#but people can yell it’s just their interpretation all they want about this era of canon

[leggerefiore]

Back in your inbox to discuss Cyrus bullshit again lmfao. I am normal. Totally normal.

So media literacy decline aside (no really, the reports are scary, less people can interpret nuance and hints), I blame 1) how young most of us were when we first played the games, 2) the OG Diamond and Pearl characterization (because it was a little different than Platinum's) and 3) the Pokemon Anime.

Largely skipping over the age thing because it speaks for itself. A good number of players were probably too young to catch all of the hints or grasp how irrational and emotionally driven Cyrus really was. Like, a legit Trauma Meter for our age group (20s) would be to ask if Cyrus freaked them out, or if they thought he had a point. Whatever the collective's first impression was would've colored YEARS of discussion and content. And I'm pretty sure I remember his reception being negative. Of course, the theory that he wrote the old notebook and that the old man was his Grandpa (meaning Cyrus was an abuse/neglect survivor) always existed. But before USUM and PokeMas added more implications, they were treated as "Just Theories" or after Platinum, retcons. Likewise, I think a good number of the older players WANTED Cyrus to be evil, so they kinda ignored it. Though there was an equal faction WISHING for a well written Sympathetic Villian. They missed Giovanni and had little hope GameFreak could write a worthwhile sympathetic villian because while Maxie and Archie weren't evil, their plan was just so stupid? Maybe it's because I grew up in a rural area at the start of the Going Green era, but I can remember being taught basic ecosystems in like 3rd or 4th Grade Science and learning that major changes to the environment were bad? And they were supposed to be super smart scientists?

On to game characterization, D/P Cyrus and Platinum Cyrus were portrayed slightly differently and I don't know if it was intentional or not, given how subtle the changes in the overall story were. But it boils down to a matter of A Means to an End, where D/P Cyrus seemed like he was changing the world to become a God, while Platinum Cyrus wanted to change the world and has to become a God to do so. Likewise, I don't think the implications that Cyrus was the abused/neglected grandson of that Old Man and the author of the old notebook were as strong. Also every scene with Cyrus in the Distortion World didn't exist in D/P so you didn't witness his breakdown or him admitting to his own faults. Charon/Pluto also wasn't in D/P, nor was the Rotom Room which was the first thing to give the "Cyrus wrote the Old Notebook Theory" any credibility.

My last reason was the Poke Anime and I talked a bit about it in a comment the other day. I have since looked it up and the D/P Anime aired the same day as the D/P Game Release, in Japan at least. So the 2nd most prevalent and remembered version of Cyrus is an ASS. The Anime did a great job of showing us the double life he was living, smiling and dressing/acting normal, albiet hammy, in front of Cynthia and that one old lady. But for a cold, stoic villian, he was super agressive, loud, short-tempered and dismissive in the anime. In that clip you shared, he wasn't calmly explaining why fighting was useless, he was about to snap on his admins. He yelled at someone else to (Ash I think). So it didn't even do a good job of portraying him as the kind of villian he was supposed to be, though this may have been because the series ended in 2011, so it may have been affected by the Platinum retcons.

But yeah, I'm also kinda sad about how people see Cyrus, but it isn't surprising. For everyone who "grew out of" pokemon or just never played Platinum, USUM, PokeMas or BDSP, they have to go back and relearn everything and not everyone does that. Nor will everyone want to because again, some people wanted Cyrus to be genuinely evil. And even if they do want to learn what changed and are open to it, they have to sift through years of content saying he was actually that bad.

It was a nightmare explaining to two of my homies why I was suddenly trying to write fanfic and draw fanart of him because they didn't get the memo.

Quick correction - It is not a theory that the old man is Cyrus's grandpa. It's confirmed from my understanding. Which it means Cyrus is likely an abuse victim (though, what Cyrus was going through was never entirely specified. Just that it was bad enough to concern his grandfather.)

I will note that his characterisation did change between Diamond-Pearl and Platinum (and now BDSP has introduced younger people to the pre-Platinum story), so I will give them that. But specifically, I was on the USUM battle theme still seeing it. (Interestingly, not at all on the BDSP rendition, though. Maybe because it's just Sinnoh fans who already know everything.) One of the top comments was ironically a joke about him seeing the Rotom Dex and wanting to kill everyone.

I think his character is really just generally misunderstood because of how subtle everything was is what I was originally trying to say. Like you said, some of it is general literacy issues. It just makes me sad to see him so misunderstood... I think Game Freak did a really good job writing him. Though, he does clearly read as emotional in both Diamond-Pearl and Platinum. At least, seeing his little chibi march up to you in BDSP after you ruin his plans really shows how emotional he truly is. While the Rotom Room journal is clearly only a theory, I do truly think he is the only logical character who fills that role so well. (Charon 100% would use Cyrus's childhood trauma journal for its precious Rotom research without a doubt seeing how quick he was to try to take over Team Galactic.)

I am glad that they gave him depth rather than just making him a generic bad guy... Actually, considering that Platinum was just before BW (well, a few years but development wise, I mean), I think it might have been their first steps into more character driven plots. I do hope people end up looking more into Cyrus, but I know he isn't the most popular villain at all. (I believe that crown goes to either Archie or Guzma. Or. Well. Lusamine, actually, probably.)

I convinced my friend by telling her about the Rotom Room stuff, actually. She already liked Cyrus since she is super into Sinnoh, but apparently, learning that he was besties with Rotom when he was a child sold her. Now she bravely helps me write for him sometimes lmao. My other friend, however... She still doesn't believe that he's actually 27.

Granted. Youtube comment section opinions should probably always be discarded.

Except maybe... This one. This is the only good and acceptable one lmao

#cyrus.ima #long post

[caffeine-clouds]

All your Sonic takes are valid, okay?

Hello, today I am your pastor. Where is your regular pastor? I totally didn't throw him off a bridge. Anyways, sit down because I'm here to preach about a blue hedgehog man. I've seen a lot of discussion around Sonic's characterization in Sonic Prime and how some people absolutely adore the show's take, and some people hate it. Now this could have led the fandom to having interesting debates but alas this is the internet - where interesting debates simply do not happen. (I've seen a lot more toxic arguing on Twitter, the Tumblr crowd is much cooler) But it got me thinking, at least - what is Sonic supposed to be? Who is he?

And I think that answer will change depending on who you ask. Sure, we can get some basic traits of him down. We know he's a good guy, he fights for freedom, he a bit snarky, but loves the people around him. But this is surface level stuff, right? Let's discuss his overall demeanour- "He's relaxed and nonchalent!" This half yells. "He's hyper and energetic!" The other shouts. Hold on, how did this happen?

The answer is simple, my friends - it's the Sonic franchise's inconsistent writing! You are not the problem. Sonic has had so many different takes on his personality throughout the years and throughout different media that it's gotten to a point where there's no 'correct' way to write or interpret this little blue guy anymore. "Black Knight is peak Sonic!" someone cries "No, Movie Sonic is!" Another claims. How can that be when they're so different? Because there is no right answer. People have had different experiences with his character depending on what they were first introduced to or simply what they like better. A lot of people don't like 'meta era' Sonic but there are some people who still do and think Sonic is just supposed to be a quippy goofball in colourful environments in basic stories. It depends so much on personal preference.

This isn't just limited to Sonic either - who is Shadow supposed to be? "The man who learnt to fight for humanity, upholding a promise to the one that meant the most to him - learning to put the past behind him and fighting on for the good of others with a stoic, no nonsense attitude" or is he "Haha Sonic's rival go brr, he so obsessed with him and wants to kick his ass" Shadow has been written as both of these throughout his lifetime, arguably he has spent his time in the more recent games being written as the latter - as much as so many people prefer the former. However, some people interpet the most modern entries as more canon - so therefore, they accept and prefer the latter. I am honestly surprised at the amount of takes I saw that saw Shadow as just a meanie rival until I came to this conclusion. I could go on for every character, but I'm not going to because that would take too much time. So all in all, your takes? So valid my man. If you don't like Prime because of Sonic's characterization - that's so cool, just don't call the show objectively bad for it - because it is not. It's a you thing. And there are plenty of others who agree with that opinion. If you love Prime Sonic - also great, don't shit on people for thinking otherwise - your opinion, and there are plenty more that agree with you. Honestly I think the best characterizations of Sonic I see in the fandom spheres are the ones that can pull inspo from a lot of the different Sonic media throughout time and can mix and match the stuff they like. That's uniqueness, that's fun - I wanna read that. It may not be 'accurate' to the version of Sonic you like, but who cares? If it's not your thing, don't like - don't read. That's why, in terms of writing Sonic fanfiction - saying "make sure to not make the characters OOC!" is like- one of the worst pieces of advice?? Like what is even 'in character'?'? That advice simply doesn't WORK for this series. All you need are the bare minimum basic traits, and the rest - develop as you like. Their basic profiles are the pizza dough, and you are choosing your toppings. Choose the Sonic media and fan content that you like to consume, and respect the people who like the toppings that you don't - because no one is forcing you to eat their pizza.

#sonic #sonic the hedgehog #sonic prime #sonic frontiers #shadow the hedgehog #sonic characters #sonic characterization #yall are valid your honour #opinion #sonic fanfiction #sonic fanfic #sth

[felikatze]

Plusquam Chapter 7 director's commentary because i adore being a blabbermouth

hi hi hello. i am going to talk about my fic and nobody can stop me but i don't want to turn the ao3 author's notes into their own 30k novel so yelling on tumblr it is!!

if you are interested in SOME of the machenations of my enigmatic mind, feel free to read. If not. Well i don't care really it's your life. I'm writing this for MY enjoyment.

First of!! I dunno if I talked about them before!! (I have the memory of a goldfish). The silly codenames!!

As I may or may not have mentioned before, the inspiration for this came from the Project Thabes mod for Awakening. In the ferox duel, the mod replaces the generics with inigo, severa, owain, and gerome. The awakening trio get their fates names (a coward's move, but one i understand), but gerome is named michalis, which i just enjoy soooo much???

so when i initially planned out for all the future kids to band together with lucina, i decided they all had to have codenames! otherwise there's really no point in lucina having one....

merric for laurent was the biggest no brainer of all of them, with caeda for severa being a close second. feel free to interpret why. gerome was obviously taken from the thabes mod, and the rest were... a challenge... to come up with!

owain actually gave me a lot of trouble. what WOULD he name himself? i've not finished shadow dragon myself (I only played the prologue so far... haha...), and most i know of the cast comes from mitosis. and scarf's new mystery lunatic reverse run on youtube. and it was that run that reminded me. that kris's confect is an item in the game. meaning that awakening era people know kris exists. except wasn't kris' deal that they like. did not want to be noted down in history.

hence kris being a "heavily debated historical subject". which of COURSE owain would name himself after an unsung but vitally important hero of the shadows.

others i may discuss as they come up? eh, we'll see. not every future kid is gonna be important (god knows that's way too many characters for me to handle), but they will be There. main focus of course being the fp3 squad, with the addition of two others. it is very obvious who it will be, i think.

next up, pairings!

most pairings werent set, outside the ones that are my obvious favorites (panne/lonqu, henlivia, chrobin (duh)). others were up in the air and just happened as i wrote. as i thought about gerome in this, and chatted about the subject with friends, frederick/cherche came to be for this fic! (and for the shrek au, oddly enough. it may have just been on my mind, and i thought chrom missing freddie's wedding was funny.)

it suited my purposes best if gerome had a stronger emotional tie to the blueberry siblings, and a knightly duty to protect them served just that. hence the dialogue of lucina being his liege. he's so utterly disinterested in getting to know the people of the past that i needed that extra bit to keep him coherent. he won't get close to anyone, but he'll do anything to support lucina's aims as though they were his own.

which brings me to the next subject, lucina's PoV! This is the first perspective switch in all of plusquam (not just because I couldn't meet my 4k benchmark with morgan alone this time). Since Morgan and Lucina act separately and won't encounter often, I needed the extra time to establish her character here. To me, there's a clear dissonance between how Morgan views her and how Lucina is. Both of them are unreliable narrators to varying degrees, yet how they differ is where the meat is.

Like, for example, Morgan completely rejecting that Lucina is Robin's child as well, and not just Chrom's, because Grima told them Lucina was different. As compared to the actual Lucina still deeply affected by Robin, and even engaging with grimleal theology on an even field because of him and the other plegian influences in her life.

there's also the matter of her narration style. I waffled back and forth on whether to give her second person narration as well, but ultimately decided on third person limited, with a catch - she exclusively refers to everyone, including herself, by their codenames.

in both their perspectives, i want to create separation between their original names and who they act as. With morgan, this succeeds because the viewpoint has no need to mention their name whatsoever, and with lucina, it succeeds because she's the one creating that distance in her own mind. it's fun to play with!

ah, siblings. so different, yet so similar.

as for the pronouns situation on lucina's pov. well. schrödinger's transgender.

minor thing. i hate adapting canon scenes close to script, hence me just freestyling when lucina and co meet chrom and squad. there's also just... no future portal risen roaming about, which would've made the point moot anyway. that's a very interesting consequence to play with.

having an endless army of generic undead is lame. having to draw on the actual dead of the immediate area - now we're getting spicy!

despite everything, i have grown attached to the risen wyvern and its chittering ways, but it sadly has to go. there's a reason morgan never named it. farewell my sweet prince. aurgh. i mean. this thing has been with morgan through the entire past so far. and it just fell apart more and more over time. crashing into a wall and breaking its neck, having half its throat torn out - poor thing. good thing it can't feel pain anymore.

that is, i think, all i wanted to blabber about? if you're a reader of plusquam, hi, i love you, i hope you have a great day, you may summon me for one turn of battle without expending an action and i will appear as a shimmering blue specter to protect you from harm.

that's all!! see you next time!! as usual, if anyone has questions of their own, or wants to yell at me for hurting their feelings, shoot me an ask, a comment, or anything at all! see ya!! ily!!

#feli speaks #plusquam #plusquam commentary

[bigskydreaming]

What kills me in fics is when you have tags going like "Good brother Jason", which, cool, but in the same story there's " Dick TRIES to be a Good Brother" LOL way to switch the dynamics. I also tend to stay clear of the ones where the centric character seems to have a platonic relationship tag with everyone (including the ones where they're antagonists in canon like Jason & Tim) except Dick. You can feel the hate/dislike/prejudice a MILE away.

Yeeeeeeah. You are definitely not alone. Like pretty much every Dick Grayson stan I’ve ever talked to on the subject stays the hell away from any fic tagged “Dick Grayson tries to be a good brother.”

LOL like....it’s basically what I was talking about in that older post I just reblogged a few minutes ago. That thing where Dick’s actions or choices in a canon story or fic aren’t judged on their own merits but are rather inherently weighed against some hypothetical perfect choice that he DIDNT make and so he’s basically evaluated based on how much he falls short of that mark each time instead of anything he actually did.

Sorry not sorry, but I’m just not interested in stories that TRANSFORM the character most commonly referred to as the emotional glue of the family and the only one who consistently even CARES about them all being a family....into the fumbling incompetent relationship disaster man who at best gets credit for at least putting in an attempt at being there for his family.

Especially not when Bruce and Jason and Tim are praised for doing the bare minimum in canon when it comes to family interactions while everything Dick ACTUALLY did is just completely ignored and overwritten in order to make his Failure to People Good the narrative obstacle to be overcome.

Now, the “Dick Grayson Tries To Be A Good Brother” tag applied to Tim-centric fics in particular tho....hoo boy I am out of there so fast there’s a Kool-Aid Man shaped hole in the wall and not a sign of me as far as the horizon.

