#but still that one scene just kills me. + the fact that he actually dies in the end...

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 2)

Part one here

Okay, so that's how I think the pre-creation scene and Gabriel's arc connect to Aziraphale's choice. I also think the ineffable bureaucracy speedrun exists to prove totally different things to Aziraphale and Crowley: Aziraphale loves that they can love each other but notes they have to run away to be together; Crowley sees this and immediately thinks "hey, we can do that too!", forgetting that running away is not a solution Aziraphale has ever been interested in. It's the mentality of an individualist vs a group-oriented mind, and neither of them is necessarily wrong, it's just that their priorities are different and they HAVE TO TALK ABOUT IT, which they don't.

Continued analysis under the cut:

3. Let's take the Job minisode. Why include it? We already mentioned that it proves Aziraphale remembers Crowley as an angel, since he mentions it. And he believes Crowley is the same person he always was, and that he doesn't want to harm Job's crops or animals or children. Crowley tries to convince him he's a Big Bad Demon who is all in on this assignment, but fails utterly to kill even a single goat, soooo... Aziraphale comes to the conclusion that he knows what Crowley wants. Alert! Alert! This is a big problem! Crowley says, "What do you know about what I want?" Aziraphale: "I know you." Crowley: "You do not know me." But because Aziraphale got it right this time, he goes ahead assuming he'll always get it right, which is a crucial failure when it comes to the final reckoning. He doesn't ever ASK Crowley what he wants, he just assumes. When you assume you know what someone wants, you usually assume their priorities align with yours... he couldn't be more wrong about that. The Job minisode sets up this dynamic for them, and they never really manage to change it.

The other thing happens at the end of the minisode. Crowley acknowledges two crucial points: 1) he's lonely ("But you said it wasn't!" "I'm a demon. I lied"), 2) he doesn't think Aziraphale would like Hell. Aziraphale DOESN'T like Hell. Aziraphale hates Hell for what they've done to Crowley. He doesn't see Heaven as innocent or benign, but importantly, Heaven has never tried to hurt Crowley directly. They never threatened his safety. They never tortured him (as it's heavily implied that Hell did). Fast forward to the last ten mins of season 2: Aziraphale excited to tell Crowley that he can be an angel again BECAUSE: he never has to go back to Hell. They can never hurt him again, not the way they did before. And he doesn't have to be lonely anymore.

Last point before I leave Job: Crowley has the chance to cause Aziraphale to Fall, here, probably. ("I lied to Heaven to thwart the will of God!" "You did, but I'm not going to tell anybody. Are you? ...good, then nothing has to change.") He doesn't take it. He doesn't want Aziraphale to be a demon. He loves Aziraphale as he is. "Angel" as an affectionate. Aziraphale certainly doesn't use "demon" as a pet name for Crowley. I think they set up this scene to contrast the final one, and show how deeply hurt Crowley is that Aziraphale suggest he change.

4. Moving on to Victorian Scotland. This one confused me at first. I was delighted that they brought back the "the lower you start the more opportunity you have to rise" dialogue from the book, but apart from that I didn't really see the point of it. It seems like the statue of Gabriel and the fact that he and Beelz ended up at that pub in the present were more or less coincidental.

The point, I think, is actually not the girl, but the doctor. He's a person who is trying to do good by working in a system that's deeply flawed, and engaging in questionable moral practices for the greater good. (Cadaver dissection is still an essential part of medical school. You need dead bodies to understand living ones.) He shows Aziraphale a tumor he removed from a child who died, and Aziraphale clutches it to his chest. The camera zooms in and lingers to tell us that this is a guardian through and through. He wants to protect people. He wants to do good with every fiber of his being.

To Crowley, it's enough to just "be an us" with Aziraphale. He doesn't really want anything more than that. That's an issue! For one thing, it fosters unhealthy codependency, and for another, Aziraphale would never be happy without the opportunity to help and protect people. It's an essential part of who he is. Metatron knows that, and he plays Aziraphale like a fiddle. The doctor showed Aziraphale that you can make a difference even in systems that are flawed, and even if you have to do things you'd rather not do. Aziraphale doesn't want to go back to Heaven, but he truly thinks he can change things; thinks he can be a guardian with some real power. In his mind, that's the right thing to do.

Last thing that happens in Scotland: Crowley saves a soul from Hell, arguably, by preventing a suicide. He gets in Big Trouble. Whatever happened to him downstairs resulted in him coming back up, leaning on a cane, and asking Aziraphale to give him holy water. Go back and watch that scene knowing what we know now about the Victorian minisode. Ask yourself how Aziraphale must have felt. He likely blamed himself for what happened, because if he hadn't meddled then they never would have been there in the first place. He knew where Crowley was, and why he was there, and he had to sit with that knowledge for years. He desperately wants Crowley to be safe; is perfectly willing to push him away to keep him safe-- which is what he does do, the minute Crowley gets back.

Now think again about what Metatron offered him. A chance to keep Crowley safe forever. He'd never be harmed again. Aziraphale is going to take that offer, no matter what else is asked of him. He's shown over and over again that he'll sacrifice his own happiness to make sure nothing happens to Crowley. And he'll do it without talking to Crowley about it first, because he is a moron who doesn't know how to use his words. Leading Crowley to assume that Aziraphale doesn't love him. The idiot angel is doing it all out of love, but because he doesn't make himself clear Crowley doesn't know that.

Part 3: Maggie and Nina, and their roles as mirror couple/ Greek chorus!

#good omens #good omens season 2 #good omens s2 #good omens s2 spoilers #good omens meta #aziraphale #crowley #everything is meant #good omens analysis #part 3 tomorrow

[incorrectly-quoting-mxtx]

So I have theory about Luo Binghe’s fake jade pendant.

(Major spoilers if you haven’t finished the book btw)

I was just reading a fic and author pointed out something about Luo Binghe’s pendant and how it’s a metaphor for Shen Yuan.

Looking back at the book, there are a lot of parallels between Shen Yuan and the necklace.

The pendant is a counterfeit jade carving of the god Guanyin.

Shen Yuan is a counterfeit of Shen Qingqiu, a powerful Peak Lord who dresses in jade colored robes.

Guanyin is noted to be associated with compassion, and Shen Yuan changes the entire fate of the world of Proud Immortal Demon Way by being compassionate.

Luo Bingmei ends his story with his one fake jade pendant while the extras specifically note that Luo Bingge has several real jade necklaces in his possession. Those necklaces are even called out to be fine grade and best money can buy.

Obviously the real jades are a metaphor for Bingge’s harem of peerlessly beautiful women while the fake jade, which has infinitely more value to him, represents Shen Yuan, aka Luo Bingmei’s one and only true love.

However I think there’s more to it than that.

If you track the pendant throughout the book, you’ll notice that Luo Binghe is only ever in possession of the pendant when Shen Yuan isn’t there. In fact, he actually loses the pendant shortly after Shen Yuan transmigrates into Shen Qingqiu. For the rest of the book, the pendant is in Shen Yuan’s possession, only returning to Luo Binghe at the climax.

But here’s the thing that’s strange about that scene: for whatever reason the System could not load the pendant when SQQ tried to summon it. At no other point in the book has the System have a problem loading things in.

So why is it when it does load in, it’s right as Shen Yuan dies for the third time?

My theory is that Shen Yuan is the pendant itself.

Now obviously Shen Yuan comes back and Binghe still has the pendant, but in the last couple scenes of the book, Shen Yuan is always right by Luo Binghe’s side.

Now I know that Shen Yuan was an actual person before dying and becoming Shen Qingqiu, so therefore he isn’t the necklace given human form. So how can Shen Yuan and the pendant be one and the same?

Well let’s go back to the aforementioned climax scene where the System cannot physically summon the pendant until Shen Yuan dies.

Seeing as how the System is essentially an AI and/or a computer program, this kind of issue reminds me of how a computer cannot open a file if another of the exact same file is already running.

I think, that when inserting Shen Yuan into PIDW, the System needed a way to tie his soul into its program and Shen Yuan’s fate to the protagonist. The System needed a physical entity to tie him down so it linked his code/soul to the fake jade pendant. That’s why Luo Binghe loses the pendant so soon after Shen Yuan transmigrates and why the System couldn’t load it in until Shen Yuan’s soul left his body because they’re part of the same file.

This is also evidenced by how when Shen Yuan dies the second time, out of all of his items, only the Jade pendant is kept in his inventory when he wakes up in the Sun and Dew Mushroom body.

Not to mention that Shen Yuan and the pendant have the same effect on Luo Binghe! The pendant has the ability to essientially shock Luo Binghe out of a qi deviation, but is only a one time use. But during Luo Binghe’s first qi deviation, Shen Yuan is able to do the exact same thing but doing so kills him. The pendant reduces Luo Binghe’s anger, and Shen Yuan is the only person in the world Luo Binghe will ever be soft and submittable to.

Tl’dr; The System tied Shen Yuan’s soul to the fake Guanyin pendant.

#I can’t write I’m so sorry #but hey thats just a theory #A SCUM VILLIAN THEORY #thanks for reading #svsss #sorry had to get the Game Theory reference out it was scratching at my brain #Luo binghe #Shen Qingqiu #bingqiu #scum villian’s self saving system #theory #Long post

[our-happygirl500-fan]

Something I’ve noticed is that in the Rise Movie Casey Junior is still in the middle of processing Future Leonardo & Michelangelo’s deaths

The key detail that shows that Casey Junior hasn’t yet fully processed the deaths of Future Leo & Mikey is that there’s difference in how Casey Junior talks about the future versions of Leo & Mikey when compared to how he talks about the future version of Donnie.

