because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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Random question you don’t have to answer, but how far ahead in chapters are you in terms of writing vs what’s posted on AO3? Are you posting the minute you fully finish a chapter, or are you writing chapters in chunks and posting when you can?
Currently posted up to date. I previously had a "buffer" [tried to stay 3 chapters ahead, and post on a weekly/tenday basis] but most recently I had to dismantle my backlog to fix a plot hole, so it's instant posting.
I would like to get a little bit of a buffer again in the future, but the problem with buffers is they give me the chance to go, "Wait this isn't perfect. I should fix this." As opposed to what I usually do, which is, "Oh that could've been cooler. That's fine! I will find a way to integrate this later and/or I will find a way to write around this problem."
[Or alternatively, force myself to let it go, because it's a fanfic and if it isn't perfect, who cares? No one.]
So I don't think I can have more than 1 or 2 chapters written ahead now. Know thy limits and all that.
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It really frustrates me how HSR chose to dole out information in 1.2. Ofc, mystery is important and good! I don't need to know why Luocha is here or what he's up to, and Blade's past can remain vague rn that's fine.
My issue is Dan Heng/Dan Feng and how poorly they've explained the stakes of that situation.
Like, think about this:
Do Vidyadharas remember their past lives?
If so, how much do they remember?
If not usually, do the elders get that privelage?
If not at all, why are so many characters worried about Dan Heng being a criminal in a past life?
Does Dan Heng specifically remember his past life?
If not, how did he know how to break the seals?
If yes, can he only remember some things?
If he can remember everything, why is he lying about it?
Is he lying??
How do Vidyadhara powers work?
How does Dan Heng have high elder powers if Bailu is the new high elder?
Do the powers usually get passed down through past lives (so Feng -> Heng) or are they picked fresh every hatching rebirth (Feng -> Bailu)?
How did Feng's actions make all vidyadhara weaker?
What were the actual consequences of his actions?
How did Blade stabbing Heng give him the body & powers of Feng but not the memories/personality?
I wanna make it clear: not all of these need answers. But when it's all either poorly explained or straight up unclear, I find myself struggling to care about the dynamics at play. When JY is sad that Heng isn't Feng, should I feel sympathy that he can't let his friend go? Or, like so many characters say, are Heng and Feng much, much closer than Heng ever says? When the Xianzhou characters can't see past the rebirth thing, it implies stuff about the vidyadhara culture that should flip how we see it.
When Heng distances himself from Feng, we don't know if that's a reasonable thing (like, "guy you never met who looks like you committed a crime so ofc you're not responsible"), or if he's being insensitive ("you got blackout drunk and stabbed someone, but you don't remember now so you don't believe you should be held accountable"). There can be a middle ground in there, but what is the morality here? It might be grey, but I could form completely misguided opinions if I consider JY as rude now when Hoyo actually want us to think Heng is the problem.
It's really late but like. I think the 1.2 quest really needed a moment to explain some of the vocab (all that vidyadhara stuff gd) and to outline the characters' understanding of the context. If JY knows that vidyadhara can't remember past lives and knows that Dan Heng is no different, and that he and Feng are essentially different people, then how is any of his behaviour justified? I understand Blade not getting it (he's crazy), but JY is all over the place.
And as I think about it now, Dan Heng must remember being Feng! Like, he opens the seals for one, but he also recognises the Alchemy commission (and that it borders the vidyadhara realm) even though we know he only saw the inside of a cell during his time on the xianzhou as Dan Heng. So if he can remember then he's lying, but that would mean Hoyo really wants us to think he's not and it's like!! This is the sort of thing you kind of need an answer for.
They mention that Feng's rebirth got fucked up. Here's how you deal with confusion while maintaining mystery:
"usually vidyhadara can remember their past lives, but we fucked up this one so idk" "I don't remember" "shit"
"usually vidyhadara can't remember their past lives, but we fucked up this one so idk" "I don't remember" "cool but we can't trust that"
Like, it's also totally likely that this is answered in game. But I've watched multiple playthroughs at this point and most people I've seen don't know what's going on either.
Hoyo dumped a ton of terminology on us, introduced new factions to the enemy roster (and secret behind-the-scenes alliances between pre existing ones) and then said "here's a bunch of lore that the characters will be openly confused and contractadictory about". I'm starting to miss Paimon requiring simple summaries of every lore plot point in order for any dialogue to continue.
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