Like, currently my Pet Peeve Thermostat is set to Battle for the Cowl-referencing fics that don’t use this tag but very much are in that spirit. You probably know the ones, like their summaries suggest they’re open to considering Dick’s side of the situation but turns out the author at most is throwing him a “well at least you tried not to suck” bone while still reading him the riot act for very much still sucking.

Because what drives me up a flipping WALL here in particular, when I naively click on a link that seems different from the usual and ignore the voice of experience because I’m just desperate enough for Tim and Dick food that doesn’t just go on and on about how Dick ruined their brotherhood and it will never be truly repaired....

What makes the fruit bats in my belfry go absolutely B-A-N-A-N-A-S is not just the super fun realization that Psych! You thought this fic might be different but it’s actually the same!

Nah.

It’s how much people, both writers AND commenters, just absolutely LOVE to reference Tim’s shitbag parents and how emotionally abusive and neglectful they were (all true and valid, btw, let’s be totally clear about that)....but bringing them up here specifically to emphasize just how great Dick’s ‘betrayal’ was and how what he did makes him no better than them.

It’s like. Oh. I see.

So because after twenty years worth of stories about Dick dropping everything the second Tim needs him, whether it’s for help or just advice or even just reassurance or comfort or ANYTHING ....because after two decades worth of content showing Dick absolutely doting on Tim in their EVERY SINGLE interaction and buttressing his self confidence at every opportunity, never passing up a chance to call him his brother and emphasize that they’re family and he loves Tim and is so proud of him...

Because after all that there’s a story whose very premise forced Dick to choose between two kids, both still very much his brothers and their shared father’s sons even if one was new to him and didn’t have the same history the other two had....

Because by the very nature of the story Dick had no choice but to prioritize one over the other due to them both hating each other and Dick already being stretched to his absolute limits trying to live his dead father’s life and take on everything Bruce used to do at the cost of giving up everything Dick had chosen for his own life and wants and priorities, all while dealing with his own grief....

And with it being inevitable that the boy he DIDNT choose to prioritize was going to be hurt....

Because after twenty years of never failing to put Tim first the second Tim needed him, never even putting HIMSELF first OVER Tim....because for the first time Dick felt that someone else he felt obligated to, felt a responsibility towards, actually needed him MORE than Tim....

And for that reason and that reason ONLY, Dick picked that other boy, all while trying his best to tell Tim that he still needed him, still valued him, all the things that Bruce DIDNT tell him when he took Robin not even because he thought someone else needed it at the time but simply to take away, with absolutely nothing Dick said in any way negating or contradicting any of his many, MANY assurances to Tim over the years that they were brothers and always would be and with them still very much legally brothers and with concrete ties to each other that declared them family even WITHOUT the connection of Robin....

Because after and despite ALL OF THAT, Dick picked the brother that he didn’t know and frankly didn’t even LIKE, because he knew no one else was going to pick this kid and he also knew he’d already picked Tim a hundred times before and hoped that at least all that HISTORY of past focus and attention he’d given Tim to help build him up, give him foundations to build further upon, that hopefully at least that history that was still there, still relevant, still something Tim had actively benefited and grown from in ways Dick now hoped to help Damian....like surely this would be of at least SOME significance to Tim, SOME kind of proof of how much Dick loved and valued Tim....

Because one time and one time ONLY, Dick DIDNT put Tim’s needs first, not because he didn’t want to or because he was being selfish or short sighted or simply didn’t care, but rather solely because this one time Tim’s needs were in direct opposition with the needs of another young boy Dick saw as his responsibility and in even greater need and with even less of a foundation than the one Dick had helped Tim build....

This puts Dick on the same level as Tim’s shitbag parents, the ones who are infamous for (and practically synonymous with) emotional abuse and neglect. Dick’s basically interchangeable with them now. Certainly no better than them. Tim’s entire emotional well-being rested on Dick and Dick alone and nothing he’d provided Tim with in the past counts, just this one moment in time right here right now, that’s the entirety of their relationship see, it all comes down to this and nothing else, and because Dick didn’t put Tim first, no matter WHAT his reasons or how much he wanted to, he has officially failed Tim as hard as the neglectful parents who did nothing BUT neglect, ignore and just not give a shit at all, simply because they couldn’t be bothered to.

Yeah.

That’s neat.

#and please before certain people get all up in their righteous umbrage and declare a blood feud against me for this #take note of how nowhere did I say Tim doesn’t have the right and reason to be hurt #because of course he does #you will never see me claiming otherwise #but just because someone was hurt that doesn’t mean that someone did it to hurt them #and that is the distinction so many fans don’t seem to care to make #I’ve literally seen people call Dick emotionally abusive and neglectful for this era of canon and holy shit people #in terms of abuse specifically you absolutely can be abusive without meaning to #hell this is basically the nature of neglect. they’re not TRYING to hurt a child because the entire problem is the child #doesn’t even rate as much of a presence in their awareness as they should #but people can yell it’s just their interpretation all they want about this era of canon #but it’s flat out not true. it’s their transformation of the material not an interpretation of it #because you literally have to CHANGE what Dick ACTUALLY says to Tim to paint him as neglectful or not caring about his emotional well-being #you have to CUT OUT all mention of the times Dick tried reaching out to Tim or checking up on him in order to paint Dick as simply moving #on with his shiny newer little brother #that’s not a difference of interpretation. that’s an act of transformation. changing details of a story that isn’t reading the way you want #it to....until it DOES say what you want it to #and the problem has NEVER been some of us just being unwilling to let people have their headcanons #the problem is people’s refusal to call them headcanons or AUs or anything that acknowledges they’ve transformed the source material #in order to CREATE the interpretation they’re going with #AND OTHER FANS HAVE EVERY RIGHT IN THE WORLD TO SAY YEAH WE’RE NOT TRYING TO TALK ABOUT YOUR TRANSFORMATION OF CANON THO #we’re literally trying to talk about what you transformed it FROM....and the fact that despite all your complaints about canon character #choices....some of you repeatedly make the CHOICE to change canon not just to fix or address the poor character choices you don’t like for #your faves.....but also at the same time making this other character do the very stuff you claim to hate canon having your faves do #and that is your CHOICE. AND YOU GET TO MAKE IT. BUT IT IS STILL A CHOICE TO MAKE CHANGES #NOT simply a different interpretation of the foundational material #like you guys keep trying to pass it off as #and that MATTERS #it matters quite a lot in fact

[smhalltheurlsaretaken]

You know what? I find it super interesting that the Order wasn’t too harsh on Anakin. In fact, you could even make the argument that they were too easy on him, if anything (which is an interesting parallel with Rael).

There are like a ton of instances of Anakin either not doing his job (and this isn’t me hating on him, I like Anakin, it’s an objective fact) or directly disobeying orders, and never facing any consequences for either. In fact, I don’t think we’ve ever seen Anakin actually be punished for anything (but if you can think of one time in the movies or TCW where he was not reprimanded or scolded, but actually punished for something - please tell me and I’ll amend this). 

Consider:

Anakin loses R2 (after going against Obi-Wan’s advice to leave the system and staying to fight instead), R2 being full of  like half of the army’s intel. 

Consequences: Obi-Wan yells at Anakin for 30 secs and Anakin is sent to get R2, like he wanted to. (s1ep6)

One episode later (after disregarding Obi-Wan’s advice to wait for reinforcements): 

Consequences:

A sigh and a glare, for putting multiple people at risk. That’s it. The transmission cuts off there, Ahsoka says Obi-Wan has a point, and nothing more comes out of it. (s1ep7)

Later (s1ep22):

Consequences for skipping out his meditative retreat (the time off he was given by the Order): none that we see or are told about. We don’t know if anyone was even aware that he didn’t go on his retreat. Also, see his argument when Padmé says she doesn’t have time to go on a romantic vacation:

Anakin, a very important General but still a very young man, was given two weeks of completely unsupervised time off in the middle of a full scale war. 

And again (s2ep):

Consequences for keeping Mace, Obi-Wan and Yoda waiting for hours:

Nothing. Master Windu, the highly respected head of the Jedi Order, High General in the GAR, the boogeyman of the fandom, the ‘mean, horrible, awful Jedi Master who didn’t trust Anakin and didn’t like him and was always scolding him about all sorts of stuff and hated him and was mean’, didn’t have one word of reprimand for the 20 yo kid who kept him waiting all night and didn’t even give the barest of excuse or explanation for not answering his comm.

And this isn’t me setting out to bash Anakin or whatever! I’m not interpreting anything here, just showing examples of Anakin doing things that should earn him a very stern talking to, at the very least - considering his age, his status, and his rank in the army - but where we never see anything actually happen. That’s like the whole Prequels era, really. Anakin is never punished for his actions, until he is (see last gifs). I mean:

Consequences for flying into the command ship during TPM: none that we see or are told about. 

Consequences for going to Tatooine in AotC, then going to Geonosis against direct orders, thus putting Senator Amidala in danger twice: none that we see or are told about. He is knighted a few months after and then given Ahsoka, and the Jedi all seem to think it’s a great idea, meaning people didn’t make any big deal out of his disregarding orders. 

Consequences for flying to the Abregado system in s1ep2 to rescue Plo Koon, against the Council’s orders: Obi-Wan makes a snarky remark to Cody, Yoda makes a snarky remark to no one in particular, and Palpatine lies to Anakin about ‘the Council being furious’ when we just saw that they weren’t.

Consequences for disobeying Obi-Wan on Mortis in s3ep13: none. 

Consequences for lying to Obi-Wan’s face about Rex’s helmet in s7ep2: Obi-Wan passive-aggressively asks him if he’s said hello to Padmé, nothing more comes out of it. 

Consequences for almost botching the Rako Hardeen mission (and unwittingly trying to kill Obi-Wan): Yoda is the one who apologizes to him. 

Consequences for being in a relationship (which isn’t technically forbidden, but it’s still far from ideal, especially considering Padmé is a Senator) and lying about it: the Council hints that they know about him and Padmé in the Clovis eps (s2ep4, s6ep6), Anakin always vehemently claims that they’re only friends. Nothing happens. 

Consequences for being a known troublemaker: Yoda unironically praises him for it (+ the Council members love bantering with him + he gets to call them by their first names.)

Consequences for constantly disobeying Obi-Wan, the Council, Yularen, and basically everybody ever:

For all his troublemaking, Anakin never actually gets into trouble, and I just think it contrasts nicely with the rather predominant view that the Jedi were overly critical of him, unduly harsh, and constantly on his back. 

#long post #meta #my meta #anakin skywalker #jedi order #padmé amidala #obi-wan kenobi #anidala #yoda #in defense of the jedi #intergalactic therapists #jedi positivity

[jishyucks]

*✲ﾟ*｡⋆ stray kids m.list *✲ﾟ*｡⋆

☼ – fluff ～ ☽ – angst ～ bolded – my favourites

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⇾ True Love Gave to Me — 00line x reader

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⇾ Something There - ☼; 1.4k

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Although Hyunjin will never admit it, you’re his lucky charm

⇾ one plus one - ☼ meet-cute

In which you ask Hyunjin for his interpretation of a painting and his pretty brain leaves you wanting to see him again; alternatively where you're so absorbed by a painting that you were unaware that someone saw you as the work of art

⇾ Gleam & Glitter - ☼ implied f2l, rich-kid!au; 3.4k

You’ve quickly established that no one at this damn charity gala cares about the event’s purpose. They were just there to party. And you wanted nothing else but to leave; alternatively, in which Hyunjin saves you from your misery to see the city’s Christmas lights. — PART OF THE TLGTM SERIES

♡ J I S U N G

⇾ A One Sided Picture - ☽ unrequited love; 2k

❝Can we just… stay friends?❞

⇾ Anchor - ☽ read the summary; 2.2k

❝It’s okay to cry❞

⇾ 9:30pm - ☼ pests-to-lovers; 4.5k

Jisung’s absence causes Y/N to realize feelings she didn’t know were there

⇾ Trepidation - ☼ hogwarts au; 2.03k

During a defence against the dark arts class, Hufflepuff!Jisung panics when he has to face his fear of heights. Luckily, Gryffindor!Y/N is there to comfort him

⇾ The L Word – ☽ with fluffy ending, arranged marriage, rich kid au; 2.1k

❝Tell me, Han. Has she ever explicitly told you that she loved you?❞; in which Jisung’s afraid that Y/N’s going to leave him in rising of rumours but learns he shouldn’t judge a situation from the words of others

⇾ Me and You Against the World – ☼ & slight ☽, arranged marriage, royal au; 4.7k

❝I don’t understand why they judge when they don’t even know you…❞; in which you don’t let the words of others get in the way of your relationship with Jisung « Prequel of The L Word but set in a different era, read description on post

⇾ Ice Cream! (Life's Power-Up) – ☼ f2l; 1.8k

In which comfort comes in the form of an awkward boy and free ice cream

⇾ Gift Wrapping is a Serious Matter – ☼ implied f2l/coworkers-to-lovers

In all honesty, you had no idea why you decided to take up the job of gift wrapping at your local mall. There are moms constantly yelling at you, your fingers are covered in papercuts, and the hours are long. Luckily, your coworker, Jisung, is there to make it more bearable. — PART OF THE TLGTM SERIES

♡ F E L I X

⇾ My Type - ☼ co-worker au; 1.1k

You and Felix work together at a food stall at the fair

⇾ I Lilac You. - ☼ f2l; 2.2k

He sticks the flowers out to you and grins, ❝I got these for you?❞; alternatively where Felix decides to be the first-ever person to get you flowers, but it isn't as perfect as he planned it to be

⇾ Staycation - ☼ implied f2l, hurt/comfort

Spending Christmas sick and in bed wasn’t Felix’s ideal way of spending the holiday. Being the best friend that you are, you decide to take care of him. Who would have thought that Felix was clingy when he had the flu? — PART OF THE TLGTM SERIES

♡ S E U N G M I N

⇾ Boys Like Me - ☼ f2l; 2.1k

Seungmin thinks that no one would like a guy like him, but obviously he’s wrong

Discontinued Series

⇾ Heartthrob Series

In which each member has their own charm that causes one’s heart to skip a beat {introduction}

°•. ✿ .•°

© 2023 jishyucks. pls do not copy/repost, translate, or claim as your own!

#stray kids #stray kids imagines #stray kids scenarios #kpop #kpop imagines #kpop scenarios

[tittytania]

Finding ChristBorg: A TED talk about what happened during the Coldharbour Compact.

Reposted from my tes reddit bc I want to see what y’all think.

I can't tell if I'm a genius, completely insane, or if I'm just late to the lore-party. Time to find out I guess. TL;DR at the bottom.

So it has never been explained what Sotha Sil did during the Coldharbour Compact to convince the daedric princes to not manifest on Nirn without an intermediary, and it probably never will be since the mystery of it all is far too cool. But that doesn't mean I can't read into it like literature and look for meaning in the other texts I can compare it to.

To start, Vivec is based off of the Shakta variation of the half female/half male Ardhanarishvara, where the gold-skinned female half is the right side. Both Vivec and Ardhanarishvara represent unity and duality, and looking at some images of Ardhanarishvara, it's kinda hard to argue that Vivec wasn't based off of them. Kirkbride even confirmed that Ardhanarishvara was the inspiration for Vivec in an AMA. Now, Vivec is part of the god trio the Almsivi Tribunal, along with Almalexia and Sotha Sil. Shiva, who Ardhanarishvara is the avatar of, is also part of a god trio, called the Trimurti in Hinduism. So it would make sense if the other members of the tribunal are also based off of one member of a real world religious triad. I have a shaky idea of who Almalexia could be, but my theory for her god-inspiration is nowhere near as solid as my theory for Sotha Sil, who I believe is based on Jesus Christ.

