s soul:
Eddie thinks Steve’s mouth might know how to stitch up torn things, too. Especially the kinds that are ripped at their seams wholly for the sake of loving that fucking hard.
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greetings-humans · 3 days
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ice adolescence and russia
1 - Russia in today's world
okay look. I see you when you talk about how the political climate today means that iceado was doomed. I see you when you talk about the many many many doping scandals of Russian athletes, we saw it when the athletes didn't compete under the banner of Russia but as OAR or ROC, which I absolutely support. I see you when you rightfully mention Russia invading Ukraine. This is genuinely horrible, it's horrifying, it's inhuman, and the fact that many Russian athletes (including figure skaters) openly, unapologetically support their government's actions is disgusting.
2 - yuri on ice was just meant to be fun
now, let's also recognize that the core of yuri on ice to be silly and queer and accepting, to talk about anxiety and depression, about burnout and competition, about rediscovering your passion for your work and falling in love along the way. I see this, and these are some the reasons why I adore yuri on ice.
3 - yoi and russia
I would love to say that yoi is about escapism so we should ignore all real life events. But I'm not really that type of person, tbh.
We could all close our eyes and ignore thousands of people dying, ignore the doping scandals, ignore every bad thing Russia had done in modern history. But what about the people directly affected by this? do they deserve to see us comfortably having fun about a figure skating show ignoring the doping, and showing our main characters living and training in Russia, comfortably? with no mention of the inhumane actions of Russia, be they about the war or queer rights? really? is that something they deserve to see?
I see the people saying that maybe we can ignore the war, the way we ignored homophobia and eating disorders and bribing, but for the reasons above I really think we shouldn't.
I wish Russia had not done any of this, most of all because of all the deaths and destruction, but yes also bacause maybe that would have meant that maybe we could have had ice adolescence. However, we don't live in that world. And that still doesn't mean iceado had to be canceled.
4 - do not forgive or forget about MAPPA
I am not excusing mappa, okay? there is no way I will excuse or forgive mappa for ice adolescence. if they wanted to, they could have fixed this.
I've been thinking about this for maybe 20 minutes and I already have a solution, okay? and if I have a vague plan for how to handle this, then I am dead certain that a whole room full of people working for mappa could have figured it out. this is on the mappa execs, not the people doing the creative process. don't be fooled, the execs are probably just unwilling to try, if Russia's actions (and the actions of its athletes) are part of their reasoning.
5 - iceado could still exist even with everything russia has done
i think that the situation is rightfully delicate. but I also think that if a book like red white & royal blue (an openly gay book) could openly condemn US right wing politics and also portray the oppressive heteronormativity of the british royal family, without outright mentioning any real persons, then yoi s2 or ice ado could potray the figure skating scene in russia negatively and could have the characters leave the country.
they could show yakov as that one different coach in russian figure skating or maybe they could prove that he's your typical russian coach, which played a role in viktor's mental health getting worse and worse.
post-s1 scenes could be about viktor changing his mind and leaving russia, as a result of the doping scandal, or rising tensions internationally about Russia. the fact that we saw him and yuuri and yuri in st. petersburg didn't mean that decision was final. the pressures of a toxic environment could have made viktuuri leave, and whether or not yakov (or anyone) would follow them, or viktor would find another coach is something up for debate, yes, but there can be a debate. There can be a debate about yuri plisetsky about georgi and mila, about what this could mean for them.
iceado could condemn russian politics and the doping, the toxic community, and everything else really. in my opinion, the fact that this didn't happen speaks to mappa's unwillingness to try. im not educated in japan-russia relationships, to be frank, so I'm not sure how much backlash the show could possible face from the Japanese government for a decision like this one. Of course, this would insinuate that Japan is fine with the Ukraine invasion which is, well, not very good press to say the least (and naturally a violation of all sorts of human rights). I do however find it odd that we would never hear anything about talks debating this taking place, which means that once again mappa didn't try. And also, truthfully, just how plausible is it that Japan would go "no don't make more of that very lucrative anime because we don't want to condemn Russia's war / we don't want to condemn Russia's doping"? Because it doesn't sound that plausible to me.