Casey Junior: You are the greatest ninja the world has ever seen

Mikey: What do I do in the future?

Casey Junior: You are the most powerful mystic warrior the world has ever known

When Casey Junior talks about the future versions of Leo & Mikey he uses the present tense ‘you ARE the greatest ninja’ or ‘you ARE the most powerful mystic warrior’ however when Casey Junior talks about Donnie’s future self he uses the past tense he says ‘you WERE’

Casey Junior: Donnie, you were the most brilliant, innovative mind of all time

The difference in present & past tense that Casey Junior has when referring to the future versions of Leo & Mikey compared to the future version of Donnie is also most likely a deliberate one since a deleted scene from the movie even draws attention to it

Donnie: I’m sorry, ‘were’? As in... past tense? Does something happen to me in the future? Do I... do I die?

The scene was most likely taken out so that the scene where Casey Junior tells Leo about the fate of everyone in the future would have more impact but the fact that there’s a difference in tense in how Casey Junior talks about the Future Leo & Mikey compared to how he talks about the future version of Donnie shows that Casey Junior is still processing their deaths.

Casey Junior: I never thought I’d see you again! I’m so happy I could hug you!

Though we don’t know when exactly the future version of Donnie dies we do know that it was before the events of the movie’s opening due to the fact that Future Leo has already tied the future versions of Donnie & Raph’s masks onto his sword.

Though we don’t know how much time there is between Future Donnie’s death & the movies opening it’s clear that it was enough time for Casey Junior to process his death & accept him as gone however that isn’t the case for the future versions of Leo & Mikey

Casey Junior: How am I gonna save them all, Sensei? I really wish you were here. Wait, you are! I just need to find you

The future version of Leo & Mikey die in the movies opening, for Casey Junior they’ve only /just/ died & the second he starts attempting to process their deaths & accept that they’re gone, he backtracks immediately when he realises that the past/ present versions of Leo & Mikey are still alive.

Casey Junior: You told me to find the key and stop the Krang

Casey Junior: That’s exactly how you freed all those families from the Krang labour camp

The fact that Casey Junior talks to Leo as if he’s still the same Master Leonardo that trained him is also an indicator of Casey Junior not yet processing Future Leo’s death. While Casey Junior probably had time to deal with living in a world without the future version of Donnie, Casey Junior met Leo & Mikey’s past/ present selves shortly after loosing their future selves in the movies opening.

Casey Junior treats Leo the same way he would his sensei because he wants to act as though nothing has changed, he’s not processing Future Leo & Mikey’s deaths because they aren’t ‘gone’ their past/ present selves are right there.

Casey Junior: Actually, there is something I should tell you

It’s only when Casey Junior sees Mikey try to use his mystic hands, the very thing that killed the Future Michelangelo does it begin to hit Casey Junior that the future versions of Leo & Mikey died.

Casey Junior: Everybody dies fighting the Krang. The world needs Master Leonardo. And all we got is this guy

When Casey Junior confronts Leo on his refusal to act like a leader, it finally fully hits Casey Junior that his family is gone, that everyone he knew is gone, that the past/ present version of Leo isn’t the same person as his Sensei because Leo hasn’t had the experiences that made the ‘Master Leonardo’ that Casey Junior knew.

The anger that Casey Junior displays when he confronts Leo might not only be because Casey Junior is frustrated with Leo’s action but also because Casey Junior is finally moving from denial stage of grief over his Sensei’s death to the anger stage of grief. 

#rise of the teenage mutant ninja turtles #teenage mutant ninja turtles #casey jones jr #casey jones #casey jones junior #leonardo hamato #michelangelo hamato #rottmnt #tmnt

[2rats1gogh]

I’ve never really seen anyone talking about this, but I noticed that one of the main reasons why I am team green is because team green feels like an actual team that is this whole thing together.

Team Green feels connected, united, like a family.

Team Black on the other hand is… meh.

And let me explain why:

Rhaenyra being delusional and thinking that Daemon is actually in love with her when he literally just groomed her since she was a child because he has always been after her title and now wants to be her king consort. They have one of the most toxic, creepy and problematic relationships in the entire fucking show.

Then there is the very awkward and uncomfortable moment of Rhaenyra and Daemon having sex on Laena’s funeral, while Rhaenys, Corlys, Baela, Rhaena and Laenor are mourning the loss of their daughter, mother and sister. How fucking disrespectful is this. And then the fact that they have Laenor “killed” just so they can get married and have their own perfectly blonde targaryen babies.

And Rhaenyra lying about Jace, Luke and Joff to everyone in her very own “team”, trying to gaslight not only Corlys, and Rhaenys but also her own sons into thinking they are trueborn, when even Jace himself. as a child, starts asking questions.

Then there are obviously Rhaenys and Corlys, who for some fucking reason neglected their trueborn granddaughters in favor of some dark haired white bastards their daughter-in-law is trying to pass off as their son’s children. Rhaenys is trying sooo hard to please her misogynistic husband because he so desperately wants his name to go down in history. Then the disrespectful betrothal of Jace and Luke to Baela and Rhaena. Rhaenyra is literally robbing these poor girls of their rightful claim to Driftmark and usurping them. And now, with Luke being dead, Rhaena’s claim dies with him.

Baela and Rhaena losing their mother, and now their father suddenly remarries, and has two blonde boys. Rhaenys losing BOTH her children and then seeing her son-in-law and daughter-in-law getting married soon after that.

Everyone in team black is after their own ambitions. They lie to each other, they don’t trust each other, they suspect each other in different things, they cheat on each other (with each other) and lie about it, they give each other forced ultimatums, and yada yada. All their scenes feel forced, tense, awkward and uncomfortable. They look so miserable with each other.

Team Green in this sense is the exact opposite.

Although their dynamic is far from perfect, obviously, you cannot deny that they care about each other very very deeply.

Alicent loves all of her children, and even while acknowledging their flaws, she still loves them.

Aemond might’ve been a little envious of Aegon, but he would never turn his back on him. He would never betray his brother, be would never try to take his crown from him.

Aegon was far from being a perfect man and king, but, as we know, it was his love for his family, and the fear of them getting hurt that made him a more responsible person and a more protective father, husband and brother. Sure, he is a cheater, but at least he’s honest about it and doesn’t lie to his wife. He is not a hypocrite.

Criston is working for Alicent not for ambition or for self-gain, but because he genuinely loves her, whether it’s romantic or platonic, doesn’t matter.

Helaena would never betray her family, her brothers, her mother. They are all she has. She would never switch sides even if given an opportunity.

And even Otto, arguably one of the main villains of the whole show, still loves his family. Sure, he is ambitious, but he would never become Corlys level of ambitious.

Team Green feels like they are fighting against the enemy all together, they have the same goals, they feel united and you can feel their devotion to each other. Especially after blood and cheese, when they become closer than ever. They’re in this together and only if they stick to each other, they can make it. It feels genuine and honest. They don’t hide anything from each other, they always have their loved ones’ best interests at heart, they would never in a million years betray each other. Yes, they are all doomed from the start, but their dedication and love to each other is truly something else.

#house of the dragon #hotd #asoiaf #pro team green #team green #anti team black #anti team black stans #anti rhaenyra targaryen #anti rhaenyra #anti daemyra #anti daemon x rhaenyra #anti daemon targaryen #anti rhaenys targaryen #anti corlys velaryon #pro alicent hightower #pro aegon ii targaryen #aegon ii targaryen #team alicent #aemond targaryen #helaena targaryen

[celaenaeiln]

i mean this in the most neutral tone, but, im genuinely confused with this eldest daughter syndrome dick thing? as far as i know, he never lives in the manor with other batsiblings and personally take care of them except damian, and just "yeets" from any possible trouble or tension within the siblings or when they have issues with bruce

No worries I totally get it! And I'm here to deliver!

First, to be fair to Dick, no one lives in the manor aside from Damian and sometimes Tim.

Dick lives in Bludhaven, Steph lives in Gotham U? She's been in and out of comics but otherwise her own house. Cass lives in Leslie's clinic, Tim alternates between the Titans and the manor, Jason lives anywhere that doesn't have Bruce, and Duke lives with his uncle.

However that doesn't mean they don't all rely on him.

I think the confusion comes from scenes like this-

Batman: Urban Legends Issue #10

Where it seems like Dick just left Tim to deal with Bruce on his own. But-

Batman: Urban Legends Issue #10

Dick called him. When Tim when to him for advice, he gave him advice but also knew it couldn't just stop there. So he called Bruce to get it through his thick head that he's allowed to be happy. If there's anyone that can change Bruce's mind on anything it's Dick.

Which brings me to my next instance of Dick acting as the mediator and emotional burden lifter of his family. When each batkid dies (or almost dies in Dick's case), Bruce grieves in a different way. With Jason he took it out on criminals, with Tim he took it out on himself, with Dick he took it out on criminals and heroes, and with Damian, he wanted to undo what happened. He torments Jason about it, goes too hard on the criminals, gets worsened by Barbara, gets helped a little by Selina but also feels a billion times worse about Damian's death so-

Batman and Robin (2011) Issue #23

He locks himself in a simulator for days trying to see and fix where he went from when Heretic killed Damian. Nothing gets through to him so Alfred pulls out the Big Guns - he calls in Dick.

Batman and Robin (2011) Issue #23

"Richard just came in from Chicago to--"

"Talk some sense into me?"

"Yes, I've implored you to shut this...thing off and join the living, but you have turned a deaf ear for days."

"This calling in the cavalry routine is getting old, Alfred."