To start, their characterizations have multiple similarities. Both are one branch of a god-triad, with Sotha Sil as part of the Tribunal, and Jesus as The Son in the Holy Trinity. Both serve as a teacher, with Jesus being referred to as Teacher several times in the Bible, and Sotha Sil giving lessons on magic and Mysticism to the Psijic Monks. Also, both are characterized as wise, patient, and celibate. They both talk about moral and philosophical concepts with their followers, neither Jesus nor Sotha Sil are shown as having a temper or raising their voices, and neither of them are shown with a spouse or partner. Sotha Sil is specifically shown as not caring about the Night Mother's attempts to sexually manipulate him in book seven of 2920, The Last Year of the First Era. Now I know that 2920 is considered a work of historical fiction in-universe, but I don't think that matters in this situation since I'm approaching this as a person reading a text, not as a person living inside the lore world.

In terms of specific scenes that connect Sotha Sil and Jesus, the first I will mention is that they both use a makeshift whip to beat intruding wrongdoers and drive them away, while yelling about fathers. In the Truth in Sequence vol. 8 book, it says that "[t]hrough His will alone, Mighty Seht wound the veins (of metal ore) into god-bronze whips, and lashed the Prince pitilessly," saying "[b]ehold the wrath of lost Ald Sotha! Know death at my hands, false-son of a false-father!" In the Bible, Jesus found people doing sales in a place of worship, and then He "made a whip of cords, (and) He drove them all out of the temple," saying “Take these things away! Do not make My Father’s house a house of merchandise!” (John 2 15-16).

Also, Jesus had close friends and followers who were called his apostles, and Sotha Sil has his own Clockwork Apostles. Sil's apostles reside in the Clockwork Basilica, and while basilica isn't an exclusively Christian term, it is frequently used to describe a type of church architecture, and is a term the pope uses to recognize distinguished churches.

Another similarity that I found was in the plot of Morrowind, where Sotha Sil's death was caused at the hands of Almalexia, who was someone he had once loved and trusted, much like with Jesus and Judas.

The most notable life similarity as it relates to the Coldharbour Compact is that both leave the earthly world in order to make a deal for the benefit of the souls on earth, and then return to the earthly world. This parallel is given extra weight with the descriptions of the scene in the book 2920, The Last Year of the First Era. Sotha Sil returns from Coldharbour by way of someone "rolling aside the great boulder that blocked the entrance to the Dreaming Cavern. This sounds a lot like the scene in the bible of the discovery that Jesus had risen from the dead, where "an angel of the Lord descended from heaven, and came and rolled back the stone from the door" (Matthew 28:2). In addition, Jesus said "after He is killed, He will rise [on] the third day," (Matthew 17:23) and after Sotha Sil returned from Coldharbour, he "felt he had been away for months, years, but only a few days had transpired." Perhaps it had been 3?

In addition to the life and behavior similarities, there are similarities in dress. In the 2920 book, Sotha Sil is always described as wearing a white robe or cloak. In ESO, Sotha Sil is shown as barefoot, and wearing a blue sash over his long white robe. In medieval and renaissance art, Jesus is most always depicted as barefoot, and is frequently shown with a blue cloth over his shoulder. In most resurrection art, as well as in almost all 20th/21st century art, Jesus is depicted as dressed in white. While Jesus usually isn't usually shown wearing both the blue sash and the white robe at once like Sotha Sil is, I found one modern interpretation of Jesus that does dress him this way, and several depictions of him in Chinese art that also portray him like this.

I'm feeling almost conspiratorial here, but these similarities are far too many for me to think it's accidental, and therefore I have to think that all of this is meant to suggest that Sotha Sil serves a Christ-figure role in his story, i.e. in sacrificing own life like Jesus did in order to make his deal in the Coldharbour Compact. However I don't think Sil's sacrifice was quite so simple. After he is asked what he offered the Daedra in return for the deal, he states: "The deals we make with Daedra... [s]hould not be discussed with the innocent." This implies that in contrast to the Christ mythos, Sil's sacrifice was not blameless; he did not come out of the deal with his hands clean.

So, a Christ-like sacrifice that isn't quite as pure and selfless as it is in Christianity. What could that be?

My theory is that in order to make the Coldharbour Compact, he sold the lives of Vivec and Almalexia along with his own. Perhaps he told the princes that he knew the tribunal's godhood would end, and in exchange for their cooperation he promised not to tell the other tribunes or make any attempt to prevent his and his companions' demise. (After all, as far as I know he made the mechanical heart for keeping his city functional, not for recreating the divinity the heart of Lorkhan provided.) Or, maybe he offered to do something to assist in bringing the Tribunal down, and losing Sunder and Keening, the tools that helped them maintain their divinity, was intentional on his part. Sil deliberately sacrificing his own life appears to be reflected in Azura's statement after his death. She said "he shed his mortality long ago, and I am certain his death was no small relief to him." Of course she'd know that he let go of his life ages ago if he had willingly sold it to her. Of course she would be certain that he found his death to be a relief, if she'd heard him say so himself when he was explaining why a god would ever offer such a deal.

It would also make sense with Sotha Sil's character, since he allegedly loved the people on Nirn more than Almalexia or Vivec did, and the destruction of Gilverdale could have definitely been a traumatic enough reminder of the destruction of Ald Sotha for him to do something dramatic to prevent it ever happening again. And guilt over sacrificing his friends could have definitely been a contributing factor to the worsening self-isolation and intense depression in his later life. It would also be a definite explanation for why he apparently never met another soul in the 10 years between losing the tools and his death. Not only had he become extremely disillusioned with the imperfections of the world, he had now finalized the deal he made so long ago, and saw no point in continuing to interact with a deeply flawed world he was essentially finished with.

However, I do see some issues with this and how it would work in-universe. Namely the fact that Hermaeus Mora's seekers said the prince received something from every individual on Nirn as part of the deal, which is quite different from what I'm suggesting. A different deal for each prince would also explain why Sil was able to include Clavicus Vile and Mephala in the compact at a much later date. There would be no reason for Vile and Mephala to submit to a collective deal whose terms had already been decided. So if he offered the tribunal's lives as part of the deal, he would have needed to offer other things as well. But for me the most significant in-universe issue I struggled with was that using his death as a bargaining tool would create a massive problem for his ability to enforce the deal in the future. This could explain why both Molag Bal and Mehrunes Dagon manifested on Nirn after Sotha Sil's death, but since I think they were summoned by qualified mortals that could have been a loophole. Either way, making a deal that is meant to last forever by promising something that can never be taken back in the case of a breach of contract seems extremely short-sighted for someone who claims to be cursed with certainty. Especially considering how many of the princes there were known to be cheats and liars.

Unless, that is, you believe this theory I read about the reason why Sil was completely silent as he was killed. My original belief was that he was silent because he'd seen it coming long ago, and knew that nothing he could have said would have changed Almalexia's mind. And while that would be in character for him, now I'm starting to think that it was because he had already uploaded his consciousness elsewhere. This would fit in with the Christ-figure parallels, due to the Christian belief that Jesus is risen from the dead and very much alive. While Jesus returned to life at the same time he emerged from the cave, the completion of Sotha Sil's death sacrifice didn't happen until long after his return via the cave. While I have found no explicit evidence that he's still around, when you find his body in Morrowind he is shown hanging, with his arms outstretched at his sides, in a sort of crucifixion pose. And after the crucifixion comes the resurrection. Perhaps Sotha Sil is still around somewhere in the gears of his city, and he promised the princes he'd never be present or have any influence on Nirn so long as they kept up their end of the deal. Additionally, the 37th sermon of Vivec mentions Sotha Sil as holding "his swollen belly," carrying "[his] daughter." While Vivec's sermons are hardly ever literal, Kirkbride's comments suggest that maybe Vivec was being somewhat literal in this instance. Regarding this concept art, Kirkbride said "note the cosmic baby growing inside Sotha Sil. While Sotha Sil is dead as we saw in the add-on pack “Tribunal”, the child survived." Perhaps one of Sotha Sil's many body modifications made him able to carry and birth a child, and then he created a daughter through self-cloning or some other method that allows him to have enough influence to enforce the compact.

TL;DR - Sotha Sil has a lot of similarities with Jesus, so he's a Christ figure and therefore his sacrifice in the Coldharbour Compact was himself, and Almalexia and Vivec too, and that also means that he may still be around.

Anyways, thanks for reading and sorry if this sounds like I'm putting red strings on a wall as my application essay to the r/SothaSimps fan club. Also, lmk if I'm missing anything obvious. For me right now Reading Lore On The Bedroom Floor is a bit more manageable than playing the games, and there may be something I've just completely looked over.

#sotha sil #tes #the elder scrolls #tesblr #vivec #almalexia #morrowind #elder scrolls online #eso #lord seht

[ruby-whistler]

Alright curious anon here. All this is /dsmp /rp from here on out unless otherwise specified and is refering to characters. If i make any mistakes or am misinformed please let me know! So by the cat was nothing compared to mushroom henry i was meaning more toward the fact that the cow was killed as a punishment for something not worth or ok for it to be killed for at all and the fact that it belonged to tommy, wheareas the cat was killed more to annoy dream and belonged to tommy. (1/?)

alright then another lengthy reply, here i come! /lh /dsmp /rp

Dream also did not seem to mourn the cat much, shrugging it off with a "just more motivation to break out".

it was killed to hurt dream, not to "annoy him". it doesn't matter who it belonged to, c!dream was attached to it and it died, which had an effect on him and also further proved his point about attachments being weakness and caring getting you hurt, and it's still very sad.

you say that it was not ok at all to kill mooshroom henry, but the cat's death wasn't ok either, so i really don't see your point.

again, i disagree it was "nothing compared to" either way. i never meant to compare them in the first place, i was simply talking about the cat and c!dream so i don't see why it is in any way necessary to drag c!tommy and other dead pets into this. /nm

also, it isn't true he didn't mourn it. he is a very reserved person who doesn't show his feelings much, that's true, but the cat death still changed the way he acted afterwards, as well as the attempts he made to prevent it. he didn't "shrug it off", he yelled about it because he was understandably upset.

You mentioned that propganda was used to make dream seem like a tyrant, could you specify a bjt? Cus im a little confused srry /gen. Because the most i can remember from the lmanburg era at least is him being called a b'tch or other similar insults. You also mentioned how trauma responses can be differet which is true! I agree! Do you have any ideas to what caused dream the trauma?

wilbur would continuously make him out to be some sort of oppressive, tyrannical force, in front of his troops - a prime example of this being the lyrics of the l'manberg anthem itself and the l'manberg declaration of independence.

actually! here's a nice thread about l'manberg's establishment complete with links, timestamps and evidence :]

i also said in my previous post what could've possibly caused it, but since the character intentionally hides his emotions from the public, it would be difficult to see how things really affected him - which is why the way his spiral went is the majority of the evidence that would imply it, however it does make sense within the story as well with what i mentioned last time.

I would like to note that for sapnap at least had reason to leave dream. Some examples off the top of my head are dream leading an angry fundy to sapnap's pets on purpose, resulting in some deaths, dream assisting tommy in burning down sapnap's effiel tower where he got engaged to karl, and dream giving tommy either mars or the other fish at the battle of the lake. Idk about george tho other then the whole mexican lmanburg/el rapids thing and decrowning him

c!sapnap was actually at fault for most of this, and it wasn't really ever betrayal on c!dream's part.

c!dream is a mediator and he wants to stop everyone's conflict - c!fundy was angry because of c!sapnap's actions, and hence it made more sense for c!dream to centre him on c!sapnap's animals instead of running around killing everyone's pets (at that time, all c!dream knew was c!sapnap did something really bad and c!fundy wanted beckerson / mars from him, which were also his and c!george's fish).

c!sapnap was an instigator, and in multiple conflicts during the time as well as before he'd align himself against c!dream. he isn't "loyal" per se, he causes chaos and the reason c!dream helped c!tommy was because, c!sapnap, again, killed his pet. the first l'manberg war and then the 16th are signs of the fact that c!dream and c!sapnap were willing to fight together in actual war, but these small conflicts where c!sapnap continuously picked fights weren't about personal loyalty, nor did they seem to affect their relationship at all.

c!george was never really hurt by c!dream either. the dethronement was him very obviously being a guilt-trippy drama queen, but, well, that's just the character. he had stolen the l'mantree while he was supposed to be the diplomatic figure of the greater smp, which is why c!dream was justified in - very politely, may i mention - taking the duties off of him (seeing as he was also trying to keep him safe and c!techno had already assassinated him once).

Im pretty sure i remember cc!sam stating that his character never canonically physically tortured dream during his subathon but take this with a grain of salt as i am looking for the clip currently. So to the best of my knowledge dream did not have a physical contact trigger during tommy's visit which! I rewatched the vod and dream actually was first to hit tommy and i can give you my full writing downs but 10/12 of the phy-

you never finished this point because you had to go do something, but i'll reply to what is here at the moment (i suggest writing these down before sending next time, or even writing them out wholly before sending a single one could help avoid stuff like this).

i am 95% sure that the reason cc!sam stated this was because people were suspicious he had already been doing what c!quackity was doing after - torture within the storyline itself is associated pretty much only with what c!quackity is doing, so that's what he meant, just to clear up confusion - the starvation or terrible conditions haven't been retconned, but it was direct torture (like c!quackity is doing) people were asking him about.

i never said c!dream had a physical contact trigger at all, i don't think he had that, though he probably will after the torture.

huh, ok, i'm gonna have to rewatch then, but i remember c!tommy punching c!dream a lot and him just telling him to stop and only punching back to get him to stop. trigger or not, getting hit isn't very pleasant, if you know what i mean.

You mentioned tommy stealing dream's armor unprovoked. Do you have the vod or a general idea of the time so i can find it? Like before lmanburg after another event so and so because if you do not have it i can find it but any help is appreciated.

i am pretty sure you can find the video on cc!tommy's channel! there are also recaps of the disc war on youtube :]

I wanna talk a little on why the Final Control Room was so messed up. For starters, with the way the room was designed. It was small, and had labeled, empty chests with each person's name on them as a mockery. The next reason is that its bascially a kill box.

It's fairly inescapble with the stairs being ones you have to jump up, slowing anyone who climbs them down. The final reason it is messed up is that it is shown to have caused every person who died in it trauma. With tommy there are several examples, the time he saw it with techno, the way he refuses to go near it, the exposure trauma, etc. Fundy also appears to have trauma, as when the Red Banquet executions began, it can be seen as him being afraid of dying last again.

It can Be thought as tubbo having trauma because he buries most of his issues and pretends to be ok. Moreover this event took at least one of each person's canon lives, making it the most canon lives lost EVER in a dream smp event. (This is not hate on any of the ccs btw i loved this scene and its one of my personal favorites). Plus the fact Eret's betrayal just literally happened, giving at least Tommy and Wilbur canonic trust issues.

i wouldn't call the chests mockery? it was a trap. people had traps on the smp before. it was a trap in the middle of war, supposed to end said war by killing them all at once rather than individually which would be a lot more bloody and difficult.

i agree c!tommy and other people might have post-war trauma, especially if they were young during the time, but i think that's because the final control room was "messed up", moreso because the war itself was. it all happened fairly instantly as well? i don't think c!fundy would be able to realize he was the last one standing within the two second before he wasn't.

it "can be thought" and it can be interpreted like that but besides c!tommy there isn't much evidence for them "all" being traumatized by the final control room. of course betrayal would spark trust issues, i understand that.