6 - political yoi?
yes, this means that yoi would have become political, but when politics is about the right to live in your home without fear of death or invasion, why exactly shouldn't it get political?
and let's not forget that a world with no homophobia is already unfortunately political. because queer rights are not globally recognized, being pro or against queer rights (of which there are many so some are pro-same sex marriage but against trans rights which complicates things even more) is still a vital part of many many political parties' campaigns in a lot of countries.
yoi was already political in the sense that it showed a world of acceptance, because that's not a given.
what iceado had to do was show that acceptance does not mean ignoring inhumane, unethical actions.
this doesn't need to be the centric idea of iceado or yoi s2, either, by the way. simply showing something bad but realistic is enough. i wouldn't have needed 2 hours depicting the horrors of Russia ft. yuri on ice, but I would have loved to see 2 hours of teenage viktor trying to make it in this cutthroat world, with sporadic evidence of toxicity and too-much pressure, which are almost canon anyways. and any scenes taking place post-s1 could easily just show viktor make a number of realizations and choices that could lead to him leaving russia (to find a new coach or with yakov, with any of the russian skaters in yoi, or just with makkachin and yuuri, etc), which would show that yes they're not just ignoring russia's wrongdoings.
for being released in 2016-17, yoi was delightfully progressive in its queerness. but in 2024, asking the show to condemn doping and war on its way to show us viktor nikiforov's past is apparently too much to ask.
please give me your thoughts on this, yoi fandom, I'd love to see what everyone else thinks!
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a-french-coconut · 3 days
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Drew Tanaka
I think we can all agree that Drew Tanaka only purpose was to highlight Piper and making her look the good guy (well, girl).
She's mean, bullies her siblings and other campers and yet we don't have a single explanation about her actions. This my explanation for her behaviour that slowly turned into a headcanon
From the books she understand that she is still hurt and bitter by Silena's betrayal and hey way to cope is to be mean with everyone. Since she's mean nobody likes her and everyone at camp treats Silena as a hero, leaving Drew alone in her grief. She has every right to despise Silena for what she did, her sister turned her back to camp and her, helped the Titan Army by sabotaging the quests : Percy and Beckendorf but also the hunters' quest (the skeletons soldiers were only able to track the questers because they something belonging to Zoe and it was probably thanks to Silena). So yeah, in the Lost Hero, a year after the battle, Drew is still mad and since nobody will accept her point of view, it only worsens.
As of why she's mean to her siblings, I figured it was some kind of defence mechanism : if they don't get close to her as Silena did, they can't hurt her. It's definitely not healthy but she's a fifteen year old girl who fought a war and lost people : she copes as she can.
Drew dislikes Piper at first sight. Now I don't really have an explanation for that because she doesn't know that Piper is her sister but maybe she judged from her appearance that they were going to dislike each other : one with chopped brown hair, doesn't wear makeup and has ragged clothes vs long and wavy hair, perfect makeup, impeccable clothes. It's a stretch and a bad one at that but it is all I can come up with. Cabin 10 is regarded as a bunch of pretty guys and girls who don't fight. Drew must have thought that Piper fit the profile of those mocking her cabin and disliked her on the spot.
And when Piper refuses to do the Rite of Passage ? Just like Silena ? Drew can't see Piper without seeing the ghost of her deceased sister. It is infuriating because everyone is on Piper's side, just like they are on Silena's. They choose her over Drew for going on a quest when she literally arrived in the morning ?? And then Piper has the audacity of challenging her for the position of head counsellor because she went on a quest and now she thinks she can do a better job than Drew ? She begins preaching about how Silena was right when she never met the girl and doesn't know a single thing about Silena and how she was like. Piper might have gone a quest but Drew has been a demigod for years, have fought for Camp Half-Blood and Olympus twice and maybe she never went on a quest but she fought a war and survived. In her book that's all she needs to accept Piper's duel and beat her swiftly. She wins but still gives her position to Piper. Let's see how she manages running a cabin full of children. But Piper leaves again and the mantle falls on her again. But Drew is tired of pushing everyone away, she wants to gossip with Lacy and Mitchell about who they like, wants to teach to properly shoot an arrow and grab a sword. She is tired of being hated by the whole camp for not forgiving her sister. Most of all she is tired of the mix of anger and sorrow she feels every time she thinks of Silena.
When Piper comes back, Drew offers a smile with the promise of trying to open up to other people. She won't forgive Silena, not yet, but she can stop comparing her sister to a ghost from her past.
Oh wow, I'm definitely going to write something about Drew, she is an amazing canvas to explore.
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lyxthen · 1 day
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My Seven Year Gap narumitsu headcanon is that not only did Miles help Phoenix build the MASON, he actually became chief prosecutor with the objective of helping him instaurate the jurist system.
By the time Trials and Tribulations comes around, I feel like the two of them are in a point in their relationship where they aren't too prone to angsting about each other. They trust each other fully. So when Phoenix pushes Miles away, Miles assumes it's for a good reason, even if it still hurts.