Since the dawn of Batman and Robin, Dick has always acted as the mediator for Bruce and the family. Always.

With Dick's help, finally, after days, Damian's saved.

Batman and Robin (2011) Issue #23

And Dick finally brings Bruce back to life.

Batman and Robin (2011) Issue #23

He took a destructive, dead-man-walking and breathed life and hope back into him to stop him from taking his grief and anger out on his family and criminals.

Also-

LOOK AT THE WAY THEY'RE SEATED. DICK IS LITERALLY BRUCE'S THERAPIST.

Batman and Robin (2011) Issue #23

Calling in the cavalry always works.

Of course there's times when Dick doesn't help mediate. But the issue is not that he doesn't want to or he pushes it off, it's that he can't. What the hell are you supposed to do when the mediator who mediates all your problems is themself broken?

Dick really wants to help Tim but he can't. He can't find it in himself to barely live right now because Donna-his platonic soulmate-is dead.

Teen Titans/Outsiders Secret Files

He really can't.

Teen Titans/Outsiders Secret Files

She was his sister too. Pretty much blood.

I actually think the fact that Dick doesn't live in the manor makes the fact that he still takes care of all his siblings and their problems with Bruce even more important. To calm and rationalize down Bruce and take care of his siblings, he's constantly flying or driving back and forth between different cities, dropping his cases and work, ignoring his problems, just to be there for them.

For another example, when Dick hears that the newest Batman is causing problems in Gotham and Bruce just abandoned Tim to deal with everything and Tim nearly got hurt, he comes all the way back to Gotham to rail Bruce out for doing that to him.

Robin (1993) Issue #8

When Bruce teams with Damian their relationship so tumultuous but once again Dick steps in.

Batman: The Return

"I need a partner who can stay focused and keep up."

"Bruce, come on! I made a career out of not doing anything I was told when I was Robin. He gave up everything for this. You can't just take it away...you can't cut him out."

He keeps Robin from being fired and continues being Damian's support system.

It's not just mediating though, Dick fully steps in to take care of the batfamily whenever Bruce absconds or there's trouble.

Batman and Robin Eternal Issue #24

He's like the command center of the family.

This picture just embodies his role.

Batman (2011) Issue #15

And as Bruce once said-

Batman: Urban Legends Issue #22

He's really the eldest daughter and caretaker.

#dick grayson #nightwing #bruce wayne #batman #tim drake #red robin #robin tim drake #damian wayne #robin #alfred pennyworth #batfamily #cl anon asks #thanks for the ask!

[artbyblastweave]

Okay, Time for that belated Shrinking Rae post-

In the comics, Shrinking Ray's "arc" (bearing in mind an extremely liberal definition of that term, they had exactly one scene showcasing this) was that he was implied to be developing an inferiority complex; he's not necessarily incompetent, but he's out of his niche, his clever shrinking-based plans kept getting upstaged by brute-force solutions from the more conventionally powerful heroes like Invincible. He's the scrawny, nerdy little guy with the joke powers, he never gets a win, and in most fights he literally isn't visible. In the fight with the Lizard League his death is framed as pathetic and ineffectual- there's one or two panels between "I'll make you pay!" and getting eaten alive by Komodo. All of this is doing a couple of things- it's emphasizing that again, this is in fact a story and setting where superheroes sometimes just die really badly with limited fanfare- a thing that IIRC hadn't happened since the original Guardians team wipe in issue 7. Second, it's an indicator that the new Guardians are structurally kind of on the ropes. They're heavily staffed by second stringers, they exact second they have to split their forces they suffer a 66 percent casualty rate, and that's with backing from two capes who aren't actually part of the team. Grim! Anyway, when they do the adaptation Shrinking Ray becomes Shrinking Rae, because they want to tweak the gender balance of the cast and the pun is too good to pass up. But I think that there was a reasonable reluctance to transfer the "arc" from the comics one-to-one, because to be blunt, "Ineffectual Nebbish Glasses-wearer who whines a lot and dies pathetically," paired with absolutely nothing else, is gonna read as misogynistic if the character is a woman now. So in the adaptation Rae is markedly more competent. We're introduced to her taking down a much larger opponent by fucking around inside his ear canal, which becomes a favored trick of hers. There are traces of the self-esteem thing- the visual gag where she physically shrinks about a foot when getting chewed out in the briefing- but the overall throughline isn't "look at this loser who somehow ended up on the guardians." In the Lizard League fight, she doesn't get eaten- she's deliberately trying to execute a Thanus maneuver and just fucks it up, seconds after successfully killing a different villain the same way. And there's a second where it looks like it might work, too, before hope is cruelly yanked away. Which makes for a markedly cooler death scene- but who died? What was actually going on with her? Anything? In some sense she's cooler, but it's kind of an undifferentiated cool. She had what, Six lines? Seven? On balance I think Rae is still doing her fundamental job in the story, which is to pad the Guardians roster for a while and have someone who actually dies and stays dead as a result of the Lizard League fight- but I think they definitely missed an opportunity to give her some more texture than her comic counterpart had. Part of me thinks that the show would have been a good place to go even harder on Shrinking Rae being in over her head, but in a considered way, to emphasize that the Guardians aren't well managed- maybe tie it into the tensions between Robot and Immortal regarding sustainable team management practices. Part of me thinks you should go the other way, that if you're gonna do away with the idea she's underwhelming you should blow up her role, have her actually say and do some things that affect the story or the team dynamic in any noticeable way, because as it stands she's kind of visibly siloed as the designated mauve shirt. I'm definitely of one mind that this showcases something I suspected was gonna bite the show in the ass, which is that they're (laudably) diversifying a secondary and tertiary cast whose main role in the source material is often to die badly or fade out of focus.

#invincible #shrinking rae #invincible spoilers #thoughts #meta #invincible comic #invincible season 2 episode 5 #800 words of meta on a character with six lines and a brooklyn accent jumpscare

[justakidicarus]

Alastor has something he fears.

With how modern media has been going, well written characters are harder to come by, so I am very pleased to see how Alastor is written in the season 1 finale of Hazbin Hotel. Admittedly I did not watch the episode in full, but two major scenes are what I want to talk about.

Adam vs Alastor, and what I want to call Alastor’s interlude (his verse in the final song).

During Alastor’s fight with Adam, Alastor has clear technical advantage, but Adam’s sheer firepower overpowers him. Everyone has probably seen the “What just happened?? … Fuck.” Moment. Now most writers would write another character coming in for a save, or in the context of Hazbin a regular sinner would keep fighting.

Alastor is not your average sinner.

He accepts his defeat and slinks away before Adam can land the finishing blow. This is actually a massive thing no one really talks about, the fact that instead of staying to fight Alastor acknowledged when he was bested and left to fight another day. He is a fucking smart guy but this moment, when he chooses to lose rather than die, is super important to his character, and becomes clear in Alastor’s interlude.

Alastor is terrified of dying.

And I really do mean terrified.

Throughout the song you can hear the emotion in his voice (holy shit did Amir Talai do a good job). His facial expressions are panicked, especially during the line “died for his friends” and the close up at “The constraints of my deal surely have a back door,” that line in particular really capturing the picture of panic and terror. When he first speaks of dying, he looks more angry, but the rest of the verse he just looks terrified. Even if he may be a sinner and thus, has already experienced death, it remains his greatest fear as evident by his reaction to nearly meeting it.

Which makes sense when you look at the context of his death.

Alastor was shot in the head while occupied with burying a body in a hunting reserve. A gunshot to the brain is a quick and near instant way to die, especially since he likely wasn’t aware of the hunter and gun. To him, he heard a loud bang and was suddenly in hell. He has never experienced death properly because he didn’t even have a moment to process that his time was up until he was in the afterlife. Even in the afterlife, as a sinner he can’t permanently die, the only way possible is being killed by angelic weapons.

Weapons like what Adam wields.

Most people believe that Alastor retreated when his staff broke because he couldn’t fight without it, but I actually believe it’s because he realised that Adam could actually kill him. For the first time in his entire life, and afterlife, Alastor was faced with the possibility that he would die. For good.

And he was terrified of it.

He fled not because he couldn’t continue to fight, but because he was scared of fighting Adam and running the suddenly very real risk of dying, but hiding it as best he could. This is obviously made easier by his constantly smiling mouth (which I don’t think he can stop doing if you look at the stitched from his deal with Charlie) but there are a few signs. He loses control of his power such as his left eye and shadow. His ears tilt back as he’s getting up, a sign of distress in animals, and when he first gets up he looks around alert despite knowing the threat is in front of him, classic prey animal behaviour. Not to mention there’s almost 10 seconds where he doesn’t get up and is just on the ground with his face obscured while Vox gives his declaration. These behaviours could be pain related, he does have internal and external bleeding from Adam’s attack after all, or it could be fear based. Still, his interlude leads me to believe it’s a mix instead of solely the former.

Finally his sudden dedication to finding a loophole in his deal with his unknown contractor (I’m hesitant to say Lilith but idk).

From what I can gather by his actions surrounding the hotel and his strange dedication to Charlie and the hotel’s wellbeing, I’m inclined the believe his deal centers around protecting Charlie and the hotel. A deal he now desperately wants out of. It’s no secret that Alastor hates being on a leash (Husker found that out the hard way) but how the fuck did he even end up on one in the first place if he hates it so much?

Simple, he didn’t see it as a bad idea at the time. That or he could have died without it but we don’t know that yet

If what he got in return was a good deal of power or something else he coveted, why wouldn’t he take the deal to play secret bodyguard and watcher for the princess of hell, one of the most well guarded people in hell, and her lofty idea that ultimately will fail and likely gain no traction at all? It’s practically free power.

