remember this? well. let's go!
both ena and an have pretty famous fathers, and it was always somewhat expected of them to be worthy of their legacy, in some way. both of them were told, "of course you're good at art - you're shinei's daughter!" and "of course you're good at singing - you're ken's daughter!" respectively.
they were always perceived via their fathers, not allowed to step outside their shadow and be seen for themselves. they couldn't be ena or an.
and, you know, for a time, they went along with it. i mean, they were good at what they were doing.
but then... all comes crashing down.
for ena, there's the obvious bullshit that's going on with shinei. completely destroying her. because she admired her father, because he was the reason she wanted to do art to begin with, and he told her to her face that she would never be good enough.
her entire world fell apart, that day.
because no matter what she says, ena wants the approval of her father more than anything else. she wants him to tell her that she's worthy of being his daughter, that all her hard work amounts to something; anything.
but then, there's the eventual revelation that she wasn't anything, actually. she wasn't special.
everyone was better than her.
before, ena was a fish in a small pond, and of course, she was among the best. but now she's been dropped in a vast ocean, and she's small, and insignificant.
devoured by all the other fish.
one of them - and admittedly, the most important of them all - being futaba. she joined after ena, but she proved herself in much less time than her. and, even succeeded where ena failed - she never gave up, even when she was harshly criticised. never regressing artistically. never running away from art.
and there's something else, somewhere deep down - a fear. a fear that nightcord will abandon her when they realise she can't keep up with them. that she's not as good as they thought she was.
what will happen of her, then? she'll be all alone. unloved.
an goes through something similar.
she meets kohane, and she decides that this person is going to be her partner. that they're going to surpass THE rad weekend together, that no one could be better for this task but her.
but when she starts that relationship, it's with the assumption that she'll always be the teacher and that kohane will always be the student.
not in a mean, or pretentious way, no, not at all. simply, an was always told there was no way she couldn't surpass rad weekend, since she was ken's daughter. in her small pond, she was also among the very best.
but then, an realises something, too.
kohane is much better at everything than she is.
very similarly to ena's situation with futaba, kohane made much more progress in barely a year than an has in years. taiga - one of the old RADers, and somewhat of an uncle for an - recognised her potential, and asked to train her. not an, but kohane.
and of course, an is happy to know that! because that's her partner and friend, and an is happy to see her grow more confident and get better every day. because she cares. because she loves her.
but there's something in her chest - something that hurts and aches. she has to face the fact that she's not as good as she thought she was, that she isn't worthy of her father's legacy. that she isn't worthy of being kohane's partner, that she might be holding her back.
that she might be abandoned. left behind to rot.
what will happen of her, then? she'll be all alone. unloved.
to me - ena and an are two kids suffering under the weight of a legacy that's too heavy for them to carry, but that they can't let go of. they're also struggling with seeing their peers succeed where they repeatedly fail. they're all about being terrified of being abandoned because they're not good enough.
they're both confronted by this fact.
and it terrorises them.
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for real WHERE does the idea that [utdr humans] are nongendered so that "you can project on them" come from. their literal character arcs are about NOT being a blank slate to be filled in by the audience
i think i understand the assumption on some level for undertale, because there is a very intentional effort to make you identify with the "player character" in order to make your choices feel like your own (the beating heart of undertale's metanarrative lies in giving you an alternative path to violence against its enemies after all, and whether you're still willing to persue it for your own selfish reasons. YOUR agency is crucial).
of course, the cardinal plot twist of the main ending sweeps the rug from under your feet on that in every way, and frisk's individuality becomes, in turn, a tool to further UT's OTHER main theme: completionism as a form of diegetic violence within the story. replaying the game would steal frisk's life and happy ending from them for our own perverse sentimentality, emotionally forcing our hand away from the reset button.
i think their neutrality absolutely aids in that immersion. but also, there's this weird attitude by (mostly) cis fans where it being functional within the story makes it... somehow "editable" and "up to the player" as well? which is gross and shows their ass on how they approach gender neutrality in general lol.
but also like. there's plenty of neutral, non PCharacters in undertale and deltarune. even when undertale was just an earthbound fangame and the player immersion metanarrative was completely absent, toby still described frisk as a "young, androgynous person". sometimes characters are just neutral by design. it's not that hard to understand lol.
anyone who makes this argument for kris deltarune is braindead. nothing else to say about it.
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