The probation was humiliating in my opinion because dream was Sending tommy anatgonizing messages through out the whole meeting, plus he had to write a review of his day every single day, which fundy mocked him for.

i mean, it was definitely a strike to his pride, but he was being extremely uncooperative so i don't really blame the other members of new l'manberg trying to teach him to listen for once? of course i know c!dream was riling him up, and that should definitely be considered. i don't think it would be as humiliating if c!tommy didn't make it, is what i'm saying.

for the tommy being toxic to fundy? At least for the examples you gave, to me personally they come acoross as either in a meta way being the cc's bantering or in canon being the characters having banter. If you can send the post with the clips so i can read the tone better that would be cool but if not i will try and find em.

no, these were all in canon. canon isn't only when c!tommy is being nice, it's also when he's being a jerk. /lh

the first one was him threatening c!fundy about kicking him out of l'manberg and undermining his self-worth, and the second one was him trying to get c!sapnap to vote for them via bullying c!fundy.

i found these from a transcript focusing on c!fundy's character, so i don't know exactly where the first one is from, but the second one i am pretty sure is from when the elections were starting with the whole cabinet battle deal and all of that.

there are other instances, and all of them are canon. his personality was never being nice or compassionate, so i'm not really surprised? he still cares about the people he cares about and is very brave, y'know. but this part of his personality is definitely a valid reason for people to dislike him.

I hope the exam went well :). Hope u have a great day! (Ps i think theres something called a submission box to send in pictures? Am not entirely sure sry)

it would've gone well but my work-speed is a tad too slow for the schooling system (considering i'm three years younger than my classmates,,, probably that's also a factor) so probably not despite the fact i knew everything and would've aced it if i only had more time. i did as well as i could so i'm not worried about it, but thanks!

i think you're thinking submissions. sadly, i tested it and it doesn't work on anons, so idk how you'd solve that, maybe make a burner account?

Curious anon here one point you may wanna include in the redemption essay is that c!tubbo or c!tommy do not necessarily have to forgive him. What's important is that he recognizes what he did was wrong (exile, beating tommy to death, manipulating them both, etc) and does his best to make amends. Hope this helps! Can't wait to see your essay

it's out, idk if you've seen it yet, and i think i included enough of that so hope it's all good! :)

the mcc update video is out if you are an mcc enjoyer. It's very neat, if you wanna check it out

yeah! i am a fellow mcc enjoyer, saw it already, thanks for telling me though, i'm really hype for today.

Allo curious anon here sorry if the lots of asks bother you. I was just curious if i could share an interesting post i saw today about c!dream :0 (not necessarily negative i think? More of a statement of an often-confused canon)

sure thing! i don't know what you mean by often-confused since, the entire fanbase is very confused always, and often selection bias plays into the perception from both sides, but sure :]

you also sent in a thing for the other anon who said they didn't know what c!dream did that bad; pretty sure they couldn't really be alerted since, not sure if they watch my blog that closely, but i'll summarize your points just in case and add some notes;

the repeated blowing up of l'manberg (in my mind that's largely a positive since i,, despise that country, but fair enough), revealed c!ranboo as a traitor (they seem to be friends so i also,, think that might've been planned between him and enderboo), sent ghostbur away (i don't think c!dream knew it was dangerous for him and wanted to actually hurt him, but idk), participated in fighting against c!sapnap when he killed people's pets (that's only negative against c!sapnap and didn't seem to hurt him much at all), and then the whole vault scene where he was allegedly planning to steal people's things (though saying he would & being stopped beforehand and doing it are two different things, frankly).

so i still agree with the other anon that a lot of the hurt he did "to the entire server" (he only negatively interacted with like,, a half of them) is exaggerated both by the characters and the fandom, but i guess that's a consequence of most people seeing him as a threat to everyone's happiness rather than a complex personality.

Also he was aware of the butcher army going to kill techno but only got involved because he saw an opportunity to get a favor. (As he knew in advance due to him telling techno to get a totem, watching from afar instead of interveing or manipulating tubbo out of it)

i don't understand this at all, i'm sorry. how do you know he only helped techno in order to get a favor? last i remember he was only doing it to protect and strengthen his alliance, and techno came up with the whole favor thing entirely on his own. you might've not watched techno's perspective or their prior interactions, idk, but this really is a misinterpretation in my eyes. /nm

sorry if that is overly dream negative i just wanted to let yall know cus you seemed unaware -curious anon

nah dw, i watch the smp and i watched all of these things happen so, wouldn't say unaware, but thanks.

#long post #my asks #curious anon #tw torture #tw animal death #c!dream negativity in asks #nothing aggressive though #so safe to read

[beepbeepbobop]

Back again.

I was telling my friend (who isn’t a Baccano! fan, but listens to me ramble) about my take on immortals and Czeslaw, and I don’t know where to put it, so!  It goes here.  As a warning, this is mostly me rambling and probably treads ground that has been talked about a lot in the past, but I hope it’s interesting anyway.

(This and the Infinity Train post is not a sign that I’m going to be more active in the future.  Social media and the prospect of interacting with other people’s posts still make me anxious.  Maybe one day.)

So!  The first thing to keep in mind is that change is a major theme in Baccano!.  No one is incapable of changing, but people have different relationships with it depending on who they are.  Czes can't believe that he has changed seventy years after Isaac & Miria stealing him despite clear evidence that he has.  Meanwhile, Nile actively resists change:  His greatest fear after becoming immortal was that he would become desensitized to the loss of human life and begin to devalue it, so he spent decades fighting in active war zones so that he'd never forget the reality of death.  This backfired, and instead left him inured to loss of life...but it's clear that he doesn't want to be this way?  Realizing that he's gotten to the point where his expression doesn't even change if someone dies is devastating for him.  Chane is the opposite:  While it's absolutely for the best that she stops being a hitwoman and killing machine for her father, softening up is terrifying to her because then she can't serve her father the way she wants to.   Czes is on the opposite end of the spectrum, because he wants to be better because he thinks he's a bad person (later on, he decides that he's the only bad person left in the world.  Sir.), but can't recognize it because he doesn't feel different.

And...this is pertinent to the older immortals in particular - I'd argue even moreso than with the younger ones.  Aside from the fact that the Elixir literally stops you from changing in the sense of age or injury...it also has to place inhibitors on your brain.  Your brain is, after all, a physical part of your body!  There are some....weird aspects about immortality that no one is able to figure out (for example, immortals can give birth; someone also pointed out that there are no examples of crying in reverse even though that's also a part of your body), but it's still safe to say that the brain doesn't age either because then...then a lot of the cast would be catatonic from Alzheimer's.  Even without that, the human body can only retain so many memories.  If an immortal's brain had the ability to deteriorate over time or overload based off of the amount of memories it contains....well, I don't think any of the older immortals would be able to function.  Szilard definitely wouldn't be able to function (and neither would Firo after he devours Szilard) because Szilard has the memories of over a dozen people running around in his brain.  Which brings me to my next point:  If an immortal's brain functioned like a human's, devouring would not work as a concept.  One of the hallmarks of being immortal is gaining other people's memories.  Imagine the strain that would cause.  And yet, it doesn't seem to be a problem!  The chief worry of those who have devoured other immortals is worrying that having the memories of the other person might change you consciously or subconsciously.  This is Firo's concern over devouring Szilard.

So...the fact that the brain doesn't physically grow older or change (with some leniency given because real world science sure is iffy here)...feels relevant because, mn...

Many of the older immortals feel stagnant, or stuck in time.  Firstly, if the immortals changed at the same pace as a human being, I don't think most of them would be recognizable from one era to the other.  And yet, they are!  The Victor Talbot of the 1700s is clearly the same person as the Victor Talbot of the 1930s, albeit with alterations (because what kind of person would stay exactly the same after centuries?).  The answer to that question is Elmer, by the way.  Everyone comments on how he acts just like the Elmer they remember back in the day.  But Elmer is a special case, seeing as he's our local empty shell and probable sociopath (not that he has ASPD!  ASPD, sociopathy and psychopathy all present and function entirely differently from each other, which makes it....strange that they're lumped under the same umbrella - but that's another matter).  Secondly, immortals...Uhm, they all handle grief horribly, and seem to feel stuck in the past?  Maiza, for instance, acts starkly different from his past as a rebellious noble-boy gang member, but he's never forgiven himself for giving Gretto the information that led to his death.  (Gretto being his brother.)  Huey's overarching goal is to bring his dead girlfriend back to life, and he's been working towards this goal for centuries.  Sylvie, who admittedly was not an immortal when Gretto died, held off on drinking the Elixir until she was all grown up, then set out to finding Szilard to take revenge on him for killing the boy she had run away with.  This lasted for, you guessed it, centuries.

This isn't to say that immortals don't change, or even that they don't change drastically.  I mentioned Nile, who became inured to death after fighting in war for decades.  Czes went from a trusting, innocent child to someone paranoid and self-centered enough to try and get an entire train car's worth of people killed for his own safety to someone who wants to be a good person, but thinks he never will be and that there's something fundamentally wrong with him.  But changing appears to be very, very difficult, and happens over an extended period of time in response to extreme situations.

And...this is particularly relevant to Czes (who keeps coming up as an example because he's the main person I'm thinking about with this tangent) because....it arguably hits him harder than any of the others due to being a child.  Only the best decisions were made aboard the Advenna Avis, which includes letting the eight year old drink the immortality elixir.  But...mn.  It's one thing to be perpetually in your thirties, or twenties, or sixties, and another altogether to perpetually be eight years old.  Czes can't truly 'grow up' even though he has more life experience than most adults combined, and it shows in his extreme emotional reactions, his self-centeredness, ect.  There's a certain misconception about anime-only fans that he's an adult in a child's body, but I think it's easier to tell in the light novels that that's not the case, especially since you see what he's like back before the Advenna Avis.  (He is shy.  Very shy.  Did nothing wrong ever.)  Also, the fact that SAMPLE goes, "Yes!  The perfect sacrifice!" when they specifically take a child to target emphasizes this.  It's not proof - I'm pretty sure that SAMPLE would focus on his physical age as an 'eternal child', and may or may not have the resources to analyze him and go, "This boy is still eight years old in his head," - , but it hammers the point home.

Then...mn.  One thing that's stuck out to me ever since the start is how long Czes was with Fermet.  There's such a thing as learned helplessness, and it's not like Czes had anywhere to go, so that's not what is odd to me...especially when Fermet is known for manipulating people, and could definitely seed the idea that Czes can't go anywhere.  More than physical proximity, I think about how long Czes believed in Fermet.  It's explicitly stated that Czes absorbing Fermet's memories is what made him realize that - oh, Fermet was just sadistic and everything he said was an excuse.  And...I think this is both an example of being controlled in many respects, and....another example of an immortal being stuck in the past - but in a very, very different way.

First off, learning that the people you look up to want to harm you is...difficult at best, especially when you're younger?  But being mentally 'stuck' at a certain age would make things worse, because Czes is perpetually an age where it's natural to depend on a parental figure, and at an age where the brain isn't equipped to make those kinds of calls or realizations.  There's also the matter of cognitive dissonance!  Cognitive dissonance means a lot of things, but essentially, it's the idea that you have two conflicting beliefs, but the actions you take can retroactively alter your beliefs/place emphasis on one more than the other, as the mind is predisposed to reduce dissonance.  I...take issue with how cognitive dissonance is interpreted because many examples don't account for the beliefs or opinions not being equal in the first place, but that's not the point.  The point is that, as a child, the impulse to reduce dissonance is present while also being played against difficulty reading intentions, perceiving the world outside of yourself, and thinking critically.  (For what it's worth, abusers also tend to discourage critical thinking because it damages their narrative, which would also play a part.)   So, for example...

Say that, theoretically, Czes was yelled at every time he questions the idea that Fermet's intentions are right, or that maybe Fermet doesn't have his best interests in mind.  (Czes is insightful, and they lived with each other for a long time, so this probably happened at least once unless the text directly contradicts me.)  This is tame compared to the things we know about his time with Fermet, but ignore that.  The desire to not be yelled at would lead him to hurriedly agree later on, and cognitive dissonance means that you're inclined to try to make your beliefs agree with your actions.  In other words, the more he plays along, the more his brain tells him that he definitely believes this, and it makes perfect sense to!  Fermet has shown that he cares about him, and took him in after his grandfather died, so of course.  It only makes sense.  And it's even harder for him to bridge the gap to a different conclusion because of how difficult it seems to be for immortals to change.  It's only when Czes devours Fermet (or...or at least gets his memories) that everything snaps into place, because he can't reconcile that no matter how hard he tries (coincidentally, this also happens when he gets memories of being an adult, and while I seriously doubt that Czes went through Fermet's memories willingly, it kind of hammers my point about how difficult being eternally young would make things).  So of course he snaps as hard as he does.  It'd be kind of amazing if he didn't, honestly.

TLDR:  Being immortal made it even harder for him to recognize or comprehend his trauma.  Sorry for that.

#baccano #baccano! #czeslaw meyer #nile (baccano) #I don't know who else I discussed enough to tag #but the segment about szilard made me wonder whether you would have more memories from devouring a dozen people or from living #for a couple centuries #I think it depends on how old the immortals were #discord ramblings

[prettywarriors]

Ok ill bite whats the worst mg series

alright, whats the worst magical girl series in your opinion?

Thanks you two for letting me do some yelling. The obvious guess would likely be one of the recent edgelord shows right? Magical Girl Site or something similar? But nay I say, for while MGS and Day Break Illusion and such and what not generally tell you what to expect right away. Don't like super violence and suffering? Watch something else is the clear message from the get go. One of the bait and switch series then like Madoka or maybe Yuki Yuna? For what faults they may or may not have, at least these series do something and are interesting, even if you're not huge on what goes down in the series. A parody then? They range from affectionate to banned in New Zealand but regardless of quality and their feelings for MGs, it's a parody. It's a joke and shouldn't be taken seriously (plus they're usually short so you can just forget about them forever).

So what makes a series terrible then, I am sure you are asking. IMO? Setting expectations for an interesting and enjoyable series, and then dashing them to hell.

Come with me below the cut, as I talk about Key Princess Story: Kagihime Eternal Alice Rondo!

Spoilers abound so if you care about those for a 15 year old series, click away.

Background: Kagihime was a 4 volume manga that ran from 2004-2006 that was picked up for a 13 episode anime adaptation near the end of its run. The manga is created by a pair (Kaishaku) who you may know for making Magical Nyan Nyan Taruto. Kannazuki no Miko, and Steel Angel Kurumi, and the anime had a script written by the same writer (Mamiko Ikeda) for Tenshi Ni Narumon who also did some script writing for Princess Tutu and Seven of Seven. The anime also had 6 character music videos which are fairly simple but a nice addition to the series for the main girls. Discotek has been publishing the anime in the states in recent years, and the manga was brought over by *squints at book spine* Dr Master Publications.

The Premise: Girls transform and enter weird outside of reality spaces to fight each other with giant keys to take each other’s stories to create a third Alice In Wonderland story.

Well, an off-brand Alice story written by Alternate L. Takion, rather than Lewis Carroll/Charles Dodgson, that while the series uses all the aesthetic hallmarks of the tradition Alice, the little we see of the in universe Alice story is clearly different. Which is fine, at the end of the day, it’s still about someone who loves the Alice stories and wishes there was more, and even makes his own fanfiction version. His? Oh yeah, while the girls do all the fighting, the main character is Aruto, a teen boy who loves Alice, and for reasons we don’t know till late game, can enter the liminal spaces that the ‘Alice Users’ fight in. He chases a girl who looks like the Alice he sees in his story, who is named Arisu, and gets roped into this fanfic battle royale. He is also the older brother of the very needy Kirihara, who also ends up being and Alice User. As does Kirihara’s bff Kisa. To round out the group of enemies-turned-friends-who-will-work-together-to-collect-the-Eternal-Alice-without-having-to-fight-eachother group is a young genius researcher Kirika who wants to know more about Aruto’s connection that allows him to enter the spaces where the girls fight.