And then Charlie starts pissing off all of heaven. And dragging her father and whole host of powerful and dangerous beings into her charade.

Now this is becoming a bad idea he can’t back out from.

And then he almost dies.

Why would the try to escape his deal? Alastor values his life above all else and his greatest fear that I think he now knows about, is the fear of death itself, a suddenly very real risk with the people Charlie, the person he’s forced to protect, is angering. Alastor wants out because of that sheer human thing that is the fear of death.

That’s why it’s such great writing.

Alastor is scared of death and that is what makes him human.

It’s a part of his character he can overcome or fall victim to, something that makes his character relatable and 3D rather than a distant mask. It’s something that makes him human, and that’s especially important in a character that was once just that.

No matter where Alastor’s character goes in the future, if he overcomes this fear and is somehow redeemed (plausible in the way the show is going), or if he is a villain for a future season brewing in the shadows, still driven by this fear that is so central to his actions (again, plausible with how the show is so far, he still had a villain moment after all even if it was a humanising one), Alastor’s character has actually gained so much depth, and all from one little scene sharing one shard of humanity he has left.

#hazbin hotel #hazbin alastor #hazbin spoilers #Hazbin deep dive #alastor #holy shit have I been analysing Alastor from this one scene #I just love proper character writing and as cool as Alastor has been I’m glad he has a fear

[marauderonthepirateship]

HAZBIN HOTEL EP 7 AND 8 QUICKK REVIEW

contains major spoilers, let's start!

how about we start with episode 7, hmm?

i must say, before the episode were released I had a theory, that alastor could make a deal with charlie and try to get her soul to(following the theory about lilith having alastor on a leash) try to exchange charlie's soul for his own BUT it did not happen, and I cannot say it's disappointing for me

as hannibal fun and an expirienced cannibalistic-joke maker it feels like a personal win to have cannibal town being one the most comfortable places in hell with cannibals being really wholesome and polite guys

and of course the diamond of the crown - rosie

she was amazing in this episode. she definitely has the vibe of this rich auntie who visits you once a year and gives the best gifts and advices. she actually gives amazing advices, that's for sure. and i love her friendship with alastor, i bet they meet every weekend and share gossips

all of us should be proud of charlie and the way she becomes leader and takes responsibility for her people. this is THE character development

here we are slowly coming to episode 8 also known as the finale of season 1!!

it was a bright culmination of all of the season 1 and it turned out amazing

but dear readers, i'm sure all of you have already watched it (maybe even 2 or 3 times, right?), so why don't i just say a few words about my favorite moments

the scene before big battle, where everybody is just spending time with other is exactly what shows how much are this lost souls now bonded. they realise they have no idea what is there, waiting for them in tomorrow and that's what make this scene

and let me just say it: huskerdust

it is a big joy to know this actually happened

i also might say that the victory wasn't easy nor unreasonable. think about the fact that nobody knew how to defeat angels is the exact reason hazbin's crew won. indeed the more power you got the less carelessness you should have.

and i'd really enjoy to share some of my highlights of this battle if I do say so

here wee goooo:

sir pentious kissing the girl he loves than heroically dies and goes to heaven. absolutely nailed it

charlie's demon form. and shall we not forget ruzzle and duzzle in their dragon form.

that absolutely iconic show up from lucifer and him in the whole battle

niffty killing adam. i'd say this is hilarious

alastor being beaten, afraid and panicked. yes, i WAS talking about it. it was important to show he can feel real emotions and fear and loss are one of them

three vees watching battle for hotel and living their best lives(i still hate val, just to be clear)

what is really natural about the battle that they don't just celebrate victory. they mourn pentious, and charlie feels guilty, but they still go on, rebuild hotel singing one of the best songs for the whole show

i am intrigued by what the season 2 has to offer for us, my dear friends and I surely will be waiting for it

now i'm just about to thank you for reading this and wish you a pleasant day!

#hazbin hotel #huskerdust #alastor #alastor hazbin hotel #angel dust #husker hazbin hotel #hazbin hotel lucifer #hazbin charlie #hazbin hotel alastor #hazbin hotel husk #hazbin hotel lilith

[rainbow-femme]

Rewatching the animated Beauty and the Beast

-Right off the bat the thing in the opening that gets me is not the possible age implication but the fact that this prince is opening his own doors and to people he’s not expecting. You’re lucky it was just an enchantress looking to test the purity of your heart and not an assassin. Just power posing with the door fully open, no guards, going “Oh hey it’s someone I don’t know! I’m going to have a conversation with them alone” before god and everybody. Of course you got cursed, your guards should have rugby tackled her before she could get her wand out

-I never liked Maurice as a kid and I still don’t. Like he’s not bad he’s just annoying to me every time he’s on screen. The wind blows and he’s dying on the side of a cliff somewhere

-It is never not funny to me that Belle promises to stay in the castle forever and then just leaves three hours later

-I love Gaston having his whole “I’m going to get Belle’s father locked up so she marries me” scheme and then she’s fully just not remotely near the town. He’s living in a high stakes drama and she’s clapping along to dancing tea cups

-Hey when Maurice goes to look for Belle he grabs a bunch of rolled up pieces of paper and protractor. Is the idea that he’s just gonna invent and build something while actively walking? Sir you spent 6 hours in a dungeon and nearly died of being in a dungeon disease, you can’t help yourself out of a wet paper bag much less get your daughter out of anywhere with an invention you made out of rocks and sticks while clawing your way through the woods because you’re dying again

-But it is funny to imagine this revolving door of Maurice and Belle trading themselves for the other until the beast is just like “hey if I let you both leave will you promise to never come back”

-Belle is such a dick at the beginning it’s so funny. “Oh there’s one place in this giant castle I can’t go? I bet he’s hiding all the really cool stuff in there and I’m going to ignore his wishes and that of the staff. Oh no, consequences, the guy who said not to come here is upset I came here! Who could have foreseen this!”

-Like it’s not bad writing, it’s her character arc that she was mainly focused on herself and her interests and pretty judgemental of people who weren’t like her, so her disrespecting someone’s boundaries because she want to sets up something she grows from, and she learns to connect with someone else on their level even if that person is different from her and she learns that people are more than their surface appearance and even an angry beast has depths if you actually get to know them and see their view of the world, and connecting with people who are different from you enriches your life. Which is why when the townsfolk later try to kill the beast because he’s different we see she’s now understood the danger of that way of thinking and is horrified

-But that’s such a funny thing to do just immediately upon entering a castle owned by a big scary beast. Day one hour one she’s like “oh boy I know where I wanna go!”

-I don’t want to be a CinemaSins and point out how improbable it is that Belle got a giant unconscious beast onto her horse when he would be hundreds of pounds. But I do want to see the scene of her doing it. I’m picturing the horse sorta laying down and the beast is on the ground like a sack of potatoes and Belle has her back against him and is pushing with her legs to try and roll him over. Or she’s got her shoulder against him and is trying to push that way but her feet keep slipping in the snow

-Oh my god I forgot they told her about the library before the beast “gives” it to her. She was already allowed to go in there and knew it existed, “giving” someone a room they had full knowledge of and access to is very funny

-But you know what if he’s the kind of guy who thinks that will work and she’s the kind of girl it works on then they’re perfect for each other. Just two people with zero social skills bumbling around a castle together, making weird decisions and the other is like “wow they’re so cute and normal”

-I love the sweeping faux crane shot during the ballroom dance. Over 30 years later and that shit still slaps, more animated movies need to act like they’re being shot and edited like live action

-Maurice really can find a way to immediately die in any situation. When he’s at home he’s fine but the second he leaves the town border he develops tuberculosis and begins losing all function in his limbs

-I’m going to be honest with you guys, I’ve seen various versions of Beauty and the Beast and every time it’s the letting Belle go scene I have the same thought: I absolutely would not have read that social interaction correctly, I would have been fully under the impression we were all aware I was running an errand and coming back later. Because if I’m Belle, and I can live in the cool castle with a friend and people who are nice to me or a town I specifically stated not liking filled with a guy who is pushy and makes me uncomfortable and people who are mean to me and zero friends, I would not have been like “oh thank god I can finally go back!”

-“You should go to him. I release you, you are no longer my prisoner” See to me that reads “We are friends and I am removing this technicality between us so you can go run out and do something that is clearly important to you.” I would not have picked up on everyone in the castle thinking I was leaving forever. I’d just show up two hours later like “boy, it’s been a day, huh?” and the beast is just laying face down on the floor in his room listening to a sad boy playlist

-But the beast is clearly part dog so I guess it’s a normal reaction for him to have

-I don’t want to victim blame, but if you have a sick dad and are equidistant between “castle where everyone likes you” and “town where everyone is mean to you” and your dying father can be cured by a nap, I feel like it’s a bit on you if bad things continue to happen in the Bad Things Happen To Me town

-Not saying she should have anticipated a mob coming to incarcerate her father but I do feel like it would be expected that the people who have been mean to you and your dad would continue to be mean to you and your dad in the Everyone Is Mean To You and Your Dad town

-Because if the forced incarceration hadn’t been an issue, they would have gone to town the next day and someone would go “Hey Belle, your dad said you were kidnapped by a beast.” And everyone would point and laugh and he’d start waving his arms and going “It was the biggest beast you ever saw! 18 feet tall and claws bigger than my head!” and people would probably suggest that the guy they all call Crazy Old Maurice may be crazy and Belle would need to prove he wasn’t. I just don’t think we would have ended up with much of a different situation in any timeline that involves going back to the town

-Ok. So. If I live in a town. And I find out there is a beast within walking distance that is sentient enough to take villagers prisoner. And this guy is like “yeah he took me and my daughter prisoner, he’s terrifying!” I’m not saying I would have been part of the mob but I do think I would be worried about there being a beast and two people he previously kept prisoner living next door. And her saying “no he’s actually very sweet” would sound like those people with exotic pets who get their faces eaten by their pet tiger. Like yes they’re wrong but Belle also thought he was scary and violent until she’d been there a number of hours. I feel like if instead of giving herself up she went to town and asked for help and they created a mob to get her father back she would not have been against the idea so it’s not wholly their fault for having the same idea

-“Is it dangerous?” “No, no, he’d never hurt anyone” Every owner of a dog who wants to bite you so so bad

-So when Belle and her father are alone she is clearly telling him that the beast let her go and is kind. When asked about the beast by the town, Maurice starts yelling about how he’s the most terrifying monster in the world. Belle has to show the beast to back up her father’s claims to try and save him for the second? third? time. And then they’re locked up and she says “this is all my fault” and this man does not for a second contradict her or take blame at all. “Yeah I can’t believe you specifically caused this mess.”