He does tell Miles eventually, in that mythical trip to Europe, when he knows for ceirtain Kristoph can't hear him (the guy probably keeps track of his phone calls bank accounts and has his house bugged as all hell because he's insane like that). He still doesn't tell Miles how bad he's struggling emotionally, and how the reason he's drinking so much grape juice is because he struggled with horrible depression alcoholism, particularly early in his disbarment. He just tells him about Kristoph and the Gramarye trial and how he's trying to connect the dots and find the truth and clear his name.
And you know what Edgeworth does? He tells him, "So, basically, you want to fundamentally change the way the Japanifornian justice system works. Wright, you are fucking insane. And I must be insane too because of course by god I'm going to help you." After all, foreign justice systems are his expertise. He's been studying this shit for years, and he finally gets a chance to put that knowledge to use.
It's hard for them to get any work done without Kristoph suspecting them, of course, but by some miracle they manage it. Edgeworth applies for a position as chief prosecutor a year or two before the events of Apollo Justice, explicitly because he wants to amass enough political power to implement their silly little project. When the disgraced former defense attorney comes one day with an insane outline of how to reform the entire court system no one dares to reject him, because he's already got chief prosecutor Miles Edgeworth in his pocket.
Smooth. As. Fuck.
They have spent years planning and scheming and it has finally come to this. Their professional relationship is blooming. Their personal relationship... Well, they're not in bad terms by any means but like, come on. These two are extremely emotionally repressed so it's not like they are going to openly declare their undying loyalty to each other and get married or something. But they are perfectly capable of working in harmony with each other, and that's as good as either of them think they're going to get.
I feel like this time line of events makes sense. I don't see Phoenix building MASON alone, let alone implement it. He doesn't have that sort of clout or analytical mind. But Edgeworth does. It's just a testament to how compatible they are that they are able to work together to find the truth™ and change things for the better. Shipping aside, I just think that's really cool.
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caineinthecorner · 2 days
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Languages (The Others)
★ Based on my language general hcs + the brothers' hcs.
Hi I am sleep deprived. Behold part two of my shitty hc delusions wooooo.
"Caine you missed some" yeah I'm lazy (+ don't know their characterization well enough). If you want to add hcs for the guys I skipped you can but in the meantime I'll go with the basic bitch options
Gentle reminder I make shit up. (⁠◕⁠ᴗ⁠◕⁠✿⁠)
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★ Solomon.
Okay so like I said with Asmo he knows french (and they're both nasty with it)
Basically he rizzed up Asmo in french
Using the dude he was in based out of he also knows English (native probably), Welsh, German, full-ass Demon Tongue and like some latin for magic bs. Idk
(bcs the guy lived nearby those countries in ye old Europe(tm) and something something immortal so why tf not learn languages while at it)
(also of course he learned demon tongue. He wants to rizz up demons and what better way to do that)
He learned demon tongue from random demons and a lot of trial and error
Plus he knows japanese if we are under the pretense that mc is japanese.
So like Solomon tries to use language rizz to get close to you as the other human student in Devildom. So basically using the Asmo trick with you.
... He's kinda painfully obvious with it
(how tf did Asmodeus fall for this shit?)
If you don't speak any of the languages he is fluent in his ass will ABSOLUTELY pick 'em up and be like "hey I want to learn:)"
He uses language as a tool to get what he wants basically
No wonder him and Asmo get along
If you know a language that is not loquar-translatable and he speaks it as well prepare to get secret-talk'd a lot.
Not having people spying your convos is a incredibly valuable asset in Devildom
Especially since you're around the brothers almost 24/7 and they're fucking VIGILANT
Oh also he 100% knows that Asmo fakes being shit at English.
But he's a simp so 乁⁠(⁠ ⁠•⁠_⁠•⁠  ⁠)⁠ㄏ
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★ Luke.
FUNNILY ENOUGH. Two things:
Yes he doesn't need Loquar to communicate with you since he's an angel BUT
For some reason (cough your heritage cough) he keeps messing up in which language speak to you with.
Angel instincts are telling him to just use whatever language with you but the thing is that You Don't Know Whatever Language
Which is odd because that's something he only does with fellow angels????
But you are human so
He doesn't think much of it. He's probably just confused because he's around mean demons! >:T
(His basic subconscious instincts are harder to control since he's low ranking and his Angel brain is going "You = angel = language doesn't matter")
But since he keeps somewhat messing up around you he decides to gesture to hell when talking to you just in case
so you get the gist through his mannerisms in case his words get fucky
His least favorite language ever is Demon Tongue. Even outside of Not Liking Demons he doesn't like how throat-y and intensive it is.