Then there’s all the other girls, some of whom still have real importance to the story and some who have a few panels or 2 scenes total. But with a whole bunch of girls to design, the creators reached out to a whole lot of other people to have them create designs! Eventually the battle gets down to the last few girls, there’s a confrontation with the guy running the whole thing, and while the anime and manga vary quite a bit the whole time, in both version Aruto ends up with Kirihara. Oh and Arisu was created by Aruto’s super imagination powers.  

The Promise: Here on is subjective, particularly with what I personally saw as potential from this series. because I need you to understand how much I want to like this series. 

~Alice in Wonderland themed: I know some people aren’t alice fans and that’s fine you do you but as a big alice fan this is great. We have a few alice episodes and themed characters amongst series like CCS and MGRP, and even Alice themes in other series like Tweeny Witches and Alice 19th. But damn it I am down for Alice series.

~Giant Keyyyyyyyys: Yeah yeah Kingdom Hearts but these keys are much more staff like for a lot of the characters which ads and air of elegance rather than the KH ones that for me at least feel well designed for big ol props rather than actual weapons. We also get...

~Weapon variety: It counts as a key if it’s a thorn whip that can be shaped like a key right? How about a giant pocket knife? Crossbows can also be keys. Hush. And we have this variety because

~Guest Artists: For magical girl series where we have a variety of outfits designed by different people, we have Kagihime, Uta~Kata, and uhh I guess Magia Record? But that’s a mobile game with a hella number of characters and with how mobile game works I wouldn’t count it just because it’s less the intent of the series to have variety and more the nature of having lots of girls. (Precure doesn’t count because unless I missed a memo each season’s set is still by one designer). If a series isn’t about a team and therefore doesn’t need cohesion, bringing in other artists is a great way for variety and new looks. 

~The long term goal: Fighting with other people who love the same piece of media you do in hopes of creating new material that will be viewed as official? That’s just fandom nowadays. But it’s a legitimate interesting concept, and opens up so many doors for a message for the series, be it ‘what you create is no less valuable than the canon work’ or ‘it’s hard to let go when something you love doesn’t have more to it but you can still love it for what it is’ or ‘bond with the people who like the thing you like ya idiot instead of fighting about it’. The concept is interesting and there are so many narrative ways you can take this.

~Gays: Between the anime and manga, we have at least 5 wlw. Is it a magical girl series without some gays? (side note- the manga had a short thing where the MC wears a girl’s uniform and is pretty comfortable in it and while there is no way this was the intent, between that and the emphasis on the stories that live in girls and how the fight zones have no men, I’m just saying, Trans girl Aruto.)

~Greater Fairy Tale Premise: We meet a Little Match Girl based MG who is obsessed with Andersen rather than the Alice books, and touch on a Sleeping Beauty character in the manga. The manga at least implies that classic stories and fairy tale authors uh. Live on in a liminal space as immortals with world warping powers within that world and there could be opportunities for other girls in the real world to fight for Little Mermaid 2: Electric Boogaloo.

The Good: Everything has positive points, no matter how bad it is.

~Character Designs: Some of those looks slap. As do most of their weapons. 

~Backgrounds: I have a strong opinion on backgrounds in anime that can be easily boiled down to old watercolor backgrounds good, modern filtered photos as background bad, and as a 2006 series, this might not be Memole nice but they’re quite attractive. 

~Splash Pages: Easily my favorite thing after the designs, each chapter’s title page for the manga just has a character standing in a setting. Which is not everyone’s thing I’m sure but it’s a nice simplistic way to let the characters breathe imo. Even if at least some of the settings were deffo traced. But that’s how backgrounds work to some extent? If I ever get to the Met again, I am tracking down this exact photo, but here is a likely candidate for an example.

~Different Versions: I do not understand the need to make an adaptation that tries to be a 1:1. Kagihime had the same ideas and characters and did some of the same beats but very much had a different finale story and a lot of changes in the middle (like the Alice cops in the manga). Again, not something everyone probably wants I’m sure, but I very appreciate this, especially since the Anime kept good pace with the number of Manga chapters (reading the manga again while watching the anime at 3.8x speed just now was very interesting to see the different interpretations of events in a different medium.)

The ‘Fine’: Yeah.

~Anime Visuals: Look 2006 was still early enough into digipaint that I will give it a total pass on these. The colors are too bright but in a very bland way, the lineart is nothing interesting, and the faces are. Iffy. But it’s not total garbage to look at (probably helped by backgrounds and character designs...) it just came out in an era where not enough people knew how to stylize things to account for the weakness of the tools of the time. (It was 4 years earlier but I feel Kagihime is the polar opposite of Chobits with its painfully bland color palette while still being just. Flat. Sorry for the drive by Chii.) 

~Music?: There sure were songs. Obviously, they are nothing to me.

The Bad: CW for.... somehow all the big things to an extent. 

~Fanservice: Look, I am fine with fanservice, especially for a series that’s, ya know, not targeted at kids, big Mai Hime fan here even if I would recommend skipping the panty thief episode. And honestly the series generally isn’t fanservicey, at least by the modern standards of having the camera choosing under the skirt rather than an over the shoulder shot like I’ve seen plenty in other shows. Even the sexier outfits like the rose whip dominatrix aren’t bad BUT. When the girls fight. One takes her phallic key and drives it into another girls chest between the boobs while the loser cries in pain and then her book comes out and when the victor rips out pages, the loser’s clothes also rip. It is very SuperS Amazon Trio assault metaphor-y. There’s also a bit of fanservice with the sister becauseeeee....

~Incest: If you read the premise up there, first wow good job because I’m sure not re-reading that, you might have noticed I said MC ends up with his sister. As someone who is a big mythology fan and watches plenty of anime, I have a decent tolerance for your obligatory ‘oh we’re siblings but actually cousins so our feelings are okay’ or whatever the fuck Citrus has going on I don’t know that series and I don’t vibe BUT. I have limits and boy did this series go beyond that because multiple episodes are dedicated to the sister being in love with the brother? And the brother returns her feelings but knows that they are wrong so he put everything he likes in his sister into his version of Alice who, of course, physically manifests as Arisu who he creates accidentally with his uh. Magic imagination powers. But again in both versions MC still ends up with his sister. Hey, at least the manga eventually said the boy was adopted when the sister was like, 3, so if nothing else no blood relations? The anime did not ad this. -_-

~Under Utilized Characters: Arisu’s gradual revelation that she has no childhood memories because she isn’t a real person is so interesting and they don’t do nothing with it but also? That’s the kind of thing I personally would love to dig into and Kagihime, while touching on this world shattering revelation, easily loops back to So Anyway She Should Fight For The Man and to hell with developing a life or personality outside of what has been written for her. The rest of the main 5 were 2 note characters which. Could be worse? The most interesting character ends up being the child genius who accidentally murdered her childhood bestie (and/or lover? depending on version) and her coming to terms with that (the friend is alive but the version changes how and why she thinks she’s dead). Then the villain has the motivation of ‘i lost my creativity and now have become an immortal living outside of normal space and am getting girls to fight each other because that’s like a story so I’m still relevant right?’. But shoutout to the anime for then taking death of the author literally. The numerous other girls are canon fodder outside of like. The manga version of the dead gf and the little match girl.

~Battle Royale: This is not a thing I have an issue with generally. Again, but Mai Hime fan, I need to read MGRP 11, BUT by not developing the non-main girls there is no emotional connection which makes them just canon fodder and that’s boring as sin for a royale system. The initial main character fights revolve so much around the MC guy being there that they fall flat, and the 2 or 3 final battles in both versions still feel without any stakes. Also for a royale thing most of the characters don’t actually die, which cool! Neat! Except when they do? Some nobodies and a somebody are murdered (at least in the manga) and the tone never feels like it’s supposed to be upping the stakes, it’s just. Some people are dead now. And do you want to guess which of the main characters died?

~Gays: Oh boy the best friend of the brother-complex sister is in love with her and (in the manga) dies. She does apparently get better for the last chapter but the death itself is only felt by the rest of the cast for a page or two before we go back to feeling sad big brother wants to kiss his mentally generated sister clone rather than his actual sister u_u. Bury your gays is nothing new, but I wonder if it was also intended to be justified because Guess Who Is Creepy and a bit Perverted? Oh look the lesbian keeps the used swimsuit of her beloved and manipulates events to get an indirect kiss and when she sees the sister trying to strange Arisu for a moment she decides to do it for the sister? It’s not good. You want bad gay rep in a magical girl series, well here ya go. We also had a nobody in the first(second?) episode whose story pages reveal her having a kiss with a girl, and then we also have the prodigy again and- in the manga- her. Uh. childhood lover who she thought she killed but the girl has been wiping her mind over and over so prodigy remembers ‘killing’ the friend and not the she’s alive so she can keep? fucking with her? Toxic!

~Sexual Content: But wait you say, you already covered fanservice! Ah but that is sexual content for titilation. This is sexual content for dramatic backstory! The red riding hood character was sexually assaulted, another character was manipulated into sex first as a teen and then more often to ‘get into the publishing industry’, and the same writer forces some aggressive kisses on the MC. None of it is gratuitous which is nice, but also, was it necessary? Not making a new point for this but read riding hood’s dog was also murdered so unnecessary animal death gets tossed on in there. 

~Male Lead: You can have a male, non magical character as the main character surrounded by magical girls. This is not how to do it. If I can make a vicious and hopefully not understood reference, Aruto is basically Tate from the Mai Hime Manga. If you understood that, I am so sorry. If you didn’t, congrats! Don’t read the manga. Or do and send me asks about the iconic final page of the first volume (18+). Anyway, this dude is boring, everything revolves around him, BUT I’ll be generous and say at least this isn’t a harem series? It looks like it out of context but it’s just a triangle with a fun attached scientist and token lesbian.

~Premise: They didn’t make good use of it. The initial goals of ‘take other girls pages from their soul books because if we get enough we unlock a third alice book’ is good! And then we add the twist that that was never going to happen and either if we get all the pages we can grant a wish, or these fights are just happening for the amusement of and asshole. Either way, yeah okay I guess. But at no point do we ever achieve this forbidden wish granting book and the asshole just. Lives. Nothing happens to him. His peers don’t even dunk on him. The only real changes from the beginning and the end of the series are: the siblings are now chill with dating, and the scientist lady won’t turn into a child in magical spaces. Oh. Yeah.

~Why did we make this adult a child sometimes?: I think we know why. Stop trying to get those types of folks to watch your already meh series. I also could have sworn at points in the past looking up images for this series I’ve seen extra art for Yuuri the Thumbelina-y Alice User that seemed like it would fit alongside anything by POP. You know, the Moetan guy. If you don’t know, god I wish that were me. 

Wrap Up: I have definitely forgotten some points and am well within my rights to ad to this whenever I remember more points but uh. Yeah.  

Listen you want an alice themed battle royale with nice outfits? Rozen maiden is right there. Battle Royale magical girl series that’s good with fanservice? Mai Hime. Series with different outfits while being based on a classic story? Pretear.

Hope anyone who read all of this at least got what I was saying, even if they don’t agree with it. And thanks for reading because whoops. 

#why do ya'll let me write so damn many words #thanks ya'll for letting me write so many words #kagihime eternal alice rondo #long post #text #not fashion #whoops 3k words

[binderclipdocs]

Hello! I’m wondering what your take is on Dear Friend (and especially “I’m in love with a friend of mine”?) I find the song a little confusing, and I’ve read a lot of different interpretations. I really love your films and I know you’ve done a lot of research, would love to know what you think. Thanks!

Thanks for your appreciation, anon!  I love Dear Friend and am happy to share my thoughts on this haunting, mournful, mysterious song!

I’ll be the first to admit the lyrics are confusing (like so many McCartney songs!), mostly by virtue of the fact that Paul uses “friend” twice in a row.  Are there two friends, or only one?  By using the word “friend” on top of each other as he does, it suggests either a single friend (the titular “Dear Friend”) in two situations OR two friends, in separate/competing situations.

Dear Friend, throw the wine 

I’m in love with a friend of mine 

Really, truly, young and newlywed

Of course, everyone is entitled to their own opinion, interpretation, fantasy, etc.  and no one but McCartney himself can definitively declare precisely what he meant with this song.  But it’s my opinion that Paul was saying the latter; that he is in love with his friend and new wife, Linda.  This is my conclusion after having deeply researched this period extensively for TWO documentary series (McCartney (2020) and Understanding Lennon/McCartney), an opinion that obviously no one is required to entertain and anyone is free to discard.  But for those who are interested, I’ll share my reasoning below.

Firstly, this is NOT an attempt to disprove that Paul was ever in love with John or vice verse.  They both used this term publicly and therefore probably/possibly did privately with each other as well.  But Paul’s statements in April, 1970 pretty clearly spell out the situation:

“Personally, I don’t think John could do the Beatles thing now. I don’t think it would be good for him.

John’s in love with Yoko, and he’s no longer in love with the other three of us. And let’s face it, we were in love with the Beatles as much as anyone.”

So John and Paul were “in love” (with each other as people, or the Beatles as a concept, or Lennon/McCartney as a team, etc) for a long time.  But by 1970, they both have new spouses and new lives and are following different paths.  Here’s a brief recap of the events that led to this statement:

In a now-famous meeting in September 1969, John told Paul that he was leaving the Beatles and wanted a divorce.  Whether this was an idle threat designed to scare/hurt Paul, or a real desire on John’s part is open to interpretation, but Paul, for his part, took it seriously.  

Allen Klein asked John not to go public with his decision to leave the group and John happily and uncharacteristically agreed to sit on this “news” indefinitely.  Paul subsequently disappeared for 6-8 weeks, mourned the loss of the band privately in Scotland, and then began working on his first solo album. Communication between John and Paul fell apart at that point, and John began a campaign of maneuvers - possibly engineered or facilitated by Klein - to bring Paul back into the Beatles’ fold and force him to submit to Klein’s management and John’s leadership. Backed into a proverbial corner by John, George, Ringo, Yoko and Klein, Paul played the last card he had: he quit.

In April 1970, Paul made the split official (deliberately or accidentally? YMMV) with the release of his first solo LP, and attempted to finalize the divorce with an uncooperative John for the remainder of the year. As is pretty well-documented, Paul tried for a quick and amicable split, requesting a release from the Beatles’ contract. But after John was unresponsive and Allen Klein advised him to set duplicitous legal traps that would prevent Paul from separating from the Beatles, Paul (as advised by his lawyers) decided to sue for divorce by the end of 1970.

By 2020, even the most casual Beatles fans know two basic truisms: 1) that Paul loved John always and 2) that Paul didn’t want the band to break up. Of course there’s more to the story than just that. We have also been told repeatedly that John “left Paul,” but this is not the whole truth either.

Essentially what John did was yell “I’m breaking up with you!” and then block the door every time Paul tried to leave.

As late as September, 1971 John is still saying publicly that he hopes Paul will return.  

Int.: Let's talk a bit about Paul's aversion to Klein. From what we've read it seemed as if this wasn't there in the beginning, even though Paul wanted the Eastmans to run things. But it came on later as things progressed. And yet despite this, we gather that Klein was still hoping that Paul would return to the group.

John: Oh, he'd love it if Paul would come back. I think he was hoping he would for years and years. He thought that if he did something, to show Paul that he could do it, Paul would come around. But no chance. I mean, I want him to come out of it, too, you know. He will one day. I give him five years, I've said that. In five years he'll wake up.