“We won’t rest until he’s good and deceased.” I know there are only so many words that rhyme with beast but that’s such a funny line in a bloodlust song. I will not rest until this animal has been declared legally dead by the state

-“We will fight even though the danger just increased” I’m obsessed with all the words they had to use to rhyme with beast

-It’s so funny that this is canonically France and he is canonically a prince. They didn’t make him a duke or a lord he is directly related to the royal family and in the line of succession. Likely not the dauphin because they wouldn’t have sent him to run a castle in the countryside away from the center of politics so probably a younger son but still, this guy is part of the royal family. They didn’t have to explicitly state this is France but they do, and they reference the baroque period so it’s after the construction of Versailles. The beast is actively being stabbed to death while sentient furniture watches and at the same time his family are canonically pissing on the walls and floors of their own home

-Oh my god the beast is brooding on a chaise. Did he drag it over to the window just so he could dramatically sit on his chaise and stare longingly out at the rain? Absolute break up mood

-He’s also in a different outfit that isn’t the fancy one or his every day one, he went and changed into a breakup outfit. Important to note the breakup outfit includes a cape and what he was previously wearing did not. He chose to put on a cape as part of his breakup outfit

-So Gaston points his arrow at the beast. The beast acknowledges it then looks away. Gaston then fires and hits him and he reacts all surprised and angry that it hurt like my dude you let him shoot you with an arrow, what did you think that experience would be

-It is so wild that Gaston assumes the beast is in love with Belle. Like yeah he’s right but what a wild assumption to make when you’re not even sure this thing comprehends human speech. Again my thought would be he’s attached to her like a dog is attached to its owner, I would not see a big furry animal and be like “this thing is fully sentient and feels romantic attraction to human women”. Yeah he’s wearing clothes but still that feels like a leap. Pointing at a dog in a sweater following its owner and yelling “You’re in love with her, aren’t you?”

-The beast’s arc is partly him controlling his temper, and we see him want to kill Gaston but controls himself and lets him go, immediately resulting in his own death. Gotta be honest I feel like less self control would have been helpful in that specific scenario

-I didn’t remember the blood spray after the beast is stabbed followed by the stab wound bleeding a good amount of blood. Are there other Disney princess movies with onscreen blood? I think in Mulan we see blood oozing out through clothes from an injury but that’s the only other one I can think of. Eugene gets pretty bloodlessly stabbed

-Best scene in the movie: The beast floats up in the air, actively transforms into a human in front of Belle, stands up, says “Belle, it’s me!” She then squints at him, touches his hair a bit, squints at his face, and when she recognizes his eyes she goes “It is you!” Ma’am what the hell else did you think was happening. If you didn’t recognize his eyes would you have just been like “Hmmm I dunno…”

-Ok so at the end there is an entire royal court watching them dance. Again I don’t want to be a CinemaSins I just want to see the missing scene. Like did he explain what happened to him? If yes then again I want to see that conversation of him explaining to his family how he was literally transformed into a literal beast for the last ten years and they had no idea this was happening to their family member. If no, imagine just going back to being a prince after 10 years as a beast and you just have to pretend like everything has been normal this whole time. I want a sequel that’s just the human beast reintegrating not only back into society but French royal society, which was notorious for having some of the most intricate and complicated social etiquette in all of Europe

-The final shot is a stained glass window of them with a prominent rose. Now in the original he had a whole rose garden he was very attached to, so that makes sense. But I feel like this beast specifically would have only negative connotations with roses and that window would probably be seen as a little tasteless given the circumstances. “It’s a rose! You know, the physical manifestation of a curse that was clearly quite upsetting for you for nine years and roughly 360 days, reminding you daily of your flaws! Isn’t that fun?”

“Original score by Alan Menken” Look up his IMDB, if you live in at least the US this man has written the score to your entire life

#long post #I’ve been called out for being long winded so here is your warning #beauty and the beast #disney

[vampire-wizard-solidarity]

@your-local-ruebit-hole-detective ok i’m sorry but. i will answer your question.

age of calamity advertises itself as a prequel but in reality it’s a fix-it au with slight differences and writing that’s pretty bad but i have grown to appreciate it for how insane it goes sometimes.

the actual plot is that as a child zelda used to have a little egg-like guardian robot that she was forced to leave behind as she grew up due to her father’s pressure etc, and when the calamity happened this little robot saw it and traveled back in time with the goal to prevent this and protect zelda, creating a branching off timeline. there’s also an extra villain who is this prophet (???? this games writing isn’t good enough for me to tell you what his deal is exactly) who worships ganon and for most of the game works with the yiga to bring him back, except he’s more insane than them and works directly with malice and also sucks at his job because when he finally gets to ganon he unceremoniously dies and everybody’s like “yeah we have no idea what this guys deal was”.

the one significant change that doesnt have to do anything with time travel shenanigans is the fact that link doesn’t find the master sword as a child, but instead gets appointed zelda’s bodyguard for his genuine skill and then finds the master sword during one of the in game missions. despite this, revali still hates him, and often times when justifying this revali cites reasons that are literal complete opposites of how his grudge was characterised in botw, cementing revali’s characterisation as just a cunt for no reason. it’s great.

the significant time travel related change is that when all the champions go into their divine beasts and fight the blights a portal opens and the new champions (teba, sidon, riju, yunobo) get teleported in and help defeat the blights. zelda also doesn’t get her power by protecting link from a bunch of guardians, the scene still hits the same beats of link fighting things off so zelda can run away except in this game how it happens is that the insane prophet shows up and literally summons all the blights against link which makes the scene ten times more insane.

throughout the game the yiga show up regularly, often times with master kohga himself showing up and being the overall goofy guy he is, except he also has a hunk of a body guard who’s name i genuinely can’t recall. multiple times in the game kohga gets defeated and said hunk of a body guard throws him over his shoulder says “it’s not over yet” and walks off carrying kohga like a sac of potatoes.

in the original game, when shit starts hitting the fan the yiga stop showing up as enemies and at some point in the story kohga shows up without said hunk of a body guard, says “the prophet is insane and the calamity actually isn’t a good thing as we’ve discovered”, highly implies that the reason for his change of heart is because said prophet killed his hunk of a body guard (who literally. doesn’t show up again for the rest of the game mind you. he legit died), and is like “yeah the yiga will help you. after this whole thing is over we’ll go back to being bitches to you but rn let’s just kill this ganon guy and then walk our separate ways”. the fact that the calamity being a bad thing throws the yiga’s whole ideology and purpose into question is never addressed.

the dlc makes the death scene explicit, also making it a parallel to zelink by, again, making the bodyguard fight all the fucking blights so that kohga can escape. the scene literally opens with the body guard limping as they try to escape. it’s so much a parallel to zelink it’s insane. im afraid do not know what the hell they were cooking.

some other choice moments from this game that go insanely hard for no reason:

1. the first portion of the game is dedicated to zelda recruiting all the champions, and when it comes to recruiting revali he for some reason assumes it’s an attack, and sends all the rito soldiers to fight the intruders off. the rito do not question fighting some random hylians one of whom is literally zelda. the mission ends with a boss fight of link vs revali, which only ends without them killing each other because zelda runs in and goes “stop???? the fuck ????”

2. the entire game has cute bonding moments with the botw champions meeting their idols and getting to spend time with them. that is, except for sidon, who spends the game saving his older sister in a parallel universe which he has to leave by the end of the game, meaning every scene involving him has him on the brink of eleven hundred simultaneous mental breakdowns. the dlc adds a scene where the little sidon who is native to said parallel universe gets to interact with botw sidon, and botw sidon tells him that he’s going to grow up big and strong and will protect his sister, and the entire time he tries really hard to not acknowledge the fact that they are the same person, and that mipha is his sister too, presumably because nobody wanted to animate sidon ugly crying. in that scene you can literally see his soul die in his eyes it’s great

3. the dlc features tulin, god knows why. i don’t know how he got there or what he’s doing. he’s just there.

4. you can make noble pursuits in the game and drink them before missions for a buff. pre-gaming defeating the calamity is a thing, i cannot stress how much it is a thing in this game.

5. there are two separate animated cutscenes where link eats rocks on screen. only one of them involves the gorons, the other is a scene where link is being discussed and as the characters talk about how great he is in battle the camera pans to him eating rocks, seemingly on a dare from the other soldiers, who all surround him and are immensely excited by the fact that he is actually eating rocks.