↑ that is a popular Angel opinion btw. Demon Tongue in general is just annoying to use for them and barely any Angels use it outside of in-the-moment communication with Devildom natives.
If you ask him his preferred language he'll say some form of Latin since it's the preferred language of most high ranked angels, as well as Michael's.
But it's actually English.
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★ Simeon.
Since he is was a high rank angel, he doesn't mess up what language speak to you with. He has real good control of stuff like that that comes with experience and age.
(in fact he's very confused why Luke keeps messing up so bad around you but doesn't think much of it since Luke is technically still a fledgling)
I already said this but yeah his preferred language is Archaic Latin (shared it with Lucifer pre-fall).
Ever since Lucifer's fall he switched to plain English and that's the answer he'll give you if you ask.
Only Angel that isn't bothered speaking demon tongue and will do so at his own leisure.
If you try to learn the demon language he is unironically so helpful because he isn't a spiteful bitch like Lucifer and actually teaches you shit without throwing you into the wolves
In fact Simeon is amused as hell over the fact that Lucifer is making you learn the hard stuff first. That is so him.
He's like the good cop of the learning dynamic. Cool substitute teacher vibes
Simeon finds accents to be the cutest thing ever since it is an inherently odd concept for someone fluent in Everything Ever
He has (jokingly) cooed over Luci's accent when he speaks Latin nowadays. Lucifer is not at all amused.
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★ Barbatos.
He knows every language.
... Yeah that's it that's the list
Look at me dead in the eyes and tell me this motherfucker does not speak Sumerian
Ofc he knows every human language ever. And Devildom's. He knows™.
Funniest thing is that he doesn't even need Loquar to talk to you. He just deadass speaks your language with full fluency and you Never Notice
You only notice one day while having a normal convo with him and then Diavolo walks in speaking full deadass gibberish somehow and you're like ????? and Barbatos says "oh apologies I forgot to apply Loquar to you here you go"
Like deadass he would fuck with you so hard when it comes to languages.
Do not go to this man for language advice he will teach you proper stuff in the most incorrect way possible
(Probably! Or probably not! It depends! On what? Who the fuck knows™!)
He's deadass a roulette of proper, legitimate advice or literal shitposting
He wrote the Voynich manuscript. It was a housekeeping journal he was keeping in a dead Devildom idiom that ended up in the human realm by accident
He didn't retrieve it solely because seeing humans go insane over it was funny as hell and he has a secondary copy anyway. That book has nothing relevant in it besides like two recipes.
He did go to check back on it once to write down a meat pie recipe Diavolo's father liked bcs he didn't have on the copy
Barbatos is the definition of "wtf what language was that" "yes."
He and Lucifer have random days where they just pick a language to speak to each other. It helps to maintain fluency.
Barbatos jumpscared Satan once by going, full ass unprompted mid convo, "Oh right you speak Tagalog."
He knows what languages everyone speaks like a white girl knows zodiac charts
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★ Diavolo.
Ok so he probably knows English since it is Solomon's native and humanity's current universal(ish) language
Like of course he wants to communicate with humans! Of course he'll learn their language!!!
Unlike Barbatos and Lucifer who are very impressive Polyglots he's realistic in his language stuff. The more down-to-earth of the three
His English is hilarious
Not particularly because he says things wrong but his accent and tone just makes it sound incredibly funny
He sounds exactly like a dubbed-over superhero doing a friendship monologue At All Times
He is so earnest with it that you don't have the heart to explain why you're laughing
Anyhow fun fact:
Loquar for some reason translates what he says in Demon Tongue the most literal ass sense possible for literally no reason
Which is odd(tm) but mostly just funny as all hell
Everyone has been troubleshooting whatever the fuck happens to Loquar Ad Vos with Diavolo but no idea so far.
The phrase "have you tried unpapplying it and applying it again" has been uttered more than once unironically
The working theory is that since Diavolo is royalty and Loquar Ad Vos was created with the sampling of normal demons it works wrong on him since there's something different(tm)
Reverse engineering the Loquar spell to work on him has been in the works for a while. Loquar is drafted like shit since it is an old human-oriented spell (Basically like spaghetti code needing to be rewritten), so it proves a bit troublesome.
You later find that Diavolo speaks in a very uniquely pronounced manner
↑ Think of it like Devildom royalty has a very distinctive Way Of Speaking. Like an accent but also not. Probably magic related in some way(?)
"do you want to consume nourishment" ← Diavolo's ass getting mistranslated
So yeah Barbatos or Lucifer kinda have to lend a hand when you two communicate.