[Narrator voice: Paul did not came back.]

Yes, Paul loved John.  No, Paul didn’t want the Beatles to break up.  

But when John said he wanted out, Paul took him seriously, respected his decision, never made a single attempt to woo John back and showed up 6 months later with a moving van and divorce papers.

When you hear Dear Friend out of context -knowing only that Paul loved John and was sad after the breakup- it’s not wholly unreasonable to think maybe Paul was declaring his eternal love for John here:

I’m in love with a friend of mine really, truly, young and newlywed

But when you experience Dear Friend in the proper context, that interpretation sounds less and less likely.  Here’s Paul:

April 21, 1970

“I’m not blaming her. I’m blaming me. You can’t blame John for falling in love with Yoko any more than you can blame me for falling in love with Linda.

We tried writing together a few more times, but I think we both decided it would be easier to work separately.  I told John on the phone the other day that at the beginning of last year I was annoyed with him. I was jealous because of Yoko, and afraid about the break-up of a great musical partnership. It’s taken me a year to realise that they were in love. Just like Linda and me."

Summer 1970

Paul writes John a 12-page letter requesting that they “let each other out of the trap.” John’s response was a picture of himself and Yoko with a balloon drawn above his head saying “How and Why?”

Paul responded: “How? By singing a paper that says we hereby dissolve our partnership. Why? Because there is no partnership.”

April 16, 1971

PAUL:  “We used to get asked at press conferences, 'What are you going to do when the bubble bursts?' When I talked to John just the other day, he said something about, 'Well, the bubble's going to burst.' And I said, 'It has burst. That's the point. That's why I've had to do this, why l had to apply to the court. You don't think I really enjoy doing that kind of stuff. I had to do it because the bubble has burst-- everywhere but on paper.' That's the only place we're tied now.”

Nov 11, 1971

MM: But John said to me that what you’d done in bringing the [court] trials up and everything was what they all wanted, that you’d just done it a lot earlier than they would have done.

PAUL: Well if that’s true, well… well, come on! That’s – see, I’ve told you… The joke is, though, that we don’t have to do trials. It’s not necessary. If the four Beatles signed a bit of paper, or even ripped the old contract up and said, “This contract is no longer valid, we all hereby said it, we all legally direct the shareholders…” the whole thing, to wind it all up, we could do it. And if that’s really what he wants, he could do it this minute. [snaps fingers]

Furthermore, Paul was deeply in love with Linda during this period, as reflected by: the songs on both McCartney and RAM, the testimony of those around them at the time and by Paul’s own recollections.  The first few years of Paul and Linda’s marriage was their honeymoon period, their era as newlyweds.  It was certainly an awful time for Paul in many respects:  the business battles of the Beatles were excruciating and extremely stressful and the loss of his three best friends was heartbreaking. Furthermore, the rock press had largely turned against him (sometimes viciously so), and John & Yoko (and Allen Klein) were painting him as a traitor to the counterculture and a villain for destroying the Beatles with his granny music, giant ego and overbearing personality.  Paul and Linda were extremely isolated, partially by choice and partially by force.  

But even though this was a terrible time for Paul in many respects, he was extremely happy with his new family.  He later described this period with Linda as one of the happiest periods of their life. Paul has said numerous times Linda (along with nature and horse-riding) brought him out of depression after the Beatles ended and gave him the strength to push forward with his solo career, at a time when many were rooting against him (and a literal cult was forming that claimed he was DEAD and had been replaced by an inferior imposter- let that sink in for a moment!).  He has been consistent about it over the years, and reiterated it as recently as 2020:

UNCUT: Tell me about the guy in the photo n the McCartney sleeve.  He looks happy. 

PAUL:  I was really happy, yeah.  The Beatles had become such a business machine, and with the arrival of Allen Klein the whole thing, every day was very unpleasant. 

UNCUT: So there you were on the farm, finding solace in a new family... 

PAUL: Yes. I had a little place in Scotland.  So we just went out there. “It’s so remote, no one can be bothered trekking all the way up here for a meeting.” It was a good period. We grabbed our freedom- you know what, we seized the day! Also, I had a new baby; I’d not been a father before, so I was very happy.

In December of 1970, John gave his infamous Lennon Remembers interview to Rolling Stone.  According to the liner notes of the Wildlife reissue from 2018 (and confirmed by the timing of the demo), Paul composed Dear Friend in reaction to John’s comments in that interview (not How Do You Sleep, as is commonly believed).  But he sat on the song for awhile and didn’t record it until late 1971 (for inclusion on Wildlife).  Judging from the tone of Too Many People and other songs on RAM, Paul’s initial sadness, confusion and disappointment gradually morphed into (or perhaps swung back and forth between) anger and defiance, accompanied by a taunting and/or gloating tone.  Having gotten Dear Friend out of his system, it seems it simply didn’t fit thematically on RAM. Perhaps after the release of HDYS, Paul was deflated and despondent enough to return to Dear Friend?  Perhaps Jealous Guy tempered or calmed Paul’s anger?   

Or maybe it was just a genuine attempt to turn the heat down.  We know that immediately following its release, John and Paul agreed (seemingly at Paul’s insistence) to quit bickering in public.

In any case, Dear Friend is a complex songs with a spectrum of emotions. Unlike Jealous Guy it is not apologetic; it’s mournful but also incredulous and slightly accusatory.  Paul appears to be calling John’s bluff:  Do you really believe all the bullshit you’re spewing?

Are you a fool, or is it true?

The John Lennon of Lennon Remembers is without hope or faith, denouncing everything he ever believed in and everyone he ever trusted -with the notable exceptions of Allen Klein, Phil Spector and Yoko.  Paul clearly loves John and hopes to salvage their relationship, but Dear Friend was written at a time when John was being manipulated and exploited by people he later admitted were misplaced “daddy figures.” While Klein and Spector turned out to not be the most reliable friends to John, Paul certainly seems to know and understand John’s vulnerabilities and motivations better than most.  As he sings in the demo:

Are you afraid?  Or are you blue?

So why does Paul mention that he’s newlywed and in love with Linda? Firstly, because he is, and he wants to celebrate with his best friend. We know Paul’s desire was for the two couples to make peace and be friends.  Pour the Wine.  Clink glasses and celebrate their new marriages together.

PAUL: Dear Friend was to do with John, a bit of longing about John. Let’s have a glass of wine and forget about it. A making up song. (July 2001).

This is precisely what the two couples did in December of 1971, immediately following the release of Wildlife.  

JOHN: We were both nervous, the four of us were nervous. I hadn’t seen him for a long time. I’d spoken on the phone [with him]. Uh, it was alright, you know. It was alright.

This is precisely what happened again throughout 1974 (with John & May Pang this time around), which John affectionately called their “Beaujolais evenings.”   

Admittedly, It may seem odd for Paul to mention that he is happily married (and in love with another “friend”) in a make up song to John.  Until you think about the romantic tension between John and Paul and Paul’s bold public recognition of it with this statement:  “It’s taken me a year to realise that they were in love. Just like Linda and me.” Paul acknowledges here that John is in love with Yoko and wants John to acknowledge his love for Linda as well.  

In Dear Friend he’s communicating that there is nothing to fear; they are secure in their respective marriages, there is no need to be hurt or angry or jealous anymore.  We’re no longer partners, but we can still be friends.  “Let’s have a glass of wine and forget about it.”  A softer, gentler version of: Wake up, John. It’s over. Sign the fucking papers already.

So I think of Dear Friend as an olive branch, but not the groveling type some apparently do.  And I most definitely do not think it was a signal to John that Paul was still in love with him, despite being newlywed to Linda. 

I suppose it might seem a bit brutal for Paul to be singing about loving someone else in a song to John (although he’s done it before and I think John has done the same).  But I honestly think it is something Paul believes John needs to hear and accept at this point; that he is “really, truly” in love with Linda and that he’s not about to divorce her or run after the first “blonde with big tits” as Allen Klein so charmingly suggested. 

By September 1971, John still hasn’t seemed to accept Linda, or Paul’s relationship with her:

John: Paul always wanted the home life, you see. [... long, rambling story about being terrified when Paul got a job in 1961 and for a second looked as if he might abandon John and the group] 

 All the other girls were just groupies mainly. And with Linda not only did he have a ready-made family, but she knows what he wants, obviously, and has given it to him. The complete family life. He's in Scotland. He told me he doesn't like English cities anymore. So that's how it is.

Int.: So you think with Linda he's found what he wanted? 

John: I guess so. I guess so. I just don't understand . . . I never knew what he wanted in a woman because I never knew what I wanted.

With comments like this John seems (IMO) to be twisting himself into knots trying to rationalize Paul’s choice of Linda, practically wondering aloud what could she give him that I couldn’t?  He still seems unwilling to face or accept what Paul begrudgingly accepted and admitted years before: that his partner fell in love with someone else.

Here’s 76 year old Paul reminiscing about this tender, bittersweet time in his life, happy and in love with his wife and young family and simultaneously in deep pain over losing his dearly beloved best friend:

I remember when I heard the song recently, listening to the roughs  in the car. And I thought, ‘Oh God’. That lyric: ‘Really truly, young and newly wed’. Listening to that was like, ‘Oh my God, it’s true!’ I’m trying to say to John, ‘Look, you know, it’s all cool. Have a glass of wine. Let’s be cool.’

“Let’s be cool.”  Not “Please take me back,” not “Ignore my just-for-show marriage, I’m still in love with YOU.” To me, Paul is saying “I’m really, truly in love with my friend and new wife, can we please just be happy for each other? It’s all cool.” And for the record, I don’t find this sentiment any less loving on Paul’s part because I don’t think Paul being in love with his own wife (which he was), detracts from his love for John in any way. Again, I agree that the lyrics are slightly ambiguous, and perhaps this is meaningful too.  It could be that the lack of hard boundary between the two friends (John and Linda) reflects how much Paul loves them both; they certainly aren’t positioned as opposites (i.e. I love her but I hate you). Instead they’re both part of the imagined celebration; Paul wants them all to share the wine together- and he wants them to tolerate (love) each other. 

I think the traditional narrative doesn’t account for all of this because the traditional narrative does not acknowledge that John has any feelings for Paul in the first place. How in the world could Paul be asking John to “be cool” and accept the new situation when John didn’t even care about Paul in the first place and had been trying to get rid of him for years?  This perception - of John gleefully blasting Paul with HDYS and Paul replying that he’s in love with John - has taken hold in many minds and has picked up a lot of steam in recent years with so-called “jean jackets” because they fundamentally believe that Paul’s love for John was one-sided. They cannot comprehend that Paul would ever tell John to “cool it” or back off in any way (even in 70-71) because they take the surface story at face value:  John dumped Paul for Yoko and heartbroken Paul spent the rest of his life desperately trying to win John back. This is the narrative depicted in virtually every book I’ve read. My analysis is based on my own research, not this narrative.

I would invite readers of this post to watch (or re-watch) ULM (particularly volume 3 ) for a more comprehensive study of John and Paul’s relationship.  

Lastly, after doing my own independent research for McCartney (2020), I found that the Paul McCartney described by the musicians and collaborators in Paul’s life was dramatically different from the person depicted in books like Man on the Run. My films are free from narration and commentary; I rely on first-hand interviews and information from the people involved, and in my opinion there is a great deal to be learned about Paul from the way he relates to others, especially through music. And although the McCartney series is about his solo career as opposed to his Beatle career, I would definitely recommend it to anyone who is interested in Lennon/McCartney for the insights they could gain. 

Thank you very much for this ask- hopefully there aren’t too many typos!

[creepyleech]

You know what I want?

For Crusade!Era Joe x Nicky to just magically show up in 2020. But this is, like, the Yusuf and Nicolo who had just started travelling together a couple of years ago, because they had nowhere to go.

Anyway so cue them watching with all levels of shock as their modern counterparts turn out to be a fucking couple?? Like??

And THEN we get scenes like the following:

-Yusuf calling Nicky all names under the sun, and saying Joe is disgusting for laying with that filthy invader. Sprinkle that with insults towards Nicolo, with little details of things Joe remember Nicky used to do. Cue Joe shoving Yusuf against a wall at some point, “You are a child. Nicky is a better man that you could ever dream to be. And if you insult him in my presence again, I’ll dump your body in bottom of the Thames.”

-Yusuf realizing that Nicky can understand him and speaks Arabic fluently, when he’s in the middle of muttering curses under his breath and Nicky casually replies to him.

-Nicolo, who had spent the past year filled with guilt re: the crusades, goes to Joe and they have a heart to heart and Nicolo cries and begs for forgiveness. Joe just holds him and says he understands. That he forgave him a long time ago. Nicky, who had come to fetch Joe for dinner, looks at them with a mixture of sadness and relief; he remembers going through that.

-Nicolo going to Nicky and talking about all his catholic guilt. Nicky telling him “I can’t tell you what to believe. But I believe in nothing but the love I feel for my family, and the love I have for Joe.”

-Yusuf telling Joe he has a weird accent. Joe saying “I’m speaking your language to you out of courtesy.” And then he just immediately switches to the Arabic/Ligurian dialect that he and Nicky use for each other, and refuses to switch back for the rest of the night. This leaves Nicolo and Yusuf to talk to each other, instead.

-Nicky cooks one of Joe’s favourite foods, which is Yusuf’s favourite. Yusuf admits, only to himself and in his head, that that is the best he’s ever had. He eats seconds and thirds. Joe eyes him with a smug smile and he just walks away in a huff.

-Joe and Nicky are in bed, talking. Joe tells him that he can’t stand Yusuf. “He’s so righteous. He thinks he knows everything. I remember that rage, I remember how cruel I was to you for so many years. Long after you stopped being cruel to me. Long after you tried your best to offer olive branch after olive branch. I just- I hate him. I hate that I hurt you so much, for so long.” And they cry and hold each other and thank the universe for who they are now. Nicky asks him to have some empathy for the man he used to be. Yusuf had lost his brothers, his family, everything he’d ever known, because of men like Nicolo. Nicolo had chosen to take up the cross and go and invade a foreign land. Yusuf’s hate was justified, and it would eventually come to an end. They cannot undo the past.

-Yusuf feels- resentment? Anger? Jealousy? Because he seems to be the odd man out. Because Joe is so kind to Nicolo, and Nicolo acts like he’s trying so hard to please Joe in return. Nicolo did that sometimes, with him. Tried to offer a truce. But Yusuf had no interest in taking Frank scum as a friend. He doesn’t know why it bothers him to see them like that. He doesn’t know why it bothers him that Nicky doesn’t try to engage him. He wishes he would, so he could yell back. Nicolo’s Arabic rivals that of a child. It’s hard to argue and yell at someone who can’t understand you. Nicky would understand him, though. He could tell Nicky in fine detail, exactly why he hates him so much.

-Nicky is cooking again, and Yusuf quietly sits and watches. Nicky doesn’t comment on it, but asks him to pass the salt, if you could.

-They read in the same room, all four of them. Joe and Nicky have no shame in lying piled on top of each other. Yusuf engages in some nice hate watching, and Nicolo is just overall uncomfortable. They leave the couple alone and share a few words in the kitchen, bonding over the strangeness of it all.

-Sparring turns into a blood bath. It’s just a lesson in sword fighting at first. With Yusuf and Nicolo genuinely interested in learning from men of such skill. And then it turns into Joe going way too hard on Yusuf after he (maybe) accidentally hurts Nicolo. After a snide comment or two (bc Yusuf has a death wish aparently) Joe loses his patience and attacks him. Nicky is the one that gets in between the two and gets hurt defending Yusuf, which Joe feels terrible about. But afterwards, it’s Yusuf who comes to Nicky and offers a begrudging apology.