6. the dlc features a scene where zelda gets to cook. link is horrified the entire time. she does not belong in the kitchen. she belongs anywhere outside the kitchen. the dlc also gives her the master cycle as a weapon. she commits vehicular manslaughter

7. the king gets a redemption arc, where he apologises to zelda only after she unlocks her power. the reason he realized he was wrong was because a sheikah relic that he confiscated from zelda turned out to be an ancient shield and it saved his life from a guardian blast. his apology is literal dog shit and right after it the game forces you to play as him for a mission. it almost made me rage quit.

8. thunder blight has an attack where it just swings its hair at you

9. when you finally fight calamity ganon he doesn’t have the form of the spider ganon from botw or even the boar, he is instead a buff guy made out of malice. literally just the shape of a buff non descript guy made out of malice. his boss fight is endless and the entire time you’re just beating the shit out of a non descript buff guy shape with a stick.

10. there’s a cute little side mission called something like “girls beauty contest” (in reality they all beat the shit out of each other for the title), where you’re only allowed to select female characters. that is, female characters AND gorons. think of that what you will

#loz #botw #legend of zelda #breath of the wild #age of calamity #hyrule warriors #hw aoc #loz aoc

[she-posts-nerdy-stuff]

It’s half past midnight as I’m starting this, who knows what time it will be when I finish it, let’s talk: Inej versus the Wraith.

Ok I’ve been thinking a lot about the distinction between Inej and the Wraith as a concept similar to the desperation of Kaz and Dirtyhands or Kaz Brekker and Kaz Rietveld, and I think I’ve noticed an actual trend in the books of using the epithet at certain times or in certain tones. For example, when the group find the pyre in chapter 19/20 and realise one of the victims is still alive, Jesper shoots them to end their pain. Kaz wanted Inej to do it since using her knives would be quieter than the gun, but she can’t bring herself to. In this moment, she is described exclusively as “Inej”. Later in chapter 20 she kills a parem-drugged fabrikator in order to save their lives, and is described as “the Wraith”. Not only is there the suggestion of a growing distinction between the two, but it is now being noticed by the characters as well as just the reader. For Kaz it’s really only the reader (and maybe Inej but I’d argue not to a full extent until Crooked Kingdom) who sees this distinction because we are closer to him than he lets anyone else get, we are the only people who really know what he’s thinking and see the two sides of his personality or the two potentials for who he could be. But with Inej it’s almost the exact opposite, we as the reader see the idea of the Wraith as an epithet invented by Kaz and an as empowering epithet designed to counter the dehumanising “Lynx” whilst still echoing the trauma of her past by linking very clearly to Inej’s descriptions of leaving her body behind and thinking “I’m already dead, I died in the hold of a slaver ship”, whilst the characters begin to almost refer to the Wraith and Inej as separate entities. I’m using Jesper as my example here since he’s the one to calll her the Wraith in chapter 20 - “trust the Wraith” - and the one to shoot the dying Grisha at the pyre, both to spare them and her from pain. It seems a sudden turnabout to go from a non-verbal or even any kind of communicatory acknowledgment that he needs to step in for her to expecting, trusting, and praising her for killing, but arguably that’s because he has seen a change in her during this short period of time.

It’s also worth noting that Nina almost always calls her Inej, in fact I don’t think she once calls her Wraith (at least to my immediate recollection, feel free to correct me) except when she uses the name to call Kaz out when he says “the Wraith can handle it” and she replies “the Wraith is a 16-year-old girl” and goes on to emphasise Inej’s injuries. But even in this scene, which is on the boat to Fjerda when it’s still unclear whether Inej will even survive and Kaz is talking about making her climb up the incinerator shaft at the Ice Court, Nina begins the conversation by saying Kaz can’t make Inej do that, and he comes back with “the Wraith can manage”. This suggests he sees a distinction between them as well, perhaps that Inej is a religious young woman who’s been left incredibly vulnerable but the Wraith is a hardened criminal with nothing to lose. By choosing to refer to her as the Wraith when he plans to put her through something so incredibly difficult, he is alleviating himself from the guilt of harming a vulnerable young woman by instead considering her as a hardened criminal. Nina calling him out in this shit (yeah I said it and I stand by it) clearly annoys Kaz or he wouldn’t have bothered arguing back to her, as he usually doesn’t. Arguably we could extend this to the idea that the others call her Inej when she’s the person they know and care about but the Wraith when she’s violent or commits crimes so they can actively choose to separate the image of warm, kind-hearted Inej from cruel or calculating Wraith.

Now everything I’ve said so far really comes down to perception so in terms of analysis it’s the kind of thing that you can say confidently and have accepted as accurate or at least as a reasonable interpretation, like when critics tell you that the dream sequence in Frankenstein can mean on of the following 5 things so you agree with them because they clearly know what they’re talking about. (Not that I’m saying the dream doesn’t mean one of those 5 things it can definitely be interpreted in those ways, it’s just an example of something in literature I’ve seen we kind of take as fact when it is, of course, all yo for interpretation). However, I want to be clear that what I’m going to say from now on can be considered a possible theory or interpretation of Inej surrounding her mental state and ptsd response. I’ve talked about it recently as part of other posts and I’m basically about to repeat myself word for word, but I wanted to compress this all into one post on the theme and include the stuff about the characters actually perceiving her that way too.

So first you we have a quote from the Crooked Kingdom Bathroom Scene™️, and what I’m going to say here is pretty much going to be exactly the same as what I wrote in my detailed breakdown and analysis of that scene, which if anyone wants to read is on my page or I can tag you if you’d like. The quote I want to talk about is: “I live in fear that I’ll see one of her - one of my clients on the street. For a while I thought I saw them everywhere”. Now I’m about to say there are 2 was to read this, but I mean this in a “I’ve read this is in two different ways” kinda way not in a “this can only be interpreted in these 2 ways” kinda way ok we’re embracing the de-classicising of literature here (I have no idea if that’s the right word or if that even makes sense but hopefully you know what I mean, I’m tired, bare with me) and we are open to any and all possible interpretations of things in any way they’re written so whooo if you read this quote in a different way let me know would love to hear it, these are the two ways I read it:

Firstly, that when she refers to “her” Inej means Heleen but edits her words as a continuation of this vulnerability she is forcing herself to share in this scene. If we exclude her being vulnerable with the reader, this is the most vulnerable we ever see Inej make herself - aka, this is the only time she allows herself to be deeply vulnerable out loud with another character. I think this closest other time we get is with Nina on the boat to Fjerda when Inej is trying to ward of flashbacks and she tells Nina why she doesn’t have the Crow Cup tattoo. However, that scene is written from Inej’s perspective and therefore gives her the opportunity to show the reader a lot more vulnerability than she shows Nina (eg when she has flashbacks the reader knows but Nina doesn’t because Inej is just egging her on to keep singing and distracting her; Nina knows something is happening but she isn’t being brought into the moment to share it because Inej isn’t in a position where she’s able to share her vulnerability) so our memory of this scene being particularly vulnerable is actually more about Inej being very honest with us, which of course isn’t an active choice, and less about her being very honest with Nina. Having the Bathroom Scene ™️ from Kaz’s perspective gives us the opportunity to have Inej’s openness and vulnerability in the scene far stronger since she has to say something out loud for us to know with certainty that she’s thinking it. Arguably if it had been a less vulnerable scene, Inej would have said “her clients” in reference two Tante Heleen as an added layer of the separation she practices, but here she changes it to “my” clients because she is forcing herself to be uncomfortable because she wants to be able to be more open with Kaz and she wants to continue this vulnerability that she’s allowing herself ti have with him. I feel like I just some variation on vulnerable like 20 times.

The second way I read it is linking back to our main theme of Inej and the Wraith as separate entities. “Inej talks a lot about how she would leave her body behind to exist only in her mind, in passages I find particularly reminiscent of passages in The Handmaid’s Tale (although please note soc is not very explicit whereas tht is incredibly explicit). But to take that idea further, I think there are certain hints, and I think this is possibly the biggest one, to imply that one of Inej’s ptsd responses it to actually view herself today as a separate entity from who she was during her indenture, effectively saying ‘yes these things happened to this body but they didn’t happen to this mind so that should make it easier’ to herself, which is massively self-destructive in nature because it almost creates this idea that she needs to get over who she once was and move on, very similar to the way Kaz Brekker represses Kaz Rietveld. Arguably, what she’s saying is the worst of it is this fracturing of the self that has been created by what they put her through and that she cannot seem to escape from.” (I put that bit in quote marks because I didn’t feel like rewriting it so that’s copy and pasted exactly from my Bathroom Scene™️ analysis post)

Ok there’s one other specific quote I want to bring up and it’s the end of Chapter 2 of Six of Crows, I did talk about it in my favourite quotes analysis of the chapter (which I am planning to continue btw chapter 5 up next if anyone wants to read these posts for the previous chapters let me know and I’ll tag you).

"Inej pitied the boy who might die alone with no one to comfort him in his last hours or who might live and spend his life as an exile. But the night's work wasn't over yet, and the Wraith didn't have time for traitors"

This I think, unless there are more I haven’t noticed/thought of yet is the only other time we get an suggestion of Inej perceiving herself and the Wraith as separate, and it’s arguably more concrete than the amendment of pronouns I just talked about for a ridiculous amount of time. To me, this quote shows Inej as being the girl she was, the girl she should have been, and the Wraith being a creation of necessity to aid survival. Inej is a religious young woman from Ravka who has been through far more than she should have done, but the Wraith was born and raised on the blood-soaked streets of Ketterdam and has every intention of surviving them - no matter the cost.