If you're English speaking then you two kinda communicate that way sometimes. You reassure him on his accent and help him along if he gets anything wrong.
(he's fluent-ish in Japanese as well if we are running in the assumption that the reason why MC's canonically japanese is because they needed someone who A) speaks a language translatable by Loquar Ad Vos B) is also a language Diavolo knows and C) is not of the same social background as Solomon)
He will get so unapologetically excited when you start learning demon tongue. You two can!!! Communicate even more!!!!!
Demons will be genuinely mortified if you gain Diavolo's accent while speaking demon tongue. Why does this random ass human speak like royalty ತ⁠_⁠ತ
Very (un)subtle way to tell everyone that you're besties/partner/whatever of the literal prince of Devildom.
Something something dragon being possessive something
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antianakin · 2 days
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You know what annoys me? Like every former Jedi that gets shown bashes the Order. Show me a former Jedi who left not because of some BS ‘Jedi are wrong’ reason. Have some who left because they acknowledged that they weren’t fit for it or because they fell in love and understood they couldn’t be fully dedicated to both their spouse and the Order. Show me former Jedi who are still fond of other Jedi and the Order.
Yeah I feel like there's maybe been one or two in comics or something? I feel like I remember seeing panels where someone was discussing their grandmother who had once been a Jedi and left because she wanted to start a family, but there was never any animosity or hard feelings or anything like that.
I feel like the reason we don't see it very often is because, like I've been mentioning in my post about Pong Krell recently, former Jedi often end up being FALLEN Jedi who are always then utilized to showcase the theme of selfishness and greed. The Jedi are a symbol of selflessness and compassion within the narrative, so it can sometimes I think be difficult to write a character who has left that behind and NOT have them sort-of... becoming a symbol of the opposite. It places the characters in this strange limbo where they AREN'T part of that symbol of selflessness and compassion anymore, but they aren't a symbol of the opposite either, so what is the point of this character within the overall narrative? We see the problem this causes with any story involving Ahsoka these days.
There seem to be three places where we see these characters go.
First is the fallen Jedi route, obviously. They've left the Order and since gone down a path of darkness. This is where characters like Anakin, Dooku, Barriss, Pong Krell, and all of the Inquisitors end up. Pretty obvious storyline.
The second is where the character leaves the Jedi for any reason and then ultimately has to find their way BACK to being a Jedi as part of their journey. They probably never were fully fallen or anything, but they do lose some part of themselves when they lose their identity as a Jedi and regaining that identity allows them to grow into a healthier, more compassionate and selfless person. This is where characters like Kanan, Cal Kestis, Cere Junda, and Obi-Wan Kenobi end up.
The third is the Jedi critical route and the only one I know of who is on this particular journey is Ahsoka, but I'm assuming that The Acolyte might end up with at least one of their characters in this category. This is where the characters leave the Jedi Order and they don't explicitly end up FALLEN, but they're not at all on a route BACK to being a Jedi either. Or, if they are, it's explicitly NOT a Jedi like they were before and this is what makes them BETTER than the other Jedi.
The point is that there's usually a JOURNEY that is involved in characters who have left the Order or lost their identity as a Jedi in some way. Characters who have left the Order but bear no animosity towards the Jedi and are still fond of them have less room to grow in terms of their identity. You could presumably do a story of a Jedi that ENDS in them leaving the Order. We kinda sorta got that with the Grogu storyline in TBOBF where he attempts to go back to training with Luke and ultimately decides it's not the path for him anymore. It was arguably done for the wrong reasons and this storyline was rushed because it was put into the wrong show, but the concept behind it is actually quite similar to what you seem to be looking for. And it gave me some more complex feelings about that storyline because you're not wrong that it's not a BAD thing to see a story where a Jedi character leaves the Jedi simply because they've decided it's no longer the right path for them and not due to anything negative. This particular version of it might not be the greatest example of this story ever done, but I didn't hate it, either. I appreciated the novelty of it and the overall way it was handled even if I also had some issues with its placement and the motivation behind it.
So it's not like it CAN'T be done, but I think it just feels less compelling to most people because of what the Jedi tend to symbolize within Star Wars. It'd be interesting to see more people attempt to tackle this story for other characters, but I'm also cognizant that there's a LOT of bad Jedi content out there right now and they keep killing off the Jedi or having characters be Jedi critical and all of that, so having more stories of Jedi who LEAVE the Order isn't perhaps what we need more of. I want more stories of Jedi who are happy to be Jedi first, THEN we can look at stories about Jedi who leave the Order amicably.
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