-Don’t ask me how, but Yusuf or Nicolo or both get a glimpse of Joe and Nicky either having sex or starting to. If it’s on purpose or not, only I and god will ever know.

-After the sparring chaos, Yusuf and Nicky have a quiet truce where they cook together. One day, Yusuf speaks up. “I hate you,” he says and then he doesn’t stop. He gets it all out. All his feelings and his anger and how dare you come to my people and slaughter them like animals and then ask me to sit by your side, eating dinner as if we’re brothers. And once he’s done, Nicky says “You’re right.” And Yusuf deflates. Nicky tells him that the crusades were wrong, and that Yusuf is allowed his anger, and that Nicolo already knows he was wrong. It changes nothing, and yet it changes everything.

-Yusuf starts seeing Nicolo through the colours of Nicky’s words. He sees the guilt and the pain and the reluctance. He also sees the resignation. Nicolo expects nothing from Yusuf but harsh words; not only that but deep inside he feels they are deserved. And they are! But Yusuf didn’t think he knew that. But he does. He does. And maybe-

-It’s easier, somehow, to not be so cruel all the time. But it feels like betrayal in way. A betrayal to his people and his brothers. That he’d forget what the enemy’s done. That he’d see the enemy as anything other than the monsters who took what was not theirs. But it’s easier. It’s easier to ask Nicky what that spice is called. And to correct Nicolo when he pronounces a word wrong. And to get him a glass of water when he’s gotten one for himself.

-Joe doesn’t forgive him. Forgive him-? Joe doesn’t like him, is the thing. But one day, Yusuf goes to him and they sit outside, and they drink wine, and Yusuf asks him how he could look his mother in her eyes, knowing that he was walking the earth arm in arm with one of the men who killed her sons. And Joe remembers thinking that. Joe thinks of Booker and betrayal and lying in bed with one’s enemies. What Joe says is, “You cannot change what’s happened. You cannot die. Nicolo cannot die. You are bound to him, and he to you.” He pauses and looks directly at Yusuf. “Are you the same man you were yesterday? Have you never made mistakes? No one feels the guilt of the crusades as deeply as Nicolo does. You do not have to forgive him. But you need to let him show you that he can change. That he already has.”

-That night, Joe calls Booker. It’s the first time they’ve spoken in a decade.

-Months go by, and Yusuf asks Nicky to teach him some Ligurian words. Nicky doesn’t comment on the significance of it. He sits down, grabs a book, and reads to him.

-It’s about s year since they had landed in the 21st century, and Yusuf comes to Joe with a request. And that’s how Joe sits between the two of them, playing interpreter. It’s the first real conversation that Nicolo and Yusuf have ever had. Their voices raise and at one point Yusuf gets up in anger, but he comes back and sits down and tries again.

-Nicolo’s Arabic becomes passable. He speaks to Joe extensively every day. Yusuf has to admit, it’s impressive. Yusuf knows all but a couple dozen phrases in Ligurian, but every time he speaks them, Nicolo stares at him with something quiet, intense.

-They don’t mind the affections between Joe and Nicky anymore. It’s become common place. If tension grows between Nicolo and Yusuf, neither speak of it. When Yusuf and Joe are alone, Joe is unbearably smug about it. He never says it, but Yusuf can read the expression on his own face.

-Joe and Nicky leave for a mission. They’ll be gone a week. Nicolo and Yusuf now have the words to speak to each other and, without an audience, they do so freely. They argue a lot. Nicolo cries and Yusuf cries and they drink themselves into peace again. But like magnets, they find each other much as their counterparts have. It’s messy and confusing, but it just- fits.

-It’s almost as if Joe and Nicky had to be there to say goodbye. Because they come back, and they notice the shorter space between Yusuf and Nicolo. Nicky’s mouth twitches in one of his small smiles, but Joe just huffs a laugh and says something in his dialect that Yusuf cannot understand. And if they wait for Joe and Nicky to retire before they allow themselves to sit close to one another again, no one needs to know. And if they bring their cots together in the night, no one needs to know. But that’s how they rise again, back to their home. And it’s bright out and it’s quiet, and there’s no tv and no electric lights and no radio. And Yusuf and Nicolo know that the hard work starts now, but they’re gonna be ok.

Ok fuck I accidental turned this into a compete fic outline and now IM ACTUALLY CONSIDERING WRITING IT fuck it was just suppose to be a head canon. Fuuuuuck.

#kaysanova #joe x nicky #immortal husbands #the old guard #tog #my fics #Jesus fuck #now I wanna write this #also I fucking love time travel #and amnesia fics #and multiverse fics #for this exact reason #I just love chars confronting their own future #fbskrjfbrjfjekfnrjrj

[kellbellsparkles]

Chapter 1 of my new Ratchet and Clank fanfic I call "Family". Clank and Rivet have built in mini Dimensionators so they can travel freely only between the two dimensions.

In the present day, Ratchet and Clank hopped over to Rivet and Kit's dimension to explore their version of Veldin. The night was bright with bustling buildings and night goers looking for a good time.

"This is seriously Veldin?" Ratchet remarked in awe. "I mean, I haven't been back to mine in a long time, but it's always had this open, dusty frontier field; the kind of dusty where kids could stand by tumbleweeds and look cool with their toothpicks and cowboy hats."

"You can thank my Nefarious for that," Rivet said. "It's the one thing that everybody can't just let go of."

"It makes sense if it is all they have ever known," Clank said.

"Along with being able to document history as he saw fit," Kit added.

"Do you know who will be in charge of the new era, Rivet?" Clank asked.

"I haven't bothered paying attention to all that," she replied while shrugging. "I'm all about the here and now." She beamed suddenly. "And here we are now!"

They arrived at a tent in between two buildings with purple neon lights. On the flaps was a sign decorated with a martini glass and four rectangles resembling cards.

"Pretty ironic to be coming to a fortune telling booth with bar," Ratchet said.

"Hey," Rivet said defensively. "Jarmin has never given a fortune that didn't come true. You want to know if you're gonna win the lottery too, right?"

"Now that I think about it," Clank said. "Receiving a fortune is much like playing the lottery. We pick any card from the fortune teller's hand or from the top of their deck depending on their dealing preference--"

"The door isn't opening itself, Bolts," Rivet cut in. She swung the flaps open. "Come on!"

The crew entered the tent. Inside was space to have a fully functioning bar. At the center were four place mats and a deck of cards. The owner, Jarmin, was a fongoid.

"Party of four today?" He asked.

"Yup," Rivet said. As she reached for her wallet, Jarmin raised his hand.

"It's on the house for your great service for ending the now former emperor Nefarious," he said.

"Really??" Rivet squealed. "I love you, man! I'll take a kick some sass with a drop of smash gin!"

"How about the rest of you?" Jarmin offered.

"Nah," Ratchet said, shaking his head. "I'm still new to this world."

"I do not drink," Clank added.

"Obviously," Rivet retorted.

"That is actually not correct," Kit said. "Robots can enjoy variants and equivalents of food and drink."

"But it's not like you NEED it. You and Clank don't use the bathroom."

Clank blinked curiously.

"I was not aware I needed to," he said.

"You don't," Ratchet assured. Clank tilted his head.

"Do I want to?"

"No." He patted his head gently, his eyes showing concern. He turned to Rivet, desperate to change the subject.

"So who gets the first card?"

Rivet put her hand behind Kit and ushered her forward.

"It's all you, Kitty," she said with confidence.

"Me?" Kit croaked. "But why? And why Kitty?"

"You'll get used to it. Now draw a card."

Kit shakily reached for the deck. Hesitating, she drew her arm back and looked down at the floor.

"What if it's a bad fortune?" she said with a frightened tone.

"Kitty, Kitty," Rivet said in a consoling tone. "If you get a bad fortune, all you gotta do is get it done and over with and then you'll have good things in life immediately after. Isn't that right, Jarmin?"

"It's what brings people back," he cheered as he brought Rivet her drink. "Here you are, honey." Rivet gave him a wink, a smile, and a pointed finger snap in response. Kit took a deep breath.

"Okay," she said. "I am going to do it." Her legs trembled as she took small steps towards the card deck.

"We're right behind you, Kit," Ratchet said gently.

Hearing her friend's belief in her, she stood firmly and nodded. She stood directly in front of the deck and placed her hand on the top card.

"Please do not be death or causing death," she whispered as she closed her eyes. With all her courage, she grabbed a card and held it in the air in a dramatic fashion. She stayed in the pose for a good few seconds.

"What does it say?" Clank asked.

"Oh no," Kit moaned. "Is it blank?"

"We can't see," Ratchet said. "You need to turn it around and show us."

Kit turned her whole body around with her eyes still closed.

"You need to see it yourself, too, silly goose," Rivet chuckled.

"Oh," Kit said, embarrassed. She opened her eyes and brought the card down to her level. She turned it over to see what it showed.

"Do you like what you see?" Rivet asked with a smooth grin.

"I think so," Kit responded. "It's a heart."

"The heart card means you'll be unconditionally loved for all time," Jarmin chimed.

"Awwww," Ratchet cooed. "You see, Kit?"

Kit's metal lips quivered. She burst into sobs and ran into Ratchet's arms.

"What did I do to deserve iiiiiiiiit?" she wailed.

"Of course you deserve it," Ratchet said happily, patting her back. "You're wonderful."

"My turn!" Rivet shouted, scrambling towards the deck with her drink in her hand. "Let's keep the good vibes going!" She drew the card swiftly as she took a sip. Once she took a look, her eyes gaped in horror. She spat the contents of her drink onto the card.

"Aw no!" she hollered. "No, no, NO!! Absolutely not!" She made an attempt to draw another card.

"Ah, ah, ah," Jarmin said sternly. "Only one card per customer, and you'll have to pay for the next visit."

"Dammit, Jarmin!" Rivet cried. "You can't do this to me!!"

"What's wrong, Rivet?" Ratchet asked with worried. Rivet slammed the card in front of her crew; they leaned in for a closer look.

"It looks like a stork carrying something in a white cloth," Kit said.

"I have heard of this phenomenon," Clank said. He clapped his hands cheerfully. "How exciting. You are being given a baby."

"There's nothing exciting about it!!" Rivet exclaimed angrily. "Babies are the leeches of society: they get in the way of a good night's sleep, having fun, and they poop something extraterrestrial!! And when they get older, they destroy everything they set their sights on and speak their own babbly language we only nod and pretend to understand!!"

"On the contrary," Jarmin interjected. "The stork card doesn't mean you'll have a baby. At least not right away. It mostly means that you'll make a great mother one day."

"But I don't want to be a mom," Rivet whined. "Why do women have to be engineered to be birth machines?"

"What is a birth machine?" Clank asked innocently. The room grew silent; Rivet stared at Clank, completely dumbfounded.

"Are you serious?" she snapped light. Kit stood in front of her, desperately waving her arms in the air to gesture silence.

"I-It's where the stork picks up the baby to be delivered," Ratchet stammered nervously.

"Oh my," Clank gasped. "So babies do come from genetic modifying pods. The little kids from the playground were right!"

"Yup!" Ratchet squeaked. "Kids sure are smarter than we give them credit for!" Rivet rolled her eyes.

"Overprotective much?" she said under her breath.

"I guess it's my turn now!" Ratchet exclaimed, desperate to draw the focus back to the cards again. He drew his card; he looked it over from top to bottom.

"Huh," he said, his brows furrowing in confusion. "What's this mean?" On his card was a lock box with something inside writing to get out.

"That's the trap card," Jarmin responded. "It means something is trapping you or you will be trapped by something." Ratchet's face fell.

"Oh," he said softly, his ears drooping slightly. "I feel a little attacked there."

"It will be alright, Ratchet," Clank said suddenly, coming to his rescue with a hand hold. "These cards do not have a time limit, and ultimately, we will have good fortune. We will all be here for one another." Ratchet sighed and gave a soft smile.

"Thanks, pal," he said.

"As always, Ratchet," Clank replied. He lightly skipped to the deck of cards. "Now, let us see what my fortune is." He drew a card from the deck. He turned it over and glanced with great intrigue.

"Oooooo," he said, eyes wide with wonder. However, Kit's eyes were filled with great fear as she held her hands over her mouth to conceal a yell. Rivet froze mid sip of her drink. Jarmin shuddered and bowed his head, doing a prayer motion with his hands. Ratchet was unaware of his surroundings and continued to be drawn by his friend's curiosity.

"It's blank," he said.

"It appears so," Clank replied. "This must mean there are an infinite amount of possibilities for me; so many unknowns."

"Wow, pal!" Ratchet beamed. "I think you and Kit are the big lottery winners tonight!" He stood up and stretched. "I'm ready to head back if you are." Clank trotted to Ratchet and hopped onto his back.

"Thank you again, Rivet and Kit," Clank said. I never could have imagined us acting as conduits for transporting between our dimensions without your suggestion."

As they left the tent, all Rivet, Kit, and Jarmin could do was watch them with sinking feelings in their stomachs.

"Are we really just going to let them be?" Kit shakily questioned.

"It could be what Clank said about being left up to interpretation," Rivet nervously suggested. "Right, Jarmin?"

"The fortunes depicted in the cards have always come true," he said grimly. "Orvus, have mercy." Rivet and Kit looked at each other with great uncertainty and dread.

#ratchet and clank #ratchet and clank rift apart

[oldshrewsburyian]

I have too many feelings about an action movie (an essay by me)

Alternate title of this essay: oh, I really am a sucker for a found family trope.

Alternate alternate title of this essay: all I wanted was a Friday night in front of a semi-mindless movie featuring attractive people and lots of explosions and now I’m emotionally attached.

So, uh, if you want to read my emotional and somewhat spoiler-y overthinking about War (2019), read on. And if you, too, like movies that don’t think too much about physics but extol those who are more or less pure of heart and unerringly true of steel (or Walther PPK, or whatever top secret spies are using these days) I’d recommend it as an evening’s entertainment. This movie is a whole bunch of tropes in a trench coat, and I became very invested in it.

I’m partly annoyed about this, because I said to myself “Do I want to watch a movie that has a poster featuring men, guns, and cars? Probably not, even if the synopsis does feature interesting Conflicts of Loyalty.” And then its big dance number kept cropping up in the workout videos I’m doing and, well, here I am, trying not to write fic about it. 

The thing is... this movie just leans into the ridiculousness of, say, Brosnan-era Bond, coupled with the underlying seriousness of purpose of Connery-era Bond (minus the imperialism, obviously.) There’s some wuxia influence as well; this happens: 

And I’m into it! I can see the tropes coming, and this does not detract from my enjoyment. The Big Bad Guys are going to detonate a rocket, rendering an entire subcontinent vulnerable to terrorists and neo-imperial incursions? I respond to the dramatic close-ups of the launch preparations with an ohoho, knowing that our hero is going to make a dramatic entrance (this expectation is not disappointed.)

Part of my irrational and defensive affection for this movie comes from the fact that it has a) interesting flashbacks and narrative subversions that keep viewers alert for multiple possible interpretations of events, as in, say, The Russia House b) an international contractor of dodgy deals whose surname is... Contractor. It seems to perceive no internal contradiction in these things. I respect its endearing self-confidence. Also it has motorcycle chases through a number of the most picturesque streets of Lisbon, and who doesn’t like motorcycle chases through the most picturesque streets of Lisbon? Malta, Morocco, and the waterways of Kerala are also included among our dramatic backdrops, along with the forests and ice sheets of the actual Arctic Circle, because why not?