(That was also pretty much direct quotes from what said before)

It is now quarter past one in the morning. If you made it this far then thanks so much for reading I hope it made sense and was interesting, I feel like I’ve made enough “me rambling about grishaverse after midnight” posts that we can call it a series so if I think of a good name for it I’ll go through a tag them all so if anyone fancies trying to wade through all my middle-of-the-night-analysis nonsense you can find it all together because let me tell you something I never quite acknowledge just how much I’ve posted until I have to scroll back through to find stuff I’ve said in order to reference it in a new post. Anyway, thanks for reading I hope you enjoyed and if you have any thoughts linked to this or grishaverse analysis in general please comment or send me an ask I would love to hear it.

EDIT: sorry, correction, I just realised Inej didn’t kill the parem-drugged fabrikator she killed the parem-drugged squaller; the fabrikator was Nina’s childhood friend Nestor, he died from a combination of injury and the drug

#grishaverse #six of crows #leigh bardugo #crooked kingdom #inej ghafa #kaz brekker #nina zenik #jesper fahey #wylan van eck #matthias helvar #kanej #kanej bathroom scene #sankta inej #soc inej #six of crows inej #i love inej #the wraith #inej my beloved #inej supremacy

[carrymelikeimcute]

The izcourse continues...

When did people stop saying 'in my opinion'? because lord above would that simple phrase have stopped me getting so mad this morning.

I have no interest in reblogging the posts and starting drama, but some izzy takes I've seen this morning have made me want to chew through rawhide, and here's my opinion on why these 'factual statements' are wrong.

Izzy fans shouldn't be upset by his death because he's not a main character, he is a plot device to further the story of the main characters.

I'm a professional writer btw and to me a 'plot device' character is the barista who's in one scene. To me, if a named character with backstory and complicated interpersonal history with one or more main characters is just 'a plot device' - that's a waste of a character and shitty writing. I don't think ofmd is shittily written so this annoys me on two levels - disrespecting the show, and the character. Because in my view if Izzy is 'just a plot device' that's someone insulting the show.

2. Izzy was an antagonist and antagonists can only ever be redeemed and then die, or become a villain.

Not even true of ofmd and certainly not of media in general, yet stated as fact with nothing to back it up. This is NOT an opinion btw - you only have to look at Zheng and Jackie to know it's not true within the context of the show.

Jackie dobs Stede in to the British just as much as Izzy does, and she threatens them with vengeance again over the indigo - does she die? Does she become a villain? No, she's a guest at the lupete wedding for fuck sake.

Zheng insults Ed and attempts to kill Stede, two things Izzy was vilified for, gosh it was so sad when she died in the finale wasn't it? Oh no wait, she became their ally and sailed away on The Revenge!

'Have to die or become villains' is just...incomprehensible to me. The only way I can see it working in someone's head is if they think character like Jackie and Zheng did nothing wrong, when Izzy was evil, for doing the same things - albeit for more personally passionate reasons.

3. Izzy telling Ed that the ship's atmosphere was poison because of 'his feelings for Stede' was Izzy 'blaming Ed's actions on love again, just like he did in s1.e10 because Izzy is just one-note evil and only ever has that one thing to say.

To me, s1 Izzy is absolutely thrilled to have managed to bait Ed to anger, to have brought this out of him. He thinks he knows what he's just unleashed, but as we soon discover, he has no idea - because Ed had never cut off one of his extremities before. He poked the bear, but the bear was actually a fucking kraken.

s2 Izzy, in my opinion, looking at his expression above, is sad, resigned, he is saying Stede's name (which it's already established even obliquely mentioning him is a BAD IDEA with the whole 'talk it through' thing, after which Izzy sounds panicked) but he is specifically trying to make Ed see that he is not himself - that what he is doing to the crew is toxic.

Just because he's essentially saying 'This isn't you' in both scenes, doesn't mean the tone or the meaning of those scenes is the same. One scene ends with Izzy gleeful, victorious. One ends with him screaming on the deck, bleeding out.

I am happy for people to have these opinions, and for me to vehemently disagree with them, but they ARE opinions. And Izzy 'fans' or you know, people who see the show differently to you, are not stupid, racist, immature or whatever else you want to call us.

We just have a different opinion. If you're going to share your opinion, great! But it's still just your opinion.

#ofmd critical #the izcourse #izcourse #izzy hands #izzy hands apologist

[xxfrankiesteinksxx]

small details in the dnpc video no one is mentioning

okay, look, i'm gonna admit it, i'm a game/film theory girly and a whore for lore, so i pick at details i shouldn't be picking at, so here's some things i see in the video that i don't see being mentioned in theories/analyses. also keep in mind my brain consists of a single cell encapsulated in aspic (i know what the actual deeper meaning is this is just a bit of fun for me)

the thing underneath the piano - the camera falls off the piano in one scene and something (i still cant figure out what exactly it might be) is visible, oddly clear-looking for something underneath a broken piano in shoddy lighting (actually looking at it again it might be a corpse, is it possibly phil's old body?)

dan telling phil not to film him drawing the sigils but phil still filming - you might be able to also throw in the part where phil screams "NO" when the camera's on him sitting in the corner; they don't seem to want things to be filmed but it feels like they're obligated to record everything to some extent

phil's very explicit control over dan - this is to the point where he even has to tell dan what and what isn't food, and takes away water privileges for some reason (btw this is your reminder to drink some water) and overall very demanding tone when instructing him

SOFT AND NEAT - there's a lot of reinforcement of this, its clearly a joke but i'm overanalytical and will blatantly ignore this. there's heavy hesitation with any sharp object around them (when dan has to cut his hand, kill phil, take out phil's heart, mentioning razor blades when using the shaving foam)

dan still primarily uses his left hand - people have mentioned how he's been "fixed" but him using his right hand seems to be performative since he pours most things, mixes with his left hand, and even primarily uses his left hand to spread the blood (plus he never sacrificed himself unlike phil who seems to have died in potato stamps and been resurrected with perfect vision) there's also old superstitions that being left-handed means you're somehow cursed by/connected to satan, speaking of which...

dan has a much better connection and the ability to communicate directly with Him - he seems to be a conduit, possibly being used by phil to properly perform anything (which also probably helped with his resurrection and eyesight improvement), he has uncontrollable actions from time to time

the sigils themselves - what do they all mean? what could they mean in a bigger, symbolic context? anyone that understands them pls explain to my aspic brain

the entire place fucking burns down after the ritual is complete and they're embraced by Him - it's clear at least to me that the shed is set on fire at the end of the video, cutting off further possible footage

dan doesn't put blood on phil's forehead during the ritual - might've just been a slipup during filming but we also dont see the blood dan put on his own forehead once he arrives and theyre all standing up in the pentagram

also just a couple fun facts:

the number on the case file when converted to corresponding letters of the alphabet spell out "satan"

what dan says in his reversed clip is just "thanks!", nothing is really said in the reversed clip of phil opening the shed door its juts kinda a random noise someone made

Aaaaand some misc nonsense crackpot theories/ideas/thoughts/brain vomit that my brain keeps me awake at night with (optional reading):

if the demon taking them at the end is actually baphomet and not just some generalized idea of satan, then "mother" could be another way to refer to "him" since baphomet is portrayed as having both female and male characteristics (bobs n pennies)

personally this is scarier/more unnerving than the actual blair witch project for some reason

my bathroom sink is the one sink you cant ship

i want a dapc for those dolls they hung everywhere

is cataloguing all of the ritual setup part of the craft channel's purpose?

what was the reason for summoning him? did they bring him to our plane of existence to just let him absorb these two brink-of-twinks and then use their gay power to torment the straights?

oh that rope is just his belt thing not rope tying dip and pip together

i think this is a good wrap-up idk what they could do in a part 5 to conclude things better

#this is what keeps me up at night #that and the 4 hour long naps i take at 5pm every day #now i wanna start a collector doll brand called brink-of-twink #featuring fun accessories like texts to his sugar daddy and mortgage paperwork #theres more but this is rly fkn long lol #dan and phil #dan and phil crafts #danandphil #daniel howell #dan howell #phil lester #amazingphil #phandom #dnp crafts #dnp

[anantaru]

so guys 🙋🏻‍♀️🌸 i have finished the entire new quest at last and omg 👼🏼 like this was outstanding!! you see, what i really enjoy about star rail is that it gives me similar vibes to hi3 in terms of the darkness in the plot, since hi3 is my favorite hoyo game i always love seeing stuff from it or just similar instances. SO YOU KNOW FOR A FACT I WAS SO HYPED WHEN ACHERON SHOWED UP 🤺 especially with the hi3 story with kiana as the mc being over and although i still love hi3 the most, kiana, mei and bronya, that trio, they were all the best characters together AAAARGHHH I SWEAR AND JUST THE ENTIRE STORY LINE WAS SOOO GOOD, I miss them all together as a trio and especially kiana, the best hoyo MC FOR LIFE. 🙋🏻‍♀️🩷

also 🤠 ^^ that frame with sunday and dr ratio like 😙😙 WAS SO FUNNY I HAD TO SS IT. 🤺

the amount of cutscenes we got to see again was so fun, it felt like watching a movie slowly unfold while you got to be a part of it 🩷 you can tell that hoyoverse gets better and better with each update on whatever game and that the cutscenes are always so well done (i always liked them but the constant upgrades ??? insane) 🙏🏻