But. But. Most of my feelings are anchored to the characters and how they are charmingly individualized versions of their tropes, and how this movie overstuffed with explosions and shootouts hints at, actually, quite nuanced backstory for them all? 

There’s the kindly-mannered colonel who is very sober and serious in his desk job, but is not positioned as a joyless rule-follower. Nope, he’s just a man who cares about the agents under his supervision! and also listens to them and respects their judgment! but he might be a traitor to the government! Angst!

The Team-as-Family: there’s the dark horse observer who gets everybody drinks; there’s the pair with fraternal energy who get into dance-offs and joke about which celebrities they want to date. There is, to my delight, the woman of the team™, who is also their computer genius. She’s good with a gun, even better with laptops, and quite competent in recognizing poisons. And yes, she needs all these skills. The team members lead stressful lives. But anyway: she is doe-eyed and steely and loyal and I love her very much. She gets married to a man who is never previously mentioned, and I really want to know their dating story. She seems radiantly happy, so good for her. (Her teammates show up late because of near-death experiences and her boss makes a “you’re a great human and you look amazing” gesture at her. I said “aww” out loud.) 

The Deuteragonist: he’s devout, he loves his mom, and he happens to be extremely good at Beating People Up. He also has an absolutely overwhelming case of hero-worship when it comes to the protagonist... who killed his father. It’s complicated. And whether it was reading The Three Musketeers at an impressionable age or something else, I do love a complicated hero-worship relationship.

The Love Interest: look, as a feminist consumer of action movies, my expectations are subterranean. But while her role in the film is basically to be a civilian asset and perform an extremely catchy dance number, she is also a firmly assertive person! She has rejected the expectations of her patriarchal family in order to undertake an unconventional career! She has chosen to raise her daughter as a single mom! She has friends! She hustles, and sets boundaries with creepy businessmen, and also sets boundaries with our hero. Whom she also tells off. And, surprisingly, he lets her?? My usual experience with action films has women apologizing for telling the protagonists off, or at least relenting into a melting embrace after he expresses contrition, if not amendment of life. But here, she just... yells at him, and he does not even open his mouth to defend himself. He also lets her make an autonomous decision which could scupper his international mission (effectively proving that she has become far more than a civilian asset and that he is an emotional disaster, but more on that later.) And she does, while telling him to examine his life and his choices! The hero, who is very bad at doing things like having normal conversations, transparently adores her.

The Protagonist: look, this whole entire man is a disaster. At least James Bond is self-aware and pretends to have a life! This guy lets his team decompress by drinking beers around a campfire, while nursing his broken bones in front of a spreadsheet on one monitor and a radar display on the other. At one point The Love Interest tells him that she doesn’t trust him because he thinks and behaves like a martyr, and... she’s right and she should say it! Another protagonist might have a tragic backstory™, but this man just appears fully formed with an overwhelming sense of responsibility and absolutely no sense of how to build a life for himself. And he’s middle-aged! You can see the moment in the final showdown where he realizes that he’s not going to win this by being stronger or faster than his younger opponent; that he’ll always be just a little too late to block the blow, or see it before it happens. So he moves to outsmart his opponent instead (while also refusing to accept an advantage of being armed while his opponent isn’t. In possibly-related news, he’s very concussed. Did I mention that this man is a disaster?) Also, he just... unofficially adopts his Love Interest’s kid. I spent a good five minutes being incredulous that, while hunted by his own government and its opponents simultaneously, he would take time out to mentor, entertain, and treat a small girl. I’m now trying to imagine the conversation that he had with the nuns of her conventual boarding school. This conversation apparently convinced them that a sun- and windburned man with visible scars and panther-like alertness was a trustworthy friend of the family. Anyway, I support Disaster Man and his intersecting forcibly-adopted found families very much.

#found family ftw #war (2019) #i just want escapist action fantasy in these trying times #is a tag that i have #bollywood #there's a point where the grim and greying special ops expert #with bullet scars and the fatalism of a martyr #shows up at a kids' soccer game with water and snacks as well as quasi-paternal advice??? #it's the water and snacks that really get me #that is a man who thinks ahead and wants the people in his life to be well-hydrated #sense of self-preservation: zero #caretaking instincts: off the charts

[queenlua]

hey, i started following you recently and ur bio says ur a hacker? any tips on where to start? hacking seems like a v cool/fun way to learn more abt coding and cybersecurity/infrastructure and i'd like to explore it but there's so much on the internet and like, i'm not trying to get into anything illegal. thanks!

huh, an interesting question, ty!

i can give more tailored advice if you hit me up on chat with more specifics on your background/interests.

given what you've written here, though, i'll just assume you don't have any immediate professional aspirations (e.g. you just want to learn some things, and you aren't necessarily trying to get A Cyber Security Job TM within the next three months or w/e), and that you don't know much about any specific programming/computering domain yet.

(stuff under cut because long)

first i'd probably just try to pick some interesting problem that you think you can solve with tech. this doesn't need to be a "hacking" project at first; i was just messing around with computers for ages before i did anything involving security/exploitation.

if you don't already know how to program, you should ideally pick a problem you can solve via programming. for instance: i learned a lot back in the 2000s, when play-by-post forum RPGs were in vogue.  see, i'd already been messing around, building my own personal sites, first just with HTML & CSS, and later on with Javascript and PHP.   and i knew the forum software everyone used (InvisionPowerBoard) was written in PHP.  so when one of the admins at my RPG complained that they'd like the ability to set multiple profile pictures, i was like, "hey i'm good at programming, want me to create a mod to do that," and then i just... did. so then they asked me to program more features, and i got all the sexy nerd cred for being Forum Mod Queen, and it was a good time, i learned a lot.

(i also got to be the person who was frantically IMed at 2am because wtf the forum is down and there's an inscrutable error, what do??? basically sysadmining! also, much less sexy! still, i learned a lot!)

the key thing is that it's gotta be a problem that's interesting to you: as much as i love making dorky sites in PHP, half the fun was seeing other people using my stuff, and i think the era of forum-based RPGs has passed. but maybe you can apply some programming talents to something that you are interested in—maybe you want to make a silly Chrome extension to make people laugh, a la Cloud to Butt, or maybe you'd like to make a program that converts pixel art into cross-stitching patterns, maybe you want to just make a cool adventure game on those annoying graphing calculators they make you use in class, or make a script for some online game you play, or make something silly with Arduino (i once made a trash can that rolled toward me when i clapped my hands; it was fun, and way easier than you'd think!), whatever.

i know a lot of hacker-types who got their start doing ROM hacking for video games—replacing the character art or animations or whatever in old NES games. that's probably more relevant than the PHP websites, at least, and is probably a solid place to get started; in my experience those communities tend to be reasonably friendly to questions. pick a small thing you want to do & ask how to do it.

also, a somewhat unconventional path, but—once i knew how to program a bit of Python, i started doing goofy junk, like, "hey can i implemented NamedTuple from scratch,” which tends to lead to Python metaprogramming, which leads to surprising shit like "oh, stack frames are literally just Python objects and you can manually edit them in the interpreter to do deliberately horrendous/silly things, my god this language allows too much reflection and i'm having too much fun"... since Python is a lot of folks' first language these days, i thought i'd point that out, since i think this is a pretty accessible start to thinking about How Programs Actually Work under the hood. allison kaptur has some specific recommendations on how to poke around, if you wanna go that route.

it's reasonably likely you'll end up doing something "hackery" in the natural course of just working on stuff. for instance, while i was working on the IPB forum software mods, i became distressed to learn that everyone was using an INSECURE version of the software! no one was patching their shit!! i yelled at the admins about it, and they were like "well we haven't been hacked yet so it's not a problem," so i uh, decided to demonstrate a proof of concept? i downloaded some sketchy perl script, kicked it until it worked, logged in as the admins, and shitposted a bit before i logged out, y'know, to prove my point.

(they responded by banning me for two weeks, and did not patch their software. which, y'know, rip to them; they got hacked by an unrelated Turkish group two months later, and those dudes just straight-up deleted the whole website. i was a merciful god by comparison!)

anyway, even though downloading a perl script and just pointing it at a website isn't really "hacking" (it's the literal definition of script kiddie, heh)—the point is i was just experimenting a lot and trying a lot of stuff, which meant i was getting comfortable with thinking of software as not just some immutable relic, but something you can touch and prod in unexpected ways.

this dovetails into the next thing, which is like, just learn a lot of stuff. a boring conventional computer science degree will teach you a lot (provided you take it seriously and actually try to learn shit); alternatively, just taking the same classes as a boring conventional computer science degree, via edX or whatever free online thingy, will also teach you a lot. ("contributing to open source" also teaches you a lot but... hngh... is a whole can of worms; send a follow-up ask if you want that rant.)

here's where i should note that "hacking" is an impossibly broad category: the kind of person who knows how to fuck with website authentication tokens is very different than someone who writes a fuzzer, who is often quite different than someone who looks at the bug a fuzzer produces and actually writes a program that can exploit that bug... so what you focus on depends on what you're interested in. i imagine classes with names like "compilers," "operating systems," and "networking" will teach you a lot. but, like, idk, all knowledge is god-breathed and good for teaching. hell, i hear some universities these days have actual computer security classes? that's probably a good thing to look at, just to get a sense of what's out there, if you already know how to program.

also be comfortable with not knowing everything, but also, learn as you go. the bulk of my security knowledge came when i got kinda airdropped into a work team that basically hired me entirely on "potential" (lmao), and uh, prior to joining i only had the faintest idea what a hypervisor was? or the whole protection ring concept? or ioctls or sandboxing or threat models or, fuck, anything? i mostly just pestered people with like 800 questions and slowly built up a knowledge base, and remember being surprised & delighted when i went to a security conference a year later and could follow most of the talks, and when i wound up at a bar with a guy on the xbox security team and we compared our security models a bunch, and so on.  there wasn't a magic moment when i "got it", i was just like, "okay huh this dude says he found a ring-0 exploit... what does that mean... okay i think i got that... why is that a big deal though... better ask somebody.." (also: reading an occasional dead tree book is a good idea. i owe my firstborn to Robert Love's Linux Kernel Development, as outdated as it is, and also O'Reilly's kookaburra book gave me a great overview of web programming back in the day, etc.  you can learn a lot by just clicking around random blogs, but you’ll often end up with a lot of random little facts and no good mental scaffolding for holding it together; often, a decent book will give you that scaffolding.)

(also, it's pretty useful if you can find a knowledgable someone to pepper with random questions as you go. finding someone who will actively mentor you is tricky, but most working computery folks are happy to tell you things like "what you're doing is actually impossible, here's why," or "here's a tutorial someone told me was good for learning how to write a linux kernel module," or "here's my vague understanding of this concept you know nothing about," or "here's how you automate something to click on a link on a webpage," which tends to be handier than just google on its own.)

if you're reading this and you're like "ok cool but where's the part where i'm handed a computer and i gotta break in while going all hacker typer”—that's not the bulk of the work, alas! like, for sure, we do have fun pranking each other by trying dumb ways of stealing each other's passwords or whatever (once i stuck a keylogger in a dude's keyboard, fun times). but a lot of my security jobs have involved stuff like, "stare at this disassembly a long fuckin' time to figure out how the program pointer got all fucked up," or, "write a fuzzer that feeds a lot of randomized input to some C++ program, watch the program crash because C++ is a horrible language for writing software, go fix all the bugs," or "think Really Hard TM about all the settings and doohickeys this OS/GPU/whatever has, think about all the awful things someone could do with it, threat model and sandbox accordingly." occasionally i have done cool proof-of-concept hacks but honestly writing exploits can kinda be tedious, lol, so like, i'm only doing that if it's the only way i can get people to believe that Yes This Is Actually A Problem, Fix Your Code

"lua that's cool and all but i wanted, like, actual links and recommendations and stuff" okay, fair. here's some ideas:

microcorruption: very fun embedded security CTF; teaches you everything you need to know as you're doing it.

cryptopals crypto challenges: very fun little programming exercises that teach you a lot of fundamental cryptography concepts as you're going along! you can do these even as a bit of a n00b; i did them in Python for the lulz

the binary bomb lab is hilariously copied by, like, so many CS programs, lol, but for good reason. it's accessible and fun and is the first time most people get to feel like a real hacker! (requires you know a bit of C beforehand)

ctftime is a good way to see when new CTFs ("capture the flag"s; security-focused competitions) are coming up. or, sometimes CTFs post their source code, so you can continue trying them after the CTF is over. i liked Stripe's CTFs when they were going, because they focused on "web stuff", and "web stuff" was all i really knew at the time. if you're more interested in staring at disassembly, there's CTFs focused on that sort of thing too.

azeria has good ARM assembly & exploitation tutorials

also, like, lots of good talks out there; just watching defcon/cansecwest/etc talks until something piques your interest is very fun. i'd die on a battlefield for any of Christopher Domas's talks, but he assumes a lot of specific x86/OS knowledge, lol, so maybe don’t start with that. oh, Julia Evans's blog is honestly probably pretty good for just learning a lot of stuff and really beginner-friendly?

oh and wrt legality... idk, i haven't addressed it here since it hasn't come up in my own work much, tbh. if you're just getting started you're kind of unlikely to Break The Law without, y'know, realizing maybe you're doing something a bit gray-area? and you can cross that bridge when you come to it? Real Hacking TM is way more of a pain-in-the-ass than doing CTFs and such, and you'll learn way more with the latter, so who cares lol just do the fun thing

[daeva-agas]

Hi I was wondering if you watched the Netflix documentary “Age of Japan,” and if you did, what did you think of it?

I don't have Netflix, so I only snagged a few scenes here and there from teasers, reviews, and other stuff. I think my dad actually have it on his other subscription (which is not Netflix), but the dramatized reenactment are VERY ugly. I don't know if I could stand putting myself through it only to listen to the experts talk. 

Like, I'm actually pretty familiar with some of them and follow their websites/social media. There's maybe 2 or 3 I can kinda vouch for being solid, so the "factual" segments are probably not entirely horrible at least.

Just... if you're completely new at this, IGNORE ALL the storytelling/movie segments and just focus on listening to the historians talk. Because those reenactment/storytelling parts are garbage dumpsterfire.

Like, when it comes to the ninja/Iga episode for example. Their explanation for the Iga-mono being villager-warriors or whatever is okay. I disagree with some of the details, but it's a matter of personal interpretation. BUT, oh God I hate the "storytelling" section.

Which idiot okayed the script of Nobunaga angrily yelling about how he hates Iga? It's a stupid cliche that is so damn wrong and bad, I hate it, it should burn and be eliminated from existence. THAT IS NOT HOW THAT WHOLE THING HAPPENED. STOP ERASURING NOBU'S SON. Like, if they really wanted to show Nobu angry, they should be having him rant about what a moron his son is. Not how he hates the Iga people.

Anyway, do still be careful about the facts presented. Despite the historians being actually good, whatever they were saying were cut and edited by the production team. It’s their final say as to what they want to present on-screen, and it could be misleading. One of the historians mentioned that the way the “facts” are cut together in Netflix unfortunately presented the peasantry as a bunch of helpless poor folks. Whereas considering the fact that the peasants are the militia of the era, those people actually know how to arm themselves and fight. They’re not sitting ducks, even on a daily basis. 

If you wanna hear some of the historians being interviewed about their experience/opinion of the show, listen to this:

https://samuraipodcast.com/ep165-historians-discuss-netflixs-age-of-samurai-battle-for-japan-p1

https://samuraipodcast.com/ep166-historians-discuss-netflixs-age-of-samurai-battle-for-japan-p2

#reply #anon ask #ask reply #Age of Samurai Battle for Japan #age of samurai