+ the acheron one shotting aventurine lmao 🧎🏻‍♀️ it was my favorite though ngl HAHA 🙋🏻‍♀️🩷 no matter how much i like aventurine as a character, MEI OMG MEEEIIIIII 👹🩷 SHE WILL FOREVER BE MY LOVE LIKE I KNOW ITS ACHERON BUT YOU GET WHAT I MEAN !!!!! 🙇🏻‍♀️ LIKE THE CUTSCENE WITH HER HORNS OH MY GOOOD THE NOSTALGIA LIKE YES GO OFF SHOW THEM

also guys, idk but aventurine's boss fight, 🤠 i personally expected more like it was so easy to beat ?! I THOUGHT I WOULD STRUGGLE BUT HE DIED PRETTY QUICKLY BUT ITS FINE, I STILL LIKE HIS CHARACTER 🌸🙋🏻‍♀️. + i was happy hoyoverse showed us his backstory and took their time to flash it out and not gloss over it in idk one/two scenes, but they really took their time with it which was amazing 🩷

also jade looks so cool as well! the design is very pretty and i can't wait to see diamond too, or the rest of the ten stonehearts but they're hyping diamond up so much like another emanator?? yes please, i'm all in🧎🏻‍♀️🩷

this entire quest gave me movie vibes, you were on edge the entire time and even during side quests you had to take, it was still very intense. it actually took me quite a bit to finish it of course since i'm someone who doesn't skip dialog, but it was so worth it and the best way to relax after a long day of moving my body 🩷 just laying in bed, playing while drinking tea!!

what i wanted to say too, guys honestly sunday is not okay HAHAHAHAHAHAH 🌝 I MEAN LIKE you guys🧎🏻‍♀️, that shiver in his voice at times and you can tell he low-key doesn't even know how to handle all of that either, of course, for one he looks like everything is accounted for while in the other, he sounds like he's losing his mind and can we blame him ???? when he went "why did you kill her" and lowkey cussed gallagher out i was like damn 🤠 okay 😏 HAHA + i'm somebody that doesn't think too much about theories, instead i love eagerly waiting for the next patch!! so i'm excited for what's coming 🩷 + robin's song slaps.

last but not least 🤺 you see, gallagher wasn't really somebody i was very interested in, but damn the second he turned dangerous and spicy i went oh my oh hey what's up ?? 😏 giggles HAHA LIKE WHAT IS IT ABOUT MEN WHO ARE JUST SUDDENLY EVIL AND IDK MAYBE HE ISNT COMPLETELY RIGHT AAAAAA OOOOO UUUU WWWWW AAAAA but anyways, 🌸 the last cutscene low-key hurt me like what do you mean sunday gets off screened while i was saving up for him for what? 👹 ever since fuxuan like how can you do this to me + no way they're dead dead 🤠because the last conversation aventurine had with acheron was very important to the next patch i'm pretty sure! 🩷

all in all guys!! 🩷 this quest was beautifully done, it had a lot of hard, dark stuff and it reminded me a lot of hi3, that's why i give it a 10/10, very well done. 🌸🩷

#، 𝜗𝜚 —￤ yoru plays [honkai star rail] ⋆ #honkai star rail spoilers #hsr spoilers

[alpaca-clouds]

Olrox's Trauma and Motivation

I think most of us do agree that Olrox is really the most interesting character we got out of Nocturne, right?

So, let me talk a bit about what is going on with him a bit.

I think most people got the detail that his core motivation clearly is to just not have another even worse colonialism happen to his homelands. But I also have seen a lot of people wonder why he is not more active within the plot. He is playing both sides and seems very held back in actually joining the fight.

And I think what drives him - and what is going to drive his character arc - is the conflict between him being self-preserving and him wanting to fight for the right thing.

I talked already about his historical context. But the tl;dr is very much: He saw a genocide of his people. Sure, some survived. The culture did not die out entirely. But there were still so many who died. And so much cultural heritage destroyed. And he was there and saw it happen. He probably also saw their own warriors fight against the Spaniads and loose.

We do not really know much about what he did for the following about 200 years. Again, there is a good chance he drank the blood of Quetzalcoatl, but in what context? And what did he do after it?

Something that he keeps iterating is his lack of belief. And I do not think that this is just a lack of belief in religion of any sort. But also a lack of belief into some ideal or greater goal. Which, I think, is also why he is drawn to idealists who have that belief.

So far we do not know much about the dead Mohican lover he had, but we do know that he was also an idealist who believed in the cause of the American Independence. And he "almost" started to believe in it, too. (Of course, even without Julia killing that lover, the Mohicans were forced off their lands just a couple years later - prior to the 1792 setting of the main story.)

I also think that we can read something into the fact that before that lover he did not have anyone. I think there are two possible readings of this. Either he is lying to himself and actually did love other people. Or he actually kept away from other people a lot, not getting himself involved with anyone. (And also, I would argue he probably is demiromantic.)

Because of course there is the fact that he clearly is lying to himself about how much he cares about Mizrak. As seen by that last scene. He just does not want to admit it, because he has been hurt before. He has loved and has lost that love.

He is attracted to Mizrak, because Mizrak is the idealist, the guy with believes in a greater cause, someone who is willing to if need be die for these ideas. But of course he cannot admit that. Because in that case if Mizrak went to die... Well, it would hurt again. But his need for someone like that is so deep that... I mean, how much time passes in that first season? A week, maybe. Ten days? Not much. And still, he cannot have him dying.

And I think Olrox's entire character arc will be about him finding that belief in a cause, in something greater than himself.

It would not surprise me if was the one to kill Erzsebet in the end, because it would be a fitting end to what they have set up for his arc.

#castlevania #castlevania netflix #castlevania nocturne #castlevania nocturne spoilers #analysis #castlevania olrox #castlevania mizrak

[deadbeat-motel]

For my rewrite, I wanted to tie each sinner who's staying at the motel to a specific deadly sin to make it easier to understand what got them in hell and just for the fun of it.

It doesn't apply to the rest of hell to have a specific sin, but I thought it was interesting that the inhabitants of the motel will represent a sin.

Some of these characters are still rough ideas and will be subjected to some changes once i finalize the actual lores for these characters:

First up, Angel Dust is easy to confuse as Lust because most people might assume that since he's a sex worker, its probably what got him in hell right? Though, his sin had nothing to do with being lustful since he didnt become a sex worker until then (plus being a sex worker doesnt warrant someone a tacket straight to hell). Instead what really did him in was Gluttony since it was his appetite for vices that got him into trouble and also inadvertently lead to his death and it was that appettite that lead him to take any and all clients to feed his appetite for angeldust.

Nifty's sin is Lust, though not in the traditional sexual sense that we know. For her sin's sake, Lust is all about an uncontrollable desire that leads one to do horrible acts in order to attain what they've been obsessing over. In the rewrite, I was going to let her be a lot younger (most likely an adolescent-young teen) with a very skewed sense of what romance/love is like and have her lean in more towards a yandere-type character or a crappy creepypasta kid character (think Nina the killer levels of crappypasta). I'm torn between the two ideas at the moment.

[Also fun fact, hearing that nifty was a japanese woman from the 1950's kind of took me off because googling it, she wouldve been a woman who grew up in the middle of world war 2 and lived through a bit of the Post war boom if we assumed she's also american as well. Having someone with a background like that who acts like she's mentally a child makes it feel like Viv did no research at all.]

Husk's sin remains as Greed, as gambling just seems so hard to quit for him, even when his life is on the line, especially when he's cheating death so many times. Maybe it was after he had his first close encounter with death in his youth... or the few couple of times during the war... that he began to think of himself as too lucky to die. Unfortunately for him, he'd have to learn the hard way that whatever force that was trying to save him can't do anything about his own body failing from years of self-destructive alcoholism.

[Husk will literally kill me with all the research I'll have to do from 1910-1970 to get his story straight.]

Alastor is one Prideful mf. As an intelligent serial killer (possibly cannibal), he was able to evade the police whilst keeping the high-profile radio host job he killed others for. He enjoyed leaving clues and slipping little hints around his scene that stumped the entire police department. In the end, getting sloppy because of his own overconfidence in his abilities was what did him in and he was chased down and shot by a hunter in his escape.

Sir Pentious is Envious of the Victorian family and those above the middle class. He believed that he deserved to have the same kind of privileges they have especially since he was a brilliant inventor who believed he could forward Great Britain to a greater future. So he gave up 15 years trying to take over the monarchy by himself and failing miserably. He died due to an invention gone wrong and that was the day Great Britain was rid of its persistent annoyance.

[Some people may read about him in history books and confuse him for an anti-monarchist when this man's entire goal was to replace the monarchy with himself.]

Cherri Bomb grew up as a resentful youth of the Japanese 70's being a sukeban of a delinquent girl gang. Their Wrath was known all across the other local schools in their area and they were known for their sheer brutality. However, Cherri Bomb in particular was also feared by other members of the gang as she was ruthless punishing those who wanted to leave the group. She doesn't ever disclose how she died to others and thus no one is ever really sure how she ended up down here but no one really feels the need to ask.

[I'm extremely unfamiliar with Australian history so Cherri Bomb will have to have grown up in Japanese 70-80's delinquent culture.]

.

There's one sin left.... but since I don't really have anyone in the HH cannon that could realistically fit Sloth, I'm left with two options: Characterizing the blank slate that is Crymini myself or leaving the last resident as a community effort "Build-a-Sinner."

So first poll ive done but....

#hazbin hotel critical #hazbin hotel redesign #vivziepop critical #deadbeat motel rewrite #hazbin hotel criticism #deadbeat motel alastor #deadbeat motel angel dust #deadbeat motel nifty #deadbeat motel husk #deadbeat motel sir pentious #deadbeat motel cherri bomb